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In my line of work, I'm lucky enough to meet really interesting people | 0:00:02 | 0:00:06 | |
'and in this series, I'm going to share with you | 0:00:06 | 0:00:08 | |
'some of the most moving stories I've ever heard. | 0:00:08 | 0:00:12 | |
'You may laugh, you may cry,' | 0:00:12 | 0:00:14 | |
but one thing's for sure - | 0:00:14 | 0:00:15 | |
you'll definitely be touched by what they have to say. I know I was. | 0:00:15 | 0:00:20 | |
She was my ma, my dad, my protector. | 0:00:20 | 0:00:24 | |
Hugo Duncan is the Marmite of radio. You either love him or loathe him. | 0:00:24 | 0:00:29 | |
It's your Uncle Coo! | 0:00:29 | 0:00:30 | |
But behind the smile, his life has had as many twists and turns | 0:00:30 | 0:00:35 | |
as the road to Strabane he travels every day. | 0:00:35 | 0:00:38 | |
I was a real bastard, by name and by nature, at this stage. | 0:00:38 | 0:00:41 | |
He was popularly known, to be fair, as Drunken Duncan, like, | 0:00:41 | 0:00:45 | |
there was no question about that. | 0:00:45 | 0:00:46 | |
He wasn't at home. | 0:00:46 | 0:00:48 | |
-Because he was out on the road? -Aye, or he was in the pub. | 0:00:48 | 0:00:51 | |
One thing's for sure - | 0:00:51 | 0:00:52 | |
there's much more to the wee man from Strabane than meets the eye. | 0:00:52 | 0:00:56 | |
"I just want to ask you a question," I said. "I just want to know, | 0:00:56 | 0:00:59 | |
"are you my father or not?" He just looked up and never spoke to me, | 0:00:59 | 0:01:02 | |
he never said nothing to me, at all. | 0:01:02 | 0:01:04 | |
# The day that the rain came down... # | 0:01:41 | 0:01:44 | |
It's the wettest day of a very wet summer | 0:01:44 | 0:01:47 | |
and Sod's Law - we've turned up to film. | 0:01:47 | 0:01:50 | |
But rain hasn't dampened Hugo's spirit. | 0:01:50 | 0:01:53 | |
He's a natural performer. | 0:01:53 | 0:01:55 | |
# Well, I'm praying for sun in old Fermanagh... # | 0:01:55 | 0:02:00 | |
'The skies opened up about 12:30 | 0:02:00 | 0:02:02 | |
'and we were stuck here in the middle of it. | 0:02:02 | 0:02:04 | |
'We didn't know if we'd be able to go on with it or not' | 0:02:04 | 0:02:06 | |
and when we started, there would have been about... | 0:02:06 | 0:02:09 | |
I'd say a dozen people there. | 0:02:09 | 0:02:10 | |
Hello, and welcome to the glorious, sunny Belcoo! | 0:02:10 | 0:02:14 | |
CHEERING | 0:02:14 | 0:02:17 | |
Here we go! | 0:02:19 | 0:02:21 | |
# Sha-la-la la-la-la-la-la... # | 0:02:21 | 0:02:25 | |
Do you know, Hugo, I promise you, I'm not going to bullshit you. | 0:02:25 | 0:02:28 | |
I'm not going to compliment you, just for the sake of it. | 0:02:28 | 0:02:31 | |
I wouldn't want it. | 0:02:31 | 0:02:32 | |
There is no other broadcaster in BBC Northern Ireland | 0:02:32 | 0:02:37 | |
that would have pulled that crowd, in that rain. It was bucketing down | 0:02:37 | 0:02:41 | |
-and they came out for you. -I get very embarrassed when you say that. | 0:02:41 | 0:02:44 | |
If you see, my face is blazing. I'm very, very lucky. | 0:02:44 | 0:02:47 | |
'Me going out there, it's not like work, at all.' | 0:02:47 | 0:02:49 | |
# Well, I just dropped in last week from down in Nashville... # | 0:02:49 | 0:02:54 | |
'I remember going up, Christmas, about 12 months ago | 0:02:54 | 0:02:56 | |
'and the snow was piled up each side of the motorway | 0:02:56 | 0:02:58 | |
and there was hard ice and all that, | 0:02:58 | 0:03:00 | |
and I looked into the mirror of the car myself, and I says, | 0:03:00 | 0:03:05 | |
-I know you can't say this, but I says, -"BLEEP -me, I love this." | 0:03:05 | 0:03:09 | |
# Open up your heart and let my love in... # | 0:03:09 | 0:03:13 | |
He's a natural performer, happy to do a turn, at the drop of a hat. | 0:03:13 | 0:03:19 | |
'If I see a stage anywhere, I just want to get on it. It's like a drug. | 0:03:19 | 0:03:24 | |
'This is where I feel comfortable. This is me being me.' | 0:03:24 | 0:03:27 | |
Go for it, go for it! Yo! | 0:03:27 | 0:03:30 | |
'I can't do nothing else.' | 0:03:30 | 0:03:32 | |
I don't want to do anything else. Do you know something? | 0:03:32 | 0:03:35 | |
I've never been on holidays. | 0:03:35 | 0:03:36 | |
-I never, because... -Ach, Hugo, you've never been on holiday? | 0:03:36 | 0:03:39 | |
I went to Nashville to record TV, I went to Nashville to record... | 0:03:39 | 0:03:42 | |
-But part work. -No. | 0:03:42 | 0:03:44 | |
Full stop. No. | 0:03:44 | 0:03:46 | |
No lies, thanks. | 0:03:46 | 0:03:48 | |
# Now yesterday's gone Sweet Jesus... # | 0:03:48 | 0:03:53 | |
Well, during this journey I'm on with you, | 0:03:53 | 0:03:55 | |
I want to try to get behind that smile. | 0:03:55 | 0:03:58 | |
The reason I work is because I'm frightened to leave a gap, | 0:03:58 | 0:04:02 | |
because when I leave a gap, | 0:04:02 | 0:04:03 | |
I get a wee bit lonely. | 0:04:03 | 0:04:05 | |
I get a wee bit bored, I get a wee bit down, | 0:04:05 | 0:04:08 | |
and I fill my life with work. Is that what's happening to you? | 0:04:08 | 0:04:11 | |
Stephen, we could be twins, only I'm a bit older. | 0:04:11 | 0:04:14 | |
-Is it what's happening? -Same thing. | 0:04:14 | 0:04:16 | |
And every time you're away, you're worrying. | 0:04:16 | 0:04:19 | |
It's not healthy, though, is it? | 0:04:19 | 0:04:20 | |
But you worry, you go away, and I'm being honest with you, | 0:04:20 | 0:04:23 | |
you go away at times and, you know, | 0:04:23 | 0:04:26 | |
you say, God, maybe they might think, | 0:04:26 | 0:04:28 | |
"Sure, we've done without him for a fortnight, | 0:04:28 | 0:04:30 | |
"we'll do without him for the rest of the schedule, you know?" | 0:04:30 | 0:04:33 | |
You've nobody to dance with? | 0:04:33 | 0:04:35 | |
Not a big wonder! | 0:04:35 | 0:04:37 | |
# Do you remember... # | 0:04:41 | 0:04:43 | |
62 years ago, Hugh Anthony Duncan was born | 0:04:45 | 0:04:49 | |
at the head of the town in Strabane. | 0:04:49 | 0:04:52 | |
He's never lived anywhere else, nor does he ever plan to. | 0:04:52 | 0:04:55 | |
This is his home. | 0:04:55 | 0:04:58 | |
But it wasn't the best of starts for baby Hugo. | 0:04:58 | 0:05:01 | |
His mother, wee Susie, wasn't married, | 0:05:01 | 0:05:04 | |
and in the Catholic community in the 1950s, | 0:05:04 | 0:05:07 | |
that was altogether quite shocking. | 0:05:07 | 0:05:10 | |
I remember one day standing down, there used to be an old cafe | 0:05:10 | 0:05:12 | |
in the Main Street in Strabane, called the Windmill Cafe. | 0:05:12 | 0:05:15 | |
And this woman walked round, | 0:05:15 | 0:05:16 | |
and I was about seven or eight years of age, a wee thing | 0:05:16 | 0:05:19 | |
standing with my ma, and this woman says, "You know, he's well like..." | 0:05:19 | 0:05:23 | |
She says, "You can say, cos he knows about it, anyway," | 0:05:23 | 0:05:25 | |
-Because my ma told me, from the word go. -Did she? | 0:05:25 | 0:05:27 | |
Oh, aye, my ma never held back to me. | 0:05:27 | 0:05:29 | |
-My ma told me from when I was... -How did she explain to you? | 0:05:29 | 0:05:32 | |
She didn't explain the nitty-gritty part of it, | 0:05:32 | 0:05:34 | |
but she explained that I had no daddy. | 0:05:34 | 0:05:36 | |
But he did have a daddy, one who lived just down the road. | 0:05:44 | 0:05:47 | |
I've asked Hugo to take me to his father's house. | 0:05:47 | 0:05:50 | |
On down there, to your left, again. | 0:05:53 | 0:05:54 | |
It's just over there now, to your... | 0:05:59 | 0:06:01 | |
to your side there, Stephen, the gable house, | 0:06:01 | 0:06:05 | |
-and... -Will we get out? | 0:06:05 | 0:06:07 | |
No. | 0:06:07 | 0:06:09 | |
It's got no fond memories for me. | 0:06:09 | 0:06:11 | |
'Hugo grew up just a few miles from here.' | 0:06:12 | 0:06:15 | |
One night, in the early '80s, he decided it was time to meet his dad. | 0:06:15 | 0:06:21 | |
I'd never met the man that they called father, and... | 0:06:21 | 0:06:25 | |
I suppose I wanted to meet him, | 0:06:27 | 0:06:28 | |
just for the sake of clarifying | 0:06:28 | 0:06:32 | |
the fact that if he was my father, if he wasn't, | 0:06:32 | 0:06:35 | |
so I wanted to ask him that, that's all I wanted to ask him, and... | 0:06:35 | 0:06:39 | |
I went over and knocked the door myself, and his wife came out, | 0:06:39 | 0:06:41 | |
God bless her, and I got to know her afterwards, | 0:06:41 | 0:06:45 | |
and she says "He's not in," and I said, "Excuse me, can I go in?" | 0:06:45 | 0:06:48 | |
And I went on in, and he was sitting, and... | 0:06:48 | 0:06:51 | |
So here were you in your early twenties, | 0:06:51 | 0:06:53 | |
walking in to speak to your dad, for the first time. | 0:06:53 | 0:06:56 | |
Yeah. And I asked... | 0:06:56 | 0:06:59 | |
I asked, "Could I... I just want to ask you a question. | 0:07:02 | 0:07:05 | |
"I just want to know, are you my father or are you not?" | 0:07:05 | 0:07:07 | |
His wife said, "He's not your father." She said a few things. | 0:07:07 | 0:07:12 | |
The next thing was... | 0:07:12 | 0:07:14 | |
He just looked up and he never spoke to me, | 0:07:14 | 0:07:16 | |
he never said nothing to me at all, and just nodded his head, like that. | 0:07:16 | 0:07:19 | |
Hugo never spoke again to his father | 0:07:25 | 0:07:29 | |
and his father went to his grave | 0:07:29 | 0:07:31 | |
never, ever having said a word to his son. | 0:07:31 | 0:07:34 | |
On the surface, post-war Strabane didn't have a lot going for it. | 0:07:44 | 0:07:49 | |
# Oh, my papa... # | 0:07:49 | 0:07:52 | |
High unemployment meant that money was in short supply, | 0:07:54 | 0:07:57 | |
and with no father to provide, | 0:07:57 | 0:08:00 | |
it can't have been easy for Susie and young Hugo. | 0:08:00 | 0:08:03 | |
# To me, he was so good... # | 0:08:03 | 0:08:07 | |
Well, now, I'm told that through these doors is your old classroom. | 0:08:08 | 0:08:12 | |
Come on. | 0:08:12 | 0:08:13 | |
Do you want to sit in the seat and see if you still fit? | 0:08:15 | 0:08:18 | |
If it goes down, sure, we'll charge it to you! | 0:08:18 | 0:08:21 | |
-Look at that. -Look at that, boy. | 0:08:21 | 0:08:24 | |
As a wee child, you would have been sitting down here. | 0:08:24 | 0:08:27 | |
I would've said, if you and I had sat together, | 0:08:27 | 0:08:29 | |
-we'd have been two bad wee articles! -And I hear you would have done... | 0:08:29 | 0:08:32 | |
CONVERSATION FADES OUT | 0:08:32 | 0:08:34 | |
-Now, what's this? -What year did I come here? | 0:08:37 | 0:08:40 | |
I don't know, you tell me. There's '56. | 0:08:40 | 0:08:43 | |
It must be around that, 56. | 0:08:43 | 0:08:44 | |
STEPHEN LAUGHS | 0:08:44 | 0:08:45 | |
Where am I? Look, look at the very top there. Read it out. | 0:08:45 | 0:08:49 | |
"First of the seventh, 1957." | 0:08:49 | 0:08:52 | |
"Duncan, Hugh Anthony." | 0:08:52 | 0:08:54 | |
Do you know what I've noticed in that book? | 0:08:54 | 0:08:56 | |
If you look at the pupils who are registered beside you, | 0:08:56 | 0:08:59 | |
it's their father's name, father's name | 0:08:59 | 0:09:02 | |
and beside you, "Susan." | 0:09:02 | 0:09:04 | |
That's right. | 0:09:04 | 0:09:05 | |
You're going to get me going again. | 0:09:07 | 0:09:10 | |
That's the way it was. | 0:09:10 | 0:09:11 | |
She was my ma, my da, | 0:09:13 | 0:09:15 | |
my protector. | 0:09:15 | 0:09:17 | |
When you see your mum's name there, | 0:09:18 | 0:09:20 | |
what's in your head? | 0:09:20 | 0:09:22 | |
It's... It's very emotional. | 0:09:24 | 0:09:26 | |
Very, very emotional, | 0:09:26 | 0:09:28 | |
and there's so many thoughts going through my mind | 0:09:28 | 0:09:31 | |
and, you know, this is reality | 0:09:31 | 0:09:34 | |
and this brings it back. | 0:09:34 | 0:09:36 | |
That woman was, she was rearing me on maybe £3 or £4 a week. | 0:09:36 | 0:09:41 | |
She went out and she did home help. | 0:09:42 | 0:09:44 | |
She went out and cleaned two or three houses a week, | 0:09:44 | 0:09:47 | |
to get money for me, to go out and to keep me, | 0:09:47 | 0:09:50 | |
and if I wanted anything, I got it. | 0:09:50 | 0:09:52 | |
It shouldn't have been so, given there was no father figure | 0:09:55 | 0:09:59 | |
and very little money in the house, | 0:09:59 | 0:10:01 | |
but Hugo's early life sounds idyllic. | 0:10:01 | 0:10:05 | |
He and wee Susie were inseparable and totally devoted to each other. | 0:10:05 | 0:10:09 | |
So many great feelings when I walk in here, just look around me. | 0:10:11 | 0:10:14 | |
It takes me away back. | 0:10:14 | 0:10:16 | |
I won medals here, for singing, | 0:10:24 | 0:10:26 | |
and I won medals for Irish dancing. | 0:10:26 | 0:10:28 | |
'I know you wouldn't think to look at my figure nowadays, | 0:10:33 | 0:10:36 | |
'but I could dance.' | 0:10:36 | 0:10:38 | |
My whole life was here. | 0:10:40 | 0:10:42 | |
It was like an egg, a small egg, and everything was inside that wee shell. | 0:10:42 | 0:10:47 | |
The shell just was here, | 0:10:47 | 0:10:50 | |
head of the town, the school, | 0:10:50 | 0:10:53 | |
the chapel, here. | 0:10:53 | 0:10:55 | |
This was the best times. | 0:10:57 | 0:10:59 | |
My mother used to make the tea downstairs | 0:11:02 | 0:11:05 | |
and she worked with two sisters, called Katie and May Slavin, | 0:11:05 | 0:11:09 | |
and they use to make the tea. | 0:11:09 | 0:11:10 | |
There was a wee stage up there, and I sang on the stage. | 0:11:11 | 0:11:14 | |
I performed Buttons in the pantomime on the stage, | 0:11:14 | 0:11:17 | |
I sung at every guest tea. | 0:11:17 | 0:11:18 | |
It wasn't more of a guest at a guest tea, it was more of a torture. | 0:11:18 | 0:11:22 | |
I had to get singing all the time | 0:11:22 | 0:11:24 | |
and my ma was pushing me up and pushing me up to sing and... | 0:11:24 | 0:11:27 | |
This is... This is me. | 0:11:29 | 0:11:31 | |
'It's just full of memories.' | 0:11:35 | 0:11:38 | |
You'd love to be able to turn the clock back | 0:11:38 | 0:11:41 | |
and meet all the lovely people you met when you were younger | 0:11:41 | 0:11:45 | |
and you hadn't a problem in the world. | 0:11:45 | 0:11:47 | |
Hugo was growing up at a time when the showband craze was at its peak. | 0:11:55 | 0:11:59 | |
One of the biggest bands in the country, the Clipper Carlton, | 0:11:59 | 0:12:03 | |
was from his hometown. | 0:12:03 | 0:12:05 | |
He left school with no qualifications | 0:12:05 | 0:12:08 | |
and found himself working in the local factory | 0:12:08 | 0:12:11 | |
but his dream was to make it as a singer. | 0:12:11 | 0:12:13 | |
-# Is there water in the well? -Is there water in the well? -# | 0:12:13 | 0:12:17 | |
I went to all these talent competitions | 0:12:17 | 0:12:19 | |
and I never won a talent competition. I was always "also ran." "Also ran." | 0:12:19 | 0:12:23 | |
Not one for giving up, | 0:12:25 | 0:12:26 | |
Hugo was soon singing part-time with a local band, The Melody Aces. | 0:12:26 | 0:12:31 | |
He couldn't pack in the factory job just yet, though, | 0:12:31 | 0:12:35 | |
because he had fallen in love. | 0:12:35 | 0:12:37 | |
Hugo and Joan got married in 1970, | 0:12:37 | 0:12:41 | |
two weeks after his 20th birthday. | 0:12:41 | 0:12:45 | |
It was a month that would change his life. | 0:12:45 | 0:12:47 | |
This is where the wee woman is, then. Brought me into the world. | 0:12:49 | 0:12:53 | |
'I was 20 on the 26th of March. | 0:12:55 | 0:12:58 | |
'The following Thursday, the 2nd of April, I was married. | 0:13:00 | 0:13:03 | |
'And the following Thursday fortnight, the 16th of April, | 0:13:03 | 0:13:07 | |
'I was holding the candle in my mammy's hand | 0:13:07 | 0:13:10 | |
'and praying in her ear. She was dying. All inside a month.' | 0:13:10 | 0:13:13 | |
So, that's what life's about. | 0:13:16 | 0:13:18 | |
-But she got to see you getting married. -She did. | 0:13:23 | 0:13:27 | |
And it's funny, I danced with her that day. This is the God's truth. | 0:13:27 | 0:13:30 | |
I took her out for a dance that day | 0:13:30 | 0:13:32 | |
and the minute I put my arms around her, I started to cry | 0:13:32 | 0:13:36 | |
and I cried, and I cried | 0:13:36 | 0:13:39 | |
-and I cried. -Why? | 0:13:39 | 0:13:41 | |
I'm one of these people, I get these, I get these premonitions, | 0:13:42 | 0:13:47 | |
and I cried. | 0:13:47 | 0:13:48 | |
And I went on my honeymoon on the Thursday | 0:13:50 | 0:13:52 | |
and I came back on the Sunday, I couldn't stay away. | 0:13:52 | 0:13:56 | |
Just didn't want to stay away. Three days' honeymoon. | 0:13:56 | 0:13:58 | |
-Didn't want to stay away from your own mum? -Couldn't stay away. | 0:13:58 | 0:14:01 | |
I just felt there was something wrong. | 0:14:01 | 0:14:03 | |
That week, she was very ill, | 0:14:03 | 0:14:05 | |
and I came home that night. | 0:14:05 | 0:14:07 | |
Mass at eight, Thursday morning. | 0:14:07 | 0:14:09 | |
And I was going to my bed. | 0:14:10 | 0:14:12 | |
But we had the old roller blinds on the front of the wee house | 0:14:13 | 0:14:17 | |
and the blind was down for about... | 0:14:17 | 0:14:20 | |
maybe five or ten minutes. | 0:14:20 | 0:14:22 | |
And the next thing, the blind just... | 0:14:22 | 0:14:25 | |
rolled up, | 0:14:25 | 0:14:27 | |
and I looked at Joan, and I says, "My ma." | 0:14:27 | 0:14:30 | |
And she died that day, at half 12. | 0:14:32 | 0:14:34 | |
I went down, she died. I was just two weeks married, | 0:14:34 | 0:14:38 | |
and I used to be lying up in bed, then after we buried her, | 0:14:38 | 0:14:40 | |
me lying up in the morning and me shouting, "Ma!" | 0:14:40 | 0:14:43 | |
Just a normal thing to do, "Ma," | 0:14:43 | 0:14:44 | |
because Ma, if I wanted anything, Ma got it. Ma, Ma, Ma. | 0:14:44 | 0:14:48 | |
And I didn't realise for long enough that she was gone. | 0:14:48 | 0:14:51 | |
I've got a place booked beside her. | 0:14:55 | 0:14:57 | |
# I go to church on a Sunday | 0:15:01 | 0:15:08 | |
# The vows that I make, I break them on a Monday... # | 0:15:08 | 0:15:15 | |
Within weeks of Susie's death, | 0:15:15 | 0:15:17 | |
the newlywed Hugo had joined The Tallmen. | 0:15:17 | 0:15:21 | |
Finally, a full-time job with a showband. | 0:15:21 | 0:15:24 | |
His career took off. | 0:15:24 | 0:15:26 | |
I recorded a wee song called Dear God, | 0:15:26 | 0:15:29 | |
and I sung it in this wee voice, wee virgin voice. | 0:15:29 | 0:15:32 | |
# Dear God... # | 0:15:32 | 0:15:36 | |
And I sung away like a good 'un, | 0:15:36 | 0:15:38 | |
and it worked and, for the first four or five years, | 0:15:38 | 0:15:41 | |
We had about ten songs in the top ten in Ireland. | 0:15:41 | 0:15:45 | |
So you were tasting success. | 0:15:45 | 0:15:47 | |
I was tasting success, and I was tasting a lot more than success! | 0:15:47 | 0:15:51 | |
My God, was I what! | 0:15:53 | 0:15:55 | |
# And I'm off to Lisdoonvarna... # | 0:15:55 | 0:15:58 | |
Singing for The Tallmen was living the dream for Hugo, | 0:15:58 | 0:16:02 | |
but he was constantly on the road - | 0:16:02 | 0:16:04 | |
yes, working hard, but playing hard, too. | 0:16:04 | 0:16:07 | |
By now, he was drinking day and night. | 0:16:07 | 0:16:11 | |
Hugo quite simply was out of control. | 0:16:11 | 0:16:14 | |
He was, kind of, a half an problem since we met him, wasn't he, John? | 0:16:16 | 0:16:20 | |
His managers still remember how bad things were. | 0:16:20 | 0:16:23 | |
He was popularly known, to be fair, as Drunken Duncan, | 0:16:23 | 0:16:25 | |
like, you know, there was no question about that, you accepted. | 0:16:25 | 0:16:28 | |
-Drunken Duncan? -Yeah. -That's right. -It's not a great image. | 0:16:28 | 0:16:31 | |
No, it was a problem the fella had, like, you know. | 0:16:31 | 0:16:34 | |
Brandy, when he was flush, and when things were running short, | 0:16:34 | 0:16:39 | |
he'd be down on the wine, like, you know. | 0:16:39 | 0:16:41 | |
I used to drink poteen, and she had you to some tune, boy, | 0:16:42 | 0:16:46 | |
and she would send you off, but I enjoyed it, you know? | 0:16:46 | 0:16:49 | |
Lots of people, Hugo, who I've been talking to, | 0:16:49 | 0:16:52 | |
have told me you were a happy drunk. | 0:16:52 | 0:16:54 | |
I was. | 0:16:54 | 0:16:56 | |
You enjoyed the drink, and people around you enjoyed you drunk? | 0:16:56 | 0:17:00 | |
I enjoyed the buzz of people. I used to go into a bar in Strabane | 0:17:00 | 0:17:02 | |
and the bars used to be packed then, | 0:17:02 | 0:17:04 | |
because I used to say, "Give the bar a drink." | 0:17:04 | 0:17:06 | |
John Wayne was the worst thing I ever seen, because John Wayne said, | 0:17:06 | 0:17:09 | |
"Give the bar a drink", so I thought I was John Wayne most of the time. | 0:17:09 | 0:17:12 | |
But while Hugo was living it up on the road, | 0:17:15 | 0:17:17 | |
his daughter Suzanne, born in 1971, | 0:17:17 | 0:17:21 | |
was in Strabane | 0:17:21 | 0:17:22 | |
and, just like Hugo, she was growing up without her daddy. | 0:17:22 | 0:17:26 | |
He wasn't at home. That was the main thing, he wasn't at home. | 0:17:30 | 0:17:34 | |
-Because he was out on the road? -Aye, or he was in the pub. | 0:17:34 | 0:17:37 | |
And I spent whole days in the pub, you know, | 0:17:37 | 0:17:39 | |
when I was off, I would have went to the pub | 0:17:39 | 0:17:42 | |
at maybe ten or 11 in the morning, | 0:17:42 | 0:17:45 | |
came home at five or six in the afternoon, | 0:17:45 | 0:17:48 | |
and away down again that night. | 0:17:48 | 0:17:51 | |
At what point, Suzanne, did you realise your dad had a problem? | 0:17:51 | 0:17:54 | |
I think I always did. | 0:17:56 | 0:17:57 | |
-I always did, to be honest with you. -Why? | 0:17:57 | 0:18:01 | |
Because of him always lying on the sofa, being drunk | 0:18:01 | 0:18:06 | |
and being in the pub all the time, | 0:18:06 | 0:18:08 | |
but he was very sociable, you know. | 0:18:08 | 0:18:11 | |
I would say, sometimes he could have been in the pub, | 0:18:11 | 0:18:13 | |
I'm not saying he wasn't drinking, but it just had to be a place to be, | 0:18:13 | 0:18:16 | |
all the friends, everybody was there that he knew. | 0:18:16 | 0:18:19 | |
They might have been dropping in and out | 0:18:19 | 0:18:21 | |
where he was there the whole day, you know? But... | 0:18:21 | 0:18:24 | |
But at one time, the time I was in hospital, I remember it. | 0:18:24 | 0:18:28 | |
I got my appendix out and I came home, | 0:18:28 | 0:18:30 | |
and we went to the pub on my way home from the hospital. | 0:18:30 | 0:18:32 | |
-What? -Aye. That was that. | 0:18:32 | 0:18:35 | |
-I had to celebrate her coming out of hospital. -Me, with my stitches in. | 0:18:35 | 0:18:39 | |
Can you tell your dad what it means, | 0:18:39 | 0:18:41 | |
what effect, what impact it has on a child | 0:18:41 | 0:18:45 | |
having someone coming home drunk constantly, or in the pub, drunk? | 0:18:45 | 0:18:51 | |
You just don't feel like... | 0:18:51 | 0:18:54 | |
You feel like you're on your own. | 0:18:54 | 0:18:56 | |
You really don't know what it's like till you live with it yourself. | 0:18:56 | 0:19:00 | |
As a young man, with all of that attention, success, | 0:19:00 | 0:19:04 | |
did he lose the run of himself? | 0:19:04 | 0:19:06 | |
It was a person who, at that time, | 0:19:06 | 0:19:08 | |
might have had his priorities slightly wrong. | 0:19:08 | 0:19:10 | |
Spit it out, what do you mean? | 0:19:10 | 0:19:12 | |
I mean, by that time, he had the emphasis | 0:19:12 | 0:19:15 | |
on the social side of things rather than the business side of things. | 0:19:15 | 0:19:20 | |
Hugo would have been more interested than the pub he was singing in | 0:19:20 | 0:19:23 | |
before he went to the dancing, the crowd that was at the dance, | 0:19:23 | 0:19:26 | |
even though he was getting no money for singing a few songs in the pub, | 0:19:26 | 0:19:29 | |
but it was more important that the people there enjoyed them, | 0:19:29 | 0:19:32 | |
than the people who paid in to enjoy him, like, you know? | 0:19:32 | 0:19:34 | |
And as Hugo toured the length and breadth of the country, | 0:19:34 | 0:19:38 | |
he was leaving a trail of destruction in his wake. | 0:19:38 | 0:19:42 | |
So when you were drinking, you were driving? | 0:19:42 | 0:19:44 | |
At times. There's no point lying about the thing. I was, aye. | 0:19:44 | 0:19:48 | |
-I would have went through about 17 cars. -No? -Aye. | 0:19:51 | 0:19:55 | |
17 cars, what? Sorry, 17 cars what - written off? | 0:19:55 | 0:19:59 | |
Not written off, but hit and damaged, | 0:19:59 | 0:20:02 | |
-you know, not written off, but... -17 car crashes, Hugo? -Yeah. | 0:20:02 | 0:20:05 | |
Well, maybe just over hedges or something like that, on my own, | 0:20:05 | 0:20:09 | |
-with nobody else involved. -Talk me through some of the 17. | 0:20:09 | 0:20:13 | |
Ach, well, I had a new Triumph Dolomite | 0:20:13 | 0:20:15 | |
and the first payment wasn't paid on her. | 0:20:15 | 0:20:17 | |
I was driving this way, | 0:20:17 | 0:20:20 | |
so the car hit the kerb at this side, | 0:20:20 | 0:20:23 | |
which knocked me across to the kerb at the far side. | 0:20:23 | 0:20:26 | |
The kerb at the far side was about ten inches or a foot high, | 0:20:26 | 0:20:29 | |
so I went up on the kerb, over the kerb, over a wall, | 0:20:29 | 0:20:32 | |
turned over a few times, and landed on the four wheels in the forecourt. | 0:20:32 | 0:20:37 | |
And the car was up the middle like a banjo, a bridge in a banjo. | 0:20:37 | 0:20:41 | |
-So you wrecked the car. -A write-off. -And you hadn't, not one payment? -No. | 0:20:41 | 0:20:45 | |
I was wearing a, sort of, a greenish three-piece suit | 0:20:45 | 0:20:50 | |
and the suit was completely dark from here down, | 0:20:50 | 0:20:54 | |
and the waistcoat was all blood, blood the whole way down, | 0:20:54 | 0:20:57 | |
and I ended up in hospital. | 0:20:57 | 0:20:59 | |
I got caught drunken driving on the 13th of September. | 0:21:02 | 0:21:06 | |
I stopped drinking on the 28th of December | 0:21:06 | 0:21:09 | |
and I sobered up the 29th. | 0:21:09 | 0:21:10 | |
-Forever? -I haven't drunk since. | 0:21:10 | 0:21:12 | |
1983, I haven't drunk since. | 0:21:12 | 0:21:15 | |
With Hugo off the drink, family life was beginning to become more normal, | 0:21:17 | 0:21:22 | |
but one small incident in the mid-80s | 0:21:22 | 0:21:25 | |
showed him just how much pain his drinking was causing. | 0:21:25 | 0:21:29 | |
I pondered for a long while about shaving off my beard | 0:21:29 | 0:21:32 | |
-cos I'd the beard on for a lifetime. -So you'd always had a beard? -Aye. | 0:21:32 | 0:21:35 | |
-All the days you were drunk, you'd had a beard. -Yeah. -Exactly. | 0:21:35 | 0:21:38 | |
Never without a beard during the time Suzanne would have seen me drinking. | 0:21:38 | 0:21:42 | |
I shaved the beard off and Suzanne came in from school. | 0:21:42 | 0:21:45 | |
-Do you remember this? -Oh, I remember it well, aye. | 0:21:45 | 0:21:47 | |
And Suzanne came in from school | 0:21:47 | 0:21:50 | |
and walked up to the top of the stairs | 0:21:50 | 0:21:52 | |
and she just stood and said nothing | 0:21:52 | 0:21:55 | |
and she walked around into her room again | 0:21:55 | 0:21:58 | |
and she came back out, and started crying. | 0:21:58 | 0:22:01 | |
-I remembered I asked you... -What was wrong? | 0:22:01 | 0:22:03 | |
Her mother cried, she was crying first, I started crying, | 0:22:03 | 0:22:07 | |
-her mother was crying. -You saw the pain in her eyes. | 0:22:07 | 0:22:10 | |
-I didn't realise. -Talk me through, | 0:22:10 | 0:22:12 | |
as you walked up the stairs that day, little girl from school. | 0:22:12 | 0:22:16 | |
I just came in, a normal day, and he just looked different. | 0:22:16 | 0:22:20 | |
It was scary. It wasn't nice, it was scary. | 0:22:20 | 0:22:23 | |
Just, like, if something hit you, | 0:22:23 | 0:22:25 | |
deja vu, you were going back to the way it was before. | 0:22:25 | 0:22:29 | |
-You were so scared you couldn't speak. -No, I couldn't. | 0:22:29 | 0:22:31 | |
-She just cried. -I didn't want to know the answer, didn't want to ask, "Is he? Are you?" | 0:22:31 | 0:22:36 | |
I didn't want to ask, I just went into the room. | 0:22:36 | 0:22:39 | |
And I says, "What's wrong with you?" | 0:22:39 | 0:22:41 | |
And she said, because I'd shaved off the beard, | 0:22:41 | 0:22:45 | |
she thought I was back drinking again | 0:22:45 | 0:22:47 | |
and I tell you, that was some stabiliser. | 0:22:47 | 0:22:49 | |
Why? | 0:22:49 | 0:22:51 | |
Well, she's my world! She's my life! | 0:22:51 | 0:22:53 | |
And I was... | 0:22:53 | 0:22:55 | |
I don't know what I was doing. | 0:22:56 | 0:22:58 | |
-It hurt. -But why, at that moment, Hugo, did it hurt you so much? Why? | 0:22:58 | 0:23:02 | |
Because I never realised, I never thought, | 0:23:02 | 0:23:05 | |
I was too busy in myself, I was too wrapped up in Hugo. | 0:23:05 | 0:23:08 | |
I didn't realise about Suzanne. I didn't realise about her mother. | 0:23:08 | 0:23:12 | |
And what suddenly hit you? | 0:23:12 | 0:23:14 | |
That I was a real bastard. Because that was it. | 0:23:14 | 0:23:17 | |
By name and by nature at that stage. | 0:23:18 | 0:23:22 | |
It made me realise where I was going. | 0:23:22 | 0:23:24 | |
And of course, we all know where he ended up. | 0:23:27 | 0:23:29 | |
We have to do a running order. | 0:23:29 | 0:23:31 | |
-Do you feel like doing the running order now? -Are you ready? | 0:23:31 | 0:23:33 | |
It was the late '80s. The showband era was at an end | 0:23:33 | 0:23:37 | |
and when Hugo was invited to present on BBC radio, | 0:23:37 | 0:23:40 | |
he grabbed the opportunity with both hands. | 0:23:40 | 0:23:43 | |
That's my wee box, ready now to go up the stairs. | 0:23:43 | 0:23:46 | |
He's part of the furniture now, but when he first arrived, | 0:23:48 | 0:23:51 | |
some eyebrows were raised. | 0:23:51 | 0:23:53 | |
I remember one man saying... I said, "I'm here for six months anyway," | 0:23:53 | 0:23:57 | |
and one man said to me, he says, | 0:23:57 | 0:23:58 | |
"Well, that will be true enough, because you wouldn't suit in here." | 0:23:58 | 0:24:02 | |
-Someone in the BBC said that? -Yes, yes. | 0:24:02 | 0:24:04 | |
And there was that slobbery there. | 0:24:04 | 0:24:07 | |
The next thing was, the press says the BBC were dumbing down | 0:24:07 | 0:24:11 | |
and the dumbing down meant, | 0:24:11 | 0:24:13 | |
I went in there, Stephen, I had no education, I couldn't read. | 0:24:13 | 0:24:16 | |
-You couldn't read the words? -I could not. | 0:24:16 | 0:24:18 | |
What did that do to your self-confidence, | 0:24:18 | 0:24:21 | |
in broadcasting, when you can't read, in the BBC of all places? | 0:24:21 | 0:24:24 | |
I tell you, it was a shock for them! | 0:24:24 | 0:24:26 | |
But having to learn to read | 0:24:29 | 0:24:31 | |
wasn't the biggest challenge he faced at the BBC. | 0:24:31 | 0:24:34 | |
It was years before he joined the organisation, | 0:24:34 | 0:24:36 | |
and it was during the time he was still drinking, | 0:24:36 | 0:24:39 | |
but Hugo did record an album of rebel songs. | 0:24:39 | 0:24:43 | |
When Ian Paisley Jr complained, | 0:24:43 | 0:24:45 | |
Hugo was convinced he would be sacked. | 0:24:45 | 0:24:47 | |
Why did you sing them, Hugo? | 0:24:47 | 0:24:50 | |
This was recorded in... | 0:24:50 | 0:24:53 | |
..the late '70s, 20 years previous, | 0:24:55 | 0:24:58 | |
when these things were, sort of, common practice, you know, | 0:24:58 | 0:25:02 | |
people sung Irish ballads, all different ones. | 0:25:02 | 0:25:04 | |
Your stomach must have been churning, though? | 0:25:04 | 0:25:07 | |
Stephen, I was sick. I never thought about it at that time. | 0:25:07 | 0:25:10 | |
I didn't think about it. I just wanted to get in and record. | 0:25:10 | 0:25:13 | |
So everything you'd built up, | 0:25:13 | 0:25:14 | |
you'd beaten the drink, you had your dream job in the BBC. | 0:25:14 | 0:25:17 | |
-And now... -It was on a knife edge. | 0:25:17 | 0:25:19 | |
Honest to God, I never slept. | 0:25:19 | 0:25:22 | |
I had cramps in my stomach for weeks, and I didn't even know what to do. | 0:25:22 | 0:25:26 | |
If there ever had been a reason to hit the drink, it was a good one. | 0:25:26 | 0:25:30 | |
Hello, good afternoon, you're very welcome to the programme. | 0:25:32 | 0:25:35 | |
It's your Uncle Coo! | 0:25:35 | 0:25:36 | |
I've learnt a lot about Hugo while making this film. | 0:25:38 | 0:25:40 | |
Skiddley-dee, and that's me! | 0:25:40 | 0:25:42 | |
Make no mistake, he connects with an audience like no other, | 0:25:42 | 0:25:47 | |
a true gem in the BBC. | 0:25:47 | 0:25:49 | |
All the very best you, and here's a kiss from your Uncle Coo. | 0:25:49 | 0:25:52 | |
How are you doing, boy? | 0:25:52 | 0:25:54 | |
Yet, despite the success, I sense he's still haunted | 0:25:54 | 0:25:57 | |
by what he's put his family through all those years he was drinking. | 0:25:57 | 0:26:01 | |
All that angst he's been bottling up for decades. | 0:26:02 | 0:26:05 | |
Now it's time to bring it out in the open. | 0:26:05 | 0:26:09 | |
He feels like he constantly has to make up for it all the time. | 0:26:09 | 0:26:12 | |
What do you mean? | 0:26:12 | 0:26:14 | |
It just feels, everything he does | 0:26:14 | 0:26:16 | |
is trying to make up for all the years with the drinking. | 0:26:16 | 0:26:19 | |
He doesn't have to. I mean, he's made it up many a time | 0:26:19 | 0:26:22 | |
but everything still goes back to the drink. | 0:26:22 | 0:26:26 | |
"I still have to make it up to you." | 0:26:26 | 0:26:28 | |
There's nothing to make up any more. It was made up long ago. | 0:26:29 | 0:26:33 | |
-So you've forgiven him? -Oh, long ago. Long ago. | 0:26:33 | 0:26:37 | |
SHE SNIFFS | 0:26:37 | 0:26:38 | |
Long ago. | 0:26:39 | 0:26:41 | |
He's the best dad I could have asked for. | 0:26:41 | 0:26:44 | |
-The only one you're going to get! -With or without the drink. | 0:26:44 | 0:26:47 | |
I wouldn't change my life | 0:26:47 | 0:26:50 | |
and that's it, wouldn't change it. | 0:26:50 | 0:26:52 | |
It's not that I want to apologise to her. | 0:26:52 | 0:26:55 | |
I just want her to be my daughter, and I want to be her father. | 0:26:55 | 0:26:59 | |
That's it, and we have to be there for each other. | 0:26:59 | 0:27:02 | |
We're doing good. | 0:27:03 | 0:27:04 | |
-We're doing good! -We're doing good. | 0:27:04 | 0:27:06 | |
And what about this man who is so, so popular now on the radio | 0:27:06 | 0:27:10 | |
and with everything he's achieved, are you proud of him? | 0:27:10 | 0:27:13 | |
Oh, very much so. He's a big softy. | 0:27:13 | 0:27:15 | |
-Are you? -Oh, very much so. | 0:27:15 | 0:27:18 | |
Of course I am. I always was. | 0:27:18 | 0:27:21 | |
When I was growing up, he never left the house without giving me a kiss | 0:27:21 | 0:27:24 | |
and lots of love. We wouldn't have had much else, but lots of love. | 0:27:24 | 0:27:28 | |
-Good one! -That's it. | 0:27:28 | 0:27:30 | |
With drink or without drink, there was lots of love. | 0:27:30 | 0:27:32 | |
So. | 0:27:34 | 0:27:35 | |
-Thank you. -Thank you, Stephen. -Thank you. | 0:27:37 | 0:27:39 | |
What is life about to you? | 0:27:50 | 0:27:53 | |
What do you want Hugo Duncan to stand for? | 0:27:53 | 0:27:56 | |
My biggest wish would be | 0:27:56 | 0:27:59 | |
to leave an impression on my family's mind today | 0:27:59 | 0:28:04 | |
that I didn't leave 20, 30 years ago. | 0:28:04 | 0:28:08 | |
I want them to remember me as who I am now. | 0:28:09 | 0:28:12 | |
Subtitles by Red Bee Media Ltd | 0:28:36 | 0:28:39 |