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John Leishman was one of many who served during the Second World War. | 0:00:04 | 0:00:09 | |
Now he's going back to the beaches of Normandy to revisit and to remember. | 0:00:10 | 0:00:15 | |
Some of those memories are painful. | 0:00:15 | 0:00:18 | |
It just burst into flames. Just a ball of fire. | 0:00:24 | 0:00:28 | |
How that pilot suffered. I'll never forget it. | 0:00:28 | 0:00:34 | |
John's own story is one of war and romance, | 0:00:34 | 0:00:39 | |
but this journey is also about remembering those who never had the chance to see their nineties. | 0:00:39 | 0:00:45 | |
Your eyes are filling up with tears. | 0:00:47 | 0:00:50 | |
Well... | 0:00:50 | 0:00:52 | |
these men were probably full of bullets. | 0:00:52 | 0:00:56 | |
What a difference from tears to bullets. | 0:00:56 | 0:01:00 | |
To celebrate her Diamond Jubilee, the Queen came to visit | 0:01:35 | 0:01:39 | |
and thousands wanted to see her. | 0:01:39 | 0:01:41 | |
# We want the Queen! We want the Queen! # | 0:01:41 | 0:01:45 | |
They lined the streets and the big ticket in town was an invitation to a party at Stormont. | 0:01:45 | 0:01:52 | |
Loads of people phoned the radio show, angry that they couldn't go, | 0:01:52 | 0:01:57 | |
and there was one caller who brought the programme to a standstill. | 0:01:57 | 0:02:01 | |
'Let's speak to John. You're almost 93? Is that right? | 0:02:01 | 0:02:05 | |
-'I'm an ex-serviceman. -Did you get a ticket? -No. | 0:02:05 | 0:02:09 | |
'And I was at the Battle of El Alamein against Rommel in 1942. | 0:02:09 | 0:02:16 | |
'And I landed on Sword Beach on D-Day. | 0:02:16 | 0:02:20 | |
'I'm almost 93 and I'd love to go back to Normandy | 0:02:20 | 0:02:24 | |
'to pay my respects to the heroes that never came back.' | 0:02:24 | 0:02:29 | |
John Leishman, who served King and country, couldn't get a ticket. | 0:02:29 | 0:02:34 | |
But the First Minister was listening and John got to meet the monarch. | 0:02:35 | 0:02:39 | |
I remember you... | 0:02:39 | 0:02:41 | |
He was even able to tell the Queen that she'd changed the spark plugs on his car | 0:02:41 | 0:02:47 | |
when the young Princess Elizabeth served in the Women's Auxiliary Territorial Service. | 0:02:47 | 0:02:52 | |
-You had dungarees on you. -I could have done. | 0:02:52 | 0:02:57 | |
God bless you. | 0:02:57 | 0:02:59 | |
'It was clear that John was a hidden gem of a character in Northern Ireland | 0:03:02 | 0:03:08 | |
'and I wanted to unearth his decades of stories for myself.' | 0:03:08 | 0:03:12 | |
-Hello, John! -Good morning, Mr Nolan. -Good to see you. -And you, sir. | 0:03:12 | 0:03:16 | |
-You're a lively man! -I'm fit as a fiddle! | 0:03:16 | 0:03:20 | |
-I can't get down any more. -I can get down. One, two, three. | 0:03:20 | 0:03:26 | |
-You're actually touching your toes! -Yes. -Let me get this right. | 0:03:27 | 0:03:31 | |
There's as far as I can get and I'm 38! Look. I can't get any further. | 0:03:31 | 0:03:36 | |
Aye. | 0:03:38 | 0:03:39 | |
There are proud pictures all around John's living room. | 0:03:40 | 0:03:45 | |
He was stationed in Northern Ireland in 1940 and when he met his wife, Florence, | 0:03:45 | 0:03:49 | |
it was to become his home. | 0:03:49 | 0:03:52 | |
But shortly after they were married, John was sent off to serve in France, Africa, Egypt and elsewhere. | 0:03:52 | 0:03:59 | |
-This is you, look. A young man. -A young man. | 0:04:01 | 0:04:05 | |
-20 years of age. Where's the date? 1940. -Yeah. | 0:04:05 | 0:04:08 | |
-'He might have left Northern Ireland, but all thoughts were of home.' -You got Forces Favourites | 0:04:08 | 0:04:14 | |
coming through on the radio. And you listened with the earphone on to hear what was going on. | 0:04:14 | 0:04:21 | |
And...it brought back memories | 0:04:21 | 0:04:24 | |
of the mainland, | 0:04:24 | 0:04:26 | |
and then it brought back memories of Florence. | 0:04:26 | 0:04:30 | |
"I wonder what she's doing tonight." | 0:04:30 | 0:04:33 | |
Vera Lynn used to sign off with her Family Favourites or Forces Favourites. | 0:04:33 | 0:04:39 | |
She used to sign off with Goodnight Sweetheart. | 0:04:39 | 0:04:43 | |
I would lie in the desert there thinking of Florence. | 0:04:43 | 0:04:47 | |
And I would say, "This is it. Florence, this is for you." | 0:04:47 | 0:04:51 | |
And I would sing... | 0:04:51 | 0:04:53 | |
-# -Goodnight, sweetheart | 0:04:53 | 0:04:56 | |
-# -I'll see you in the morning... -# | 0:04:56 | 0:05:00 | |
# Goodnight, sweetheart | 0:05:00 | 0:05:04 | |
# Goodnight. # | 0:05:04 | 0:05:08 | |
The German bombers used to come over at night. They dropped these big flares | 0:05:08 | 0:05:13 | |
and the whole desert lit up as if it was daylight. | 0:05:13 | 0:05:17 | |
And then the bombs would start to drop and you were lying in wee sand holes | 0:05:17 | 0:05:23 | |
hoping that none of them would come your direction. | 0:05:23 | 0:05:26 | |
And you were thinking of the wife, | 0:05:26 | 0:05:29 | |
just praying that this raid would go over | 0:05:29 | 0:05:33 | |
and you would live for another day. | 0:05:33 | 0:05:36 | |
That's at Pegasus Bridge. | 0:05:37 | 0:05:40 | |
And that's the first cafe that was liberated due to the D-Day landings. | 0:05:40 | 0:05:46 | |
And the paratroopers just landed below that cafe | 0:05:46 | 0:05:51 | |
on the left-hand side of the canal. | 0:05:51 | 0:05:54 | |
In 1944, John was involved in the invasion of Normandy. | 0:05:54 | 0:05:59 | |
The first of the D-Day forces landed on the beaches of Northern France on the 6th of June. | 0:05:59 | 0:06:05 | |
Hundreds of thousands of troops soon followed, including John's regiment. | 0:06:07 | 0:06:12 | |
-That's Sword Beach. -Where's your wife? Where's your wife? | 0:06:15 | 0:06:19 | |
-She's coming... There she's there. -Oh, I see. | 0:06:19 | 0:06:23 | |
It doesn't last for long. | 0:06:23 | 0:06:26 | |
-She was walking across towards my camera. -In the green? -That's my wife in the green. | 0:06:26 | 0:06:32 | |
-It was only for a second or two. -But what a lovely thing to have on film forever. -Yes. | 0:06:33 | 0:06:39 | |
'Over the decades, he's been back with his family and other former soldiers to France, | 0:06:39 | 0:06:45 | |
'but I wanted to go with him so that I could understand for myself | 0:06:45 | 0:06:49 | |
'why Normandy is just so important to John.' | 0:06:49 | 0:06:54 | |
# Goodnight, sweetheart | 0:06:54 | 0:06:58 | |
# Goodnight. # | 0:06:58 | 0:07:03 | |
-He's asking if you have any knives or guns in your bag. -No! | 0:07:04 | 0:07:09 | |
No, no. | 0:07:09 | 0:07:10 | |
I laid my guns down in 1945 when the war was over. | 0:07:10 | 0:07:16 | |
'There's no doubting John's excitement about returning to France, | 0:07:16 | 0:07:21 | |
'but in the airport there are moments of reflection, a chance to think about what happened | 0:07:21 | 0:07:26 | |
'just a plane ride away. | 0:07:26 | 0:07:28 | |
'But then the singing starts again.' | 0:07:28 | 0:07:31 | |
-# -Don't forget to wake me in the morning | 0:07:31 | 0:07:36 | |
-# -And bring me up a nice, hot cup of tea Gawd, blimey | 0:07:36 | 0:07:41 | |
-# -Kiss me goodnight, Sergeant Major | 0:07:41 | 0:07:45 | |
-# -Sergeant Major be a mother to me! -# | 0:07:45 | 0:07:50 | |
-Well done. -APPLAUSE | 0:07:50 | 0:07:52 | |
'Even in his 90s, this is a man who doesn't need to wait for in-flight entertainment.' | 0:07:55 | 0:08:01 | |
# Kiss me goodnight, Sergeant Major | 0:08:01 | 0:08:04 | |
# Tuck me in my little wooden bed | 0:08:04 | 0:08:08 | |
# We all love you, Sergeant Major... # | 0:08:08 | 0:08:13 | |
You'll end up as fat as me! | 0:08:13 | 0:08:15 | |
# Don't forget to wake me in the morning | 0:08:15 | 0:08:20 | |
# And bring me round a nice, hot cup of tea | 0:08:20 | 0:08:24 | |
# Kiss me goodnight, Sergeant Major | 0:08:24 | 0:08:27 | |
# Sergeant Major be a mother to me! # | 0:08:27 | 0:08:35 | |
'After the plane journey, it's another couple of hours before we reach Normandy, | 0:08:39 | 0:08:45 | |
'but John isn't ready to stop.' | 0:08:45 | 0:08:47 | |
-It's a wonderful adventure, for me anyway. -Good. | 0:08:47 | 0:08:51 | |
-'There's so much he wants to show me.' -We were all friends together. | 0:08:51 | 0:08:57 | |
Wonderful. | 0:08:59 | 0:09:00 | |
-Where do you think you get your energy from, John? -I don't know. I just keep going. | 0:09:00 | 0:09:07 | |
'All along the way, there are reminders of war | 0:09:10 | 0:09:13 | |
'and tributes to those who served. Often it cost them their lives. | 0:09:13 | 0:09:19 | |
'This is a place where people come to remember and to honour. | 0:09:20 | 0:09:24 | |
'Every veteran is held in high regard.' | 0:09:24 | 0:09:28 | |
I come back here to pay my respects to the heroes that never came back. | 0:09:28 | 0:09:33 | |
I'm not a hero. | 0:09:33 | 0:09:36 | |
I was very lucky to get back. | 0:09:36 | 0:09:39 | |
-OK. -And I come here to pay my respects. | 0:09:39 | 0:09:43 | |
That's also the reason why I'm over here. For respects. | 0:09:43 | 0:09:48 | |
Without you, now we'd be talking German. | 0:09:48 | 0:09:52 | |
Yes. Oh, yes. | 0:09:52 | 0:09:54 | |
-"Sprechen sie Deutsch, monsieur?" No way! -No way! | 0:09:54 | 0:09:58 | |
'In 1944, troops arrived by air and sea | 0:10:03 | 0:10:08 | |
'with the aim of capturing this coastline and liberating France. | 0:10:08 | 0:10:13 | |
'John wasn't part of the first wave that made it onto these beaches, | 0:10:14 | 0:10:18 | |
'but many who were died on these shores.' | 0:10:18 | 0:10:22 | |
-Back then, 70-odd years ago, you had a gun. Now you have a stick. -Yeah. | 0:10:25 | 0:10:30 | |
We came up with a 303 rifle. | 0:10:31 | 0:10:33 | |
And we just came up the beaches like this. | 0:10:33 | 0:10:37 | |
To protect ourselves. | 0:10:37 | 0:10:40 | |
And today the sun's shining on us, I have a stick. | 0:10:40 | 0:10:44 | |
Everything is calm and peaceful. | 0:10:44 | 0:10:47 | |
And back in 1944 it was just hell on the beaches. | 0:10:47 | 0:10:51 | |
-Absolutely hell on the beaches. -And there would have been some of your friends dropping down here | 0:10:53 | 0:10:59 | |
-shot dead. -Yeah. Oh, yeah. | 0:10:59 | 0:11:02 | |
It wasn't a... | 0:11:02 | 0:11:05 | |
It wasn't a happy sight when you looked along the beach. It wasn't a happy sight. | 0:11:05 | 0:11:11 | |
'Looking at them today, it's difficult to imagine that these beaches were once battlegrounds. | 0:11:15 | 0:11:22 | |
'That's why many feel it's history that still needs to be taught today.' | 0:11:26 | 0:11:32 | |
All Germans weren't bad. | 0:11:32 | 0:11:35 | |
German soldiers were only doing a job like we were doing. | 0:11:36 | 0:11:41 | |
The only problem was the Germans had the Nazis, | 0:11:41 | 0:11:45 | |
Hitler and Himmler and a few others. | 0:11:45 | 0:11:49 | |
Are you happy to see us... to play in the beach, really happy? | 0:11:49 | 0:11:54 | |
-Eh? -He said are you happy to see this generation playing on the beach? | 0:11:54 | 0:11:58 | |
It makes me proud to come down here today to see these people enjoying themselves. | 0:11:58 | 0:12:05 | |
Back in 1944, it was just hell on Earth. | 0:12:05 | 0:12:08 | |
-Arromanches. -Arromanches. Ah, oui. | 0:12:17 | 0:12:20 | |
The 6th of June, 1944. | 0:12:20 | 0:12:23 | |
-Yes. -I went Normandy, France, Belgium, Holland... | 0:12:23 | 0:12:28 | |
John's been wearing those medals everywhere he goes. | 0:12:28 | 0:12:32 | |
I now understand why he takes such pride in them. They invigorate him. | 0:12:32 | 0:12:37 | |
Look, he's laughing. That's a Tunisian Jew he's talking to now | 0:12:37 | 0:12:41 | |
who fought in the war as well. The cap John is wearing, he got that handed to him in 1939 | 0:12:41 | 0:12:48 | |
when he joined the Forces. There's so many memories to share here that he wants to share | 0:12:48 | 0:12:54 | |
not just with the generation similar to him, but with a younger generation as well. | 0:12:54 | 0:12:59 | |
It's really, really easy to forget with his enthusiasm... They're singing now. This man is 92. | 0:12:59 | 0:13:07 | |
# Mademoiselle from Armentieres | 0:13:07 | 0:13:09 | |
# Inky pinky parlez vous Mademoiselle from Armentieres. # | 0:13:09 | 0:13:15 | |
'With so many people to meet and places to see, | 0:13:18 | 0:13:21 | |
'it's back on the road. And John has a place he wants to take me | 0:13:21 | 0:13:25 | |
'and a very special woman he wants me to meet.' | 0:13:25 | 0:13:29 | |
It should have been along here. I don't think it's as far up. | 0:13:29 | 0:13:33 | |
That's the cafe there. | 0:13:34 | 0:13:37 | |
'Securing Pegasus Bridge was the first step towards liberation | 0:13:38 | 0:13:43 | |
'and the cafe here has become a symbol of that fight.' | 0:13:43 | 0:13:47 | |
-Parachute jump! -Wahey! | 0:13:47 | 0:13:50 | |
Rip cord! All right, right. Let me get that stick there. | 0:13:50 | 0:13:54 | |
It says up there. I see the sign. | 0:13:54 | 0:13:57 | |
The first house in France to be liberated. | 0:13:57 | 0:14:02 | |
The gliders... | 0:14:02 | 0:14:04 | |
They landed over there. | 0:14:04 | 0:14:06 | |
Just where those trees are. | 0:14:06 | 0:14:08 | |
And then we took that bridge. | 0:14:08 | 0:14:11 | |
And we secured that bridge. | 0:14:11 | 0:14:13 | |
So that meant that we had control of this road | 0:14:13 | 0:14:17 | |
and we could supply ammunition and move the troops around. | 0:14:17 | 0:14:22 | |
'John has brought me to see Madame Arlette who owns the cafe. | 0:14:22 | 0:14:27 | |
'And it's a really special moment.' | 0:14:27 | 0:14:29 | |
Madame, bonjour. | 0:14:29 | 0:14:31 | |
-Lovely to be here. -Lovely having you here. | 0:14:34 | 0:14:37 | |
'Spitfires launched from British bases and fought for the domination of the air over the desolate beach.' | 0:14:38 | 0:14:45 | |
'In the battle against occupation, this coastline was all-important. | 0:14:46 | 0:14:50 | |
'And the Cafe Gondree was the first house to be liberated. | 0:14:50 | 0:14:55 | |
'The daughter of the couple who owned it during the war still runs it today. | 0:14:55 | 0:15:01 | |
'As a child, she saw injured soldiers treated inside the cafe.' | 0:15:01 | 0:15:05 | |
Imagine it as a little field hospita where they would bring them in. | 0:15:05 | 0:15:10 | |
The cries, the smell. | 0:15:10 | 0:15:12 | |
Our house became theirs. | 0:15:14 | 0:15:16 | |
The kitchen, and it's the same furniture, that's where they laid on their stretchers | 0:15:16 | 0:15:22 | |
and straight into our dining room where they would operate on them. | 0:15:22 | 0:15:26 | |
I'm on a journey with John. I said to him he can go anywhere in the world, where would he like to go? | 0:15:26 | 0:15:32 | |
And he wanted to come here. | 0:15:32 | 0:15:34 | |
This is very moving for me because they have known me since a little girl. | 0:15:34 | 0:15:39 | |
To them, I'm still a little girl, although I'm a grandmother. | 0:15:39 | 0:15:43 | |
And to have them back, knowing what they've gone through, | 0:15:45 | 0:15:49 | |
risking their lives to bring us the freedom, | 0:15:49 | 0:15:53 | |
and to live to such a grand age, | 0:15:53 | 0:15:56 | |
it's absolutely... | 0:15:56 | 0:15:58 | |
..extraordinary. | 0:15:59 | 0:16:01 | |
How would you describe people like John? | 0:16:02 | 0:16:05 | |
I think they're an example to the whole world. | 0:16:06 | 0:16:09 | |
-Ah! -Oh, madame, thank you. | 0:16:15 | 0:16:18 | |
-Thank you very much. -Calvados? -Thank you. | 0:16:18 | 0:16:21 | |
-Thank you, madame. -What can you tell us about John? We've heard a lot from him about you. | 0:16:21 | 0:16:26 | |
What can you tell us about him? | 0:16:26 | 0:16:29 | |
You've got to realise, and I've always said it, | 0:16:29 | 0:16:32 | |
that he wasn't just the first man who arrived on that evening of the 5th. | 0:16:32 | 0:16:37 | |
The continuity, and he was part of it, | 0:16:37 | 0:16:40 | |
were equally as important, if not more, | 0:16:40 | 0:16:44 | |
because the Germans were re-taking.. | 0:16:44 | 0:16:46 | |
And if they had re-taken the village | 0:16:46 | 0:16:49 | |
they were automatically finding us French and we would have been lined up and shot | 0:16:49 | 0:16:54 | |
or taken to concentration camps. | 0:16:54 | 0:16:56 | |
'Veterans travel here from all over the world | 0:17:02 | 0:17:06 | |
'and at the cafe, wearing his medals, | 0:17:06 | 0:17:09 | |
'John is something of an attraction himself. | 0:17:09 | 0:17:12 | |
'Part of the ritual of coming here is signing the visitors' book.' | 0:17:14 | 0:17:19 | |
I can't see too well. | 0:17:19 | 0:17:21 | |
You've got a whole page here, so just write on the whole page. | 0:17:21 | 0:17:26 | |
That's very good. | 0:17:27 | 0:17:29 | |
Very good. That's excellent. | 0:17:29 | 0:17:32 | |
Thank you, madame. I hope you can read it. | 0:17:32 | 0:17:35 | |
I can read it. Without glasses too. | 0:17:35 | 0:17:37 | |
'It's been a long and tiring day, | 0:17:45 | 0:17:48 | |
'but John still feels he needs to pay tribute to those | 0:17:48 | 0:17:52 | |
'who never had the chance to leave France.' | 0:17:52 | 0:17:54 | |
SEAGULLS CRY | 0:18:08 | 0:18:10 | |
'The next day, we head back to the beach. | 0:18:13 | 0:18:16 | |
'In the towns and villages along this coast, | 0:18:16 | 0:18:20 | |
'they've gone to huge efforts to ensure people remember, | 0:18:20 | 0:18:23 | |
'but every soldier has things they'd like to forget.' | 0:18:23 | 0:18:27 | |
I have nightmares of a Spitfire coming down on the main road above the beach. | 0:18:27 | 0:18:33 | |
Do me a favour, John. | 0:18:33 | 0:18:35 | |
Will you close your eyes and just talk me through what your real nightmares are about the war? | 0:18:35 | 0:18:41 | |
SOUND OF AIRCRAFT ENGINES | 0:18:41 | 0:18:43 | |
I can see that Spitfire trying to make a landing | 0:18:45 | 0:18:50 | |
on the main road which was just off the beach. | 0:18:50 | 0:18:55 | |
It was a Tarmac road. | 0:18:55 | 0:18:58 | |
It was nice and smooth. | 0:18:58 | 0:19:00 | |
And the Spitfire, it was smoking and smoking at the tail. | 0:19:01 | 0:19:05 | |
And then it started to catch fire. | 0:19:07 | 0:19:11 | |
And when he tried to land on the road, | 0:19:11 | 0:19:14 | |
as soon as he touched the Tarmac road, | 0:19:14 | 0:19:17 | |
it just burst into flames. | 0:19:17 | 0:19:19 | |
It was just a ball of fire. | 0:19:19 | 0:19:21 | |
I'll never forget it. | 0:19:23 | 0:19:25 | |
It must have been a terrible death. | 0:19:25 | 0:19:28 | |
And I see that now and again, sometimes when I'm sleeping. | 0:19:28 | 0:19:33 | |
And it frightens the life out of you at times. | 0:19:33 | 0:19:36 | |
'And so many died on both sides.' | 0:19:38 | 0:19:41 | |
John, I have never been in a place like this in my life before, ever. | 0:20:00 | 0:20:05 | |
Well, you're missing something. | 0:20:05 | 0:20:07 | |
It's not a nice place to be, | 0:20:07 | 0:20:10 | |
but you think of all the people that's lying here gave their lives up. | 0:20:10 | 0:20:15 | |
-Do you know what strikes me straight away? -Yeah? | 0:20:15 | 0:20:19 | |
"20 years of age. 21." | 0:20:19 | 0:20:22 | |
I know, this is it, yeah. | 0:20:22 | 0:20:24 | |
-"18 years of age." -Oh, yeah. | 0:20:24 | 0:20:26 | |
All young ones. | 0:20:26 | 0:20:29 | |
-All young ones. -21. | 0:20:29 | 0:20:31 | |
-Yeah. -22. -Yeah. | 0:20:31 | 0:20:34 | |
-There's another 18-year-old, RG Knight. Parachute Regiment. -Yeah. | 0:20:34 | 0:20:38 | |
-The 20th of August. That was my birthday. -Yeah. | 0:20:38 | 0:20:41 | |
-1944. He's 18 years of age. -Yeah. | 0:20:41 | 0:20:44 | |
Here's someone here, "believed to be buried", so they don't know where he is. | 0:21:20 | 0:21:25 | |
And here's someone, he's lost his name. | 0:21:25 | 0:21:28 | |
"A soldier of the war." | 0:21:28 | 0:21:31 | |
Lost his name because he fought for the rest of us. | 0:21:31 | 0:21:34 | |
And John, you know, this character that has taken me on a journey, | 0:21:35 | 0:21:41 | |
the first war cemetery I've ever been in | 0:21:41 | 0:21:44 | |
and the first time in my life that it, honestly, has really hit me. | 0:21:44 | 0:21:48 | |
These people, we don't know if they're here, we don't know their name. | 0:21:48 | 0:21:53 | |
There's a 16-year-old over here. | 0:21:53 | 0:21:55 | |
16 years of age. | 0:21:55 | 0:21:57 | |
I'm thinking of all the life that I've experienced since 16 and he didn't get a chance to, | 0:21:57 | 0:22:03 | |
which makes it even more remarkable that we've got a 92-year-old | 0:22:03 | 0:22:08 | |
to hold on to a lot of those memories and teach us so much | 0:22:08 | 0:22:12 | |
that I've never even taken the time to understand. | 0:22:12 | 0:22:16 | |
Your eyes are filling up with tears. | 0:22:26 | 0:22:29 | |
Well... | 0:22:32 | 0:22:34 | |
these men were probably full of bullets. | 0:22:34 | 0:22:38 | |
What a difference from tears to bullets! | 0:22:38 | 0:22:42 | |
I'm sorry, Stephen. I'm sorry. | 0:22:46 | 0:22:49 | |
HE SOBS | 0:22:53 | 0:22:55 | |
It could have been me. As you say, Stephen, it could have been me. | 0:23:07 | 0:23:11 | |
Did something just hit you there a few minutes ago? | 0:23:11 | 0:23:14 | |
It did indeed. It did indeed. | 0:23:14 | 0:23:16 | |
-It did. -You're feeling guilty that you're still alive? | 0:23:16 | 0:23:20 | |
I do indeed. | 0:23:20 | 0:23:22 | |
Why was I picked? | 0:23:22 | 0:23:24 | |
Why did I get home safe? | 0:23:24 | 0:23:27 | |
Some of these men never got a chance. | 0:23:29 | 0:23:33 | |
I can just imagine how heartbreaking it must be | 0:23:33 | 0:23:37 | |
for the mums and the dads | 0:23:37 | 0:23:39 | |
of these really young men. | 0:23:39 | 0:23:42 | |
Oh, yes. And don't forget the sweethearts. | 0:23:43 | 0:23:47 | |
The mums and the dads. | 0:23:47 | 0:23:49 | |
I bet the sweethearts would be grieving for the young men that never came back. | 0:23:49 | 0:23:56 | |
And the children of some of the men. | 0:23:57 | 0:24:01 | |
Their children must have terrible thoughts | 0:24:01 | 0:24:06 | |
of where their dad is | 0:24:06 | 0:24:08 | |
in a foreign country, | 0:24:08 | 0:24:10 | |
buried here. | 0:24:10 | 0:24:12 | |
And that could so easily have been Florence. | 0:24:13 | 0:24:16 | |
It could have been Florence. | 0:24:16 | 0:24:19 | |
But I thank the Lord, the man above, that I was able to come back | 0:24:19 | 0:24:23 | |
and put my arms around Florence | 0:24:23 | 0:24:25 | |
which was a wonderful day for me. | 0:24:25 | 0:24:28 | |
'The damage and hurt caused by war is obvious | 0:24:31 | 0:24:35 | |
'and even all these decades on, still raw for some. | 0:24:35 | 0:24:39 | |
'But the pride in victory is just as clear. | 0:24:42 | 0:24:45 | |
'Before we leave Normandy, John has several things he still wants me to see, | 0:24:48 | 0:24:53 | |
'from the statue of Field Marshal Montgomery who commanded the Allied troops in France, | 0:24:53 | 0:25:00 | |
'a personal hero of John's, | 0:25:00 | 0:25:02 | |
'to the Highlander, a tribute to the 51st Highland Division which John was part of.' | 0:25:02 | 0:25:08 | |
Same hat as mine. | 0:25:12 | 0:25:14 | |
'It's the first time he's ever had a chance to see this statue.' | 0:25:15 | 0:25:19 | |
"On the 10th of June, 1944, | 0:25:19 | 0:25:22 | |
-"the Highland Division..." Your division. -Yeah. | 0:25:22 | 0:25:25 | |
"..made its first attack from this position." | 0:25:25 | 0:25:28 | |
I never even knew this was here. | 0:25:28 | 0:25:32 | |
'There's no doubting how special Normandy is to John. | 0:25:35 | 0:25:38 | |
'But there is a place even more important | 0:25:38 | 0:25:42 | |
'and we have to travel back to Northern Ireland to find it. | 0:25:42 | 0:25:46 | |
'It was here in the village of Moira that John was married more than 70 years ago.' | 0:25:46 | 0:25:52 | |
Is the church the same as it was back then? | 0:25:52 | 0:25:55 | |
The church is the same as it was back then, yeah. | 0:25:55 | 0:25:59 | |
It's the same church. | 0:25:59 | 0:26:01 | |
'Florence and John tied the knot during the war, | 0:26:02 | 0:26:05 | |
'but despite all the dangers, he returned safe and well.' | 0:26:05 | 0:26:09 | |
She was a wonderful wife. | 0:26:09 | 0:26:11 | |
It's a wee bit difficult coming up here, | 0:26:14 | 0:26:17 | |
but I'll get over it | 0:26:17 | 0:26:19 | |
because I'm thinking of all the happy times we had together. | 0:26:19 | 0:26:25 | |
'After almost seven decades of marriage, | 0:26:25 | 0:26:28 | |
'Florence was buried by the church where they wed.' | 0:26:28 | 0:26:31 | |
What happens to your heart, John, when she's taken away from you? | 0:26:31 | 0:26:35 | |
Well, the heart just nearly stopped altogether. | 0:26:36 | 0:26:40 | |
I was just devastated. | 0:26:42 | 0:26:45 | |
But those things have to come to us some day. | 0:26:45 | 0:26:49 | |
It breaks your heart. | 0:26:53 | 0:26:55 | |
It breaks your heart not to talk to her after all those years, but... | 0:26:55 | 0:27:02 | |
I've got to be strong, I've got to be strong. | 0:27:03 | 0:27:07 | |
I've got to get a grip of myself and say, "She's only there temporary." | 0:27:07 | 0:27:12 | |
And we're going to be together again. | 0:27:13 | 0:27:16 | |
That's how I look at it. | 0:27:16 | 0:27:19 | |
-I'll leave you here for a few minutes. -Yeah. | 0:27:19 | 0:27:22 | |
# Let's say goodbye with a smile, dear | 0:27:22 | 0:27:26 | |
# Just for a while, dear | 0:27:26 | 0:27:29 | |
# We must part... # | 0:27:29 | 0:27:32 | |
Yes, Florence, I do miss you a lot. | 0:27:32 | 0:27:35 | |
I do miss you a lot. | 0:27:35 | 0:27:38 | |
But there's a happy day coming and that's something to look forward to. | 0:27:39 | 0:27:45 | |
Subtitles by Red Bee Media Ltd | 0:28:28 | 0:28:31 |