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It's the last thing we want to think about - our funeral. | 0:00:02 | 0:00:05 | |
But we all have very different thoughts about the way we want to go. | 0:00:06 | 0:00:10 | |
"When the sun sets on the ocean blue, | 0:00:12 | 0:00:14 | |
"remember me as I will always remember you. God bless." | 0:00:14 | 0:00:18 | |
For some people, though, death is very much their way of life. | 0:00:20 | 0:00:24 | |
And they love their work. | 0:00:26 | 0:00:27 | |
'We care for the dead but we're there to help the families' | 0:00:29 | 0:00:32 | |
and I can't imagine a more rewarding job. | 0:00:32 | 0:00:35 | |
Welcome to a world that most of us will never see. | 0:00:38 | 0:00:41 | |
We're opening the doors on a very Welsh undertaking. | 0:00:44 | 0:00:48 | |
For this young lady, undertaking has been a family concern for generations. | 0:01:14 | 0:01:20 | |
'My name's Gemma O'Driscoll | 0:01:20 | 0:01:21 | |
'and I'm a funeral director in Hendy, Llanelli, South Wales. | 0:01:21 | 0:01:26 | |
'I'm one of only a handful of female funeral directors in Wales | 0:01:27 | 0:01:31 | |
'but in addition,' | 0:01:31 | 0:01:32 | |
I'm an inspector for SAIF, | 0:01:32 | 0:01:34 | |
which is a trade association for independent funeral directors. | 0:01:34 | 0:01:38 | |
'I'm also about to become president of SAIF. | 0:01:38 | 0:01:42 | |
'I also work as a tutor and assessor for the Independent Funeral Directors' College. | 0:01:42 | 0:01:47 | |
'I'm also a mum of six daughters, aged between five and 14, | 0:01:47 | 0:01:51 | |
'so there is a lot of fun, a lot of laughter in the house.' | 0:01:51 | 0:01:55 | |
I was an only child so you can read into that as you wish! | 0:01:55 | 0:01:58 | |
'I'm Mum today. But I'm always on call. | 0:02:00 | 0:02:03 | |
'I think many more families are choosing to use a female | 0:02:05 | 0:02:09 | |
'funeral director, so I do think attitudes are changing overall, | 0:02:09 | 0:02:14 | |
'but I see funeral directing as a caring profession | 0:02:14 | 0:02:18 | |
'and most caring professions are predominantly female dominated | 0:02:18 | 0:02:23 | |
'and traditionally it was always a woman who was | 0:02:23 | 0:02:26 | |
'involved in caring for the body and at some point, that faded away' | 0:02:26 | 0:02:31 | |
and the professional funeral director came to prominence | 0:02:31 | 0:02:35 | |
and that was usually a man and so | 0:02:35 | 0:02:39 | |
perhaps we're going back to that a little bit. | 0:02:39 | 0:02:42 | |
With the unpredictability of the work, | 0:02:43 | 0:02:46 | |
planning family days out is never easy. | 0:02:46 | 0:02:49 | |
'There's one thing we tend to do that is slightly different to when | 0:02:49 | 0:02:52 | |
'I was growing up and that's that pretty much everything is a surprise.' | 0:02:52 | 0:02:55 | |
Then they don't know about the three times we were going | 0:02:55 | 0:02:57 | |
out that got cancelled, | 0:02:57 | 0:02:58 | |
they only know about the day that we're in the car, and off we go. | 0:02:58 | 0:03:02 | |
In work today, though, yellow is the new black for Gemma. | 0:03:04 | 0:03:08 | |
'We have a really interesting funeral with a lovely family. | 0:03:08 | 0:03:11 | |
'It's completely non-traditional.' | 0:03:11 | 0:03:14 | |
So today, I must get my top hat on, the gloves and so, | 0:03:14 | 0:03:18 | |
it's not my usual attire. | 0:03:18 | 0:03:20 | |
Today I'm wearing yellow. | 0:03:20 | 0:03:22 | |
'The family want a bright and cheerful funeral, | 0:03:23 | 0:03:26 | |
'so I'm doing what I can to accommodate that as well. | 0:03:26 | 0:03:28 | |
'It wouldn't be suitable for me to be wearing black | 0:03:28 | 0:03:31 | |
'so if the family want me to wear a onesie, I'll wear a onesie. | 0:03:31 | 0:03:34 | |
'If the family want me head-to-toe in pink, I'll wear pink. | 0:03:34 | 0:03:38 | |
'Having a formal Victorian-style funeral for John, | 0:03:46 | 0:03:49 | |
'who loved comedy and laughter and inappropriate jokes - | 0:03:49 | 0:03:53 | |
'that wouldn't have been fitting for him at all | 0:03:53 | 0:03:56 | |
'so I think this was far more appropriate and respectful for John | 0:03:56 | 0:03:59 | |
'than a more traditional funeral would be for someone else.' | 0:03:59 | 0:04:02 | |
And he left very clear instructions not to wear black. | 0:04:05 | 0:04:09 | |
Now at this stage, | 0:04:09 | 0:04:10 | |
we'd normally have some calming music to listen to. | 0:04:10 | 0:04:14 | |
MUSIC: Yakety Sax by Boots Randolph | 0:04:14 | 0:04:19 | |
'To see a room full of people smiling and laughing during the funeral service | 0:04:19 | 0:04:22 | |
'is really something quite different | 0:04:22 | 0:04:25 | |
'and the crowd really appreciated everything that was done today. | 0:04:25 | 0:04:28 | |
'There's definitely a change towards a little bit more of this | 0:04:30 | 0:04:33 | |
'kind of thing and, um, yeah, I think | 0:04:33 | 0:04:36 | |
'we'll see much greater changes going forward in the future.' | 0:04:36 | 0:04:40 | |
Picked the girls up from school. | 0:04:43 | 0:04:45 | |
They've gone to after-school club today. Couldn't manage without it. | 0:04:45 | 0:04:48 | |
And I've got to pick them up, I've got to go home, we've got | 0:04:48 | 0:04:51 | |
to have dinner, and there's a PTA meeting tonight. | 0:04:51 | 0:04:54 | |
In Baglan near Port Talbot, | 0:04:58 | 0:05:00 | |
funeral director Gareth Jenkins is dealing with tragedy. | 0:05:00 | 0:05:05 | |
Last night, we heard that there was an incident on the local | 0:05:05 | 0:05:09 | |
station, near the local station here in Baglan. | 0:05:09 | 0:05:11 | |
It was a young man that died in a train accident. | 0:05:11 | 0:05:15 | |
It was on Facebook, it was on the news, it was on the radio. | 0:05:15 | 0:05:18 | |
It's very sad, but I have to go over and see them | 0:05:18 | 0:05:22 | |
and maybe tell them what they need to do next. | 0:05:22 | 0:05:24 | |
Meeting a grieving family for the first time is never easy | 0:05:27 | 0:05:30 | |
but how do you comfort a mum who has lost two of her boys? | 0:05:30 | 0:05:35 | |
My first son, he took his own life | 0:05:38 | 0:05:41 | |
and it's coming up to six years anniversary. | 0:05:41 | 0:05:43 | |
My second son, my oldest son, | 0:05:45 | 0:05:47 | |
he did exactly the same thing in exactly the same place. | 0:05:47 | 0:05:52 | |
We'll be able to fetch him from the hospital later on, | 0:05:52 | 0:05:55 | |
and I know you're anxious to come over and spend some time | 0:05:55 | 0:05:58 | |
with him, so you speak to whoever - your friends, your relatives, | 0:05:58 | 0:06:02 | |
whoever would like to come over, and then, I'll meet you later on. | 0:06:02 | 0:06:05 | |
But if they are too emotional, there's no pressure on them then. | 0:06:05 | 0:06:08 | |
They can just follow us in. | 0:06:08 | 0:06:10 | |
Damian is taken into the caring hands of Baglan Funeral Home. | 0:06:16 | 0:06:21 | |
We had permission from the coroner's office | 0:06:23 | 0:06:26 | |
and the hospital that we could fetch Damian back. | 0:06:26 | 0:06:28 | |
Normal circumstances, we would use a stretcher, um, | 0:06:28 | 0:06:33 | |
but given the severity of his injuries with the train impact, | 0:06:33 | 0:06:39 | |
you know, just to be practical, we decided to use the coffin | 0:06:39 | 0:06:44 | |
to take to the hospital, rather than a stretcher. | 0:06:44 | 0:06:46 | |
We just thought that it would be a bit safer and maybe a bit nicer. | 0:06:46 | 0:06:50 | |
For obvious reasons, they won't be able to view the deceased, | 0:06:50 | 0:06:54 | |
but they can sit with the coffin, so I think the family are quite | 0:06:54 | 0:06:58 | |
anxious to do that and spend some time just sitting there with him. | 0:06:58 | 0:07:02 | |
Yeah, I've got to put the coffin right and we do like to | 0:07:04 | 0:07:06 | |
dress inside, irrespective that if they are going to look in or not, | 0:07:06 | 0:07:10 | |
we'll just feel better if it's dressed in silk inside. | 0:07:10 | 0:07:12 | |
I can tell the family what we have done, | 0:07:12 | 0:07:15 | |
if they feel like they want to put some photographs in, | 0:07:15 | 0:07:18 | |
maybe we'll do that and I'll do that on their behalf. | 0:07:18 | 0:07:22 | |
I've just got to feel for them at this awful time | 0:07:22 | 0:07:25 | |
and hope that it will help them when they come here, that they | 0:07:25 | 0:07:29 | |
can spend that little time. | 0:07:29 | 0:07:31 | |
You deal with funerals, with deaths, every day, | 0:07:32 | 0:07:35 | |
and then every now and again, it just hits home | 0:07:35 | 0:07:40 | |
how vulnerable we are, really, | 0:07:40 | 0:07:42 | |
and how fragile we are and what do people think of when they're driven | 0:07:42 | 0:07:47 | |
to do something as drastic as this, um, what's going through their mind. | 0:07:47 | 0:07:52 | |
It's so sad, six years almost within a week or so, that his brother | 0:07:55 | 0:08:02 | |
took his own life in the very same way, in the very same area. | 0:08:02 | 0:08:06 | |
It's such a shock for the community | 0:08:09 | 0:08:13 | |
but we cannot begin to understand what it's like for their loved ones. | 0:08:13 | 0:08:18 | |
'If I could speak to them again, I'd tell them how much I loved them | 0:08:24 | 0:08:28 | |
'and I'd just want to put my arms around them and comfort them | 0:08:28 | 0:08:31 | |
'and tell them everything would be OK and everything will be better. | 0:08:31 | 0:08:36 | |
'But I can't. All I've got now are my memories and my photographs.' | 0:08:36 | 0:08:40 | |
-If that's OK, yes. -Of course. | 0:08:40 | 0:08:42 | |
'When Dominic passed, I couldn't look at photographs of him as an adult. | 0:08:42 | 0:08:46 | |
'I could only look at childhood ones. But I can do it now. | 0:08:46 | 0:08:51 | |
'Suicides don't understand the implication of what | 0:08:53 | 0:08:56 | |
'they leave behind.' | 0:08:56 | 0:08:58 | |
-SHE SOBS -Don't rush to go in. You stay here. -You stay here for a bit. | 0:08:59 | 0:09:04 | |
'I would say with my own two boys, looking back now, | 0:09:04 | 0:09:08 | |
'they were adults and I don't think they wanted to involve | 0:09:08 | 0:09:12 | |
'people in their personal grief. And they just made their own decisions. | 0:09:12 | 0:09:18 | |
'It wasn't a cry for help because it was final.' | 0:09:18 | 0:09:21 | |
Plenty of handkerchiefs by there, right? | 0:09:21 | 0:09:23 | |
Come on, let's go and see her. | 0:09:23 | 0:09:25 | |
You...you give me a ring if you need me, OK? I'll be just outside. | 0:09:25 | 0:09:28 | |
Go on. | 0:09:28 | 0:09:29 | |
-Thanks. -Go on. | 0:09:29 | 0:09:30 | |
SOBBING | 0:09:32 | 0:09:34 | |
God! | 0:09:34 | 0:09:37 | |
Oh, God! Oh, God! | 0:09:37 | 0:09:40 | |
'We couldn't have an open casket. | 0:09:49 | 0:09:52 | |
'So of course, you're talking to a coffin, | 0:09:52 | 0:09:55 | |
'cos I couldn't hold his hand, I couldn't kiss him. | 0:09:55 | 0:09:59 | |
'And it's just really, really difficult talking to a wooden box. | 0:09:59 | 0:10:03 | |
'So we took a picture of him, didn't we? | 0:10:03 | 0:10:05 | |
-'We took a picture up, and... -Yeah. | 0:10:05 | 0:10:07 | |
'I think we were talking more to the picture, then, than to the box.' | 0:10:07 | 0:10:11 | |
It's in the stars, isn't it, babes? | 0:10:11 | 0:10:14 | |
'He's so young and it's a tragedy that's occurred in the family for a | 0:10:14 | 0:10:19 | |
'second time, so it's, you know, it's that extra, um, | 0:10:19 | 0:10:24 | |
'sadness about it.' | 0:10:24 | 0:10:26 | |
It's really such an awful occasion for them, so I want them | 0:10:26 | 0:10:30 | |
to have as long as they wish to grieve here and sit with him. | 0:10:30 | 0:10:35 | |
What would you like? Teas? | 0:10:35 | 0:10:37 | |
-Teas. -And water? | 0:10:37 | 0:10:38 | |
-If it's not too much trouble. -Not at all. How would you like it? | 0:10:38 | 0:10:41 | |
At one point, looked up to the sky and said, "God!" | 0:10:41 | 0:10:44 | |
And I'm not religious, so I just think, at one point, | 0:10:44 | 0:10:47 | |
-why did I say, "God"? -Yeah. | 0:10:47 | 0:10:49 | |
I think cos it's I couldn't swear in a funeral home. | 0:10:49 | 0:10:52 | |
Dealing with grief is a daily part of the job of a funeral director. | 0:11:00 | 0:11:05 | |
And in Newport, a course has been set up by James Tovey to help | 0:11:05 | 0:11:09 | |
people cope with bereavement. | 0:11:09 | 0:11:10 | |
'So I've just come to the last week of our six-week | 0:11:10 | 0:11:14 | |
'course of a bereavement group, Steps. | 0:11:14 | 0:11:17 | |
'I first got interested in bereavement support | 0:11:17 | 0:11:20 | |
'after the sudden death of my mother' | 0:11:20 | 0:11:21 | |
and that's what made me realise that there was this gap for helping people. | 0:11:21 | 0:11:26 | |
James organised the course with the help of grief counsellor | 0:11:26 | 0:11:30 | |
Natalie Howard. | 0:11:30 | 0:11:32 | |
Steps is an initiative that we felt was really important | 0:11:32 | 0:11:36 | |
for people to have somewhere to go after the funeral, after everybody | 0:11:36 | 0:11:40 | |
has left them and the people are still stuck with their grief. | 0:11:40 | 0:11:44 | |
Sometimes it's "Why me? Why them?" | 0:11:44 | 0:11:48 | |
Sometimes it's a "why" that won't get answered. | 0:11:48 | 0:11:51 | |
At Steps, we don't feel that people will get over it, | 0:11:51 | 0:11:55 | |
but we do feel that we can help them get through their grief. | 0:11:55 | 0:11:58 | |
Any adult can come along and that can be for a grief that's | 0:11:58 | 0:12:02 | |
recent, or for a grief that's maybe many years ago. | 0:12:02 | 0:12:07 | |
When I first came here, I thought grief was just me, you know, just my grief. | 0:12:07 | 0:12:10 | |
And now I've understood by being here that everybody goes through it. | 0:12:10 | 0:12:14 | |
Each session, you seem to get better and improve, you know, | 0:12:14 | 0:12:16 | |
and I've found it... I've found it good. | 0:12:16 | 0:12:19 | |
And I'm really proud that we've put the course on for people, | 0:12:19 | 0:12:23 | |
cos they obviously...they genuinely find it really helpful, | 0:12:23 | 0:12:27 | |
and it's a nice continuation of our service and everything that we | 0:12:27 | 0:12:30 | |
do for people, but it also reminds me that it's really rewarding | 0:12:30 | 0:12:35 | |
to sort of help people out and people are so lovely and genuine | 0:12:35 | 0:12:39 | |
and it's great to hear their stories and great that we can help. | 0:12:39 | 0:12:43 | |
Without James sponsoring this free course, | 0:12:43 | 0:12:47 | |
people would still be searching for somewhere to go. | 0:12:47 | 0:12:50 | |
In west Wales, in the beautiful village of Laugharne, | 0:12:52 | 0:12:55 | |
the locals have trusted one family to take care of their deceased | 0:12:55 | 0:12:59 | |
relatives for generations. | 0:12:59 | 0:13:02 | |
'I'm Stuart Booth. | 0:13:02 | 0:13:03 | |
'I work at Peter Evans funeral directors. I'm the third generation. | 0:13:03 | 0:13:07 | |
'My grandfather started the business. | 0:13:07 | 0:13:09 | |
'I started helping him out about ten years ago | 0:13:09 | 0:13:11 | |
'and took over the last seven years. | 0:13:11 | 0:13:13 | |
'We're just in the process of building our new chapel of rest | 0:13:13 | 0:13:16 | |
'and new premises, and this is my mother, Alison.' | 0:13:16 | 0:13:19 | |
She's the real boss. She sorts us out in the background. | 0:13:19 | 0:13:22 | |
I've got a lot of titles, yes! | 0:13:22 | 0:13:24 | |
-Whenever a title is going, I get that title. -Yeah. | 0:13:24 | 0:13:27 | |
It's a way of life to me, not a job. It never has been my job. | 0:13:27 | 0:13:31 | |
It's always been my way of life. | 0:13:31 | 0:13:33 | |
I was the undertaker's daughter, and now I'm the undertaker's mother. | 0:13:33 | 0:13:37 | |
Someone said to me the other day - I came out of the church, | 0:13:37 | 0:13:40 | |
and someone said, "Oh, you're like your grandfather." | 0:13:40 | 0:13:43 | |
I said, "That's the biggest compliment you can give me, | 0:13:43 | 0:13:46 | |
"because he was my hero, in a way." | 0:13:46 | 0:13:49 | |
Tradition is important but so is the future. | 0:13:51 | 0:13:55 | |
And Stuart has big plans to modernise the business, | 0:13:55 | 0:13:58 | |
including a brand-new chapel of rest. | 0:13:58 | 0:14:01 | |
This will be the office. | 0:14:01 | 0:14:03 | |
The idea with this little hole in the wall is, this is | 0:14:03 | 0:14:08 | |
the cross that my grandfather made for Dylan Thomas's grave in Laugharne. | 0:14:08 | 0:14:11 | |
He made a few of them and this is the last one he made. | 0:14:11 | 0:14:14 | |
They've just recently updated it now, so when they took this, | 0:14:14 | 0:14:17 | |
we asked them if we could have it and the idea is it's going to go in here. | 0:14:17 | 0:14:21 | |
It's quite dark in here but into the viewing room, | 0:14:21 | 0:14:25 | |
so they'd be able to come in here and just spend a bit of time with... | 0:14:25 | 0:14:28 | |
with the coffin. | 0:14:28 | 0:14:29 | |
Reverse the hearse up, inside, the hearse can come in here. | 0:14:32 | 0:14:35 | |
We can load the coffin then. | 0:14:35 | 0:14:37 | |
And even if it's raining and stuff outside, the coffin won't | 0:14:37 | 0:14:40 | |
get wet or anything and it can be loaded inside. | 0:14:40 | 0:14:42 | |
Three generations of Stuart's family are making sure that | 0:14:46 | 0:14:49 | |
everything will be ready for the chapel's official opening. | 0:14:49 | 0:14:52 | |
Once this is done, I don't want to see another paintbrush. | 0:14:56 | 0:14:59 | |
I think I'm more cut out for arranging funerals than I am for painting. | 0:14:59 | 0:15:03 | |
It's nice that he's busy. It keeps him out of mischief! | 0:15:03 | 0:15:05 | |
Stuart, now. Not Mason! | 0:15:05 | 0:15:07 | |
-Mum, painting! -Yeah, painting. | 0:15:08 | 0:15:10 | |
It takes a certain type of person to be a funeral director. | 0:15:12 | 0:15:16 | |
And I could never do it. I'd be crying with the families. | 0:15:16 | 0:15:20 | |
But he's the right mix of caring and strong | 0:15:20 | 0:15:24 | |
and gets the families through it. | 0:15:24 | 0:15:26 | |
I think he's very good. | 0:15:28 | 0:15:30 | |
I wouldn't tell him that! | 0:15:30 | 0:15:31 | |
It's nice to hope that maybe Mason one day will be in here, running it as well. | 0:15:32 | 0:15:37 | |
In Baglan funeral home, it's time for a little bit of housework. | 0:15:40 | 0:15:44 | |
As we have a quieter day today with no deceased that we need to look after, we are taking the | 0:15:45 | 0:15:50 | |
opportunity to have a spring-clean and sort a few of these things out. | 0:15:50 | 0:15:55 | |
I don't know if you know that Craig is from Glasgow. So we've got... | 0:15:55 | 0:15:59 | |
How is that? Let me see if we can get that around you. | 0:15:59 | 0:16:03 | |
-Oh! -Hang on. It's elasticated. We've got a chance. | 0:16:03 | 0:16:06 | |
My mum with her Scottish roots would be very proud of me wearing this. | 0:16:06 | 0:16:09 | |
Keeping everything looking spick-and-span | 0:16:26 | 0:16:29 | |
is a big part of the funeral business, | 0:16:29 | 0:16:31 | |
as Carmarthen-based carriage master Matthew Jones knows only too well. | 0:16:31 | 0:16:36 | |
He hires out hearses and limousines to funeral directors across Wales. | 0:16:36 | 0:16:40 | |
And you can have any colour you want - as long as it's black! | 0:16:41 | 0:16:45 | |
It's easier, probably, for a funeral director to hire off a carriage | 0:16:47 | 0:16:50 | |
master and just make a phone call, ask for a hearse | 0:16:50 | 0:16:53 | |
and limousine, at a certain time and a certain day | 0:16:53 | 0:16:56 | |
and we turn up ready to go, clean and shiny, hopefully. | 0:16:56 | 0:17:00 | |
There's a lot of money's worth in here. | 0:17:00 | 0:17:01 | |
These Volvos are priced at approximately £92-93,000 each. | 0:17:01 | 0:17:07 | |
All the drivers here know exactly what they are doing. They are all trained. | 0:17:07 | 0:17:10 | |
Some of them have been doing it much longer than me, | 0:17:10 | 0:17:12 | |
and at the end of the day, we are representing the funeral director | 0:17:12 | 0:17:15 | |
on the day of the funeral, so things have got to go right for us and | 0:17:15 | 0:17:19 | |
for him and most importantly, things have got to go right for the family. | 0:17:19 | 0:17:23 | |
But not all of these families live in Wales. | 0:17:23 | 0:17:26 | |
Another service Matthew offers is repatriation of the deceased | 0:17:26 | 0:17:30 | |
back to their homeland. | 0:17:30 | 0:17:32 | |
Today, he's arranging for Atanas Angelov to return home to | 0:17:32 | 0:17:35 | |
Bulgaria from Swansea, a complicated process. | 0:17:35 | 0:17:39 | |
We need to pick up a coffin, which will be a bit different - | 0:17:41 | 0:17:44 | |
zinc lined, to the standards for the flight. | 0:17:44 | 0:17:47 | |
You know, with the large influx of the Europeans that have moved | 0:17:47 | 0:17:51 | |
to Wales, this is becoming more of a regular occurrence. | 0:17:51 | 0:17:54 | |
At any one time, there could be hundreds, maybe thousands | 0:17:54 | 0:17:57 | |
of deceaseds being moved from one end of the country to the other, | 0:17:57 | 0:18:01 | |
from hospital to funeral home in the back of these type of vehicles. | 0:18:01 | 0:18:06 | |
There's quite a lot of paperwork involved. | 0:18:06 | 0:18:08 | |
There's a certificate free of infection, | 0:18:08 | 0:18:10 | |
the embalming certificate, | 0:18:10 | 0:18:12 | |
the out of England and Wales certificate, | 0:18:12 | 0:18:15 | |
the death certificate, the passport etc, | 0:18:15 | 0:18:17 | |
all that needs to go to London before the body goes. | 0:18:17 | 0:18:21 | |
We're going to Treorchy now, probably one of the biggest coffin | 0:18:21 | 0:18:26 | |
manufacturers in Wales, I would have thought. | 0:18:26 | 0:18:29 | |
In a quiet industrial estate on the outskirts of Treorchy is coffin | 0:18:31 | 0:18:35 | |
manufacturer Celtic Coffins, who make over 70 coffins a week | 0:18:35 | 0:18:39 | |
and are just finishing off a special order for Matthew. | 0:18:39 | 0:18:42 | |
-All right, boys? Good. -All right. | 0:18:46 | 0:18:48 | |
-Coffin ready? -Yeah. -Oh, spot-on. Top man. | 0:18:49 | 0:18:53 | |
There we are. | 0:18:54 | 0:18:56 | |
So I just... Obviously after the body goes in. | 0:18:56 | 0:18:58 | |
-Silicone down. -Silicone this down. | 0:18:58 | 0:19:00 | |
-That will go on there. -Put the lid down... -Yeah. -..and it's ready to go. There we are. Great. | 0:19:00 | 0:19:05 | |
Right, got the coffin now. Um, quite...quite smelly in here, | 0:19:17 | 0:19:20 | |
with the lacquer of the coffin and the silicone. | 0:19:20 | 0:19:24 | |
We'll be quite high now, by the time we get home. So, we're off now | 0:19:24 | 0:19:27 | |
down to the hospital now, to collect the deceased from the hospital. | 0:19:27 | 0:19:30 | |
That's the next stage. | 0:19:30 | 0:19:31 | |
After collection from the hospital, | 0:19:33 | 0:19:35 | |
Matthew makes his way to Swansea to meet Atanas' brother Daniel, | 0:19:35 | 0:19:39 | |
to give him his deceased brother's belongings and to help him | 0:19:39 | 0:19:42 | |
complete the paperwork. | 0:19:42 | 0:19:44 | |
-How are you? -I'm OK. Thank you. | 0:19:45 | 0:19:48 | |
OK? OK. | 0:19:48 | 0:19:50 | |
-I've got Atanas' belongings there, OK? From the hospital. -Yeah. | 0:19:51 | 0:19:56 | |
I'll keep them there. | 0:19:56 | 0:19:57 | |
Once all that is sorted, then, I can let you know when the flight is. | 0:20:44 | 0:20:49 | |
OK. | 0:20:49 | 0:20:50 | |
Wrapped in the traditional white blanket | 0:21:15 | 0:21:17 | |
and resting in his zinc-lined coffin, | 0:21:17 | 0:21:20 | |
Atanas is ready for his long journey home. | 0:21:20 | 0:21:23 | |
So what I'll do now is just put a bit of sealant around the top, | 0:21:27 | 0:21:32 | |
stick the lid down and put the screws in then before we go, | 0:21:32 | 0:21:35 | |
so it's a sealed coffin then, to go on the airline. | 0:21:35 | 0:21:38 | |
'Just because the coffin | 0:21:55 | 0:21:56 | |
'and the deceased is in the back of the removal vehicle, as we call | 0:21:56 | 0:22:00 | |
'it, doesn't make any difference to when it's in a hearse, you know. | 0:22:00 | 0:22:03 | |
'We treat everything exactly the same. | 0:22:03 | 0:22:06 | |
'Obviously, the speed is a bit different, cos it's not | 0:22:06 | 0:22:08 | |
'a funeral cortege, but everything either to that is treated | 0:22:08 | 0:22:13 | |
'with the utmost of dignity then.' | 0:22:13 | 0:22:15 | |
In Laugharne, it's a big day for funeral director Stuart | 0:22:27 | 0:22:30 | |
and his mum Alison, as the doors of the new chapel of rest are | 0:22:30 | 0:22:34 | |
officially opened - an investment in the future of a family undertaking. | 0:22:34 | 0:22:39 | |
Today, we've finally got round to doing our open day. | 0:22:39 | 0:22:41 | |
It's been a lot of work. | 0:22:41 | 0:22:43 | |
Up until about half an hour literally before everyone arrived, | 0:22:43 | 0:22:45 | |
we were still rushing around putting tables and chairs and everything out. | 0:22:45 | 0:22:49 | |
It's a little bit out of the ordinary, so hopefully people will come along and support us, | 0:22:49 | 0:22:53 | |
just to see the premises and what we offer and the products and things that we offer. | 0:22:53 | 0:22:56 | |
I've seen huge changes over the years and now, to see | 0:22:56 | 0:23:00 | |
this is wonderful. | 0:23:00 | 0:23:01 | |
'I'm in charge of the memory balloons.' | 0:23:04 | 0:23:08 | |
So people come to us, write a little message for their loved ones, | 0:23:08 | 0:23:12 | |
we attach it to a balloon then, and then they can send it up. | 0:23:12 | 0:23:15 | |
My husband died and Stuart sorted the funeral out from here | 0:23:20 | 0:23:24 | |
so we're just sending a balloon up for my husband. | 0:23:24 | 0:23:28 | |
Let him go! | 0:23:36 | 0:23:37 | |
In Baglan, it's the day of the funeral of Damian James, | 0:23:42 | 0:23:46 | |
who took his own life. | 0:23:46 | 0:23:48 | |
Gareth is making a final call to the family on a traumatic day | 0:23:48 | 0:23:51 | |
for them and a difficult day for him. | 0:23:51 | 0:23:55 | |
Yeah, I'm just checking up now. We'll be done very shortly. | 0:23:55 | 0:23:58 | |
How many bouquets are there in the garden? | 0:23:58 | 0:24:01 | |
We always phone the family just before we're coming because I know | 0:24:01 | 0:24:04 | |
a lot of them, they're standing on their door, | 0:24:04 | 0:24:07 | |
they're looking at their watch. | 0:24:07 | 0:24:08 | |
It's just a reassurance that a phone call makes a lot of difference then. | 0:24:08 | 0:24:12 | |
It's been very upsetting for, obviously, for the family | 0:24:12 | 0:24:16 | |
and you can't help but get involved yourself. | 0:24:16 | 0:24:19 | |
Obviously, you don't | 0:24:19 | 0:24:20 | |
realise how much of their hurt you're taking on, because you | 0:24:20 | 0:24:25 | |
are taking the responsibility of cremating or burying their loved | 0:24:25 | 0:24:30 | |
ones and sometimes you don't really consciously think about it | 0:24:30 | 0:24:35 | |
and then when you reflect perhaps on the weekend, | 0:24:35 | 0:24:37 | |
when you've come down a bit, | 0:24:37 | 0:24:39 | |
how much you've taken on, you realise how stressful and tiring | 0:24:39 | 0:24:43 | |
it can be, but there again, very rewarding as well. | 0:24:43 | 0:24:46 | |
Letters are really popular, as you can imagine, | 0:24:47 | 0:24:50 | |
but you're limited to the size of the hearse. | 0:24:50 | 0:24:53 | |
But when they've got sometimes "great-grandfather", | 0:24:53 | 0:24:56 | |
or they might have a long name, what they don't realise is, | 0:24:56 | 0:24:59 | |
you can't see it, | 0:24:59 | 0:25:01 | |
cos sometimes we have to put a box on the seat to take it longer. | 0:25:01 | 0:25:05 | |
OK, gentlemen. | 0:25:09 | 0:25:10 | |
Gareth walks Damian out of the funeral home on his way to the family home. | 0:25:11 | 0:25:17 | |
A funeral is something you never look forward to. | 0:25:37 | 0:25:40 | |
But it's saying your final goodbyes. | 0:25:40 | 0:25:43 | |
SOBBING | 0:25:43 | 0:25:46 | |
SOBBING | 0:25:48 | 0:25:50 | |
And the name is on this side, OK? | 0:25:50 | 0:25:52 | |
Thank you so much. It's beautiful. Thank you. Oh... | 0:25:54 | 0:25:58 | |
'I'm looking forward to Monday coming and going because then, | 0:26:05 | 0:26:09 | |
'he'll be at rest, he'll be at peace | 0:26:09 | 0:26:11 | |
'and we can start the healing process all over again. | 0:26:11 | 0:26:17 | |
'I'm going to walk him up the street, because that's the last thing I'm going to do for him. | 0:26:22 | 0:26:26 | |
'I didn't bring them into this world for them to take themselves out. I didn't.' | 0:26:36 | 0:26:41 | |
We've gathered today to say farewell to Damian John James. | 0:26:47 | 0:26:52 | |
We've come to give thanks for his life. | 0:26:52 | 0:26:55 | |
We've come to celebrate his life. | 0:26:56 | 0:26:58 | |
MUSIC: A Sky Full of Stars by Coldplay | 0:26:58 | 0:27:03 | |
'We're not actually singing hymns today. | 0:27:03 | 0:27:05 | |
'It's going to be a collection of all his favourite music | 0:27:05 | 0:27:09 | |
'and what the family and his partner have decided on | 0:27:09 | 0:27:12 | |
'that would be appropriate for the day. | 0:27:12 | 0:27:15 | |
'You know, obviously, I'll be standing there, | 0:27:15 | 0:27:17 | |
'calm and collected, hopefully, but when the service is on, | 0:27:17 | 0:27:21 | |
'I stand at the back and keep an eye on everybody. | 0:27:21 | 0:27:24 | |
'If I can get a message across to how we feel, as parents - | 0:27:33 | 0:27:39 | |
'please, if you can't speak to your parents | 0:27:39 | 0:27:42 | |
'or your sisters or your brothers, go and see a professional. | 0:27:42 | 0:27:45 | |
'Your loved ones, get them involved, say, "I'm feeling terrible," | 0:27:45 | 0:27:49 | |
'you know, "I don't want to be here any more." | 0:27:49 | 0:27:52 | |
'Oh, just please, get help. | 0:27:52 | 0:27:54 | |
'The only one person who's been a rock is our funeral director. | 0:27:54 | 0:27:59 | |
'He's been absolutely amazing.' | 0:27:59 | 0:28:00 |