Episode 4 Santer


Episode 4

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Hello and welcome to Santer.

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On this week's programme,

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I try go-karting with the Stirling Brothers from Banbridge.

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Jenson Button won one of these, David Coulthard won one of these, and Lewis Hamilton...

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well, he got a silver one.

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Mark Wilson gets the length of Portpatrick on his musical journey.

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In Scotland, a good party is a good ceilidh and a good ceilidh needs good music.

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Liam Logan and Gary Blair tell us all about the word "thick".

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-That doesn't mean they suddenly become stupid, it just means they have become brave and friendly.

-Aye.

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In a very good way, of course.

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And our tour of the Ards finishes up in Ballywalter.

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Of course, they got on the bus to come home and a lot of the money never made it home.

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For they stopped in Newtown, went into Tate's Pub and that was the end of the meeting.

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Now, before all that, Emma Millar sings Caledonia.

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# A sailor and his true love lay doon tae mak their moan

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# When in by came ain o their ain countrymen

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# Sayin', rise up my bonnie lassie mak haste and come awa

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# There's a vessel lying bound for Caledonia

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# Oh, said the sailor, are ye willing for tae pay

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# Five hundred guineas afore on board ye gae?

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# I'll pay them plack and farthing afore on board I go

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# If ye'll tak me tae my bonnie Caledonia

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# Oh, said the sailor, her money we will tak

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# And when we're on the sea, we'll throw her over deck

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# Or sell her for a slave lang ere she win ava

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# But she'll never see her bonnie Caledonia

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# So the captain away tae the fair maid he has gaen

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# Says, what is the reason that ye're lying here sae lang?

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# An' what is the reason that ye're lying here at all?

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# For you've paid your passage dear tae Caledonia?

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# Oh, said the lassie, oh, woe is me

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# That ever I was born, sic hardships for tae see

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# For the sailor's got a lassie he likes better far than me

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# And it causes me to weep for Caledonia

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# So the captain away to the sailor he has gane

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# He's ta'en him by the neck and him overboard has thrown

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# Saying, tak this cup o' water though the liquor be but sma'

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# And drink your lassie's health tae Caledonia

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# They've sailed east and they've sailed west

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# Until they reached the land that they a' loved the best

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# For the winds they did roar and the seas they did beat

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# And they've all arrived safe to Caledonia

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# Well, they hadna been there but three quarters o' a year

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# When in fine silks and satins he's made her for tae wear

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# When in fine silks and satins he's made her for tae go

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# Noo she's the captain's wife in Caledonia

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# Noo she's the captain's wife in Caledonia. #

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Well, Alister, many's the time I've driven by this Dunseverick Castle

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and never really thought much about it. Where did it get its name from?

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It got its name from Severick.

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That was the man who built it, so it's his fortification,

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Dun Severick, and Severick was one of the joint High Kings of Ireland.

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What happened was that he and his brother divided Ireland between them, basically.

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They drew a line from Drogheda across to Limerick.

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Severick ran the northern portion of Ireland from here,

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and his brother then ran the southern portion from Tara.

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It doesn't look like very much now but, when you think of it, 1,500 years before Christ,

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this was the administrative centre of the top half of Ireland.

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-And had a very significant part in the Kingdom of Dalriada?

-Absolutely.

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If you jump forward 2,000 years to the fifth century,

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Fergus then, who was the first of the Dalriada Kings.

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actually, you know, brought The Stone of Destiny from Tara to Dunseverick here

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and shipped it out to Dunaad in Scotland, the west coast of Scotland,

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which became his new administrative centre of the Kingdom of Dalriada.

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And Fergus, of course, was a local man.

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And Fergus was the last King to live here, was he?

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Yes, he moved his administrative centre to Scotland, to the new centre of the Dalriada Kingdom.

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And that Stone of Destiny then wound up in Westminster and used to sit below the Queen's throne

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when she was making the Queen's Speech.

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But I think around the time of the inauguration

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of the Scottish Parliament and Devolution, it was returned to Scotland.

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Well, Fergus was the fifth century, of course, Alister.

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There must be a whole lot more history after that?

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Yes, there is indeed and to summarise it,

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you have the Vikings raiding this place in the late 9th century - about 871, we reckon.

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And then it's coming into the possession of various local families,

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the O'Cahans and the McQuillans. and, of course, the MacDonnells, who were in direct descent

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of the Lords of the Isles and who had a chain of fortifications all round this coast,

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most famously, latterly at Dunluce right round to Glenarm I suppose, really.

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-So when would you think, Alister, was the last time anybody lived in the castle?

-I would say 1641,

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when it was ransacked by Monroe's incoming Scottish army at the time of the Great Rebellion.

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That's all that's left of it - those two walls. But when you think about it,

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here's a fortification from which half of Ireland was run

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and built 1,525 years before the birth of Christ.

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Now, that's ancient Ireland and that's pretty impressive.

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Now, what about a wee rhyme from a lass from Balnamore?

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Mere Than A Twang.

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A've jaist bin considerin' tha wurds that a use

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Whun taakin tae freens or expressin' ma views.

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Tha Ulster-Scots leid, A'm gye heppy tae taak

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Tho thar's aptly sniggerin' gan oan ahint ma bak.

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At nicht whun A'm tired, A'll say that A'm daen,

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A'll tell fowk A daen richtly if A fin oot A've won,

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Tha middle-aged Romeo is jaist a fool oul cod

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Splaterin' oor tha dance fleur lake a horse needin' shod.

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If A'm coul, A'll be starvin', an no hungry ava

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A'm taakin foreign in London but untherstud in Buckna.

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Tha moral o tha rhyme is forget society's conventions

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An taak tha wye ye aye did wi'oot airs or pretensions.

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An be proud tae spake tha leid o tha boul Ulster-Scot

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Tha leid so mony o oor nybers haes sadly forgot!

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And now to Scotland, where Mark Wilson continues on his musical journey.

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A journey which started in Carlisle in England

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and took me up into Dumfries

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and on into Wigtown

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is now taking me further along the path of the exiled border reiver,

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towards the coast and the beautiful little harbour town of Portpatrick.

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The border reivers, who were exiled from their lands by James I,

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they sailed from places up this coast just like Portpatrick

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and sailed the 15 miles across to Ulster.

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That short distance would eventually become a permanent ferry and transport route.

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Hugh Montgomery was granted a charter to control the route

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between Portpatrick and Donaghadee

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and he also built the Ulster-Scots settlements on the Ards Peninsula.

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They traded in all sorts of goods - cattle, sheep,

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but it also brought back and forwards between the two lands,

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young couples wanting to get married, and here in Portpatrick,

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the local ministers really just disregarded the laws

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about the reading of banns, about a settled address here in Scotland,

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and couples used to sail across here into Portpatrick to get married.

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And Portpatrick became known as the Irish Gretna Green.

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And of course, with every good wedding, there's a good party.

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And in Scotland, a good party is a good ceilidh

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and a good ceilidh needs good music.

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Fred Morrison, one of the greatest pipers the world has ever known.

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Thanks so much, Fred, for coming down and joining me here today in Portpatrick.

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-It's an absolute pleasure.

-You play highland pipes, you play lowland pipes,

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you play reel pipes, whistles, just about everything.

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Well, yeah. I started off as a highland piper, that was really my background.

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My Dad was a piper and of course, I never played in a band, mind you, but I got into the solo thing

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and I did all the big serious competitions and then out in Northern Ireland a lot

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doing recitals and all that kind of thing,

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before I got into the kind of other pipes and whistles and all that kind of thing.

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You're also probably the guy most responsible for the resurgence in lowland piping.

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I actually hadn't really heard much about lowland pipes.

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It was round about 1992 when I was first approached by a guy -

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a very, very respected and very fine maker of pipes -

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and he said, "Look, try these pipes."

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At the time I was playing with the group Clanalba and I wasn't interested.

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I said, "Look, I've got enough on my plate," and all that.

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Then I saw him again and he said, "Remember I told you?

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"Just have a go at them and I'll give you a good price."

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I said, "Look, I don't want them. I can't make it any more clear."

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And then a few days later, the postman came and this package arrived and I opened it up.

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and this set of pipes was inside and he said, "Just try them anyway," he said - there was a wee note there.

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I wasn't convinced but I played them and then I started a wee group

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and went on tour and that was it after that.

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The thing with the lowland pipes is, of course, that they're a more mellow instrument, for one.

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They're kind of the same volume as the accordion, the fiddle, the guitar.

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It just hits the spot with other instruments.

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And it means that you could walk into any session or folk group

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and play with all the others - the fiddles, the accordions.

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And that's really had a lot to do with the resurgence of it -

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it opened the scope for music.

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You weren't just going to the games or going to the competitions. You were doing your own thing.

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You could, whether it was social or professional or crossing over or that kind of thing,

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there were so many more doors, so many more avenues open to pipers.

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Some of the instruments that could play along with it

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like the harp, the fiddle, that accompanied

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the ballads that they had here maybe 300 and 400 years ago,

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that's meant a lot of that music coming to the fore again.

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Yeah, the resurgence of bringing the instrument back into play,

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you know, of course, will help any resurgence in the lowland culture.

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I mean, I think there's a real gap. I think people need to hear it.

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It's not the background I come from but I've heard a lot of it.

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Beautiful music, and it suits the instrument.

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WHOOPING AND APPLAUSE

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It was here in Portpatrick that the reivers' Scottish journey

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would have ended as they got in their boats

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and sailed the 12 or 15 miles across to Ulster.

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But I'm not going home yet. I'm going to turn and head northwards

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up the west coast in search of even more musical tradition.

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And we'll join Mark on his journey throughout the rest of the series

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as he heads north to Dunoon

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and then on to Campbeltown at the edge of the Mull of Kintyre.

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Throughout this series, Gary Blair and Liam Logan

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have been looking at the different meanings to words in Ulster-Scots.

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So far, you've had "road", "rough" and "big".

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This time, the word's "thick".

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Of course, Gary, there are some words that mean

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something different in Ulster-Scots than they do in English.

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Aye, I agree. I know what you're saying.

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Words like "thick".

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"Thick" would be an excellent example.

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Most people, when they use the word "thick" in English, mean "stupid",

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somebody that's not very bright.

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But when we would use it in Ulster-Scots,

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it would be, to my mind, somebody that was stubborn.

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-Aye, "thick and thran".

-Thick and thran.

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"Thran", I think, comes from Scots. I think the initial word is "thra".

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And that meant when you got a beast

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and it threw its heid about,

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you would say it was "brave and thran".

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They'd toss the heid and get into a whole thran,

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and start thranin' with you.

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-And you would get people like that.

-Aye, true.

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And then you have friendship, closeness,

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-where two people could be thick.

-"Friendly"?

-Aye.

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That goes right back to Elizabethan English,

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and it's still in use in ordinary English today.

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The phrase, I think, is "as thick as thieves".

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"Him and her have got very thick lately."

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That doesn't mean they've suddenly become stupid.

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It just means they've become brave and friendly,

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in a very good way, of course.

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But yet, if they fall out, they're not very thin!

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HE LAUGHS

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If only you could be, Gary, that'd be great.

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It would serve me well, too, I can tell you!

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You know, I've never been go-karting before

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and I'm really looking forward to it.

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Maybe it's a good job there's nobody else here.

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Oh, I thought I had this place all to myself.

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-How many times did you boys lap me?

-I stopped counting after a while.

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-How fast were we going in those karts there, Adam?

-Not fast enough.

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I can go a lot faster.

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Adam and Carl Stirling are twa o' three brothers who have been

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big achievers in the sport of go-karting.

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They have won trophies on both the British and the world stage.

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I started when I was eight, so that would have been 2001.

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At first I wasn't the best, to begin, but with time and practice

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I eventually ended up achieving the British Championship.

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I also started when I was eight, in 2002.

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I came third in the World Championship, winning the second round in Alcaniz in Spain.

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And you have another brother, Craig, that races as well, or had been racing?

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And you can't, I believe, start this sport until you're eight.

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-You have to be eight years of age?

-Yes, that has been the case but they've now brought out

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a new class called Bambinos, and I think that starts at five -

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five years to eight years old -

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and then you move into the normal karting then.

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It's just trying to get drivers into karting as soon as possible.

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I was in the normal go-kart you would get

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whenever a crowd of boys goes out on a stag do, or girls go out.

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-What would the difference be?

-Well, for example, just take this section of the kart here.

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You've got the tyre, for instance.

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This tyre would only do two, three races, whereas the tyres you were on

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would maybe be two, three months old.

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The pods, for example,

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these would be much more streamlined to try and get maximum speed out of a kart.

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The top speed of this here, which would be a Senior Max,

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would be 70mph, whereas one of those karts you were in would have been 40mph.

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-I did believe there I was doing quicker than 40.

-THEY LAUGH

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Maybe not.

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So how much would one of these karts cost me if I was buying it?

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This kart here would cost between five and six grand.

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Well, I know you've won lots of trophies, boys,

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but you are holding the two that are maybe the dearest to your hearts.

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Carl, could you tell me what you got this one for?

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This is an MSA Gold Flag and you only get this if you win

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an MSA British Championship - junior or senior.

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And I won mine at a junior level.

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Jenson Button won one of these,

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David Coulthard won one of these.

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And Lewis Hamilton, well, he got a silver one.

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Adam, I see you got this one in 2010.

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It's the FIA CIK Trophy. This is the most important trophy to me

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because I came third in the Under-18 World Championship.

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It's a great honour for someone from this country -

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it's very small and we don't get much recognition,

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so I'm very proud of that there.

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So you don't see me ever coming up behind you

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in one of those big World Championship tracks, no?

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Over the last few weeks, storyteller Will Cromie

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and musician Gibson Young

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have taken us on a really enjoyable tour of the Ards.

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Their journey finishes this week in Ballywalter.

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You know yourself, Gibson, this is my home town

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and where you're born, that's where you belong.

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No matter where you go to, you belong to nowhere else.

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And we're just standing here beside the war memorial.

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Now that, as a war memorial, would be about the oldest of its kind in this country.

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That was built in 1925 and it means a lot to me when I come up to it

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because you'll see, up at the top there, that's my Uncle Davie.

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Now obviously I don't remember him. He was killed in 1917.

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But on the side wall there, for the Second World War,

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my brother David, there.

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Then you'd Harry, a cousin,

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and Bobby, who'd have been a second-cousin.

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That's the three of them up there in the Second World War.

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There are four of them and three of them are related to you?

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-Directly related to me.

-Boyso?

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You remember your brother David going away to the sea?

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I do. I just mind him when I was a wee fellow.

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I mind him with the navy uniform on when he went away down the hill

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and the white hat, you know?

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The Royal Navy?

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The Royal Navy. He took the hat off and he waved

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and shouted back to the family as he went away.

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That was it - he was never seen again.

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Every Remembrance Sunday, I would come down and put a wreath down,

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and go along with the boys there.

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But that's what it's for, to me.

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This is a treacherous bit of water here.

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There were literally hundreds of shipwrecks here over the years,

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especially out there. The yin that they call Skulmartin, just over my shoulder.

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That's it there, with the perch on it.

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From here it looks like a big red pole with a triangle on the top.

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-Yes.

-That was for putting the boys on it if anybody was shipwrecked?

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That was put up there specifically for that purpose.

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You went in through the stepladder onto the platform

0:22:520:22:55

and it was said then it would have held about 20 folks standing up.

0:22:550:23:00

So that meant the boat was wrecked,

0:23:000:23:02

but if they could make that rock, there was a good chance they'd be saved.

0:23:020:23:08

So the harbour was built in 1851

0:23:080:23:11

so the perch had to be in around that time.

0:23:110:23:14

All the other villages had fishermen

0:23:190:23:21

but down here we had the "dully men".

0:23:210:23:23

They were known as that because they gathered the dulse, an edible seaweed.

0:23:230:23:27

And they would have went away out in their wee boats along there,

0:23:270:23:31

out into the rocks, round the back, gathering it in.

0:23:310:23:34

They brought it in here and then carried it up in bags

0:23:340:23:37

and they always spread it on the shingle beach because the wind got in below it,

0:23:370:23:41

and got it perfectly dry.

0:23:410:23:43

They put it into big bales and then it was taken away.

0:23:430:23:47

Transport came and took it away to Belfast.

0:23:470:23:49

They took it to Belfast and then they would have gone up and the boy paid them.

0:23:490:23:53

It was weighed and laid out. "There's your money," and back home.

0:23:530:23:57

Of course, they got on the bus to come home.

0:23:570:23:59

A lot of the money never came home because they stopped in Newtown,

0:23:590:24:03

went into the pub and that was the end of them eating!

0:24:030:24:06

When I look back on it, Gibson,

0:24:150:24:17

you see the wee bit of green? There's an old van on it.

0:24:170:24:20

Those were our what they would have called "half-loft houses".

0:24:200:24:23

The dry toilet was up the yard.

0:24:230:24:26

But then it was easy building.

0:24:260:24:28

They backed onto one another to save building a wall between them.

0:24:280:24:32

The folk could have had a conversation, and you would have been up...

0:24:320:24:35

They called it a "vennel", the wee lane down the back.

0:24:350:24:38

You would have been walking along and the next thing you would have heard a voice from the toilet!

0:24:380:24:43

STRAINING: "Is that you, Bella?"

0:24:430:24:46

And of course, Bella would say, "Aye, it's me!"

0:24:460:24:49

And she'd say, "What's that...m-m-music there?"

0:24:490:24:54

"The wee lass is learning... the piano."

0:24:550:24:58

"Oh, what's that she's playing?"

0:24:580:25:03

"It's... Oh, it's..." What did she say? "..Tchaikovsky."

0:25:030:25:07

And the neighbour said, "Boy, that's a hard bit."

0:25:080:25:11

Well, to finish this week's Santer, Eddi Reader sings us out with the Burns song Winter It Is Past.

0:25:290:25:36

See you next time.

0:25:360:25:37

# Oh, the winter, it is past

0:25:390:25:42

# And the summer's come at last

0:25:440:25:48

# And the small birds are singing in the trees

0:25:480:25:55

# Their little hearts are glad

0:25:560:26:00

# Oh, but I am very sad

0:26:000:26:04

# For my true love is parted from me

0:26:040:26:12

# All you who are in love

0:26:130:26:17

# And cannot it remove

0:26:170:26:21

# I pity all the pain that you endure

0:26:230:26:28

# For experience lets me know

0:26:300:26:34

# That your hearts are full of woe

0:26:340:26:38

# And it's a woe that no mortal can cure

0:26:380:26:45

# My love is like the sun

0:26:460:26:51

# In the firmament does run

0:26:510:26:56

# Is ever constant and true

0:26:560:27:01

# But his is like the moon

0:27:040:27:08

# Aye, it wanders up and doon

0:27:080:27:12

# And is every month changing anew

0:27:120:27:22

SHE HARMONISES

0:27:360:27:38

# Oh, the winter, it is past

0:27:540:27:59

# And the summer's come at last

0:27:590:28:04

# And the small birds start singing in the trees

0:28:040:28:12

# Their little hearts are glad

0:28:120:28:15

# Oh, but I am very sad

0:28:160:28:21

# For my true love is far away from me

0:28:210:28:27

# Their little hearts are blessed

0:28:290:28:33

# Aye, their little lives at rest

0:28:330:28:38

# But my true love is parted from me

0:28:380:28:45

# Oh, the winter, it is past. #

0:28:460:28:53

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