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It's the last thing we want to think about - | 0:00:02 | 0:00:04 | |
our funeral. | 0:00:04 | 0:00:06 | |
But we all have very different thoughts about the way we want to go. | 0:00:06 | 0:00:10 | |
"When the sun sets on the ocean blue, | 0:00:12 | 0:00:14 | |
"remember me as I will always remember you." | 0:00:14 | 0:00:16 | |
God bless, Mum. | 0:00:16 | 0:00:18 | |
For some people, though, death is very much their way of life... | 0:00:20 | 0:00:24 | |
..and they love their work. | 0:00:26 | 0:00:27 | |
We care for the dead, but we are there to help the families. | 0:00:28 | 0:00:32 | |
And I can't imagine a more rewarding job. | 0:00:32 | 0:00:35 | |
Welcome to a world that most of us will never see. | 0:00:38 | 0:00:41 | |
We're opening the doors on A Very Welsh Undertaking. | 0:00:43 | 0:00:48 | |
This programme contains some scenes which viewers may find upsetting. | 0:00:49 | 0:00:53 | |
The historic village of Laugharne | 0:01:17 | 0:01:19 | |
and a special funeral today being arranged | 0:01:19 | 0:01:22 | |
by local funeral director Stuart Booth. | 0:01:22 | 0:01:24 | |
Today, we've got the funeral of a squadron leader. | 0:01:26 | 0:01:29 | |
He was up pilot, an RAF pilot, in World War II. | 0:01:29 | 0:01:32 | |
He is a well-known figure of the area. | 0:01:32 | 0:01:34 | |
We've got a set up ready for the funeral later, | 0:01:34 | 0:01:36 | |
but there's about 100 things going through my mind at the moment. | 0:01:36 | 0:01:39 | |
Making sure every little detail is ready. | 0:01:39 | 0:01:41 | |
Make sure everything is in place. | 0:01:41 | 0:01:43 | |
I am waiting for a phone call from the RAF just to say | 0:01:43 | 0:01:46 | |
whether we've got a fly-past for this service. | 0:01:46 | 0:01:48 | |
Make sure there's enough seats inside, | 0:01:48 | 0:01:49 | |
make sure everyone's going to the right place, | 0:01:49 | 0:01:51 | |
make sure there is a leaflet for the vicar when she turns up. | 0:01:51 | 0:01:54 | |
Make sure the organist has got the CDs, | 0:01:54 | 0:01:56 | |
make sure the CD works on the CD player. | 0:01:56 | 0:01:58 | |
There's everything. | 0:01:58 | 0:01:59 | |
Everything is going to plan until Stuart spots a problem. | 0:02:01 | 0:02:05 | |
Workmen have turned up outside the church to close the road. | 0:02:05 | 0:02:09 | |
Cones are there and we need to park here | 0:02:09 | 0:02:11 | |
and the cars still need to come through. | 0:02:11 | 0:02:12 | |
So, we're just going to double-check with the men in the lorry... | 0:02:12 | 0:02:15 | |
in the van there to make sure they're not going to be too long | 0:02:15 | 0:02:18 | |
and this is all gone by the time we turn up. | 0:02:18 | 0:02:20 | |
Stuart tries to find out exactly what's happening. | 0:02:23 | 0:02:26 | |
So, will the road be open in time for the funeral? | 0:02:30 | 0:02:33 | |
Yeah, it's all OK. They're going to check that the connection | 0:02:34 | 0:02:37 | |
for the phone is all right and they'll be gone in | 0:02:37 | 0:02:39 | |
about ten minutes, quarter of an hour, so panic over. | 0:02:39 | 0:02:42 | |
MOBILE PHONE RINGS And Stuart gets more good news | 0:02:42 | 0:02:44 | |
about the funeral. | 0:02:44 | 0:02:45 | |
Hello. How are you doing? Yeah, fairly good. | 0:02:45 | 0:02:47 | |
Oh, that would be brilliant. | 0:02:49 | 0:02:51 | |
At two o'clock. Yeah, that would be absolutely fine. | 0:02:51 | 0:02:53 | |
Thanks a lot. Goodbye. | 0:02:53 | 0:02:54 | |
That was the gentleman from the Airman's Association. | 0:02:55 | 0:02:58 | |
Fair play, he's worked hard all week | 0:02:58 | 0:03:00 | |
and he has arranged a fly-past, which we were hoping for. | 0:03:00 | 0:03:04 | |
He can't come at three o'clock, which that's what we really wanted, | 0:03:04 | 0:03:08 | |
but it's going to be fine. We can... | 0:03:08 | 0:03:10 | |
At two o'clock, we'll turn up at the gate | 0:03:10 | 0:03:12 | |
and hopefully, the planes will go over just at the right time. | 0:03:12 | 0:03:14 | |
So, yeah, that's a big relief. | 0:03:14 | 0:03:17 | |
With everything now on course at the church, | 0:03:20 | 0:03:22 | |
Stuart heads back to base to make final preparations | 0:03:22 | 0:03:25 | |
for today's unique funeral. | 0:03:25 | 0:03:28 | |
This is our first funeral going from our new premises, | 0:03:30 | 0:03:33 | |
so it's all a bit different and, you know, a bit anxious, | 0:03:33 | 0:03:37 | |
make sure everything goes right. | 0:03:37 | 0:03:38 | |
Yeah, there's nothing to worry about, but you can never relax | 0:03:38 | 0:03:41 | |
when you've got a... You know, we wouldn't be doing our job | 0:03:41 | 0:03:43 | |
correctly if we were relaxing and not worrying about it at all. | 0:03:43 | 0:03:47 | |
From here, the hearse will be arriving now in about five minutes | 0:03:47 | 0:03:50 | |
or so and we will load the coffin into the hearse, | 0:03:50 | 0:03:53 | |
make sure the flowers are correct on top. | 0:03:53 | 0:03:55 | |
Now, we've got a cap that is going | 0:03:55 | 0:03:56 | |
on top of the coffin, make sure that is in place. | 0:03:56 | 0:03:58 | |
The limousines will be here. | 0:03:58 | 0:04:00 | |
Because they've got the colourful coffin | 0:04:00 | 0:04:02 | |
with his planes printed all over on the side of it, | 0:04:02 | 0:04:04 | |
we're going to have a few minutes at the house, | 0:04:04 | 0:04:06 | |
so they can check the coffin and have a good look at it. | 0:04:06 | 0:04:08 | |
They may want to take the odd photo or something. | 0:04:08 | 0:04:11 | |
And then we are going to move off down to the church and arrive there | 0:04:11 | 0:04:14 | |
at precisely five to, so that we've got couple of minutes | 0:04:14 | 0:04:17 | |
to get everything set up | 0:04:17 | 0:04:18 | |
and then the fly-past should happen at two o'clock. | 0:04:18 | 0:04:21 | |
That's the way it's planned. Let's hope it goes like that. | 0:04:21 | 0:04:24 | |
Today, more than ever, timing is crucial. | 0:04:30 | 0:04:33 | |
The Royal British Legion | 0:04:37 | 0:04:39 | |
and most of the village of Laugharne have turned out at the local | 0:04:39 | 0:04:42 | |
church to pay their last respects | 0:04:42 | 0:04:44 | |
to 95-year-old former squadron leader Leslie Davies, | 0:04:44 | 0:04:47 | |
war hero and valued member of the community. | 0:04:47 | 0:04:51 | |
Anticipation is building as they all hope to catch | 0:04:51 | 0:04:54 | |
a glimpse of the RAF fly-past. | 0:04:54 | 0:04:56 | |
With military precision, they are right on time. | 0:04:58 | 0:05:01 | |
A fitting tribute to an old airman. | 0:05:01 | 0:05:04 | |
"Those who believe in me, even though they die, will live." | 0:05:08 | 0:05:12 | |
He was a churchwarden at this church. | 0:05:16 | 0:05:18 | |
He's helped us out in many, many funerals over the years, | 0:05:18 | 0:05:21 | |
so it's a great honour to do this funeral. | 0:05:21 | 0:05:23 | |
It's a great honour to do any funeral, but this one, | 0:05:23 | 0:05:26 | |
it really... He has helped us out for years and years and years. | 0:05:26 | 0:05:29 | |
He is 95 and we always worried after his days | 0:05:29 | 0:05:33 | |
how we are going to carry on in the church cos you only spoke to Les | 0:05:33 | 0:05:36 | |
and Les sorted everything, so... | 0:05:36 | 0:05:38 | |
Squadron leader Leslie Davies is being laid | 0:05:47 | 0:05:50 | |
to rest in the peaceful churchyard. | 0:05:50 | 0:05:52 | |
His old friends and colleagues gather for the committal | 0:05:58 | 0:06:02 | |
under Stuart's watchful eye. | 0:06:02 | 0:06:04 | |
And there is no relaxing until everything comes to a close. | 0:06:04 | 0:06:08 | |
For a former military man, it is appropriate that he can have | 0:06:09 | 0:06:12 | |
the Last Post played as a final farewell. | 0:06:12 | 0:06:15 | |
The age-old piece recognises and symbolises | 0:06:15 | 0:06:18 | |
that the duty of the deceased soldier is over | 0:06:18 | 0:06:22 | |
and can now officially rest in peace. | 0:06:22 | 0:06:25 | |
BUGLE PLAYS THE LAST POST | 0:06:28 | 0:06:30 | |
Tovey Brothers in Newport have a rich history of dealing | 0:06:48 | 0:06:50 | |
with the deceased and their ancient ledgers date back to the 1860s | 0:06:50 | 0:06:55 | |
recording all of the funerals the Tovey family have carried out. | 0:06:55 | 0:06:59 | |
Thousands and thousands of family names are written on these pages. | 0:06:59 | 0:07:04 | |
There are some really interesting history in some of these books | 0:07:04 | 0:07:07 | |
and local history, but also from further afield. | 0:07:07 | 0:07:10 | |
Every ledger records the funeral that we've carried out | 0:07:10 | 0:07:15 | |
and they are all dated from the months and years | 0:07:15 | 0:07:17 | |
that they relate to. | 0:07:17 | 0:07:19 | |
And then there are smaller indexes, | 0:07:19 | 0:07:21 | |
which enable us to look up alphabetically people's names | 0:07:21 | 0:07:26 | |
and then reference to these particular books. | 0:07:26 | 0:07:28 | |
So, quite quickly, we can refer to one of these books | 0:07:28 | 0:07:31 | |
and whenever we carry out a funeral, | 0:07:31 | 0:07:33 | |
we reference back to the last funeral for that family | 0:07:33 | 0:07:36 | |
where it's a close relation, so we can see the history | 0:07:36 | 0:07:39 | |
of the service we've given to that particular family. | 0:07:39 | 0:07:42 | |
When you look at the numbers of people | 0:07:44 | 0:07:46 | |
written in black and white, if you look through an index of this, | 0:07:46 | 0:07:49 | |
and you look, there is thousands and thousands of names of people. | 0:07:49 | 0:07:52 | |
It's incredible to think of the history | 0:07:52 | 0:07:54 | |
and the number of families that have been looked after | 0:07:54 | 0:07:58 | |
by our family, really. | 0:07:58 | 0:08:00 | |
Sadly, the names of all my family members are in these books as well, | 0:08:01 | 0:08:05 | |
so I've been able to look up some of the funerals | 0:08:05 | 0:08:07 | |
of my grandfather and great-grandfather | 0:08:07 | 0:08:09 | |
and other members of the family that have gone before us. | 0:08:09 | 0:08:12 | |
So, that's interesting for me on a personal level, | 0:08:12 | 0:08:14 | |
but it does underline the fact that no, it doesn't spare any of us | 0:08:14 | 0:08:18 | |
and no doubt one day, hopefully not too soon, | 0:08:18 | 0:08:21 | |
my own name will be in one of these books. | 0:08:21 | 0:08:24 | |
That's one certainty in life we all know about, isn't it, so... | 0:08:24 | 0:08:28 | |
It's interesting to see how customs change | 0:08:28 | 0:08:30 | |
and how elaborate funerals are. | 0:08:30 | 0:08:32 | |
Now, obviously, people are choosing extra things | 0:08:32 | 0:08:36 | |
like, perhaps, dove releases or alternative vehicles. | 0:08:36 | 0:08:39 | |
It's an interesting social history looking back at this sort of thing. | 0:08:39 | 0:08:42 | |
Today, James Tovey has a very special motorbike-themed funeral. | 0:08:44 | 0:08:49 | |
Brian Johnson passed away from a sudden illness. | 0:08:49 | 0:08:51 | |
He loved his bikes, so he is having a very appropriate final ride. | 0:08:51 | 0:08:56 | |
So, we are travelling out with our hearse | 0:08:58 | 0:09:00 | |
and the motorbike hearse to the family home. | 0:09:00 | 0:09:03 | |
And I think there will be quite a few biker friends of the man | 0:09:03 | 0:09:06 | |
who has passed away | 0:09:06 | 0:09:08 | |
and they are going to lead the procession to the church. | 0:09:08 | 0:09:11 | |
And we will have a service in a local village church followed | 0:09:11 | 0:09:14 | |
by a burial at the cemetery then. | 0:09:14 | 0:09:16 | |
In charge of the motorbike hearse is Andy. | 0:09:18 | 0:09:21 | |
But do you have to be a biker to ride in this hearse? | 0:09:21 | 0:09:25 | |
We probably give a final ride | 0:09:25 | 0:09:26 | |
to as many old ladies as motorcyclists. | 0:09:26 | 0:09:29 | |
Whether it's a final farewell to the world on account that | 0:09:29 | 0:09:31 | |
they weren't allowed motorbikes in their youth, we have no idea. | 0:09:31 | 0:09:34 | |
We haven't...haven't quite got our head around that yet. | 0:09:34 | 0:09:37 | |
It's effectively giving people their last chance to say goodbye | 0:09:37 | 0:09:40 | |
to the world with something, | 0:09:40 | 0:09:41 | |
which they've always had a lot of passion for. | 0:09:41 | 0:09:43 | |
You spend all of your life riding a motorbike, | 0:09:43 | 0:09:45 | |
why would you want to go to your final resting place | 0:09:45 | 0:09:47 | |
in back of an estate car? | 0:09:47 | 0:09:49 | |
It's that ability to say farewell in your own terms. | 0:09:49 | 0:09:52 | |
We are expecting quite a few people cos he was a young man | 0:09:55 | 0:09:58 | |
and a well-known man, well popular. | 0:09:58 | 0:10:00 | |
So, I hope it all goes well for the family. | 0:10:00 | 0:10:03 | |
And the motorcycle hearse is obviously because he loved bikes | 0:10:03 | 0:10:06 | |
and we've got a few other touches like that, | 0:10:06 | 0:10:08 | |
which, hopefully, make it personal for him | 0:10:08 | 0:10:10 | |
and a good tribute to him. | 0:10:10 | 0:10:12 | |
MOTORCYCLES REV | 0:10:12 | 0:10:14 | |
I guess when you do personalise the funerals, | 0:10:18 | 0:10:20 | |
it does make it a little bit more poignant | 0:10:20 | 0:10:22 | |
and therefore, more emotional. | 0:10:22 | 0:10:24 | |
But I think everyone is pleased | 0:10:24 | 0:10:27 | |
afterwards that they've gone to that extra step. | 0:10:27 | 0:10:29 | |
And you, at the time, I think, | 0:10:29 | 0:10:32 | |
it could be a bit more upsetting. | 0:10:32 | 0:10:34 | |
Brian's extended biking family accompany him | 0:10:37 | 0:10:40 | |
to his final resting place in Newport. | 0:10:40 | 0:10:42 | |
For undertakers like James Tovey, | 0:10:44 | 0:10:46 | |
requests that may once have seemed strange and unusual | 0:10:46 | 0:10:49 | |
are far more commonplace. | 0:10:49 | 0:10:51 | |
His job is often, now, to try and fulfil last requests | 0:10:51 | 0:10:55 | |
and Brian's biker-themed funeral runs as smoothly as one of his bikes. | 0:10:55 | 0:11:00 | |
With burials on the decrease | 0:11:03 | 0:11:05 | |
and cremations accounting for over 70% of funerals in Wales, | 0:11:05 | 0:11:09 | |
Llanelli Crematorium is a very busy place. | 0:11:09 | 0:11:13 | |
But what happens when that curtain closes? | 0:11:13 | 0:11:15 | |
Manager Kevin Davies oversees more than 1,000 cremations every year. | 0:11:19 | 0:11:23 | |
Some people can deal with it | 0:11:25 | 0:11:26 | |
and from my experiences, some people can't. | 0:11:26 | 0:11:28 | |
But it's not easy. It's a very difficult job. | 0:11:28 | 0:11:31 | |
I never tell anybody what I do. | 0:11:31 | 0:11:33 | |
When the funeral arrives, | 0:11:34 | 0:11:36 | |
the details of the deceased are checked on the coffin | 0:11:36 | 0:11:39 | |
and this is a continual process throughout the operation. | 0:11:39 | 0:11:42 | |
Once the curtains have closed towards the end of the service | 0:11:42 | 0:11:45 | |
or at the committal, the coffin is left there in place | 0:11:45 | 0:11:48 | |
until the family and the bereaved have left the service. | 0:11:48 | 0:11:51 | |
Once, this has happened, | 0:11:51 | 0:11:53 | |
we take the coffin as carefully as we can through the back | 0:11:53 | 0:11:56 | |
into the crematory through a back door, obviously. | 0:11:56 | 0:11:59 | |
Back behind the curtains | 0:11:59 | 0:12:01 | |
where it is then charged into the cremator. | 0:12:01 | 0:12:03 | |
Once we come to charge the coffin, | 0:12:07 | 0:12:09 | |
the coffin is placed in a cremator once the slot is available. | 0:12:09 | 0:12:12 | |
The process could take up to an average of 90 minutes | 0:12:12 | 0:12:15 | |
until the cremation is completely finished | 0:12:15 | 0:12:17 | |
and there is flame or anything left in the cremator. | 0:12:17 | 0:12:21 | |
Then it is raked down to where the ashes are removed | 0:12:21 | 0:12:23 | |
into a cooling vessel where they cool for up to an hour. | 0:12:23 | 0:12:27 | |
They are then released from the cremator | 0:12:27 | 0:12:30 | |
into the normal atmosphere, the normal environment | 0:12:30 | 0:12:32 | |
where they are cooled | 0:12:32 | 0:12:33 | |
before they are processed through the cremulator for the final ashes | 0:12:33 | 0:12:36 | |
to be returned to the family. | 0:12:36 | 0:12:39 | |
Coffins are made for cremation. | 0:12:39 | 0:12:41 | |
Their pins and screws and all parts that hold it together | 0:12:41 | 0:12:44 | |
don't actually go in the process of cremation, | 0:12:44 | 0:12:47 | |
so that is removed with a magnet. | 0:12:47 | 0:12:49 | |
The ash is then processed through a cremulator | 0:12:49 | 0:12:51 | |
where they are reduced to the dust | 0:12:51 | 0:12:54 | |
as we know as the remains of the ashes. | 0:12:54 | 0:12:56 | |
That is then processed for the family in either caskets | 0:12:56 | 0:12:59 | |
or whatever vessel. It depends on what the requirements are. | 0:12:59 | 0:13:02 | |
The process is very carefully monitored. | 0:13:04 | 0:13:06 | |
We operate within a code of practice. | 0:13:06 | 0:13:08 | |
The cremator is individual. | 0:13:08 | 0:13:10 | |
It is one cremation at a time, one rake down at a time, | 0:13:10 | 0:13:13 | |
so each of the individual processes is unique to that cremation. | 0:13:13 | 0:13:17 | |
So the ashes coming back to you are those of your loved one. | 0:13:17 | 0:13:21 | |
At the end of the day, when I've passed away, then I've passed away. | 0:13:21 | 0:13:24 | |
If the family choose cremation, that's fine. | 0:13:24 | 0:13:26 | |
But whatever they choose, that is down to them, it's their decision. | 0:13:26 | 0:13:30 | |
Gareth Jenkins from Baglan Funeral Home | 0:13:33 | 0:13:35 | |
is on his way to deliver an urn of very special ashes. | 0:13:35 | 0:13:39 | |
Sometimes they come to the funeral home to pick them up, | 0:13:39 | 0:13:41 | |
but the family asked if I could just take them down | 0:13:41 | 0:13:44 | |
and have a chat what they would like to do with them. | 0:13:44 | 0:13:47 | |
At their home in Sandfields, Port Talbot, | 0:13:48 | 0:13:50 | |
the family of Damien James, who tragically ended his own life | 0:13:50 | 0:13:53 | |
just four weeks ago, is expecting Gareth's visit. | 0:13:53 | 0:13:58 | |
It's a very poignant time. | 0:13:58 | 0:13:59 | |
It's like the final thing, the ashes remains. | 0:13:59 | 0:14:02 | |
So I don't like knocking the door with them in my hand. | 0:14:02 | 0:14:07 | |
They are expecting me and they are expecting me | 0:14:07 | 0:14:09 | |
to have the ashes, but I say, "Look, I have them in the car. | 0:14:09 | 0:14:12 | |
"Are you ready?" so to speak. | 0:14:12 | 0:14:14 | |
Cos maybe when I knock the door, they might start crying, | 0:14:14 | 0:14:18 | |
you don't know and then I'll go in and have a chat with them | 0:14:18 | 0:14:20 | |
and then I'll fetch them. | 0:14:20 | 0:14:23 | |
-I've got his ashes remains in the car. -Oh, that's OK. | 0:14:23 | 0:14:25 | |
-Are you OK to have them now? -Yes, definitely. Definitely. | 0:14:25 | 0:14:28 | |
OK, I'll just fetch them now. OK. | 0:14:28 | 0:14:30 | |
'You've got to gauge how they are | 0:14:32 | 0:14:34 | |
'cos you don't know until they're actually face to face | 0:14:34 | 0:14:37 | |
'and they know that the ashes remains are coming, you know. | 0:14:37 | 0:14:40 | |
'Damien is sort of coming home again, in one respect, you know. | 0:14:40 | 0:14:44 | |
'It brings it all back home again. | 0:14:44 | 0:14:46 | |
'So, I think they are actually looking forward to | 0:14:46 | 0:14:49 | |
'having something of him back.' | 0:14:49 | 0:14:51 | |
OK? | 0:14:53 | 0:14:55 | |
-OK. Shall I put them here? Is that OK? -Thank you, Gareth. | 0:14:55 | 0:14:58 | |
Yeah. | 0:14:58 | 0:14:59 | |
-There he is back home. OK? -Aww. | 0:14:59 | 0:15:02 | |
-It has been a long four weeks, but he's home now. -Yeah. | 0:15:02 | 0:15:07 | |
You think, "Oh, I'm hard, I can do it," but... | 0:15:07 | 0:15:10 | |
No, one minute you're fine, | 0:15:10 | 0:15:11 | |
-it's one little thing you need and it sets you off again. -Yeah. | 0:15:11 | 0:15:14 | |
You have to get on with day-to-day jobs and day-to-day things, | 0:15:14 | 0:15:18 | |
-cos we've got a little six-year-old as well. -Yeah. | 0:15:18 | 0:15:20 | |
We went shopping | 0:15:20 | 0:15:22 | |
and it's just like a bit of music that they play over the system | 0:15:22 | 0:15:26 | |
and the two of us, again, were both... | 0:15:26 | 0:15:29 | |
You know, you're walking round sobbing and you think, | 0:15:29 | 0:15:31 | |
-"Oh, I'm being a bit daft," but... -No, no. | 0:15:31 | 0:15:34 | |
-We were, weren't we? -Mm. | 0:15:34 | 0:15:36 | |
I know you wanted to...you wanted to divide the ashes, | 0:15:36 | 0:15:40 | |
so we're going to divide them in half | 0:15:40 | 0:15:43 | |
and then we've got little scatter boxes, which... | 0:15:43 | 0:15:46 | |
You see the little hole there? | 0:15:46 | 0:15:49 | |
-Aww. -See him down in there? Look. | 0:15:49 | 0:15:52 | |
Aww. | 0:15:52 | 0:15:53 | |
-Do you want to feel it? -No, I'm OK. | 0:15:53 | 0:15:55 | |
-Feel it. -It's just like sand. -It's just like sand. Look. | 0:15:55 | 0:15:58 | |
-Here he is, look. -Aww. -He's home. | 0:15:59 | 0:16:02 | |
-It's quite heavy, isn't it? -It's bone, isn't it? | 0:16:02 | 0:16:04 | |
People are surprised at the actual weight. | 0:16:04 | 0:16:07 | |
But do you know, almost it doesn't matter | 0:16:07 | 0:16:09 | |
-what size you physically are... -Yeah. | 0:16:09 | 0:16:12 | |
..they're almost all identical in weight afterwards, | 0:16:12 | 0:16:15 | |
which is weird, isn't it? | 0:16:15 | 0:16:16 | |
Well, I sup... Yeah, cos your skeleton would be... | 0:16:16 | 0:16:18 | |
It's the bone, it's the bone. | 0:16:18 | 0:16:20 | |
It is just the padding around that. | 0:16:20 | 0:16:21 | |
-You don't need that padding after, do you? -No. | 0:16:21 | 0:16:23 | |
-HE LAUGHS -No. No, we don't. -Oh, love him. | 0:16:23 | 0:16:26 | |
-It's the only time I'll be ever slim, then. -THEY LAUGH | 0:16:26 | 0:16:30 | |
So, I'm going to leave you with these now | 0:16:30 | 0:16:32 | |
-for you to have a look at. -Oh, thank you. | 0:16:32 | 0:16:34 | |
And then you just give me a ring a I'll pop down | 0:16:34 | 0:16:37 | |
after you've decided what you'd like to do. | 0:16:37 | 0:16:39 | |
-Oh, thank you very much, Gareth. -OK? You're welcome. -Thank you. | 0:16:39 | 0:16:42 | |
Everyone's individual, every scenario's different, | 0:16:44 | 0:16:47 | |
so, yeah, we've got to gauge everything separately. | 0:16:47 | 0:16:50 | |
It all depends on how their emotions are at that time. | 0:16:50 | 0:16:54 | |
Sometimes the emotions are very high, | 0:16:54 | 0:16:56 | |
sometimes they're very low. | 0:16:56 | 0:16:58 | |
Yeah, we just gauge that and like I said, | 0:16:58 | 0:17:00 | |
because we are there to help them in anything we can do, | 0:17:00 | 0:17:03 | |
we just try to take into consideration | 0:17:03 | 0:17:06 | |
their feelings at that time. | 0:17:06 | 0:17:07 | |
With funeral trends changing in Wales, | 0:17:10 | 0:17:12 | |
so too are what families decide to do with the ashes of their loved ones. | 0:17:12 | 0:17:16 | |
From glass sculptures to diamonds, the list continues to grow. | 0:17:16 | 0:17:21 | |
Wayne died last year and Gareth conducted the funeral | 0:17:21 | 0:17:24 | |
and believes his service does not end there. | 0:17:24 | 0:17:27 | |
Today, he's helping Wayne's partner, Barbara, | 0:17:27 | 0:17:30 | |
who has decided to get the ashes made into a crystal | 0:17:30 | 0:17:32 | |
which she will have implanted in her arm. | 0:17:32 | 0:17:36 | |
The "Wayne" is written in just tattooist's ink. | 0:17:36 | 0:17:40 | |
The hearts there, the ashes were mixed with the ink | 0:17:40 | 0:17:45 | |
and then made into the hearts. | 0:17:45 | 0:17:47 | |
And also the star as well is done in the same thing. | 0:17:47 | 0:17:50 | |
And in the centre here, that is where the crystal is going to go | 0:17:50 | 0:17:53 | |
and it will be a permanent thing then. | 0:17:53 | 0:17:55 | |
Somebody in work told me that you can add crystals. | 0:17:55 | 0:17:59 | |
I thought, "Oh, I know, I'll have... | 0:17:59 | 0:18:01 | |
"If you can make a crystal out of the ashes, | 0:18:01 | 0:18:03 | |
-"I'll have that put instead." -Yeah. -So... | 0:18:03 | 0:18:06 | |
-And you immediately thought, "That's for me"? -Yes. | 0:18:06 | 0:18:08 | |
-And you haven't had any second thoughts at all? -Not so. | 0:18:08 | 0:18:11 | |
There we are. Well, I think that is really nice, then. | 0:18:11 | 0:18:14 | |
Human ashes can be compressed into real diamonds, | 0:18:16 | 0:18:19 | |
an expensive process that can cost upwards of £10,000. | 0:18:19 | 0:18:24 | |
Got to be very quiet for this bit, OK? | 0:18:25 | 0:18:28 | |
Barbara has chosen the more reasonable option - | 0:18:28 | 0:18:31 | |
having the ashes embedded in crystals that resemble diamonds. | 0:18:31 | 0:18:34 | |
-And that's your pain over with. -Really? -THEY LAUGH | 0:18:39 | 0:18:42 | |
-Well done, Barbara. -TATTOOIST LAUGHS | 0:18:42 | 0:18:44 | |
No screaming at all. I'm a bit disappointed. Yeah. | 0:18:44 | 0:18:47 | |
So, the ashes are in that diamond, in a star, | 0:18:47 | 0:18:51 | |
and his ashes are in the star there. | 0:18:51 | 0:18:54 | |
-Amazing. -Shining bright like a diamond in the sky. -It is. | 0:18:54 | 0:18:58 | |
That looks great, that does, actually. | 0:18:58 | 0:19:00 | |
Every two years, all the funeral directors | 0:19:07 | 0:19:10 | |
visit the National Funeral Exhibition | 0:19:10 | 0:19:12 | |
to keep up-to-date with latest trends and suppliers. | 0:19:12 | 0:19:15 | |
After all, funerals are big business. | 0:19:15 | 0:19:18 | |
Hefin Williams from the Gwendraeth Valley | 0:19:25 | 0:19:27 | |
has brought his wife, Angharad, on a surprise romantic break. | 0:19:27 | 0:19:31 | |
Hmm, is it worked Angharad had in mind? | 0:19:31 | 0:19:33 | |
Hefin said he was going to take me away | 0:19:35 | 0:19:37 | |
for a lovely weekend somewhere nice | 0:19:37 | 0:19:39 | |
and this wasn't exactly what I had in mind | 0:19:39 | 0:19:42 | |
when he told me I was going somewhere nice. | 0:19:42 | 0:19:45 | |
When I told Angharad I was taking her away for a night or two, | 0:19:46 | 0:19:51 | |
I think this was the last place she wanted to come. | 0:19:51 | 0:19:53 | |
But fair play, she has supported me. | 0:19:53 | 0:19:55 | |
This year, I am building a new chapel of rest in the funeral home, | 0:19:59 | 0:20:02 | |
so I need to kit it all out. | 0:20:02 | 0:20:06 | |
I am looking for mortuary equipment, fridges, flooring, everything. | 0:20:06 | 0:20:10 | |
A display for ashes. Ashes is a big thing at the moment. | 0:20:10 | 0:20:14 | |
You can have them into anything these days. | 0:20:14 | 0:20:16 | |
Hopefully I can get the best prices. | 0:20:16 | 0:20:18 | |
As well as suppliers, | 0:20:25 | 0:20:26 | |
a trade association for independent funeral directors, known as SAIF, | 0:20:26 | 0:20:30 | |
are also here. | 0:20:30 | 0:20:32 | |
And manning the stand is this year's president | 0:20:32 | 0:20:34 | |
and funeral director from Llanelli, Gemma O'Driscoll. | 0:20:34 | 0:20:37 | |
It is also a networking opportunity, a chance to see funeral directors | 0:20:39 | 0:20:43 | |
who perhaps you don't see from one year to the next. | 0:20:43 | 0:20:46 | |
Really, it is all-encompassing. Vehicles as well, of course. | 0:20:46 | 0:20:49 | |
There's a lot of very lovely and very expensive funeral cars | 0:20:49 | 0:20:52 | |
here this weekend. | 0:20:52 | 0:20:54 | |
Matthew Jones from Carmarthen hires hearses to funeral directors | 0:20:55 | 0:20:59 | |
and is admiring the latest models. | 0:20:59 | 0:21:01 | |
Fancy one. If somebody else is paying, it's all right. | 0:21:02 | 0:21:04 | |
Quite a lot of money's worth here, to be honest with you. | 0:21:04 | 0:21:07 | |
I don't think you'll see... You won't see these in my garage. | 0:21:09 | 0:21:12 | |
Unless I win the lottery. | 0:21:12 | 0:21:14 | |
As far as the Jaguar goes - lovely, great, got a presence on the road. | 0:21:14 | 0:21:19 | |
But a lot of the roads we go down in West Wales, | 0:21:19 | 0:21:21 | |
down the countries there, down the farms, | 0:21:21 | 0:21:23 | |
wouldn't fit down the lanes | 0:21:23 | 0:21:25 | |
and also, probably get stuck on the cattle grids. | 0:21:25 | 0:21:27 | |
As well as trying his hand at wicker coffin weaving, | 0:21:29 | 0:21:32 | |
Gareth Jenkins from Baglan is searching for something special | 0:21:32 | 0:21:36 | |
for one of his clients. | 0:21:36 | 0:21:38 | |
I'm looking for one thing in particular. | 0:21:38 | 0:21:40 | |
Now, there are companies here that do fireworks | 0:21:40 | 0:21:44 | |
that you can actually put the ashes remains into the firework | 0:21:44 | 0:21:48 | |
and they will organise a firework display. | 0:21:48 | 0:21:52 | |
Damien's family have asked me to look for something different | 0:21:52 | 0:21:56 | |
and something spectacular and I think that would be just the answer. | 0:21:56 | 0:22:00 | |
That's what I'm looking for now. | 0:22:00 | 0:22:01 | |
Although most skills in the funeral trade | 0:22:06 | 0:22:08 | |
are passed down over generations, | 0:22:08 | 0:22:10 | |
undertaking is now becoming more and more professional | 0:22:10 | 0:22:14 | |
and formal qualifications are a necessity. | 0:22:14 | 0:22:17 | |
And there will be time to ask questions... | 0:22:19 | 0:22:22 | |
Gemma O'Driscoll is a tutor for | 0:22:22 | 0:22:23 | |
the Independent Funeral Directors College, | 0:22:23 | 0:22:26 | |
which trains the next generation of funeral directors. | 0:22:26 | 0:22:29 | |
We have a number of students here who have travelled | 0:22:29 | 0:22:31 | |
from all over South Wales and with a variety of experience | 0:22:31 | 0:22:34 | |
to gather here today to begin their journey on courses with the college. | 0:22:34 | 0:22:40 | |
You demonstrate to me | 0:22:40 | 0:22:41 | |
how you would measure our very well-dressed deceased. | 0:22:41 | 0:22:47 | |
Because it is a vocational qualification, they are expected now | 0:22:47 | 0:22:50 | |
to go back to their workplaces and compile portfolios of evidence | 0:22:50 | 0:22:54 | |
that prove their competence in the tasks that we are speaking about. | 0:22:54 | 0:22:58 | |
A number of staff from the Baglan Funeral Home | 0:23:02 | 0:23:04 | |
have undertaken the course. | 0:23:04 | 0:23:06 | |
One of them, Neil, | 0:23:06 | 0:23:08 | |
is nervously awaiting a workplace evaluation with his tutor Gemma. | 0:23:08 | 0:23:12 | |
-Afternoon, Gemma. -Hi, nice to see you again. -Are you all right? | 0:23:12 | 0:23:15 | |
-Yeah, I'm fine. -Good. | 0:23:15 | 0:23:16 | |
-Take a seat. Don't be nervous. -No, it's OK. | 0:23:16 | 0:23:18 | |
We're just going to go through some of your workbooks | 0:23:18 | 0:23:22 | |
that you've sent in to me. | 0:23:22 | 0:23:23 | |
I am very pleased to tell you that at this stage, | 0:23:23 | 0:23:25 | |
you have passed the course. | 0:23:25 | 0:23:27 | |
-It is really quite excellent work. -Thank you very much. | 0:23:27 | 0:23:29 | |
-So, congratulations. -Brilliant, thank you. -OK. | 0:23:29 | 0:23:32 | |
Over the moon that I've passed the course. | 0:23:32 | 0:23:34 | |
It was an exciting course to do, being new to the job and everything. | 0:23:34 | 0:23:37 | |
And the help I had on the course and everything has been really great, | 0:23:37 | 0:23:41 | |
the support from other people who'd done the course with me. | 0:23:41 | 0:23:43 | |
Um... | 0:23:43 | 0:23:45 | |
And I've had a really good mentor with my colleagues working here. | 0:23:45 | 0:23:48 | |
-GARETH: -Hello, Gemma. Nice to see you. | 0:23:48 | 0:23:50 | |
And while at Baglan Funeral Home, Gemma fulfils another of her roles - | 0:23:50 | 0:23:55 | |
Inspector of Standards for Funeral Directors. | 0:23:55 | 0:23:58 | |
Then we'll do the viewing rooms, then we'll go into the mortuary. | 0:23:58 | 0:24:00 | |
-Yes. -That OK? -That's fine. -There we are now. | 0:24:00 | 0:24:04 | |
'I belong to a trade association called SAIF | 0:24:04 | 0:24:06 | |
'and the inspector is coming here to make sure that | 0:24:06 | 0:24:10 | |
'we adhere to all their rules and that everything is in place - | 0:24:10 | 0:24:14 | |
'health and safety, fire inspection, premises inspection, the mortuary - | 0:24:14 | 0:24:19 | |
'just to see that everything is in order.' | 0:24:19 | 0:24:22 | |
This is the mortuary-cum-cold room where we carry out the embalming. | 0:24:22 | 0:24:27 | |
'And they just keep us up-to-date and if we do have a problem,' | 0:24:27 | 0:24:31 | |
we've got a governing body that we can actually turn to to help us. | 0:24:31 | 0:24:34 | |
They've got legal department as well, | 0:24:34 | 0:24:37 | |
so we've always got somebody we can have advice from. | 0:24:37 | 0:24:40 | |
So, what storage did you have, Gareth? | 0:24:40 | 0:24:43 | |
Well, what we've done, we've made this whole area a refrigerate... | 0:24:43 | 0:24:47 | |
This is refrigerated and we've put the curtains on and if we are... | 0:24:47 | 0:24:52 | |
we need more space, this whole room is insulated as a fridge. | 0:24:52 | 0:24:57 | |
And we can accommodate, at max, 26 people. | 0:24:57 | 0:25:01 | |
Perhaps if we can... | 0:25:01 | 0:25:03 | |
Just give me a few minutes to just go through | 0:25:03 | 0:25:05 | |
and check if I've got everything | 0:25:05 | 0:25:07 | |
and then I can give a decision. | 0:25:07 | 0:25:08 | |
-Do I give you the bribe now or later? -SHE CHUCKLES | 0:25:08 | 0:25:12 | |
Mmm. | 0:25:15 | 0:25:16 | |
To be honest, I'm not too worried. I'm sure everything's in place. | 0:25:18 | 0:25:21 | |
It seems that everything's in place, but you always think, | 0:25:21 | 0:25:24 | |
are they going to pick you up on something? | 0:25:24 | 0:25:26 | |
And if they do, I'm sure, you know, it can be put right. | 0:25:26 | 0:25:31 | |
So, it is not quite like waiting in a dentist | 0:25:31 | 0:25:33 | |
if you've got to have a filling or an extraction. | 0:25:33 | 0:25:36 | |
But, yeah, you know, we just... | 0:25:36 | 0:25:38 | |
I'm sure everything's all right. Quite confident. | 0:25:38 | 0:25:40 | |
I think it is important that we are inspected and we do belong to SAIF. | 0:25:42 | 0:25:47 | |
You don't have to belong to an association | 0:25:47 | 0:25:49 | |
to actually be a funeral director. | 0:25:49 | 0:25:51 | |
I think it is a safeguard for families. | 0:25:51 | 0:25:54 | |
I think they feel more confident in coming to you. | 0:25:54 | 0:25:56 | |
-Hi, Gemma. -All right. | 0:25:58 | 0:25:59 | |
So, is it...? Or is it...? | 0:25:59 | 0:26:01 | |
It's good news, Gareth. | 0:26:01 | 0:26:03 | |
I'm very pleased to tell you that everything is in order. | 0:26:03 | 0:26:06 | |
I really can't find anything wrong. I've tried hard. | 0:26:06 | 0:26:08 | |
-HE CHUCKLES -But, no, honestly, you have got superb premises here. | 0:26:08 | 0:26:12 | |
-Thanks very much. -Standards are very high | 0:26:12 | 0:26:14 | |
and we are very pleased to have you as members. | 0:26:14 | 0:26:16 | |
Thank you very much. That is a good news, that. | 0:26:16 | 0:26:18 | |
As the sun slowly sets over Swansea Bay, | 0:26:22 | 0:26:26 | |
so does Dionne's time with her son's ashes. | 0:26:26 | 0:26:29 | |
Damien is in her arms for the final time. | 0:26:29 | 0:26:32 | |
The family asked me if they could do something unusual | 0:26:32 | 0:26:35 | |
with Damien's ashes remains and there is this company I found, | 0:26:35 | 0:26:40 | |
Heavenly Stars, have come up with a wonderful product. | 0:26:40 | 0:26:43 | |
It's the Celebration of Life fireworks | 0:26:43 | 0:26:46 | |
where they took Damien's ashes and they've placed them | 0:26:46 | 0:26:49 | |
in quite a lot of fireworks. | 0:26:49 | 0:26:51 | |
We are just waiting for dark so that he can be sent on his final journey | 0:26:51 | 0:26:56 | |
in a blaze of colour and stars and the family are here to witness that | 0:26:56 | 0:27:00 | |
and I think we're going to raise a glass or two of bubbly. | 0:27:00 | 0:27:05 | |
I think what a lovely final thing to do. | 0:27:05 | 0:27:08 | |
I'm looking forward to the firework going off, but I'm also sad | 0:27:08 | 0:27:12 | |
because it is another way of saying goodbye to him, really. So... | 0:27:12 | 0:27:17 | |
But it is to commemorate him and this is why we're doing it. | 0:27:19 | 0:27:22 | |
It's a way of saying goodbye to him and he'll always be up in the sky. | 0:27:22 | 0:27:27 | |
It is a fitting tribute, at the end of the day. Fantastic. | 0:27:27 | 0:27:32 | |
It has been a difficult journey for the family | 0:27:32 | 0:27:34 | |
and I've been with them all along. | 0:27:34 | 0:27:36 | |
They wanted the finality of it | 0:27:36 | 0:27:38 | |
and I think this will help towards that now, so... | 0:27:38 | 0:27:42 | |
Yes, I'm so pleased that they've asked me to be here | 0:27:42 | 0:27:45 | |
and witness it as well. | 0:27:45 | 0:27:47 | |
Whoo! | 0:27:48 | 0:27:49 | |
FIREWORKS WHISTLE AND CRACK | 0:27:51 | 0:27:53 | |
Everybody loves fireworks. They're so spectacular | 0:27:55 | 0:27:59 | |
and it just makes you smile when you see a firework | 0:27:59 | 0:28:01 | |
and it is a celebration of life, after all. | 0:28:01 | 0:28:04 | |
So, yeah, I would be quite happy for my ashes to be sent up in the sky. | 0:28:04 | 0:28:08 | |
Definitely. | 0:28:08 | 0:28:10 | |
As a child, he loved fireworks, he just adored them. | 0:28:11 | 0:28:14 | |
So, when Gareth came up with the idea came to me about it, | 0:28:14 | 0:28:18 | |
I thought, "Yeah, it's fitting. Let's do it." | 0:28:18 | 0:28:21 | |
That is something I will remember for the rest of my life. | 0:28:27 | 0:28:30 | |
Fantastic, amazing. | 0:28:30 | 0:28:32 |