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-GUNSHOTS -There's one. Bang. | 0:00:02 | 0:00:05 | |
Most of these are indigenous ducks. | 0:00:05 | 0:00:07 | |
It was a very good breeding season this year. | 0:00:07 | 0:00:09 | |
GUNSHOTS | 0:00:09 | 0:00:10 | |
In the reeds! | 0:00:11 | 0:00:12 | |
Find it. | 0:00:13 | 0:00:15 | |
Floss, find it. | 0:00:15 | 0:00:16 | |
Good boy. | 0:00:16 | 0:00:18 | |
Mmm, isn't that a beautiful? | 0:00:20 | 0:00:22 | |
Would you like to have this one stuffed? | 0:00:22 | 0:00:25 | |
-And you could have him on your dining room table. -Perfect. | 0:00:25 | 0:00:27 | |
My wife would love that - she's a vegetarian. | 0:00:27 | 0:00:30 | |
Come on, Ted. | 0:00:32 | 0:00:34 | |
Come on, Ted. | 0:00:34 | 0:00:35 | |
Good boy. | 0:00:35 | 0:00:36 | |
Another summer has passed at Wiveton Hall farm on the North coast | 0:00:39 | 0:00:43 | |
of Norfolk, home to gentleman farmer Desmond McCarthy. | 0:00:43 | 0:00:47 | |
He's the one that's been keeping my mother awake. | 0:00:47 | 0:00:50 | |
COCKEREL SQUAWKS | 0:00:50 | 0:00:51 | |
For weeks. | 0:00:51 | 0:00:53 | |
Desmond's lived here all his life with his mother, Chloe, | 0:00:53 | 0:00:56 | |
now 101 years old. | 0:00:56 | 0:00:58 | |
My mother's lived so long because she's never drunk milk. | 0:00:58 | 0:01:02 | |
I like cream. | 0:01:02 | 0:01:03 | |
What are your other tricks? | 0:01:03 | 0:01:06 | |
When they're not at university, he's joined by his children, | 0:01:06 | 0:01:09 | |
Isabel and Edmund. | 0:01:09 | 0:01:12 | |
Does Granny pay rent? | 0:01:12 | 0:01:13 | |
She does pay rent. | 0:01:13 | 0:01:14 | |
Bastard. | 0:01:14 | 0:01:15 | |
Oh. Oh, my God! | 0:01:18 | 0:01:19 | |
Last year, Desmond kept the wolf from the door | 0:01:21 | 0:01:24 | |
by the seat of his tweed pants... | 0:01:24 | 0:01:26 | |
Do I have a lot of cash around? No. | 0:01:26 | 0:01:28 | |
Other people's cash, yes. | 0:01:28 | 0:01:30 | |
Mostly the bank's. | 0:01:30 | 0:01:31 | |
..earning just enough money from his 250-acre farm, | 0:01:31 | 0:01:35 | |
cafe and holiday cottages to maintain a country way of life | 0:01:35 | 0:01:40 | |
and preserve the hall for generations to come. | 0:01:40 | 0:01:43 | |
Perhaps this is where the nostrils came from? | 0:01:43 | 0:01:46 | |
Thank goodness the double chin has been bred out. | 0:01:46 | 0:01:49 | |
-Has it?! -Yes. | 0:01:49 | 0:01:50 | |
With Edmund home for a few days, | 0:01:52 | 0:01:54 | |
Desmond's encouraging him to follow in his father's footsteps. | 0:01:54 | 0:01:58 | |
-We do need to think long-term. -Yeah. | 0:01:58 | 0:01:59 | |
-You could do the cash flow with me, Edmund. -Yes! | 0:01:59 | 0:02:03 | |
Teddus. | 0:02:16 | 0:02:18 | |
-Aw, Teddy. -Teddy, you've been painted. | 0:02:18 | 0:02:21 | |
Aw, Teddus. | 0:02:22 | 0:02:24 | |
It's early autumn at Wiveton, and Desmond is sorting through | 0:02:24 | 0:02:28 | |
old portraits of the hall with property manager Emma. | 0:02:28 | 0:02:31 | |
I think it's lovely to have paintings of people. | 0:02:31 | 0:02:34 | |
It shows a bit of their character. | 0:02:34 | 0:02:36 | |
It lingers on. | 0:02:37 | 0:02:38 | |
-Those are rather nice, Desmond. We should put those up. -They are. | 0:02:39 | 0:02:42 | |
They ought to be up, they look nice. | 0:02:42 | 0:02:44 | |
Oh, my God. | 0:02:44 | 0:02:45 | |
We must hang this stuff. | 0:02:45 | 0:02:47 | |
Oh, look. Very faded pictures of people with setters. | 0:02:49 | 0:02:53 | |
Oh, look. Look - now, that IS exciting. | 0:02:54 | 0:02:57 | |
-Bittern shooting. -Oh, yes. | 0:02:57 | 0:02:58 | |
There are only about 15 pairs of bitterns in the whole country now. | 0:02:58 | 0:03:02 | |
That gives shooting a bad name. | 0:03:02 | 0:03:04 | |
SHE CHUCKLES | 0:03:04 | 0:03:05 | |
-That's my father. -Oh, that's really nice. | 0:03:05 | 0:03:08 | |
Nice, except it gives him a hand like a gorilla. | 0:03:08 | 0:03:11 | |
Look at the size of his hand. | 0:03:12 | 0:03:14 | |
But it's nice, apart from that. | 0:03:14 | 0:03:16 | |
The hall has been passed down through the McCarthy family | 0:03:18 | 0:03:21 | |
for the last three generations. | 0:03:21 | 0:03:24 | |
Desmond's ancestors cover the walls, | 0:03:24 | 0:03:26 | |
watching to see who will inherit it next. | 0:03:26 | 0:03:30 | |
Oh, that is also my father. | 0:03:30 | 0:03:32 | |
-He's a handsome man. -Yes, handsome. | 0:03:33 | 0:03:36 | |
-Eyebrows. -The eyebrows. | 0:03:36 | 0:03:37 | |
-Nose. -Chin...possibly. | 0:03:37 | 0:03:39 | |
Determined chin. | 0:03:39 | 0:03:41 | |
-LAUGHING: -Determined chin! Stubborn chin? | 0:03:41 | 0:03:44 | |
-Quite good taste. He used to wear a tie. -Yes. | 0:03:44 | 0:03:47 | |
-People wore a tie in those days. -Yes. | 0:03:47 | 0:03:50 | |
Come on, Ted. | 0:03:52 | 0:03:53 | |
Teddy! | 0:03:53 | 0:03:54 | |
HE WHISTLES | 0:03:54 | 0:03:55 | |
Perhaps this is where the nostrils came from. | 0:03:57 | 0:03:59 | |
And not the double...thank goodness the double chin has been bred out. | 0:03:59 | 0:04:03 | |
-Has it? -Yes! | 0:04:03 | 0:04:05 | |
SHE CHUCKLES | 0:04:05 | 0:04:06 | |
Look, you mean... Oh, the bum chin? | 0:04:09 | 0:04:11 | |
-Oh, I hate that. I've never heard that expression. -Bottom chin. | 0:04:11 | 0:04:13 | |
-Yeah. Anyway, there we are. -Oh, yes. | 0:04:13 | 0:04:15 | |
This is the ancestral egg that the family came from. | 0:04:15 | 0:04:20 | |
That you were hatched from! | 0:04:20 | 0:04:22 | |
This is one of the ones that didn't hatch. | 0:04:22 | 0:04:23 | |
One of the relations that never hatched. | 0:04:23 | 0:04:26 | |
But it could at any time. | 0:04:26 | 0:04:27 | |
The first of Desmond's children to hatch was Edmund. | 0:04:29 | 0:04:33 | |
This one, with Edmund, nice picture of father and son. | 0:04:33 | 0:04:37 | |
Father looking much less grey and unstressed there, | 0:04:37 | 0:04:40 | |
cos he spent all his time enjoying himself shooting, | 0:04:40 | 0:04:44 | |
showing his son what to do. | 0:04:44 | 0:04:45 | |
Edmund is now 21 and at university. | 0:04:47 | 0:04:49 | |
Desmond was a similar age when he took on Wiveton, | 0:04:50 | 0:04:53 | |
but whether Edmund succeeds him is a loaded question. | 0:04:53 | 0:04:57 | |
I'd like to keep the house in the family. | 0:04:58 | 0:05:01 | |
Edmund loves it. | 0:05:01 | 0:05:03 | |
Um, Isabel likes it, I think. | 0:05:03 | 0:05:06 | |
Erm... | 0:05:06 | 0:05:07 | |
But it shouldn't become a burden. | 0:05:07 | 0:05:10 | |
-Oh, look. Aw! -There he is. Where's Desmond? | 0:05:10 | 0:05:13 | |
There he is. | 0:05:13 | 0:05:14 | |
The past, the past. | 0:05:14 | 0:05:16 | |
I think he wants to keep it... | 0:05:16 | 0:05:19 | |
how he inherited it. | 0:05:19 | 0:05:22 | |
Somebody described him to me as the custodian of this land, and I feel | 0:05:22 | 0:05:27 | |
that that's how he thinks of himself. | 0:05:27 | 0:05:29 | |
But, long-term, I don't know. | 0:05:30 | 0:05:32 | |
He's not getting any younger and I suppose he just... | 0:05:32 | 0:05:35 | |
I would think he hopes that Edmund will come and take over... | 0:05:36 | 0:05:39 | |
..and continue in the same vein. | 0:05:41 | 0:05:43 | |
So, how old were you when you actually took the reins? | 0:05:43 | 0:05:47 | |
Well, I was about... | 0:05:47 | 0:05:49 | |
..you know, 20, | 0:05:50 | 0:05:52 | |
-when I started doing things. -Yes. | 0:05:52 | 0:05:55 | |
-So, if you dropped dead tomorrow, Desmond... -Yes? | 0:05:56 | 0:05:59 | |
Well, I mean, it's entirely... | 0:05:59 | 0:06:01 | |
They can do what they want, but... | 0:06:02 | 0:06:04 | |
But Edmund would come and...? | 0:06:04 | 0:06:06 | |
He might come and... | 0:06:06 | 0:06:07 | |
-..if he could afford to gather the shekels that were left... -Yes. | 0:06:09 | 0:06:13 | |
..and they hadn't found the doubloons | 0:06:15 | 0:06:17 | |
that I've been buried with... | 0:06:17 | 0:06:19 | |
Oh! | 0:06:19 | 0:06:20 | |
But... | 0:06:20 | 0:06:22 | |
We'll remember to frisk you. | 0:06:22 | 0:06:24 | |
Check my pockets, yes. | 0:06:24 | 0:06:26 | |
But, erm... | 0:06:26 | 0:06:27 | |
-..of course he could do something with it. -Yes. | 0:06:28 | 0:06:30 | |
It's strange for a young person to take over the running | 0:06:30 | 0:06:34 | |
of a place like this. | 0:06:34 | 0:06:36 | |
As long as they've got their wits about them, they can... | 0:06:36 | 0:06:39 | |
and get the right help, they can make it manage. | 0:06:39 | 0:06:41 | |
It makes you grow up quickly. | 0:06:41 | 0:06:42 | |
It makes you have to grow up quickly, yeah. | 0:06:42 | 0:06:44 | |
Whoever takes the reins will have to deal with whatever surprises | 0:06:49 | 0:06:53 | |
the farm, the hall and the cafe may throw at them. | 0:06:53 | 0:06:56 | |
Service, please! | 0:06:58 | 0:06:59 | |
Mmm! | 0:07:02 | 0:07:04 | |
Mmm! | 0:07:04 | 0:07:05 | |
Look at that Parmesan. | 0:07:05 | 0:07:07 | |
You're doing Parmesan sculpture. | 0:07:07 | 0:07:08 | |
Mmm. Mmm. | 0:07:08 | 0:07:12 | |
Oh, look at those. | 0:07:12 | 0:07:13 | |
That's a sign of autumn, isn't it? | 0:07:15 | 0:07:17 | |
The sticky toffee pudding. | 0:07:17 | 0:07:19 | |
Today, slap-bang in the middle of lunchtime service... | 0:07:19 | 0:07:23 | |
Two soup, 43, please. | 0:07:23 | 0:07:25 | |
..the water supply to the cafe has suddenly dried up. | 0:07:25 | 0:07:29 | |
We have no water. | 0:07:29 | 0:07:31 | |
The guys haven't enough pressure to actually run the machines, | 0:07:31 | 0:07:34 | |
so, on a busy lunch day, you just get a backlog of everything and | 0:07:34 | 0:07:37 | |
it slows everything down. | 0:07:37 | 0:07:38 | |
With panic setting in, Desmond heads for the pump room. | 0:07:43 | 0:07:46 | |
We have...water problems. | 0:07:46 | 0:07:50 | |
-So, absolutely nothing? -No pressure. | 0:07:51 | 0:07:53 | |
No pressure or no water? | 0:07:53 | 0:07:55 | |
No pressure, no water. | 0:07:55 | 0:07:56 | |
The cafe, the hall and the farm all rely on a free water supply | 0:07:58 | 0:08:03 | |
from an ancient well. | 0:08:03 | 0:08:05 | |
Well, it's jolly useful to have a good supply of water, | 0:08:05 | 0:08:09 | |
it's one of the most basic things. | 0:08:09 | 0:08:10 | |
It's nice to be independent, so we want to keep it going. | 0:08:10 | 0:08:13 | |
It's losing pressure going through this cycle, I think. | 0:08:13 | 0:08:17 | |
Desmond's very proud of his private water. He thinks... | 0:08:18 | 0:08:21 | |
And the private water makes delicious coffee at the cafe. | 0:08:21 | 0:08:26 | |
This takes nitrate out of the water. | 0:08:26 | 0:08:28 | |
This softens the water. | 0:08:28 | 0:08:29 | |
If Desmond's private supply fails permanently, | 0:08:31 | 0:08:35 | |
the cafe will be forced to connect with the mains - | 0:08:35 | 0:08:38 | |
a lengthy procedure costing thousands of pounds. | 0:08:38 | 0:08:41 | |
Will you go and see the cafe? | 0:08:41 | 0:08:43 | |
OK. Well, let's turn it off now. | 0:08:44 | 0:08:46 | |
Ah, that's gone up. | 0:08:50 | 0:08:52 | |
Perhaps there was an airlock? | 0:08:52 | 0:08:53 | |
Resetting the pump solves the problem - for now. | 0:08:55 | 0:08:59 | |
Well, that's good news. | 0:08:59 | 0:09:01 | |
There must have been a bit of an airlock. | 0:09:01 | 0:09:03 | |
As well as the supply becoming unreliable, Desmond's also worried | 0:09:06 | 0:09:10 | |
that the composition of the water is changing. | 0:09:10 | 0:09:13 | |
We have a concern. | 0:09:13 | 0:09:15 | |
It's now very corrosive. | 0:09:15 | 0:09:17 | |
Look, here, so corrosive. | 0:09:17 | 0:09:19 | |
Look. | 0:09:19 | 0:09:20 | |
It's turned this perfectly normal copper pipe to paper. | 0:09:20 | 0:09:25 | |
And then it makes a hole, so there's another problem. | 0:09:25 | 0:09:28 | |
Oh, God. | 0:09:28 | 0:09:29 | |
Despite these changes, the well water is filtered and regularly | 0:09:29 | 0:09:34 | |
tested and is still perfectly safe to drink. | 0:09:34 | 0:09:37 | |
Everything's more complicated than it used to be. | 0:09:37 | 0:09:41 | |
I wish we could go back to more primitive times. | 0:09:41 | 0:09:43 | |
Switching to mains water will be expensive, | 0:09:45 | 0:09:48 | |
so Desmond's hoping to find another solution. | 0:09:48 | 0:09:52 | |
We might be able to revive the other well. | 0:09:52 | 0:09:55 | |
-Oh, another well? -Mm. | 0:09:56 | 0:09:58 | |
-Where's that? -That's up there. | 0:10:00 | 0:10:01 | |
I'd love to try and revive the other well. | 0:10:01 | 0:10:05 | |
It may have a better quality of water. | 0:10:05 | 0:10:07 | |
Edmund! | 0:10:14 | 0:10:16 | |
There's something stinking in the hall and it's very fishy. | 0:10:16 | 0:10:20 | |
Edmund is back from university for a few days. | 0:10:21 | 0:10:25 | |
He's in bed. | 0:10:25 | 0:10:26 | |
Oh, hello. | 0:10:29 | 0:10:31 | |
Hello? | 0:10:32 | 0:10:33 | |
I think it's time to stir. | 0:10:37 | 0:10:39 | |
When home, he's put to work in the cafe and the gardens. | 0:10:44 | 0:10:48 | |
I'm slave labour. | 0:10:48 | 0:10:50 | |
Free labour as much as possible. | 0:10:50 | 0:10:53 | |
But it's his long-term plans that Desmond is interested in. | 0:10:54 | 0:10:59 | |
I changed from sociology to accounting and finance | 0:10:59 | 0:11:04 | |
just because it's more up my street, | 0:11:04 | 0:11:07 | |
and more... You can apply it to anything, any job, hopefully, | 0:11:07 | 0:11:12 | |
that I'd like to have in the future. | 0:11:12 | 0:11:14 | |
This house has bankrupted its owners in the past. | 0:11:17 | 0:11:21 | |
So, I'm aware of that, | 0:11:21 | 0:11:23 | |
and careful to look to the future and try and make the most of it. | 0:11:23 | 0:11:28 | |
You think you would like to come back to Norfolk? | 0:11:32 | 0:11:35 | |
-I mean, we do need to think long-term. -Yeah. | 0:11:35 | 0:11:38 | |
He is not a townie and he's actually | 0:11:38 | 0:11:41 | |
prepared to put his weight behind the tool. | 0:11:41 | 0:11:44 | |
So... And he's got good ideas. | 0:11:45 | 0:11:48 | |
-You could do the cash flow with me, Edmund. -Yes! | 0:11:48 | 0:11:52 | |
When's that happening? | 0:11:52 | 0:11:53 | |
Well, it's got to happen soon. | 0:11:53 | 0:11:55 | |
-Well, shall we have a go? -Yeah. | 0:11:55 | 0:11:57 | |
-OK. -In the columns - that would be good. | 0:11:57 | 0:11:59 | |
-Yeah, OK. -Yeah. | 0:11:59 | 0:12:00 | |
If Edmund decides to take on Wiveton Hall, | 0:12:07 | 0:12:11 | |
he'll be inheriting fruit and barley fields, pigs, chickens, | 0:12:11 | 0:12:15 | |
and the tradition of raising a few hundred pheasants | 0:12:15 | 0:12:18 | |
for the shooting season. | 0:12:18 | 0:12:19 | |
But, this autumn, there's a problem. | 0:12:20 | 0:12:23 | |
Rats are stealing food from the pheasant feeders. | 0:12:24 | 0:12:27 | |
The rat is very clever. | 0:12:27 | 0:12:29 | |
We live on the edge of the marshes so, wintertime, | 0:12:29 | 0:12:33 | |
water levels rise, | 0:12:33 | 0:12:35 | |
and the rats come in, um, to the higher ground. | 0:12:35 | 0:12:40 | |
Occasionally we go out at night and try and shoot them. | 0:12:40 | 0:12:44 | |
This is what used to be used. | 0:12:44 | 0:12:46 | |
You push this down and you set it, very, very tenderly. | 0:12:49 | 0:12:53 | |
And the rat runs along and... | 0:12:53 | 0:12:55 | |
Anyway, now... | 0:12:58 | 0:12:59 | |
..people clean them up and put them on the wall of pubs. | 0:13:00 | 0:13:03 | |
Edmund's bought an attachment for his gun to help deal with the rats. | 0:13:11 | 0:13:15 | |
I've got a new night sight, | 0:13:16 | 0:13:20 | |
and we're going to try and have a go at shooting some. | 0:13:20 | 0:13:24 | |
I've pestered Dad for years, years, to get one. | 0:13:25 | 0:13:28 | |
It's like Call Of Duty, really. | 0:13:31 | 0:13:32 | |
You can shoot at the bottle of wine on the table at night. | 0:13:32 | 0:13:36 | |
If you turn the lights off. | 0:13:37 | 0:13:39 | |
Dad, look. Have a go. | 0:13:39 | 0:13:41 | |
Oh, my God. | 0:13:41 | 0:13:42 | |
OK, check it's open. | 0:13:42 | 0:13:43 | |
I've got the wrong glasses on. | 0:13:46 | 0:13:48 | |
-No. -Oh. -No! | 0:13:48 | 0:13:49 | |
There's a telly screen, Dad. | 0:13:49 | 0:13:51 | |
I see. | 0:13:51 | 0:13:52 | |
It's a very unusual way of shooting. | 0:13:52 | 0:13:54 | |
Look at the telly. | 0:13:54 | 0:13:56 | |
How exciting. | 0:13:56 | 0:13:57 | |
Don't shoot Rowley, please. | 0:13:57 | 0:13:59 | |
-No, he wouldn't. -Oh, my God. | 0:13:59 | 0:14:01 | |
Quick! | 0:14:02 | 0:14:03 | |
You can see, they're lurking in the bushes. | 0:14:04 | 0:14:06 | |
Sh! | 0:14:06 | 0:14:08 | |
We want to just see what they look like, identify them as creatures. | 0:14:09 | 0:14:13 | |
-Oh, there's a pheasant? -What? | 0:14:13 | 0:14:14 | |
-I'm not sure what it is. -Let's have look. | 0:14:15 | 0:14:17 | |
There! | 0:14:17 | 0:14:19 | |
-Oh, yes! -What is it? | 0:14:20 | 0:14:22 | |
Pheasant. | 0:14:22 | 0:14:23 | |
There we are. Let's go and catch one. | 0:14:25 | 0:14:26 | |
On a rat shoot, stealth is vital. | 0:14:28 | 0:14:31 | |
DOOR ALARM BEEPS | 0:14:33 | 0:14:35 | |
Ruddy hell! | 0:14:41 | 0:14:43 | |
-I can't see anything. -Well, wait, cos you... | 0:14:46 | 0:14:48 | |
Your lights are on, Dad. | 0:14:48 | 0:14:50 | |
-I mean, that just completely defeats the point. -OK. | 0:14:50 | 0:14:53 | |
I need a night sight to drive with! | 0:14:55 | 0:14:57 | |
We need goggles! | 0:14:57 | 0:14:58 | |
Stop, Dad, stop, stop. | 0:14:58 | 0:15:00 | |
-Look at the rabbits. -Where? | 0:15:00 | 0:15:02 | |
There! Just stop! Stop, stop. | 0:15:02 | 0:15:04 | |
Lights off, Dad, lights off. | 0:15:04 | 0:15:06 | |
We're not quite experienced night-sighters yet. | 0:15:06 | 0:15:08 | |
We're not experienced night-sighters. Now, look here. | 0:15:08 | 0:15:12 | |
This is where the rat holes are. | 0:15:13 | 0:15:15 | |
Yeah. | 0:15:15 | 0:15:17 | |
There are a lot along the edge of the field. | 0:15:17 | 0:15:20 | |
It's like looking for the Siberian tiger. | 0:15:20 | 0:15:23 | |
There it is. Now, stop, stop, stop. | 0:15:23 | 0:15:25 | |
What's that there? | 0:15:26 | 0:15:27 | |
Oh, look, there he is. There he is. | 0:15:29 | 0:15:31 | |
Yeah. | 0:15:31 | 0:15:33 | |
How exciting. | 0:15:33 | 0:15:34 | |
Shoot it now. | 0:15:38 | 0:15:39 | |
-Yes! -Yes! | 0:15:40 | 0:15:42 | |
Let's go and get it. | 0:15:43 | 0:15:45 | |
Here's the torch. | 0:15:45 | 0:15:46 | |
-Here's the torch, Edmund. -Yeah. | 0:15:46 | 0:15:48 | |
Oh, it's massive. | 0:15:48 | 0:15:49 | |
What?! | 0:15:53 | 0:15:54 | |
Look at that. | 0:15:56 | 0:15:57 | |
Bring it back, Edmund. | 0:15:57 | 0:15:59 | |
Urgh! | 0:15:59 | 0:16:00 | |
Bring it back. | 0:16:01 | 0:16:03 | |
We got the bastard. | 0:16:03 | 0:16:04 | |
Oh, God, how revolting. | 0:16:05 | 0:16:07 | |
That is a bull brown rat. | 0:16:07 | 0:16:09 | |
Now, put him on the hedge. | 0:16:09 | 0:16:11 | |
On top of the hedge, and then something, a creature, will eat him. | 0:16:11 | 0:16:15 | |
Ugh! Rat juice on the bonnet. | 0:16:15 | 0:16:16 | |
Look. | 0:16:24 | 0:16:25 | |
That's a nice sight. | 0:16:25 | 0:16:27 | |
Here they come. | 0:16:27 | 0:16:28 | |
After his father died, as the male heir, Desmond inherited the whole | 0:16:30 | 0:16:34 | |
of Wiveton Hall Farm. | 0:16:34 | 0:16:36 | |
They have, you know, rather a good life, | 0:16:37 | 0:16:40 | |
but then they do end up bacon. | 0:16:40 | 0:16:42 | |
His creative older sister, Mary, chose a different path. | 0:16:44 | 0:16:49 | |
I mean, I'm very glad it didn't land on my shoulders. | 0:16:49 | 0:16:52 | |
Not sure that I'd have been able to cope with it. | 0:16:52 | 0:16:55 | |
I'd have turned it into something, I don't know, | 0:16:55 | 0:16:58 | |
quite different, perhaps. | 0:16:58 | 0:17:00 | |
I might have turned it into a hippie commune in those days. | 0:17:00 | 0:17:04 | |
The next in line is Edmund. | 0:17:05 | 0:17:07 | |
And, you know, he loves it, | 0:17:07 | 0:17:10 | |
but it's a huge burden... | 0:17:10 | 0:17:13 | |
..and we'll just have to see. | 0:17:14 | 0:17:15 | |
If Edmund does take over, | 0:17:17 | 0:17:19 | |
he will inherit a business with hundreds of thousands of pounds | 0:17:19 | 0:17:22 | |
worth of debt. | 0:17:22 | 0:17:24 | |
This is where we have massive overheads. | 0:17:24 | 0:17:26 | |
Understanding the finances is key, | 0:17:27 | 0:17:30 | |
so Kim is taking him through the cash flow. | 0:17:30 | 0:17:33 | |
Your dad wants to consolidate the debt that's there at the moment. | 0:17:33 | 0:17:37 | |
So, what we have to do is predict... | 0:17:37 | 0:17:41 | |
What you think... What you think is going to happen. | 0:17:41 | 0:17:43 | |
You've got a cafe, cottages, shop, | 0:17:43 | 0:17:46 | |
farm - stall and deliveries we don't even do. | 0:17:46 | 0:17:49 | |
That doesn't happen any more? | 0:17:49 | 0:17:50 | |
Not really. Then the rental is Noel, Francis and your grandma | 0:17:50 | 0:17:54 | |
in the rented properties. They pay rent. | 0:17:54 | 0:17:56 | |
Does Granny pay rent? | 0:17:56 | 0:17:58 | |
Should does pay rent. | 0:17:58 | 0:17:59 | |
Bastard! | 0:17:59 | 0:18:00 | |
We need to know... | 0:18:03 | 0:18:04 | |
..what's ahead. Where does he want it to go? | 0:18:06 | 0:18:09 | |
And, actually, it's a conversation for Edmund and Desmond, really. | 0:18:09 | 0:18:13 | |
It's a succession issue. | 0:18:14 | 0:18:16 | |
-A lot of pressure. -Come back in ten years. | 0:18:16 | 0:18:18 | |
If I want to have a job, it's not fair. | 0:18:18 | 0:18:19 | |
No, of course not. | 0:18:19 | 0:18:20 | |
And that's why it's an important conversation for you two to have. | 0:18:20 | 0:18:24 | |
Dad may decide to give it to Isabel. | 0:18:24 | 0:18:26 | |
Yeah. There's always that. | 0:18:26 | 0:18:27 | |
That's always an option. May cut me out. | 0:18:27 | 0:18:29 | |
That's just to make you behave while you're at uni. | 0:18:29 | 0:18:31 | |
That's just a threat. | 0:18:33 | 0:18:34 | |
Oh, thank you, Isabel, for coming. | 0:18:40 | 0:18:43 | |
Have you got your farming shoes on? | 0:18:43 | 0:18:45 | |
Desmond's younger child, Isabel, could also inherit Wiveton. | 0:18:45 | 0:18:49 | |
But, so far, she's followed her Aunt Mary to art school in London. | 0:18:49 | 0:18:54 | |
Gently, gently, gently. | 0:18:54 | 0:18:55 | |
Isabel, well, she must find out what she's good at. | 0:18:55 | 0:18:58 | |
There, well done. | 0:18:58 | 0:19:00 | |
Every family situation, | 0:19:00 | 0:19:02 | |
their children are heirs to the thrones in different ways. | 0:19:02 | 0:19:05 | |
And, so, of course... | 0:19:05 | 0:19:08 | |
But, one mustn't put expectations on. | 0:19:08 | 0:19:11 | |
Today, she's back, helping her father to move some pigs | 0:19:11 | 0:19:15 | |
and keeping him company. | 0:19:15 | 0:19:17 | |
Yeah, he doesn't like being alone. | 0:19:17 | 0:19:18 | |
He has to have someone to play with. | 0:19:20 | 0:19:21 | |
Shall we put it in the third snotch? | 0:19:23 | 0:19:26 | |
I think it's called a snotch. | 0:19:26 | 0:19:28 | |
This is farming the old ways. | 0:19:32 | 0:19:35 | |
Oh, Teddy's here! | 0:19:37 | 0:19:39 | |
Teddy's come to help. | 0:19:39 | 0:19:41 | |
I think I need a hammer. | 0:19:41 | 0:19:42 | |
We need a hammer, we need the cable, we need the hut. | 0:19:44 | 0:19:48 | |
Come on. Leave that, you're not tired yet. | 0:19:48 | 0:19:50 | |
Because we do need help. | 0:19:52 | 0:19:54 | |
It may not be your thing, but when the world changes... | 0:19:54 | 0:19:57 | |
..who knows what we might have to do? | 0:19:59 | 0:20:01 | |
We might be servants to some Japanese mogul. | 0:20:01 | 0:20:04 | |
COCK CROWS | 0:20:09 | 0:20:10 | |
I think a little stirrup cup, don't you? | 0:20:11 | 0:20:13 | |
Mmm! | 0:20:15 | 0:20:16 | |
Oh, so good. | 0:20:16 | 0:20:18 | |
A little port. | 0:20:18 | 0:20:20 | |
The water supply from the well is still causing problems for the cafe, | 0:20:23 | 0:20:27 | |
so Desmond's on the hunt for a new supply, | 0:20:27 | 0:20:30 | |
which could save him thousands of pounds. | 0:20:30 | 0:20:33 | |
We've got another old well here. | 0:20:33 | 0:20:36 | |
It's from a different source in the strata, it's from the gravel | 0:20:36 | 0:20:39 | |
rather than the chalk. | 0:20:39 | 0:20:40 | |
We'll get the ladder out first. | 0:20:40 | 0:20:42 | |
If we can get it working, and there's a good enough supply, | 0:20:42 | 0:20:46 | |
it will save a lot of money by not having to pay the water authority. | 0:20:46 | 0:20:53 | |
But, first, a sample of water must be gathered for analysis. | 0:20:53 | 0:20:56 | |
You told me you did some cave-diving in your youth. | 0:20:56 | 0:21:00 | |
-I did. -It's going to come in handy. | 0:21:00 | 0:21:03 | |
He's roped in his gardening team, Peter and Beamish, to help. | 0:21:03 | 0:21:07 | |
-You loved cave-diving, didn't you? -Yeah. | 0:21:07 | 0:21:10 | |
I'd like you to get a hosepipe from here. | 0:21:11 | 0:21:13 | |
You know where to go, don't you? | 0:21:15 | 0:21:17 | |
Just up there and to the left. | 0:21:17 | 0:21:18 | |
That's the air supply for you, Peter. | 0:21:20 | 0:21:23 | |
I don't believe I'm going down there, Desmond, please? | 0:21:24 | 0:21:27 | |
I would go down, but I've done something to myself. | 0:21:27 | 0:21:30 | |
You are walking a bit strange. | 0:21:31 | 0:21:32 | |
I know. | 0:21:32 | 0:21:34 | |
If the water in the well is drinkable, | 0:21:34 | 0:21:36 | |
it could be the answer to Desmond's water supply problems. | 0:21:36 | 0:21:39 | |
First rule is... | 0:21:39 | 0:21:41 | |
..do not fall down the well. | 0:21:42 | 0:21:45 | |
Now... | 0:21:45 | 0:21:47 | |
This is an old well. | 0:21:48 | 0:21:50 | |
I think medieval. | 0:21:50 | 0:21:52 | |
Oh, call the dog away. Bloody stupid dog. | 0:21:52 | 0:21:55 | |
And the idea is to revitalise the well to try and get a new | 0:21:55 | 0:21:59 | |
and vibrant supply of water. | 0:21:59 | 0:22:01 | |
Good God! | 0:22:04 | 0:22:06 | |
Look at that mouse! Look. | 0:22:06 | 0:22:07 | |
Don't you go in there! | 0:22:09 | 0:22:10 | |
You lunatic! | 0:22:10 | 0:22:12 | |
-Now, don't mess about, OK? -OK. | 0:22:12 | 0:22:14 | |
Pay attention. Make that dog sit. | 0:22:14 | 0:22:17 | |
We've disturbed his home. | 0:22:17 | 0:22:18 | |
-Now, look, we'll lower the ladder down. -Eh? | 0:22:20 | 0:22:22 | |
You won't get that down there, Desmond, that's 50 foot! | 0:22:22 | 0:22:25 | |
Will we not? Is it too deep? | 0:22:25 | 0:22:26 | |
What you want to get is a plumb line. | 0:22:26 | 0:22:28 | |
Just drop it in and then measure the rope. | 0:22:28 | 0:22:29 | |
OK, well, get the water sample anyway. | 0:22:29 | 0:22:31 | |
Call the bloody dog away! Go on! | 0:22:31 | 0:22:34 | |
-Now, what we're doing, Beamish... -Yep. | 0:22:35 | 0:22:38 | |
..we'll bring it up. You will take the first sip. | 0:22:38 | 0:22:41 | |
Don't break the bottle! | 0:22:42 | 0:22:44 | |
And will you get the ladder across there, please? | 0:22:44 | 0:22:46 | |
Lay it across the middle of the thing. | 0:22:46 | 0:22:48 | |
Yeah, well, he's in the way, isn't he? | 0:22:48 | 0:22:50 | |
OK, lovely, there. | 0:22:50 | 0:22:52 | |
Oh, you didn't get much. | 0:22:52 | 0:22:53 | |
Well, look at that. That's clear as... | 0:22:55 | 0:22:58 | |
Absolutely perfect. | 0:22:58 | 0:22:59 | |
No, no, no! | 0:23:01 | 0:23:02 | |
Fine. | 0:23:05 | 0:23:07 | |
Not bad. Try it. | 0:23:07 | 0:23:08 | |
I think I might pass. | 0:23:09 | 0:23:10 | |
It's all right, here. | 0:23:10 | 0:23:12 | |
Shall we get another one? | 0:23:12 | 0:23:13 | |
Peter, don't... | 0:23:16 | 0:23:17 | |
Spit it out. | 0:23:17 | 0:23:18 | |
Very good. Not salty. | 0:23:20 | 0:23:22 | |
Shall we get another test, Peter? | 0:23:23 | 0:23:25 | |
We want to get the whole thing filled. | 0:23:25 | 0:23:27 | |
-If you put the ladder through. -Tastes all right. | 0:23:27 | 0:23:29 | |
Proper sample. | 0:23:29 | 0:23:31 | |
The water sample will be sent off for testing. | 0:23:31 | 0:23:34 | |
It'll be a few weeks before Desmond finds out whether it's safe to use. | 0:23:34 | 0:23:38 | |
Thank you, Beamish. | 0:23:38 | 0:23:39 | |
We've got a snail. We've got... | 0:23:39 | 0:23:41 | |
..twigs. | 0:23:43 | 0:23:44 | |
It's not bad. | 0:23:44 | 0:23:45 | |
It's quite medieval looking. | 0:23:46 | 0:23:48 | |
Slightly, erm, slightly cloudy and there are foreign bodies. | 0:23:48 | 0:23:52 | |
I hope I don't feel ill later. | 0:23:52 | 0:23:55 | |
If Peter and I keel over and Beamish doesn't, | 0:23:55 | 0:23:59 | |
we'll know there's something funny. | 0:23:59 | 0:24:01 | |
That is amazing. | 0:24:08 | 0:24:09 | |
That's like a farm duck. | 0:24:10 | 0:24:11 | |
They are a little bit furry, | 0:24:11 | 0:24:13 | |
but if we'd had more time we'd have singed them. | 0:24:13 | 0:24:15 | |
Desmond's organised a send-off dinner for Edmund, | 0:24:15 | 0:24:18 | |
who is returning to university. | 0:24:18 | 0:24:20 | |
Wild duck, shot this morning on the marsh, is on the menu. | 0:24:20 | 0:24:24 | |
Don't think you need bacon. There's so much fat on the duck. | 0:24:24 | 0:24:28 | |
You have orange or not? | 0:24:28 | 0:24:29 | |
Oh, I love orange, yes. | 0:24:29 | 0:24:31 | |
Cos it sort of cuts the grease. | 0:24:31 | 0:24:33 | |
And adds a little sharpness to it. | 0:24:33 | 0:24:35 | |
Canard a l'orange. | 0:24:35 | 0:24:38 | |
OK. | 0:24:40 | 0:24:41 | |
After the cookery lesson, they are joined by some close friends. | 0:24:41 | 0:24:45 | |
I'm very well, nice to see you. | 0:24:45 | 0:24:47 | |
I've got Mr Snodgrass coming this evening. | 0:24:47 | 0:24:50 | |
Mr Snodgrass and Mr Clutterbuck. | 0:24:50 | 0:24:53 | |
-You're on safari? -Safari, yes! | 0:24:53 | 0:24:55 | |
As you say, you couldn't make it up. | 0:24:57 | 0:24:58 | |
Don't push me away. | 0:25:00 | 0:25:02 | |
'Mr Snodgrass, he's enormous,' | 0:25:03 | 0:25:05 | |
so he likes coming here cos there's plenty of room. | 0:25:05 | 0:25:07 | |
And then Guy, who is Mr Clutterbuck, | 0:25:09 | 0:25:12 | |
said he'd bring what he called refreshment. | 0:25:12 | 0:25:14 | |
So, that's good. | 0:25:15 | 0:25:17 | |
We'll toast happy birthday to Edmund. | 0:25:17 | 0:25:19 | |
Happy birthday. | 0:25:19 | 0:25:20 | |
-21st. -When? | 0:25:20 | 0:25:22 | |
Last September! | 0:25:22 | 0:25:24 | |
LAUGHTER | 0:25:24 | 0:25:25 | |
That's good enough, isn't it? | 0:25:25 | 0:25:27 | |
What shall we have? | 0:25:29 | 0:25:30 | |
-A bit of mallard? -Mallard, yeah. | 0:25:30 | 0:25:33 | |
Mallard. | 0:25:33 | 0:25:34 | |
Widgeon, teal... | 0:25:34 | 0:25:36 | |
Or porcupine? | 0:25:36 | 0:25:38 | |
-I'll do without the porcupine. -No, have a bit of porcupine. | 0:25:39 | 0:25:42 | |
Oh, how exciting. I'm not waiting for anyone. | 0:25:42 | 0:25:45 | |
First duck of the season. First bit of creature to be eaten. | 0:25:46 | 0:25:50 | |
This is absolutely delicious. | 0:25:52 | 0:25:53 | |
Mmm, really good. | 0:25:53 | 0:25:56 | |
The secret to this is resting it, Edmund, well done. | 0:25:57 | 0:25:59 | |
It's not too hard. | 0:25:59 | 0:26:00 | |
I mean, he's going to university, | 0:26:05 | 0:26:07 | |
and there's some lovely girls in Northumberland. | 0:26:07 | 0:26:10 | |
-You know why there are beautiful girls in Northumberland? -Why? | 0:26:10 | 0:26:13 | |
There's a great genetic combo. | 0:26:13 | 0:26:15 | |
Because there's Irish from the shipbuilders | 0:26:15 | 0:26:17 | |
and the Vikings, the Scandinavians. | 0:26:17 | 0:26:20 | |
Edmund's future at Wiveton Hall is still uncertain but, one day, | 0:26:27 | 0:26:33 | |
he will need to decide whether to follow in his father's footsteps. | 0:26:33 | 0:26:37 | |
That was a borrowed, very nice tweed coat. | 0:26:38 | 0:26:41 | |
Look at the old cars. | 0:26:43 | 0:26:44 | |
Me. That's tidy. | 0:26:45 | 0:26:47 | |
Nice tweed jacket. | 0:26:47 | 0:26:49 | |
Is that you in bed? | 0:26:49 | 0:26:50 | |
-Yes. -What is on your face? | 0:26:50 | 0:26:52 | |
That's fur! | 0:26:52 | 0:26:53 | |
That's horrible. | 0:26:53 | 0:26:54 | |
Time flies. | 0:26:54 | 0:26:57 | |
What do you want to Edmund to do? | 0:26:59 | 0:27:01 | |
Oh, the cliche is, oh, he wants to be happy. | 0:27:01 | 0:27:05 | |
Anyway, I think happiness is massively overrated. | 0:27:06 | 0:27:09 | |
What's wrong, Teddy? | 0:27:12 | 0:27:13 | |
I think he knows I'm going. | 0:27:13 | 0:27:15 | |
He always gets a bit sad. | 0:27:15 | 0:27:17 | |
He gets lonely. | 0:27:17 | 0:27:19 | |
I'm not going to come back here for at least 20 years. | 0:27:20 | 0:27:24 | |
Well, if we can get 20 years out of Dad. | 0:27:24 | 0:27:27 | |
We'll see. | 0:27:27 | 0:27:29 | |
If he can hack it till 80. | 0:27:29 | 0:27:30 | |
I need some shirts. | 0:27:33 | 0:27:34 | |
We're quickly raiding Dad's wardrobe. | 0:27:36 | 0:27:40 | |
We'll wait and see. | 0:27:40 | 0:27:41 | |
We'll wait and see. | 0:27:42 | 0:27:44 | |
I'd like to think I've still got a little bit of life | 0:27:44 | 0:27:47 | |
in the old dog yet. | 0:27:47 | 0:27:48 | |
All done. | 0:27:50 | 0:27:52 | |
I would be cheesed off if I make it over to him, | 0:27:52 | 0:27:55 | |
the moment it's his, he sells and | 0:27:55 | 0:27:58 | |
turns it into a golf course. | 0:27:58 | 0:28:00 | |
Next time... | 0:28:05 | 0:28:06 | |
Oh, my God. | 0:28:06 | 0:28:08 | |
..Desmond's rape crop comes under attack. | 0:28:08 | 0:28:10 | |
It's quite an effort getting rid of these pigeons. | 0:28:11 | 0:28:14 | |
His girlfriend joins him for an evening. | 0:28:14 | 0:28:16 | |
Oh, Jesus! | 0:28:16 | 0:28:18 | |
..with the pigs. SNORTING | 0:28:18 | 0:28:20 | |
The pigs are looking well, aren't they? | 0:28:20 | 0:28:22 | |
And Desmond celebrates his 60th birthday... | 0:28:22 | 0:28:26 | |
Oh, my God! | 0:28:26 | 0:28:27 | |
..in style. | 0:28:27 | 0:28:29 | |
Welcome to the Swinging '60s. | 0:28:29 | 0:28:30 | |
CHAMPAGNE CORK POPS | 0:28:30 | 0:28:32 | |
It is terribly important to have a good time. | 0:28:32 | 0:28:34 |