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It's the last thing we want think about - our funeral. | 0:00:02 | 0:00:05 | |
But we all have very different thoughts about the way we want to go. | 0:00:06 | 0:00:10 | |
When the sun sets on the ocean blue, | 0:00:12 | 0:00:14 | |
remember me as I will always remember you. | 0:00:14 | 0:00:16 | |
God bless, Mum. | 0:00:16 | 0:00:18 | |
For some people though, death is very much their way of life. | 0:00:20 | 0:00:24 | |
And they love their work. | 0:00:25 | 0:00:27 | |
We care for the dead, but we are there to help the families | 0:00:28 | 0:00:31 | |
and I can't imagine a more rewarding job. | 0:00:31 | 0:00:35 | |
Welcome to a world that most of us will never see. | 0:00:38 | 0:00:41 | |
We are opening the doors on a very Welsh undertaking. | 0:00:43 | 0:00:48 | |
Lewis Funeral Services are based in Penrhiwpal, | 0:01:14 | 0:01:17 | |
a small rural village just to the north of Newcastle Emlyn, | 0:01:17 | 0:01:21 | |
and is owned by Maldwyn Lewis and his wife, Reverend Carys Ann. | 0:01:21 | 0:01:25 | |
And they met in a rather in usual way. | 0:01:25 | 0:01:28 | |
I saw him across a grave! | 0:01:28 | 0:01:31 | |
And we said let's meet up and that was it. | 0:01:32 | 0:01:36 | |
And we've hit it off great. | 0:01:36 | 0:01:39 | |
Each funeral is individual. | 0:01:40 | 0:01:42 | |
Different families have got different ideas | 0:01:42 | 0:01:46 | |
about their own funeral. | 0:01:46 | 0:01:48 | |
We've had this recent request from a family who wanted a lorry | 0:01:48 | 0:01:53 | |
to carry their father from his home to the funeral service. | 0:01:53 | 0:01:58 | |
So Maldwyn has enlisted the services | 0:02:00 | 0:02:02 | |
of a 1950 Leyland Beaver lorry, cum hearse, | 0:02:02 | 0:02:05 | |
owned and driven by David Hall. | 0:02:05 | 0:02:08 | |
This is a former lorry driver who was 80 years old | 0:02:09 | 0:02:13 | |
and we are taking him from his house into chapel | 0:02:13 | 0:02:17 | |
and he's being buried outside the chapel. | 0:02:17 | 0:02:19 | |
When I first started, | 0:02:21 | 0:02:22 | |
it was basically lorry drivers who wanted to go out on a vehicle | 0:02:22 | 0:02:27 | |
similar to what their dad had driven in the early '50s. | 0:02:27 | 0:02:31 | |
But recently there has been a growth in the business. | 0:02:31 | 0:02:34 | |
More and more people are interested in me personalising the funeral. | 0:02:34 | 0:02:38 | |
My top speed on the road is 32mph. | 0:02:39 | 0:02:41 | |
However, during funerals, I travel along at 25mph. | 0:02:42 | 0:02:45 | |
This is the first time for the lorry to be down in this area at all, | 0:02:49 | 0:02:53 | |
so it will be interesting for us. | 0:02:53 | 0:02:55 | |
The family are saddened at the loss, | 0:02:55 | 0:02:58 | |
but they are also excited that they are getting their wish | 0:02:58 | 0:03:01 | |
that their father is going to be carried on this lorry. | 0:03:01 | 0:03:05 | |
Gwyn drove HGVs all his life | 0:03:05 | 0:03:08 | |
and loved tinkering with classic vehicles | 0:03:08 | 0:03:10 | |
and renovating his old tractors. | 0:03:10 | 0:03:12 | |
His friends and their classic cars have turned out | 0:03:12 | 0:03:15 | |
to accompany the old lorry on the way to the chapel. | 0:03:15 | 0:03:18 | |
Gone are the days where everybody went to church | 0:03:22 | 0:03:25 | |
and was buried in the local cemetery. | 0:03:25 | 0:03:27 | |
At the end of the day, we try our best to carry out | 0:03:28 | 0:03:32 | |
the deceased's wishes or the family's wishes. | 0:03:32 | 0:03:35 | |
Dressed in boiler suits, | 0:03:37 | 0:03:39 | |
Gwyn's friends carefully transport him into chapel. | 0:03:39 | 0:03:43 | |
Today has been different. | 0:03:45 | 0:03:48 | |
Fitting for Gwyn and I'm quite pleased myself. | 0:03:48 | 0:03:52 | |
People ask, you know, do you enjoy doing funerals? | 0:03:52 | 0:03:55 | |
I don't think enjoy is the right word to use. | 0:03:55 | 0:03:58 | |
We do our best for the families, and job satisfaction, yes. | 0:03:58 | 0:04:02 | |
It is a calling and I feel that, you know, we have done our bit today. | 0:04:02 | 0:04:06 | |
Gareth and Craig from Baglan Funeral Home have made the journey | 0:04:11 | 0:04:15 | |
to Birmingham to discover more about a brand-new service | 0:04:15 | 0:04:18 | |
that is offered to bereaved families. | 0:04:18 | 0:04:20 | |
The digital postmortem | 0:04:20 | 0:04:22 | |
is an alternative to the traditional method, | 0:04:22 | 0:04:24 | |
where the body of the deceased is cut open | 0:04:24 | 0:04:27 | |
to determine the cause of death. | 0:04:27 | 0:04:29 | |
The problem that we have now | 0:04:32 | 0:04:34 | |
is that we've got a two-week wait for a funeral. | 0:04:34 | 0:04:37 | |
Because the pathologist has to perform a postmortem, | 0:04:37 | 0:04:40 | |
all that data has to be sent to the coroner | 0:04:40 | 0:04:42 | |
and the whole process is getting slower and slower | 0:04:42 | 0:04:45 | |
because there are more postmortems taking place. | 0:04:45 | 0:04:48 | |
So if we could speed up that process, | 0:04:48 | 0:04:50 | |
that would be a giant step forward. | 0:04:50 | 0:04:53 | |
If a person hasn't been seen by a doctor within 14 days of their death, | 0:04:53 | 0:04:59 | |
then they must have a postmortem to determine the cause of death. | 0:04:59 | 0:05:03 | |
A legal requirement, | 0:05:03 | 0:05:05 | |
so the coroner can come to a satisfactory conclusion. | 0:05:05 | 0:05:08 | |
The new digital postmortem is a totally non-invasive way | 0:05:09 | 0:05:12 | |
of achieving the same result, but without a scalpel in sight. | 0:05:12 | 0:05:16 | |
This facility is only one of three in the UK. | 0:05:17 | 0:05:20 | |
This is a normal hospital scanner. | 0:05:22 | 0:05:24 | |
It's the way that it's used which is completely different. | 0:05:24 | 0:05:27 | |
In a hospital, they use a low level of radiation | 0:05:27 | 0:05:31 | |
to get the images they need because living tissue doesn't like X-rays. | 0:05:31 | 0:05:37 | |
It doesn't affect the deceased at all. | 0:05:37 | 0:05:40 | |
So Ruth here will wind this up to maximum power | 0:05:40 | 0:05:43 | |
and we can get details down to about 0.6 of a millimetre, | 0:05:43 | 0:05:48 | |
which is pretty fantastic image-wise. | 0:05:48 | 0:05:50 | |
We will go through into the control room and you can watch the process. | 0:05:50 | 0:05:54 | |
If the deceased is in a body bag, | 0:05:59 | 0:06:02 | |
the whole process can be done without actually opening it? | 0:06:02 | 0:06:06 | |
That's correct, yes. That is what's really good. | 0:06:06 | 0:06:09 | |
Obviously because it's a CT scanner using X-rays, the X-rays can pass through the body bag, | 0:06:09 | 0:06:13 | |
so there's no need to open the bag in any shape or form, | 0:06:13 | 0:06:16 | |
which makes it much safer, not only for myself, | 0:06:16 | 0:06:19 | |
but obviously for the funeral directors as well. | 0:06:19 | 0:06:21 | |
There is no risk of infection or anything else | 0:06:21 | 0:06:24 | |
that could be inside of the bag being a problem. | 0:06:24 | 0:06:27 | |
So this whole process has taken, what, 15 minutes? | 0:06:27 | 0:06:29 | |
-Approximately 15 minutes, yes. -Amazing. | 0:06:29 | 0:06:32 | |
Once the body has been scanned, | 0:06:34 | 0:06:36 | |
special software converts the data into viewable 3D images, | 0:06:36 | 0:06:40 | |
making the job for the pathologist faster, cleaner and more accurate. | 0:06:40 | 0:06:45 | |
Gareth and Craig are shown a case study to demonstrate the system. | 0:06:45 | 0:06:50 | |
-So this is the spinal injury? -It is, yes. | 0:06:50 | 0:06:54 | |
So the clinical team decided that he had multiple spinal fractures. | 0:06:54 | 0:07:00 | |
With my limited medical knowledge, even I can see that there. | 0:07:00 | 0:07:05 | |
Whereas, if it was on a postmortem table, | 0:07:05 | 0:07:08 | |
even a pathologist would maybe... | 0:07:08 | 0:07:11 | |
It could potentially be very difficult. | 0:07:11 | 0:07:14 | |
-Difficult to see what we are seeing there. -Absolutely. | 0:07:14 | 0:07:17 | |
It could potentially actually involve the removal of the spine. | 0:07:17 | 0:07:20 | |
What do you think of that, Craig? | 0:07:24 | 0:07:25 | |
I think that is absolutely incredible, Gareth. | 0:07:25 | 0:07:28 | |
It was space-age, almost. | 0:07:28 | 0:07:30 | |
Yeah, but it's now. It's here. | 0:07:30 | 0:07:33 | |
Yes, and it's practical and it's here. | 0:07:33 | 0:07:36 | |
-I don't quite understand why it's not used more extensively. -No. | 0:07:36 | 0:07:41 | |
Having seen it now, I want to tell everybody about it. | 0:07:41 | 0:07:45 | |
It's something we can offer the families, we hope, soon. | 0:07:45 | 0:07:49 | |
Yeah, of course. | 0:07:49 | 0:07:51 | |
James Tovey from Newport today has a magic funeral to officiate. | 0:07:56 | 0:08:00 | |
Salvation Army member, Viv, was better known for his tricks, | 0:08:00 | 0:08:04 | |
being a professional magician and a member of the Magic Circle. | 0:08:04 | 0:08:09 | |
His friends and magic colleagues have turned out | 0:08:09 | 0:08:11 | |
to offer their last respects. | 0:08:11 | 0:08:13 | |
So just at waste height first of all. | 0:08:14 | 0:08:16 | |
So you at the front can support underneath the other hand. Come round towards me. | 0:08:16 | 0:08:20 | |
There's a step up on to the pavement so mind that. | 0:08:20 | 0:08:23 | |
We'll just come round. Nice and square on the pavement. | 0:08:23 | 0:08:27 | |
Just walk slowly forward. Just follow me. | 0:08:27 | 0:08:29 | |
In Viv's passing, a little bit of magic disappears | 0:08:30 | 0:08:34 | |
and to mark this there's a special Magic Circle ceremony | 0:08:34 | 0:08:37 | |
in memory of the Viv's contribution to their profession. | 0:08:37 | 0:08:42 | |
So when a magician passes, | 0:08:42 | 0:08:44 | |
when his performance is over, | 0:08:44 | 0:08:48 | |
it is our tradition as fellow magicians to break his wand. | 0:08:48 | 0:08:53 | |
We do this as a clear symbol that he will perform magic no more. | 0:08:54 | 0:09:00 | |
I now break his wand. | 0:09:00 | 0:09:02 | |
Viv's performance is now complete. | 0:09:05 | 0:09:08 | |
Yet his true magic continues | 0:09:08 | 0:09:11 | |
in the hearts and memories of all of us who knew and loved him. | 0:09:11 | 0:09:15 | |
# God's love to me is wonderful | 0:09:21 | 0:09:25 | |
# My very steps are planned | 0:09:25 | 0:09:30 | |
# When mists of doubt encompass me | 0:09:30 | 0:09:34 | |
# I hold my Father's hand | 0:09:34 | 0:09:38 | |
# His love has banished every fear | 0:09:38 | 0:09:42 | |
# In freedom I rejoice | 0:09:42 | 0:09:47 | |
# And with my quickened ears I hear | 0:09:47 | 0:09:51 | |
# The music of His voice. # | 0:09:51 | 0:09:55 | |
I think it's important always to portray a calm image. | 0:09:58 | 0:10:01 | |
People often talk about the swan going serenely across the pond. | 0:10:01 | 0:10:04 | |
It looks calm on the outside, | 0:10:04 | 0:10:06 | |
but perhaps it is paddling like mad underneath. | 0:10:06 | 0:10:08 | |
But I do my best to be calm most of the time. | 0:10:08 | 0:10:12 | |
Just very slowly feed through your hands. | 0:10:12 | 0:10:14 | |
There is room this way, Bill, if you need to come this way. | 0:10:14 | 0:10:17 | |
Now we let him go in peace on the wing of a beautiful dove. | 0:10:25 | 0:10:29 | |
Wish him peace and eternal rest, | 0:10:29 | 0:10:32 | |
it was an honour to know one of God's best. | 0:10:32 | 0:10:35 | |
Cymer in the Afan Valley, | 0:10:47 | 0:10:49 | |
where 40 years ago Gareth Jenkins began his career as an undertaker. | 0:10:49 | 0:10:54 | |
Today, though, he's on a mission improbable, with his crowbar. | 0:10:54 | 0:10:58 | |
This is my original yard. | 0:10:59 | 0:11:01 | |
It was a builder's yard and we used to keep the funeral vehicles here as well. | 0:11:01 | 0:11:06 | |
When I moved to the new property, I locked it up. | 0:11:06 | 0:11:08 | |
First time I've been in here for ten years. | 0:11:08 | 0:11:11 | |
The padlock key is long lost. | 0:11:13 | 0:11:15 | |
Not a problem for a former builder. | 0:11:15 | 0:11:17 | |
She's still here. | 0:11:25 | 0:11:28 | |
After all those years. | 0:11:28 | 0:11:30 | |
This is the first hearse I believe that I actually bought. | 0:11:31 | 0:11:35 | |
I'm surprised how good it's looking really. | 0:11:35 | 0:11:39 | |
I think it was 1983 this was purchased. | 0:11:39 | 0:11:42 | |
It was second-hand then. Nearly new. | 0:11:42 | 0:11:46 | |
It never let me down. | 0:11:46 | 0:11:48 | |
It's just things moved on and we changed the fleet, modernised it. | 0:11:48 | 0:11:53 | |
There we are. Jones and Jenkins. | 0:12:01 | 0:12:03 | |
That was my grandfather and father and we were building contractors. | 0:12:03 | 0:12:08 | |
And undertakers, look. As a lot of people were in the valleys. | 0:12:09 | 0:12:14 | |
You can see how small the number was. Well, well, well. | 0:12:14 | 0:12:17 | |
Right, then. | 0:12:17 | 0:12:19 | |
ENGINE FAILS | 0:12:19 | 0:12:21 | |
No. | 0:12:23 | 0:12:25 | |
What did I expect? | 0:12:25 | 0:12:27 | |
From the place they used to keep the hearse | 0:12:27 | 0:12:30 | |
to where Gareth's grandfather started making the coffins back in 1948, | 0:12:30 | 0:12:34 | |
Gareth has happy, if unusual, childhood memories. | 0:12:34 | 0:12:38 | |
If it was school holidays, I was allowed to come up | 0:12:38 | 0:12:41 | |
in the middle of the night, which I thought was very exciting, | 0:12:41 | 0:12:44 | |
and make the coffin with my father and grandfather. | 0:12:44 | 0:12:47 | |
This is where I made my first one, as well. | 0:12:47 | 0:12:50 | |
I used to come up here and they used to boil the pitch. | 0:12:52 | 0:12:54 | |
You had to put it on for an hour or two. | 0:12:54 | 0:12:56 | |
The coffins were racked along here and they used up pour the pitch in. | 0:12:56 | 0:13:00 | |
I used to love doing that as a kid, if they let me. | 0:13:00 | 0:13:02 | |
Then they used to swish all the pitch around the corner | 0:13:02 | 0:13:07 | |
to seal the old coffins. | 0:13:07 | 0:13:09 | |
I used to think, I don't know if you remember blackjack sweets, | 0:13:09 | 0:13:13 | |
but it used to look and feel like it and I used to chew it, | 0:13:13 | 0:13:16 | |
and I'm sure chewing tar was not good for you! | 0:13:16 | 0:13:19 | |
My grandfather used to tell me that is how they made blackjacks | 0:13:19 | 0:13:23 | |
Today, most coffins are mass-produced | 0:13:23 | 0:13:26 | |
and the choice is never ending. | 0:13:26 | 0:13:28 | |
However, Tovey Brothers in Newport | 0:13:28 | 0:13:30 | |
have an individual and high-end offering. | 0:13:30 | 0:13:34 | |
One of the traditional things that we do | 0:13:34 | 0:13:36 | |
is still make our solid wood coffins, | 0:13:36 | 0:13:38 | |
which is very unusual, I believe. | 0:13:38 | 0:13:40 | |
Tony Roach has been hand-crafting bespoke oak coffins | 0:13:42 | 0:13:45 | |
in Tovey Brothers for 15 years. | 0:13:45 | 0:13:48 | |
As far as I know, | 0:13:53 | 0:13:55 | |
I am the only person in Wales still doing bespoke coffins. | 0:13:55 | 0:13:58 | |
These solid oaks, I probably only do one a week. | 0:13:58 | 0:14:04 | |
It is special. | 0:14:04 | 0:14:06 | |
It is a handmade coffin. It's made of American oak. | 0:14:06 | 0:14:10 | |
It takes Tony a whole day to make a coffin from start to finish | 0:14:10 | 0:14:14 | |
and costs around £800, depending on dimensions, | 0:14:14 | 0:14:18 | |
compared to a standard veneered mass-produced MDF coffin, | 0:14:18 | 0:14:22 | |
costing between £400 and £600. | 0:14:22 | 0:14:25 | |
Because it is a special coffin, | 0:14:25 | 0:14:28 | |
people seem to take more attention, you know, look at it a bit more | 0:14:28 | 0:14:33 | |
because it's something they have ordered especially, you know. | 0:14:33 | 0:14:38 | |
So I always like to make sure it's right, you know. | 0:14:38 | 0:14:42 | |
I feel it's important to maintain certain traditions, | 0:14:47 | 0:14:50 | |
but not only just for tradition's sake, | 0:14:50 | 0:14:53 | |
because also I believe it provides an excellent quality coffin | 0:14:53 | 0:14:57 | |
which families appreciate and do admire when they see them. | 0:14:57 | 0:15:00 | |
At the other end of the scale is the cardboard coffin. | 0:15:08 | 0:15:12 | |
Just as unique, but offering a more basic resting place. | 0:15:12 | 0:15:16 | |
Hefin Williams from the Gwendraeth Valley has one such funeral. | 0:15:17 | 0:15:21 | |
The family didn't want anything over the top | 0:15:24 | 0:15:28 | |
so they decided to go for a cardboard coffin. | 0:15:28 | 0:15:30 | |
Some people think it is a bit odd to have cardboard coffins but it's | 0:15:30 | 0:15:33 | |
surprising, to be honest with you, how much good of a quality a cardboard coffin is. | 0:15:33 | 0:15:37 | |
It is a bit cheaper but the quality is the same, you know. | 0:15:37 | 0:15:41 | |
You may think that a cardboard coffin isn't strong enough | 0:15:41 | 0:15:44 | |
and although they do pose some practical concerns for the funeral directors, | 0:15:44 | 0:15:48 | |
the best ones are more than capable of holding up to 26st, | 0:15:48 | 0:15:53 | |
but still set you back £375. | 0:15:53 | 0:15:56 | |
If the rigid angles of a conventional-shape coffin | 0:16:01 | 0:16:04 | |
are a bit too harsh for you, then you can always choose | 0:16:04 | 0:16:08 | |
an eco-friendly Welsh organic wool cocoon. | 0:16:08 | 0:16:12 | |
The cocoons are hand produced in a little chapel in Devon by Yuli Somme. | 0:16:12 | 0:16:17 | |
The leaf cocoon is an alternative to a coffin. | 0:16:19 | 0:16:22 | |
The whole thing is really, really strong | 0:16:22 | 0:16:25 | |
and you don't see the shape of the body because there are so many layers of felt | 0:16:25 | 0:16:29 | |
and that seems to be something very important for people. | 0:16:29 | 0:16:32 | |
We make these leaf cocoons in this amazing chapel. | 0:16:33 | 0:16:38 | |
So often people are worried that a shroud is going to be really floppy, | 0:16:40 | 0:16:44 | |
that the body is going to smell. | 0:16:44 | 0:16:47 | |
It's not a problem. I haven't had that as a problem. | 0:16:49 | 0:16:53 | |
We start with a wooden structure and it's very strong | 0:16:54 | 0:16:58 | |
and we encase that in felt. | 0:16:58 | 0:17:00 | |
Waterproof paper membrane that will take care of any leakage. | 0:17:01 | 0:17:07 | |
And then there's a nice wool padding on the top and straps. | 0:17:07 | 0:17:10 | |
Then over the top of that is a decorated leaf. | 0:17:10 | 0:17:14 | |
I will definitely be buried in one of my leaf cocoons, | 0:17:20 | 0:17:23 | |
but I haven't decided what design I'm going to have yet. | 0:17:23 | 0:17:26 | |
Further personalising your casket, you can choose a colourful coffin, | 0:17:28 | 0:17:32 | |
which you can have printed with images of your choice. | 0:17:32 | 0:17:36 | |
Keith Davies was an avid sailor, so what better to adorn his coffin | 0:17:36 | 0:17:41 | |
than a sailing boat drifting off into the sunset? | 0:17:41 | 0:17:45 | |
Although Wales is surrounded by sea on three sides, if you do want | 0:17:47 | 0:17:51 | |
a burial at sea then your choice of location is limited to Southampton. | 0:17:51 | 0:17:55 | |
John Lister is an expert in sea burials | 0:18:00 | 0:18:03 | |
and carries out on average ten a year, costing upwards of 4,000 each. | 0:18:03 | 0:18:07 | |
Leaving Southampton today, John is taking Pamela Poole | 0:18:08 | 0:18:12 | |
to her final resting place just off The Needles at the Isle of Wight. | 0:18:12 | 0:18:16 | |
With one daughter living in Canada and one in the UK, | 0:18:16 | 0:18:20 | |
Pamela wanted to be resting in between them both. | 0:18:20 | 0:18:23 | |
Ladies and gentlemen, we have come here today | 0:18:26 | 0:18:28 | |
as an expression of our regard for the life of a beloved human being. | 0:18:30 | 0:18:34 | |
When the sun sets on the ocean blue, | 0:18:34 | 0:18:37 | |
remember me as I will always remember you. | 0:18:37 | 0:18:40 | |
We therefore commit her body to the deep in maritime tradition. | 0:18:40 | 0:18:44 | |
May she rest in peace. | 0:18:45 | 0:18:47 | |
In order for the coffin to be suitable for a sea burial, | 0:18:55 | 0:18:58 | |
it needs to be weighted down and drilled with holes | 0:18:58 | 0:19:01 | |
so that it sinks to the sea floor. | 0:19:01 | 0:19:03 | |
A wet Monday morning in the Gwendraeth Valley | 0:19:08 | 0:19:12 | |
and Hefin Williams is preparing for a funeral that, | 0:19:12 | 0:19:14 | |
by the decision of the deceased, won't have any mourners. | 0:19:14 | 0:19:18 | |
We've got a funeral first thing this morning at Llanelli Crematorium. It will be a different funeral. | 0:19:20 | 0:19:25 | |
There will be no family, no minister, no vicar, nobody there. | 0:19:25 | 0:19:28 | |
So it will just be myself and my staff. | 0:19:28 | 0:19:31 | |
We have to do it right as there would be 300 people there, | 0:19:31 | 0:19:34 | |
so the same respect will be shown. | 0:19:34 | 0:19:36 | |
The funeral will be done properly | 0:19:36 | 0:19:38 | |
because this gentleman has been a son, father, grandfather. | 0:19:38 | 0:19:41 | |
So it's important, you know. | 0:19:41 | 0:19:43 | |
He has been loved over the years | 0:19:43 | 0:19:44 | |
so we are going to make sure that he has a good send-off, as they say. | 0:19:44 | 0:19:48 | |
I spend a lot of time in the hearse. | 0:19:48 | 0:19:51 | |
Sometimes short journeys, sometimes long journeys, you know. | 0:19:52 | 0:19:55 | |
Today is a half-hour journey to Llanelli Crematorium. | 0:19:55 | 0:20:02 | |
Today nobody will see me walking in front of the hearse, but it's respect. | 0:20:02 | 0:20:06 | |
Personally, I think it's very important. | 0:20:06 | 0:20:08 | |
It is tradition, I suppose. I think it is a very nice touch. | 0:20:08 | 0:20:12 | |
When we arrive at the crematorium, | 0:20:18 | 0:20:20 | |
we will do exactly the same as we do in every other funeral. | 0:20:20 | 0:20:23 | |
There will be four bearers, we will walk in to music. | 0:20:24 | 0:20:28 | |
Then there will be a minute's silence during the curtain, the committal part, | 0:20:28 | 0:20:32 | |
then there will be a piece of music on the way out of the crematorium. | 0:20:32 | 0:20:35 | |
# Calon lan yn llawn daioni | 0:20:35 | 0:20:38 | |
# Tecach yw na'r lili dlos. # | 0:20:40 | 0:20:46 | |
Some people think because there is nobody going to be in the funeral, | 0:20:46 | 0:20:49 | |
the coffin will go through the back door. | 0:20:49 | 0:20:52 | |
But no, everyone goes through the front door in the crematorium | 0:20:52 | 0:20:56 | |
because it is the respect. | 0:20:56 | 0:20:58 | |
It is quite emotional, actually, and touching. | 0:20:59 | 0:21:02 | |
It gives you the shivers a bit. You feel for that person. | 0:21:02 | 0:21:05 | |
You think of the family at this time. | 0:21:05 | 0:21:08 | |
It is a privilege, to be honest, you know, | 0:21:10 | 0:21:13 | |
to carry out the family's wishes. | 0:21:13 | 0:21:16 | |
You know, we show professionalism and it's a privilege. | 0:21:16 | 0:21:20 | |
It was a nice service, as the gentleman wanted. | 0:21:23 | 0:21:27 | |
So we carried out his wishes. | 0:21:27 | 0:21:29 | |
# Roddi i mi galon lan. # | 0:21:31 | 0:21:38 | |
Cardiff Prison is the destination this morning | 0:21:41 | 0:21:44 | |
of Baglan undertaker Gareth Jenkins. | 0:21:44 | 0:21:47 | |
Today, I am going to prison and I am looking forward to it. | 0:21:47 | 0:21:52 | |
Funeral directors know only too well the positive impact | 0:21:54 | 0:21:58 | |
that charities have on the lives of the living | 0:21:58 | 0:22:00 | |
and the support they offer with the aftermath of family loss. | 0:22:00 | 0:22:04 | |
As well as dealing with donations on a daily basis, it is very important | 0:22:04 | 0:22:08 | |
that they support their communities and raise money for good causes. | 0:22:08 | 0:22:13 | |
Next weekend, the Funeral Association and myself | 0:22:13 | 0:22:16 | |
and my staff are climbing to the top of Snowdon on a charity walk | 0:22:16 | 0:22:20 | |
for a children's bereavement charity. | 0:22:20 | 0:22:23 | |
I thought if I had a really quirky and cool T-shirt, people could | 0:22:23 | 0:22:28 | |
buy the T-shirt and all the proceeds would go towards the charity. | 0:22:28 | 0:22:33 | |
Rehabilitation of prisoners is key to manager Greg Fisher | 0:22:33 | 0:22:36 | |
and to Cardiff Prison. | 0:22:36 | 0:22:38 | |
As part of this, they have an on-site print shop | 0:22:38 | 0:22:41 | |
that offers a real workplace environment for prisoners. | 0:22:41 | 0:22:44 | |
Two inmates that work at the print shop are going to help Gareth | 0:22:46 | 0:22:50 | |
with his funeral director designer shirts. | 0:22:50 | 0:22:53 | |
Designed it separately because we're going to print on to a black T-shirt. | 0:22:54 | 0:22:58 | |
We'll obviously design the T-shirt, so all the outside of it will all be black and then on the waistcoat. | 0:22:58 | 0:23:03 | |
We will also put the jacket then at the bottom | 0:23:03 | 0:23:05 | |
so it looks like the jacket is open or shut, | 0:23:05 | 0:23:08 | |
coming down underneath as well. | 0:23:08 | 0:23:10 | |
That's a nice touch, that is, isn't it? | 0:23:10 | 0:23:12 | |
I can see there is a lot of work involved. | 0:23:16 | 0:23:19 | |
Because of the layout of the T-shirt, | 0:23:19 | 0:23:21 | |
we are printing it off on individual colour vinyl. | 0:23:21 | 0:23:24 | |
Gold, white, black. | 0:23:24 | 0:23:27 | |
They are all going to be individual colour vinyl. | 0:23:27 | 0:23:29 | |
I have always liked fiddly work anyway | 0:23:29 | 0:23:31 | |
and it's the perfect job for me, to be honest with you. | 0:23:31 | 0:23:34 | |
-This is the final T-shirt. -Final T-shirt | 0:23:34 | 0:23:37 | |
Also on a mission to raise money is James Tovey and his family. | 0:23:39 | 0:23:43 | |
They are all out biking on Father's Day for an important cause. | 0:23:43 | 0:23:47 | |
We are here for the Father's Day bike ride. Exciting day. | 0:23:47 | 0:23:51 | |
It is the first Father's Day bike ride in aid of Prostate Cymru. | 0:23:51 | 0:23:54 | |
This is my wife, Catherine, and my two sons, Harry and Ben. | 0:23:54 | 0:23:58 | |
They are looking forward to it as well. | 0:23:58 | 0:24:00 | |
We haven't done much practice so we'll see how it goes. | 0:24:00 | 0:24:04 | |
Obviously, I want to spend time with the family, | 0:24:04 | 0:24:07 | |
so the more time I get to do that the better. | 0:24:07 | 0:24:09 | |
So it's nice when events like this are about the family. | 0:24:09 | 0:24:13 | |
I would quite like to be maybe a funeral director like my dad | 0:24:13 | 0:24:18 | |
because I want to be like my dad because he's a good person. | 0:24:18 | 0:24:21 | |
Off we go. Come on. Have a nice time. | 0:24:23 | 0:24:28 | |
I think every family has been touched by cancer in one way | 0:24:28 | 0:24:31 | |
or another and it's just good to raise awareness for all | 0:24:31 | 0:24:34 | |
the different types and obviously prostate cancer has got | 0:24:34 | 0:24:37 | |
particular relevance for fathers, so it's nice to raise some awareness. | 0:24:37 | 0:24:41 | |
Slight halt to the bike race. It is milking time, I'm afraid. | 0:24:42 | 0:24:46 | |
That is the perils of country life. | 0:24:46 | 0:24:48 | |
Just a few minutes to catch our breath while the cows cross the road. | 0:24:48 | 0:24:51 | |
Hopefully we will get going soon. | 0:24:51 | 0:24:53 | |
I think it's really important, whatever job you do, to have time off, | 0:24:53 | 0:24:57 | |
to spend time with your family, time to recharge batteries. | 0:24:57 | 0:25:01 | |
So it's great to just completely switch off and do something different. | 0:25:01 | 0:25:05 | |
We really enjoyed it. | 0:25:05 | 0:25:07 | |
Raising money for prostate cancer, it's an important charity as well. | 0:25:07 | 0:25:11 | |
The funeral directors have gathered at Llanberis for their charity climb | 0:25:12 | 0:25:16 | |
and Gareth's T-shirts are going down a storm. | 0:25:16 | 0:25:19 | |
The shirts have created quite a bit of an impact. Everybody likes them. | 0:25:29 | 0:25:34 | |
I didn't think it would be as difficult as it was. | 0:25:34 | 0:25:37 | |
As you can see, the sunshine was shining bright when we started | 0:25:37 | 0:25:40 | |
and I certainly won't be needing these any more! | 0:25:40 | 0:25:44 | |
I was told the weather can change like that and it certainly has. | 0:25:44 | 0:25:48 | |
It is surprising how cold it is. | 0:25:48 | 0:25:50 | |
I did promise myself a reward, a wee dram. Iechyd da! | 0:25:50 | 0:25:55 | |
Lovely. | 0:25:59 | 0:26:01 | |
CHEERING | 0:26:01 | 0:26:03 | |
The job of an undertaker is one of the oldest professions | 0:26:06 | 0:26:09 | |
and generation after generation have made their living out of dying. | 0:26:09 | 0:26:14 | |
However, this is certainly not a job for most of us, | 0:26:15 | 0:26:18 | |
but we have seen them at work. | 0:26:18 | 0:26:20 | |
The Welsh funeral is changing, though. | 0:26:24 | 0:26:26 | |
More and more reflecting the personalities of the deceased. | 0:26:28 | 0:26:31 | |
A celebration of their life. | 0:26:33 | 0:26:36 | |
For the modern Welsh funeral director, | 0:26:36 | 0:26:38 | |
their job now is to make our final wishes possible. | 0:26:38 | 0:26:41 | |
But tradition is still absolutely central to their work, | 0:26:42 | 0:26:45 | |
as it remains a true family business for many. | 0:26:46 | 0:26:49 | |
For young funeral directors like Stuart Booth in Laugharne, | 0:26:51 | 0:26:54 | |
the past informs his present and the family's future. | 0:26:54 | 0:26:58 | |
Dylan Thomas, he is just synonymous with Laugharne | 0:26:59 | 0:27:02 | |
and the one big connection we've got is when Dylan Thomas' wife, | 0:27:02 | 0:27:07 | |
Caitlin, passed away it was called upon my grandfather | 0:27:07 | 0:27:10 | |
to carry out the funeral service for them. | 0:27:10 | 0:27:13 | |
She passed away abroad and they went and brought her home from the airport | 0:27:13 | 0:27:17 | |
and carried out the whole funeral. | 0:27:17 | 0:27:18 | |
There was loads of press about, calling up the house. | 0:27:18 | 0:27:21 | |
They had to keep the body in a secret location | 0:27:21 | 0:27:24 | |
just to stop fans getting access to her and everything like that. | 0:27:24 | 0:27:27 | |
Now I'm a bit older, I understand why it was such a prestigious thing to have done. | 0:27:27 | 0:27:32 | |
With the job we do, we see devastation and sorrow every day of our life, | 0:27:38 | 0:27:42 | |
so any time you get to spend with your family is so important. | 0:27:42 | 0:27:46 | |
It helps you unwind after a hard day, dealing with what we deal with. | 0:27:46 | 0:27:50 | |
To come home and see Mason running around and digging in the sand like today, you know, | 0:27:50 | 0:27:54 | |
and laughing, it helps you unwind and it brings you | 0:27:54 | 0:27:57 | |
back down to earth and it makes everything a lot easier. | 0:27:57 | 0:28:00 | |
It's not work to me. | 0:28:02 | 0:28:04 | |
It's a way of life and I am quite excited about the future | 0:28:04 | 0:28:08 | |
with the new building, new premises and everything like that. | 0:28:08 | 0:28:11 | |
Yes, it's quite an exciting time in my life, really. | 0:28:11 | 0:28:15 | |
With Mason, I often think will he take to this? | 0:28:17 | 0:28:20 | |
Is it a job he will end up doing? | 0:28:20 | 0:28:23 | |
I mean, I would be so proud | 0:28:23 | 0:28:25 | |
if he did carry on and took on the job and I would love him to. | 0:28:25 | 0:28:29 | |
But I would also like him to play number ten for Wales! | 0:28:29 | 0:28:32 |