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'David Sullivan is one of the UK's most successful entrepreneurs, | 0:00:02 | 0:00:06 | |
'but can he save the newspaper he created 25 years ago?' | 0:00:06 | 0:00:09 | |
I'm not a dictator and I will listen to other people, | 0:00:09 | 0:00:12 | |
but at this moment in time, we have a paper in intensive care. | 0:00:12 | 0:00:16 | |
'Last year, the Sport newspaper was close to folding, | 0:00:16 | 0:00:20 | |
'but at the eleventh hour, Sullivan stepped in to save the day.' | 0:00:20 | 0:00:24 | |
'I just had the belief that it could survive as a Sunday newspaper, | 0:00:24 | 0:00:27 | |
'it might just survive as a Sunday and a midweek paper.' | 0:00:27 | 0:00:31 | |
'It's not the first time he's tried to steer the Sport from disaster.' | 0:00:31 | 0:00:35 | |
'13 years ago, the paper's circulation was falling fast.' | 0:00:35 | 0:00:39 | |
'To boost sales, Sullivan took part in BBC series Back To The Floor.' | 0:00:39 | 0:00:43 | |
There it is, yeah. Smiles and teeth for me. There you go. | 0:00:43 | 0:00:48 | |
'It would mean working as a roving reporter on his own newspaper.' | 0:00:48 | 0:00:51 | |
"Gas man at blind-date sex orgy." | 0:00:51 | 0:00:54 | |
-Needs some quotes. Was he well hung? -I should've asked that. | 0:00:54 | 0:00:59 | |
'Over the course of one week, the cameras followed Sullivan | 0:00:59 | 0:01:02 | |
'as he tried his hand at the tabloid trade.' | 0:01:02 | 0:01:05 | |
No, I'm doing something wrong. Oh, I've buggered it up. | 0:01:05 | 0:01:08 | |
'Now, as the Sport relaunches, | 0:01:08 | 0:01:11 | |
'the boss is back and more determined than ever | 0:01:11 | 0:01:13 | |
'to keep the business on track.' | 0:01:13 | 0:01:16 | |
You've got to be involved. When I wasn't, the paper went bust. | 0:01:16 | 0:01:19 | |
'Birch Hall in Essex, | 0:01:39 | 0:01:41 | |
'home to one of the country's most successful businessmen - | 0:01:41 | 0:01:44 | |
'David Sullivan.' | 0:01:44 | 0:01:46 | |
'It's very small.' | 0:01:46 | 0:01:48 | |
'It's about 25,000 square feet.' | 0:01:48 | 0:01:50 | |
Back then, it was the biggest house under construction in the country | 0:01:50 | 0:01:55 | |
and it was the biggest house in Essex built since the War. | 0:01:55 | 0:01:58 | |
'As well as being Sullivan's home and office, | 0:01:58 | 0:02:01 | |
'the mansion also houses his collection of sports memorabilia.' | 0:02:01 | 0:02:05 | |
This is my main dining room | 0:02:05 | 0:02:07 | |
and I collect Victorian racing trophies | 0:02:07 | 0:02:11 | |
and they're wonderful pieces of silver design really. | 0:02:11 | 0:02:14 | |
I like football, racing, boxing - the very masculine sports. | 0:02:14 | 0:02:18 | |
'25 years ago, Sullivan spotted an opportunity | 0:02:18 | 0:02:22 | |
'to combine his love of sport with his main business - | 0:02:22 | 0:02:25 | |
'publishing pornographic magazines.' | 0:02:25 | 0:02:27 | |
I honestly thought if The Sun was selling... | 0:02:27 | 0:02:31 | |
..erm... three or four million papers a day with one topless girl, | 0:02:31 | 0:02:36 | |
if you had ten topless girls, you'd sell two million as easy as that. | 0:02:36 | 0:02:42 | |
'The result was Britain's most downmarket tabloid newspaper - | 0:02:42 | 0:02:45 | |
'the Sunday Sport.' | 0:02:45 | 0:02:47 | |
'The formula's simple. As one of the paper's staff put it - | 0:02:47 | 0:02:50 | |
'"tits, bums, QPR and roll-your-own fags."' | 0:02:50 | 0:02:54 | |
It's an absolute disgrace, isn't it? | 0:02:54 | 0:02:56 | |
'Within a year, the Sunday Sport was selling half a million copies a week | 0:02:56 | 0:03:01 | |
'and the porn king had become a press baron.' | 0:03:01 | 0:03:04 | |
We were different. If anything's different, people give it a try, | 0:03:04 | 0:03:08 | |
but I think it's that combination of humour and girls. | 0:03:08 | 0:03:12 | |
We weren't trying to take readers from other newspapers, | 0:03:12 | 0:03:15 | |
we were trying to add readers to the whole Sunday market. | 0:03:15 | 0:03:19 | |
'By the late '90s, however, | 0:03:19 | 0:03:21 | |
'the Sport, like many papers, was suffering from falling circulation.' | 0:03:21 | 0:03:25 | |
'To boost sales, Sullivan decided | 0:03:25 | 0:03:28 | |
'to take part in the BBC documentary series Back To The Floor.' | 0:03:28 | 0:03:31 | |
'I gave up a week of my life to go and live in Manchester in a hotel | 0:03:31 | 0:03:36 | |
'in the hope that I'd sell newspapers.' | 0:03:36 | 0:03:39 | |
I thought, when the episode came out, we would sell extra papers | 0:03:39 | 0:03:42 | |
and I'd do anything to sell newspapers. | 0:03:42 | 0:03:45 | |
'Sullivan spent a week under the spotlight as a cub reporter | 0:03:45 | 0:03:50 | |
'for his own paper.' | 0:03:50 | 0:03:52 | |
David Sullivan here. Is that the copy taker? | 0:03:52 | 0:03:55 | |
Prior to being reduced to ten men... | 0:03:55 | 0:03:57 | |
-What's the first word? -"Prior. P-R-I-O-R." | 0:03:57 | 0:04:00 | |
'13 years on from the Back To The Floor programme, the paper's formula | 0:04:02 | 0:04:07 | |
'of sport and sex hasn't changed.' | 0:04:07 | 0:04:09 | |
'Photographer Paul is working on a feature called Factory Visit.' | 0:04:09 | 0:04:14 | |
We send our girls round to the lads around the country | 0:04:14 | 0:04:17 | |
to cheer them up and stuff. | 0:04:17 | 0:04:19 | |
But with health-and-safety laws now, | 0:04:19 | 0:04:21 | |
it's dead hard to get people to agree to it nowadays. | 0:04:21 | 0:04:25 | |
In the old days, before health and safety, human rights and that crap, | 0:04:25 | 0:04:29 | |
we used to... people used to send loads of visits, | 0:04:29 | 0:04:32 | |
you know, requests for visits. | 0:04:32 | 0:04:35 | |
We sent one of our girls to a football team - | 0:04:35 | 0:04:39 | |
the lads all loved the girls coming down. | 0:04:39 | 0:04:42 | |
These guys will dine out on that | 0:04:42 | 0:04:44 | |
for the next 10, 15 years. | 0:04:44 | 0:04:46 | |
"Oh, wow! Guess what happened to us last Sunday!" | 0:04:46 | 0:04:50 | |
And they'll all be able to tell their grandkids. | 0:04:50 | 0:04:53 | |
Won't be able to show 'em the pictures! | 0:04:53 | 0:04:56 | |
'However, in the spring of 2011, | 0:04:56 | 0:04:58 | |
'the Sport's 25-year history almost came to an end.' | 0:04:58 | 0:05:02 | |
'After years of falling sales, the business went into administration.' | 0:05:02 | 0:05:07 | |
'The paper's decline coincided with Sullivan's decision | 0:05:07 | 0:05:11 | |
'to sell the Sport in 2007.' | 0:05:11 | 0:05:13 | |
I did it with great sadness, but I thought there was no future in it. | 0:05:13 | 0:05:18 | |
I thought the Internet | 0:05:18 | 0:05:21 | |
and technologies were replacing print | 0:05:21 | 0:05:24 | |
and it was a declining market. | 0:05:24 | 0:05:26 | |
All the print market is declining. | 0:05:26 | 0:05:29 | |
'Under new management, the Sport struggled.' | 0:05:29 | 0:05:32 | |
The Sunday Sport's always held a special place in David's heart. | 0:05:32 | 0:05:37 | |
When it was launched in '86, it was very much his brainchild, his baby - | 0:05:37 | 0:05:43 | |
once out of his control, it went downhill quickly. | 0:05:43 | 0:05:46 | |
'The Sport's owners decided to sell the paper | 0:05:46 | 0:05:49 | |
'and the staff sent Sullivan an SOS.' | 0:05:49 | 0:05:52 | |
I felt that the paper was still a very, very viable proposition, | 0:05:52 | 0:05:57 | |
that we'd got a well-known brand and we could make it work. | 0:05:57 | 0:06:01 | |
I spoke to David about various options and we decided that, | 0:06:01 | 0:06:07 | |
run as a tight ship, as a small business, the company would work | 0:06:07 | 0:06:10 | |
and could be profitable again. | 0:06:10 | 0:06:13 | |
'Sullivan decided to back a joint venture to buy the Sport.' | 0:06:13 | 0:06:17 | |
I took a complete gamble | 0:06:17 | 0:06:19 | |
and I was impressed that several members of the Sport's staff | 0:06:19 | 0:06:22 | |
wanted to relaunch the paper and they put their own money in it. | 0:06:22 | 0:06:26 | |
I owned 90 per cent, they owned 10. | 0:06:26 | 0:06:28 | |
'The former boss is now back at the Sport | 0:06:28 | 0:06:31 | |
'and is casting a keen eye on the paper's front page.' | 0:06:31 | 0:06:34 | |
I'm not a dictator | 0:06:34 | 0:06:36 | |
and I'll listen to other people, but we have a paper in intensive care | 0:06:36 | 0:06:41 | |
that is growing and shortly will come out of intensive care, | 0:06:41 | 0:06:45 | |
expand and take on more staff. | 0:06:45 | 0:06:47 | |
Mark Harris. | 0:06:49 | 0:06:51 | |
Mark, I've got the cover down. | 0:06:51 | 0:06:53 | |
When we discuss the paper, David's a great believer | 0:06:53 | 0:06:56 | |
in the strength of the front page - | 0:06:56 | 0:06:59 | |
it's our shop window | 0:06:59 | 0:07:01 | |
and he takes a very keen interest. | 0:07:01 | 0:07:03 | |
He doesn't tell us what to put on the front page, | 0:07:03 | 0:07:07 | |
but he'll tell us what NOT to put on the front page. | 0:07:07 | 0:07:10 | |
If he doesn't like a front page, he'll be very quick to tell us. | 0:07:10 | 0:07:14 | |
A couple of things - on mine, the bikini in the big shot | 0:07:14 | 0:07:19 | |
is very orange. | 0:07:19 | 0:07:22 | |
It was the same colour as the small shot, a vibrant red. | 0:07:22 | 0:07:26 | |
Looking at my version, you're right, | 0:07:26 | 0:07:28 | |
there's a definite orange tinge as opposed to the full red. | 0:07:28 | 0:07:32 | |
The cover's vitally important. | 0:07:32 | 0:07:34 | |
When I'm selling 30, 40 places in the UK, | 0:07:34 | 0:07:37 | |
whether they're newsagents or service stations, | 0:07:37 | 0:07:40 | |
that is our advertisement in those outlets. | 0:07:40 | 0:07:43 | |
-Yes, that's what we're looking for - solid red. -"I'm not worried | 0:07:43 | 0:07:47 | |
"about the shade on her face, but the bikini is important." | 0:07:47 | 0:07:50 | |
It's almost the same colour as our masthead. Anyway, leave it to you. | 0:07:50 | 0:07:55 | |
-"Speak to you soon." -All right, David, bye now. | 0:07:55 | 0:07:59 | |
David's happy with what we've got and he's just questioning | 0:07:59 | 0:08:04 | |
the colouring on the bikini on the front page. | 0:08:04 | 0:08:08 | |
So a bit of touch-up work in Photoshop and we'll be ready to go. | 0:08:08 | 0:08:14 | |
-Good morning. -Morning, Mr Sullivan, how are you? -Fine, thank you. | 0:08:16 | 0:08:20 | |
'For Sullivan, the front cover has been a long-standing obsession.' | 0:08:20 | 0:08:24 | |
'During his week on the shop floor, | 0:08:24 | 0:08:27 | |
'he was tasked with directing the cover photo shoot.' | 0:08:27 | 0:08:31 | |
We've got a problem. | 0:08:31 | 0:08:33 | |
Erm... Two weeks ago, | 0:08:33 | 0:08:37 | |
Sunday Sport went up five per cent. | 0:08:37 | 0:08:39 | |
Last week, it dropped two per cent. | 0:08:39 | 0:08:42 | |
So it's down to the pin-up. | 0:08:42 | 0:08:44 | |
Now, I've booked two girls into a studio this morning | 0:08:44 | 0:08:49 | |
and you occasionally bore me about the choice of covers, | 0:08:49 | 0:08:53 | |
so I want you to try and put sales up. | 0:08:53 | 0:08:55 | |
Well done. Yeah, yeah, whatever. | 0:09:00 | 0:09:03 | |
Two of each... | 0:09:03 | 0:09:05 | |
'The models were expensive for the Sport.' | 0:09:05 | 0:09:09 | |
-How much do you get paid for a shoot? -150, 200, something like that. | 0:09:09 | 0:09:13 | |
'Normally, they would only get £50.' | 0:09:13 | 0:09:16 | |
As long as you wear the same colour. | 0:09:16 | 0:09:18 | |
'The people who are exploited | 0:09:18 | 0:09:20 | |
'are the people working on the tills at Sainsbury's for £3 an hour.' | 0:09:20 | 0:09:24 | |
'We live in a very liberal society now | 0:09:24 | 0:09:27 | |
'and they get a buzz out of it.' | 0:09:27 | 0:09:29 | |
TV: "'They don't do it for money, they do it for fame.'" | 0:09:29 | 0:09:33 | |
"That's it, there it is. There." | 0:09:33 | 0:09:37 | |
"'Every week, 50-100 women write to us | 0:09:37 | 0:09:39 | |
"'to pose in our newspaper.'" | 0:09:39 | 0:09:42 | |
-Good, that's the one. -Plenty of smiles and teeth for me. | 0:09:43 | 0:09:47 | |
Yeah, that's fine. That's excellent. | 0:09:47 | 0:09:51 | |
We analyse sales figures based on covers all the time, | 0:09:51 | 0:09:56 | |
so... it's a matter of opinion what sells, | 0:09:56 | 0:09:59 | |
but I know what works for me | 0:09:59 | 0:10:01 | |
and my judgment is based on actual sales, | 0:10:01 | 0:10:04 | |
not personal opinions. | 0:10:04 | 0:10:07 | |
I think the danger is you start picking what YOU like | 0:10:07 | 0:10:10 | |
rather than what sells and the key is what sells. | 0:10:10 | 0:10:14 | |
'His next task meant travelling 100 miles to cover a football match.' | 0:10:14 | 0:10:19 | |
'Today, Sullivan is chairman of West Ham, | 0:10:19 | 0:10:22 | |
'but back then, he owned Birmingham City.' | 0:10:22 | 0:10:25 | |
'As reporter, he'd have to leave his mother in the directors' box.' | 0:10:25 | 0:10:29 | |
-Ooh, I am missing you. -Well, I've got to go over there. | 0:10:29 | 0:10:32 | |
-How long for? -The whole match. | 0:10:32 | 0:10:35 | |
Here we go. Excuse me. How's it going? | 0:10:35 | 0:10:39 | |
-Hello there. -David. -Am I sitting here? Very cramped. | 0:10:39 | 0:10:43 | |
'Sullivan headed for the press box to file his story.' | 0:10:43 | 0:10:47 | |
CROWD CHEERS | 0:10:47 | 0:10:50 | |
'He then called in the half-time report.' | 0:10:53 | 0:10:56 | |
"Is that the copy taker?" | 0:10:56 | 0:10:58 | |
David Sullivan here. | 0:10:58 | 0:11:01 | |
-Can you hear me? -"Yep." | 0:11:01 | 0:11:03 | |
Prior to being reduced to ten men... | 0:11:03 | 0:11:06 | |
Did you hear that? | 0:11:06 | 0:11:08 | |
-What's the first word? -"Prior. P-R-I-O-R." | 0:11:08 | 0:11:12 | |
-Yep. Is that your intro? -"What's the intro?" | 0:11:12 | 0:11:15 | |
Hello? | 0:11:15 | 0:11:17 | |
'He lost the call and couldn't get the mobile working again.' | 0:11:17 | 0:11:21 | |
It's off. | 0:11:24 | 0:11:25 | |
'Luckily, a rival reporter took pity on him.' | 0:11:25 | 0:11:29 | |
'Sullivan had to cope | 0:11:32 | 0:11:35 | |
'with writing his report, | 0:11:35 | 0:11:38 | |
'watching the match... | 0:11:38 | 0:11:41 | |
'..and being heard on the phone.' | 0:11:41 | 0:11:44 | |
It's Dave Sullivan here from St Andrew's. | 0:11:44 | 0:11:47 | |
The last report with five minutes to go... | 0:11:47 | 0:11:50 | |
'Eventually, he managed to phone over a match report.' | 0:11:50 | 0:11:53 | |
Yeah, final score from Birmingham - 0-0. | 0:11:53 | 0:11:56 | |
"CROWD BOOS" | 0:11:56 | 0:11:58 | |
With all the noise, you're trying to speak | 0:11:59 | 0:12:02 | |
and they're struggling to hear you, but you're also watching the action | 0:12:02 | 0:12:07 | |
and putting your report through. It's very difficult. | 0:12:07 | 0:12:10 | |
'The football I found stressful | 0:12:10 | 0:12:13 | |
'because I got up at six o'clock, 18 hours without stopping - | 0:12:13 | 0:12:17 | |
'it's quite a hard day.' | 0:12:17 | 0:12:19 | |
'13 years on from Sullivan's week on the shop floor, | 0:12:21 | 0:12:25 | |
'the Sport has recruited a new trainee reporter.' | 0:12:25 | 0:12:28 | |
'Jess Haworth normally covers the paper's celebrity beat, | 0:12:28 | 0:12:32 | |
'but today she's going to be assigned a different kind of story.' | 0:12:32 | 0:12:37 | |
The readers expect that the papers are going to present to them | 0:12:37 | 0:12:40 | |
stories that will entertain them. | 0:12:40 | 0:12:43 | |
They know there's a tongue-in-cheek element to what we produce | 0:12:43 | 0:12:48 | |
and that's why people like us and why people will always smile. | 0:12:48 | 0:12:52 | |
'It's about a dwarf who claims he's banned from riding his motorbike.' | 0:12:52 | 0:12:57 | |
Your mission, should you choose to accept it... | 0:12:57 | 0:13:00 | |
Got a story we want you to look at. | 0:13:00 | 0:13:03 | |
Dwarf. He's called Dave Henderson. | 0:13:03 | 0:13:06 | |
He's playing the discrimination card | 0:13:06 | 0:13:08 | |
on the basis that he's not allowed to ride his motorbike | 0:13:08 | 0:13:12 | |
on the roads because it's too small, | 0:13:12 | 0:13:15 | |
it's not road-legal. He hangs around at a bike shop during the day. | 0:13:15 | 0:13:19 | |
Go down with Paul, he'll do the pics. | 0:13:19 | 0:13:22 | |
Find out what the story is. Anything else you can get - | 0:13:22 | 0:13:25 | |
he might've been in panto or whatever. See what you can find out | 0:13:25 | 0:13:30 | |
and come back and run through it with me. | 0:13:30 | 0:13:33 | |
'It's a story that follows | 0:13:33 | 0:13:35 | |
'in the Sport's long tradition of bizarre reporting.' | 0:13:35 | 0:13:38 | |
I think we always run one story on a Sunday that's a wacky, fun story. | 0:13:38 | 0:13:42 | |
It's one made-up story a week | 0:13:42 | 0:13:45 | |
and people see it like they see a newspaper cartoon - | 0:13:45 | 0:13:48 | |
they see it as a bit of fun and no more | 0:13:48 | 0:13:51 | |
and they're intrigued by how inventive we can be - | 0:13:51 | 0:13:55 | |
I don't think any of them really believes it, | 0:13:55 | 0:13:58 | |
but there's that one-per-cent doubt, maybe it is true. | 0:13:58 | 0:14:01 | |
Hi, Dave. Hi, I'm Jess. | 0:14:01 | 0:14:04 | |
-Hi, Jess. -Nice to meet you. | 0:14:04 | 0:14:07 | |
'Jess and photographer Paul head off to a local garage | 0:14:07 | 0:14:10 | |
'to interview the dwarf biker.' | 0:14:10 | 0:14:12 | |
You've had a bit of trouble with riding your bike on the roads. | 0:14:12 | 0:14:18 | |
Yeah, have I had trouble?! | 0:14:18 | 0:14:20 | |
-The Ministry are now refusing to let me ride on the road. -OK. | 0:14:20 | 0:14:25 | |
They're saying the bike's not road-legal, | 0:14:25 | 0:14:28 | |
-but I can't see why. -Have you experienced any prejudice before? | 0:14:28 | 0:14:32 | |
Erm, not to this extent, no. | 0:14:32 | 0:14:36 | |
-Mm. How does it make you feel? -It makes me feel angry. | 0:14:36 | 0:14:40 | |
Just cos I'm short, I'm not allowed to use a mode of transport | 0:14:40 | 0:14:44 | |
that is actually safe, easy and has got low emissions. | 0:14:44 | 0:14:48 | |
I could do with some stuff of you getting on the bike, | 0:14:48 | 0:14:51 | |
just roaring off into the sunset. | 0:14:51 | 0:14:53 | |
-MUSIC: "Wanted Dead Or Alive" by Bon Jovi -Dave, this way. | 0:14:53 | 0:14:57 | |
# On a steel horse I ride... | 0:14:57 | 0:14:58 | |
'Dave may look the part, | 0:14:58 | 0:15:00 | |
'but he seems to be confused with the chopper's controls.' | 0:15:00 | 0:15:03 | |
# .. dead or alive... | 0:15:03 | 0:15:08 | |
'Finally, Dave gets his chopper started and Paul gets his photo.' | 0:15:08 | 0:15:13 | |
Oh, smashing. | 0:15:13 | 0:15:15 | |
'As Dave rides off into the sunset, it's time to go back to the office.' | 0:15:15 | 0:15:20 | |
'At first, I was worried about what he'd be like, but he's a character.' | 0:15:20 | 0:15:24 | |
# Dead or alive... # | 0:15:24 | 0:15:28 | |
I'm gonna go back to the office, talk to my editor Nick, | 0:15:28 | 0:15:31 | |
have a bit of a chat about what I've found out, | 0:15:31 | 0:15:35 | |
erm... and just let him know what the story is, | 0:15:35 | 0:15:39 | |
get some guidance on writing it up, then I'll write it into copy. | 0:15:39 | 0:15:43 | |
-What's the story? -We've got Dave Henderson, | 0:15:45 | 0:15:48 | |
he is a dwarf biker... | 0:15:48 | 0:15:51 | |
-OK, I like it. -But he's not being allowed | 0:15:51 | 0:15:55 | |
to ride his bike on the road. | 0:15:55 | 0:15:57 | |
-The Government have banned him. -A Hells Angel biker without a bike. | 0:15:57 | 0:16:01 | |
Well, he has a bike, but he can't ride it on the road. | 0:16:01 | 0:16:05 | |
He says there's nothing wrong with his bike, it's because he's a dwarf. | 0:16:05 | 0:16:08 | |
Go to the Department of Transport and ask why he isn't allowed | 0:16:08 | 0:16:14 | |
to ride his bike, are you discriminating | 0:16:14 | 0:16:16 | |
-and we need to know what they have to say about it. -OK. | 0:16:16 | 0:16:20 | |
We need a celebrity biker as well, somebody who'll have an opinion, | 0:16:20 | 0:16:25 | |
like... < Ewan McGregor. | 0:16:25 | 0:16:27 | |
Ewan McGregor or his mate who isn't the famous one. | 0:16:27 | 0:16:31 | |
< Charley Boorman. Charley Boorman. Or Eddie Kidd. | 0:16:31 | 0:16:34 | |
Or the guy from Top Gear. The little feller. Richard Hammond. | 0:16:34 | 0:16:39 | |
-See what he says. -He's probably got something interesting to say. | 0:16:39 | 0:16:43 | |
'Jess follows up the story with a call to the DVLA.' | 0:16:43 | 0:16:48 | |
He's been told he can't register his vehicle with you | 0:16:48 | 0:16:52 | |
and he says this is because, obviously, he is a dwarf. | 0:16:52 | 0:16:55 | |
The bike in question is a quite small-scale bike. | 0:16:55 | 0:17:00 | |
It's a proper chopper, there's nothing wrong with the bike, | 0:17:00 | 0:17:04 | |
so I just wanted to know is there anything against dwarfs | 0:17:04 | 0:17:08 | |
riding on the road on motorbikes? | 0:17:08 | 0:17:11 | |
'Jess's story appears to have caught the authorities by surprise.' | 0:17:11 | 0:17:15 | |
OK, thank you very much, David. Thank you. Bye. Bye. | 0:17:15 | 0:17:20 | |
Basically, the press officer has said | 0:17:20 | 0:17:23 | |
that he's never heard of them refusing anyone | 0:17:23 | 0:17:27 | |
for being too small for riding any vehicle. | 0:17:27 | 0:17:30 | |
He said it's more likely to be a problem with the bike, | 0:17:30 | 0:17:34 | |
but he's never heard of any dwarf bikers being refused | 0:17:34 | 0:17:38 | |
and he said for me to drop him an e-mail with the details | 0:17:38 | 0:17:43 | |
and he'll take it up further. | 0:17:43 | 0:17:45 | |
'Armed with her quotes, Jess sends her story to the subs.' | 0:17:45 | 0:17:50 | |
'The Sport's editor Nick decides the headline.' | 0:17:50 | 0:17:53 | |
We've gone for "Leave my little chopper alone". It might imply | 0:17:53 | 0:17:58 | |
we're talking about his privates, but I don't think he'd mind. | 0:17:58 | 0:18:02 | |
-How did Jess get on? -Great. Fantastic job. | 0:18:02 | 0:18:06 | |
-They got on quite well. -Right. | 0:18:06 | 0:18:08 | |
It's the first time Jess has had her picture in the paper. | 0:18:08 | 0:18:12 | |
It'd be good to get her face on it. | 0:18:12 | 0:18:14 | |
She's got her pad in her hand. You can tell she's a reporter. | 0:18:14 | 0:18:18 | |
'With the photos added, the dwarf-biker story is transformed | 0:18:18 | 0:18:22 | |
'into classic Sunday Sport material.' | 0:18:22 | 0:18:25 | |
People think stories are made up or not and vice versa, | 0:18:25 | 0:18:29 | |
so we have some weird stories that are true | 0:18:29 | 0:18:32 | |
and sometimes people are not sure which is the made-up story - | 0:18:32 | 0:18:36 | |
it's find the made-up story - | 0:18:36 | 0:18:39 | |
and that's the fascinating one, it's quite unique. | 0:18:39 | 0:18:42 | |
It's very Sunday Sport. | 0:18:42 | 0:18:44 | |
'13 years ago, during his week as a trainee reporter, | 0:18:44 | 0:18:48 | |
'Sullivan hoped his photo shoot would boost sales.' | 0:18:48 | 0:18:53 | |
'But that morning, there was some bad news - | 0:18:53 | 0:18:56 | |
'tens of thousands of copies with his cover photo | 0:18:56 | 0:18:59 | |
'failed to reach the newsagents.' | 0:18:59 | 0:19:01 | |
We've lost a lot of sales through no fault of our own, | 0:19:01 | 0:19:05 | |
through the printer's mistake. | 0:19:05 | 0:19:08 | |
'Sullivan called in the printers.' | 0:19:08 | 0:19:10 | |
You're the ones who ought to be serious. What's your position? | 0:19:10 | 0:19:15 | |
-Managing Director. -And I spoke to the Chairman. -Yes, Jack Greystone. | 0:19:15 | 0:19:21 | |
We're at our wits' end. | 0:19:21 | 0:19:23 | |
We've lost tens of thousands of copies last night, | 0:19:23 | 0:19:26 | |
it's the fourth time in three weeks. | 0:19:26 | 0:19:28 | |
Last night's run... | 0:19:28 | 0:19:30 | |
On the run at high speed, the newspaper web broke. | 0:19:30 | 0:19:34 | |
It cost damage to the press | 0:19:34 | 0:19:36 | |
and cost us over an hour's production. | 0:19:36 | 0:19:39 | |
No, I wanted Monday. | 0:19:39 | 0:19:41 | |
-That was just some I could find. -Yeah, but look at Monday's. | 0:19:41 | 0:19:45 | |
-We had it out there. The big girl. -The one on the left's West Ferry. | 0:19:45 | 0:19:50 | |
Those instances are rare. We've had later than normal finishes, | 0:19:50 | 0:19:54 | |
later than perfect finishes... | 0:19:54 | 0:19:57 | |
What guts me more than anything is today I did the cover myself | 0:19:57 | 0:20:01 | |
and I hoped to show Tony I can do it better than him and lift the sales | 0:20:01 | 0:20:06 | |
and we've lost 70,000 | 0:20:06 | 0:20:08 | |
-distributed copies. -It is a complete disaster. | 0:20:08 | 0:20:10 | |
'Sullivan's stint on the shop floor involved one last scoop.' | 0:20:10 | 0:20:15 | |
The important thing for these | 0:20:15 | 0:20:18 | |
-is to have the one-per-cent believability factor. -That's right. | 0:20:18 | 0:20:23 | |
-You all right there, David? -I'm short of a pen. | 0:20:23 | 0:20:27 | |
Ah, here we go. Yeah. | 0:20:27 | 0:20:29 | |
Tell us about when Elvis came to you - Elvis's ghost presumably - | 0:20:29 | 0:20:34 | |
and impregnated you with his, er... | 0:20:34 | 0:20:37 | |
Well, it wasn't really like that. I'd been out with some friends, | 0:20:37 | 0:20:42 | |
I came home... Elvis? | 0:20:42 | 0:20:45 | |
-Yes? -Do you want to sit in there and be quiet? | 0:20:45 | 0:20:48 | |
No? I'd been out with some friends, I came home, | 0:20:48 | 0:20:52 | |
I woke up to a really strange smell, | 0:20:52 | 0:20:54 | |
like a strong whisky kind of smell or something. | 0:20:54 | 0:20:58 | |
There was a bright light and some music playing - | 0:20:58 | 0:21:01 | |
"Are You Lonesome Tonight?" was on. | 0:21:01 | 0:21:04 | |
Erm... The bed started to shake, | 0:21:04 | 0:21:08 | |
it felt really bright | 0:21:08 | 0:21:10 | |
and that was it, about ten seconds, | 0:21:10 | 0:21:12 | |
and then a voice said "Thank you very much." | 0:21:12 | 0:21:15 | |
And then when young Elvis was born, | 0:21:15 | 0:21:18 | |
obviously... erm... did you know instantly | 0:21:18 | 0:21:22 | |
it was Elvis's son? | 0:21:22 | 0:21:24 | |
I realised I was pregnant about two months after it happened | 0:21:24 | 0:21:27 | |
and my partner was working away, so I knew it wasn't from there | 0:21:27 | 0:21:32 | |
and when he was born, he's always been theatrical, | 0:21:32 | 0:21:35 | |
he's always singing and dancing | 0:21:35 | 0:21:38 | |
and he says certain things. I've never been a big Elvis fan... | 0:21:38 | 0:21:41 | |
-What does your partner think? -Oh, bit of a touchy subject really. | 0:21:41 | 0:21:46 | |
We're not together now, no. | 0:21:46 | 0:21:48 | |
-Do you think it split you up? -It's probably got a lot to do with it. | 0:21:48 | 0:21:52 | |
Elvis, can I ask you a question? | 0:21:52 | 0:21:55 | |
-Yeah. -Do you know who Elvis Presley is? | 0:21:55 | 0:22:00 | |
-Yeah. -You do? Who is he? | 0:22:00 | 0:22:03 | |
Daddy, uh... Daddy, the king Elvis. | 0:22:03 | 0:22:07 | |
Daddy, the king Elvis. | 0:22:07 | 0:22:09 | |
-Isn't that amazing? -Yeah. | 0:22:09 | 0:22:11 | |
-So he's your daddy? -Yeah, cos he fix airplanes. | 0:22:11 | 0:22:16 | |
-He fixes aeroplanes? -No, we're going on an aeroplane. | 0:22:16 | 0:22:19 | |
Oh, bless... | 0:22:19 | 0:22:21 | |
Doesn't like the wig. I wouldn't put the wig on. | 0:22:21 | 0:22:24 | |
-It's too curly. -Too curly?! -SHE LAUGHS | 0:22:24 | 0:22:28 | |
We'll get one there. OK. | 0:22:28 | 0:22:31 | |
SHUTTER SNAPS | 0:22:31 | 0:22:33 | |
-Keep smiling. -That's a lovely shot. | 0:22:33 | 0:22:35 | |
-Does he look like Elvis? -Except he's got blond hair. | 0:22:35 | 0:22:39 | |
That might've come off his mum. Er... | 0:22:39 | 0:22:42 | |
-But he wears his sunglasses all the time. -That's a good sign. | 0:22:42 | 0:22:46 | |
-He did say... -Does he eat burgers? | 0:22:46 | 0:22:48 | |
He said... I wrote it down, | 0:22:48 | 0:22:50 | |
I thought it was very profound. He said "Do you know who Elvis is?" | 0:22:50 | 0:22:54 | |
and he said "Daddy's the king Elvis." | 0:22:54 | 0:22:58 | |
-That's proof. -He said "Daddy's the king Elvis." | 0:22:58 | 0:23:01 | |
'Alison told the boss how he SHOULD'VE done the interview.' | 0:23:01 | 0:23:05 | |
I made a few notes and I think the most important thing you need to do | 0:23:05 | 0:23:10 | |
is structure your interview. | 0:23:10 | 0:23:13 | |
It was an interesting tale and we wanted to get loads of information | 0:23:13 | 0:23:17 | |
and ideas were coming to us all the time, | 0:23:17 | 0:23:19 | |
but you have to be more disciplined, you have to have a structure... | 0:23:19 | 0:23:24 | |
I found it hard because there was a young boy involved. | 0:23:24 | 0:23:28 | |
-But you've got no direct quotes... -"Daddy's the king Elvis" - | 0:23:28 | 0:23:31 | |
I think that's the key quote, | 0:23:31 | 0:23:33 | |
when the little boy said "Daddy's the king Elvis." | 0:23:33 | 0:23:38 | |
'Alison decided it would be quicker if she operated the word processor.' | 0:23:38 | 0:23:42 | |
Is that the correct spelling? | 0:23:42 | 0:23:44 | |
Yep. | 0:23:44 | 0:23:45 | |
The Sport,... | 0:23:45 | 0:23:48 | |
..after extensive enquiries,... | 0:23:48 | 0:23:52 | |
..can officially confirm... | 0:23:54 | 0:23:57 | |
..that the legendary pop singer Elvis Presley... | 0:23:59 | 0:24:04 | |
..is the father... | 0:24:06 | 0:24:08 | |
..of a four-year-old boy... | 0:24:11 | 0:24:14 | |
..living in Oldham. | 0:24:14 | 0:24:17 | |
We should have a headshot of Elvis. | 0:24:22 | 0:24:24 | |
'After his week at the Sport, | 0:24:29 | 0:24:31 | |
'Sullivan discussed his findings with the directors.' | 0:24:31 | 0:24:34 | |
Overall, I was so impressed by the job they're doing. | 0:24:34 | 0:24:38 | |
It's a real tight unit, there's no wastage, | 0:24:38 | 0:24:42 | |
-but... -What's the problem, then? | 0:24:42 | 0:24:45 | |
What I've underestimated is the sheer effort | 0:24:45 | 0:24:48 | |
in getting the paper out every day. | 0:24:48 | 0:24:50 | |
I think I gained from the experience | 0:24:50 | 0:24:53 | |
that, erm... | 0:24:53 | 0:24:55 | |
..people worked harder than I thought | 0:24:55 | 0:24:58 | |
and the job was tougher than I thought. | 0:24:58 | 0:25:01 | |
But it's all about selling newspapers and staying in business. | 0:25:04 | 0:25:08 | |
Erm, and that's the key to any business. | 0:25:08 | 0:25:12 | |
I think it was an eye-opener for him, seeing what it actually meant | 0:25:12 | 0:25:17 | |
to come up with ideas and get the necessary goods to fill a paper. | 0:25:17 | 0:25:23 | |
I'm an entrepreneur, a businessman, | 0:25:23 | 0:25:25 | |
an economist and a statistician | 0:25:25 | 0:25:28 | |
and they're my skills. | 0:25:28 | 0:25:30 | |
Er, but they're not good skills to be a reporter. | 0:25:30 | 0:25:34 | |
Emma. Dave Sullivan, pleased to meet you. | 0:25:34 | 0:25:37 | |
'Sullivan's reporting career may have been brief, | 0:25:37 | 0:25:40 | |
'but, 13 years on, he's back as the boss of the Sport.' | 0:25:40 | 0:25:44 | |
You've got to be involved because when I wasn't, it went bust - | 0:25:44 | 0:25:48 | |
the proof of the pudding's in the eating - | 0:25:48 | 0:25:50 | |
it's like any salesman - unless he's reporting to somebody, | 0:25:50 | 0:25:54 | |
it all becomes a bit too laid-back and we're in the sales business, | 0:25:54 | 0:25:59 | |
we have to sell a certain number of copies to keep people employed. | 0:25:59 | 0:26:03 | |
'After the tabloid's recent troubles, | 0:26:03 | 0:26:05 | |
'Sullivan's determined to get the paper back on track.' | 0:26:05 | 0:26:09 | |
Mark Harris. | 0:26:09 | 0:26:11 | |
What's the main story - Jacko Chimp Fingers Killer Doc? | 0:26:11 | 0:26:14 | |
We've had word that Jacko's chimp Bubbles | 0:26:14 | 0:26:18 | |
is going to say something or indicate something | 0:26:18 | 0:26:22 | |
that says that Michael Jackson's former doctor Conrad Murray | 0:26:22 | 0:26:26 | |
is more guilty than he confessed. | 0:26:26 | 0:26:29 | |
-What is the motor-box story you've been doing? -Dave Henderson, | 0:26:29 | 0:26:34 | |
this dwarf who's been thrown out of the Hells Angels. | 0:26:34 | 0:26:37 | |
-A dwarf Hells Angel, that's good. -He's got a fabulous miniature bike. | 0:26:37 | 0:26:43 | |
-With the Channel 4 series, they're popular, dwarfs, at the moment. -Yes. | 0:26:43 | 0:26:48 | |
I might have six inches cut off and go on the show myself. | 0:26:48 | 0:26:52 | |
HE LAUGHS | 0:26:52 | 0:26:54 | |
-But I won't say which part of my body! -There'll be plenty left! | 0:26:54 | 0:26:58 | |
-I'm glad things are back on the up and up. -All right, David. Bye. | 0:26:58 | 0:27:02 | |
Cheers. | 0:27:02 | 0:27:05 | |
'After years of falling sales, | 0:27:05 | 0:27:07 | |
'the Sport's owners are confident it can hold its own | 0:27:07 | 0:27:10 | |
'on the nation's newsstands.' | 0:27:10 | 0:27:13 | |
I like to think after a year, | 0:27:13 | 0:27:15 | |
we'll be able to think "Job well done" - | 0:27:15 | 0:27:18 | |
it's the dream we had | 0:27:18 | 0:27:20 | |
of bringing back Sunday Sport as part of the fabric of the nation | 0:27:20 | 0:27:25 | |
as so far appears to be coming true. | 0:27:25 | 0:27:27 | |
'Thanks to Sullivan, the Sport has bounced back and is in rude health.' | 0:27:27 | 0:27:32 | |
It is very, very successful and very, very profitable | 0:27:32 | 0:27:37 | |
and I'm very pleased for the several members of staff who invested in it | 0:27:37 | 0:27:41 | |
because it can make a difference to their lives - | 0:27:41 | 0:27:44 | |
not to my life, but to their lives. | 0:27:44 | 0:27:47 | |
'Sullivan may have saved the Sport, | 0:27:47 | 0:27:49 | |
'but he has no plans to head back up north.' | 0:27:49 | 0:27:52 | |
No. HE LAUGHS | 0:27:52 | 0:27:54 | |
No, I'll not be going back. | 0:27:54 | 0:27:56 | |
Whether I'll go for a day sometime, I don't know. | 0:27:56 | 0:27:59 | |
I've not seen the new offices or any of the staff, | 0:27:59 | 0:28:03 | |
but I do speak to Mark and Nick all the time, | 0:28:03 | 0:28:06 | |
we do exchange e-mails - I'm a great e-mail person - | 0:28:06 | 0:28:10 | |
but, er, I will not be going back to the floor again! | 0:28:10 | 0:28:15 | |
Subtitles by Red Bee Media Ltd | 0:28:37 | 0:28:41 |