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On this week's programme, myself and young Adam try our hand at fishing. | 0:00:09 | 0:00:13 | |
You're cloddin' her rightly! | 0:00:13 | 0:00:17 | |
I call it throwing, Anne. Not cloddin'! | 0:00:17 | 0:00:20 | |
Andy Mattison finds out | 0:00:20 | 0:00:21 | |
the importance of a surname at Hanna's Close. | 0:00:21 | 0:00:24 | |
This place is called Hanna's Close | 0:00:24 | 0:00:26 | |
and, of course, you had to be a Hanna to live in Hanna's Close. Why? | 0:00:26 | 0:00:30 | |
Mark Wilson's musical journey | 0:00:30 | 0:00:32 | |
continues at the Cowal Gathering in Dunoon. | 0:00:32 | 0:00:34 | |
This is something that's in the blood of the Ulster-Scots. | 0:00:34 | 0:00:38 | |
It's there for centuries. | 0:00:38 | 0:00:40 | |
And Wilson Burgess falls in with a wheen o' men from the north coast | 0:00:40 | 0:00:43 | |
that make the trip to the Somme brave and often. | 0:00:43 | 0:00:46 | |
There's 959 cemeteries. | 0:00:46 | 0:00:49 | |
So when we take people out to try and find their graves, | 0:00:49 | 0:00:52 | |
it's an enormous task. | 0:00:52 | 0:00:54 | |
But just before all that, | 0:01:02 | 0:01:04 | |
here's Scad The Beggar with a tune on the fife and the dulcimer. | 0:01:04 | 0:01:07 | |
The South Antrim Fishing Festival | 0:02:13 | 0:02:15 | |
was held for the first time this year, | 0:02:15 | 0:02:17 | |
and opportunities were provided for novices, | 0:02:17 | 0:02:20 | |
both young and old, to try their hand at angling. | 0:02:20 | 0:02:22 | |
-So, Adam, are you from the Glynn near Larne? -Aye. | 0:02:24 | 0:02:27 | |
-And what age are you? -Em, 11. | 0:02:27 | 0:02:29 | |
-You recently took up fishing? -Yeah. I haven't been doing that much, though. | 0:02:29 | 0:02:33 | |
Did I hear right that you haven't caught many fish yet? | 0:02:33 | 0:02:35 | |
-No, I haven't caught any. -Have you not? | 0:02:35 | 0:02:38 | |
We're here today at Tildarg Fishery | 0:02:38 | 0:02:40 | |
and I've brought a friend of mine along to see if he could | 0:02:40 | 0:02:43 | |
maybe teach the both of us how to catch at least one fish | 0:02:43 | 0:02:46 | |
-before we go home. -Aye, let's hope so. | 0:02:46 | 0:02:48 | |
-Would you half it with me if you caught one? -Aye. Would you half it with me if you got one? | 0:02:48 | 0:02:52 | |
I will, I promise. | 0:02:52 | 0:02:54 | |
Well, Adam, do you fish with baits or flies or...? | 0:02:58 | 0:03:01 | |
-Fly and baits. -And worms? -Aye, worms. | 0:03:01 | 0:03:05 | |
Do you use any of these flies? | 0:03:05 | 0:03:08 | |
-No. -These are all for this type of fishing. | 0:03:08 | 0:03:11 | |
-You fish the river, don't you? -Aye. | 0:03:11 | 0:03:13 | |
Yes, the fly we're going to use now is this - cat's whisker. | 0:03:13 | 0:03:17 | |
One, two, three. One, two, three. | 0:03:17 | 0:03:21 | |
One, two, three. | 0:03:21 | 0:03:23 | |
-That's a boy. You're getting the hang of it now, Adam. -I know. | 0:03:23 | 0:03:26 | |
You'll catch a fish shortly. | 0:03:26 | 0:03:28 | |
Walking down here, I was looking at you and looking at myself | 0:03:29 | 0:03:32 | |
and I don't think I'm geared up for this fishing at all. | 0:03:32 | 0:03:35 | |
HE LAUGHS | 0:03:35 | 0:03:37 | |
Anne, they're not fishing wellies - they're stepping-out wellies. | 0:03:37 | 0:03:40 | |
They're Ascot wellies, Anne. | 0:03:40 | 0:03:42 | |
-How are you getting on, Adam? -Eh, well. | 0:03:42 | 0:03:45 | |
-Are you getting on well? -Aye. -Good boy, just keep at it. -Aye. | 0:03:45 | 0:03:48 | |
You're cloddin' her rightly! | 0:03:49 | 0:03:52 | |
I call it throwing, Anne. not cloddin'! | 0:03:52 | 0:03:56 | |
-Here, Anne. Try that there. -With my gloves? -No, Anne. | 0:03:56 | 0:04:00 | |
You need them gloves off. How can you feel? Give me them things. | 0:04:00 | 0:04:03 | |
Sorry, Nigel. | 0:04:04 | 0:04:06 | |
-You're doing not too bad. -I think so. | 0:04:06 | 0:04:09 | |
You'd make a good fisherwoman. | 0:04:09 | 0:04:10 | |
So, we just stand here then, really? You just stand and wait? | 0:04:10 | 0:04:13 | |
Aye, more or less, Anne. | 0:04:13 | 0:04:15 | |
-But that's no use! You need to keep working those flies. -Oh, you've got to keep doing it? | 0:04:16 | 0:04:21 | |
That's it. A figure of eight, just round and round. | 0:04:21 | 0:04:25 | |
You see the eight, Adam? | 0:04:25 | 0:04:26 | |
Why do you not just have to pull it up in your hand? | 0:04:26 | 0:04:29 | |
Well, you can just loop it. Every angler will tell you - | 0:04:29 | 0:04:32 | |
it's a figure of eight. | 0:04:32 | 0:04:34 | |
One, two, three. | 0:04:34 | 0:04:36 | |
One, two, three. That's it, Anne. Hey! | 0:04:36 | 0:04:40 | |
THEY LAUGH | 0:04:40 | 0:04:41 | |
First class! | 0:04:41 | 0:04:43 | |
One, two, three. That's it. | 0:04:43 | 0:04:46 | |
Look at that! Straight. | 0:04:46 | 0:04:47 | |
Nigel, I've caught one. What will I do now? | 0:04:47 | 0:04:50 | |
-What is that? -That's a rainbow. -A rainbow trout? | 0:04:54 | 0:04:58 | |
-He'll be all right then after that? -Aye. -You just put him back in? -Aye, you return it. | 0:04:58 | 0:05:02 | |
Wild brown trout and salmon, you return them. | 0:05:02 | 0:05:04 | |
And there he is, back in the water as good as new. | 0:05:04 | 0:05:08 | |
One, two, three. One, two, three. | 0:05:10 | 0:05:14 | |
But, you know, to me sometimes it's a wild long day for nothing | 0:05:14 | 0:05:17 | |
-if your trophy's just maybe one fish, a wee brown trout or something. -That's right. | 0:05:17 | 0:05:22 | |
Although it's quere packing and I must say there's nothing wrong with a trout. | 0:05:22 | 0:05:25 | |
Oh, it's a great pastime and a trout's nice to eat. | 0:05:25 | 0:05:28 | |
I've got one! | 0:05:28 | 0:05:30 | |
Just reel it up nice and easy, Adam. Go on, go on. | 0:05:32 | 0:05:34 | |
-Oh, is this another one, is it? A rainbow trout? -Yeah. | 0:05:34 | 0:05:38 | |
Right, I'll go and net it for you here. | 0:05:38 | 0:05:41 | |
-Go on! -That's it. Come on, Adam. | 0:05:41 | 0:05:44 | |
-Reel it in, harder. -Oh! | 0:05:44 | 0:05:46 | |
What is it, Nigel? What's gone wrong? | 0:05:46 | 0:05:48 | |
-The fish has took his fly. -Were we too slow, I wonder? | 0:05:48 | 0:05:51 | |
Need another bit of teaching from Nigel, I think. | 0:05:51 | 0:05:53 | |
It's away with your fly, Anne. Look. | 0:05:53 | 0:05:55 | |
So, Adam, all the fishing you did, you never caught a fish before, | 0:05:55 | 0:05:59 | |
and the one you did catch ate the fly and is away. | 0:05:59 | 0:06:01 | |
-Stupid fish! -Are you scunnered with fishing or will you stick at it? | 0:06:01 | 0:06:05 | |
-Aye, I'm going to stay at it. -Good. -Good boy. | 0:06:05 | 0:06:08 | |
-Try and try again. -So, I'm going to have to go to the fish-man to get a bit of fish for my tea. | 0:06:08 | 0:06:12 | |
-I think you'll maybe carry on without me, eh? -Aye. | 0:06:12 | 0:06:15 | |
-Well, Adam, will we stay and fish on? -Yup. -Good boy. | 0:06:15 | 0:06:17 | |
-Enjoy yourselves. -Right, Adam, let's go. -Aye. | 0:06:17 | 0:06:20 | |
In this series, we have been looking at how a word in English | 0:06:26 | 0:06:29 | |
can have two or three different meanings in Ulster-Scots. | 0:06:29 | 0:06:32 | |
This week, Liam Logan and Gary Blair take a look at the word "one". | 0:06:32 | 0:06:36 | |
One of my favourite words in Ulster-Scots is "yin" - | 0:06:38 | 0:06:42 | |
the equivalent of "one". | 0:06:42 | 0:06:44 | |
-And it would be used quite often as a number. -Aye. | 0:06:46 | 0:06:50 | |
But you'd occasionally use it as a concept. | 0:06:50 | 0:06:52 | |
-You'd say, "Oh, boy, thon was a big yin." -Aye. | 0:06:52 | 0:06:55 | |
-And that would be something extraordinary. -Really big news. | 0:06:55 | 0:06:58 | |
-Big news. -Or you could "tell a big yin." -Which would be a big lie. -Aye. | 0:06:58 | 0:07:02 | |
-Which you wouldn't do ever, Gary, now? -Oh, no. | 0:07:02 | 0:07:05 | |
If I was to say I never did, that would be a big yin in itself. | 0:07:05 | 0:07:09 | |
They tell a story up our country | 0:07:09 | 0:07:11 | |
about two American airmen that were over here during the war. | 0:07:11 | 0:07:14 | |
And they were out on a training mission | 0:07:14 | 0:07:17 | |
and they got lost in the fog in bad weather | 0:07:17 | 0:07:19 | |
and eventually they ran out of fuel and they had to put the plane down. | 0:07:19 | 0:07:23 | |
They didn't know where they were, | 0:07:23 | 0:07:25 | |
they didn't know what country they were in, nothing. | 0:07:25 | 0:07:28 | |
And they saw a boy fishing, and one American says to the other boy, | 0:07:28 | 0:07:31 | |
he says, "I'll go down and engage him in conversation," he says. | 0:07:31 | 0:07:34 | |
"And when I have a word with him," he says, "I'll be able | 0:07:34 | 0:07:38 | |
"to determine where we are by the way he responds to my conversation." | 0:07:38 | 0:07:42 | |
So he wandered down to the boy and he says, "Have you caught any?" | 0:07:42 | 0:07:46 | |
And the wee fella looked at him and he says, "Yin young yin." | 0:07:46 | 0:07:49 | |
He climbed back up the mountain to his mate and says, | 0:07:49 | 0:07:52 | |
"My God, we're in trouble. | 0:07:52 | 0:07:54 | |
"We have landed in China." | 0:07:54 | 0:07:56 | |
HE LAUGHS | 0:07:56 | 0:07:58 | |
Mark Wilson's brave | 0:08:05 | 0:08:06 | |
and well into his musical journey now across Scotland. | 0:08:06 | 0:08:09 | |
We'll take up with him this week where he's heading north to Dunoon. | 0:08:09 | 0:08:12 | |
My musical journey which started in Carlisle | 0:08:27 | 0:08:30 | |
took me through the Border region to Portpatrick. | 0:08:30 | 0:08:33 | |
Now I've turned north up the Ayrshire coastline | 0:08:33 | 0:08:35 | |
towards Greenock, to catch this ferry to Dunoon. | 0:08:35 | 0:08:38 | |
This wee journey takes me back in time. | 0:08:44 | 0:08:47 | |
Back to some very happy memories when, on the last weekend in August, | 0:08:47 | 0:08:52 | |
myself and hundreds of Ulster-Scots like me | 0:08:52 | 0:08:54 | |
crossed this little bit of the Firth of Clyde | 0:08:54 | 0:08:57 | |
heading for the town of Dunoon on the Cowal Peninsula | 0:08:57 | 0:09:01 | |
to the famous Cowal Games. | 0:09:01 | 0:09:03 | |
And they're still going today. | 0:09:03 | 0:09:05 | |
BAGPIPES | 0:09:05 | 0:09:07 | |
While the Lowland Pipes may have provided some of the original music of the Ulster-Scots, | 0:09:12 | 0:09:16 | |
today the most favoured and famous instrument of the Ulster-Scots | 0:09:16 | 0:09:20 | |
is the Great Highland Bagpipe. | 0:09:20 | 0:09:23 | |
But this association with the bagpipe in Ulster is nothing new. | 0:09:23 | 0:09:28 | |
It goes back centuries. Back even before the Plantation of Ulster. | 0:09:28 | 0:09:32 | |
All the top solo pipers here in Scotland trace their piping ancestry | 0:09:32 | 0:09:36 | |
back to the famous McCrimmon Family from the Isle of Skye. | 0:09:36 | 0:09:40 | |
But the McCrimmons came to Ireland - and more specifically Ulster - | 0:09:40 | 0:09:44 | |
to learn music. | 0:09:44 | 0:09:46 | |
This is something that's in the blood of the Ulster-Scots. | 0:09:46 | 0:09:50 | |
It's there for centuries. | 0:09:50 | 0:09:52 | |
And it's here at the famous Cowal Gathering in Dunoon, Scotland, | 0:09:52 | 0:09:56 | |
that on the last Saturday in August | 0:09:56 | 0:09:58 | |
hundreds of Ulster-Scots come across to take part in the solo piping, | 0:09:58 | 0:10:02 | |
the drum majoring and the pipe band competitions. | 0:10:02 | 0:10:04 | |
Bradley, you're one of the top young competitors at Cowal. | 0:10:06 | 0:10:09 | |
And I've my drum with me. Would there be any chance | 0:10:09 | 0:10:12 | |
-of you maybe playing a wee tune with me? -Yeah, definitely. | 0:10:12 | 0:10:15 | |
What tune would you like to play? | 0:10:15 | 0:10:17 | |
Em, The Fiddler's Rally? | 0:10:17 | 0:10:19 | |
Ah, a great Gordon Walker tune - a jig, nice and fast and up-tempo. | 0:10:19 | 0:10:23 | |
-Yeah. -Right. | 0:10:23 | 0:10:24 | |
We'll see if we can maybe find somewhere a wee bit quieter than this | 0:10:24 | 0:10:27 | |
in case anybody hears me. BRADLEY LAUGHS | 0:10:27 | 0:10:30 | |
Bradley Parker, you're 14-years-old, you're from Portavogie. | 0:10:49 | 0:10:52 | |
You have won the Cowal Championship here for your age group | 0:10:52 | 0:10:56 | |
for the last three years. | 0:10:56 | 0:10:58 | |
That in itself is a phenomenal feat. But what does that mean to you? | 0:10:58 | 0:11:03 | |
It's great because there's a lot of great players, like, | 0:11:03 | 0:11:06 | |
I'm up against, and winning's... | 0:11:06 | 0:11:09 | |
It's hard to win over here, | 0:11:09 | 0:11:11 | |
so it is, because everyone's just really good. | 0:11:11 | 0:11:14 | |
What sort of practice regime do you have? | 0:11:21 | 0:11:24 | |
Every day, I just go over the stuff I need to do | 0:11:24 | 0:11:27 | |
and then if I'm going to a gig anywhere, I'll just practise the fancy stuff that night. | 0:11:27 | 0:11:32 | |
But I'll keep doing the solo stuff usually about an hour, | 0:11:32 | 0:11:36 | |
an hour or two a day. | 0:11:36 | 0:11:37 | |
Of all the pieces you do, I know you do the Ceol Mor, you do the Pibroch, | 0:11:44 | 0:11:48 | |
which is your favourite between the two? | 0:11:48 | 0:11:51 | |
Probably the Pibroch. It just relaxes you more. | 0:11:51 | 0:11:55 | |
Lots of people that I know, Bradley - | 0:11:55 | 0:11:57 | |
and I mean even lots of pipers that I know - don't like Pibroch. | 0:11:57 | 0:12:01 | |
They say, you know, "Oh, it's boring, it's too slow." | 0:12:01 | 0:12:04 | |
What do you like about it? | 0:12:05 | 0:12:07 | |
I don't know. Just to bring out the music in the tunes. | 0:12:07 | 0:12:10 | |
-Just makes it far more enjoyable to play. -Because you can interpret some of the Pibrochs | 0:12:10 | 0:12:14 | |
to your own personality, and that's what's coming out in that? | 0:12:14 | 0:12:17 | |
Yeah. It's probably different for every Pibroch. | 0:12:17 | 0:12:20 | |
And Bradley, having won the Juvenile Championships | 0:12:23 | 0:12:26 | |
this last three years in a row, they've now moved you out of that, | 0:12:26 | 0:12:29 | |
even though you're still only 14, you've moved into the Senior Grade. | 0:12:29 | 0:12:33 | |
What's it like competing against adults much older than you? | 0:12:33 | 0:12:36 | |
It's tougher, but whenever - if you get a prize, it feels better | 0:12:36 | 0:12:40 | |
because you've played against these big players. | 0:12:40 | 0:12:43 | |
It tells you how much you need to improve to keep up with them. | 0:12:43 | 0:12:46 | |
Because eventually you're going to be right at the very, very top | 0:12:46 | 0:12:50 | |
of that very top adult grade. | 0:12:50 | 0:12:52 | |
That would be... Hopefully, one day. Hopefully. | 0:12:52 | 0:12:56 | |
We'll be back with Mark in a while at the Cowal Gathering | 0:13:00 | 0:13:02 | |
to see how the Ulster-Scots folk fared at the competition. | 0:13:02 | 0:13:06 | |
Just outside Kilkeel, | 0:13:18 | 0:13:20 | |
there's a clachan of cottages called Hanna's Close. | 0:13:20 | 0:13:22 | |
And there's a fascinating history attached to them, | 0:13:22 | 0:13:25 | |
as Andy Mattison finds out. | 0:13:25 | 0:13:27 | |
The Hannas left the Sorbie area in Scotland | 0:13:30 | 0:13:32 | |
in the early 17th century, you know, around 1608-1609. | 0:13:32 | 0:13:36 | |
Why do they end up here, why do they come to Hanna's Close here just outside Kilkeel? | 0:13:36 | 0:13:41 | |
They were under pressures both from a religious point of view | 0:13:41 | 0:13:44 | |
and political point of view in Scotland and... | 0:13:44 | 0:13:47 | |
Whether they had to get out, I don't know, but they arrived here. | 0:13:47 | 0:13:51 | |
And, obviously, they were used to being under threat | 0:13:51 | 0:13:55 | |
because the way they built their houses here... | 0:13:55 | 0:13:58 | |
In fact, you can see, as they did in the Westerns, | 0:13:58 | 0:14:02 | |
that they circled the wagons for their own protection. | 0:14:02 | 0:14:05 | |
And we can clearly see, Arthur, the close laid-out. | 0:14:05 | 0:14:08 | |
It is really in a circle as you follow these houses up round. | 0:14:08 | 0:14:11 | |
And we're looking at Tommy's House. It's a typical example. | 0:14:11 | 0:14:16 | |
You can see the whole defensive manufacture of the house. | 0:14:16 | 0:14:21 | |
Doors and large windows facing into the close. | 0:14:21 | 0:14:24 | |
And if you go round the back, you'll find small windows | 0:14:24 | 0:14:27 | |
that a man of your substantial build | 0:14:27 | 0:14:30 | |
-would have great difficulty in getting into. -No offence! THEY LAUGH | 0:14:30 | 0:14:33 | |
Well, you have your thatch | 0:14:33 | 0:14:36 | |
and you have a wee bit of slate as well, as it would have been - mixed. | 0:14:36 | 0:14:39 | |
Scots in Ulster loved building with stone and slate | 0:14:39 | 0:14:42 | |
as it was more difficult to burn your house down if it was made of slate. | 0:14:42 | 0:14:46 | |
Now, Arthur, this place is called Hanna's Close | 0:14:46 | 0:14:50 | |
and, of course, you had to be a Hanna to live in Hanna's Close. Why? | 0:14:50 | 0:14:54 | |
Well, I think that the whole issue reverts back to the heritage, | 0:14:54 | 0:14:57 | |
the Scottish heritage | 0:14:57 | 0:14:59 | |
because the clan system was bringing families together in Scotland | 0:14:59 | 0:15:04 | |
and they just practised that when they came over here. | 0:15:04 | 0:15:07 | |
It was part of the Ulster-Scots heritage | 0:15:07 | 0:15:10 | |
that they brought with them. | 0:15:10 | 0:15:12 | |
So, Norma, this is your house. | 0:15:13 | 0:15:15 | |
-Your home place, isn't it? -That's right. | 0:15:15 | 0:15:17 | |
I was born in this house here and lived here until 1959. | 0:15:17 | 0:15:22 | |
Now, your family was one of the last families of Hannas | 0:15:23 | 0:15:27 | |
to remain in the close. When did the last families vacate? | 0:15:27 | 0:15:31 | |
My mother was the last of the Hannas actually and she passed away in '79. | 0:15:31 | 0:15:36 | |
All around here, as I say - anybody strange who came in | 0:15:38 | 0:15:42 | |
would have found it very difficult | 0:15:42 | 0:15:43 | |
till they discovered who was related to who | 0:15:43 | 0:15:46 | |
as all the different families right round | 0:15:46 | 0:15:49 | |
were nearly all married into Hanna. | 0:15:49 | 0:15:52 | |
And then, of course, I broke the tradition. | 0:15:52 | 0:15:55 | |
They weren't angry with you, were they? | 0:15:55 | 0:15:57 | |
SHE LAUGHS | 0:15:57 | 0:15:59 | |
-You got away with that one? -I got away with it! | 0:15:59 | 0:16:02 | |
Now, I have spied a note in this window | 0:16:04 | 0:16:06 | |
and it tells me about Steven Hanna. | 0:16:06 | 0:16:08 | |
And Steven claims he has the best free range eggs in the area. | 0:16:08 | 0:16:12 | |
Now, I'm just going to test them out. | 0:16:12 | 0:16:14 | |
I'm Steven Hanna. I have about 35 hens and four roosters. | 0:16:18 | 0:16:24 | |
Those white ones there, they're broilers. | 0:16:24 | 0:16:26 | |
I've got nine of them among all my hens. | 0:16:26 | 0:16:29 | |
And they're not bred for eggs, they're bred for meat. | 0:16:29 | 0:16:32 | |
They're for chicken burgers, so they are. | 0:16:32 | 0:16:35 | |
But I'm keeping them for their eggs | 0:16:35 | 0:16:37 | |
because that's pretty much what my business is about. | 0:16:37 | 0:16:41 | |
I'm a Hanna. | 0:16:41 | 0:16:42 | |
My great-great-granny, she was a Hanna too. | 0:16:42 | 0:16:45 | |
She lived down at the close, down the road. | 0:16:45 | 0:16:47 | |
You had to be a Hanna years ago just to live in Hanna's Close. | 0:16:47 | 0:16:51 | |
-These are my eggs, are they? -Yes. -Better let me take a look at them. | 0:16:53 | 0:16:56 | |
Those are quere-looking eggs. What would these usually cost me? | 0:16:58 | 0:17:01 | |
-£1.25. -£1.25!? -Yes. | 0:17:01 | 0:17:04 | |
-There's nothing I can do about that, is there? -No. | 0:17:04 | 0:17:06 | |
Should I check how much catter I have in my pocket? | 0:17:06 | 0:17:09 | |
Yes, I think you should. | 0:17:09 | 0:17:10 | |
Let me see. | 0:17:10 | 0:17:12 | |
-Would you take a pound? -No. | 0:17:12 | 0:17:15 | |
-£1.20? -OK, that'll do. -£1.20? -Yes. | 0:17:15 | 0:17:19 | |
There's a pound and there's 20, and that's a quere good deal, Steven. | 0:17:19 | 0:17:23 | |
-Thank you. -Thank you very much. | 0:17:23 | 0:17:25 | |
BAGPIPES PLAY | 0:17:29 | 0:17:31 | |
Now, back to Dunoon where Mark Wilson is following the progress | 0:17:33 | 0:17:37 | |
of the Ulster-Scots folk at the Cowal Gathering, | 0:17:37 | 0:17:39 | |
including Ballygowan man Andy Carlisle in solo piping. | 0:17:39 | 0:17:42 | |
I just got a text from my mate, Andy. | 0:17:48 | 0:17:50 | |
He won the Pibroch with "Lament for the Earl of Antrim". So, let's go and find him. | 0:17:50 | 0:17:54 | |
Here he is. | 0:17:54 | 0:17:56 | |
-Ha, ha, man! How are you? -Not bad. | 0:17:56 | 0:17:59 | |
-What are these big trophies for? -Eh, best dressed piper! | 0:17:59 | 0:18:03 | |
THEY LAUGH | 0:18:03 | 0:18:05 | |
This is the trophy for the Pibroch and this is the overall trophy. | 0:18:05 | 0:18:08 | |
-Any Ulstermen's names on this one? -I haven't checked, | 0:18:08 | 0:18:11 | |
but I very much doubt it. I think I'm the first. | 0:18:11 | 0:18:13 | |
So, this is the first Ulsterman to win this? | 0:18:13 | 0:18:16 | |
I think so, yeah. | 0:18:16 | 0:18:17 | |
This one's older. The cup goes back to 1920. | 0:18:17 | 0:18:19 | |
-And an Ulsterman's never won this one either? -No. | 0:18:19 | 0:18:22 | |
This is the overall at the Cowal Championships? | 0:18:22 | 0:18:24 | |
Yes, for the top grade, the A grade. | 0:18:24 | 0:18:26 | |
-And this is the Pibroch? -It is, yeah. | 0:18:26 | 0:18:28 | |
Andy, I am just - I know you're chuffed, | 0:18:28 | 0:18:31 | |
I'm chuffed to bits for you for winning these prizes. | 0:18:31 | 0:18:34 | |
Well, it's survived from 1920, | 0:18:34 | 0:18:35 | |
so I don't want the first Paddy to win it in, you know, 2011, | 0:18:35 | 0:18:40 | |
to be the one responsible for breaking it. | 0:18:40 | 0:18:43 | |
The Grade One title at the Cowal Pipe Band Championships | 0:18:43 | 0:18:46 | |
is one of the most sought after in the world. | 0:18:46 | 0:18:49 | |
It's something that Pipe Major Richard Parkes | 0:18:49 | 0:18:51 | |
and the Field Marshal Montgomery Pipe Band would love to win. | 0:18:51 | 0:18:55 | |
There are five championships during the season | 0:18:55 | 0:19:00 | |
and the Grand Slam - winning all five - has only been achieved, | 0:19:00 | 0:19:04 | |
I believe, three times in the past. | 0:19:04 | 0:19:06 | |
By chance, if we win this competition today, | 0:19:06 | 0:19:09 | |
that would be another Grand Slam. | 0:19:09 | 0:19:11 | |
I won't even think about what the result will be. We played well today. | 0:19:11 | 0:19:14 | |
I'd like to think we'll be in the mix for the first prize. | 0:19:14 | 0:19:17 | |
To win five championships would be unbelievable. I wouldn't even want to think about it just now. | 0:19:17 | 0:19:22 | |
CHEERING | 0:19:22 | 0:19:26 | |
Having won the Scottish, the British, the European and the World Championships, | 0:19:33 | 0:19:37 | |
this win at Dunoon now constitutes the Grand Slam. | 0:19:37 | 0:19:40 | |
And, as supreme champions, there's no doubt | 0:19:40 | 0:19:43 | |
that the best pipe band in the world is from Ulster. | 0:19:43 | 0:19:47 | |
During World War One, thousands left these shores and never came back. | 0:19:47 | 0:19:52 | |
For many of them, their final resting place was the Somme. | 0:19:52 | 0:19:56 | |
To this day, year after year, | 0:19:56 | 0:19:58 | |
folk travel to visit these graves of the fallen. | 0:19:58 | 0:20:02 | |
Wilson Burgess has written a poem about one such person. | 0:20:02 | 0:20:04 | |
It's called The Oul Sodjer. | 0:20:04 | 0:20:07 | |
LONE PIPING | 0:20:07 | 0:20:10 | |
The Oul Sodjer. | 0:20:16 | 0:20:18 | |
He stood by the Menin Gate and talked about the past | 0:20:19 | 0:20:24 | |
About the part that he had played In a War that was to be the last | 0:20:24 | 0:20:29 | |
His eyes were dim His hair was grey | 0:20:29 | 0:20:33 | |
Yet with dignity he stood | 0:20:33 | 0:20:35 | |
Near the spot where his Company had rested | 0:20:35 | 0:20:38 | |
After clearing an enemy-held wood | 0:20:38 | 0:20:41 | |
Isn't Portballintrae a wonderful place to be at on a day like this? | 0:20:46 | 0:20:50 | |
You couldn't beat it anywhere. This beautiful part of Ulster, | 0:20:50 | 0:20:54 | |
where men left here to fight in World Wars One and Two. | 0:20:54 | 0:20:59 | |
On 1st July at the Battle of the Somme, | 0:20:59 | 0:21:02 | |
23 men from this particular area - | 0:21:02 | 0:21:05 | |
round Bushmills and round Portballintrae - | 0:21:05 | 0:21:09 | |
lost their lives on the first day. | 0:21:09 | 0:21:11 | |
Now, that's a wild casualty list. | 0:21:11 | 0:21:12 | |
He said, "I was nae great hero "There were yins mair brave than me | 0:21:14 | 0:21:18 | |
"Yet unstinting I gave my all That my country would be free | 0:21:20 | 0:21:24 | |
"Now, in the evening o' my life I have come for a last look round | 0:21:25 | 0:21:30 | |
"This place is often in my thoughts To me, it's hallowed ground." | 0:21:31 | 0:21:35 | |
I thought I was the best-dressed man here today until I looked at you. You're looking quere and well today. | 0:21:40 | 0:21:45 | |
Thank you, you're looking bravely yourself, Wilson. | 0:21:45 | 0:21:47 | |
We're not here to talk about how well we're looking, but to talk about | 0:21:47 | 0:21:51 | |
your involvement in going to the cemeteries in Europe. | 0:21:51 | 0:21:54 | |
You have been to the Somme quite a few times. | 0:21:54 | 0:21:57 | |
We started and went with the British Legion from Belfast. | 0:21:57 | 0:22:00 | |
Went with them about a couple or three times. | 0:22:00 | 0:22:02 | |
Then they stopped doing the trips and I said to the missus one night, | 0:22:02 | 0:22:05 | |
"How could we arrange a trip to go?" | 0:22:05 | 0:22:07 | |
And she thought we were a wee bit mad, but we went ahead | 0:22:07 | 0:22:10 | |
and we organised it, and things just looked forward from then on. | 0:22:10 | 0:22:13 | |
We have run three trips now | 0:22:13 | 0:22:15 | |
and hopefully we'll be healthful and run a few trips more. | 0:22:15 | 0:22:19 | |
Do you get big crowds going on these trips? | 0:22:19 | 0:22:21 | |
Well, over the three I ran, | 0:22:21 | 0:22:23 | |
I had about an average of about 44 or 45 people each trip, pretty good. | 0:22:23 | 0:22:27 | |
That's wonderful. | 0:22:27 | 0:22:28 | |
There's 959 cemeteries, so when we take people out | 0:22:28 | 0:22:33 | |
-to try and find their graves, it's an enormous task. -It must be. | 0:22:33 | 0:22:36 | |
If you just look at that there, | 0:22:36 | 0:22:38 | |
that there's about a ten-mile radius there. | 0:22:38 | 0:22:40 | |
Look how many cemeteries is in that area alone. | 0:22:40 | 0:22:43 | |
I see number 636 there, then 637 and 638. | 0:22:43 | 0:22:48 | |
And you're telling me there are over 900 of these? | 0:22:48 | 0:22:50 | |
Yes, over 900 cemeteries. | 0:22:50 | 0:22:52 | |
They were young and they were braw | 0:22:54 | 0:22:57 | |
Yet they had to die | 0:22:57 | 0:22:59 | |
At the hands of their fellow men | 0:23:01 | 0:23:03 | |
I have often wondered why. | 0:23:03 | 0:23:05 | |
Ross, this is Wilson Burgess. | 0:23:07 | 0:23:08 | |
-Hello. How are you doing? -Nice to meet you. | 0:23:08 | 0:23:10 | |
Wilson, Ross was meeting me down here today. | 0:23:10 | 0:23:13 | |
He's got a wonderful photo of his grandfather. Did you bring it with you? | 0:23:13 | 0:23:16 | |
-Oh, I've got it here in the car. -Let Wilson see it. | 0:23:16 | 0:23:19 | |
Let's have a look at that, Ross. | 0:23:19 | 0:23:21 | |
Ross, that's a wonderful picture altogether. A fine figure of a man. | 0:23:21 | 0:23:24 | |
-This was your grandfather you tell me? -This was my grandfather, yes. | 0:23:24 | 0:23:28 | |
He was an electrical engineer. | 0:23:28 | 0:23:30 | |
What can you tell me about this man? | 0:23:30 | 0:23:32 | |
He came home one afternoon at teatime, and his eldest son, | 0:23:32 | 0:23:37 | |
he said, "Father, do you know what I done today? | 0:23:37 | 0:23:42 | |
"I signed on with the 10th Battalion of the Royal Enniskillen Fusiliers | 0:23:42 | 0:23:46 | |
"and I'm going to Europe to fight with the British Army." | 0:23:46 | 0:23:50 | |
And the father said, "Well, son, | 0:23:50 | 0:23:53 | |
"I may as well sign on too and I'll look after you." | 0:23:53 | 0:23:57 | |
And the two of them signed on, on the same day. | 0:23:57 | 0:24:01 | |
But unfortunately he was killed | 0:24:01 | 0:24:05 | |
a few weeks before the war ended. | 0:24:05 | 0:24:07 | |
-My goodness, that was tragic. -But his son, he came home, | 0:24:07 | 0:24:11 | |
but the father was killed. He was buried in Bac-du-Sud. | 0:24:11 | 0:24:15 | |
My goodness. | 0:24:15 | 0:24:17 | |
And between Lesley and the coach-driver, | 0:24:17 | 0:24:21 | |
they got us right to the graveside. | 0:24:21 | 0:24:23 | |
-That must have been a very emotional day? -It was absolutely wonderful altogether. | 0:24:23 | 0:24:27 | |
What benefit is it to mankind That millions of folk should die? | 0:24:28 | 0:24:34 | |
I dinnae know the answer I'll leave it to Him on High | 0:24:35 | 0:24:39 | |
I'll ask Him to gi' men wisdom To make sure all wars will cease | 0:24:39 | 0:24:45 | |
And that all poor suffering humans Can live their lives in peace. | 0:24:45 | 0:24:51 | |
And your next trip will be when? | 0:24:52 | 0:24:54 | |
Well, maybe two years' time, but we definitely want to do one | 0:24:54 | 0:24:58 | |
in five years' time for the 100th anniversary. | 0:24:58 | 0:25:01 | |
Well, I'll tell you this, if it's in two years' time, | 0:25:01 | 0:25:03 | |
I might still be about then and, if it is, I'll be going on it. | 0:25:03 | 0:25:07 | |
I'm not going to look further than the two years. | 0:25:07 | 0:25:09 | |
But I'll tell you one thing - if we do go on it, | 0:25:09 | 0:25:12 | |
wherever we go, there'll not be three better-dressed or turned-out boys | 0:25:12 | 0:25:16 | |
-than we are ourselves. -No, we do well in this part of the country! -We've done very well today! | 0:25:16 | 0:25:20 | |
Earlier on in the programme, we heard from Wilson Burgess | 0:25:24 | 0:25:27 | |
with his poem, The Oul Sodjer. | 0:25:27 | 0:25:29 | |
Well, to finish off with, We're going to have a nice song from Bearnagh | 0:25:29 | 0:25:33 | |
and it's a tribute to one of the youngest soldiers that died in the Great War. | 0:25:33 | 0:25:37 | |
His name was John Condon. Cheerio. | 0:25:37 | 0:25:40 | |
# Just a day, another day | 0:25:40 | 0:25:47 | |
# Beneath the Belgian sun | 0:25:47 | 0:25:56 | |
# Past grave on grave | 0:25:56 | 0:26:00 | |
# Row on row | 0:26:00 | 0:26:04 | |
# Until I see the name | 0:26:04 | 0:26:09 | |
# John Condon | 0:26:09 | 0:26:14 | |
# Carved in stone | 0:26:14 | 0:26:18 | |
# With harp and crown | 0:26:18 | 0:26:23 | |
# Little crosses in the ground | 0:26:23 | 0:26:30 | |
# And standing there | 0:26:30 | 0:26:34 | |
# My silent prayer | 0:26:34 | 0:26:38 | |
# Is for a boy | 0:26:38 | 0:26:41 | |
# Who died a soldier | 0:26:41 | 0:26:47 | |
# A wee lad | 0:26:49 | 0:26:52 | |
# Who'll not grow old | 0:26:52 | 0:26:56 | |
# Heroes that don't come home | 0:26:58 | 0:27:04 | |
# Here they lie in Belgian fields | 0:27:04 | 0:27:12 | |
# And Picardy | 0:27:13 | 0:27:20 | |
# Now, tell me, John | 0:27:20 | 0:27:24 | |
# Before I go on | 0:27:24 | 0:27:28 | |
# What did you come here for? | 0:27:29 | 0:27:36 | |
# With violence bold | 0:27:36 | 0:27:41 | |
# Your life untold | 0:27:41 | 0:27:44 | |
# 14 years old | 0:27:44 | 0:27:47 | |
# To die a soldier | 0:27:47 | 0:27:55 | |
# And all around | 0:27:55 | 0:27:59 | |
# The harp and crown | 0:27:59 | 0:28:03 | |
# The crosses in the ground | 0:28:03 | 0:28:10 | |
# What cause was served? | 0:28:10 | 0:28:16 | |
# Heroes that don't come home | 0:28:18 | 0:28:26 | |
# Sing out for all their souls | 0:28:28 | 0:28:35 | |
# Here they lie | 0:28:35 | 0:28:38 | |
# In Belgian fields | 0:28:38 | 0:28:43 | |
# And Picardy. # | 0:28:43 | 0:28:51 | |
Subtitles by Red Bee Media Ltd | 0:28:54 | 0:28:56 | |
E-mail [email protected] | 0:28:56 | 0:28:59 |