Browse content similar to Cath and Rob/Karen and David. Check below for episodes and series from the same categories and more!
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Homes across Britain don't fit our needs... | 0:00:01 | 0:00:04 | |
We're going to feel like sardines in a can. | 0:00:04 | 0:00:06 | |
..or our dreams... | 0:00:06 | 0:00:08 | |
-This is what's known as miserable. -RUBBLE CLATTERS | 0:00:08 | 0:00:12 | |
I'm Piers Taylor and I've handpicked a team of experts | 0:00:12 | 0:00:15 | |
to transform everyday houses... | 0:00:15 | 0:00:17 | |
If you feel that, it doesn't feel like you think it would. | 0:00:20 | 0:00:22 | |
From bold changes... | 0:00:22 | 0:00:24 | |
Your room, as it is, would disappear. | 0:00:24 | 0:00:26 | |
..to stunning interior ideas... | 0:00:28 | 0:00:30 | |
I think it looks amazing now. | 0:00:31 | 0:00:32 | |
..and finishing touches... | 0:00:32 | 0:00:34 | |
It's a bit of a focal point. | 0:00:34 | 0:00:36 | |
We'll use every trick of the trade... | 0:00:36 | 0:00:38 | |
You want to give a bit of a wow factor. | 0:00:38 | 0:00:40 | |
..to prove a limit on your funds... | 0:00:40 | 0:00:42 | |
This stuff's free. | 0:00:42 | 0:00:44 | |
..does not mean a limit on your imagination. | 0:00:44 | 0:00:46 | |
This is amazing, I mean, really amazing. | 0:00:46 | 0:00:49 | |
This time, the family home that's cramped and chaotic... | 0:00:52 | 0:00:54 | |
It's just a bit of a hellhole out there, to be honest with you. | 0:00:55 | 0:00:58 | |
..and ingenious ideas that will transform any room... | 0:00:58 | 0:01:02 | |
The floor runs all the way underneath it, so this floats. | 0:01:02 | 0:01:05 | |
How to take your forgotten basement to another level... | 0:01:05 | 0:01:08 | |
SO many options, so many choices! | 0:01:08 | 0:01:11 | |
But...will a DIY approach backfire? | 0:01:11 | 0:01:14 | |
That wasn't like that! | 0:01:14 | 0:01:15 | |
I think I'll ring my builder and let him know | 0:01:15 | 0:01:17 | |
that my house is falling down! | 0:01:17 | 0:01:19 | |
Back in 1998, | 0:01:32 | 0:01:34 | |
Rob bought this three-bed ex-council house in Warwick. | 0:01:34 | 0:01:37 | |
I grew up in the area | 0:01:39 | 0:01:40 | |
and shortly before my father died 21 years ago, | 0:01:40 | 0:01:43 | |
he made me promise | 0:01:43 | 0:01:45 | |
that I would plough the inheritance that I got off him into a house. | 0:01:45 | 0:01:49 | |
Two years later, he got together with Cath | 0:01:49 | 0:01:52 | |
and the couple now have three children. CHILDREN CHATTER | 0:01:52 | 0:01:56 | |
The house that once worked for Rob as a single man | 0:01:58 | 0:02:01 | |
is bursting at the seams now they're a family of five. | 0:02:01 | 0:02:04 | |
Breakfast is normally chaotic. We haven't really got enough space | 0:02:04 | 0:02:07 | |
and there's a lot of us in a small room. | 0:02:07 | 0:02:09 | |
I don't actually get to sit down, I get to eat on the go. | 0:02:09 | 0:02:12 | |
The first problem is the layout of the ground floor. | 0:02:13 | 0:02:17 | |
The family are struggling with a small kitchen, | 0:02:17 | 0:02:19 | |
a dark living room, | 0:02:19 | 0:02:21 | |
and a cramped hallway. | 0:02:21 | 0:02:23 | |
This is a real bane of our lives trying to get shoes on, | 0:02:23 | 0:02:26 | |
and the toilet's there, it's the thoroughfare. | 0:02:26 | 0:02:28 | |
It's just a really, | 0:02:28 | 0:02:30 | |
it's a real pinchpoint of our lives this little spot here. | 0:02:30 | 0:02:32 | |
-GIRL: -And it's a really tiny house! -HE LAUGHS | 0:02:32 | 0:02:36 | |
Upstairs, the kids have the bigger bedrooms | 0:02:36 | 0:02:38 | |
and Cath and Rob have been relegated to the smallest one for the last five years. | 0:02:38 | 0:02:42 | |
This is my wardrobe! | 0:02:44 | 0:02:46 | |
A big pile of clothes and I kind of have to shimmy down the bed to get into it. | 0:02:46 | 0:02:49 | |
We just feel compromised and would really like to stop camping. | 0:02:49 | 0:02:52 | |
It would be really nice to have more space. | 0:02:52 | 0:02:55 | |
The family have borrowed £55,000. | 0:02:56 | 0:02:59 | |
They want to build a two-storey extension, | 0:02:59 | 0:03:01 | |
which they hope will solve all their problems. | 0:03:01 | 0:03:04 | |
It's not very enjoyable the way it is. | 0:03:04 | 0:03:06 | |
We can't carry on living like this. It is starting to do our heads in. | 0:03:06 | 0:03:09 | |
I'm on my way to Warwick to meet Cath and Rob. | 0:03:16 | 0:03:19 | |
Their house has a huge number of problems. | 0:03:19 | 0:03:22 | |
The trick will be to find the thing | 0:03:22 | 0:03:24 | |
that makes the biggest difference for them and their family. | 0:03:24 | 0:03:27 | |
-Hello, Piers. Hi! -How are you doing? -Good. | 0:03:32 | 0:03:34 | |
-BOTH: Nice to meet you. -Come on in. | 0:03:34 | 0:03:36 | |
Busy time of the day for you guys? | 0:03:36 | 0:03:38 | |
-Yes. It's... -Hello, how are you doing? -Piers, how are you doing? Nice to meet you. | 0:03:38 | 0:03:41 | |
How you doing? Hello. How are you doing? | 0:03:41 | 0:03:43 | |
Do you spend most of your time together in here? | 0:03:43 | 0:03:45 | |
-Or just at mealtimes. -Yeah, just at mealtimes. | 0:03:45 | 0:03:48 | |
Then we're in and out cos there's not enough room. | 0:03:48 | 0:03:50 | |
Did you see me trying to get to the microwave? It's like shuffling past. | 0:03:50 | 0:03:53 | |
-And the fridge here, as well, will nearly always... -Smash people on the head. | 0:03:53 | 0:03:56 | |
'The kitchen is clearly too small for their needs | 0:03:58 | 0:04:01 | |
'and the poorly designed layout results in dark, miserable rooms.' | 0:04:01 | 0:04:04 | |
It's a sunny, summer day, but there's no sun in here | 0:04:06 | 0:04:10 | |
and it just feels a bit...underused and underloved. | 0:04:10 | 0:04:13 | |
'And like many homes across the country, | 0:04:15 | 0:04:17 | |
'this house has had a conservatory added on the back.' | 0:04:17 | 0:04:20 | |
So this is interesting, | 0:04:21 | 0:04:23 | |
cos it's the best position in the house in some ways. | 0:04:23 | 0:04:26 | |
It's overlooking the garden, it's got the aspect, | 0:04:26 | 0:04:29 | |
got the light, all that stuff, | 0:04:29 | 0:04:30 | |
and yet it's kind of unusable, isn't it? | 0:04:30 | 0:04:32 | |
We do get a lot of sun in here, and it's just so hot all the time | 0:04:33 | 0:04:36 | |
apart from the winter when it's completely, bitterly cold. | 0:04:36 | 0:04:39 | |
Conservatories cut out the natural light | 0:04:39 | 0:04:41 | |
and ventilation to the rest of the house. | 0:04:41 | 0:04:44 | |
They just don't work very well. | 0:04:44 | 0:04:45 | |
'With so much stuff dumped in this room, | 0:04:47 | 0:04:49 | |
'lack of storage is clearly a problem, too.' | 0:04:49 | 0:04:52 | |
So this is where we sleep. | 0:04:55 | 0:04:56 | |
Yes, I can see that this is... | 0:04:58 | 0:05:00 | |
about as basic as a bedroom gets. | 0:05:00 | 0:05:03 | |
Everything is conspiring to make you feel oppressed | 0:05:03 | 0:05:07 | |
by the size of these spaces. | 0:05:07 | 0:05:10 | |
Is there anything up here in the loft? | 0:05:10 | 0:05:12 | |
-More junk! -THEY LAUGH | 0:05:12 | 0:05:15 | |
The easy option to our prayers would be just to go up in the loft, | 0:05:15 | 0:05:18 | |
but unfortunately, we don't have the head height so... | 0:05:18 | 0:05:20 | |
we're stuck with what we've got. | 0:05:20 | 0:05:22 | |
At the moment, a loft conversion is being discounted by Cath and Rob | 0:05:24 | 0:05:29 | |
because there just isn't the space upstairs. | 0:05:29 | 0:05:31 | |
But I really want to find a way to go up, | 0:05:31 | 0:05:33 | |
because I think you get the view, you get the space | 0:05:33 | 0:05:36 | |
for relatively little cost. | 0:05:36 | 0:05:39 | |
But... | 0:05:39 | 0:05:40 | |
quite how we'll do it yet, I'm just not sure. | 0:05:40 | 0:05:42 | |
'The planned two-storey extension on the back | 0:05:43 | 0:05:46 | |
'will give them more bedrooms, | 0:05:46 | 0:05:47 | |
'but I don't think this is the answer.' | 0:05:47 | 0:05:49 | |
-In an ideal world... -Yeah... | 0:05:51 | 0:05:53 | |
..one would start again completely. | 0:05:54 | 0:05:56 | |
BUT I think there is something else that we could do... ROB CHUCKLES | 0:05:56 | 0:06:00 | |
..and I think it's touch-and-go whether it could work. | 0:06:00 | 0:06:05 | |
Fundamentally, though, | 0:06:05 | 0:06:06 | |
the key to this is finding a way to use the loft | 0:06:06 | 0:06:08 | |
and the loft - at the moment - can't be used | 0:06:08 | 0:06:11 | |
because there's only about 1,600 mil of head height. | 0:06:11 | 0:06:16 | |
The key to getting it to work | 0:06:16 | 0:06:18 | |
is through the middle of the building... | 0:06:18 | 0:06:22 | |
just dropping the floor of the loft | 0:06:22 | 0:06:26 | |
-and reconfiguring the stairs so that... -Sounds expensive. | 0:06:26 | 0:06:30 | |
Well...It's a lot less expensive than spending 50 grand | 0:06:30 | 0:06:32 | |
on an extension you don't want. | 0:06:32 | 0:06:34 | |
Then you could build the kind of coolest dormer in the world | 0:06:34 | 0:06:38 | |
with amazing bed platform in it. | 0:06:38 | 0:06:41 | |
So let's just deal with the ground floor. | 0:06:41 | 0:06:43 | |
I think you should be doing a ground-floor extension | 0:06:43 | 0:06:47 | |
and then I think, critically, | 0:06:47 | 0:06:49 | |
add a big roof light over the middle of that. | 0:06:49 | 0:06:53 | |
That change there just opens up the options just amazingly. | 0:06:53 | 0:06:57 | |
You really do have, well, better living spaces. | 0:06:57 | 0:07:01 | |
It's like looking at a different house to what we were a few minutes ago. | 0:07:01 | 0:07:05 | |
'And I've one final suggestion I want them to consider. | 0:07:05 | 0:07:08 | |
'A modern porch.' | 0:07:08 | 0:07:10 | |
What it would give you is something beautiful to look at | 0:07:10 | 0:07:12 | |
which changed the front of the building, | 0:07:12 | 0:07:14 | |
cupboard space and a way into the building | 0:07:14 | 0:07:17 | |
that protected you from the weather. | 0:07:17 | 0:07:19 | |
It's just a nicer way to arrive at your house. | 0:07:19 | 0:07:22 | |
-Oh, that's much better. -Absolutely. | 0:07:22 | 0:07:23 | |
-To be able to cover that off in the whole of this scheme would be incredible. -It would. | 0:07:23 | 0:07:27 | |
And, whilst getting some more badly needed space would be fantastic. | 0:07:27 | 0:07:31 | |
'My plan is all about squeezing much more | 0:07:35 | 0:07:38 | |
'out of the existing space in the house. | 0:07:38 | 0:07:40 | |
'Dropping the middle section of the floor in the loft | 0:07:42 | 0:07:45 | |
'and adding a dormer window would give Cath and Rob | 0:07:45 | 0:07:47 | |
'the additional head height needed to turn this space | 0:07:47 | 0:07:50 | |
'into a much-needed fourth bedroom. | 0:07:50 | 0:07:52 | |
'On the ground floor, getting rid of the old conservatory | 0:07:54 | 0:07:58 | |
'and replacing it with a single-storey extension lit from above by a roof light | 0:07:58 | 0:08:02 | |
'will solve the problem of a dark middle area of the house. | 0:08:02 | 0:08:05 | |
'Removing internal walls will then create a new, large open-plan | 0:08:08 | 0:08:12 | |
'family living and dining area. | 0:08:12 | 0:08:14 | |
'My final suggestion is that they add a porch | 0:08:16 | 0:08:19 | |
'to improve the look of the house | 0:08:19 | 0:08:21 | |
'and it would also give the family some much-needed storage.' | 0:08:21 | 0:08:24 | |
There's still a lot of ifs in terms of construction | 0:08:25 | 0:08:28 | |
and in terms of cost. | 0:08:28 | 0:08:30 | |
If all those "if"s come good, | 0:08:30 | 0:08:33 | |
then this can be pulled off. | 0:08:33 | 0:08:35 | |
'It's a really bold plan | 0:08:37 | 0:08:39 | |
'that could totally transform Cath and Rob's home, | 0:08:39 | 0:08:42 | |
'but they're going to have to work out what's possible on their budget.' | 0:08:42 | 0:08:45 | |
Over in Ipswich, | 0:08:51 | 0:08:52 | |
another couple are struggling with lack of space in their home. | 0:08:52 | 0:08:56 | |
Church of England reverend David and his wife Karen | 0:08:57 | 0:09:00 | |
have just bought their first house together | 0:09:00 | 0:09:02 | |
after 25 years living in church accommodation. | 0:09:02 | 0:09:05 | |
All they could afford is a tiny two-bed Victorian terrace | 0:09:07 | 0:09:10 | |
and it's a big change from the spacious vicarages they're used to. | 0:09:10 | 0:09:14 | |
It is small. The rooms are tiny. | 0:09:16 | 0:09:18 | |
I've always thought it's one room short. | 0:09:18 | 0:09:21 | |
It needs one bigger room downstairs. | 0:09:21 | 0:09:23 | |
Karen and David are used to big rooms in big homes. | 0:09:25 | 0:09:29 | |
They long for one area to cook, eat and work from. | 0:09:29 | 0:09:32 | |
But their new dining room is on a different level | 0:09:32 | 0:09:35 | |
to the cramped kitchen, which spills out into the cellar | 0:09:35 | 0:09:37 | |
on the level below. | 0:09:37 | 0:09:39 | |
I like baking, but I can't fit everything in my kitchen | 0:09:39 | 0:09:43 | |
because there's just not enough space. | 0:09:43 | 0:09:45 | |
So I have to bake in the cellar. | 0:09:45 | 0:09:47 | |
I'm always up and down... | 0:09:47 | 0:09:50 | |
I've made it my little kitchen extension. | 0:09:50 | 0:09:53 | |
And this small, gloomy cellar | 0:09:53 | 0:09:55 | |
also doubles as David's home office. | 0:09:55 | 0:09:58 | |
And so I'm always putting stuff on Dave's desk. | 0:09:58 | 0:10:00 | |
The flour, the currants | 0:10:00 | 0:10:03 | |
and all sort of things will suddenly land on my desk. | 0:10:03 | 0:10:05 | |
Karen and David want to extend their cramped kitchen, | 0:10:05 | 0:10:08 | |
doubling the space. | 0:10:08 | 0:10:11 | |
And becoming a homeowner in his 50s, | 0:10:11 | 0:10:13 | |
David has finally been unleashed to do his own DIY. | 0:10:13 | 0:10:16 | |
We've already been researching how to load a wheelbarrow. | 0:10:16 | 0:10:20 | |
-There's an exciting one for you! -Yes. | 0:10:20 | 0:10:23 | |
'But they've got just £10,000 | 0:10:23 | 0:10:25 | |
'to try and transform their small home.' | 0:10:25 | 0:10:28 | |
It's been two and a half years of saving that | 0:10:28 | 0:10:31 | |
and I don't want to waste what we've got. | 0:10:31 | 0:10:33 | |
'For Karen and David, this is about much more | 0:10:34 | 0:10:37 | |
'than mere bricks and mortar.' | 0:10:37 | 0:10:39 | |
It's just something, almost the first time, | 0:10:39 | 0:10:42 | |
that feels like it's ours. | 0:10:42 | 0:10:43 | |
It's Dave and Karen's house, not the vicarage. | 0:10:43 | 0:10:46 | |
And I'm really quite emotional about that. | 0:10:46 | 0:10:48 | |
Sorry. | 0:10:48 | 0:10:49 | |
It means a lot. | 0:10:50 | 0:10:52 | |
Helping me transform these homes | 0:10:59 | 0:11:01 | |
is my hand-picked team of architects. | 0:11:01 | 0:11:04 | |
And taking on the challenge of David and Karen's house | 0:11:04 | 0:11:06 | |
is Cheryl Pilliner-Reeves. | 0:11:06 | 0:11:08 | |
The fact that they've lived in a really large vicarages | 0:11:10 | 0:11:13 | |
changes their perception of what they expect of this small property. | 0:11:13 | 0:11:16 | |
They don't have that space that they previously had | 0:11:16 | 0:11:19 | |
and we're going to need to use every single inch | 0:11:19 | 0:11:22 | |
to deliver what they want from it. | 0:11:22 | 0:11:24 | |
Finding more space in this tiny house is a huge challenge | 0:11:25 | 0:11:29 | |
and Cheryl needs to understand how Karen and David want to live in it. | 0:11:29 | 0:11:33 | |
Round here is our dining room. | 0:11:33 | 0:11:35 | |
So what's the issue here? | 0:11:36 | 0:11:38 | |
It's really too small... | 0:11:38 | 0:11:40 | |
When all our family and our friends come round, it is really difficult. | 0:11:40 | 0:11:43 | |
We love socialising, we love having people round, | 0:11:43 | 0:11:46 | |
but it is, it's really a squeeze. | 0:11:46 | 0:11:49 | |
And down these stairs... | 0:11:50 | 0:11:53 | |
is our very... | 0:11:53 | 0:11:55 | |
tiny kitchen. | 0:11:55 | 0:11:57 | |
-So it's a really...tight space. -Yes. | 0:11:57 | 0:11:59 | |
The couple are desperate to knock down the outhouse in the back garden | 0:12:01 | 0:12:04 | |
to extend the kitchen out further. | 0:12:04 | 0:12:07 | |
Many homes across the country have additions like this. | 0:12:08 | 0:12:11 | |
They block light out from the main house, | 0:12:11 | 0:12:14 | |
making them gloomy and feel smaller. | 0:12:14 | 0:12:15 | |
We'd love to be able to extend out because it gives a kitchen-diner, | 0:12:16 | 0:12:20 | |
it makes great use of wonderful space, sunshine, | 0:12:20 | 0:12:23 | |
and it connects that garden to the house. | 0:12:23 | 0:12:25 | |
Karen and David may miss their old vicarages, | 0:12:26 | 0:12:29 | |
but there's one thing they love about here. | 0:12:29 | 0:12:31 | |
There are some wonderful rooftops and chimneys | 0:12:31 | 0:12:35 | |
and the sunsets are incredible here. | 0:12:35 | 0:12:38 | |
It's something we just can't enjoy at the moment. | 0:12:38 | 0:12:42 | |
So how much do you have to do the project? | 0:12:42 | 0:12:44 | |
We have got, actually, £10,000... | 0:12:44 | 0:12:47 | |
-OK. That's quite a tall order. -It is. | 0:12:48 | 0:12:51 | |
I know it's a big ask. | 0:12:51 | 0:12:53 | |
We believe in a miracle! | 0:12:53 | 0:12:54 | |
Bringing rooms situated on three different levels together | 0:12:57 | 0:13:00 | |
could be complicated | 0:13:00 | 0:13:02 | |
and easily cost tens of thousands of pounds. | 0:13:02 | 0:13:04 | |
Cheryl has worked on multi-million pound schemes | 0:13:06 | 0:13:09 | |
right down to small, clever alterations to existing buildings... | 0:13:09 | 0:13:12 | |
In this apartment, she created split-level areas | 0:13:13 | 0:13:16 | |
to increase the sense of space | 0:13:16 | 0:13:18 | |
and furnished inexpensively with reclaimed items. | 0:13:18 | 0:13:21 | |
Her biggest challenge here is to find a way to connect an extension | 0:13:22 | 0:13:26 | |
to the other spaces that are separated by different levels... | 0:13:26 | 0:13:29 | |
So I know you are keen to knock out your storage shed and build there. | 0:13:32 | 0:13:37 | |
-Yup. -Yes. | 0:13:37 | 0:13:38 | |
My issue with that is that I think you're going to end up | 0:13:38 | 0:13:41 | |
with a very narrow, long kitchen. | 0:13:41 | 0:13:45 | |
What I'd like to propose is that we go sideways | 0:13:46 | 0:13:50 | |
to extend into your garden. | 0:13:50 | 0:13:52 | |
As well as extending sideways, | 0:13:54 | 0:13:57 | |
Cheryl wants to lower the kitchen floor | 0:13:57 | 0:13:59 | |
and bring it to the same level as the new extension, | 0:13:59 | 0:14:02 | |
creating one large kitchen-diner. | 0:14:02 | 0:14:03 | |
I like the playfulness and the connectedness | 0:14:08 | 0:14:10 | |
of how we are trying to connect it. | 0:14:10 | 0:14:12 | |
New staircases will be the key move linking all the spaces together, | 0:14:14 | 0:14:18 | |
including the dining room that becomes David's new office | 0:14:18 | 0:14:21 | |
and the basement which becomes a snug. | 0:14:21 | 0:14:23 | |
We'll have a small flight of stairs down to the kitchen | 0:14:26 | 0:14:29 | |
and then we'll bring the staircase down to the basement this side... | 0:14:29 | 0:14:33 | |
It's a bold move with one major drawback - | 0:14:34 | 0:14:37 | |
sinking the kitchen floor means Karen could lose | 0:14:37 | 0:14:40 | |
her beautiful views. | 0:14:40 | 0:14:42 | |
-I think in my head... -SHE SNIFFS | 0:14:43 | 0:14:45 | |
..I had thought I'd see the sunset | 0:14:45 | 0:14:48 | |
and I won't see that. | 0:14:48 | 0:14:51 | |
This isn't going to be that little pokey window you have there now. | 0:14:51 | 0:14:54 | |
This window is going to be bigger. | 0:14:54 | 0:14:56 | |
You'll be able to see through this window to that same view. | 0:14:56 | 0:14:59 | |
The couple have a strong connection to the house | 0:15:01 | 0:15:04 | |
and big changes can be scary. | 0:15:04 | 0:15:06 | |
I just need to get my head round... | 0:15:06 | 0:15:07 | |
Because it's quite a big change to where we were thinking of going. | 0:15:07 | 0:15:11 | |
Because I'm managing all the finances, | 0:15:11 | 0:15:14 | |
there's a part of me, kind of, a bit worried... | 0:15:14 | 0:15:18 | |
Cheryl's plan is asking a lot of two amateurs | 0:15:22 | 0:15:24 | |
with no experience of renovation. | 0:15:24 | 0:15:27 | |
But the couple are brave enough to go for it. | 0:15:27 | 0:15:29 | |
They start by preparing the ground for new foundations. | 0:15:31 | 0:15:34 | |
This is a whacker that will, once we have got the hard-core on, | 0:15:34 | 0:15:38 | |
it will push the hard-core down. | 0:15:38 | 0:15:40 | |
MACHINE WHIRRS | 0:15:40 | 0:15:42 | |
Karen and David have hired a builder | 0:15:42 | 0:15:44 | |
and a structural engineer for advice on this journey. | 0:15:44 | 0:15:46 | |
But they must be careful not to overstretch themselves | 0:15:46 | 0:15:49 | |
if they're to avoid any nasty surprises. | 0:15:49 | 0:15:52 | |
We don't know what we're doing, really. | 0:15:53 | 0:15:56 | |
-Not brilliant, is it? -No. | 0:15:56 | 0:15:58 | |
It's the fear that we won't do well or we'll make a big mistake | 0:15:58 | 0:16:01 | |
and something will fall down. | 0:16:01 | 0:16:02 | |
TOOLS TAP | 0:16:14 | 0:16:16 | |
In Warwick, Cath and Rob have started work on their plan | 0:16:16 | 0:16:19 | |
to transform their cramped, chaotic home. | 0:16:19 | 0:16:22 | |
I'm just really happy they're taking the conservatory down now. | 0:16:22 | 0:16:25 | |
I can't wait to see the nice big room we're going to have downstairs. | 0:16:25 | 0:16:28 | |
But before they build the new extension, | 0:16:30 | 0:16:32 | |
they need to think about how they'll make the most of the new space | 0:16:32 | 0:16:35 | |
or they risk ending up with a chaotic muddle once more... | 0:16:35 | 0:16:38 | |
How's it going with your build? | 0:16:40 | 0:16:43 | |
-OK. -THEY LAUGH | 0:16:43 | 0:16:45 | |
Well, it's OK, but we're, kind of, coming to crunch time now, | 0:16:45 | 0:16:49 | |
really, with really making decisions. | 0:16:49 | 0:16:50 | |
So I've arranged exclusive access to a house in North London | 0:16:50 | 0:16:53 | |
that's full of architectural tricks | 0:16:53 | 0:16:55 | |
that make it feel larger than its footprint. | 0:16:55 | 0:16:57 | |
So this is the house I'm taking you to see. | 0:16:57 | 0:17:00 | |
Oh, wow, it's amazing! | 0:17:00 | 0:17:02 | |
I've brought you here, really, to show you how every square inch of a house | 0:17:02 | 0:17:06 | |
needs to work really hard | 0:17:06 | 0:17:07 | |
and actually be considered in terms of every detail. | 0:17:07 | 0:17:10 | |
-So let's go in and have a look. -OK. | 0:17:10 | 0:17:12 | |
Oh, wow. | 0:17:16 | 0:17:17 | |
It's so bright and light in here, isn't it? | 0:17:17 | 0:17:20 | |
This house was originally built in the mid-'50s | 0:17:24 | 0:17:27 | |
and it's recently been extended and remodelled | 0:17:27 | 0:17:29 | |
to maximise the feeling of light and space in the building. | 0:17:29 | 0:17:33 | |
It's not actually that big, but it feels like it's really big. | 0:17:35 | 0:17:38 | |
-It gives a good sense of space, doesn't it? -Absolutely. | 0:17:38 | 0:17:41 | |
Glass with frosted film allows natural light to fill the hallway | 0:17:42 | 0:17:47 | |
and the space is clutter-free, | 0:17:47 | 0:17:48 | |
thanks to built-in storage down one wall. | 0:17:48 | 0:17:50 | |
In the spirit of every square inch being used effectively, | 0:17:53 | 0:17:55 | |
this is really clever. | 0:17:55 | 0:17:57 | |
So a mirror that actually is a cupboard. | 0:17:57 | 0:17:59 | |
-So having your... -Absolutely. -..coat and your hat and all that, | 0:17:59 | 0:18:02 | |
just being able to put it there | 0:18:02 | 0:18:04 | |
and have a mirror that's flush with the wall is really nice. | 0:18:04 | 0:18:07 | |
If you build in storage rather than add cupboards or coat hooks, | 0:18:09 | 0:18:12 | |
it becomes part of the architecture and doesn't dominate the space. | 0:18:12 | 0:18:16 | |
It's a great trick for a clutter-free home. | 0:18:16 | 0:18:18 | |
This door head is flush, it's actually wider than normal. | 0:18:21 | 0:18:25 | |
This is a pair of doors, full height. | 0:18:25 | 0:18:27 | |
-Being so wide and so high really gives you the sense of space, doesn't it? It's wonderful. -It does. | 0:18:27 | 0:18:31 | |
You can see just how important something like that is. | 0:18:31 | 0:18:34 | |
And then, when it comes down to the floor, there's no skirting, | 0:18:34 | 0:18:38 | |
there's just a shadow gap that runs around. | 0:18:38 | 0:18:41 | |
Keeping walls free of fussy finishes like coving and skirting | 0:18:41 | 0:18:45 | |
can save on the cost of materials. | 0:18:45 | 0:18:47 | |
They just don't have the clutter and the architraves of stuff | 0:18:49 | 0:18:52 | |
going right in your eyes | 0:18:52 | 0:18:53 | |
and using up precious bits and inches of space. | 0:18:53 | 0:18:56 | |
The architects Lipton Plant have designed the house | 0:18:57 | 0:19:00 | |
so you can see all the way from front to back, | 0:19:00 | 0:19:02 | |
which makes it feel larger, | 0:19:02 | 0:19:05 | |
as does the use of one type of flooring, | 0:19:05 | 0:19:07 | |
laid here on an angle. | 0:19:07 | 0:19:10 | |
This floor is great, the way it runs from there right the way through. | 0:19:10 | 0:19:13 | |
It brings your eye out to the garden as well, doesn't it? | 0:19:13 | 0:19:15 | |
It does, absolutely. | 0:19:15 | 0:19:17 | |
This is so great because it's a piece of furniture | 0:19:19 | 0:19:21 | |
that hangs off the wall on several metal brackets. | 0:19:21 | 0:19:24 | |
-It's, kind of, floating, isn't it? -It does. Yes. | 0:19:24 | 0:19:27 | |
The nicest thing is that the floor runs all the way underneath it, so this floats | 0:19:27 | 0:19:32 | |
and there's none of that conventional... | 0:19:32 | 0:19:34 | |
150 black kickplate... | 0:19:34 | 0:19:36 | |
-Yes, which we have in our kitchen. -Most kitchens have those. | 0:19:36 | 0:19:39 | |
Yes, exactly. | 0:19:39 | 0:19:40 | |
Raising furniture up and allowing the floor to run underneath | 0:19:43 | 0:19:47 | |
is a design trick that makes a room feel bigger | 0:19:47 | 0:19:49 | |
by drawing the eye to its full width. | 0:19:49 | 0:19:51 | |
You can do this with off-the-shelf kitchen units. | 0:19:54 | 0:19:57 | |
It's a great way you can make a small kitchen feel larger. | 0:19:57 | 0:20:00 | |
-It just adds to the airiness and the space. -It does. | 0:20:01 | 0:20:05 | |
-These drawers are beautiful, as well. Look at this. -Oh, yes. | 0:20:05 | 0:20:08 | |
There's a splash of colour inside. | 0:20:08 | 0:20:09 | |
So this is pink, | 0:20:09 | 0:20:10 | |
but you can't quite see the pink | 0:20:10 | 0:20:12 | |
-until you see the yellow interestingly. -Yeah, yeah. | 0:20:12 | 0:20:15 | |
Here, sliding doors bring light into the whole of the rear of the house. | 0:20:15 | 0:20:19 | |
These high-end ones cost around 15K, | 0:20:19 | 0:20:22 | |
but cheaper ones are widely available. | 0:20:22 | 0:20:25 | |
This big opening is really nice, isn't it? | 0:20:25 | 0:20:27 | |
I mean, particularly this great colour. | 0:20:27 | 0:20:30 | |
I mean, yellow is a pretty bold choice for a window frame, | 0:20:30 | 0:20:34 | |
but here it's beautiful, | 0:20:34 | 0:20:35 | |
particularly because you see the yellow against the grey sky. | 0:20:35 | 0:20:38 | |
Making window or door frames yellow is a really useful design trick. | 0:20:39 | 0:20:43 | |
It gives the light a warm glow, | 0:20:43 | 0:20:45 | |
brightening the room even on a dull, grey day. | 0:20:45 | 0:20:48 | |
I would have thought having yellow doors would be awful, | 0:20:48 | 0:20:52 | |
but actually seeing them in real life, | 0:20:52 | 0:20:54 | |
they look great, they're a nice feature. | 0:20:54 | 0:20:57 | |
The aluminium frames were powder-coated during manufacture. | 0:20:57 | 0:21:00 | |
A cheaper way you can achieve the same effect | 0:21:00 | 0:21:03 | |
is to use yellow paint on the window reveals. | 0:21:03 | 0:21:05 | |
This room is great. | 0:21:11 | 0:21:12 | |
This is an adult living room | 0:21:12 | 0:21:14 | |
that you can effectively lock down and shut these doors. | 0:21:14 | 0:21:17 | |
And instead of having a place which is the family room, | 0:21:17 | 0:21:20 | |
the messy room where the kids go, | 0:21:20 | 0:21:21 | |
actually, this is the adult retreat. | 0:21:21 | 0:21:24 | |
I guess we need to think about where this happens in your house. | 0:21:24 | 0:21:27 | |
To have a little snug where we can retreat to in the evening | 0:21:27 | 0:21:29 | |
and have a sit and a cuddle on the sofa and a watch of the telly is great. | 0:21:29 | 0:21:33 | |
This may be very different from your house, | 0:21:37 | 0:21:39 | |
certainly in terms of the amount of the stuff - | 0:21:39 | 0:21:41 | |
and I suspect you have far more stuff... | 0:21:41 | 0:21:44 | |
But is it quite an eye-opener seeing how well-considered everything is here? | 0:21:44 | 0:21:48 | |
Everything's clean lines here, I like it. | 0:21:49 | 0:21:52 | |
In fact, there's no skirtings anywhere, | 0:21:52 | 0:21:55 | |
every single piece of square inch of the house | 0:21:55 | 0:21:57 | |
has been carefully thought through and works fantastically. | 0:21:57 | 0:22:00 | |
That's our challenge. | 0:22:01 | 0:22:03 | |
Back in Ipswich, | 0:22:16 | 0:22:17 | |
costs are already spiralling on David and Karen's build | 0:22:17 | 0:22:21 | |
and they've been hit with a bill of £1,200 to underpin the house. | 0:22:21 | 0:22:25 | |
So to try and stay on budget, | 0:22:25 | 0:22:27 | |
they're tackling as much of the work as they can. | 0:22:27 | 0:22:31 | |
This is some of the soil - | 0:22:31 | 0:22:34 | |
quite a bit of it - we dug out of the foundations. | 0:22:34 | 0:22:37 | |
We've carried 82 bags of cement through the house | 0:22:37 | 0:22:41 | |
and they are 25kg each bag. | 0:22:41 | 0:22:43 | |
In here is where we have put all the ballast. | 0:22:43 | 0:22:46 | |
We have carried, I think, about 16 bulk bags of ballast. | 0:22:46 | 0:22:50 | |
But while knocking bricks out for steels, | 0:22:53 | 0:22:55 | |
they hit another problem. | 0:22:55 | 0:22:57 | |
It's just becoming a bit loose here. | 0:22:57 | 0:23:00 | |
That wasn't like that. | 0:23:00 | 0:23:02 | |
It was quite tight, so I think I'll ring my builder | 0:23:02 | 0:23:05 | |
and let him know that my house is falling down! | 0:23:05 | 0:23:08 | |
Naivety now could end up costing even more in the long term. | 0:23:08 | 0:23:12 | |
Everything Karen and David touch must be checked | 0:23:12 | 0:23:15 | |
and rechecked by the builder, as well as building control. | 0:23:15 | 0:23:19 | |
Just to let you know, some of the bricks are dropping. | 0:23:20 | 0:23:22 | |
Can you just let me know that that's OK | 0:23:22 | 0:23:25 | |
or if there's anything you want me to do? | 0:23:25 | 0:23:27 | |
You can't question the couple's dedication, | 0:23:28 | 0:23:31 | |
but there's a chance they could burn out before this build is complete, | 0:23:31 | 0:23:34 | |
especially when David can't focus on the final vision. | 0:23:34 | 0:23:37 | |
I'm struggling with it. | 0:23:38 | 0:23:40 | |
That's a lovely room, so... Until we see it... | 0:23:40 | 0:23:42 | |
Cos, obviously you are just knocking everything down, so you can't tell what it's going to be... | 0:23:42 | 0:23:46 | |
So you're more aware of what you're losing than what you're gaining cos you can't see it yet. | 0:23:46 | 0:23:50 | |
We need to find a way to help them see what all their efforts could achieve | 0:23:52 | 0:23:56 | |
before the drudgery of the build makes them want to call it a day. | 0:23:56 | 0:23:59 | |
I'm massively worried about them, | 0:24:00 | 0:24:02 | |
because now they've started the project | 0:24:02 | 0:24:04 | |
and they're getting quite tired with the actual physical work required of them, | 0:24:04 | 0:24:08 | |
they might actually start to lose motivation. | 0:24:08 | 0:24:11 | |
It is really hard work physically to do this building. | 0:24:11 | 0:24:14 | |
It's really hard and also, in a way, | 0:24:14 | 0:24:16 | |
the big architectural idea of these interlinked spaces on different levels | 0:24:16 | 0:24:20 | |
is quite a difficult thing to understand. | 0:24:20 | 0:24:22 | |
I suspect if they could visualise all of this | 0:24:22 | 0:24:24 | |
and see what the endgame was, see what they were getting, | 0:24:24 | 0:24:27 | |
-then, actually, they may become remotivated and reinspired. -Absolutely. | 0:24:27 | 0:24:30 | |
I've gained exclusive access to a house in Warwickshire | 0:24:32 | 0:24:35 | |
which I think shows how split-level living can work, | 0:24:35 | 0:24:38 | |
combined with inspirational lighting tricks. | 0:24:38 | 0:24:41 | |
Wow! | 0:24:47 | 0:24:49 | |
Amazing. | 0:24:49 | 0:24:51 | |
It's great. | 0:24:51 | 0:24:53 | |
I just like the hidden light. | 0:24:53 | 0:24:56 | |
It just shows the roof off. | 0:24:56 | 0:24:58 | |
I mean, it's really interesting that the space is lit, | 0:25:00 | 0:25:04 | |
rather than there being lots of lights. | 0:25:04 | 0:25:07 | |
This lighting is beautiful because it shows the shape of the roof. | 0:25:07 | 0:25:10 | |
-It does. -Beautiful. -It's very nice. | 0:25:10 | 0:25:12 | |
Concealed lighting is a great design trick | 0:25:14 | 0:25:17 | |
for making a room feel light and bright. | 0:25:17 | 0:25:19 | |
It can add a sense of drama, | 0:25:19 | 0:25:21 | |
illuminating key parts of the architecture of a building | 0:25:21 | 0:25:23 | |
or even allude to hidden spaces. | 0:25:23 | 0:25:25 | |
It doesn't need to cost a fortune. | 0:25:28 | 0:25:30 | |
You can create it using inexpensive fluorescent tubes. | 0:25:30 | 0:25:33 | |
The important thing is to plan it early on in a project, | 0:25:33 | 0:25:36 | |
so you can build in the recesses needed to hide the fittings. | 0:25:36 | 0:25:39 | |
-The stone... -Yeah. -..connects you to...the outside of the... | 0:25:41 | 0:25:45 | |
-It's the walls of the building. -It is, absolutely. | 0:25:46 | 0:25:48 | |
Strict planning restrictions led the architects Baynes & Co | 0:25:50 | 0:25:54 | |
to design this clever retractable stone wall, | 0:25:54 | 0:25:57 | |
so the owners could insert larger windows. | 0:25:57 | 0:26:00 | |
It's beautiful from both sides | 0:26:00 | 0:26:02 | |
and allows light to sneak through gaps in stonework, | 0:26:02 | 0:26:05 | |
as well as views out. | 0:26:05 | 0:26:07 | |
It's amazing, in the tiny holes you can actually see outside. | 0:26:07 | 0:26:11 | |
Yeah, you just get glimpses, you get bits of green, bits of sky... | 0:26:11 | 0:26:14 | |
But you can see it... That's so clever. | 0:26:14 | 0:26:16 | |
You can achieve similar results through the use of acid-etched glass, | 0:26:18 | 0:26:22 | |
frosted glass or even stained glass. | 0:26:22 | 0:26:24 | |
But I think the other really exciting opportunity for you | 0:26:25 | 0:26:28 | |
in your house is the change in level. | 0:26:28 | 0:26:31 | |
And, in a way, it's a little bit like this, isn't it? | 0:26:31 | 0:26:34 | |
And these stairs are beautiful, aren't they? | 0:26:34 | 0:26:36 | |
'The oversized stairs are a destination in this house.' | 0:26:38 | 0:26:41 | |
These are places where you would linger and... | 0:26:43 | 0:26:46 | |
And you sit! | 0:26:46 | 0:26:47 | |
-It's another seating area, isn't it? -It is, absolutely. | 0:26:47 | 0:26:51 | |
While this set is made of limestone tiles | 0:26:51 | 0:26:53 | |
and cost two grand to build, | 0:26:53 | 0:26:55 | |
you can create chunky steps using cheaper materials, | 0:26:55 | 0:26:57 | |
like concrete or even recycled railway sleepers. | 0:26:57 | 0:27:01 | |
-It's like being in an amphitheatre... -It is, isn't it? | 0:27:02 | 0:27:05 | |
..watching. | 0:27:05 | 0:27:06 | |
Equivalently, when you come down here, | 0:27:06 | 0:27:08 | |
you can sort of be in three spaces at once. | 0:27:08 | 0:27:11 | |
In your house there's really a set of spaces | 0:27:13 | 0:27:15 | |
that are connected by a set of staircases. | 0:27:15 | 0:27:17 | |
And you're ending up with in-between spaces like these | 0:27:17 | 0:27:20 | |
that are really rich and interesting. | 0:27:20 | 0:27:23 | |
I think this house, like yours, | 0:27:23 | 0:27:25 | |
gives you unexpected glimpses of things as you move around... | 0:27:25 | 0:27:28 | |
-It does. -..unexpected views into different areas, | 0:27:28 | 0:27:31 | |
but also unexpected views outside. | 0:27:31 | 0:27:33 | |
It's a house full of surprises, actually. | 0:27:33 | 0:27:37 | |
By taking in the principles found in the light, space | 0:27:37 | 0:27:40 | |
and stairs in this property, | 0:27:40 | 0:27:42 | |
Karen and David can make their multi-level home work. | 0:27:42 | 0:27:45 | |
Now we begin to see the space appear at home, | 0:27:47 | 0:27:50 | |
you begin to use your imagination. | 0:27:50 | 0:27:52 | |
This just lifts it. | 0:27:52 | 0:27:53 | |
You think, "Ah, could we use that?" without slavishly copying it. | 0:27:53 | 0:27:56 | |
In Warwick, the build is progressing. | 0:28:05 | 0:28:08 | |
The extension walls have gone up | 0:28:08 | 0:28:11 | |
and the builders have removed the old back wall | 0:28:11 | 0:28:13 | |
to create the new open-plan living and dining area. | 0:28:13 | 0:28:16 | |
I'm heading back to see Cath and Rob at this critical point of the build. | 0:28:22 | 0:28:26 | |
With the ground floor opened up, | 0:28:26 | 0:28:28 | |
my challenge now is to help them to find what it's for... | 0:28:28 | 0:28:31 | |
-Hi, guys. How are you doing? -Hi. | 0:28:31 | 0:28:33 | |
-Nice to see you. -Great to see you. -Thanks for coming over again. | 0:28:33 | 0:28:36 | |
Look at this, it's amazing. | 0:28:36 | 0:28:37 | |
-It is. -It's a big space, isn't it? -It's huge! | 0:28:37 | 0:28:40 | |
-We're bit worried now about what we're going to do with it, actually! -THEY LAUGH | 0:28:40 | 0:28:44 | |
'They've already got some ideas about how they want to use the room...' | 0:28:44 | 0:28:48 | |
It is a long table and it is going to go here. | 0:28:48 | 0:28:51 | |
Maybe even something here to draw the kitchen and the, | 0:28:51 | 0:28:54 | |
-you know, the dining area together. -A big fridge going there. | 0:28:54 | 0:28:56 | |
Storage all the way along here. | 0:28:56 | 0:28:58 | |
I was thinking of hanging pendants or something over the table. | 0:28:58 | 0:29:01 | |
A kind of breakfast bar, islandy thing here... | 0:29:01 | 0:29:04 | |
My head is already spinning with the amount of different things | 0:29:04 | 0:29:07 | |
that you are going to cram in to these spaces. | 0:29:07 | 0:29:09 | |
How do you not let this just be a sea of chairs and stuff? | 0:29:09 | 0:29:13 | |
I think what we ought to just draw it on the wall. | 0:29:13 | 0:29:16 | |
Just plan it out, move this sofa... | 0:29:16 | 0:29:19 | |
I want them to remember the lessons from the London house | 0:29:19 | 0:29:22 | |
about clever storage and making the most of every inch of space. | 0:29:22 | 0:29:25 | |
You were describing that actually you want your kitchen table along here | 0:29:26 | 0:29:29 | |
and it wants to be a BIG kitchen table... | 0:29:29 | 0:29:31 | |
It is a big kitchen table. We've bought it. | 0:29:31 | 0:29:33 | |
Extends to three metres ten. | 0:29:33 | 0:29:35 | |
So... It's that, kind of scale, isn't it? | 0:29:35 | 0:29:39 | |
What about building a bench or something around that space...? | 0:29:39 | 0:29:44 | |
That you could build in a beautiful place to sit, | 0:29:44 | 0:29:47 | |
so that this is a bench where, you know, you would sit there... | 0:29:47 | 0:29:51 | |
Do you see what I mean? | 0:29:51 | 0:29:52 | |
At a table that was there | 0:29:52 | 0:29:55 | |
and around you is storage. | 0:29:55 | 0:29:57 | |
There's no reason then | 0:29:59 | 0:30:01 | |
that you can't start to do something amazing with colour. | 0:30:01 | 0:30:04 | |
'Building in storage and a bench seat | 0:30:06 | 0:30:08 | |
'is a really efficient use of space | 0:30:08 | 0:30:10 | |
'and a great way to define the dining part of the room. | 0:30:10 | 0:30:13 | |
'My tip for doing this in your own home | 0:30:13 | 0:30:15 | |
'is to find a really good local joiner or carpenter.' | 0:30:15 | 0:30:19 | |
It's not something that we considered at all. | 0:30:19 | 0:30:21 | |
But that drawing there makes it look amazing, you can really visualise it. | 0:30:21 | 0:30:24 | |
It's functional, it looks great and it gives you exciting ideas | 0:30:24 | 0:30:27 | |
of how you can introduce colour and light. | 0:30:27 | 0:30:29 | |
OK, so what about materials? | 0:30:29 | 0:30:31 | |
I think it's really interesting that spaces are unified | 0:30:31 | 0:30:35 | |
by having one material that runs through. | 0:30:35 | 0:30:37 | |
-We're governed by costs... -Yep. | 0:30:37 | 0:30:39 | |
..and so we've been looking at the obvious options of OSB or plywood. | 0:30:39 | 0:30:43 | |
Plywood is really cheap. | 0:30:43 | 0:30:44 | |
-I have a plywood floor because it is super cheap... -Sure. -..and it looks great. | 0:30:44 | 0:30:47 | |
It ages beautifully. | 0:30:47 | 0:30:49 | |
As it gets older, it looks great, as well. | 0:30:49 | 0:30:52 | |
'Plywood's a really cheap material for a floor | 0:30:52 | 0:30:55 | |
'and costs from around £11 a square metre.' | 0:30:55 | 0:30:58 | |
Running this beautiful grid of plywood through would be amazing. | 0:30:58 | 0:31:01 | |
Exactly. Would it be plywood overload | 0:31:01 | 0:31:03 | |
if we had the storage made out of plywood, as well? | 0:31:03 | 0:31:06 | |
I think that plywood on both could look amazing. | 0:31:06 | 0:31:09 | |
Back in Ipswich, unexpected costs are still mounting up. | 0:31:19 | 0:31:22 | |
Karen and David need ten steel beams to support the building | 0:31:25 | 0:31:28 | |
and it's costing them an additional £2,700. | 0:31:28 | 0:31:32 | |
They've already blown their 10K budget. | 0:31:32 | 0:31:35 | |
So far we've spent over 12,000. | 0:31:35 | 0:31:37 | |
It's kept us awake at night... | 0:31:39 | 0:31:42 | |
Yes. | 0:31:42 | 0:31:44 | |
Karen and David can continue with money borrowed from family, | 0:31:44 | 0:31:47 | |
but builder Ralph sees how the increasing costs | 0:31:47 | 0:31:50 | |
are taking their toll on the couple. | 0:31:50 | 0:31:52 | |
They have been stressed, yes. | 0:31:52 | 0:31:54 | |
I heard Karen on the phone in tears. | 0:31:54 | 0:31:57 | |
But this plucky couple aren't going to give up on their dream | 0:31:57 | 0:32:00 | |
and they push on with the plan, | 0:32:00 | 0:32:01 | |
opening up the basement to link up the rooms. | 0:32:01 | 0:32:04 | |
-I need to leave that wall. -Yes. | 0:32:05 | 0:32:07 | |
And I don't what the ceiling falling on me... | 0:32:07 | 0:32:09 | |
The couple are now worried about David's new office. | 0:32:11 | 0:32:15 | |
Once the new extension is built, | 0:32:15 | 0:32:17 | |
it will no longer look out onto the garden and risks being dark. | 0:32:17 | 0:32:21 | |
Cheryl's back to find a solution to link the office | 0:32:21 | 0:32:23 | |
to the extended kitchen beyond. | 0:32:23 | 0:32:25 | |
We want to talk about this space here. | 0:32:26 | 0:32:29 | |
There's going to be a slit window at the top. | 0:32:31 | 0:32:33 | |
But it's also about this looking good from both sides. | 0:32:33 | 0:32:36 | |
So it's got to look good from the study side, | 0:32:36 | 0:32:38 | |
I'd like it to open. | 0:32:38 | 0:32:39 | |
As well as needing light in the room, | 0:32:41 | 0:32:43 | |
David also want some privacy while he works. | 0:32:43 | 0:32:45 | |
There could be an opportunity to enclose the room | 0:32:46 | 0:32:50 | |
through using a transparent or translucent glazing. | 0:32:50 | 0:32:54 | |
You could have frosted or acid-etched, | 0:32:54 | 0:32:56 | |
or you could even use glass blocks. | 0:32:56 | 0:32:58 | |
There's a bit of privacy provided by that. | 0:32:58 | 0:33:01 | |
Cheryl might have found a solution right under their noses... | 0:33:01 | 0:33:05 | |
It may be, if there was some way of using the glazing... | 0:33:05 | 0:33:09 | |
That might be interesting. | 0:33:09 | 0:33:10 | |
Karen's recycled stained-glass is a great way to let light in, | 0:33:12 | 0:33:15 | |
while retaining privacy. | 0:33:15 | 0:33:18 | |
It would also be an opportunity to add some character | 0:33:18 | 0:33:20 | |
to David's desk area. | 0:33:20 | 0:33:22 | |
So one thing I think that could act as a good separator | 0:33:23 | 0:33:28 | |
is just a half-height screen, | 0:33:28 | 0:33:31 | |
whereby you're able to not see past the screen when you're sitting, | 0:33:31 | 0:33:37 | |
and then, when you are standing, you can. | 0:33:37 | 0:33:40 | |
It would bring colour and light into this room. | 0:33:40 | 0:33:42 | |
I quite like that, it's a clever idea. | 0:33:42 | 0:33:45 | |
I like the idea that you are actually using the stained glass in here. | 0:33:45 | 0:33:50 | |
Cheryl's suggesting using a continuous piece of wood | 0:33:50 | 0:33:53 | |
to create David's desk. | 0:33:53 | 0:33:55 | |
Fitting it against the wall would save space. | 0:33:55 | 0:33:58 | |
What I really like is the framing of it. | 0:33:58 | 0:34:01 | |
Cheryl's given them the vision for the study window. | 0:34:03 | 0:34:06 | |
Now she wants to help them with the new staircases. | 0:34:06 | 0:34:09 | |
Karen and David only have £600 to spend on two new sets of stairs. | 0:34:09 | 0:34:14 | |
It's not a lot, | 0:34:14 | 0:34:16 | |
so she's taking Karen to a timber merchant. | 0:34:16 | 0:34:18 | |
-So many options... -Yes. -..so many choices. | 0:34:18 | 0:34:22 | |
There are places like this all around the country | 0:34:22 | 0:34:24 | |
and they stock a much wider range of timber | 0:34:24 | 0:34:27 | |
than can be found at DIY stores. | 0:34:27 | 0:34:28 | |
One way which we could achieve that really lovely chunky timber effect | 0:34:30 | 0:34:34 | |
could be in using sleepers. | 0:34:34 | 0:34:37 | |
Wow, they're definitely chunky! | 0:34:37 | 0:34:40 | |
The great thing about them is that they cost very little. | 0:34:40 | 0:34:43 | |
Planed - £32 plus VAT. | 0:34:43 | 0:34:46 | |
OK. | 0:34:46 | 0:34:47 | |
Sawn - £22 plus VAT. | 0:34:47 | 0:34:50 | |
Probably...for about 12m in length, | 0:34:50 | 0:34:53 | |
you are going to be looking at £260. | 0:34:53 | 0:34:56 | |
OK, it is like steps immediately, isn't it? | 0:34:56 | 0:34:59 | |
-It's like the instant staircase. -Yes. | 0:34:59 | 0:35:01 | |
All stairs must be agreed with building control | 0:35:02 | 0:35:05 | |
and made professionally. | 0:35:05 | 0:35:07 | |
The cost of sawn sleepers would leave them with enough money | 0:35:07 | 0:35:10 | |
for their carpenter to build them. | 0:35:10 | 0:35:12 | |
I'm really hoping that with Tom's help, the carpenter, | 0:35:12 | 0:35:15 | |
we're going to be able to pull this budget together | 0:35:15 | 0:35:17 | |
and really deliver everything that Karen and David need for the staircase. | 0:35:17 | 0:35:21 | |
Back in Warwick, the builders are converting the loft | 0:35:31 | 0:35:33 | |
into Cath and Rob's new master bedroom. | 0:35:33 | 0:35:36 | |
This build is a massive project | 0:35:36 | 0:35:38 | |
and they've already spent nearly 40K of their 55 grand budget. | 0:35:38 | 0:35:41 | |
On the ground floor, the interior fit is underway. | 0:35:43 | 0:35:46 | |
The plywood floor has been laid | 0:35:46 | 0:35:48 | |
and the storage units are being constructed by their carpenter. | 0:35:48 | 0:35:51 | |
He made all the cabinets out of MDF because it was the cheapest thing to do | 0:35:51 | 0:35:55 | |
and created this lovely built-in storage for us. | 0:35:55 | 0:35:59 | |
I can't wait to see all the records up there. | 0:35:59 | 0:36:02 | |
Other places you can build in space-saving storage in a house or flat | 0:36:02 | 0:36:06 | |
include alcoves either side of a chimney breast, | 0:36:06 | 0:36:09 | |
under the stairs and in a bay window as a window seat. | 0:36:09 | 0:36:12 | |
Now Cath and Rob need to tackle the next stage of my plan | 0:36:16 | 0:36:19 | |
to transform their home - the porch. | 0:36:19 | 0:36:22 | |
We've spent a lot of time getting the interior ready | 0:36:22 | 0:36:25 | |
and really we haven't thought about the outside, so it's really important. | 0:36:25 | 0:36:29 | |
We are now concentrating on getting the porch built. | 0:36:29 | 0:36:32 | |
But we're not quite sure what covering, | 0:36:32 | 0:36:34 | |
what it's going to be made of. | 0:36:34 | 0:36:36 | |
'The advice of the local planning authority should be sought | 0:36:37 | 0:36:40 | |
'before undertaking external work to a property. | 0:36:40 | 0:36:43 | |
'I want to help Cath and Rob create something out of the ordinary. | 0:36:43 | 0:36:46 | |
'So I am taking them to a company | 0:36:48 | 0:36:49 | |
'that specialises in materials for the construction industry. | 0:36:49 | 0:36:52 | |
'There are trade warehouses like this all around the country | 0:36:53 | 0:36:56 | |
'and many welcome members of the public, | 0:36:56 | 0:36:59 | |
'but it's always worth calling ahead to check.' | 0:36:59 | 0:37:01 | |
-Hi, Cath. Hi, Rob. -Hello. | 0:37:01 | 0:37:03 | |
How are you doing? | 0:37:03 | 0:37:05 | |
So I've brought you here to talk about your porch. | 0:37:05 | 0:37:07 | |
You need something that works beautifully, | 0:37:07 | 0:37:10 | |
but actually lifts the whole building. | 0:37:10 | 0:37:12 | |
You need a piece of architecture on the front of your house, don't you? | 0:37:12 | 0:37:15 | |
You don't need what everyone else does. | 0:37:15 | 0:37:17 | |
Making it different, quirky and just a real stand-out feature of the house | 0:37:17 | 0:37:21 | |
is something we're really hoping to achieve. | 0:37:21 | 0:37:24 | |
It's the white plastic that we need to get rid of | 0:37:24 | 0:37:26 | |
and it's white plastic that most people use. | 0:37:26 | 0:37:28 | |
And I think you need a material that's equally durable, | 0:37:28 | 0:37:31 | |
but actually is far more beautiful. | 0:37:31 | 0:37:33 | |
'I want them to consider products normally used | 0:37:35 | 0:37:38 | |
'by just the construction trade - | 0:37:38 | 0:37:40 | |
'high-performance cladding board.' | 0:37:40 | 0:37:42 | |
So, I guess, in a way this is like MDF, but an external grade of MDF, | 0:37:42 | 0:37:46 | |
made not out of wood, but out of cement. | 0:37:46 | 0:37:49 | |
Actually this is great material because it lasts indefinitely. | 0:37:49 | 0:37:53 | |
'Cladding board costs from around £35 per square metre | 0:37:53 | 0:37:57 | |
'and it doesn't just come in basic grey.' | 0:37:57 | 0:37:59 | |
I mean, I think you COULD use a bit of colour. | 0:37:59 | 0:38:02 | |
I think a bit of colour at your house would really lift it. | 0:38:02 | 0:38:06 | |
Actually, '60s buildings use colour really effectively. | 0:38:06 | 0:38:09 | |
-What do you think about an orange porch? -Yes, I wouldn't rule it out. | 0:38:09 | 0:38:12 | |
-Wouldn't you? -No. | 0:38:12 | 0:38:13 | |
-OK! -Would you? -I think... | 0:38:13 | 0:38:16 | |
I think I probably would rule it out, actually. Yeah... | 0:38:16 | 0:38:19 | |
There are more muted. | 0:38:19 | 0:38:20 | |
-I mean, this blue is nice. -I really like that, it's lovely. | 0:38:20 | 0:38:24 | |
And dark grey looks really good with this orange. | 0:38:24 | 0:38:27 | |
You can see putting a darker colour next to it looks really good. | 0:38:27 | 0:38:30 | |
Yes, it does. | 0:38:30 | 0:38:31 | |
'Cladding board can be used inside or outside your house. | 0:38:34 | 0:38:37 | |
'It could work as a splashback or even in a wet room. | 0:38:37 | 0:38:39 | |
'These are all offcuts | 0:38:41 | 0:38:43 | |
'and I've arranged for Cath and Rob to take what's going spare.' | 0:38:43 | 0:38:46 | |
Yes, so the great thing about places like this is | 0:38:46 | 0:38:49 | |
they have all this fantastic stuff lying around | 0:38:49 | 0:38:51 | |
that is usually free. | 0:38:51 | 0:38:53 | |
-All this stuff here we could literally pick up and lift away? -Yes. | 0:38:55 | 0:38:58 | |
So we can have a multicoloured, kaleidoscopic, | 0:38:58 | 0:39:01 | |
-psychedelic porch... -If you wanted...! -..if we really wanted to? | 0:39:01 | 0:39:04 | |
-Yes. Cos this is free, this is free material. -OK. | 0:39:04 | 0:39:07 | |
'It's always worth approaching places | 0:39:08 | 0:39:10 | |
'to see if you can get building materials for nothing.' | 0:39:10 | 0:39:13 | |
I mean, I have always had in my mind | 0:39:13 | 0:39:16 | |
something that has a top that tapers... | 0:39:16 | 0:39:19 | |
I guess if we were to talk about colour now, | 0:39:19 | 0:39:22 | |
I think I've always liked the idea | 0:39:22 | 0:39:24 | |
of doing something very, very bright on the inside | 0:39:24 | 0:39:28 | |
and doing the rest of it in quite a subdued colour. | 0:39:28 | 0:39:31 | |
I mean, what do you think about doing that? | 0:39:31 | 0:39:33 | |
What I really like, Piers, is that it's an unusual shape. | 0:39:33 | 0:39:36 | |
It's got an angle porch and it is a porch inside a porch, if you like. | 0:39:36 | 0:39:39 | |
It's quite unusual. | 0:39:39 | 0:39:40 | |
I guess I'm a little bit more comfortable with the colour being... | 0:39:40 | 0:39:44 | |
-inside a bit rather than... -Yes. | 0:39:44 | 0:39:46 | |
You know... | 0:39:46 | 0:39:48 | |
Beaming like a beacon in the rest of the street. | 0:39:48 | 0:39:50 | |
I've given them the vision, | 0:39:51 | 0:39:53 | |
but it's up to the couple to take things forward from here. | 0:39:53 | 0:39:56 | |
In Ipswich, three months into the build, | 0:40:03 | 0:40:05 | |
the shell of the extension is complete | 0:40:05 | 0:40:07 | |
and David and Karen and the builders | 0:40:07 | 0:40:09 | |
are pressing on with the interior fit. | 0:40:09 | 0:40:11 | |
They've now spent a whopping 18 grand, | 0:40:13 | 0:40:16 | |
but they're determined to at least finish the stairs... | 0:40:16 | 0:40:19 | |
Inspired by their trips to the Warwickshire house and the timber yard, | 0:40:20 | 0:40:24 | |
they're going for a chunky railway sleeper design. | 0:40:24 | 0:40:27 | |
That was the rail that went down, | 0:40:28 | 0:40:31 | |
the original rail going down into the cellar. | 0:40:31 | 0:40:34 | |
So it's really lovely to be recycling it. | 0:40:34 | 0:40:37 | |
They're also being as thrifty as possible with fixtures and fittings. | 0:40:37 | 0:40:41 | |
This is my beautiful Belfast sink | 0:40:41 | 0:40:45 | |
that I got off an auction site for £10. | 0:40:45 | 0:40:48 | |
They've also sourced the wood to make David's desk in the office for £175. | 0:40:49 | 0:40:54 | |
This is a bit of wood that Karen found, | 0:40:54 | 0:40:57 | |
reclamation yard. | 0:40:57 | 0:40:59 | |
I think it's an old bar, so we are going to sand it up a bit. | 0:40:59 | 0:41:02 | |
It needs a little bit of repair. | 0:41:02 | 0:41:04 | |
We are going to cut it into it so it will sit into the window. | 0:41:04 | 0:41:08 | |
But a lot of it, even though it is so long, a lot of it we're using. | 0:41:08 | 0:41:11 | |
The couple have pushed themselves to the limit | 0:41:13 | 0:41:15 | |
physically and financially in the hope of transforming their house. | 0:41:15 | 0:41:19 | |
I am really tired and we've just got quite a lot of work to do. | 0:41:19 | 0:41:23 | |
So have they managed to turn this tiny terrace into a connected, light-filled home? | 0:41:25 | 0:41:29 | |
Karen and David have had lots of unexpected costs on this project, | 0:41:38 | 0:41:42 | |
but five months after her first visit, | 0:41:42 | 0:41:44 | |
Cheryl has returned to see how far they've got. | 0:41:44 | 0:41:47 | |
The thing I'm really excited about seeing how they've resolved | 0:41:49 | 0:41:52 | |
is the transition as we go down those level changes | 0:41:52 | 0:41:56 | |
through the kitchen into that new area where the extension is | 0:41:56 | 0:41:59 | |
and then down into the new snug... | 0:41:59 | 0:42:02 | |
EVERYONE: Hello! | 0:42:03 | 0:42:06 | |
-Lovely to see you. -How lovely to see you. -Hello. | 0:42:06 | 0:42:09 | |
Lovely to see you. | 0:42:09 | 0:42:10 | |
Lovely to see you. | 0:42:10 | 0:42:12 | |
So how are you feeling? How's it been? | 0:42:12 | 0:42:14 | |
We are exhausted. | 0:42:14 | 0:42:16 | |
We are tired. | 0:42:16 | 0:42:17 | |
So I can't wait to see it. | 0:42:17 | 0:42:19 | |
Come on in, come and see it. | 0:42:19 | 0:42:21 | |
Before the house was a series of small rooms, | 0:42:22 | 0:42:25 | |
all cut off from each other. | 0:42:25 | 0:42:28 | |
The kitchen was tiny and impractical, | 0:42:28 | 0:42:30 | |
the basement cramped and David lacked a study. | 0:42:30 | 0:42:34 | |
Cheryl's plan was to extend the house sideways | 0:42:34 | 0:42:37 | |
and connect the spaces with a series of staircases. | 0:42:37 | 0:42:40 | |
So has this transformed the house? | 0:42:40 | 0:42:42 | |
This is fantastic! | 0:42:51 | 0:42:52 | |
What do you feel? | 0:42:52 | 0:42:54 | |
It's space. It's like, it's huge. | 0:42:54 | 0:42:57 | |
It just feels, like...! | 0:42:57 | 0:42:59 | |
It's real, I can breathe, it's big. | 0:42:59 | 0:43:01 | |
The extended kitchen is now a large, well-proportioned room. | 0:43:03 | 0:43:07 | |
Lowering the floor level has made the ceiling height more generous | 0:43:07 | 0:43:10 | |
and new windows have improved the connection with the outside. | 0:43:10 | 0:43:13 | |
-And the views out to your wonderful chimney pots! -Yes. | 0:43:15 | 0:43:18 | |
I can see them now. | 0:43:18 | 0:43:20 | |
-Yes, and the rooftops. -Yes. That's fantastic. | 0:43:20 | 0:43:23 | |
It's great. | 0:43:24 | 0:43:26 | |
Light also now pours in from above. | 0:43:26 | 0:43:28 | |
And here's this fantastic roof light, the extra addition | 0:43:30 | 0:43:32 | |
to be able to bring light further into the main part of the house. | 0:43:32 | 0:43:35 | |
And here - it's one of my favourite parts, where you're stood now, | 0:43:35 | 0:43:38 | |
is one of my favourite places, just to stand there. | 0:43:38 | 0:43:41 | |
They've cleverly placed their dining area in the best part of the room | 0:43:41 | 0:43:44 | |
making it the natural place for family to congregate when they visit. | 0:43:44 | 0:43:48 | |
This is a big space to have all my family. | 0:43:50 | 0:43:52 | |
They can all fit in here and I'm going to be a grandmother very soon. | 0:43:52 | 0:43:55 | |
-Congratulations. -I know! | 0:43:55 | 0:43:58 | |
So I'm going to have grandchildren so it's perfect, | 0:43:58 | 0:44:01 | |
because when I am looking after them, we can all be here. | 0:44:01 | 0:44:04 | |
David and Karen have invested money in the big changes | 0:44:05 | 0:44:08 | |
and then saved by reusing parts of their old kitchen, | 0:44:08 | 0:44:11 | |
supplementing with recycled finds. | 0:44:11 | 0:44:13 | |
This is my £10 sink. | 0:44:14 | 0:44:17 | |
It came with taps, as well. | 0:44:17 | 0:44:19 | |
What a fantastic buy! | 0:44:19 | 0:44:21 | |
A carpenter made this for me | 0:44:21 | 0:44:23 | |
and then, yes, on an auction site, | 0:44:23 | 0:44:25 | |
I got this drainer for £30. | 0:44:25 | 0:44:29 | |
This kitchen hasn't cost me very much. | 0:44:29 | 0:44:31 | |
All these elements coming together | 0:44:31 | 0:44:33 | |
and they're a part of your story. | 0:44:33 | 0:44:34 | |
But the biggest success is how the different areas are now connected, | 0:44:36 | 0:44:39 | |
making the small home feel much bigger. | 0:44:39 | 0:44:42 | |
How does it feel now that you have all these different views through? | 0:44:43 | 0:44:46 | |
You get so many different angles. You can be sat on the sofa, | 0:44:46 | 0:44:49 | |
we were this morning, and you're looking out that way | 0:44:49 | 0:44:52 | |
and you're looking right the way through, which we couldn't do before. | 0:44:52 | 0:44:55 | |
And you can see it all. I'm amazed. | 0:44:55 | 0:44:57 | |
-Ah, this is fantastic. -Ah, good. | 0:44:59 | 0:45:02 | |
What a great space you've made down here. | 0:45:02 | 0:45:05 | |
It's really lovely. | 0:45:05 | 0:45:07 | |
It's a great cosy snug. | 0:45:07 | 0:45:09 | |
With white walls and clever lighting, | 0:45:11 | 0:45:14 | |
the cellar feels bright, yet cosy. | 0:45:14 | 0:45:16 | |
Tying the levels together are bespoke chunky stairs, | 0:45:16 | 0:45:20 | |
which are still work in progress. | 0:45:20 | 0:45:22 | |
This is very similar to what we were talking about | 0:45:22 | 0:45:24 | |
when we went to the timber yard. | 0:45:24 | 0:45:26 | |
I liked the idea and I liked the solid thickness of it. | 0:45:26 | 0:45:29 | |
They're very solid, very chunky. | 0:45:29 | 0:45:32 | |
The two sets of stairs cost just £550 in total. | 0:45:32 | 0:45:37 | |
We still, obviously, need the balustrades in | 0:45:37 | 0:45:40 | |
and I'm having tension wire infills. | 0:45:40 | 0:45:43 | |
You've got your brick floor, your timber sleeper staircase. | 0:45:43 | 0:45:46 | |
Together it will all have a very, kind of, earthy feeling. | 0:45:46 | 0:45:49 | |
This is a world away from the old dark cellar | 0:45:52 | 0:45:54 | |
where David used to work. | 0:45:54 | 0:45:56 | |
But now he has a new office in the room above. | 0:45:56 | 0:45:59 | |
Oh, this is a lovely room. | 0:46:00 | 0:46:01 | |
So this is where you are sitting to study and work now. | 0:46:05 | 0:46:08 | |
Yes, it's a lovely space to be in. | 0:46:08 | 0:46:10 | |
You get the light coming through. | 0:46:10 | 0:46:12 | |
I really like the way from this view | 0:46:12 | 0:46:14 | |
you actually have this sense of being able to see straight out through that upper panel. | 0:46:14 | 0:46:18 | |
Yes, what I feared was I wouldn't get hardly any light in here at all. | 0:46:18 | 0:46:21 | |
Actually it's completely the opposite, | 0:46:21 | 0:46:23 | |
you get quite a lot of light. | 0:46:23 | 0:46:25 | |
I think this feature of using the stained glass that you had found is wonderful. | 0:46:25 | 0:46:29 | |
It's really decorative in the room. | 0:46:29 | 0:46:31 | |
And even though you only have a peek of it above the desk, | 0:46:31 | 0:46:34 | |
it's just a bit of colour and pattern... | 0:46:34 | 0:46:37 | |
and obviously below the desk, as well. | 0:46:37 | 0:46:40 | |
It really livens up this opening. | 0:46:40 | 0:46:42 | |
It does, it makes a feature out of it. | 0:46:42 | 0:46:44 | |
The reclaimed bar helps add a sense of quality and history. | 0:46:46 | 0:46:49 | |
I love the fact it's such a strong clear line | 0:46:50 | 0:46:53 | |
across from end to end of the wall | 0:46:53 | 0:46:55 | |
and there's no support. | 0:46:55 | 0:46:57 | |
It just makes it so much more generous. | 0:46:57 | 0:47:00 | |
So from being enclosed here and separate from the kitchen and dining space, | 0:47:00 | 0:47:03 | |
you can then open this window - | 0:47:03 | 0:47:06 | |
and that's great - | 0:47:06 | 0:47:08 | |
-and become part of the activity. -Yeah. -That's lovely. | 0:47:08 | 0:47:11 | |
Karen and David have worked tirelessly on this build | 0:47:12 | 0:47:15 | |
and have managed to pull off the miracle they were praying for. | 0:47:15 | 0:47:18 | |
I was worried about you taking on this project | 0:47:19 | 0:47:21 | |
because obviously there was a lot of building work involved | 0:47:21 | 0:47:24 | |
-and this is your first building project. -BOTH: Yes. | 0:47:24 | 0:47:27 | |
It has been exhausting. | 0:47:27 | 0:47:29 | |
It's been enjoyable, as well, | 0:47:29 | 0:47:30 | |
because we've been learning new skills. | 0:47:30 | 0:47:32 | |
-We never thought we would do what we've done, did we? -No. | 0:47:32 | 0:47:35 | |
And I know all the different types of concrete there is. | 0:47:35 | 0:47:38 | |
I love making concrete. | 0:47:38 | 0:47:40 | |
And I love cleaning bricks. | 0:47:40 | 0:47:42 | |
So you had a £10,000 budget and I'd like to know how you got on. | 0:47:46 | 0:47:50 | |
Well, we've gone way over the budget, | 0:47:51 | 0:47:53 | |
but I know... I know that the budget was unrealistic. | 0:47:53 | 0:47:57 | |
Um... | 0:47:57 | 0:47:58 | |
We have spent...£23,000... | 0:47:58 | 0:48:02 | |
£24,000... | 0:48:02 | 0:48:05 | |
That's everything. | 0:48:05 | 0:48:06 | |
We had saved £10,000 | 0:48:06 | 0:48:08 | |
and then my sister | 0:48:08 | 0:48:11 | |
gave us a loan for another ten. | 0:48:11 | 0:48:14 | |
And then... | 0:48:14 | 0:48:16 | |
the rest has been my wages each month. | 0:48:16 | 0:48:19 | |
Just an extension alone could be between £25,000-£30,000. | 0:48:19 | 0:48:23 | |
The structural work for the basement, | 0:48:23 | 0:48:26 | |
that could have been another £10,000, £15,000, £20,000. | 0:48:26 | 0:48:28 | |
The savings you've made | 0:48:28 | 0:48:30 | |
and the amount you've journeyed to make this home yours is fantastic. | 0:48:30 | 0:48:35 | |
You feel part of this house, | 0:48:35 | 0:48:37 | |
it's part of you and your story. | 0:48:37 | 0:48:38 | |
I actually feel quite proud and emotional about it | 0:48:38 | 0:48:41 | |
-and it's something I feel privileged to invite people round to. -Yeah. | 0:48:41 | 0:48:45 | |
I want to share it. | 0:48:45 | 0:48:47 | |
-Yes, we've already got people booked in for dinner. -THEY ALL LAUGH | 0:48:47 | 0:48:50 | |
From a muddled and frustrating home, | 0:48:53 | 0:48:55 | |
Karen and David finally have their own spaces, | 0:48:55 | 0:48:59 | |
but also ones can enjoy together. | 0:48:59 | 0:49:00 | |
I haven't made a cake for ages. | 0:49:02 | 0:49:04 | |
-It's fantastic. -Isn't it beautiful. | 0:49:04 | 0:49:06 | |
With the structural work complete, | 0:49:19 | 0:49:21 | |
it's the final push to complete the interior of Cath and Rob's house. | 0:49:21 | 0:49:25 | |
And having learnt design lessons, they're determined to avoid bog-standard finishes... | 0:49:25 | 0:49:29 | |
It's called Moroccan Flame, | 0:49:30 | 0:49:32 | |
but basically it's just bright orange. | 0:49:32 | 0:49:34 | |
This is completely outside our comfort zone. | 0:49:34 | 0:49:37 | |
We always go for magnolia or beige or something like that. | 0:49:37 | 0:49:39 | |
We want something different, we want to be a bit brave. | 0:49:41 | 0:49:43 | |
Now the builders have to tackle the part of the project | 0:49:45 | 0:49:48 | |
that will hopefully make the most impact - the porch... | 0:49:48 | 0:49:51 | |
As a result of our trip to the warehouse, | 0:49:53 | 0:49:55 | |
the couple have decided to construct it | 0:49:55 | 0:49:57 | |
from offcuts of laminated particle board, | 0:49:57 | 0:50:00 | |
but the builders are unfamiliar with this product. | 0:50:00 | 0:50:02 | |
I've never used this material before. It's quite unusual. | 0:50:04 | 0:50:08 | |
I, kind of, learn more about this stuff as we go on. | 0:50:08 | 0:50:11 | |
DRILL WHIRRS | 0:50:11 | 0:50:13 | |
Rob arrives back home to see what the builders are doing. | 0:50:14 | 0:50:17 | |
-There's a lot of layers of cladding and stuff, isn't there? -Yeah. | 0:50:17 | 0:50:21 | |
I thought we were just going to have a simple timber frame | 0:50:21 | 0:50:24 | |
-with a bit of this shoved on the front. -Yes. | 0:50:24 | 0:50:26 | |
The offcuts have cost Cath and Rob nothing, | 0:50:29 | 0:50:32 | |
but they've had to go with whatever colour the company had spare. | 0:50:32 | 0:50:35 | |
The new porch will dominate the front of the house, | 0:50:35 | 0:50:38 | |
so will their brave decision pay off? | 0:50:38 | 0:50:40 | |
With the colour, I'm sure I'll get used to it. | 0:50:41 | 0:50:44 | |
Yeah, it's quite a statement, really. | 0:50:44 | 0:50:46 | |
Eight months after my first visit, I'm back in Warwick. | 0:50:57 | 0:51:01 | |
Cath and Rob had issues with their home that I think many of us could recognise. | 0:51:01 | 0:51:05 | |
Because they'd been in it for such a long time, | 0:51:05 | 0:51:08 | |
their needs had changed with a growing family, | 0:51:08 | 0:51:10 | |
but their home hadn't. | 0:51:10 | 0:51:11 | |
With that, their home had become completely unloved. | 0:51:11 | 0:51:14 | |
Previously the outside of the house was dated and uninviting... | 0:51:16 | 0:51:18 | |
So has a new porch made all the difference? | 0:51:20 | 0:51:22 | |
-Hi, Cath. Hi, Rob. -Hi, how are you? -How are you doing? | 0:51:23 | 0:51:26 | |
-Look at this! -I know. -Amazing. | 0:51:28 | 0:51:31 | |
This big blue thing stuck to the front of our house! | 0:51:31 | 0:51:33 | |
Made out of a very bright colour. | 0:51:33 | 0:51:35 | |
It's beautiful, it's great, isn't it? BOTH: Yes. | 0:51:35 | 0:51:37 | |
'The porch has been made of free offcuts of laminated particle board. | 0:51:39 | 0:51:43 | |
'Labour and other materials came in at under £1,000.' | 0:51:43 | 0:51:46 | |
I think the colour with the brick is fantastic. | 0:51:49 | 0:51:51 | |
It's definitely going to stand out on the street. | 0:51:51 | 0:51:54 | |
It is...going to stand out. | 0:51:54 | 0:51:55 | |
And it's also solved another storage issue. | 0:51:55 | 0:51:57 | |
You did have a very narrow corridor. | 0:51:57 | 0:51:59 | |
Yes, and only a small shoe cupboard, as well. | 0:51:59 | 0:52:02 | |
And so we can chuck a load of it out here now. | 0:52:02 | 0:52:03 | |
So if you've done this on the outside, | 0:52:03 | 0:52:05 | |
I can't wait to see what you've done on the inside... | 0:52:05 | 0:52:07 | |
-Looking forward to showing you. Come on in! -Let go and have a look. | 0:52:07 | 0:52:11 | |
Before, the family were struggling with a small kitchen, | 0:52:11 | 0:52:14 | |
a dark living room | 0:52:14 | 0:52:16 | |
and a cramped hallway. | 0:52:16 | 0:52:18 | |
The unloved conservatory had become a dumping ground. | 0:52:18 | 0:52:21 | |
Look at this! Wow! I can't believe it, it's amazing. | 0:52:27 | 0:52:29 | |
-It's much lighter, as well. -It's so much lighter. | 0:52:34 | 0:52:37 | |
I mean, it really is a different house this, isn't it? | 0:52:37 | 0:52:40 | |
I really can't believe the difference, actually, | 0:52:40 | 0:52:43 | |
because here you've taken out a wall, | 0:52:43 | 0:52:45 | |
-taken away the conservatory... -Yep. | 0:52:45 | 0:52:47 | |
..and used the same space, | 0:52:47 | 0:52:49 | |
but it feels like a completely different amount of space. | 0:52:49 | 0:52:52 | |
'The ground floor is now a generous space, | 0:52:54 | 0:52:56 | |
'flooded with light thanks to the roof light and bifold doors | 0:52:56 | 0:53:00 | |
'and it's zoned into places for cooking, eating and relaxing.' | 0:53:00 | 0:53:03 | |
Before, you used to have a very small kitchen table here, didn't you? | 0:53:06 | 0:53:10 | |
Now we've got a nice large area to eat around. | 0:53:10 | 0:53:13 | |
This looks so inviting. | 0:53:13 | 0:53:15 | |
-Yes, absolutely. -I mean, it really is. | 0:53:15 | 0:53:18 | |
-Fantastic. -And it's orange! -THEY LAUGH | 0:53:18 | 0:53:20 | |
Here's the man that claims he doesn't like bright colours. | 0:53:20 | 0:53:23 | |
Well, you know, I'm open-minded! | 0:53:23 | 0:53:25 | |
Having a table this...further over towards it, | 0:53:25 | 0:53:28 | |
means it gives you a lot more space actually in the room. | 0:53:28 | 0:53:32 | |
So it's purely functional, as well, | 0:53:32 | 0:53:33 | |
-because that's all storage under there, as well. -In here? -Yep. | 0:53:33 | 0:53:37 | |
It where the naughty kids go. | 0:53:37 | 0:53:38 | |
Naughty kids! Or naughty grown-ups! THEY LAUGH | 0:53:38 | 0:53:41 | |
They can lock you in. That's fantastic. | 0:53:41 | 0:53:43 | |
-What a great use of space. -Yeah, absolutely. | 0:53:43 | 0:53:45 | |
You know, every inch is being used of all this space. | 0:53:45 | 0:53:47 | |
But it's lovely the way it goes up to the ceiling, | 0:53:47 | 0:53:50 | |
because I think if you'd got something just from a flat pack supplier, | 0:53:50 | 0:53:54 | |
it just wouldn't fill the space and define this lovely bench. | 0:53:54 | 0:53:56 | |
'I'm so pleased Cath and Rob have learnt the lessons about using every inch of space. | 0:53:58 | 0:54:01 | |
All this joinery cost than £2,000 | 0:54:03 | 0:54:05 | |
and the carpenter even added his own touches. | 0:54:05 | 0:54:08 | |
It looks like he's had some fun with these handles. | 0:54:09 | 0:54:12 | |
And that's just bits of ply glued together with a bit of varnish | 0:54:12 | 0:54:16 | |
and, again, totally bespoke - no-one else has got that anywhere. | 0:54:16 | 0:54:19 | |
'Having been inspired by the visit to the London house, | 0:54:21 | 0:54:24 | |
'Cath and Rob have managed to carve out some space for themselves | 0:54:24 | 0:54:27 | |
'and have built a bar.' | 0:54:27 | 0:54:29 | |
So this is great, isn't it, for you guys to have this. | 0:54:29 | 0:54:33 | |
I mean, I probably relinquished the sense | 0:54:33 | 0:54:35 | |
that I could ever have any adult space in my own house, | 0:54:35 | 0:54:38 | |
but you've really done the sensible thing and clawed some back. | 0:54:38 | 0:54:41 | |
Absolutely. Everyone that comes in loves it. | 0:54:41 | 0:54:43 | |
And, you know, this great big piece of wood here, | 0:54:43 | 0:54:46 | |
have a guess how much this, all this top cost. | 0:54:46 | 0:54:48 | |
-Why don't you tell me. -Five pounds. -Five pounds? | 0:54:48 | 0:54:50 | |
-Five pounds for a fantastic piece of timber... -That's amazing! | 0:54:50 | 0:54:53 | |
..with great history behind it. | 0:54:53 | 0:54:55 | |
So I can see over here this great yellow in this reveal, | 0:54:57 | 0:55:02 | |
-which we talked about, didn't we? -Yes. | 0:55:02 | 0:55:04 | |
We have banana yellow in our living room. | 0:55:04 | 0:55:06 | |
I never thought I'd say those words. | 0:55:06 | 0:55:08 | |
I mean, it does do something, doesn't it? | 0:55:09 | 0:55:11 | |
-It bounces a lovely warm light into the room. -Yeah, absolutely. | 0:55:11 | 0:55:15 | |
We've carried on the idea of having some colour | 0:55:15 | 0:55:18 | |
into the recess here, where the lantern is. | 0:55:18 | 0:55:20 | |
Put a bit of blue. | 0:55:20 | 0:55:21 | |
Just the subtly of knowing that a little bit of colour | 0:55:21 | 0:55:25 | |
can make a big difference. | 0:55:25 | 0:55:27 | |
And the quality of the space, | 0:55:27 | 0:55:28 | |
the flat ceiling with the lovely step up into the lantern is beautiful. | 0:55:28 | 0:55:32 | |
The couple have invested £1,200 on the skylight. | 0:55:33 | 0:55:36 | |
This key move floods the previously dark central part of the house with light | 0:55:36 | 0:55:40 | |
and they've saved on the floor, using plywood at just £16 a sheet. | 0:55:40 | 0:55:43 | |
It's really light, really durable | 0:55:46 | 0:55:47 | |
and actually, running through this, makes it seem really spacious | 0:55:47 | 0:55:52 | |
without any threshold strips or anything like that. | 0:55:52 | 0:55:55 | |
'The loft conversion is still work in progress, | 0:55:57 | 0:55:59 | |
'but I want to see how they've squeezed three storeys | 0:55:59 | 0:56:02 | |
'into their two-storey house.' | 0:56:02 | 0:56:04 | |
-Let's go and have a look. -OK. | 0:56:04 | 0:56:06 | |
So this is great. | 0:56:06 | 0:56:07 | |
This is a really interesting space. | 0:56:07 | 0:56:10 | |
What I like about this is that this is space that's stolen. | 0:56:10 | 0:56:13 | |
You've gained it by dropping the floor only by a foot | 0:56:13 | 0:56:16 | |
and I think it's really great the way you've squeezed | 0:56:16 | 0:56:20 | |
every inch out of this house. | 0:56:20 | 0:56:22 | |
Yes, yes, absolutely. | 0:56:22 | 0:56:23 | |
'There's still a way to go to finish this build, | 0:56:24 | 0:56:27 | |
'but Cath and Rob have achieved so much over the last few months. | 0:56:27 | 0:56:30 | |
'So how has their budget fared?' | 0:56:30 | 0:56:33 | |
You told me you had about 55,000 to do all of this work. | 0:56:33 | 0:56:37 | |
How much have you spent? | 0:56:37 | 0:56:38 | |
We're at the point of about... | 0:56:38 | 0:56:40 | |
65, something like that. | 0:56:40 | 0:56:43 | |
Do you think you have got good value in your house here? | 0:56:43 | 0:56:47 | |
Oh, I think it's transformed our lives, really. | 0:56:47 | 0:56:49 | |
Because it's a lot of money, | 0:56:49 | 0:56:51 | |
but actually every bit of the house has been reconfigured. | 0:56:51 | 0:56:53 | |
I mean EVERY SINGLE bit. | 0:56:53 | 0:56:55 | |
Do you think you've learnt through looking at design | 0:56:55 | 0:56:58 | |
and doing this house? | 0:56:58 | 0:57:00 | |
Maybe not everything you need to do has to be | 0:57:00 | 0:57:04 | |
what you see in magazines or in shops... | 0:57:04 | 0:57:08 | |
It doesn't cost a lot to introduce really interesting ideas to your home. | 0:57:08 | 0:57:13 | |
CHILDREN SHOUT | 0:57:13 | 0:57:14 | |
'Cath and Rob have embraced this whole process | 0:57:14 | 0:57:17 | |
'and their remodelled house is testament | 0:57:17 | 0:57:20 | |
'to their willingness to think differently about design, materials and interior finishes. | 0:57:20 | 0:57:24 | |
'They've ended up with a home that is now fit for them | 0:57:25 | 0:57:28 | |
'and their family and how they want to live.' | 0:57:28 | 0:57:30 | |
I'm so pleased now that they've got a house | 0:57:32 | 0:57:34 | |
that they really will grow into over the next 10 or 15 or 20 years | 0:57:34 | 0:57:39 | |
and hopefully stay in love with. | 0:57:39 | 0:57:41 | |
-Now I can see what you're cooking for tea! -That's right. | 0:57:41 | 0:57:44 | |
More importantly, we'll be able to see what you're up to! | 0:57:44 | 0:57:46 | |
And I'll go up the ladder! | 0:57:46 | 0:57:48 | |
Next time, the owner of one of Britain's thinnest homes is desperate for help... | 0:57:53 | 0:57:58 | |
There you go, you won't get lost in this place. | 0:57:58 | 0:58:00 | |
But how do you make a lot out of a little? | 0:58:00 | 0:58:02 | |
-What do you think? -It's amazing. | 0:58:02 | 0:58:05 | |
Meanwhile, a family of four have enormous dreams for their home... | 0:58:05 | 0:58:08 | |
I just love the grandeur. | 0:58:08 | 0:58:10 | |
..but bigger isn't always better... | 0:58:10 | 0:58:13 | |
This isn't architecture. This is just getting more space. | 0:58:13 | 0:58:15 |