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Former circus impresario, Gerry Cottle, | 0:00:02 | 0:00:04 | |
is one of the best-known names in the big-top business. | 0:00:04 | 0:00:08 | |
I never wanted to be the world's greatest trapeze artist | 0:00:08 | 0:00:11 | |
or anything else, or the wild animal trainer | 0:00:11 | 0:00:13 | |
I just wanted to be circus boss. | 0:00:13 | 0:00:15 | |
12 years ago, he and business partner Brian Austen | 0:00:15 | 0:00:17 | |
were running successful circuses across Britain. | 0:00:17 | 0:00:21 | |
But then they took on of the biggest gambles of their careers... | 0:00:21 | 0:00:25 | |
importing a new exotic show. | 0:00:25 | 0:00:27 | |
It can't go wrong. We actually can't afford for it to go wrong. | 0:00:30 | 0:00:34 | |
Nice to see you. | 0:00:34 | 0:00:36 | |
The cameras followed Cottle as he brought | 0:00:36 | 0:00:38 | |
the Chinese State Circus to Britain. | 0:00:38 | 0:00:41 | |
Over the course of a gruelling season, | 0:00:41 | 0:00:44 | |
he discovered the truth about his new investment | 0:00:44 | 0:00:47 | |
during a bumpy tour of the country. | 0:00:47 | 0:00:50 | |
A decade on, the travelling showman has finally put down roots | 0:00:52 | 0:00:57 | |
at the legendary cave attraction of Wookey Hole. | 0:00:57 | 0:01:00 | |
I honestly believe, not just showing off, that these are the most | 0:01:01 | 0:01:05 | |
beautiful caves in the UK. | 0:01:05 | 0:01:06 | |
Now, the former circus boss is back | 0:01:10 | 0:01:12 | |
and he's working harder than ever to pull in the crowds. | 0:01:12 | 0:01:17 | |
The big challenges are, you know, people don't come. | 0:01:17 | 0:01:21 | |
It's a hard business, we've got to take money all the time. | 0:01:21 | 0:01:23 | |
Wookey Hole, one of Britain's oldest tourist attractions. | 0:01:43 | 0:01:47 | |
In the heart of Somerset, the prehistoric limestone caves | 0:01:47 | 0:01:51 | |
offered safeguard to humans and wild animals for thousands of years. | 0:01:51 | 0:01:56 | |
Today, the site also includes a dinosaur park, | 0:01:56 | 0:02:00 | |
a crazy golf course and even its own hotel. | 0:02:00 | 0:02:04 | |
Owner Gerry Cottle thinks it's an unique attraction. | 0:02:04 | 0:02:08 | |
I saw the potential of Wookey Hole | 0:02:08 | 0:02:10 | |
being here for 100 years but had no... | 0:02:10 | 0:02:13 | |
not a lot of awareness. | 0:02:13 | 0:02:16 | |
I think we've woken it up. | 0:02:16 | 0:02:18 | |
And the place even comes with its own legend. | 0:02:18 | 0:02:21 | |
EVIL CACKLE | 0:02:21 | 0:02:23 | |
The famous witch of Wookey, | 0:02:23 | 0:02:25 | |
is a witch who used to live in these caves until the bishop | 0:02:25 | 0:02:28 | |
came along and sprinkled holy water on her | 0:02:28 | 0:02:30 | |
and she kind of put a curse on the villagers. | 0:02:30 | 0:02:33 | |
The whole place has got a fantastic history. | 0:02:33 | 0:02:35 | |
For Cottle, running a tourist attraction | 0:02:35 | 0:02:38 | |
marks a new stage in his life. | 0:02:38 | 0:02:40 | |
For most of his career, his name was synonymous with the circus. | 0:02:40 | 0:02:44 | |
I saw my first circus when I was eight years old and I loved it | 0:02:45 | 0:02:49 | |
and wanted to join it and I always wanted to be the boss. | 0:02:49 | 0:02:52 | |
By his early 20s, Cottle had realised his ambition. | 0:02:53 | 0:02:58 | |
Young lady or a gentleman over the age of 16, | 0:02:58 | 0:03:01 | |
Mum or Dad to volunteer... | 0:03:01 | 0:03:04 | |
It wasn't long before the circus boss was a household name. | 0:03:04 | 0:03:08 | |
Lady over there? | 0:03:08 | 0:03:10 | |
When we first started in 1970, we made a documentary | 0:03:13 | 0:03:16 | |
and we were in the front cover of the Radio Times. | 0:03:16 | 0:03:18 | |
I've probably done ten different documentaries, different angles, | 0:03:18 | 0:03:22 | |
and we're in show business, so the more our name's out there | 0:03:22 | 0:03:26 | |
the better it is. | 0:03:26 | 0:03:27 | |
Very good. Thank you very much. | 0:03:30 | 0:03:32 | |
By 2001, Cottle and business partner Brian Austen were on a roll. | 0:03:35 | 0:03:40 | |
Not content with running two travelling circuses, | 0:03:40 | 0:03:43 | |
they decided risk spending one and a half million pounds | 0:03:43 | 0:03:47 | |
on bringing the Chinese State Circus to the UK. | 0:03:47 | 0:03:50 | |
Yeah, we do worry about investing that kind of money | 0:03:51 | 0:03:54 | |
and when we say we're going to do it, we do it. | 0:03:54 | 0:03:56 | |
We thought there was enough towns to have three shows | 0:03:56 | 0:03:59 | |
and we thought we would be better bringing a circus, you know, | 0:03:59 | 0:04:02 | |
a different circus every three years. That way we could, kind of, | 0:04:02 | 0:04:05 | |
I suppose, be a bit greedy and monopolise the country in a way. | 0:04:05 | 0:04:07 | |
To help generate publicity for his venture, Cottle agreed | 0:04:09 | 0:04:13 | |
to take part in the BBC documentary series Trouble At The TOP. | 0:04:13 | 0:04:18 | |
The cameras followed Cottle as he struggled to sell his show. | 0:04:18 | 0:04:21 | |
Do any of you want tickets, by the way, while you're still in one group? | 0:04:21 | 0:04:25 | |
-Can we sell those? -It's a Danny Parlet, you won't get a lot for it. | 0:04:25 | 0:04:28 | |
Now 12 years on, Cottle is going to relive | 0:04:29 | 0:04:32 | |
the experience of his own cultural revolution. | 0:04:32 | 0:04:35 | |
I don't remember ever seeing Chinese people not do the trick. | 0:04:38 | 0:04:41 | |
So many of the actions, dropping, falling. | 0:04:41 | 0:04:44 | |
Nobody else had ever run three big shows like we did. | 0:04:44 | 0:04:48 | |
We were turning over a fortune every week just to survive. | 0:04:48 | 0:04:51 | |
March, 2000. | 0:04:57 | 0:04:59 | |
The first time Cottle saw his one and a half million pound investment | 0:04:59 | 0:05:03 | |
in the flesh. | 0:05:03 | 0:05:04 | |
When we first saw them coming off the bus we thought, | 0:05:05 | 0:05:08 | |
"Oh, dear me, they look very young," | 0:05:08 | 0:05:10 | |
and more than anything we looked at their passports quickly | 0:05:10 | 0:05:13 | |
and the interesting thing was that they were all 16. | 0:05:13 | 0:05:15 | |
This was the Chinese State Circus' first day in the UK | 0:05:15 | 0:05:20 | |
and Cottle went to greet them as they arrived at the compound, | 0:05:20 | 0:05:23 | |
their training ground before the tour began. | 0:05:23 | 0:05:25 | |
Mr Tiung, their interpreter, was the only one who spoke English. | 0:05:25 | 0:05:29 | |
OK, shall we take them and have a look? This is Mr Tiung he's in charge | 0:05:29 | 0:05:33 | |
-of the troupe. And the other one's Mr Pong. -Pong? -Pong. | 0:05:33 | 0:05:37 | |
You've got to say that with a straight face, haven't you? | 0:05:37 | 0:05:40 | |
The girls didn't seem overly impressed with their accommodation. | 0:05:40 | 0:05:44 | |
We'd spent a lot of time and effort and months getting ready for this. | 0:05:44 | 0:05:48 | |
You know, painted all the trucks, getting everything looking good. | 0:05:48 | 0:05:51 | |
Planning the tour, that's the most important thing in the UK, | 0:05:51 | 0:05:54 | |
is to go to the right town for the right show, | 0:05:54 | 0:05:56 | |
and, you know, we were nervous when we saw them being so young | 0:05:56 | 0:05:59 | |
and we thought, "Are they going to be good enough?" | 0:05:59 | 0:06:02 | |
Unaware of Cottle's fears, the cook and the troupe director | 0:06:03 | 0:06:06 | |
seem pleased with their exclusive boss wagon. | 0:06:06 | 0:06:09 | |
But there was an empty bunk. The trainer hadn't turned up. | 0:06:11 | 0:06:15 | |
Cottle and Austen had already two circuses, | 0:06:21 | 0:06:24 | |
the traditional Cottle And Austin Electric | 0:06:24 | 0:06:27 | |
and the Moscow State Circus. | 0:06:27 | 0:06:28 | |
Their plan was to use the new circus to fill the best venues... | 0:06:28 | 0:06:32 | |
but it was a gamble. | 0:06:32 | 0:06:34 | |
It can't go wrong. We actually can't afford for it to go wrong | 0:06:34 | 0:06:37 | |
because we have stretched our limits to put it together. | 0:06:37 | 0:06:41 | |
It was opening night at the Cottle compound. | 0:06:44 | 0:06:46 | |
And the pressure was on for the Chinese. | 0:06:46 | 0:06:49 | |
They had to pull in 7,000 people a week | 0:06:55 | 0:06:58 | |
for Cottle and Austen to break even. | 0:06:58 | 0:07:00 | |
Otherwise, at the end of the season, they would be sent back to China. | 0:07:00 | 0:07:05 | |
The first night was practically empty. | 0:07:05 | 0:07:08 | |
It looked like they were well short of target. | 0:07:08 | 0:07:10 | |
Year of the dragon. A brand new millennium and a brand new edition | 0:07:10 | 0:07:15 | |
of one of the most famous circuses in the world. | 0:07:15 | 0:07:17 | |
Ladies and gentlemen, the incomparable Chinese State Circus. | 0:07:17 | 0:07:22 | |
BELL RINGS | 0:07:22 | 0:07:24 | |
Probably opening too soon after they arrived but, you know, | 0:07:24 | 0:07:27 | |
you've got to feed 30 people a day, | 0:07:27 | 0:07:29 | |
how long do you practise before you actually open to the public? | 0:07:29 | 0:07:33 | |
Trainer still hasn't arrived. | 0:07:33 | 0:07:34 | |
He's coming in a few days' time, because he hurt himself. | 0:07:34 | 0:07:37 | |
Enter the dragons. The year of the dragon gone, we're going. | 0:07:40 | 0:07:43 | |
Enter the gladiators. | 0:07:43 | 0:07:45 | |
-Find us some seats. Come on, then, do you job. -Where's Andrew? | 0:07:45 | 0:07:49 | |
Close that door quick. | 0:07:49 | 0:07:51 | |
Bloody hell! | 0:07:54 | 0:07:55 | |
With no trainer, things were not going according to plan. | 0:07:58 | 0:08:01 | |
I don't remember ever seeing Chinese people not do the trick. | 0:08:02 | 0:08:05 | |
So many of the acts are dropping, falling... | 0:08:05 | 0:08:09 | |
I don't know if they're meant to lay down... | 0:08:09 | 0:08:11 | |
Cottle and Austen bought the circus on the strength | 0:08:11 | 0:08:14 | |
of their record-breaking act - 17 girls on a bike. | 0:08:14 | 0:08:17 | |
But they were starting to question if they even had the right troupe. | 0:08:17 | 0:08:22 | |
12, 13... They're down to 13, Brian. Hey? | 0:08:22 | 0:08:26 | |
11 years on, Cottle is running the Wookey Hole visitor attraction. | 0:08:29 | 0:08:34 | |
But it's a tough time for the tourist industry | 0:08:34 | 0:08:37 | |
As the crucial Christmas period approaches, Cottle needs | 0:08:37 | 0:08:40 | |
to entice families to his Santa Land experience. | 0:08:40 | 0:08:44 | |
He's meeting with manager Daniel to discuss his idea... | 0:08:44 | 0:08:47 | |
slashing the ticket prices by 30%. | 0:08:47 | 0:08:50 | |
I'd really like to try the £10 ticket. | 0:08:52 | 0:08:55 | |
-Cor. -"Cor," he says, yes. -Giving it away. | 0:08:55 | 0:08:58 | |
I think it's a radical move, but... | 0:08:58 | 0:09:00 | |
My only concern is we've got to get an awful lot more visitors | 0:09:00 | 0:09:03 | |
to come in to actually make up that shortfall. | 0:09:03 | 0:09:05 | |
Our cash flow is tight enough as it is, if we don't get the money | 0:09:05 | 0:09:08 | |
that we want, or if we're down, we'll have to seriously think about | 0:09:08 | 0:09:11 | |
laying off quite a lot of our work force. | 0:09:11 | 0:09:13 | |
Yeah, but I think we'll have that problem whatever happens, | 0:09:13 | 0:09:17 | |
if we're not careful. I think it's time for radical action, | 0:09:17 | 0:09:20 | |
I mean we can't just plod on. | 0:09:20 | 0:09:23 | |
Santa Land will be an important draw over the winter months | 0:09:23 | 0:09:27 | |
and Cottle is gambling on his £10 ticket deal to pull in the punters. | 0:09:27 | 0:09:30 | |
It's an experiment, if it works it might help us with next summer. | 0:09:32 | 0:09:35 | |
We might do something similar next summer. | 0:09:35 | 0:09:37 | |
If it doesn't work over this short Santa Land period | 0:09:37 | 0:09:41 | |
then we wouldn't even think about it next summer. | 0:09:41 | 0:09:44 | |
To generate publicity for his Santa Land, he's come up with an idea | 0:09:45 | 0:09:49 | |
he hopes will capture the public's imagination. | 0:09:49 | 0:09:53 | |
This is what we call the Big Eat. | 0:09:53 | 0:09:55 | |
This is a mince pie eating competition. | 0:09:55 | 0:09:57 | |
We just have to try to do something different to attract people. | 0:09:57 | 0:10:00 | |
You can put adverts in newspapers, adverts in radio and television. | 0:10:00 | 0:10:04 | |
But when you actually get a silly story, a fun story going around, | 0:10:04 | 0:10:07 | |
it creates a lot more interest. | 0:10:07 | 0:10:09 | |
For the contestants, it's a chance to win £1,000 - | 0:10:09 | 0:10:13 | |
that is, if they have the stomach for it. | 0:10:13 | 0:10:16 | |
Very strenuous training. I've been training all my entire life for this. | 0:10:16 | 0:10:19 | |
This is my moment. | 0:10:19 | 0:10:21 | |
I've done some stretches this morning, yes, | 0:10:22 | 0:10:24 | |
and I've not eaten any spiders in the last three weeks. | 0:10:24 | 0:10:28 | |
It's part of the course, eating lots, when you're pregnant. | 0:10:28 | 0:10:33 | |
So not phased, really. Quite looking forward to it. | 0:10:33 | 0:10:36 | |
And I've not had my mid-morning snack just in preparation for this. | 0:10:36 | 0:10:39 | |
The stunt is costing over £3,000, so Cottle needs to make sure | 0:10:40 | 0:10:44 | |
his Santa Land gets the publicity he needs. | 0:10:44 | 0:10:47 | |
The press is here, which is the main thing. There's quite good... | 0:10:47 | 0:10:50 | |
I think there's five snappers here, some of them are agencies. | 0:10:50 | 0:10:54 | |
What we do, we get stories all over the place. It really makes people | 0:10:54 | 0:10:57 | |
see that this is a fun place, it's good. All we need is Wookey Hole. | 0:10:57 | 0:11:00 | |
All we need all the time is just Wookey Hole, Wookey Hole. | 0:11:00 | 0:11:03 | |
But with minutes to go, Cottle notices a problem. | 0:11:03 | 0:11:06 | |
Yes, they're crumbling, yes, they are crumbling. | 0:11:06 | 0:11:09 | |
That's new, but maybe they'll go down a bit easier with a bit of luck. | 0:11:09 | 0:11:13 | |
No. As long as no-one chokes we'll be all right. They're cheap pies... | 0:11:13 | 0:11:17 | |
No, sorry. | 0:11:17 | 0:11:18 | |
The challenge was set. | 0:11:19 | 0:11:21 | |
Ten minutes to eat as many mince pies as possible. | 0:11:21 | 0:11:24 | |
ALL: Three, two, one, eat! | 0:11:24 | 0:11:27 | |
AUDIENCE CHEERS | 0:11:27 | 0:11:30 | |
The techniques were varied. | 0:11:36 | 0:11:38 | |
Cheating, | 0:11:38 | 0:11:40 | |
not making much of an effort, | 0:11:40 | 0:11:42 | |
And eating way too fast. | 0:11:42 | 0:11:44 | |
We've got a puker! | 0:11:44 | 0:11:47 | |
We've got our first puker, give him a round of applause. | 0:11:47 | 0:11:49 | |
The competition was fierce, | 0:11:51 | 0:11:53 | |
but halfway through, still no clear winner. | 0:11:53 | 0:11:56 | |
Three, two, one, give them all a cheer! | 0:12:05 | 0:12:09 | |
APPLAUSE | 0:12:09 | 0:12:11 | |
A Big Eat that ended in a dead heat. | 0:12:11 | 0:12:15 | |
Two contestants ate 19 pies each, and Cottle spotted a headline. | 0:12:15 | 0:12:20 | |
Should we have a pie-off? CHEERING | 0:12:20 | 0:12:23 | |
Given the choice between splitting the money or having a pie-off, | 0:12:25 | 0:12:28 | |
One of the winners decided to settle. | 0:12:28 | 0:12:31 | |
I thought it was fun, it was great. | 0:12:33 | 0:12:35 | |
I'd like to do a pie-off in the end, that's I would really like, | 0:12:35 | 0:12:38 | |
but I could see he didn't look very well. | 0:12:38 | 0:12:40 | |
£1,000 split between the winners. | 0:12:40 | 0:12:43 | |
And hopefully, the perfect photo for a front page... | 0:12:43 | 0:12:46 | |
Just like today, in 2000, Cottle was also thinking of ways | 0:12:51 | 0:12:56 | |
to advertise his Chinese circus. He was dropping in to see PR man, | 0:12:56 | 0:13:00 | |
Mark Brokovski, about a publicity stunt. | 0:13:00 | 0:13:03 | |
This is my idea, I think it will work, but you've got to pull it off. | 0:13:03 | 0:13:06 | |
I think what we should do is put them all in a coach, OK? | 0:13:06 | 0:13:10 | |
Drive them down, let's say for a press gig. | 0:13:10 | 0:13:13 | |
We get a driver who just goes off and leaves them behind | 0:13:13 | 0:13:18 | |
with a cycle and they go off, they don't speak any English, | 0:13:18 | 0:13:21 | |
-and they get on the motorway. -What, all 60 on one bike? | 0:13:21 | 0:13:25 | |
All 60 on a bike, down that slip road from Heston services. | 0:13:25 | 0:13:28 | |
We've got to be careful, I mean... | 0:13:28 | 0:13:30 | |
We can't just, I mean, it's one thing having clowns | 0:13:30 | 0:13:33 | |
protesting at Heathrow Airport and custard pies in the face, | 0:13:33 | 0:13:36 | |
but to actually put the trick cyclists on the road. | 0:13:36 | 0:13:41 | |
-Gerry... -The slip road down to the motorway... | 0:13:41 | 0:13:43 | |
I mean, because it would be on the traffic reports. | 0:13:43 | 0:13:45 | |
Can you imagine it? We tip off the AA... | 0:13:45 | 0:13:48 | |
I know Heston very well, and also, I've been caught for speeding | 0:13:48 | 0:13:52 | |
a few times, I certainly don't play with speed cops. | 0:13:52 | 0:13:56 | |
I certainly don't think they would seen the right thing. | 0:13:56 | 0:13:59 | |
You know, it's not going to get very far, is it? | 0:13:59 | 0:14:02 | |
No, no, sure, it's a fun story as long as there's no accidents. | 0:14:02 | 0:14:05 | |
That's the big, big thing. I mean, we're not going to risk an accident. | 0:14:05 | 0:14:09 | |
Eventually they came up with a new idea, a photo shoot | 0:14:09 | 0:14:12 | |
in Trafalgar Square where the girls would attempt a world record - | 0:14:12 | 0:14:16 | |
17 on a bike, but the Chinese were refusing to go ahead. | 0:14:16 | 0:14:20 | |
They feared it was too wet. | 0:14:20 | 0:14:22 | |
I know it's nearly impossible, | 0:14:22 | 0:14:24 | |
but we can attempt it, then we say it's too wet. | 0:14:24 | 0:14:27 | |
It's better than saying no straightaway. | 0:14:27 | 0:14:29 | |
Pushing the water out... | 0:14:29 | 0:14:32 | |
Careful, mate, that's the only one we've got. | 0:14:32 | 0:14:35 | |
They need to run but they can't run even on it. That's the problem. | 0:14:35 | 0:14:38 | |
If we don't do a great press story | 0:14:48 | 0:14:51 | |
when we launch a new show, it would take weeks or even months to get... | 0:14:51 | 0:14:56 | |
the Chinese State Circus is here in Britain ready to do a tour. | 0:14:56 | 0:15:00 | |
You know, I'm quite proud sometimes, one would have said | 0:15:00 | 0:15:02 | |
I'm the Barnum of Britain nowadays. | 0:15:02 | 0:15:05 | |
I think that's very much about being a showman. | 0:15:05 | 0:15:07 | |
It's all right having a circus, it's all right putting a musical on, | 0:15:07 | 0:15:10 | |
but if you don't get the public's interest by creating something a bit | 0:15:10 | 0:15:14 | |
different, a bit special, you're not really doing the show any justice. | 0:15:14 | 0:15:18 | |
Back at the big top, Cottle and Austen | 0:15:19 | 0:15:22 | |
discover their Trafalgar Square publicity stunt had paid off. | 0:15:22 | 0:15:26 | |
That was the Indie again. We got the front page of that, | 0:15:26 | 0:15:29 | |
that was excellent. | 0:15:29 | 0:15:31 | |
Yes, that was very good. I reckon we only got front page | 0:15:31 | 0:15:33 | |
cos she fell off. | 0:15:33 | 0:15:34 | |
Probably, yes. Made a good picture. | 0:15:34 | 0:15:37 | |
Thankfully, the extra publicity meant | 0:15:37 | 0:15:39 | |
the audiences were flocking in. And there was more good news... | 0:15:39 | 0:15:43 | |
the trainer had finally arrived. | 0:15:43 | 0:15:45 | |
Since the trainer's been here, it's been a lot, lot better. | 0:15:52 | 0:15:54 | |
I mean, it doesn't just mean he shouts at them, but he is the man | 0:15:54 | 0:15:57 | |
that trained them and he just stands there and he does make them do one | 0:15:57 | 0:16:00 | |
or two things again, and he's made all the difference in the world. | 0:16:00 | 0:16:03 | |
He's quite tough but they seem to like him. | 0:16:03 | 0:16:05 | |
See if they do 17 on the bike today, | 0:16:05 | 0:16:07 | |
that's the next thing we've got to get in the show. | 0:16:07 | 0:16:10 | |
Still not the world record, but at least the girls were up to 15. | 0:16:12 | 0:16:17 | |
Back at the office, Cottle and Austen met with their accountant | 0:16:19 | 0:16:23 | |
to discuss their debts. He was frustrated with some | 0:16:23 | 0:16:26 | |
of the cheap tickets they'd been handing out. | 0:16:26 | 0:16:28 | |
You don't charge enough. And the 50%-off reduces your prices, | 0:16:28 | 0:16:34 | |
but you don't get anybody complaining. | 0:16:34 | 0:16:36 | |
We never get anybody complaining about the show or the prices. | 0:16:36 | 0:16:38 | |
My wife's optician said unless 10% were complaining | 0:16:38 | 0:16:41 | |
about the price, she wasn't charging enough. | 0:16:41 | 0:16:43 | |
It must be possible to find one or two who want to earn a bit extra. | 0:16:43 | 0:16:48 | |
I mean, the Chinese are notorious for hard work, aren't they? | 0:16:48 | 0:16:51 | |
Yeah, but they're all in the show and I mean... | 0:16:51 | 0:16:53 | |
Yes, but I mean what are they doing in the interval? | 0:16:53 | 0:16:57 | |
That's another one of our growing bills of course, is yours. | 0:16:57 | 0:16:59 | |
-Of course. -Accountancy is getting very expensive for us now, | 0:16:59 | 0:17:02 | |
with the three shows. | 0:17:02 | 0:17:04 | |
We keep talking about that every time we see you, the bill, don't we? | 0:17:06 | 0:17:09 | |
Yeah, they never get any smaller. | 0:17:09 | 0:17:10 | |
Never looked at ways of cutting them. | 0:17:10 | 0:17:12 | |
Ken Morgan's been a friend of ours since the very early days, | 0:17:12 | 0:17:15 | |
he's our personal accountant, he's a personal family friend | 0:17:15 | 0:17:18 | |
and he's absolutely right with a lot of things | 0:17:18 | 0:17:21 | |
he says about making money, but we are the showmen and apart from | 0:17:21 | 0:17:25 | |
having headline acts, gimmicks and things, we also know what happens. | 0:17:25 | 0:17:30 | |
We know that a lot of people can't afford the top prices | 0:17:30 | 0:17:32 | |
so we do have to discount. | 0:17:32 | 0:17:34 | |
It's always been a bone of contention, Ken would charge more. | 0:17:34 | 0:17:38 | |
But we think we cater for our public. | 0:17:38 | 0:17:41 | |
12 years on, owning Wookey Hole has allowed Cottle | 0:17:46 | 0:17:50 | |
to realise his dreams of creating a circus school. | 0:17:50 | 0:17:54 | |
The Circus School started almost four years ago, and they're | 0:17:54 | 0:17:57 | |
local boys and girls, and they come along two nights a week. | 0:17:57 | 0:18:00 | |
We experimented with this last year where we do 50 acts in 50 minutes. | 0:18:00 | 0:18:04 | |
I just thought, it's 50 years since I left home, ran away and joined | 0:18:04 | 0:18:07 | |
the circus, but also, they can all do most things but not that well, | 0:18:07 | 0:18:13 | |
so, rather than doing a full circus act for six or seven minutes, | 0:18:13 | 0:18:16 | |
they just do a minute or two minutes and we get a lot more out of it. | 0:18:16 | 0:18:21 | |
Today, they're rehearsing for their Santa Land performance. | 0:18:21 | 0:18:24 | |
Fiona is one of the main characters on their Christmas show. | 0:18:24 | 0:18:27 | |
I have a fairy godmother and she takes me | 0:18:28 | 0:18:31 | |
to places where would like to go, and there's a witch | 0:18:31 | 0:18:35 | |
and she gives me 50 acts in 50 minutes. | 0:18:35 | 0:18:37 | |
Well, there's this part where I go up some ladders, | 0:18:40 | 0:18:43 | |
really high ladders, but it's really scary. | 0:18:43 | 0:18:45 | |
Cottle has made sure his circus school is a family affair. | 0:18:54 | 0:18:58 | |
His grandchildren Salam and Ellen are both artists | 0:18:58 | 0:19:01 | |
on the show and son-in-law Willy is head coach of the school. | 0:19:01 | 0:19:05 | |
Having Dad as my coach, as well, it's actually quite nice, | 0:19:06 | 0:19:09 | |
working with the family. I really enjoy it, personally. | 0:19:09 | 0:19:12 | |
I really, really enjoy it, yeah. | 0:19:12 | 0:19:14 | |
13-year-old Salam hopes to follow in his grandfather's footsteps. | 0:19:14 | 0:19:18 | |
He's been in circus probably since he was 15 through now, | 0:19:22 | 0:19:27 | |
so has my mum, his other daughters, and so have I. | 0:19:27 | 0:19:31 | |
The Circus School's amazing. I love it, it's basically my life. | 0:19:33 | 0:19:37 | |
I'm really proud of the Circus School, I want the Circus School | 0:19:39 | 0:19:42 | |
to work long time. | 0:19:42 | 0:19:44 | |
I'd like to see boys and girls from the Wookey Hole Circus School | 0:19:44 | 0:19:47 | |
appearing round the world. | 0:19:47 | 0:19:49 | |
Back in 2000, the Chinese Circus was proving a success... | 0:19:49 | 0:19:54 | |
but the dangerous tricks were causing injuries | 0:19:54 | 0:19:56 | |
and the girls were down to only 13 on the bike. | 0:19:56 | 0:19:59 | |
Worse still, Cottle had made a disturbing discovery - | 0:19:59 | 0:20:03 | |
his Chinese performers might not be the record holders. | 0:20:03 | 0:20:07 | |
In one of my trade magazines, a French magazine I get, | 0:20:07 | 0:20:10 | |
there was 19 on a bike at some big festival overseas at some point. | 0:20:10 | 0:20:15 | |
So they were cheating us all the time. | 0:20:15 | 0:20:18 | |
THEY GIGGLE | 0:20:18 | 0:20:21 | |
Cottle and Austen decided to check the original video they were sent. | 0:20:21 | 0:20:25 | |
-They're not the same troupe. -Brian, they probably could be, they've just | 0:20:26 | 0:20:29 | |
-dressed them differently. -No, they're not. Not even the same act. | 0:20:29 | 0:20:32 | |
-This was just a video they sent us. -It probably is the same troupe but | 0:20:32 | 0:20:35 | |
-they've dressed up like monks there. -I mean, that's the thing you've got | 0:20:35 | 0:20:38 | |
to be careful of now, they send you these tapes that are out of date. | 0:20:38 | 0:20:41 | |
Originally, we used to go and see every act, all over the place, | 0:20:41 | 0:20:44 | |
but now we do go a lot more on video, | 0:20:44 | 0:20:47 | |
so we could be fooled much more easy, couldn't we? | 0:20:47 | 0:20:50 | |
-Well, that's a little boy so... -That's not a girl. | 0:20:50 | 0:20:54 | |
We did say we didn't want the hot pants. | 0:20:54 | 0:20:56 | |
We certainly didn't want this music. | 0:20:56 | 0:20:58 | |
-We quite like the hot pants now, don't we? -We did in the end, yeah. | 0:20:58 | 0:21:01 | |
11, 12, 13, 14, 15, 16, | 0:21:01 | 0:21:06 | |
and one on the bike is 17. | 0:21:06 | 0:21:09 | |
-We got diddled. -I suppose we are a bit cheesed off. | 0:21:09 | 0:21:12 | |
I think we should bring it up again and see what can be done. | 0:21:12 | 0:21:15 | |
Yeah, we felt a little bit let down, I wouldn't say conned | 0:21:15 | 0:21:18 | |
but kind of misled a bit. | 0:21:18 | 0:21:21 | |
And, I mean, we've done that with other acts. | 0:21:22 | 0:21:25 | |
You know, nowadays, once you've seen the video or the DVD, nowadays | 0:21:25 | 0:21:29 | |
you do actually need to go and see the act itself. | 0:21:29 | 0:21:32 | |
As the Chinese State Circus tour came to an end, Cottle and Austen | 0:21:32 | 0:21:36 | |
met with their accountant to find out if their gamble had paid off. | 0:21:36 | 0:21:41 | |
They had to decide whether to keep the circus for another season | 0:21:41 | 0:21:44 | |
or send them back home. | 0:21:44 | 0:21:46 | |
I mean, I think you will have done better with the three | 0:21:46 | 0:21:49 | |
than you would have done with two. | 0:21:49 | 0:21:51 | |
As it happens, right this second... | 0:21:51 | 0:21:53 | |
Particularly, because as I sense from the information I've seen, | 0:21:53 | 0:21:58 | |
that the Chinese has done better than the Electric Circus. | 0:21:58 | 0:22:03 | |
I think the concept of the three shows, | 0:22:03 | 0:22:04 | |
the fact that you've got out financially, and although you | 0:22:04 | 0:22:07 | |
probably haven't made as much profit per show | 0:22:07 | 0:22:10 | |
as you were before, I think you've got to build on that for next year. | 0:22:10 | 0:22:13 | |
And then you could charge more realistically. | 0:22:13 | 0:22:16 | |
Cos if you'd had everybody coming in not on half price, | 0:22:16 | 0:22:18 | |
you'd have had a sensational year. | 0:22:18 | 0:22:21 | |
The Chinese State Circus gamble had paid off and the act continues | 0:22:21 | 0:22:25 | |
to tour the UK. | 0:22:25 | 0:22:27 | |
However, in 2003, Cottle sold his share in all three circuses | 0:22:27 | 0:22:32 | |
to his business partner. | 0:22:32 | 0:22:33 | |
A year later, Austen decided to close | 0:22:35 | 0:22:37 | |
the traditional Electric Circus. | 0:22:37 | 0:22:40 | |
We're about to open the doors for Santa Land, | 0:22:42 | 0:22:45 | |
we've done a lot of work on it, we've renovated the grotto, | 0:22:45 | 0:22:48 | |
we've practised this big Christmas circus, which is really fabulous, | 0:22:48 | 0:22:52 | |
I think it is, anyway. And, you know, we're all ready. | 0:22:52 | 0:22:55 | |
Cottle needs an extra 2,500 visitors over the Santa Land season | 0:22:55 | 0:23:00 | |
just to his cover costs. He hopes the £10 ticket will do the trick. | 0:23:00 | 0:23:05 | |
Absolutely brilliant, I mean, we paid £10 for us three | 0:23:05 | 0:23:09 | |
and the two little ones are free, so really good. | 0:23:09 | 0:23:13 | |
I was just on the internet and just came across it and thought, | 0:23:13 | 0:23:15 | |
well, for the price, had to come down and see what's going on. | 0:23:15 | 0:23:18 | |
We need to keep the figures up, you know. | 0:23:18 | 0:23:20 | |
That's the big question at the end of the day, keep the numbers up. | 0:23:20 | 0:23:23 | |
And I think we're doing it but we only do it by keep plodding away. | 0:23:23 | 0:23:27 | |
I think, trying to make a great excitement, you can only do that | 0:23:27 | 0:23:30 | |
when you do something for the first time. | 0:23:30 | 0:23:32 | |
When you do it year after year, it's much more difficult, and that's | 0:23:32 | 0:23:35 | |
the difference I've learned, running a travelling circus, | 0:23:35 | 0:23:38 | |
you hit the town once every three years. With Wookey Hole, | 0:23:38 | 0:23:41 | |
it's here 52 weeks of the year so that's much more difficult. | 0:23:41 | 0:23:45 | |
This is where they first go into the grotto and it's very early, | 0:23:49 | 0:23:52 | |
we've had a couple of families, here's another couple | 0:23:52 | 0:23:54 | |
of families coming up straightaway. | 0:23:54 | 0:23:56 | |
What's interesting, there's always about three adults to every child. | 0:23:56 | 0:24:00 | |
For Cottle, Santa's grotto is the attraction | 0:24:00 | 0:24:03 | |
he hopes will bring in the families. | 0:24:03 | 0:24:05 | |
For the children, it's a chance to walk into a new world | 0:24:05 | 0:24:08 | |
and meet Santa. | 0:24:08 | 0:24:10 | |
-Are you guys ready to come and see Father Christmas? -Yeah. | 0:24:10 | 0:24:12 | |
Do you want to follow me? | 0:24:12 | 0:24:14 | |
-Hello! -Hello! | 0:24:17 | 0:24:21 | |
Hello, hello, hello. | 0:24:21 | 0:24:23 | |
Now, what I want you to do between now and Christmas... | 0:24:23 | 0:24:26 | |
you've got to keep your bedroom tidy. | 0:24:26 | 0:24:28 | |
-Mine's always tidy. -Yours is always tidy? | 0:24:28 | 0:24:32 | |
Mine is always messy. | 0:24:32 | 0:24:34 | |
Santa's grotto seems to be a success with the children. | 0:24:36 | 0:24:39 | |
Happy Christmas. | 0:24:41 | 0:24:43 | |
But would Santa Land be a hit with the adults, too? | 0:24:43 | 0:24:47 | |
What you get is amazing. | 0:24:47 | 0:24:49 | |
You've got everything here, you've got a circus, you've got | 0:24:49 | 0:24:51 | |
Father Christmas, then you got the use of the whole of Wookey Hole. | 0:24:51 | 0:24:54 | |
You can have a whole day out for £10 each, it's brilliant. | 0:24:54 | 0:24:58 | |
I think what's important about this grotto is it's permanent, | 0:25:00 | 0:25:03 | |
we've spent a lot of time and money building it | 0:25:03 | 0:25:06 | |
and all these creatures are moving all the time and it's rather lovely. | 0:25:06 | 0:25:10 | |
You know you go to see Santa in a garden centre and most places, | 0:25:10 | 0:25:13 | |
and he's in a kind of garden shed with a few decorations, | 0:25:13 | 0:25:16 | |
whereas here this is really done very beautifully, I think. | 0:25:16 | 0:25:19 | |
Don't you like the bunnies? | 0:25:19 | 0:25:22 | |
By the afternoon, queues are forming at the grotto. | 0:25:22 | 0:25:26 | |
Cottle starts to relax. | 0:25:26 | 0:25:29 | |
A lot of people pre-book for Santa but there's also people buying. | 0:25:29 | 0:25:32 | |
I think it's going very well. | 0:25:32 | 0:25:34 | |
The Santa Land ticket also includes a circus show. | 0:25:34 | 0:25:38 | |
After months of rehearsals, | 0:25:38 | 0:25:39 | |
the stars of the Wookey Hole Circus School are getting ready | 0:25:39 | 0:25:43 | |
for their big moment. | 0:25:43 | 0:25:44 | |
Just relax, but there are a some important people in today | 0:25:44 | 0:25:47 | |
so don't forget to kind of concentrate. | 0:25:47 | 0:25:50 | |
-Anyway, have a good show. ALL: -Thank you! | 0:25:50 | 0:25:53 | |
Or as they say, break a leg. | 0:25:53 | 0:25:55 | |
That's a superstition. I don't like saying that. | 0:25:55 | 0:25:59 | |
Not with you lot, anyway. | 0:25:59 | 0:26:02 | |
And it's show time! | 0:26:05 | 0:26:07 | |
Cottle is pleased with the turn-out and delighted with his pupils. | 0:26:15 | 0:26:18 | |
It's a good show, isn't it? It's a very good show. | 0:26:21 | 0:26:23 | |
You get so much more than they see in a normal circus. | 0:26:23 | 0:26:26 | |
That's why, yeah. | 0:26:26 | 0:26:28 | |
They're so busy concentrating, they don't smile all the time. | 0:26:37 | 0:26:40 | |
You probably haven't noticed, but I have. | 0:26:40 | 0:26:43 | |
When they were doing spins on the webs, one of them let go | 0:26:43 | 0:26:46 | |
and one didn't. All those little things that just finish it off. | 0:26:46 | 0:26:49 | |
But they're great. No, they're fine. | 0:26:49 | 0:26:51 | |
Despite a few minor glitches, the show is a success. | 0:27:01 | 0:27:05 | |
But would Cottle's big gamble pay off? | 0:27:05 | 0:27:07 | |
Slashing the ticket prices meant Cottle needed a big increase | 0:27:09 | 0:27:12 | |
in the number of visitors. | 0:27:12 | 0:27:14 | |
He meets with manager Daniel to check on the latest figures. | 0:27:14 | 0:27:19 | |
I feel happier now, I felt the first hour, "Oh, dear me, it's dead," | 0:27:19 | 0:27:22 | |
but I thought it was good. | 0:27:22 | 0:27:24 | |
It was a big gamble, reducing the price to £10 a ticket | 0:27:24 | 0:27:27 | |
but it has actually paid off. I didn't think it would do. | 0:27:27 | 0:27:30 | |
We're 30% up today and we still have a couple of hours of trading left. | 0:27:30 | 0:27:33 | |
We're about 50% up on bookings so far. | 0:27:33 | 0:27:36 | |
We're earning a bit more in souvenirs and catering | 0:27:36 | 0:27:38 | |
and everything else. | 0:27:38 | 0:27:40 | |
And I like all the staff dressed up. It's a good atmosphere | 0:27:40 | 0:27:44 | |
but, no, I feel good. | 0:27:44 | 0:27:46 | |
But facing a tough economic climate, Cottle will need | 0:27:47 | 0:27:50 | |
all his showman's skills to keep his family business alive. | 0:27:50 | 0:27:55 | |
I won't retire, I don't want to retire, | 0:27:55 | 0:27:57 | |
and I've never wanted to retire. | 0:27:57 | 0:27:58 | |
I have no interest in it, at all. I get frustrated | 0:27:58 | 0:28:02 | |
that live show business is in the doldrums at the moment. | 0:28:02 | 0:28:05 | |
But deep down, I've always wanted a circus school. | 0:28:05 | 0:28:09 | |
And everything that I've wanted to do, basically, I've done... | 0:28:09 | 0:28:13 | |
..really without any hesitation. I mean, I'm personally probably going | 0:28:15 | 0:28:18 | |
to put another circus back on the road, which will keep me busy | 0:28:18 | 0:28:21 | |
for a year or two | 0:28:21 | 0:28:22 | |
because I want the kids from the Circus School to go somewhere. | 0:28:22 | 0:28:25 | |
Like I say, I didn't come here to start a circus school, | 0:28:25 | 0:28:28 | |
but it's my best, my proudest achievement | 0:28:28 | 0:28:31 | |
and, hopefully, my legacy. | 0:28:31 | 0:28:33 | |
Subtitles by Red Bee Media Ltd | 0:28:55 | 0:28:58 |