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Sian Phillips - the glamorous Welsh actress of stage and screen. | 0:00:02 | 0:00:06 | |
Her high-profile film and theatre roles | 0:00:06 | 0:00:09 | |
have made her one of Hollywood's most-respected names. | 0:00:09 | 0:00:12 | |
She starred with former husband Peter O'Toole in many films, | 0:00:13 | 0:00:17 | |
but she's much-loved for the unforgettable performance | 0:00:17 | 0:00:20 | |
as the scheming Livia in I, Claudius. | 0:00:20 | 0:00:23 | |
Travelling to her birthplace | 0:00:25 | 0:00:26 | |
for the first time in many years, | 0:00:26 | 0:00:28 | |
Sian Phillips is coming home. | 0:00:28 | 0:00:32 | |
On this journey, Sian will learn of her family's involvement | 0:00:34 | 0:00:39 | |
at the Battle of Waterloo... | 0:00:39 | 0:00:40 | |
How extraordinary! | 0:00:40 | 0:00:42 | |
I'm pole-axed. | 0:00:42 | 0:00:44 | |
I can't tell you how astonished I am. | 0:00:44 | 0:00:46 | |
..finds closure to a question that has plagued her for decades... | 0:00:47 | 0:00:51 | |
No! | 0:00:51 | 0:00:52 | |
Yes. | 0:00:52 | 0:00:54 | |
Which has a long association with your family, of course. | 0:00:54 | 0:00:56 | |
Yes... | 0:00:56 | 0:00:58 | |
..and Sian feels the nerves as she performs a reading | 0:01:00 | 0:01:03 | |
at the National Eisteddfod | 0:01:03 | 0:01:04 | |
for the first time in almost 70 years. | 0:01:04 | 0:01:07 | |
APPLAUSE | 0:01:07 | 0:01:09 | |
Sian now lives in London's cosmopolitan East End - | 0:01:09 | 0:01:13 | |
a far cry from her beginnings in rural Welsh-speaking Carmarthenshire. | 0:01:13 | 0:01:18 | |
As a teenager she headed for the bright lights of London | 0:01:19 | 0:01:22 | |
to pursue a career in stage acting. | 0:01:22 | 0:01:25 | |
But Sian has never forgotten her roots. | 0:01:25 | 0:01:28 | |
I realised that I wasn't going to be able to stay in this wonderful place | 0:01:28 | 0:01:31 | |
when I grew up a bit, and I... | 0:01:31 | 0:01:34 | |
I was heartbroken. | 0:01:34 | 0:01:36 | |
I broke my heart quietly and secretly and...and...slowly. | 0:01:36 | 0:01:40 | |
Because I knew I was going to have to leave, | 0:01:40 | 0:01:42 | |
so I really... | 0:01:42 | 0:01:44 | |
I really appreciated | 0:01:44 | 0:01:46 | |
all of my childhood, | 0:01:46 | 0:01:48 | |
and all the places in Pontardawe, Brynamman, Cilmaengwyn... | 0:01:48 | 0:01:54 | |
all those villages. I just loved the whole neighbourhood. | 0:01:54 | 0:01:57 | |
Genealogist Mike Churchill-Jones has been invited to Sian's home | 0:01:57 | 0:02:01 | |
on Brick Lane. | 0:02:01 | 0:02:03 | |
Sian already knows much about her mother's family history, | 0:02:03 | 0:02:06 | |
so Mike is here to find out where his research should begin. | 0:02:06 | 0:02:10 | |
Come on in. | 0:02:10 | 0:02:12 | |
Thank you. Thanks very much. | 0:02:12 | 0:02:13 | |
This was, I think, maybe my first appearance. | 0:02:13 | 0:02:16 | |
I would have been about four | 0:02:16 | 0:02:18 | |
and it was a play at school called Mair A'r Wyau, | 0:02:18 | 0:02:23 | |
I think my mother may have written it - Mair And The Eggs - | 0:02:23 | 0:02:27 | |
and it was a little, erm... | 0:02:27 | 0:02:29 | |
That was my Welsh costume, of course, for St David's Day. | 0:02:29 | 0:02:32 | |
-Terribly cute, weren't you? -Yes! | 0:02:32 | 0:02:34 | |
SHE LAUGHS | 0:02:34 | 0:02:36 | |
-In your little Welsh costume. -Yes, in my Welsh costume. | 0:02:36 | 0:02:38 | |
I was very, very proud that. | 0:02:38 | 0:02:40 | |
It got lengthened and lengthened and lengthened as I got older. | 0:02:40 | 0:02:43 | |
Lovely. | 0:02:43 | 0:02:44 | |
-That is lovely. -Sweet. | 0:02:44 | 0:02:46 | |
Yeah. | 0:02:46 | 0:02:47 | |
There's one family photograph Sian always keeps close, | 0:02:47 | 0:02:52 | |
but someone she knows very little about. | 0:02:52 | 0:02:54 | |
I always keep that with me. | 0:02:54 | 0:02:56 | |
You know, wherever... | 0:02:56 | 0:02:58 | |
In my drawing room, wherever I live. | 0:02:58 | 0:03:00 | |
I just love the look of Sali, we think, maybe. | 0:03:00 | 0:03:04 | |
Sali Wernwgan? | 0:03:04 | 0:03:06 | |
Sali Wernwgan. Yeah. | 0:03:06 | 0:03:08 | |
SHE LAUGHS | 0:03:08 | 0:03:11 | |
She looks great. | 0:03:11 | 0:03:12 | |
But this elderly women clutching a Welsh Bible | 0:03:12 | 0:03:15 | |
is a mystery to Sian. | 0:03:15 | 0:03:18 | |
Sali Wernwgan will be Mike's starting point | 0:03:18 | 0:03:21 | |
for his search into Sian's ancestry. | 0:03:21 | 0:03:24 | |
I'll get on with the research. | 0:03:24 | 0:03:25 | |
Oh, well, I'd be very grateful, actually. | 0:03:25 | 0:03:28 | |
Well, I hope I'll be very grateful. You never know, do you? | 0:03:28 | 0:03:31 | |
-We'll meet up again in a couple of weeks in South Wales. -Yes. | 0:03:31 | 0:03:33 | |
-Hopefully, I'll have plenty to tell you. -Well, oh, gosh... | 0:03:33 | 0:03:36 | |
SHE LAUGHS | 0:03:36 | 0:03:37 | |
I do feel a bit apprehensive, but mostly I'm looking forward to it. | 0:03:37 | 0:03:41 | |
I don't mind what it is, really. | 0:03:41 | 0:03:43 | |
I'd just like to know more. I would like to. | 0:03:43 | 0:03:45 | |
-I'll see what I can do. -OK. Thank you. | 0:03:45 | 0:03:49 | |
A few weeks have gone by and Sian is travelling home to Carmarthenshire | 0:03:49 | 0:03:53 | |
for the first time in many years. | 0:03:53 | 0:03:56 | |
And she is still intrigued about this mystery woman with that unusual name. | 0:03:56 | 0:04:01 | |
It's such a great photograph. | 0:04:01 | 0:04:03 | |
And I've got it where I see it every day, at home. | 0:04:03 | 0:04:06 | |
In a frame. And people say, "Where is it? What is it, exactly?" | 0:04:06 | 0:04:10 | |
"Where does she live? Where was she?" | 0:04:10 | 0:04:13 | |
And I can never tell them. | 0:04:13 | 0:04:15 | |
But I say, "Well, it's Sali." | 0:04:15 | 0:04:16 | |
And it's supposed to be Sali... S-A-L-I...Wernwgan. | 0:04:16 | 0:04:19 | |
And "Wernwgan" is obviously a farm, or a little place... | 0:04:19 | 0:04:23 | |
I just don't know. | 0:04:23 | 0:04:25 | |
But I'd like to know. | 0:04:25 | 0:04:27 | |
Sian is now in the village of Gwaun-Cae-Gurwen, | 0:04:31 | 0:04:34 | |
where she and generations of her family lived. | 0:04:34 | 0:04:37 | |
I think, for me to get the full flavour, | 0:04:38 | 0:04:41 | |
I'd have to come on a very small, rattly bus. | 0:04:41 | 0:04:44 | |
SHE CHUCKLES | 0:04:44 | 0:04:46 | |
Sian's first stop is Carmel Chapel, | 0:04:47 | 0:04:50 | |
a place very close to her heart. | 0:04:50 | 0:04:53 | |
-Sian. -Hello! | 0:04:55 | 0:04:57 | |
She's arranged to meet here with Mike Churchill-Jones | 0:04:57 | 0:05:00 | |
for the reading of her family tree, | 0:05:00 | 0:05:02 | |
and it's been over 70 years | 0:05:02 | 0:05:04 | |
since she last entered this chapel. | 0:05:04 | 0:05:07 | |
Well... Oh, my goodness. | 0:05:09 | 0:05:11 | |
Oh, it's... | 0:05:11 | 0:05:13 | |
It's amazing. | 0:05:14 | 0:05:16 | |
-Oh... -What's it like being back here? | 0:05:18 | 0:05:21 | |
It's wonderful. | 0:05:21 | 0:05:23 | |
My earliest memories as a child are of the sort of honey-coloured varnish on the... | 0:05:23 | 0:05:29 | |
on the seats, and the smell of the polish they use. | 0:05:29 | 0:05:32 | |
I think everyone... | 0:05:32 | 0:05:34 | |
There must've been a huge job-lot of polish, I think, in South Wales, | 0:05:34 | 0:05:38 | |
because all chapels smelled of... beeswax, I suppose. | 0:05:38 | 0:05:41 | |
Wonderfully. | 0:05:41 | 0:05:43 | |
How different does it strike you? | 0:05:43 | 0:05:45 | |
It doesn't strike me as different, at all. | 0:05:45 | 0:05:47 | |
This is what I remember. | 0:05:47 | 0:05:49 | |
And these are the places I first performed in | 0:05:49 | 0:05:52 | |
when I was a child, of course. | 0:05:52 | 0:05:54 | |
I remember sitting waiting, on a Saturday, especially, | 0:05:54 | 0:05:57 | |
in chapels all around me here - and this one, too, probably - | 0:05:57 | 0:06:01 | |
to go up into the...erm... | 0:06:01 | 0:06:05 | |
Not into the pulpit, necessarily, | 0:06:05 | 0:06:07 | |
but into the Sedd Fawr - the Big Seat - | 0:06:07 | 0:06:09 | |
where there would be a dais and one would perform from there. | 0:06:09 | 0:06:13 | |
On a Saturday. Compete. | 0:06:13 | 0:06:15 | |
-Well, I've done a family tree for you. -OK. | 0:06:16 | 0:06:18 | |
Would you like to come down the front and I'll do a reading for you? | 0:06:18 | 0:06:22 | |
Yes, I'd love to. | 0:06:22 | 0:06:24 | |
Sian has many unanswered questions about her genealogy, | 0:06:24 | 0:06:27 | |
and Mike can make a start on filling in the many blanks of her ancestry. | 0:06:27 | 0:06:31 | |
-This is what we have come up with. -Oh, goodness! | 0:06:31 | 0:06:36 | |
Wow! | 0:06:36 | 0:06:37 | |
Sian can see she has deep Carmarthenshire roots | 0:06:39 | 0:06:43 | |
on both sides of the family. | 0:06:43 | 0:06:44 | |
And Glamorganshire roots, dating back to the 1600s. | 0:06:46 | 0:06:50 | |
Mike begins with Sian's great-great-grandfather, | 0:06:51 | 0:06:54 | |
one Thomas Thomas. | 0:06:54 | 0:06:56 | |
-Thomas started his working life as a coal miner... -Yeah. | 0:06:57 | 0:07:00 | |
-..but then he worked in the tin works. -Yes. | 0:07:00 | 0:07:03 | |
-..and he became a pickler. -What is that? What's a pickler? | 0:07:03 | 0:07:06 | |
-I don't know. -You don't know what it is! | 0:07:06 | 0:07:08 | |
SHE LAUGHS | 0:07:08 | 0:07:10 | |
So Thomas worked in the tin works, as did many of his children, | 0:07:10 | 0:07:13 | |
-and some of his siblings. -Yes. | 0:07:13 | 0:07:15 | |
But Sian is here to learn more about the mystery woman in the photograph - | 0:07:15 | 0:07:19 | |
Sali Wernwgan. | 0:07:19 | 0:07:22 | |
Mike can reveal that her name began as Sarah Jones, | 0:07:22 | 0:07:25 | |
and that Sali was often used as a family nickname for Sarah. | 0:07:25 | 0:07:29 | |
-Sarah Jones... -Yeah. | 0:07:29 | 0:07:31 | |
..is the lady you know | 0:07:31 | 0:07:35 | |
as Sali Wernwgan. | 0:07:35 | 0:07:36 | |
-No! -Yeah. -Oh, my goodness. | 0:07:36 | 0:07:39 | |
So... | 0:07:39 | 0:07:40 | |
I see. | 0:07:40 | 0:07:41 | |
Oh, so she was Daniel's mother? | 0:07:41 | 0:07:43 | |
She's your great-grandmother. | 0:07:43 | 0:07:45 | |
So, she is... She IS my great-grandmother? | 0:07:45 | 0:07:47 | |
I was never quite sure. I used to say, "This is my great-grandmother." | 0:07:47 | 0:07:50 | |
I was hoping. Oh, wonderful. | 0:07:50 | 0:07:53 | |
This is where the Wernwgan comes in. | 0:07:53 | 0:07:55 | |
-Oh, I see. -The Wernwgan farm. Belonged to this man. | 0:07:55 | 0:08:00 | |
So, where is Gwy... Oh, it's Gwynfe! | 0:08:00 | 0:08:02 | |
It's Gwynfe in Llangadock. | 0:08:02 | 0:08:05 | |
Which is lovely. I love Gwynfe. | 0:08:05 | 0:08:07 | |
I didn't realise that Wernwgan was in Gwynfe. | 0:08:07 | 0:08:11 | |
Oh, wonderful. | 0:08:11 | 0:08:13 | |
Later, Sian will be visiting the farm that bore this Wernwgan name. | 0:08:13 | 0:08:18 | |
Thank you very much. | 0:08:21 | 0:08:23 | |
-Terrific. Thank you. -Good. | 0:08:23 | 0:08:25 | |
Sali's father was Thomas Jones, | 0:08:28 | 0:08:30 | |
who lived during the Napoleonic Wars | 0:08:30 | 0:08:33 | |
and Sian is going to learn about his life | 0:08:33 | 0:08:35 | |
by visiting the beautiful Glynhir Estates | 0:08:35 | 0:08:39 | |
in Llandybie in Carmarthenshire. | 0:08:39 | 0:08:41 | |
This place is brimming with Napoleonic history, | 0:08:41 | 0:08:44 | |
with tales of French spies in hiding | 0:08:44 | 0:08:46 | |
and a weapons factory on this very site. | 0:08:46 | 0:08:50 | |
Thomas Jones started life as a simple farmer | 0:08:51 | 0:08:54 | |
but his life took a dramatic turn | 0:08:54 | 0:08:56 | |
as historian Gareth Glover can explain. | 0:08:56 | 0:09:00 | |
I want to reveal to you today a little bit of his earlier life. | 0:09:02 | 0:09:05 | |
You may not know that he actually fought at the Battle of Waterloo. | 0:09:05 | 0:09:09 | |
No... | 0:09:12 | 0:09:13 | |
How extraordinary. | 0:09:13 | 0:09:15 | |
I'm pole-axed. | 0:09:15 | 0:09:16 | |
I can't tell you how astonished I am. | 0:09:16 | 0:09:19 | |
I didn't think anybody had ever gone anywhere. | 0:09:19 | 0:09:22 | |
How extraordinary. | 0:09:22 | 0:09:24 | |
So Sian now knows that her great-great-grandfather Thomas Jones | 0:09:24 | 0:09:29 | |
fought alongside Wellington to defeat this man, | 0:09:29 | 0:09:33 | |
Emperor of the French, Napoleon Bonaparte. | 0:09:33 | 0:09:37 | |
And this very dovecot standing behind Sian | 0:09:38 | 0:09:41 | |
was built in celebration of that victory at Waterloo. | 0:09:41 | 0:09:45 | |
What I want to do now is talk a bit more about Thomas Jones himself. | 0:09:45 | 0:09:48 | |
So let's go inside and see... We've got more to show you. | 0:09:48 | 0:09:52 | |
Oh, that would be so interesting. Thank you. | 0:09:52 | 0:09:54 | |
Inside the grand mansion, Sian can read from | 0:09:57 | 0:10:01 | |
an autobiography written by Thomas's own granddaughter. | 0:10:01 | 0:10:05 | |
"Thomas Jones was a cavalryman and was active in the war. | 0:10:05 | 0:10:09 | |
"The relics of the war were a tricorn hat with feathers, | 0:10:09 | 0:10:13 | |
"Wellington boots with a yellow or red band, | 0:10:13 | 0:10:17 | |
"silver buckles and stirrups. | 0:10:17 | 0:10:20 | |
"I remember the silver buckles." | 0:10:20 | 0:10:22 | |
Now, that little bit of information helped us a lot | 0:10:22 | 0:10:27 | |
because, as you can imagine, there are lots of Thomas Joneses... | 0:10:27 | 0:10:30 | |
-Yes. -..but there was only one cavalryman | 0:10:30 | 0:10:34 | |
who was a Thomas Jones from West Wales. | 0:10:34 | 0:10:37 | |
Let me just show you some papers we found in Kew, et cetera. | 0:10:37 | 0:10:40 | |
-Yes. -This one here, actually shows the day he actually joined the Army. | 0:10:40 | 0:10:44 | |
-Gosh. -And if you look at number two, | 0:10:44 | 0:10:46 | |
"Thomas Jones" joined the Army on 19th March 1805, | 0:10:46 | 0:10:50 | |
-which was the year of the Battle of Trafalgar. -Yes. | 0:10:50 | 0:10:53 | |
So, six months before that. | 0:10:53 | 0:10:54 | |
And, as a major part of that, there was a bounty in those days. | 0:10:54 | 0:10:58 | |
They actually gave soldiers money to join - to encourage them to join - | 0:10:58 | 0:11:01 | |
-Yes. -..and Thomas received £9 6s 4d, | 0:11:01 | 0:11:06 | |
which actually equates in modern money to about £400. | 0:11:06 | 0:11:10 | |
-So he got £400 for joining the Army. -Right. | 0:11:10 | 0:11:12 | |
He then went into the 18th Hussars. | 0:11:12 | 0:11:15 | |
Now, the 18th Hussars, or Light Dragoons as they were known, | 0:11:15 | 0:11:19 | |
would actually wear a very, very garish | 0:11:19 | 0:11:22 | |
-and sort of smart uniform. -Oh! | 0:11:22 | 0:11:24 | |
But that's what he would've looked like... | 0:11:24 | 0:11:28 | |
Oh, my goodness! | 0:11:28 | 0:11:29 | |
Look at that. | 0:11:29 | 0:11:31 | |
-..on his charger, ready for battle. -It scarcely seems possible. | 0:11:31 | 0:11:35 | |
This is the type of sword that Thomas would have carried. | 0:11:35 | 0:11:39 | |
It is actually a real sword from the Battle of Waterloo. | 0:11:39 | 0:11:42 | |
It was found... As you can see, it's very rust-encrusted, et cetera. | 0:11:42 | 0:11:45 | |
-Yes. -And this is exactly what he would have carried. | 0:11:45 | 0:11:49 | |
It was very much a slashing weapon. | 0:11:49 | 0:11:51 | |
-I don't know if you want to hold it? -I'd love to. -Please do. | 0:11:51 | 0:11:55 | |
-Still a little sharp on the edge, so please be careful. -Yes... Yes. | 0:11:55 | 0:11:58 | |
-So you hold it... -You hold it like that... Yeah, of course. | 0:11:58 | 0:12:01 | |
-Wow. -As you can see, it was a very nasty weapon. -Oh, yes. | 0:12:02 | 0:12:05 | |
Very frightening weapon to be against. | 0:12:05 | 0:12:08 | |
Thomas found himself at the very heart of the famous | 0:12:08 | 0:12:12 | |
Battle of Waterloo. | 0:12:12 | 0:12:14 | |
In a field in Belgium, | 0:12:14 | 0:12:16 | |
he fought alongside 68,000 of his allies, | 0:12:16 | 0:12:20 | |
well outnumbered by Napoleon's troops. | 0:12:20 | 0:12:23 | |
The battle was bloody, and the death toll enormous. | 0:12:23 | 0:12:27 | |
But Thomas's victory here, | 0:12:27 | 0:12:29 | |
finally halted Napoleon's march towards European domination. | 0:12:29 | 0:12:34 | |
And he's very lucky, from what I can see, to have actually survived | 0:12:34 | 0:12:37 | |
all of these battles and wars without any injury or loss to himself. | 0:12:37 | 0:12:40 | |
So he's been very lucky in that sense. | 0:12:40 | 0:12:43 | |
-A Lieutenant Colonel Malley, in 1886... -Yes. | 0:12:43 | 0:12:46 | |
..actually made this large cup. | 0:12:46 | 0:12:48 | |
-Yes. -Now this large cup has around it | 0:12:48 | 0:12:52 | |
a large number of medals. | 0:12:52 | 0:12:54 | |
And it is a big enough cup for that to be real medals. | 0:12:54 | 0:12:58 | |
-Oh. -He collected medals from his regiment, the 18th Hussars, | 0:12:58 | 0:13:02 | |
because he'd written the history of the bat...of the regiment, as well. | 0:13:02 | 0:13:06 | |
-When we have looked at the catalogue... -Yes. | 0:13:06 | 0:13:10 | |
..for that cup, we notice Corporal Thomas Jones... | 0:13:10 | 0:13:15 | |
Oh, my goodness! | 0:13:15 | 0:13:16 | |
..Waterloo medal is on the side. | 0:13:16 | 0:13:19 | |
-On that cup. -And so is his bar... | 0:13:19 | 0:13:22 | |
-My goodness! -..his military service and service medal with bars, | 0:13:22 | 0:13:25 | |
for Sahagun, Benevente, Vitoria Orthez and Toulouse. | 0:13:25 | 0:13:28 | |
Toulouse... | 0:13:28 | 0:13:30 | |
And just to show you them, | 0:13:30 | 0:13:32 | |
-that is actually his Waterloo medal. -Yes. | 0:13:32 | 0:13:36 | |
As you can see, that's his name on the side... | 0:13:36 | 0:13:39 | |
-T Jones. -Yes! -Now, if you notice... It says "sergeant". -Yes, it does. | 0:13:39 | 0:13:42 | |
-Because of sergeant at the battle. -No, no. | 0:13:42 | 0:13:46 | |
-But they've backdated it. -Yes. | 0:13:46 | 0:13:47 | |
-They've actually put "sergeant" on the medal. -Right. | 0:13:47 | 0:13:50 | |
And there is his actual Military General Service Medal with the bars. | 0:13:50 | 0:13:55 | |
Look at that. | 0:13:55 | 0:13:56 | |
And again, his name on the side. Next to it. | 0:13:56 | 0:13:59 | |
-Isn't that wonderful? -"Thomas Jones." | 0:13:59 | 0:14:02 | |
That is so wonderful. | 0:14:02 | 0:14:04 | |
-Isn't that extraordinary? -It is fantastic, isn't it? | 0:14:04 | 0:14:06 | |
That's fantastic. | 0:14:06 | 0:14:08 | |
It's fantastic to find that! | 0:14:08 | 0:14:10 | |
-Where is it? There it is. -Yes. -I mean... That's extraordinary. | 0:14:10 | 0:14:14 | |
It's a huge cup, as I say, from the 1880s. | 0:14:14 | 0:14:16 | |
-Well, it must be big. -It's a big punch bowl. -Yes. | 0:14:16 | 0:14:20 | |
Oh, how wonderful. | 0:14:20 | 0:14:21 | |
What a lovely piece of research. | 0:14:21 | 0:14:23 | |
-That's really lovely. -You very welcome. | 0:14:23 | 0:14:25 | |
Thank you so much. That is so interesting. | 0:14:25 | 0:14:28 | |
And I'm so glad to understand that bit of the story. | 0:14:28 | 0:14:31 | |
It all helps. | 0:14:31 | 0:14:33 | |
It certainly does. Wow, that is so interesting. Thank you. | 0:14:33 | 0:14:37 | |
You're very welcome. | 0:14:37 | 0:14:38 | |
Whilst Sian is taking in this fascinating story, | 0:14:38 | 0:14:42 | |
she's about to receive a surprise from her very own family. | 0:14:42 | 0:14:46 | |
This is her daughter Pat O'Toole | 0:14:47 | 0:14:49 | |
and granddaughter Jess. | 0:14:49 | 0:14:51 | |
Pat's father is the late actor Peter O'Toole, | 0:14:51 | 0:14:54 | |
and she is joining her mother | 0:14:54 | 0:14:57 | |
to discover what Sian has been learning on this journey | 0:14:57 | 0:15:00 | |
into her past. | 0:15:00 | 0:15:02 | |
They're travelling to Aberdulais Falls near Neath | 0:15:04 | 0:15:07 | |
because Sian learned earlier | 0:15:07 | 0:15:09 | |
that her great-great-grandfather Thomas Thomas | 0:15:09 | 0:15:11 | |
was a pickler at a tin works - a job she knows nothing about. | 0:15:11 | 0:15:16 | |
-Hello! -Hello! | 0:15:16 | 0:15:18 | |
-How has it gone so far? -Well, very good. Hello, darling. | 0:15:20 | 0:15:24 | |
With the family back together, Sian, Pat | 0:15:24 | 0:15:27 | |
and granddaughter Jess can enjoy the sunshine | 0:15:27 | 0:15:29 | |
and the sights of this well-preserved tin works | 0:15:29 | 0:15:32 | |
and hear all about Thomas's life as a pickler | 0:15:32 | 0:15:35 | |
from site manager Lee Freeman. | 0:15:35 | 0:15:38 | |
They'd have iron coming onto a site like this, like your Aberdulais tin works, | 0:15:38 | 0:15:42 | |
and that would have been put through rollers. | 0:15:42 | 0:15:44 | |
It would've gone through a hot-rolling process, | 0:15:44 | 0:15:46 | |
and after that process it would've been left in what we call | 0:15:46 | 0:15:49 | |
a black plate, and it would've been dipped into a black acid | 0:15:49 | 0:15:53 | |
to, basically, remove the scale from the iron plate, | 0:15:53 | 0:15:56 | |
ready for it to be annealed in a furnace. | 0:15:56 | 0:15:59 | |
So what would have happened to Thomas, then? | 0:15:59 | 0:16:02 | |
You said the chemicals were... It was toxic. | 0:16:02 | 0:16:05 | |
It must've been really dangerous. | 0:16:05 | 0:16:07 | |
Well, my understanding is that Thomas passed away | 0:16:07 | 0:16:09 | |
-at the age of 52 years old. -Oh. -He had tuberculosis. TB. | 0:16:09 | 0:16:13 | |
Oh, did he? | 0:16:13 | 0:16:14 | |
One thing they say about tin-plate workers - they never got colds. | 0:16:14 | 0:16:17 | |
-And that was because of the acidic fumes... -Oh, I see. | 0:16:17 | 0:16:20 | |
..it kept them... There were other issues. | 0:16:20 | 0:16:23 | |
They had lots of respiratory problems, lots of... | 0:16:23 | 0:16:26 | |
lost fingers and lost toes from the sharp objects they worked with, | 0:16:26 | 0:16:30 | |
and lots of burns. | 0:16:30 | 0:16:31 | |
The average life expectancy at that time, working in tin plate, | 0:16:31 | 0:16:34 | |
was around 45 years old. | 0:16:34 | 0:16:35 | |
-Oh, it was a hard life. -It was a very difficult life. | 0:16:35 | 0:16:39 | |
So, you said Thomas died... | 0:16:39 | 0:16:41 | |
Do you know what happened to Thomas's wife and children | 0:16:41 | 0:16:43 | |
-after he died? -Erm... So his wife Ann, his widow - | 0:16:43 | 0:16:46 | |
she was left with ten children to look after. | 0:16:46 | 0:16:51 | |
Very sad. Terrible. | 0:16:51 | 0:16:52 | |
Ten children... | 0:16:52 | 0:16:55 | |
Sian and her family are being driven to a location on the western slopes | 0:16:58 | 0:17:02 | |
of Carmarthenshire's Black Mountain. | 0:17:02 | 0:17:04 | |
Oh, look at that! Oh, my God! | 0:17:04 | 0:17:06 | |
Isn't that beautiful? | 0:17:06 | 0:17:07 | |
You come over this very bleak mountain, | 0:17:09 | 0:17:11 | |
and suddenly you see it's so rich the other side. | 0:17:11 | 0:17:14 | |
Sian's had this photograph of her great-grandmother Sali Wernwgan, | 0:17:18 | 0:17:22 | |
who she discovered was actually called Sarah Jones. | 0:17:22 | 0:17:25 | |
Desperate to know where the name Wernwgan came from, | 0:17:26 | 0:17:29 | |
she's about to discover the answer here - | 0:17:29 | 0:17:32 | |
at this small farmhouse | 0:17:32 | 0:17:33 | |
in Gwynfe in the parish of Llangadock. | 0:17:33 | 0:17:36 | |
Here to explain more is historian Dr Eirwyn William. | 0:17:37 | 0:17:40 | |
Well, this is the farm, Sian, of Wernwgan... | 0:17:42 | 0:17:46 | |
-No! -Yes. | 0:17:46 | 0:17:47 | |
..which has a long association with your family, of course. | 0:17:47 | 0:17:51 | |
Yes. | 0:17:51 | 0:17:52 | |
So this is where Sali Wernwgan lived. | 0:17:52 | 0:17:55 | |
Wow. | 0:17:55 | 0:17:57 | |
And she stood in the doorway somewhere here holding a Bible | 0:17:57 | 0:18:00 | |
to be photographed. | 0:18:00 | 0:18:01 | |
-And here you are. -Oh, my goodness. | 0:18:01 | 0:18:04 | |
Well, we can trace your family back nearly 200 years, really. | 0:18:04 | 0:18:07 | |
-Oh, really. -To this farm. | 0:18:07 | 0:18:09 | |
Erm...the earliest detail we have is about 1839... | 0:18:09 | 0:18:13 | |
-Yes. -..when a William Thomas owned the farm - | 0:18:13 | 0:18:17 | |
no relation, we think - | 0:18:17 | 0:18:19 | |
but the tenant was a William Phillips. | 0:18:19 | 0:18:22 | |
Oh, really. Yes. | 0:18:22 | 0:18:24 | |
He had died by about 1850, | 0:18:24 | 0:18:27 | |
and his widow Ann | 0:18:27 | 0:18:29 | |
carried on the tenancy. | 0:18:29 | 0:18:31 | |
Yes. | 0:18:31 | 0:18:32 | |
-Erm, she lived here with her son... -Yes. | 0:18:32 | 0:18:35 | |
..David, who was aged 33. | 0:18:35 | 0:18:38 | |
Yes. | 0:18:38 | 0:18:40 | |
-He was married to Sarah, only 23... -Yes. | 0:18:40 | 0:18:43 | |
-..and their two little girls. -Mm-hm. | 0:18:43 | 0:18:47 | |
And that Sarah, then, | 0:18:47 | 0:18:50 | |
when they moved from here in 1854, | 0:18:50 | 0:18:53 | |
entered your family history as Sali Wernwgan. | 0:18:53 | 0:18:57 | |
Oh, I see. | 0:18:57 | 0:18:58 | |
-Beautiful. -Hm! | 0:18:58 | 0:19:00 | |
Oh, stunning. | 0:19:00 | 0:19:02 | |
So lovely. | 0:19:02 | 0:19:04 | |
So with a big question finally answered for Sian, | 0:19:05 | 0:19:08 | |
she can explore the home in which generations of her family once lived. | 0:19:08 | 0:19:12 | |
I'd almost come to think it wasn't real, | 0:19:12 | 0:19:14 | |
because I didn't know where it was. | 0:19:14 | 0:19:16 | |
I didn't know anything about it. | 0:19:16 | 0:19:18 | |
It's odd to see a place | 0:19:18 | 0:19:19 | |
where the name has been on your lips for a long time | 0:19:19 | 0:19:22 | |
and then there it is. | 0:19:22 | 0:19:24 | |
It actually existed, | 0:19:24 | 0:19:26 | |
and she lived here. | 0:19:26 | 0:19:27 | |
And before leaving, Sian can't resist having a few family snapshots | 0:19:29 | 0:19:34 | |
with Sali Wernwgan, | 0:19:34 | 0:19:35 | |
who she now knows was her great-grandmother | 0:19:35 | 0:19:38 | |
and lived in this very farm. | 0:19:38 | 0:19:40 | |
The National Eisteddfod is as much a part of Sian's ancestry | 0:19:44 | 0:19:47 | |
as her home in Carmarthenshire. | 0:19:47 | 0:19:50 | |
The first Eisteddfod dates back to 1176, | 0:19:50 | 0:19:53 | |
and has become Wales's biggest festival of music and poetry | 0:19:53 | 0:19:57 | |
with Welsh people travelling from all over the world | 0:19:57 | 0:20:00 | |
to attend the festivities. | 0:20:00 | 0:20:01 | |
And Sian has her own fond memories of the Eisteddfod. | 0:20:01 | 0:20:04 | |
And I remember mostly... I can still smell it. | 0:20:04 | 0:20:07 | |
It is the smell of trodden grass, of new-cut wood... | 0:20:07 | 0:20:12 | |
because the stage was always made of wood that had just been cut, | 0:20:12 | 0:20:16 | |
I would imagine, and the steps up to the stage. | 0:20:16 | 0:20:19 | |
Being on the stage was extraordinary, because the audience was gigantic. | 0:20:19 | 0:20:23 | |
For a little girl, it was enormous. | 0:20:23 | 0:20:26 | |
The Eisteddfod in 21st-century Wales, isn't so different - | 0:20:26 | 0:20:31 | |
the coming together of people of all ages to celebrate | 0:20:31 | 0:20:34 | |
Welsh dance, poetry and culture. | 0:20:34 | 0:20:38 | |
Sian has been invited to perform at this year's Eisteddfod, | 0:20:38 | 0:20:41 | |
in the Grand Pavilion, in front of 2,500 people. | 0:20:41 | 0:20:44 | |
Word is out that Sian has arrived | 0:20:46 | 0:20:48 | |
and the media are keen to learn more about her upcoming recital | 0:20:48 | 0:20:51 | |
which she last performed at the Eisteddfod aged just 13. | 0:20:51 | 0:20:56 | |
But first, Sian is meeting with historian Gerald Morgan | 0:20:57 | 0:21:01 | |
who wants to learn more about Sian's history at the Eisteddfod. | 0:21:01 | 0:21:05 | |
Sian Phillips, I can't tell you what a thrill it is to meet you here | 0:21:05 | 0:21:08 | |
and to welcome you to the Eisteddfod in Meifod. | 0:21:08 | 0:21:11 | |
Thank you very much indeed. | 0:21:11 | 0:21:13 | |
-I've discovered that you have an Eisteddfod history... -A bit. | 0:21:13 | 0:21:17 | |
..that goes back quite a way. | 0:21:17 | 0:21:20 | |
What do you remember about that first Eisteddfod that you went to? | 0:21:20 | 0:21:23 | |
Well, it seemed I'd travelled for days to get there. | 0:21:23 | 0:21:25 | |
It was only Llandybie, I think - | 0:21:25 | 0:21:27 | |
I had to go there from Gwaun-Cae-Gurwen or Alltwen, | 0:21:27 | 0:21:30 | |
but it seemed like a very long journey. And Mair and I went - | 0:21:30 | 0:21:33 | |
her name was Mair Lynn Edwards, we called her Mair, | 0:21:33 | 0:21:37 | |
and Mair and I had to do a recitation, would you believe, | 0:21:37 | 0:21:40 | |
which was a dialogue between two men, in the old meter, | 0:21:40 | 0:21:46 | |
and it was about a man, | 0:21:46 | 0:21:47 | |
between his cheerful self and his very depressed self. | 0:21:47 | 0:21:52 | |
And that was our recitation. | 0:21:52 | 0:21:54 | |
We acted this...this middle-aged man, really - | 0:21:54 | 0:21:57 | |
the split personalities of a middle-aged man. | 0:21:57 | 0:22:00 | |
It was a very strange thing to choose for little girls. | 0:22:00 | 0:22:03 | |
Were you dressed up for the occasion? | 0:22:03 | 0:22:05 | |
No, we weren't dressed, | 0:22:05 | 0:22:07 | |
but my mother said, "Ask for a table and a chair. | 0:22:07 | 0:22:10 | |
"And don't start until they're quiet." | 0:22:10 | 0:22:12 | |
So Mair and I, very nervous, | 0:22:12 | 0:22:14 | |
sort of got a table and a chair and we put them there, | 0:22:14 | 0:22:17 | |
and then we waited and waited | 0:22:17 | 0:22:19 | |
for what seemed like five minutes | 0:22:19 | 0:22:21 | |
and then we launched ourselves into our dramatic duologue. | 0:22:21 | 0:22:24 | |
-And you won! -And we won! | 0:22:24 | 0:22:26 | |
And it was the beginning of a career. | 0:22:26 | 0:22:28 | |
It was the beginning of my career, believe it or not, | 0:22:28 | 0:22:30 | |
because they broadcast the same piece later that day | 0:22:30 | 0:22:33 | |
from the Eisteddfod. | 0:22:33 | 0:22:35 | |
Next, Sian Phillips is going to learn | 0:22:36 | 0:22:38 | |
something about a woman she met as a very young girl. | 0:22:38 | 0:22:41 | |
Sali Wernwgan's niece was Rosina Davies - | 0:22:41 | 0:22:45 | |
a famous evangelist who travelled the world preaching | 0:22:45 | 0:22:48 | |
at a time when women were rarely seen in this type of role. | 0:22:48 | 0:22:51 | |
Rosina wrote a book about her life, | 0:22:52 | 0:22:55 | |
and Dr Wyn James can tell Sian more | 0:22:55 | 0:22:57 | |
about this extraordinary woman's time as an evangelist. | 0:22:57 | 0:23:01 | |
She came under the influence of the Salvation Army initially, | 0:23:01 | 0:23:05 | |
and, of course, the Salvation Army were using girls in a way | 0:23:05 | 0:23:08 | |
-that the traditional nonconformist chapels weren't using. -Sure. | 0:23:08 | 0:23:11 | |
And she was converted, apparently, they say, | 0:23:11 | 0:23:14 | |
hearing the Salvation Army people preaching and singing | 0:23:14 | 0:23:17 | |
-on the square in Treherbert. -Really? -When she was 16 years of age. | 0:23:17 | 0:23:20 | |
-No! -Yes. By the time she was about 20, | 0:23:20 | 0:23:23 | |
she's up in London moving in the London-Welsh circles there. | 0:23:23 | 0:23:26 | |
-That's right. -And getting to know people like David Lloyd George. | 0:23:26 | 0:23:30 | |
Did she really? | 0:23:30 | 0:23:32 | |
David Lloyd George, actually, was a subscriber, I think. | 0:23:32 | 0:23:35 | |
-His name is one of the first in the list for the book. -Oh, really? | 0:23:35 | 0:23:38 | |
-Really. -So they obviously... | 0:23:38 | 0:23:39 | |
-Of course. -..obviously, had a link together, in that sense. | 0:23:39 | 0:23:43 | |
-So she was moving in those Welsh high-society circles. -Yes. | 0:23:43 | 0:23:47 | |
And she played a very, very prominent role | 0:23:47 | 0:23:49 | |
in the 1904-1905 revival. | 0:23:49 | 0:23:52 | |
Over that two-year period of the revival, 1904-1905, | 0:23:52 | 0:23:55 | |
she preached I think about 500 times altogether. | 0:23:55 | 0:23:59 | |
-No... -Mainly in North and West Wales. -Extraordinary. | 0:23:59 | 0:24:03 | |
-So there was a remarkable energy, as well. -That's incredible. | 0:24:03 | 0:24:06 | |
-People started calling her the Rose of Glamorgan. -Yes. | 0:24:06 | 0:24:09 | |
-And then she said that people in North Wales didn't like that... -Oh! | 0:24:09 | 0:24:13 | |
..because they wanted to own her, as well. | 0:24:13 | 0:24:15 | |
-So she changed her name to the Rose of Wales. -Of Wales - yes! | 0:24:15 | 0:24:20 | |
And that name followed the very popular Rosina across to America, | 0:24:22 | 0:24:25 | |
as Dr James can explain. | 0:24:25 | 0:24:27 | |
-They named a racehorse after her... -No! -..in Pennsylvania. | 0:24:27 | 0:24:32 | |
Well, I don't think she would've liked that, at all! | 0:24:32 | 0:24:34 | |
And she says in her biography, | 0:24:34 | 0:24:36 | |
"They named this racehorse after me in Pennsylvania, | 0:24:36 | 0:24:39 | |
"called it the Rose of Wales, and I'm not sure I really like it." | 0:24:39 | 0:24:43 | |
THEY CHUCKLE | 0:24:43 | 0:24:44 | |
Oh, it's wonderful! | 0:24:46 | 0:24:48 | |
Time is now quickly approaching for Sian's performance. | 0:24:50 | 0:24:54 | |
She's due to recite a poem inside the main pavilion | 0:24:54 | 0:24:58 | |
in front of 2,500 people, | 0:24:58 | 0:25:00 | |
a solo performance she last delivered at the age of just 13. | 0:25:00 | 0:25:04 | |
Sian has memorised the three-minute piece, | 0:25:05 | 0:25:08 | |
and is feeling more than a little apprehensive. | 0:25:08 | 0:25:11 | |
It is marvellous to be here, | 0:25:11 | 0:25:13 | |
but it is a long time since I did this poem | 0:25:13 | 0:25:16 | |
at the National Eisteddfod, | 0:25:16 | 0:25:19 | |
and I do feel nervous. | 0:25:19 | 0:25:21 | |
Yes, I am very nervous, actually. | 0:25:21 | 0:25:23 | |
Sian has been given her five-minute warning | 0:25:29 | 0:25:33 | |
and it's time to head backstage. | 0:25:33 | 0:25:35 | |
She can see thousands of people waiting to see her perform. | 0:25:38 | 0:25:42 | |
The production team are behind schedule, | 0:25:44 | 0:25:47 | |
so the wait goes on. | 0:25:47 | 0:25:48 | |
Sian finally gets her call, | 0:25:52 | 0:25:54 | |
and it's time for her to perform her poem | 0:25:54 | 0:25:57 | |
for the first time since 1946. | 0:25:57 | 0:26:00 | |
Rhowch groeso gwresog, os gwelwch yn dda, | 0:26:00 | 0:26:04 | |
i'r actores Sian Phillips. | 0:26:04 | 0:26:07 | |
APPLAUSE | 0:26:07 | 0:26:10 | |
Baled y Pedwar Brenin gan Cynan. | 0:26:32 | 0:26:37 | |
O bedair gwlad yn y dwyrain poeth | 0:26:39 | 0:26:41 | |
cychwynodd y pedwar brenin doeth am eira'r gorllewin, | 0:26:41 | 0:26:46 | |
dan ganu hyn, | 0:26:46 | 0:26:47 | |
O, seren glir ar yr eira gwyn. | 0:26:47 | 0:26:51 | |
Pa fodd, fy Arglwydd, y cefaist ti, | 0:26:51 | 0:26:57 | |
y perl dros y gaethferch a rhoddais i. | 0:26:57 | 0:27:01 | |
Yn gymaint a'i wneithir i un o'r rhai hyn. | 0:27:03 | 0:27:10 | |
Fe gwnaethost ti, Arglwydd, yr eira gwyn. | 0:27:10 | 0:27:16 | |
APPLAUSE | 0:27:16 | 0:27:18 | |
Her performance is wonderfully received by the audience. | 0:27:20 | 0:27:24 | |
A standing ovation in celebration of an incredible career, | 0:27:24 | 0:27:28 | |
and a performance not seen for 70 years, | 0:27:28 | 0:27:31 | |
originally performed by a 13-year-old girl | 0:27:31 | 0:27:34 | |
from Carmarthenshire. | 0:27:34 | 0:27:36 | |
So, did Sian enjoy coming home to the very stage she started on? | 0:27:39 | 0:27:43 | |
Yes. It took me right back! | 0:27:43 | 0:27:46 | |
It was strange doing something I did as a little girl, | 0:27:46 | 0:27:49 | |
now that I'm old. | 0:27:49 | 0:27:51 | |
But, erm... | 0:27:51 | 0:27:52 | |
Because I learned it then when I was young and... | 0:27:52 | 0:27:56 | |
It was a little bit odd doing it, | 0:27:56 | 0:27:58 | |
but the audience... I remember that feeling, | 0:27:58 | 0:28:01 | |
and that kind of audience in this kind of place. | 0:28:01 | 0:28:05 | |
Yeah. It was great. | 0:28:05 | 0:28:07 | |
Sian's journey into her past is nearly over. | 0:28:07 | 0:28:10 | |
She's heard stories of a hero from the Napoleonic Wars, | 0:28:11 | 0:28:15 | |
and had a decades-old question finally answered. | 0:28:15 | 0:28:19 | |
So how does she feel about all she's learned about her ancestors? | 0:28:19 | 0:28:23 | |
I feel wiped out, actually. | 0:28:23 | 0:28:25 | |
Not because I'm tired, but I do feel... | 0:28:25 | 0:28:29 | |
I do feel I've been through the mill. | 0:28:29 | 0:28:31 | |
It's taken me back | 0:28:31 | 0:28:33 | |
and made me think about a lot of things. | 0:28:33 | 0:28:35 | |
I've also been reminded, though, how very tough their lives were. | 0:28:35 | 0:28:40 | |
And, erm, how hard they all had to work, | 0:28:40 | 0:28:44 | |
very often at things they didn't want to do. | 0:28:44 | 0:28:47 | |
And, erm... | 0:28:47 | 0:28:49 | |
I don't know, I...I felt very close to them, | 0:28:49 | 0:28:51 | |
and I feel I owe those people a lot. | 0:28:51 | 0:28:54 | |
A lot. | 0:28:54 | 0:28:55 | |
Everything, really. | 0:28:55 | 0:28:57 |