Episode 5 Santer


Episode 5

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On this week's programme, myself and young Adam try our hand at fishing.

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You're cloddin' her rightly!

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I call it throwing, Anne. Not cloddin'!

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Andy Mattison finds out

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the importance of a surname at Hanna's Close.

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This place is called Hanna's Close

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and, of course, you had to be a Hanna to live in Hanna's Close. Why?

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Mark Wilson's musical journey

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continues at the Cowal Gathering in Dunoon.

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This is something that's in the blood of the Ulster-Scots.

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It's there for centuries.

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And Wilson Burgess falls in with a wheen o' men from the north coast

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that make the trip to the Somme brave and often.

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There's 959 cemeteries.

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So when we take people out to try and find their graves,

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it's an enormous task.

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But just before all that,

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here's Scad The Beggar with a tune on the fife and the dulcimer.

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The South Antrim Fishing Festival

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was held for the first time this year,

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and opportunities were provided for novices,

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both young and old, to try their hand at angling.

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-So, Adam, are you from the Glynn near Larne?

-Aye.

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-And what age are you?

-Em, 11.

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-You recently took up fishing?

-Yeah. I haven't been doing that much, though.

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Did I hear right that you haven't caught many fish yet?

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-No, I haven't caught any.

-Have you not?

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We're here today at Tildarg Fishery

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and I've brought a friend of mine along to see if he could

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maybe teach the both of us how to catch at least one fish

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-before we go home.

-Aye, let's hope so.

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-Would you half it with me if you caught one?

-Aye. Would you half it with me if you got one?

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I will, I promise.

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Well, Adam, do you fish with baits or flies or...?

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-Fly and baits.

-And worms?

-Aye, worms.

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Do you use any of these flies?

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-No.

-These are all for this type of fishing.

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-You fish the river, don't you?

-Aye.

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Yes, the fly we're going to use now is this - cat's whisker.

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One, two, three. One, two, three.

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One, two, three.

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-That's a boy. You're getting the hang of it now, Adam.

-I know.

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You'll catch a fish shortly.

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Walking down here, I was looking at you and looking at myself

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and I don't think I'm geared up for this fishing at all.

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HE LAUGHS

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Anne, they're not fishing wellies - they're stepping-out wellies.

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They're Ascot wellies, Anne.

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-How are you getting on, Adam?

-Eh, well.

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-Are you getting on well?

-Aye.

-Good boy, just keep at it.

-Aye.

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You're cloddin' her rightly!

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I call it throwing, Anne. not cloddin'!

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-Here, Anne. Try that there.

-With my gloves?

-No, Anne.

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You need them gloves off. How can you feel? Give me them things.

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Sorry, Nigel.

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-You're doing not too bad.

-I think so.

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You'd make a good fisherwoman.

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So, we just stand here then, really? You just stand and wait?

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Aye, more or less, Anne.

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-But that's no use! You need to keep working those flies.

-Oh, you've got to keep doing it?

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That's it. A figure of eight, just round and round.

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You see the eight, Adam?

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Why do you not just have to pull it up in your hand?

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Well, you can just loop it. Every angler will tell you -

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it's a figure of eight.

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One, two, three.

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One, two, three. That's it, Anne. Hey!

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THEY LAUGH

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First class!

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One, two, three. That's it.

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Look at that! Straight.

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Nigel, I've caught one. What will I do now?

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-What is that?

-That's a rainbow.

-A rainbow trout?

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-He'll be all right then after that?

-Aye.

-You just put him back in?

-Aye, you return it.

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Wild brown trout and salmon, you return them.

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And there he is, back in the water as good as new.

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One, two, three. One, two, three.

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But, you know, to me sometimes it's a wild long day for nothing

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-if your trophy's just maybe one fish, a wee brown trout or something.

-That's right.

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Although it's quere packing and I must say there's nothing wrong with a trout.

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Oh, it's a great pastime and a trout's nice to eat.

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I've got one!

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Just reel it up nice and easy, Adam. Go on, go on.

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-Oh, is this another one, is it? A rainbow trout?

-Yeah.

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Right, I'll go and net it for you here.

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-Go on!

-That's it. Come on, Adam.

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-Reel it in, harder.

-Oh!

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What is it, Nigel? What's gone wrong?

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-The fish has took his fly.

-Were we too slow, I wonder?

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Need another bit of teaching from Nigel, I think.

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It's away with your fly, Anne. Look.

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So, Adam, all the fishing you did, you never caught a fish before,

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and the one you did catch ate the fly and is away.

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-Stupid fish!

-Are you scunnered with fishing or will you stick at it?

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-Aye, I'm going to stay at it.

-Good.

-Good boy.

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-Try and try again.

-So, I'm going to have to go to the fish-man to get a bit of fish for my tea.

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-I think you'll maybe carry on without me, eh?

-Aye.

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-Well, Adam, will we stay and fish on?

-Yup.

-Good boy.

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-Enjoy yourselves.

-Right, Adam, let's go.

-Aye.

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In this series, we have been looking at how a word in English

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can have two or three different meanings in Ulster-Scots.

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This week, Liam Logan and Gary Blair take a look at the word "one".

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One of my favourite words in Ulster-Scots is "yin" -

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the equivalent of "one".

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-And it would be used quite often as a number.

-Aye.

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But you'd occasionally use it as a concept.

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-You'd say, "Oh, boy, thon was a big yin."

-Aye.

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-And that would be something extraordinary.

-Really big news.

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-Big news.

-Or you could "tell a big yin."

-Which would be a big lie.

-Aye.

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-Which you wouldn't do ever, Gary, now?

-Oh, no.

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If I was to say I never did, that would be a big yin in itself.

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They tell a story up our country

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about two American airmen that were over here during the war.

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And they were out on a training mission

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and they got lost in the fog in bad weather

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and eventually they ran out of fuel and they had to put the plane down.

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They didn't know where they were,

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they didn't know what country they were in, nothing.

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And they saw a boy fishing, and one American says to the other boy,

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he says, "I'll go down and engage him in conversation," he says.

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"And when I have a word with him," he says, "I'll be able

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"to determine where we are by the way he responds to my conversation."

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So he wandered down to the boy and he says, "Have you caught any?"

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And the wee fella looked at him and he says, "Yin young yin."

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He climbed back up the mountain to his mate and says,

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"My God, we're in trouble.

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"We have landed in China."

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HE LAUGHS

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Mark Wilson's brave

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and well into his musical journey now across Scotland.

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We'll take up with him this week where he's heading north to Dunoon.

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My musical journey which started in Carlisle

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took me through the Border region to Portpatrick.

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Now I've turned north up the Ayrshire coastline

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towards Greenock, to catch this ferry to Dunoon.

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This wee journey takes me back in time.

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Back to some very happy memories when, on the last weekend in August,

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myself and hundreds of Ulster-Scots like me

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crossed this little bit of the Firth of Clyde

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heading for the town of Dunoon on the Cowal Peninsula

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to the famous Cowal Games.

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And they're still going today.

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BAGPIPES

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While the Lowland Pipes may have provided some of the original music of the Ulster-Scots,

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today the most favoured and famous instrument of the Ulster-Scots

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is the Great Highland Bagpipe.

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But this association with the bagpipe in Ulster is nothing new.

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It goes back centuries. Back even before the Plantation of Ulster.

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All the top solo pipers here in Scotland trace their piping ancestry

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back to the famous McCrimmon Family from the Isle of Skye.

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But the McCrimmons came to Ireland - and more specifically Ulster -

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to learn music.

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This is something that's in the blood of the Ulster-Scots.

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It's there for centuries.

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And it's here at the famous Cowal Gathering in Dunoon, Scotland,

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that on the last Saturday in August

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hundreds of Ulster-Scots come across to take part in the solo piping,

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the drum majoring and the pipe band competitions.

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Bradley, you're one of the top young competitors at Cowal.

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And I've my drum with me. Would there be any chance

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-of you maybe playing a wee tune with me?

-Yeah, definitely.

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What tune would you like to play?

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Em, The Fiddler's Rally?

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Ah, a great Gordon Walker tune - a jig, nice and fast and up-tempo.

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-Yeah.

-Right.

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We'll see if we can maybe find somewhere a wee bit quieter than this

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in case anybody hears me. BRADLEY LAUGHS

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Bradley Parker, you're 14-years-old, you're from Portavogie.

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You have won the Cowal Championship here for your age group

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for the last three years.

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That in itself is a phenomenal feat. But what does that mean to you?

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It's great because there's a lot of great players, like,

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I'm up against, and winning's...

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It's hard to win over here,

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so it is, because everyone's just really good.

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What sort of practice regime do you have?

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Every day, I just go over the stuff I need to do

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and then if I'm going to a gig anywhere, I'll just practise the fancy stuff that night.

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But I'll keep doing the solo stuff usually about an hour,

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an hour or two a day.

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Of all the pieces you do, I know you do the Ceol Mor, you do the Pibroch,

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which is your favourite between the two?

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Probably the Pibroch. It just relaxes you more.

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Lots of people that I know, Bradley -

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and I mean even lots of pipers that I know - don't like Pibroch.

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They say, you know, "Oh, it's boring, it's too slow."

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What do you like about it?

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I don't know. Just to bring out the music in the tunes.

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-Just makes it far more enjoyable to play.

-Because you can interpret some of the Pibrochs

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to your own personality, and that's what's coming out in that?

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Yeah. It's probably different for every Pibroch.

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And Bradley, having won the Juvenile Championships

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this last three years in a row, they've now moved you out of that,

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even though you're still only 14, you've moved into the Senior Grade.

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What's it like competing against adults much older than you?

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It's tougher, but whenever - if you get a prize, it feels better

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because you've played against these big players.

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It tells you how much you need to improve to keep up with them.

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Because eventually you're going to be right at the very, very top

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of that very top adult grade.

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That would be... Hopefully, one day. Hopefully.

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We'll be back with Mark in a while at the Cowal Gathering

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to see how the Ulster-Scots folk fared at the competition.

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Just outside Kilkeel,

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there's a clachan of cottages called Hanna's Close.

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And there's a fascinating history attached to them,

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as Andy Mattison finds out.

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The Hannas left the Sorbie area in Scotland

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in the early 17th century, you know, around 1608-1609.

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Why do they end up here, why do they come to Hanna's Close here just outside Kilkeel?

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They were under pressures both from a religious point of view

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and political point of view in Scotland and...

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Whether they had to get out, I don't know, but they arrived here.

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And, obviously, they were used to being under threat

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because the way they built their houses here...

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In fact, you can see, as they did in the Westerns,

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that they circled the wagons for their own protection.

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And we can clearly see, Arthur, the close laid-out.

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It is really in a circle as you follow these houses up round.

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And we're looking at Tommy's House. It's a typical example.

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You can see the whole defensive manufacture of the house.

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Doors and large windows facing into the close.

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And if you go round the back, you'll find small windows

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that a man of your substantial build

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-would have great difficulty in getting into.

-No offence! THEY LAUGH

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Well, you have your thatch

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and you have a wee bit of slate as well, as it would have been - mixed.

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Scots in Ulster loved building with stone and slate

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as it was more difficult to burn your house down if it was made of slate.

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Now, Arthur, this place is called Hanna's Close

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and, of course, you had to be a Hanna to live in Hanna's Close. Why?

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Well, I think that the whole issue reverts back to the heritage,

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the Scottish heritage

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because the clan system was bringing families together in Scotland

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and they just practised that when they came over here.

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It was part of the Ulster-Scots heritage

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that they brought with them.

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So, Norma, this is your house.

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-Your home place, isn't it?

-That's right.

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I was born in this house here and lived here until 1959.

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Now, your family was one of the last families of Hannas

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to remain in the close. When did the last families vacate?

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My mother was the last of the Hannas actually and she passed away in '79.

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All around here, as I say - anybody strange who came in

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would have found it very difficult

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till they discovered who was related to who

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as all the different families right round

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were nearly all married into Hanna.

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And then, of course, I broke the tradition.

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They weren't angry with you, were they?

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SHE LAUGHS

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-You got away with that one?

-I got away with it!

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Now, I have spied a note in this window

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and it tells me about Steven Hanna.

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And Steven claims he has the best free range eggs in the area.

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Now, I'm just going to test them out.

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I'm Steven Hanna. I have about 35 hens and four roosters.

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Those white ones there, they're broilers.

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I've got nine of them among all my hens.

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And they're not bred for eggs, they're bred for meat.

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They're for chicken burgers, so they are.

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But I'm keeping them for their eggs

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because that's pretty much what my business is about.

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I'm a Hanna.

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My great-great-granny, she was a Hanna too.

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She lived down at the close, down the road.

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You had to be a Hanna years ago just to live in Hanna's Close.

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-These are my eggs, are they?

-Yes.

-Better let me take a look at them.

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Those are quere-looking eggs. What would these usually cost me?

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-£1.25.

-£1.25!?

-Yes.

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-There's nothing I can do about that, is there?

-No.

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Should I check how much catter I have in my pocket?

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Yes, I think you should.

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Let me see.

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-Would you take a pound?

-No.

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-£1.20?

-OK, that'll do.

-£1.20?

-Yes.

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There's a pound and there's 20, and that's a quere good deal, Steven.

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-Thank you.

-Thank you very much.

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BAGPIPES PLAY

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Now, back to Dunoon where Mark Wilson is following the progress

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of the Ulster-Scots folk at the Cowal Gathering,

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including Ballygowan man Andy Carlisle in solo piping.

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I just got a text from my mate, Andy.

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He won the Pibroch with "Lament for the Earl of Antrim". So, let's go and find him.

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Here he is.

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-Ha, ha, man! How are you?

-Not bad.

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-What are these big trophies for?

-Eh, best dressed piper!

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THEY LAUGH

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This is the trophy for the Pibroch and this is the overall trophy.

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-Any Ulstermen's names on this one?

-I haven't checked,

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but I very much doubt it. I think I'm the first.

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So, this is the first Ulsterman to win this?

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I think so, yeah.

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This one's older. The cup goes back to 1920.

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-And an Ulsterman's never won this one either?

-No.

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This is the overall at the Cowal Championships?

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Yes, for the top grade, the A grade.

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-And this is the Pibroch?

-It is, yeah.

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Andy, I am just - I know you're chuffed,

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I'm chuffed to bits for you for winning these prizes.

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Well, it's survived from 1920,

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so I don't want the first Paddy to win it in, you know, 2011,

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to be the one responsible for breaking it.

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The Grade One title at the Cowal Pipe Band Championships

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is one of the most sought after in the world.

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It's something that Pipe Major Richard Parkes

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and the Field Marshal Montgomery Pipe Band would love to win.

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There are five championships during the season

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and the Grand Slam - winning all five - has only been achieved,

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I believe, three times in the past.

0:19:040:19:06

By chance, if we win this competition today,

0:19:060:19:09

that would be another Grand Slam.

0:19:090:19:11

I won't even think about what the result will be. We played well today.

0:19:110:19:14

I'd like to think we'll be in the mix for the first prize.

0:19:140:19:17

To win five championships would be unbelievable. I wouldn't even want to think about it just now.

0:19:170:19:22

CHEERING

0:19:220:19:26

Having won the Scottish, the British, the European and the World Championships,

0:19:330:19:37

this win at Dunoon now constitutes the Grand Slam.

0:19:370:19:40

And, as supreme champions, there's no doubt

0:19:400:19:43

that the best pipe band in the world is from Ulster.

0:19:430:19:47

During World War One, thousands left these shores and never came back.

0:19:470:19:52

For many of them, their final resting place was the Somme.

0:19:520:19:56

To this day, year after year,

0:19:560:19:58

folk travel to visit these graves of the fallen.

0:19:580:20:02

Wilson Burgess has written a poem about one such person.

0:20:020:20:04

It's called The Oul Sodjer.

0:20:040:20:07

LONE PIPING

0:20:070:20:10

The Oul Sodjer.

0:20:160:20:18

He stood by the Menin Gate and talked about the past

0:20:190:20:24

About the part that he had played In a War that was to be the last

0:20:240:20:29

His eyes were dim His hair was grey

0:20:290:20:33

Yet with dignity he stood

0:20:330:20:35

Near the spot where his Company had rested

0:20:350:20:38

After clearing an enemy-held wood

0:20:380:20:41

Isn't Portballintrae a wonderful place to be at on a day like this?

0:20:460:20:50

You couldn't beat it anywhere. This beautiful part of Ulster,

0:20:500:20:54

where men left here to fight in World Wars One and Two.

0:20:540:20:59

On 1st July at the Battle of the Somme,

0:20:590:21:02

23 men from this particular area -

0:21:020:21:05

round Bushmills and round Portballintrae -

0:21:050:21:09

lost their lives on the first day.

0:21:090:21:11

Now, that's a wild casualty list.

0:21:110:21:12

He said, "I was nae great hero "There were yins mair brave than me

0:21:140:21:18

"Yet unstinting I gave my all That my country would be free

0:21:200:21:24

"Now, in the evening o' my life I have come for a last look round

0:21:250:21:30

"This place is often in my thoughts To me, it's hallowed ground."

0:21:310:21:35

I thought I was the best-dressed man here today until I looked at you. You're looking quere and well today.

0:21:400:21:45

Thank you, you're looking bravely yourself, Wilson.

0:21:450:21:47

We're not here to talk about how well we're looking, but to talk about

0:21:470:21:51

your involvement in going to the cemeteries in Europe.

0:21:510:21:54

You have been to the Somme quite a few times.

0:21:540:21:57

We started and went with the British Legion from Belfast.

0:21:570:22:00

Went with them about a couple or three times.

0:22:000:22:02

Then they stopped doing the trips and I said to the missus one night,

0:22:020:22:05

"How could we arrange a trip to go?"

0:22:050:22:07

And she thought we were a wee bit mad, but we went ahead

0:22:070:22:10

and we organised it, and things just looked forward from then on.

0:22:100:22:13

We have run three trips now

0:22:130:22:15

and hopefully we'll be healthful and run a few trips more.

0:22:150:22:19

Do you get big crowds going on these trips?

0:22:190:22:21

Well, over the three I ran,

0:22:210:22:23

I had about an average of about 44 or 45 people each trip, pretty good.

0:22:230:22:27

That's wonderful.

0:22:270:22:28

There's 959 cemeteries, so when we take people out

0:22:280:22:33

-to try and find their graves, it's an enormous task.

-It must be.

0:22:330:22:36

If you just look at that there,

0:22:360:22:38

that there's about a ten-mile radius there.

0:22:380:22:40

Look how many cemeteries is in that area alone.

0:22:400:22:43

I see number 636 there, then 637 and 638.

0:22:430:22:48

And you're telling me there are over 900 of these?

0:22:480:22:50

Yes, over 900 cemeteries.

0:22:500:22:52

They were young and they were braw

0:22:540:22:57

Yet they had to die

0:22:570:22:59

At the hands of their fellow men

0:23:010:23:03

I have often wondered why.

0:23:030:23:05

Ross, this is Wilson Burgess.

0:23:070:23:08

-Hello. How are you doing?

-Nice to meet you.

0:23:080:23:10

Wilson, Ross was meeting me down here today.

0:23:100:23:13

He's got a wonderful photo of his grandfather. Did you bring it with you?

0:23:130:23:16

-Oh, I've got it here in the car.

-Let Wilson see it.

0:23:160:23:19

Let's have a look at that, Ross.

0:23:190:23:21

Ross, that's a wonderful picture altogether. A fine figure of a man.

0:23:210:23:24

-This was your grandfather you tell me?

-This was my grandfather, yes.

0:23:240:23:28

He was an electrical engineer.

0:23:280:23:30

What can you tell me about this man?

0:23:300:23:32

He came home one afternoon at teatime, and his eldest son,

0:23:320:23:37

he said, "Father, do you know what I done today?

0:23:370:23:42

"I signed on with the 10th Battalion of the Royal Enniskillen Fusiliers

0:23:420:23:46

"and I'm going to Europe to fight with the British Army."

0:23:460:23:50

And the father said, "Well, son,

0:23:500:23:53

"I may as well sign on too and I'll look after you."

0:23:530:23:57

And the two of them signed on, on the same day.

0:23:570:24:01

But unfortunately he was killed

0:24:010:24:05

a few weeks before the war ended.

0:24:050:24:07

-My goodness, that was tragic.

-But his son, he came home,

0:24:070:24:11

but the father was killed. He was buried in Bac-du-Sud.

0:24:110:24:15

My goodness.

0:24:150:24:17

And between Lesley and the coach-driver,

0:24:170:24:21

they got us right to the graveside.

0:24:210:24:23

-That must have been a very emotional day?

-It was absolutely wonderful altogether.

0:24:230:24:27

What benefit is it to mankind That millions of folk should die?

0:24:280:24:34

I dinnae know the answer I'll leave it to Him on High

0:24:350:24:39

I'll ask Him to gi' men wisdom To make sure all wars will cease

0:24:390:24:45

And that all poor suffering humans Can live their lives in peace.

0:24:450:24:51

And your next trip will be when?

0:24:520:24:54

Well, maybe two years' time, but we definitely want to do one

0:24:540:24:58

in five years' time for the 100th anniversary.

0:24:580:25:01

Well, I'll tell you this, if it's in two years' time,

0:25:010:25:03

I might still be about then and, if it is, I'll be going on it.

0:25:030:25:07

I'm not going to look further than the two years.

0:25:070:25:09

But I'll tell you one thing - if we do go on it,

0:25:090:25:12

wherever we go, there'll not be three better-dressed or turned-out boys

0:25:120:25:16

-than we are ourselves.

-No, we do well in this part of the country!

-We've done very well today!

0:25:160:25:20

Earlier on in the programme, we heard from Wilson Burgess

0:25:240:25:27

with his poem, The Oul Sodjer.

0:25:270:25:29

Well, to finish off with, We're going to have a nice song from Bearnagh

0:25:290:25:33

and it's a tribute to one of the youngest soldiers that died in the Great War.

0:25:330:25:37

His name was John Condon. Cheerio.

0:25:370:25:40

# Just a day, another day

0:25:400:25:47

# Beneath the Belgian sun

0:25:470:25:56

# Past grave on grave

0:25:560:26:00

# Row on row

0:26:000:26:04

# Until I see the name

0:26:040:26:09

# John Condon

0:26:090:26:14

# Carved in stone

0:26:140:26:18

# With harp and crown

0:26:180:26:23

# Little crosses in the ground

0:26:230:26:30

# And standing there

0:26:300:26:34

# My silent prayer

0:26:340:26:38

# Is for a boy

0:26:380:26:41

# Who died a soldier

0:26:410:26:47

# A wee lad

0:26:490:26:52

# Who'll not grow old

0:26:520:26:56

# Heroes that don't come home

0:26:580:27:04

# Here they lie in Belgian fields

0:27:040:27:12

# And Picardy

0:27:130:27:20

# Now, tell me, John

0:27:200:27:24

# Before I go on

0:27:240:27:28

# What did you come here for?

0:27:290:27:36

# With violence bold

0:27:360:27:41

# Your life untold

0:27:410:27:44

# 14 years old

0:27:440:27:47

# To die a soldier

0:27:470:27:55

# And all around

0:27:550:27:59

# The harp and crown

0:27:590:28:03

# The crosses in the ground

0:28:030:28:10

# What cause was served?

0:28:100:28:16

# Heroes that don't come home

0:28:180:28:26

# Sing out for all their souls

0:28:280:28:35

# Here they lie

0:28:350:28:38

# In Belgian fields

0:28:380:28:43

# And Picardy. #

0:28:430:28:51

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