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Hello and welcome to Santer. | 0:00:02 | 0:00:03 | |
On this week's programme, | 0:00:08 | 0:00:10 | |
I try go-karting with the Stirling Brothers from Banbridge. | 0:00:10 | 0:00:13 | |
Jenson Button won one of these, David Coulthard won one of these, and Lewis Hamilton... | 0:00:13 | 0:00:18 | |
well, he got a silver one. | 0:00:18 | 0:00:20 | |
Mark Wilson gets the length of Portpatrick on his musical journey. | 0:00:20 | 0:00:24 | |
In Scotland, a good party is a good ceilidh and a good ceilidh needs good music. | 0:00:24 | 0:00:30 | |
Liam Logan and Gary Blair tell us all about the word "thick". | 0:00:30 | 0:00:35 | |
-That doesn't mean they suddenly become stupid, it just means they have become brave and friendly. -Aye. | 0:00:35 | 0:00:40 | |
In a very good way, of course. | 0:00:40 | 0:00:42 | |
And our tour of the Ards finishes up in Ballywalter. | 0:00:42 | 0:00:45 | |
Of course, they got on the bus to come home and a lot of the money never made it home. | 0:00:45 | 0:00:50 | |
For they stopped in Newtown, went into Tate's Pub and that was the end of the meeting. | 0:00:50 | 0:00:55 | |
Now, before all that, Emma Millar sings Caledonia. | 0:01:01 | 0:01:05 | |
# A sailor and his true love lay doon tae mak their moan | 0:01:15 | 0:01:20 | |
# When in by came ain o their ain countrymen | 0:01:20 | 0:01:23 | |
# Sayin', rise up my bonnie lassie mak haste and come awa | 0:01:23 | 0:01:28 | |
# There's a vessel lying bound for Caledonia | 0:01:28 | 0:01:31 | |
# Oh, said the sailor, are ye willing for tae pay | 0:01:31 | 0:01:36 | |
# Five hundred guineas afore on board ye gae? | 0:01:36 | 0:01:40 | |
# I'll pay them plack and farthing afore on board I go | 0:01:40 | 0:01:44 | |
# If ye'll tak me tae my bonnie Caledonia | 0:01:44 | 0:01:49 | |
# Oh, said the sailor, her money we will tak | 0:01:49 | 0:01:52 | |
# And when we're on the sea, we'll throw her over deck | 0:01:52 | 0:01:57 | |
# Or sell her for a slave lang ere she win ava | 0:01:57 | 0:02:01 | |
# But she'll never see her bonnie Caledonia | 0:02:01 | 0:02:05 | |
# So the captain away tae the fair maid he has gaen | 0:02:23 | 0:02:28 | |
# Says, what is the reason that ye're lying here sae lang? | 0:02:28 | 0:02:32 | |
# An' what is the reason that ye're lying here at all? | 0:02:32 | 0:02:36 | |
# For you've paid your passage dear tae Caledonia? | 0:02:36 | 0:02:41 | |
# Oh, said the lassie, oh, woe is me | 0:02:41 | 0:02:44 | |
# That ever I was born, sic hardships for tae see | 0:02:44 | 0:02:49 | |
# For the sailor's got a lassie he likes better far than me | 0:02:49 | 0:02:53 | |
# And it causes me to weep for Caledonia | 0:02:53 | 0:02:57 | |
# So the captain away to the sailor he has gane | 0:02:57 | 0:03:01 | |
# He's ta'en him by the neck and him overboard has thrown | 0:03:01 | 0:03:06 | |
# Saying, tak this cup o' water though the liquor be but sma' | 0:03:06 | 0:03:10 | |
# And drink your lassie's health tae Caledonia | 0:03:10 | 0:03:14 | |
# They've sailed east and they've sailed west | 0:03:14 | 0:03:18 | |
# Until they reached the land that they a' loved the best | 0:03:18 | 0:03:23 | |
# For the winds they did roar and the seas they did beat | 0:03:23 | 0:03:27 | |
# And they've all arrived safe to Caledonia | 0:03:27 | 0:03:31 | |
# Well, they hadna been there but three quarters o' a year | 0:03:31 | 0:03:35 | |
# When in fine silks and satins he's made her for tae wear | 0:03:35 | 0:03:39 | |
# When in fine silks and satins he's made her for tae go | 0:03:39 | 0:03:43 | |
# Noo she's the captain's wife in Caledonia | 0:03:43 | 0:03:47 | |
# Noo she's the captain's wife in Caledonia. # | 0:03:47 | 0:03:52 | |
Well, Alister, many's the time I've driven by this Dunseverick Castle | 0:04:35 | 0:04:39 | |
and never really thought much about it. Where did it get its name from? | 0:04:39 | 0:04:43 | |
It got its name from Severick. | 0:04:43 | 0:04:45 | |
That was the man who built it, so it's his fortification, | 0:04:45 | 0:04:48 | |
Dun Severick, and Severick was one of the joint High Kings of Ireland. | 0:04:48 | 0:04:53 | |
What happened was that he and his brother divided Ireland between them, basically. | 0:04:57 | 0:05:03 | |
They drew a line from Drogheda across to Limerick. | 0:05:03 | 0:05:06 | |
Severick ran the northern portion of Ireland from here, | 0:05:06 | 0:05:09 | |
and his brother then ran the southern portion from Tara. | 0:05:09 | 0:05:14 | |
It doesn't look like very much now but, when you think of it, 1,500 years before Christ, | 0:05:14 | 0:05:20 | |
this was the administrative centre of the top half of Ireland. | 0:05:20 | 0:05:23 | |
-And had a very significant part in the Kingdom of Dalriada? -Absolutely. | 0:05:23 | 0:05:27 | |
If you jump forward 2,000 years to the fifth century, | 0:05:27 | 0:05:32 | |
Fergus then, who was the first of the Dalriada Kings. | 0:05:32 | 0:05:35 | |
actually, you know, brought The Stone of Destiny from Tara to Dunseverick here | 0:05:35 | 0:05:42 | |
and shipped it out to Dunaad in Scotland, the west coast of Scotland, | 0:05:42 | 0:05:45 | |
which became his new administrative centre of the Kingdom of Dalriada. | 0:05:45 | 0:05:50 | |
And Fergus, of course, was a local man. | 0:05:50 | 0:05:52 | |
And Fergus was the last King to live here, was he? | 0:05:52 | 0:05:55 | |
Yes, he moved his administrative centre to Scotland, to the new centre of the Dalriada Kingdom. | 0:05:55 | 0:06:01 | |
And that Stone of Destiny then wound up in Westminster and used to sit below the Queen's throne | 0:06:01 | 0:06:07 | |
when she was making the Queen's Speech. | 0:06:07 | 0:06:09 | |
But I think around the time of the inauguration | 0:06:09 | 0:06:12 | |
of the Scottish Parliament and Devolution, it was returned to Scotland. | 0:06:12 | 0:06:16 | |
Well, Fergus was the fifth century, of course, Alister. | 0:06:22 | 0:06:25 | |
There must be a whole lot more history after that? | 0:06:25 | 0:06:28 | |
Yes, there is indeed and to summarise it, | 0:06:28 | 0:06:30 | |
you have the Vikings raiding this place in the late 9th century - about 871, we reckon. | 0:06:30 | 0:06:37 | |
And then it's coming into the possession of various local families, | 0:06:37 | 0:06:42 | |
the O'Cahans and the McQuillans. and, of course, the MacDonnells, who were in direct descent | 0:06:42 | 0:06:48 | |
of the Lords of the Isles and who had a chain of fortifications all round this coast, | 0:06:48 | 0:06:53 | |
most famously, latterly at Dunluce right round to Glenarm I suppose, really. | 0:06:53 | 0:06:57 | |
-So when would you think, Alister, was the last time anybody lived in the castle? -I would say 1641, | 0:06:57 | 0:07:04 | |
when it was ransacked by Monroe's incoming Scottish army at the time of the Great Rebellion. | 0:07:04 | 0:07:11 | |
That's all that's left of it - those two walls. But when you think about it, | 0:07:11 | 0:07:16 | |
here's a fortification from which half of Ireland was run | 0:07:16 | 0:07:21 | |
and built 1,525 years before the birth of Christ. | 0:07:21 | 0:07:26 | |
Now, that's ancient Ireland and that's pretty impressive. | 0:07:26 | 0:07:30 | |
Now, what about a wee rhyme from a lass from Balnamore? | 0:07:39 | 0:07:43 | |
Mere Than A Twang. | 0:07:44 | 0:07:47 | |
A've jaist bin considerin' tha wurds that a use | 0:07:47 | 0:07:50 | |
Whun taakin tae freens or expressin' ma views. | 0:07:50 | 0:07:52 | |
Tha Ulster-Scots leid, A'm gye heppy tae taak | 0:07:52 | 0:07:56 | |
Tho thar's aptly sniggerin' gan oan ahint ma bak. | 0:07:56 | 0:07:59 | |
At nicht whun A'm tired, A'll say that A'm daen, | 0:07:59 | 0:08:02 | |
A'll tell fowk A daen richtly if A fin oot A've won, | 0:08:02 | 0:08:06 | |
Tha middle-aged Romeo is jaist a fool oul cod | 0:08:06 | 0:08:09 | |
Splaterin' oor tha dance fleur lake a horse needin' shod. | 0:08:09 | 0:08:12 | |
If A'm coul, A'll be starvin', an no hungry ava | 0:08:12 | 0:08:15 | |
A'm taakin foreign in London but untherstud in Buckna. | 0:08:15 | 0:08:18 | |
Tha moral o tha rhyme is forget society's conventions | 0:08:18 | 0:08:21 | |
An taak tha wye ye aye did wi'oot airs or pretensions. | 0:08:21 | 0:08:24 | |
An be proud tae spake tha leid o tha boul Ulster-Scot | 0:08:25 | 0:08:28 | |
Tha leid so mony o oor nybers haes sadly forgot! | 0:08:28 | 0:08:33 | |
And now to Scotland, where Mark Wilson continues on his musical journey. | 0:08:35 | 0:08:40 | |
A journey which started in Carlisle in England | 0:08:53 | 0:08:56 | |
and took me up into Dumfries | 0:08:56 | 0:08:58 | |
and on into Wigtown | 0:08:58 | 0:09:01 | |
is now taking me further along the path of the exiled border reiver, | 0:09:01 | 0:09:06 | |
towards the coast and the beautiful little harbour town of Portpatrick. | 0:09:06 | 0:09:12 | |
The border reivers, who were exiled from their lands by James I, | 0:09:20 | 0:09:25 | |
they sailed from places up this coast just like Portpatrick | 0:09:25 | 0:09:29 | |
and sailed the 15 miles across to Ulster. | 0:09:30 | 0:09:33 | |
That short distance would eventually become a permanent ferry and transport route. | 0:09:33 | 0:09:39 | |
Hugh Montgomery was granted a charter to control the route | 0:09:39 | 0:09:43 | |
between Portpatrick and Donaghadee | 0:09:43 | 0:09:46 | |
and he also built the Ulster-Scots settlements on the Ards Peninsula. | 0:09:46 | 0:09:50 | |
They traded in all sorts of goods - cattle, sheep, | 0:09:51 | 0:09:56 | |
but it also brought back and forwards between the two lands, | 0:09:56 | 0:09:59 | |
young couples wanting to get married, and here in Portpatrick, | 0:09:59 | 0:10:03 | |
the local ministers really just disregarded the laws | 0:10:03 | 0:10:07 | |
about the reading of banns, about a settled address here in Scotland, | 0:10:07 | 0:10:12 | |
and couples used to sail across here into Portpatrick to get married. | 0:10:12 | 0:10:16 | |
And Portpatrick became known as the Irish Gretna Green. | 0:10:16 | 0:10:20 | |
And of course, with every good wedding, there's a good party. | 0:10:20 | 0:10:26 | |
And in Scotland, a good party is a good ceilidh | 0:10:26 | 0:10:30 | |
and a good ceilidh needs good music. | 0:10:30 | 0:10:33 | |
Fred Morrison, one of the greatest pipers the world has ever known. | 0:10:52 | 0:10:56 | |
Thanks so much, Fred, for coming down and joining me here today in Portpatrick. | 0:10:56 | 0:11:00 | |
-It's an absolute pleasure. -You play highland pipes, you play lowland pipes, | 0:11:00 | 0:11:04 | |
you play reel pipes, whistles, just about everything. | 0:11:04 | 0:11:06 | |
Well, yeah. I started off as a highland piper, that was really my background. | 0:11:06 | 0:11:12 | |
My Dad was a piper and of course, I never played in a band, mind you, but I got into the solo thing | 0:11:12 | 0:11:17 | |
and I did all the big serious competitions and then out in Northern Ireland a lot | 0:11:17 | 0:11:22 | |
doing recitals and all that kind of thing, | 0:11:22 | 0:11:25 | |
before I got into the kind of other pipes and whistles and all that kind of thing. | 0:11:25 | 0:11:29 | |
You're also probably the guy most responsible for the resurgence in lowland piping. | 0:11:37 | 0:11:44 | |
I actually hadn't really heard much about lowland pipes. | 0:11:46 | 0:11:50 | |
It was round about 1992 when I was first approached by a guy - | 0:11:50 | 0:11:56 | |
a very, very respected and very fine maker of pipes - | 0:11:56 | 0:11:59 | |
and he said, "Look, try these pipes." | 0:11:59 | 0:12:01 | |
At the time I was playing with the group Clanalba and I wasn't interested. | 0:12:01 | 0:12:05 | |
I said, "Look, I've got enough on my plate," and all that. | 0:12:05 | 0:12:08 | |
Then I saw him again and he said, "Remember I told you? | 0:12:08 | 0:12:10 | |
"Just have a go at them and I'll give you a good price." | 0:12:10 | 0:12:13 | |
I said, "Look, I don't want them. I can't make it any more clear." | 0:12:13 | 0:12:16 | |
And then a few days later, the postman came and this package arrived and I opened it up. | 0:12:16 | 0:12:23 | |
and this set of pipes was inside and he said, "Just try them anyway," he said - there was a wee note there. | 0:12:23 | 0:12:28 | |
I wasn't convinced but I played them and then I started a wee group | 0:12:28 | 0:12:31 | |
and went on tour and that was it after that. | 0:12:31 | 0:12:35 | |
The thing with the lowland pipes is, of course, that they're a more mellow instrument, for one. | 0:12:48 | 0:12:54 | |
They're kind of the same volume as the accordion, the fiddle, the guitar. | 0:12:54 | 0:13:00 | |
It just hits the spot with other instruments. | 0:13:00 | 0:13:03 | |
And it means that you could walk into any session or folk group | 0:13:03 | 0:13:07 | |
and play with all the others - the fiddles, the accordions. | 0:13:07 | 0:13:09 | |
And that's really had a lot to do with the resurgence of it - | 0:13:09 | 0:13:13 | |
it opened the scope for music. | 0:13:13 | 0:13:14 | |
You weren't just going to the games or going to the competitions. You were doing your own thing. | 0:13:14 | 0:13:19 | |
You could, whether it was social or professional or crossing over or that kind of thing, | 0:13:19 | 0:13:23 | |
there were so many more doors, so many more avenues open to pipers. | 0:13:23 | 0:13:27 | |
Some of the instruments that could play along with it | 0:13:46 | 0:13:49 | |
like the harp, the fiddle, that accompanied | 0:13:49 | 0:13:51 | |
the ballads that they had here maybe 300 and 400 years ago, | 0:13:51 | 0:13:54 | |
that's meant a lot of that music coming to the fore again. | 0:13:54 | 0:13:57 | |
Yeah, the resurgence of bringing the instrument back into play, | 0:13:57 | 0:14:01 | |
you know, of course, will help any resurgence in the lowland culture. | 0:14:01 | 0:14:06 | |
I mean, I think there's a real gap. I think people need to hear it. | 0:14:06 | 0:14:09 | |
It's not the background I come from but I've heard a lot of it. | 0:14:09 | 0:14:13 | |
Beautiful music, and it suits the instrument. | 0:14:13 | 0:14:15 | |
WHOOPING AND APPLAUSE | 0:14:29 | 0:14:33 | |
It was here in Portpatrick that the reivers' Scottish journey | 0:14:33 | 0:14:37 | |
would have ended as they got in their boats | 0:14:37 | 0:14:39 | |
and sailed the 12 or 15 miles across to Ulster. | 0:14:39 | 0:14:43 | |
But I'm not going home yet. I'm going to turn and head northwards | 0:14:43 | 0:14:47 | |
up the west coast in search of even more musical tradition. | 0:14:47 | 0:14:51 | |
And we'll join Mark on his journey throughout the rest of the series | 0:14:51 | 0:14:55 | |
as he heads north to Dunoon | 0:14:55 | 0:14:57 | |
and then on to Campbeltown at the edge of the Mull of Kintyre. | 0:14:57 | 0:15:01 | |
Throughout this series, Gary Blair and Liam Logan | 0:15:06 | 0:15:09 | |
have been looking at the different meanings to words in Ulster-Scots. | 0:15:09 | 0:15:12 | |
So far, you've had "road", "rough" and "big". | 0:15:12 | 0:15:16 | |
This time, the word's "thick". | 0:15:16 | 0:15:18 | |
Of course, Gary, there are some words that mean | 0:15:18 | 0:15:21 | |
something different in Ulster-Scots than they do in English. | 0:15:21 | 0:15:24 | |
Aye, I agree. I know what you're saying. | 0:15:24 | 0:15:26 | |
Words like "thick". | 0:15:26 | 0:15:27 | |
"Thick" would be an excellent example. | 0:15:27 | 0:15:30 | |
Most people, when they use the word "thick" in English, mean "stupid", | 0:15:30 | 0:15:34 | |
somebody that's not very bright. | 0:15:34 | 0:15:36 | |
But when we would use it in Ulster-Scots, | 0:15:36 | 0:15:39 | |
it would be, to my mind, somebody that was stubborn. | 0:15:39 | 0:15:41 | |
-Aye, "thick and thran". -Thick and thran. | 0:15:41 | 0:15:45 | |
"Thran", I think, comes from Scots. I think the initial word is "thra". | 0:15:45 | 0:15:50 | |
And that meant when you got a beast | 0:15:50 | 0:15:54 | |
and it threw its heid about, | 0:15:54 | 0:15:56 | |
you would say it was "brave and thran". | 0:15:56 | 0:15:58 | |
They'd toss the heid and get into a whole thran, | 0:15:58 | 0:16:01 | |
and start thranin' with you. | 0:16:01 | 0:16:02 | |
-And you would get people like that. -Aye, true. | 0:16:02 | 0:16:05 | |
And then you have friendship, closeness, | 0:16:05 | 0:16:07 | |
-where two people could be thick. -"Friendly"? -Aye. | 0:16:07 | 0:16:10 | |
That goes right back to Elizabethan English, | 0:16:10 | 0:16:12 | |
and it's still in use in ordinary English today. | 0:16:12 | 0:16:15 | |
The phrase, I think, is "as thick as thieves". | 0:16:15 | 0:16:17 | |
"Him and her have got very thick lately." | 0:16:17 | 0:16:21 | |
That doesn't mean they've suddenly become stupid. | 0:16:21 | 0:16:24 | |
It just means they've become brave and friendly, | 0:16:24 | 0:16:26 | |
in a very good way, of course. | 0:16:26 | 0:16:28 | |
But yet, if they fall out, they're not very thin! | 0:16:28 | 0:16:30 | |
HE LAUGHS | 0:16:30 | 0:16:32 | |
If only you could be, Gary, that'd be great. | 0:16:32 | 0:16:34 | |
It would serve me well, too, I can tell you! | 0:16:34 | 0:16:36 | |
You know, I've never been go-karting before | 0:16:44 | 0:16:46 | |
and I'm really looking forward to it. | 0:16:46 | 0:16:48 | |
Maybe it's a good job there's nobody else here. | 0:16:50 | 0:16:52 | |
Oh, I thought I had this place all to myself. | 0:17:09 | 0:17:12 | |
-How many times did you boys lap me? -I stopped counting after a while. | 0:17:12 | 0:17:16 | |
-How fast were we going in those karts there, Adam? -Not fast enough. | 0:17:16 | 0:17:20 | |
I can go a lot faster. | 0:17:20 | 0:17:21 | |
Adam and Carl Stirling are twa o' three brothers who have been | 0:17:26 | 0:17:31 | |
big achievers in the sport of go-karting. | 0:17:31 | 0:17:34 | |
They have won trophies on both the British and the world stage. | 0:17:34 | 0:17:37 | |
I started when I was eight, so that would have been 2001. | 0:17:40 | 0:17:44 | |
At first I wasn't the best, to begin, but with time and practice | 0:17:44 | 0:17:47 | |
I eventually ended up achieving the British Championship. | 0:17:47 | 0:17:51 | |
I also started when I was eight, in 2002. | 0:17:54 | 0:17:57 | |
I came third in the World Championship, winning the second round in Alcaniz in Spain. | 0:17:57 | 0:18:02 | |
And you have another brother, Craig, that races as well, or had been racing? | 0:18:02 | 0:18:06 | |
And you can't, I believe, start this sport until you're eight. | 0:18:06 | 0:18:10 | |
-You have to be eight years of age? -Yes, that has been the case but they've now brought out | 0:18:10 | 0:18:14 | |
a new class called Bambinos, and I think that starts at five - | 0:18:14 | 0:18:18 | |
five years to eight years old - | 0:18:18 | 0:18:20 | |
and then you move into the normal karting then. | 0:18:20 | 0:18:22 | |
It's just trying to get drivers into karting as soon as possible. | 0:18:22 | 0:18:27 | |
I was in the normal go-kart you would get | 0:18:34 | 0:18:37 | |
whenever a crowd of boys goes out on a stag do, or girls go out. | 0:18:37 | 0:18:39 | |
-What would the difference be? -Well, for example, just take this section of the kart here. | 0:18:39 | 0:18:46 | |
You've got the tyre, for instance. | 0:18:46 | 0:18:48 | |
This tyre would only do two, three races, whereas the tyres you were on | 0:18:48 | 0:18:52 | |
would maybe be two, three months old. | 0:18:52 | 0:18:54 | |
The pods, for example, | 0:18:54 | 0:18:55 | |
these would be much more streamlined to try and get maximum speed out of a kart. | 0:18:55 | 0:19:00 | |
The top speed of this here, which would be a Senior Max, | 0:19:00 | 0:19:03 | |
would be 70mph, whereas one of those karts you were in would have been 40mph. | 0:19:03 | 0:19:07 | |
-I did believe there I was doing quicker than 40. -THEY LAUGH | 0:19:07 | 0:19:10 | |
Maybe not. | 0:19:10 | 0:19:12 | |
So how much would one of these karts cost me if I was buying it? | 0:19:16 | 0:19:20 | |
This kart here would cost between five and six grand. | 0:19:20 | 0:19:22 | |
Well, I know you've won lots of trophies, boys, | 0:19:29 | 0:19:31 | |
but you are holding the two that are maybe the dearest to your hearts. | 0:19:31 | 0:19:35 | |
Carl, could you tell me what you got this one for? | 0:19:35 | 0:19:37 | |
This is an MSA Gold Flag and you only get this if you win | 0:19:37 | 0:19:41 | |
an MSA British Championship - junior or senior. | 0:19:41 | 0:19:44 | |
And I won mine at a junior level. | 0:19:44 | 0:19:46 | |
Jenson Button won one of these, | 0:19:46 | 0:19:48 | |
David Coulthard won one of these. | 0:19:48 | 0:19:50 | |
And Lewis Hamilton, well, he got a silver one. | 0:19:50 | 0:19:53 | |
Adam, I see you got this one in 2010. | 0:19:56 | 0:19:58 | |
It's the FIA CIK Trophy. This is the most important trophy to me | 0:19:58 | 0:20:02 | |
because I came third in the Under-18 World Championship. | 0:20:02 | 0:20:05 | |
It's a great honour for someone from this country - | 0:20:05 | 0:20:07 | |
it's very small and we don't get much recognition, | 0:20:07 | 0:20:10 | |
so I'm very proud of that there. | 0:20:10 | 0:20:13 | |
So you don't see me ever coming up behind you | 0:20:18 | 0:20:21 | |
in one of those big World Championship tracks, no? | 0:20:21 | 0:20:24 | |
Over the last few weeks, storyteller Will Cromie | 0:20:33 | 0:20:35 | |
and musician Gibson Young | 0:20:35 | 0:20:37 | |
have taken us on a really enjoyable tour of the Ards. | 0:20:37 | 0:20:40 | |
Their journey finishes this week in Ballywalter. | 0:20:40 | 0:20:43 | |
You know yourself, Gibson, this is my home town | 0:20:57 | 0:20:59 | |
and where you're born, that's where you belong. | 0:20:59 | 0:21:02 | |
No matter where you go to, you belong to nowhere else. | 0:21:02 | 0:21:04 | |
And we're just standing here beside the war memorial. | 0:21:04 | 0:21:07 | |
Now that, as a war memorial, would be about the oldest of its kind in this country. | 0:21:07 | 0:21:12 | |
That was built in 1925 and it means a lot to me when I come up to it | 0:21:12 | 0:21:18 | |
because you'll see, up at the top there, that's my Uncle Davie. | 0:21:18 | 0:21:21 | |
Now obviously I don't remember him. He was killed in 1917. | 0:21:21 | 0:21:25 | |
But on the side wall there, for the Second World War, | 0:21:25 | 0:21:28 | |
my brother David, there. | 0:21:28 | 0:21:31 | |
Then you'd Harry, a cousin, | 0:21:31 | 0:21:33 | |
and Bobby, who'd have been a second-cousin. | 0:21:33 | 0:21:35 | |
That's the three of them up there in the Second World War. | 0:21:35 | 0:21:38 | |
There are four of them and three of them are related to you? | 0:21:38 | 0:21:41 | |
-Directly related to me. -Boyso? | 0:21:41 | 0:21:44 | |
You remember your brother David going away to the sea? | 0:21:44 | 0:21:47 | |
I do. I just mind him when I was a wee fellow. | 0:21:47 | 0:21:49 | |
I mind him with the navy uniform on when he went away down the hill | 0:21:49 | 0:21:53 | |
and the white hat, you know? | 0:21:53 | 0:21:54 | |
The Royal Navy? | 0:21:54 | 0:21:56 | |
The Royal Navy. He took the hat off and he waved | 0:21:56 | 0:21:58 | |
and shouted back to the family as he went away. | 0:21:58 | 0:22:01 | |
That was it - he was never seen again. | 0:22:01 | 0:22:04 | |
Every Remembrance Sunday, I would come down and put a wreath down, | 0:22:04 | 0:22:07 | |
and go along with the boys there. | 0:22:07 | 0:22:10 | |
But that's what it's for, to me. | 0:22:10 | 0:22:12 | |
This is a treacherous bit of water here. | 0:22:27 | 0:22:29 | |
There were literally hundreds of shipwrecks here over the years, | 0:22:29 | 0:22:33 | |
especially out there. The yin that they call Skulmartin, just over my shoulder. | 0:22:33 | 0:22:38 | |
That's it there, with the perch on it. | 0:22:38 | 0:22:41 | |
From here it looks like a big red pole with a triangle on the top. | 0:22:41 | 0:22:44 | |
-Yes. -That was for putting the boys on it if anybody was shipwrecked? | 0:22:44 | 0:22:49 | |
That was put up there specifically for that purpose. | 0:22:49 | 0:22:52 | |
You went in through the stepladder onto the platform | 0:22:52 | 0:22:55 | |
and it was said then it would have held about 20 folks standing up. | 0:22:55 | 0:23:00 | |
So that meant the boat was wrecked, | 0:23:00 | 0:23:02 | |
but if they could make that rock, there was a good chance they'd be saved. | 0:23:02 | 0:23:08 | |
So the harbour was built in 1851 | 0:23:08 | 0:23:11 | |
so the perch had to be in around that time. | 0:23:11 | 0:23:14 | |
All the other villages had fishermen | 0:23:19 | 0:23:21 | |
but down here we had the "dully men". | 0:23:21 | 0:23:23 | |
They were known as that because they gathered the dulse, an edible seaweed. | 0:23:23 | 0:23:27 | |
And they would have went away out in their wee boats along there, | 0:23:27 | 0:23:31 | |
out into the rocks, round the back, gathering it in. | 0:23:31 | 0:23:34 | |
They brought it in here and then carried it up in bags | 0:23:34 | 0:23:37 | |
and they always spread it on the shingle beach because the wind got in below it, | 0:23:37 | 0:23:41 | |
and got it perfectly dry. | 0:23:41 | 0:23:43 | |
They put it into big bales and then it was taken away. | 0:23:43 | 0:23:47 | |
Transport came and took it away to Belfast. | 0:23:47 | 0:23:49 | |
They took it to Belfast and then they would have gone up and the boy paid them. | 0:23:49 | 0:23:53 | |
It was weighed and laid out. "There's your money," and back home. | 0:23:53 | 0:23:57 | |
Of course, they got on the bus to come home. | 0:23:57 | 0:23:59 | |
A lot of the money never came home because they stopped in Newtown, | 0:23:59 | 0:24:03 | |
went into the pub and that was the end of them eating! | 0:24:03 | 0:24:06 | |
When I look back on it, Gibson, | 0:24:15 | 0:24:17 | |
you see the wee bit of green? There's an old van on it. | 0:24:17 | 0:24:20 | |
Those were our what they would have called "half-loft houses". | 0:24:20 | 0:24:23 | |
The dry toilet was up the yard. | 0:24:23 | 0:24:26 | |
But then it was easy building. | 0:24:26 | 0:24:28 | |
They backed onto one another to save building a wall between them. | 0:24:28 | 0:24:32 | |
The folk could have had a conversation, and you would have been up... | 0:24:32 | 0:24:35 | |
They called it a "vennel", the wee lane down the back. | 0:24:35 | 0:24:38 | |
You would have been walking along and the next thing you would have heard a voice from the toilet! | 0:24:38 | 0:24:43 | |
STRAINING: "Is that you, Bella?" | 0:24:43 | 0:24:46 | |
And of course, Bella would say, "Aye, it's me!" | 0:24:46 | 0:24:49 | |
And she'd say, "What's that...m-m-music there?" | 0:24:49 | 0:24:54 | |
"The wee lass is learning... the piano." | 0:24:55 | 0:24:58 | |
"Oh, what's that she's playing?" | 0:24:58 | 0:25:03 | |
"It's... Oh, it's..." What did she say? "..Tchaikovsky." | 0:25:03 | 0:25:07 | |
And the neighbour said, "Boy, that's a hard bit." | 0:25:08 | 0:25:11 | |
Well, to finish this week's Santer, Eddi Reader sings us out with the Burns song Winter It Is Past. | 0:25:29 | 0:25:36 | |
See you next time. | 0:25:36 | 0:25:37 | |
# Oh, the winter, it is past | 0:25:39 | 0:25:42 | |
# And the summer's come at last | 0:25:44 | 0:25:48 | |
# And the small birds are singing in the trees | 0:25:48 | 0:25:55 | |
# Their little hearts are glad | 0:25:56 | 0:26:00 | |
# Oh, but I am very sad | 0:26:00 | 0:26:04 | |
# For my true love is parted from me | 0:26:04 | 0:26:12 | |
# All you who are in love | 0:26:13 | 0:26:17 | |
# And cannot it remove | 0:26:17 | 0:26:21 | |
# I pity all the pain that you endure | 0:26:23 | 0:26:28 | |
# For experience lets me know | 0:26:30 | 0:26:34 | |
# That your hearts are full of woe | 0:26:34 | 0:26:38 | |
# And it's a woe that no mortal can cure | 0:26:38 | 0:26:45 | |
# My love is like the sun | 0:26:46 | 0:26:51 | |
# In the firmament does run | 0:26:51 | 0:26:56 | |
# Is ever constant and true | 0:26:56 | 0:27:01 | |
# But his is like the moon | 0:27:04 | 0:27:08 | |
# Aye, it wanders up and doon | 0:27:08 | 0:27:12 | |
# And is every month changing anew | 0:27:12 | 0:27:22 | |
SHE HARMONISES | 0:27:36 | 0:27:38 | |
# Oh, the winter, it is past | 0:27:54 | 0:27:59 | |
# And the summer's come at last | 0:27:59 | 0:28:04 | |
# And the small birds start singing in the trees | 0:28:04 | 0:28:12 | |
# Their little hearts are glad | 0:28:12 | 0:28:15 | |
# Oh, but I am very sad | 0:28:16 | 0:28:21 | |
# For my true love is far away from me | 0:28:21 | 0:28:27 | |
# Their little hearts are blessed | 0:28:29 | 0:28:33 | |
# Aye, their little lives at rest | 0:28:33 | 0:28:38 | |
# But my true love is parted from me | 0:28:38 | 0:28:45 | |
# Oh, the winter, it is past. # | 0:28:46 | 0:28:53 | |
Subtitles by Red Bee Media Ltd | 0:28:53 | 0:28:54 | |
E-mail [email protected] | 0:28:54 | 0:28:56 |