Ben Miller Coming Home


Ben Miller

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Ben Miller is best loved for his comedy sketch shows with

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partner Alexander Armstrong,

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and performances in detective series Death in Paradise

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and the hit movie Johnny English have made him a household name.

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Now, Ben is here in Wales to research his Welsh ancestry.

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Although Ben grew up in London, his mother is Welsh

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and it's her family he's keen to discover more about.

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We always came on holiday to Wales

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and, of course, my mother talks about it a lot.

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So, I of course learnt a lot about Wales from my mother.

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It's time for Ben to play detective once more in greener surroundings.

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If you don't find out now, when are you going to find out?

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Ben Miller is coming home.

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On this journey, Ben discovers

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he's not the only famous face in the family.

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-LAUGHING:

-That's ridiculous!

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-We'll have to...

-What do I think?

-Yeah.

-What do you think of it?

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That's just extraordinary.

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He's overcome with emotion

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after learning of a decorated World War I hero.

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I always find that war very, very moving,

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but to feel a closer connection is very profound.

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And is Ben's ancestor quite the artist he's claimed to be?

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This is brilliant. "It's not really like a modern lion.

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"It has a bear's head, a poodle's neck and the legs of a lion."

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HE LAUGHS

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Ben has travelled to Neath in South Wales,

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a place where generations of his family lived and worked.

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And it's here at St Thomas's Church, in the heart of Neath,

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that Ben has arranged to meet with genealogist

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Mike Churchill-Jones for the reading of his family tree.

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Hi, Ben. We've been researching your Welsh ancestry and this,

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-this is what we've come up with.

-Wow.

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It's enormous. Wow.

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That's incredible.

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Ben can see he has ancestry in Glamorganshire

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dating back to the early 1700s.

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And even further back in Montgomeryshire and Breconshire.

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On your mother's maternal side, the Thomas line,

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you come from deep farming stock in Breconshire, which you expected?

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I kind of hoped, yes. I was sort of hoping.

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I feel that farming is in my blood, so, yes, I'm pleased about that.

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They were from the village of Llangammarch

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and a guy called Thomas Thomas, your second great-grandfather,

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he was a farmer and a sheep dealer there.

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That's exciting.

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-I can go hill walking in Breconshire now.

-You can.

-Great.

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Generations of Ben's family worked in the timber industry.

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But things changed with his great-great-grandfather,

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Joseph Hopkins.

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He went to work for the railways as a railway porter.

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And, as I say, his family trade was as a sawyer.

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What do you know about being a sawyer?

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I'm thinking they wouldn't have had huge mechanical saws then,

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so quite hard work, I would imagine.

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Finally Ben's journey of discovery will be monopolised by

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a family name handed down generation after generation.

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Samuel Peploe Mellin.

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-That's a great name.

-Isn't it?

-Samuel Peploe Mellin.

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You couldn't have a better 19th-century name.

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What a fantastic name. But he worked as a painter.

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-He'd have to be a painter with a name like Samuel Peploe Mellin, wouldn't you?

-Yeah.

-Yeah.

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If there... Was ever anyone born to his trade?

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Maybe we'll be finding his watercolours. I don't know.

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BEN LAUGHS

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Wow.

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Ben has no idea how true this statement will become.

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In the church cemetery where generations of Peploe Mellins

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are buried, Mike can reveal the obituary of Samuel, who died in 1928.

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A document which reveals a man of many talents,

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or a man of very tall tales.

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"Mr Mellin at one time owned one of the largest painting

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"and decorating businesses in the town.

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"He had painted a large number of local scenes that showed

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"outstanding facility with the brush." This is brilliant.

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-We've just started.

-"Outstanding facility."

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So I would say more than a painter and decorator, thank you very much.

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"About 45 years ago, he was commissioned to paint a portrait

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"of Albert, the Prince Consort, from a copy." A Royal commission.

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Here we go. Wait. This is brilliant.

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"He was a clever musician

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"and would play almost any instrument."

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-I was waiting for somebody to be a musician.

-You've found him.

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"He was an all-round athlete, being a good cricketer

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"and a champion of the ice.

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"He played cricket for the old Cadoxton Club

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"and remembered the late WG Grace playing cricket

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"on the ground which is now the Victoria Gardens."

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He's just a sort of...

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It's just like a character from a Boy's Own manual, isn't it?

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-He's, er...

-Indeed.

-He's fantastic.

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"Mr Mellin was one of the finest figure skaters in Wales

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"and won the Neath Championship.

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"He was also a first-class shot."

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He'd been up in a balloon and had the exciting experience

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of being shipwrecked while painting the cabin of a ship.

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What do you think of all these claims about this man?

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Well, I think they're true.

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I don't think any of this is exaggeration.

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I think this is probably

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a pale imitation of this extraordinary character.

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Would you like to try and delve into this man's life a bit more?

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I would. Nothing would give me more pleasure than to find out more...

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-Let's see if we can help.

-..about local artist Mr SP Mellin.

-Mm.

-Wow.

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I think he's a tremendous character.

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I have to say it has a slight air, to me, of...

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another unmentioned talent which is storytelling. But let's see.

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I would love to know if any of that is true.

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But first, Ben is going to learn more about something

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he feels is in his blood.

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Ben was thrilled to hear of his deep farming heritage.

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But what Ben doesn't know is that his great-great-grandfather,

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Thomas Thomas, made a life-changing decision

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during a difficult period in Welsh farming history.

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He's visiting St Fagan's National History Museum to learn more

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and is met by a farming historian.

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1882, that was the year your great-great grandfather

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took an important decision, important for him, for the family,

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-and indeed for you ultimately.

-Yes.

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He decided actually he was going to move his family.

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-He was 63 years old. He had a much younger wife.

-Really?

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-He had seven children all under the age of 12.

-What?!

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-All under the age of 12. So he's been a busy boy.

-Yeah.

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But he decided to take a momentous decision and move his family from,

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what to us would be this idyllic rural landscape, and move them,

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again to what we have characterised, I guess, as the industrial hell

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of Dowlais near Merthyr Tydfil.

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-And it begs the obvious question, why did he do it?

-Yes, exactly.

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Actually, the Welsh countryside in the mid-19th century was

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falling apart, essentially.

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Landlords weren't investing as they should have been.

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Thomas was a tenant farmer. He had no security of tenure.

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And equally, this was the period when food imports start

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-coming to Britain for the first time in large quantities.

-Really?

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So, not only was wheat coming from the Canadian prairies, for example,

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-but things like frozen lamb...

-Right.

-..was starting to come in as well...

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-Yeah.

-..and the consequence was inevitable.

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He had gambled everything on moving his family and the rest is history.

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Thomas worked as a platelayer on the railways at the heart

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of the Industrial Revolution, until his death in 1895.

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His family never returned to their farming roots and stayed

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in Merthyr Tydfil, working in the coal mines for generations to come.

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Whilst conducting his research, genealogist Mike Churchill-Jones

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decided to have a look at Ben's father's side of the family.

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He spotted the unusual last name of Ben's great-grandmother

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and found something quite extraordinary.

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-Well, her full name was Rose Elizabeth Lincoln.

-Lincoln?

-Mm.

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-Do you know anybody else called Lincoln?

-Andy Lincoln the actor.

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-Abraham Lincoln, the President of the United States.

-Mm-hm.

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-You are related.

-That's him there. We're not?

-Mm-hm.

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You can't be serious.

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HE LAUGHS

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You cannot be serious. Oh, my goodness!

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How brilliant!

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-There she is.

-Look at that.

-Rose Elizabeth Lincoln.

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Rose Elizabeth Lincoln.

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And we go back through the Lincolns, we go...

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The whole line.

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-The whole line back to...

-It goes all the way back to early 1500s.

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That's ridiculous!

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What do you think?

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-Will that do?

-What do I think?

-Yeah.

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What do you think I think? That's just extraordinary!

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That is...

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HE LAUGHS

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That's absolutely incredible.

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A picture of your cousin.

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It's my cousin Abraham Lincoln.

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Well, I mean, I knew we were... Obviously, I knew we were

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a distinguished family of, er...

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-of many generations.

-There's a bit of you there, isn't there?

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-The nose?

-There is literally a bit of me there.

-Shape of the nose.

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Shape of the nose. There is literally a bit of me there.

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Yeah, there literally is.

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-Do I get to keep to keep the 5?

-I think so, yeah.

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THEY LAUGH

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Earlier, Ben read the colourful obituary of Samuel Peploe Mellin,

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a document which made many claims, including that

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of a talented musician, sportsman and figure skater.

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Ben is visiting Neath's Historical Society to meet with Hedd Ladd-Lewis,

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who has been looking into the claim

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that Samuel played for the local Cadoxton cricket team.

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And he's discovered the club's original records.

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It is possible that, even though he didn't play for the First XI,

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-that he played for the Second XI.

-Right.

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And whilst we were going through the file,

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we did come across a photograph...

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-..of the Second XI.

-Really?

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I don't know if you can have a closer look and see

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whether you can recognise him maybe. We're not sure which one he is.

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I'll tell you straightaway which one I think he is.

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He'd be the one that looks exactly like me.

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HE LAUGHS

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I mean, that's like me with a moustache, isn't it?

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-And a stripy cricket cap on.

-Yes, very similar.

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-And, of course, he would've been 41 years of age at the time.

-I don't...

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This...I honestly think, if you...

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If we got some costumes and mocked up,

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and you put a moustache on me and got me in that outfit,

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I don't think you'd be able to tell us apart.

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Very similar. There is a similarity, isn't there?

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The obituary also claims that Samuel witnessed the world-famous cricketer

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WG Grace play right here in Neath.

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Hedd's discovered some vital evidence in the form of a painting from 1868.

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This is wonderful, because the actual club didn't know

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about the existence of this particular painting

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-in its original form.

-Really?

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And, of course, there's evidence here

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that Grace was actually playing in the game.

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Is that Grace there behind the wicket? With his long beard?

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-With his long beard.

-And his rather...portly frame.

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Very portly, isn't it?

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So, based on the research we've done,

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we can now legitimise the fact that WG Grace did play here in Neath.

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-That's satisfying, isn't it?

-We've been able to prove it without doubt.

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And, you know, this was a piece of the history of the club

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that they weren't aware of.

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-Isn't that great?

-Yeah.

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So, Samuel's obituary claim

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to have seen WG Grace play cricket in Neath is in fact true.

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Well, I'm just thrilled.

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That's as much confirmation as we could hope for.

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If I'm learning anything,

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it's that these stories that get passed down through families,

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and in that case told to a newspaper,

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but it was obviously a sort of family story,

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so often they turn out to have more than a grain of truth,

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they turn out to be, you know, absolutely copper-bottomed truth.

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You know, it's wonderful.

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Next, Ben is going to learn about Samuel's grandson.

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Another Samuel Peploe Mellin.

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Born in Neath in 1893.

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Samuel was a soldier in the First World War

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and fought in the Battle of the Somme.

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But this was just the beginning,

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as historian Dr Jonathan Hicks can explain.

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His biggest test came in November 1917,

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when the Battle of Cambrai began.

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I don't know about that battle. What was that?

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That was the battle that followed the Battle of Passchendaele.

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OK, yeah.

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And the ground over which he fought was absolutely appalling,

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as you can imagine. And this photograph gives you an example.

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-It was just mud, wasn't it?

-Mud.

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And you can see the men here living like rats in the ground.

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It's horrendous, isn't it?

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They call it no-man's land, don't they?

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-That's exactly what that looks like out there, isn't it?

-Yes.

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And Samuel's officer, Captain Smith, left an account of what it was like.

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-Yeah.

-I'd like you to read that for us, please.

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"The sunken roads leading from the trenches are littered with

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"dead men and dead mules,

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"wrecked General Service Wagons and limbers.

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"The night's worse than the day as the hellish shelling continues.

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"By the flashes of the bursting shells,

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"one gets strange momentary pictures.

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"The tired, strained faces of nerve-wracked men

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"and the wet shining of steel helmets

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"and the waterproof ground sheets

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"which most of the men have round their shoulders."

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The First World War, for some reason, and I think it's the...

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It's the...lions led by donkeys sort of idea.

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I just always find it so moving, the whole idea of it.

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I get...

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HE LAUGHS

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I find it such a... It's a...you know,

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I think the Second World War was such a necessary war,

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but the First World War always seems like such a...

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absolutely futile...

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..absolutely futile exercise.

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I said I wasn't going to get upset on this programme.

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I'm not getting upset on behalf of my ancestors,

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it's the general thing. I always find that war very moving.

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But to have someone from, you know...

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..to feel a closer connection, it's very...

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It's, er...it's very profound.

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-Would you like to see a picture of him then?

-I would.

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-That's your relation, Samuel Peploe Mellin.

-Wow.

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God, he's so young, isn't he?

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-Those can't be easy weapons to use, these rifles...

-No.

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-You can see the horrific bayonet on the end of it as well.

-Yeah.

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There were 47,000 British casualties during the Battle of Cambrai.

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It's just horrendous, isn't it?

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But...Samuel survived.

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-He didn't?

-He survived.

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And more than that, Ben, he was awarded

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a commendation for his work during the Battle of Cambrai.

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And what he did for that long period of time

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was to keep the communication lines open between...

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..the divisional and brigade headquarters.

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And that meant going out

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every time there was a break in the telephone wire,

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it was his job to go out there, under German shelling.

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Major-General commanding 20th Light Division has received

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a report of the gallant conduct of Acting Corporal SR Mellin.

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And he wishes to congratulate him on his fine behaviour.

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-Isn't that great? "Fine behaviour."

-Fine behaviour.

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-That is fine behaviour, isn't it?

-Absolutely.

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Because there was no way that he could fight back,

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because, obviously, shells were coming in from some distance away.

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All he could do was hope that the next one didn't have his name on it.

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-You know...

-And what we have here is some artefacts...

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..from Samuel's family, which show the medals he was awarded.

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-The dog tags he was wearing during the First World War.

-Wow!

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-Signals badge.

-Wow!

-And his cap badge.

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It's more trauma than any other generation has probably faced.

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And to know that someone in my family was at the centre of it,

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yes, it's very...

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I feel like I'm in one of my sketches.

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I just...

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It's exactly what I didn't want to happen, but I'm glad it's happened.

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-But he survived.

-Yeah, he survived.

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And he did... Obviously he did, you know, really played his part.

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And that's...

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That's a tremendously...

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it's a tremendously honourable thing.

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Yes, I know.

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Earlier, Ben read the obituary of his ancestor Samuel Peploe Mellin.

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It claimed he was an artist of some note,

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with many commissions for landscapes and even portraits of royalty.

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This is brilliant!

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Ben is meeting Mike Churchill Jones at Neath's old town hall

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to read an account from a court case from 1901.

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Samuel had a commission from local pub owner Charles Cheek,

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and Samuel had taken Charles to court for failing to pay him for the work.

0:19:540:19:59

"The plaintiff painted a sign for the defendant.

0:19:590:20:02

"The representation being a white lion.

0:20:040:20:07

"Mr Cheek said it wasn't a lion, and he wouldn't pay up.

0:20:070:20:11

"The solicitor for the defence said the case would be shortened

0:20:110:20:15

"if he could produce the lion."

0:20:150:20:17

You couldn't make this up, could you?

0:20:190:20:21

"His honour. 'Well, bring in the lion.' Laughter.

0:20:210:20:25

"The lion was then brought in and Mr Jeffries said,

0:20:250:20:31

" 'Look at it, your honour, what animal is it?' Laughter.

0:20:310:20:35

"His honour. 'The lower part is like a lion and the head is like a bear.

0:20:360:20:41

" 'But it is very like a heraldic lion.' To Mellin.

0:20:410:20:45

" 'I think you ought to have made it look more like a lion.

0:20:450:20:48

" 'There's no such thing in nature as a white lion,

0:20:480:20:51

" 'but you can hardly say that this is a satisfactory lion.

0:20:510:20:55

" 'It's not really like a modern lion, it has a bear's head,

0:20:550:20:58

" 'a poodle's neck the legs of a lion.'

0:20:580:21:02

"Laughter is recorded in the courtroom.

0:21:020:21:05

" 'I think it should be altered and I advise you to alter it.' "

0:21:050:21:09

HE LAUGHS

0:21:090:21:12

" 'Mr Cheek, you won't object to its body being made a little bigger,

0:21:120:21:17

" 'its neck a little smaller and its head a little more like a lion's?'

0:21:170:21:22

"Cheek. 'No, sir.' Laughter."

0:21:220:21:24

-There's hysterics in court.

-Indeed.

0:21:240:21:27

So maybe not such a great artist, SP Mellin.

0:21:270:21:31

Or perhaps just interpreted it as a heraldic lion.

0:21:310:21:36

-Mm-hm.

-Not a, you know... not an African, not a modern lion.

0:21:360:21:41

It's almost like each click brings you into a clearer focus.

0:21:410:21:45

You know, so you start with someone who has this wonderfully

0:21:450:21:49

sort of florid obituary.

0:21:490:21:52

As we dig a little deeper, we discover,

0:21:520:21:55

maybe by the time it was 1901,

0:21:550:21:59

his painting skills were on the wane.

0:21:590:22:03

This is not the end of Samuel's story.

0:22:050:22:08

But for now, Ben is heading to the sawmill

0:22:080:22:10

at St Fagan's Natural History Museum

0:22:100:22:13

to learn more about the generation of ancestors who worked as sawyers.

0:22:130:22:16

But more importantly, what would have led one of them

0:22:160:22:20

to leave his job as a sawyer to work on the railway?

0:22:200:22:24

Historian Nathan Goss can explain.

0:22:240:22:26

It could be a couple of reasons, really.

0:22:270:22:30

-The railway had just come to Neath.

-Yes.

0:22:300:22:32

So it could have been a better-paid job.

0:22:320:22:35

The other reason, really, it could have been the invention

0:22:350:22:38

and progress of the steam-driven saw.

0:22:380:22:42

-Really?

-In sort of the 1830s in London, around 1837,

0:22:420:22:49

if my memory serves me right, the first steam-driven pit saw

0:22:490:22:54

turned up on the banks of the Thames right by Tower Bridge.

0:22:540:22:59

And instantly, when they started that saw up,

0:22:590:23:01

-it put 70 pairs of sawyers out of work.

-Wow. Straight away.

0:23:010:23:06

Ben's great-great-grandfather may have given up the saw,

0:23:060:23:10

but that doesn't mean Ben can't have a go himself.

0:23:100:23:13

-I'll start off...

-Right.

-..with a sawyer's handshake,

0:23:140:23:17

because you wouldn't have had a thumb in those days.

0:23:170:23:21

You think lots of my ancestors probably gave that handshake?

0:23:210:23:24

-No, ideally, this saw should be at 90 degrees.

-Oh, OK.

0:23:240:23:29

So, if you imagine you are standing on top of a platform now,

0:23:290:23:32

-because you're the ancestor, you're the top dog.

-Oh.

0:23:320:23:36

So you are standing on top of the pit train

0:23:360:23:39

and I was at the bottom, because I was the apprentice.

0:23:390:23:43

And I'm the underdog and you're the top dog.

0:23:430:23:45

-So am I going to stand on here?

-No, we won't do it like that.

0:23:450:23:48

-But it'll give you some sort of idea.

-It'll give us an idea.

0:23:480:23:51

If you imagine now, I've got one cut with this now.

0:23:510:23:54

-It's down to me and back to you, it's only one cut.

-That's one cut.

0:23:540:23:58

-OK. So, you pull.

-I pull like that, now you pull it back.

-OK.

0:23:580:24:02

You see, I'm a natural. It's in the blood, Nathan.

0:24:020:24:05

Look, I'm missing the log entirely.

0:24:050:24:08

Try it again, now I've got you started.

0:24:080:24:10

You didn't make a good enough groove, that's what happens there.

0:24:100:24:13

That's probably what it is.

0:24:130:24:14

Why is this not working?

0:24:170:24:19

It's hard, that's why!

0:24:200:24:22

-You've got to really pull.

-Yeah, yeah.

0:24:220:24:24

-Now you've got it.

-There we go, there we go. So let's get sawing.

0:24:260:24:30

I think this would make a really good coffee table, possibly.

0:24:320:24:37

-I think it might be a matchstick.

-Get a matchstick.

0:24:370:24:40

There we go.

0:24:440:24:45

Ben's time in Wales is nearly at an end.

0:24:480:24:51

But before he leaves,

0:24:530:24:55

the team looking into the obituary claims of Samuel Peploe Mellin

0:24:550:24:58

have given him an address to visit in Bridgend.

0:24:580:25:02

An address of someone who may have

0:25:030:25:05

more information for him about the Peploe Mellins.

0:25:050:25:08

Hello. Nice to meet you.

0:25:080:25:09

-Lovely to meet you.

-Come in.

-Thank you.

0:25:090:25:12

And this lady has more than a few surprises for Ben.

0:25:120:25:16

-I'm Janet and I'm your fourth cousin.

-Right.

0:25:180:25:22

And my maiden name was Mellin.

0:25:220:25:25

Oh, are you a Peploe Mellin?

0:25:250:25:29

Mm-hm. Samuel Peploe from the First World War was my grandfather.

0:25:290:25:34

-Really?

-Yes.

-Oh, my word!

0:25:340:25:37

I saw his medals and I found it incredibly moving, actually, Janet.

0:25:370:25:42

I just couldn't... It was very hard to understand that kind of bravery.

0:25:420:25:47

You must be very proud.

0:25:470:25:48

I've got a little photo here.

0:25:480:25:50

There, of him.

0:25:500:25:52

-But he was never called Samuel. He was always called Pep.

-Pep?

0:25:530:25:58

Yes, from Peploe. He was always known as Pep Mellin.

0:25:580:26:02

You can ask anybody in the town and he was always called Pep Mellin.

0:26:020:26:06

And Samuel's grandfather was the man with the controversial obituary

0:26:070:26:11

claiming to be an artist of some note.

0:26:110:26:14

-Samuel Peploe.

-Yeah?

0:26:140:26:16

Great-great-grandfather.

0:26:160:26:18

I have something here that you might like to see.

0:26:200:26:23

-Really?

-Yes.

-Am I allowed to open this?

-Yes.

0:26:230:26:26

OK.

0:26:260:26:28

Wow!

0:26:290:26:31

-Is this one of his...

-Yes, it is.

-..paintings?

0:26:310:26:34

-Look at that.

-It's got 1891.

0:26:340:26:37

1891, that's an oil, is it?

0:26:370:26:40

-It's got a bit of damage on it.

-Yeah.

0:26:400:26:42

And it's basically got coal dust, I would have thought.

0:26:420:26:46

This is really very good.

0:26:480:26:49

-I'm sad to say it's been up in the attic for about...

-Really?

0:26:490:26:54

..as long as I've known, cos my father's never had it on the wall.

0:26:540:26:59

-No?

-No.

0:26:590:27:00

And I don't know if my grandfather ever had it on the wall,

0:27:000:27:04

cos his father gave it to him and it's just been passed down.

0:27:040:27:07

They do say that to be able to paint horses is one of the...

0:27:090:27:15

-It's very difficult, apparently.

-..really difficult skills, yeah.

0:27:150:27:18

Look at that.

0:27:200:27:22

Do you know what, I'm really pleased to discover that he was actually...

0:27:220:27:26

because quite often he gets... he doesn't get full credit.

0:27:260:27:30

He gets described as a decorator or a painter and decorator.

0:27:300:27:34

And no, he was an artist.

0:27:340:27:37

Ben's journey into his Welsh ancestry is now at an end

0:27:380:27:42

and he can leave knowing his ancestor Samuel Peploe Mellin

0:27:420:27:46

was a true artist

0:27:460:27:48

and lived an extraordinary life.

0:27:480:27:50

The painting totally legitimises the obituary.

0:27:500:27:55

It proves everything that's in there.

0:27:550:27:57

This is not a painter and decorator, this is an artist.

0:27:570:27:59

This is a man with something to express.

0:27:590:28:01

And how does he feel about his whole journey coming home?

0:28:010:28:05

It's almost like a kaleidoscope coming into focus

0:28:050:28:09

and suddenly you see everything in a very new way

0:28:090:28:12

and it has a huge emotional impact.

0:28:120:28:15

You know, and I'm getting emotional about it now.

0:28:150:28:18

But, you know, I'm proud to come from a culture

0:28:180:28:20

that's not afraid to show their emotions.

0:28:200:28:22

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