Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-Small family farms are in trouble. -This hasn't seen action for a while. | 0:00:02 | 0:00:06 | |
Business consultant Nick Hewer goes back to his Northern Irish roots | 0:00:06 | 0:00:10 | |
to help them diversify and make radical changes before they go under. | 0:00:10 | 0:00:16 | |
-What can you do with 17 acres? -But are the farmers ready for his advice? | 0:00:16 | 0:00:21 | |
I'm not a farming guru, but having observed many companies over more than 40 years | 0:00:21 | 0:00:27 | |
what I can offer is a great big dollop of common sense. | 0:00:27 | 0:00:32 | |
This series follows local farms embarking on a long-term fight for survival. | 0:00:34 | 0:00:40 | |
-You're not turning bookings down? -There will be tough decisions. | 0:00:40 | 0:00:44 | |
That source will pump forever and a day and they'll sell it?! | 0:00:44 | 0:00:48 | |
But doing nothing is not an option. | 0:00:48 | 0:00:52 | |
-End of a long day and for me a depressing day. -OK. | 0:00:52 | 0:00:56 | |
This week Nick is on his way to Tullyveery House and Farm near Killyleagh in County Down. | 0:01:02 | 0:01:09 | |
The house has been in the Heron family for nearly 200 years. | 0:01:09 | 0:01:13 | |
As the oldest son, Colin inherited the house in the 1970s. | 0:01:13 | 0:01:18 | |
His younger brother Michael looks after the farm's small herd of sheep and beef cattle. | 0:01:18 | 0:01:23 | |
My family came from Scotland originally and by 1740 came here. | 0:01:25 | 0:01:29 | |
I have had a very happy childhood here and a very happy time since I've been back. | 0:01:29 | 0:01:34 | |
It's a great part of the world to live. I'm the custodian of it in my time. | 0:01:34 | 0:01:39 | |
It's nice to pass it on. | 0:01:39 | 0:01:41 | |
The house and farm will only survive for the next generation if Colin can establish a business here. | 0:01:41 | 0:01:48 | |
It's make or break and Nick Hewer has been called in to help. | 0:01:49 | 0:01:54 | |
Colin Heron has decided that if he's to keep the farm, the old ancestral home has to start paying its way. | 0:01:54 | 0:02:00 | |
So he's settled on bespoke weddings. | 0:02:00 | 0:02:03 | |
In that beautiful Georgian house. Alarm bells are beginning to ring in my head. | 0:02:04 | 0:02:09 | |
Does he really want complete strangers tramping around in his home? I'm not sure. | 0:02:09 | 0:02:15 | |
This could be a problem. | 0:02:15 | 0:02:18 | |
-Colin, good morning. -Nick! Welcome. | 0:02:18 | 0:02:21 | |
'This is probably my last' | 0:02:21 | 0:02:23 | |
serious opportunity to effect radical change here for the better. | 0:02:23 | 0:02:28 | |
Today, Nick has brought his dog, Jasmine. He's got eight months to give Tullyveery House a future. | 0:02:28 | 0:02:35 | |
All he knows is that Colin wants a slice of Ireland's lucrative wedding market. | 0:02:35 | 0:02:41 | |
We're in the front hall, which I think is quite nicely laid out. | 0:02:41 | 0:02:45 | |
This would be fantastic for the bridal couple to have their photographs taken. | 0:02:45 | 0:02:50 | |
-And the registrars are happy to licence this particular room. -Lovely. Is it big enough? | 0:02:50 | 0:02:56 | |
Civil ceremonies tend to be smaller and 15, 25, 30 is about the median number. | 0:02:56 | 0:03:02 | |
Further through here we have another room set aside that I think might work for a bride's dressing room. | 0:03:02 | 0:03:08 | |
Somewhere she can escape to to fix her makeup, chat to bridesmaids... | 0:03:08 | 0:03:13 | |
-Wouldn't that normally be upstairs? -Well, it might be. | 0:03:13 | 0:03:17 | |
Upstairs I envisage as being private for family and out of bounds and staying on the one level. | 0:03:17 | 0:03:23 | |
-So you'll not have them staying here? -I don't plan to offer overnight accommodation. | 0:03:23 | 0:03:28 | |
-I'm going to bring you in to the drawing room here, which is not available to the public. -Right. | 0:03:30 | 0:03:35 | |
-The door will be locked. -With a big "Private" notice? -That's obviously an option. It does truncate it. | 0:03:35 | 0:03:42 | |
It's part of the house, an important part. | 0:03:42 | 0:03:45 | |
This dining room can be used for wedding ceremonies or receptions. | 0:03:45 | 0:03:49 | |
-Who's this? This is you? -That's my great-grandfather. | 0:03:49 | 0:03:53 | |
-There's a strong resemblance, both physically an in entrepreneurial endeavour, too. -Thank you! | 0:03:53 | 0:04:01 | |
In the 19th century, the Herons owned about 8,000 acres of land. Today it's nearly all gone. | 0:04:01 | 0:04:07 | |
The farm is barely big enough to support his brother, let alone Colin and the house. | 0:04:07 | 0:04:13 | |
-We have a rump of about 90 acres around the house. -When these go, you'll replace them? | 0:04:13 | 0:04:18 | |
They will be replaced. That allows us to stay in some form of farming. | 0:04:18 | 0:04:22 | |
-But this is not enough to sustain the house. -No, it's not. | 0:04:22 | 0:04:27 | |
-You've got a few sheep. -Same argument. Exactly. -So it's the house. | 0:04:27 | 0:04:32 | |
-That's where the future lies. -With the house and what it can do. | 0:04:32 | 0:04:37 | |
The estate desperately needs an income. In Colin's plan, | 0:04:37 | 0:04:41 | |
everything is resting on a field next to the formal gardens. | 0:04:41 | 0:04:45 | |
This area with this hard core is the base area where a marquee complex | 0:04:45 | 0:04:50 | |
to take up to 250 people can be erected. And the client can configure that as they wish. | 0:04:50 | 0:04:56 | |
-So when somebody comes and they want a 250-seater, you point them towards the marquee people. -Yep. | 0:04:56 | 0:05:03 | |
-You take a commission on that? -Not from marquee people or caterers. | 0:05:03 | 0:05:07 | |
-And how much are you charging for that footprint? -1850, | 0:05:07 | 0:05:11 | |
-which is rather less than some of my competitors. -1850? That's a flat fee? -Yep. | 0:05:11 | 0:05:17 | |
-If I've only got 100 people or 200... -It's a flat fee. -A flat fee. | 0:05:17 | 0:05:22 | |
Colin is hoping that marquee weddings will save the house, | 0:05:29 | 0:05:34 | |
but as well as offering no accommodation, Nick is worried that the numbers don't add up. | 0:05:34 | 0:05:40 | |
What will he get? 10 weddings a year if he tried a bit harder? | 0:05:40 | 0:05:44 | |
1850 a pop, £18,500 a year. | 0:05:44 | 0:05:47 | |
It's not a great yield on what he's spent, but I think if he actually opened himself up a bit more, | 0:05:47 | 0:05:53 | |
became a bit more adventurous, embraced the business, he could make a lot more. Maybe double. Triple. | 0:05:53 | 0:06:01 | |
Before Nick talks to Colin, he's decided to go to the Culloden Hotel. | 0:06:01 | 0:06:06 | |
It's one of Northern Ireland's busiest wedding venues. Nick wonders how the local market is holding up. | 0:06:06 | 0:06:12 | |
So, on average, how many wedding receptions do you stage each year? | 0:06:12 | 0:06:17 | |
We hold up to 200 weddings a year, so we're very busy. | 0:06:17 | 0:06:21 | |
-So some Saturdays two or three. -Particularly the peak times of the year, from May to September. | 0:06:21 | 0:06:28 | |
We live in tough economic times. What's being cut - the number of guests or the budget per head? | 0:06:28 | 0:06:34 | |
Cutting the numbers, probably. People are still getting married, they still want that high standard, | 0:06:34 | 0:06:41 | |
but they're maybe reducing the numbers to allow them to have that. | 0:06:41 | 0:06:45 | |
-So what is the average spend per head? -Roughly about 100 guests for your average wedding, | 0:06:45 | 0:06:52 | |
-about £8,000 upwards. -But the key is that they rely on you to deliver a great day. | 0:06:52 | 0:06:57 | |
It's an immense pressure, but we want to get everything 100% right. | 0:06:57 | 0:07:02 | |
And you've got the contacts. If you want a tame elephant on the lawn, you could probably find one. | 0:07:02 | 0:07:08 | |
-Or a Hawaiian band. -Absolutely. We'll do our best! Whatever they want. -Excellent. | 0:07:08 | 0:07:14 | |
That was an interesting little chat. I've learnt just as many people are getting married as ever. | 0:07:14 | 0:07:20 | |
Budgets are under pressure, naturally. But the key thing for a successful wedding venue | 0:07:20 | 0:07:26 | |
is the imagination and service of the organiser. And that worries me. That worries me a lot. | 0:07:26 | 0:07:33 | |
Nick is now convinced Colin's plan will not be enough to save the house. It's time to get serious. | 0:07:33 | 0:07:40 | |
As I understand it, you've got the marquee wedding market in mind. | 0:07:41 | 0:07:46 | |
-Mm-hm. -Families that actually haven't got such a beautiful house, but rather wish they had. | 0:07:46 | 0:07:52 | |
And the way you're approaching that market is to let out a piece of land for £1,850. | 0:07:52 | 0:07:58 | |
It's up to the soon-to-be-married couple to make their own arrangements. | 0:07:58 | 0:08:03 | |
I'm a bit of a stranger to this. What does a 250-seater marquee cost? | 0:08:03 | 0:08:07 | |
It can be quite a lot of money because it's not just the marquee. It's lighting, it's flooring, | 0:08:07 | 0:08:13 | |
-the loos, the heating... -Give me an overall price. -You could spend 10K. | 0:08:13 | 0:08:18 | |
-And you'll earn nothing? -I'll earn my 2K entry fee. | 0:08:18 | 0:08:21 | |
-My feeling is you're trade. You're in the business. -Yes. | 0:08:21 | 0:08:26 | |
-You buy at trade prices. If the bride wants to buy it, she's buying retail. -Mm-hm. | 0:08:26 | 0:08:32 | |
And therefore you buy at trade and sell on at retail. | 0:08:32 | 0:08:36 | |
That's your margin, £1,000, and you add it to your £1,850, that's £2,850. | 0:08:36 | 0:08:41 | |
Well, it's an area to be explored. I take your point. I may not have thought this through thoroughly. | 0:08:41 | 0:08:49 | |
I don't know what your expectations would be. What would be a great sales figure for you in Year One? | 0:08:49 | 0:08:55 | |
Year One, Year Two... One needs to hit £20,000-£25,000 in those years, I think. | 0:08:55 | 0:09:00 | |
Hopefully, there's a snowball effect. | 0:09:00 | 0:09:03 | |
My fear, really, and it's your background thing, | 0:09:03 | 0:09:07 | |
is that you're not fully embracing this idea of business, | 0:09:07 | 0:09:11 | |
raw business, making money. | 0:09:11 | 0:09:14 | |
I think money sometimes might be a bit vulgar for you. | 0:09:14 | 0:09:18 | |
Nick's plan is to push Colin into making more out of each wedding, | 0:09:20 | 0:09:25 | |
but Nick also knows that if the house is going to survive, it will need other events. | 0:09:25 | 0:09:30 | |
He's invited along events organiser Leo Callow. Leo works for a variety of clients. | 0:09:30 | 0:09:37 | |
Nick's hoping he can help him convince Colin to start thinking more imaginatively. | 0:09:37 | 0:09:41 | |
Leo mentioned there are a lot of cruise ships coming in these days. | 0:09:41 | 0:09:47 | |
2012, big year. And I think amongst those thousand passengers | 0:09:47 | 0:09:51 | |
there must be 20 that would love to come here. | 0:09:51 | 0:09:55 | |
And then there are other unique groups. The Porsche owners club or the whatever. | 0:09:55 | 0:10:01 | |
There must be a more bijou, unique market that would love to come and have the sanctuary you provide. | 0:10:01 | 0:10:07 | |
Absolutely. It's broadened my mind to the wider opportunities here. | 0:10:07 | 0:10:12 | |
Colin, you've also got to face up to the reality of the three big things that you're missing, | 0:10:12 | 0:10:18 | |
which is you haven't got accommodation, you haven't got a permanent function room on site, | 0:10:18 | 0:10:24 | |
and you are a bit of a distance from what I would call the ordinary, run of the mill options. | 0:10:24 | 0:10:31 | |
I always knew from the outset that this would be bespoke, for certain needs and not others. | 0:10:31 | 0:10:37 | |
And I totally accept that. | 0:10:37 | 0:10:39 | |
We've covered an enormous amount of ground today. And all through the day, Colin's nodded, | 0:10:39 | 0:10:45 | |
but I just wonder if he's paying lip service to it and as soon as we've cleared off, | 0:10:45 | 0:10:51 | |
is he just going to revert back to weddings? I hope not. Weddings won't take this place into profit. | 0:10:51 | 0:10:57 | |
It's been a month since Nick's visit | 0:11:00 | 0:11:03 | |
and Colin's priority is still weddings. | 0:11:03 | 0:11:07 | |
Today Tullyveery House is being used in a photo shoot for a local bridal magazine. | 0:11:09 | 0:11:15 | |
It's a glimpse of the world Colin's about to enter. | 0:11:15 | 0:11:19 | |
This confirms my earlier assessment that it's a vertical learning curve. | 0:11:19 | 0:11:23 | |
There's a bunch of professional people all doing their own thing. We have Miss Northern Ireland here, | 0:11:23 | 0:11:28 | |
which is very flattering. | 0:11:28 | 0:11:31 | |
Nick is worried that Colin is still ignoring other revenue ideas, | 0:11:34 | 0:11:40 | |
so he's decided to set a challenge. He wants Colin to entertain a trial tour group. | 0:11:40 | 0:11:46 | |
-'I'm bringing a small group.' -Right. -'And I'll throw them at you.' -Right. | 0:11:46 | 0:11:50 | |
And you'll keep them entertained and enthralled. | 0:11:50 | 0:11:54 | |
Thank you for your little afternoon bombshell! I look forward to it. I think I can handle it. | 0:11:54 | 0:12:00 | |
It's the day of the tour group challenge. | 0:12:03 | 0:12:07 | |
12 members of Northern Ireland's Women's Institute are looking for a good trip out. | 0:12:07 | 0:12:12 | |
This will be Nick's first real test of Colin's hosting skills and business acumen. | 0:12:12 | 0:12:17 | |
Good morning! | 0:12:18 | 0:12:20 | |
Welcome to Tullyveery! Would you like to come in then and perhaps check the house out first? | 0:12:20 | 0:12:27 | |
Come on in. | 0:12:27 | 0:12:29 | |
Lunch is at one o'clock, so we've got a bit of time. | 0:12:31 | 0:12:35 | |
The point of today's challenge is to see if we can persuade Colin to open up the house properly | 0:12:35 | 0:12:41 | |
to tour groups. Indeed, to open up himself. | 0:12:41 | 0:12:45 | |
What sort of welcome will he give them? What entertainment will he lay on? | 0:12:45 | 0:12:50 | |
Will he actually embrace this whole concept of making money out of Tullyveery House? | 0:12:50 | 0:12:56 | |
I had a professional career away from here until I was 55 and came home. | 0:13:00 | 0:13:07 | |
I had a hard look at it and thought it has to wash its face. | 0:13:07 | 0:13:10 | |
It's complicated, but Northern Ireland has a lot to offer. | 0:13:10 | 0:13:13 | |
We're witnessing a very strange little scene here. | 0:13:13 | 0:13:18 | |
When you get off the boat in Finland... | 0:13:18 | 0:13:21 | |
This group is a sort of tour group. It's a trial tour group. | 0:13:21 | 0:13:26 | |
What I haven't absolutely nailed down yet is how much they'll take... | 0:13:26 | 0:13:30 | |
But Colin's talking to them about almost everything he knows other than a talk for a tour group. | 0:13:30 | 0:13:36 | |
He's talking about the margins and the chef and he's not sure how much money the cruise liner would want | 0:13:36 | 0:13:44 | |
because after all they've got their mooring fees in Belfast harbour... | 0:13:44 | 0:13:49 | |
It's a bizarre carry on! He's sort of... | 0:13:49 | 0:13:52 | |
emptying his heart to this group who are not the slightest bit interested in hearing about this. | 0:13:53 | 0:14:00 | |
If he were to do this to a genuine tour group of Americans, I think they'd scuttle back to their ship. | 0:14:00 | 0:14:06 | |
A HARPIST SINGS | 0:14:10 | 0:14:13 | |
The garden tour is complete | 0:14:16 | 0:14:18 | |
and the group has been ushered in for pre-lunchtime drinks. | 0:14:18 | 0:14:22 | |
Suddenly Tullyveery House as a venue is beginning to make sense. | 0:14:22 | 0:14:27 | |
Taking a group of American tourists as these are pretending to be around a cold garden is one thing, | 0:14:27 | 0:14:33 | |
but exactly what's called for is to walk into the warm hall and hear an expert harpist playing. | 0:14:33 | 0:14:41 | |
That's more like it. | 0:14:41 | 0:14:43 | |
As well as the harpist, Colin has arranged a top-quality three-course lunch from award-winning chef | 0:14:43 | 0:14:49 | |
Derek Creagh. | 0:14:49 | 0:14:52 | |
Derek's menu is local scallops, followed by venison with pressed apple terrine for dessert. | 0:14:52 | 0:14:59 | |
It's top quality dining, but Nick has concerns. | 0:14:59 | 0:15:04 | |
While the guests tuck in, Colin is making himself busy with some household repairs. | 0:15:04 | 0:15:10 | |
That's good. | 0:15:10 | 0:15:12 | |
One of the principal reasons why a group of fee-paying guests would come to this lovely house, | 0:15:12 | 0:15:18 | |
for lunch, is that they want to feel part of the family. They are having lunch with the owner, | 0:15:18 | 0:15:24 | |
being given a tour by the owner, being spoken to by the owner. Is he in there? No. | 0:15:24 | 0:15:29 | |
Where is he? He's in the kitchen! | 0:15:29 | 0:15:31 | |
That's not quite what's called for. | 0:15:31 | 0:15:34 | |
Well, I think it's... it's gone pretty well, | 0:15:37 | 0:15:41 | |
but a couple of things worried me. It's not really a criticism. You're cutting your teeth on this. | 0:15:41 | 0:15:47 | |
I was surprised that you didn't join them at lunch. One thing they look for is to be part of the family. | 0:15:47 | 0:15:54 | |
The food is not the critical thing. It's the entertainment. | 0:15:54 | 0:15:58 | |
And that's, I think, where... you let them down a bit | 0:15:58 | 0:16:04 | |
in terms of excitement and drama. Remember, we're talking about tour groups from cruise ships. | 0:16:04 | 0:16:10 | |
They can eat Michelin-starred food all day long. They come here and they want the experience. | 0:16:10 | 0:16:17 | |
Bit of a fastball. What would you have charged today for what they got? | 0:16:17 | 0:16:22 | |
The figure I'm debating is around £85 per head. It's not worth doing it for much less for me. | 0:16:22 | 0:16:28 | |
Let me tell you, based on that, Colin, it's not worth doing at all. | 0:16:28 | 0:16:33 | |
We've drilled down into it and cross-examined people and for that they say the price we reckon | 0:16:33 | 0:16:39 | |
is £80. And you must make 50% minimum, so you've got to charge 120. | 0:16:39 | 0:16:45 | |
The mechanism is like a piece of elastic. Reduce the food, increase... | 0:16:45 | 0:16:50 | |
And bring in the entertainment that might well cost a great deal less per head. | 0:16:50 | 0:16:57 | |
The WI lunch has proved the house works as a venue, | 0:16:57 | 0:17:01 | |
but tour groups alone won't save the estate, so Nick has decided to pile on the pressure, | 0:17:01 | 0:17:07 | |
-inviting the cream of the corporate world to an exclusive dinner party. -I can't understand a word of that. | 0:17:07 | 0:17:14 | |
It's a massive opportunity to launch Tullyveery House as a corporate venue | 0:17:14 | 0:17:18 | |
-and Nick expects everything to be perfect. -I'm looking for really good wheaten bread. | 0:17:18 | 0:17:24 | |
A girl up country is going to do some fantastic butter and your bread would be a wonderful start. | 0:17:24 | 0:17:30 | |
One of the pre-sliced ones? And it's still warm. Fantastic! | 0:17:30 | 0:17:35 | |
It's the night of the corporate launch, Colin's one chance to impress the business market. | 0:17:37 | 0:17:43 | |
Nick knows any mistakes would be disastrous. | 0:17:43 | 0:17:48 | |
In a few minutes' time, ten characters will come through there, | 0:17:48 | 0:17:53 | |
each one of which is a business generator, one way or another. | 0:17:53 | 0:17:57 | |
Nick's invited guests include heads of PR firms, advertising companies and the Acting US Consul General. | 0:17:57 | 0:18:04 | |
Colin has just two hours to convince them that Tullyveery House is the perfect venue. | 0:18:04 | 0:18:09 | |
I'm apprehensive and keen it works well. All the ingredients are right - the house, chef, staff. | 0:18:09 | 0:18:17 | |
I can't see why it wouldn't be successful, but you should always have a certain nervous energy | 0:18:17 | 0:18:23 | |
at this stage of any proceedings. | 0:18:23 | 0:18:26 | |
Guys, can I just let you know a little about why you're here tonight? | 0:18:27 | 0:18:32 | |
I've just set out to do weddings here and thought it would be a good idea to open up the house. | 0:18:32 | 0:18:38 | |
In the process of getting it licensed, Nick said, "Actually, it looks pretty good, | 0:18:38 | 0:18:44 | |
"but you need to think more broadly about corporate and other things." | 0:18:44 | 0:18:49 | |
Fine dining is a possibility and is what we're exploring tonight. | 0:18:49 | 0:18:53 | |
-This is a version of what you might get. -As a spokesman for Tullyveery Enterprises here, | 0:18:53 | 0:18:59 | |
the point is that Colin is open for business. Anything you want within reason. | 0:18:59 | 0:19:05 | |
But let your imaginations run riot. | 0:19:05 | 0:19:07 | |
Here we are very close to Comber, ancestral home of the Andrews family. | 0:19:12 | 0:19:17 | |
Americans who were interested in the whole Titanic memorabilia thing might be interested. | 0:19:17 | 0:19:23 | |
-There are 50-60 Titanic societies in the States. -So there must be a market for fine dining dinners. | 0:19:23 | 0:19:31 | |
-Themed dinners. -And Colin is friendly with Johnny Andrews. | 0:19:31 | 0:19:35 | |
Not just for the Titanic centenary, but also the anniversary of US troops landing here in WWII. | 0:19:35 | 0:19:42 | |
-There's been a lot of genealogical tourists. -A lot of Americans like to travel by helicopter. | 0:19:42 | 0:19:49 | |
If there wasn't a wedding on at the same time, there's the very large marquee site. | 0:19:49 | 0:19:54 | |
-That would make an ideal impromptu helipad. -Also think not just about the Americans. | 0:19:54 | 0:19:59 | |
The Chinese market is hugely growing for golf. | 0:19:59 | 0:20:03 | |
What's fascinating is I stuck my head round the door and listened. | 0:20:03 | 0:20:08 | |
The ideas are bubbling to the surface. Titanic themed dinners, | 0:20:08 | 0:20:12 | |
they're talking about golf, helicopters between golf courses popping in here... | 0:20:12 | 0:20:18 | |
-'There's any number of ideas going on in there. -Right. | 0:20:18 | 0:20:22 | |
'Because it's all here. There's business to be had here.' | 0:20:22 | 0:20:26 | |
Here's the challenge. I'm sorry. This is one you've carried off well. | 0:20:26 | 0:20:30 | |
-The next one is bigger. -Naturally. -When I come back in March, let's have a big event. | 0:20:30 | 0:20:36 | |
You tell me when I come. A wedding, whatever. Big event. | 0:20:36 | 0:20:40 | |
Spring has arrived at Tullyveery House. | 0:20:52 | 0:20:56 | |
So far, Nick's plan is working. Colin has hosted a few corporate dinners and he is close | 0:20:56 | 0:21:01 | |
to making a deal with a cruise ship tour company. | 0:21:01 | 0:21:04 | |
Today he is holding the big event Nick asked for - | 0:21:07 | 0:21:10 | |
a wedding fair. Summer's approaching fast and Colin has to sell some weddings if the estate's to survive. | 0:21:10 | 0:21:17 | |
The majority are here and some more have just arrived. | 0:21:17 | 0:21:21 | |
Colin has also asked his daughter Alice to come over from England to help. | 0:21:21 | 0:21:27 | |
Colin's original business plan was to simply rent space for a marquee. | 0:21:27 | 0:21:32 | |
Nick's hoping that the last few months' push on entertaining groups | 0:21:32 | 0:21:36 | |
might have made Colin think a little bit bigger. | 0:21:36 | 0:21:40 | |
I'll be watching to see whether he's just selling Tullyveery as a wedding location or if he's prepared | 0:21:40 | 0:21:46 | |
to sell a package. | 0:21:46 | 0:21:49 | |
-Nice to see you! -You've turned it into a paradise! -It's lovely to see you. | 0:21:51 | 0:21:57 | |
-Has the house ever looked better? Beautiful. -It's kind of you to say. | 0:21:57 | 0:22:01 | |
-You've been working your... -Proverbials off. -And the daffodils! | 0:22:01 | 0:22:06 | |
Also you've got the best day you could possibly have. | 0:22:06 | 0:22:10 | |
-Are you going to show people round the house? -No, it's closed. | 0:22:10 | 0:22:14 | |
Perhaps on the hour you might... When the crowds arrive and you see the heat you've stirred up. | 0:22:14 | 0:22:20 | |
-Maybe you could schedule an hourly tour. -I won't lose an opportunity. | 0:22:20 | 0:22:26 | |
-Nick is adamant that Colin should show the house off. -I need you two. | 0:22:26 | 0:22:30 | |
But there's now only 30 minutes until the public arrive. | 0:22:30 | 0:22:33 | |
What we're going to do is offer house tours. | 0:22:33 | 0:22:37 | |
-If you go and open up the place... -We'll get some flowers. -A massive bunch. More daffs. | 0:22:41 | 0:22:48 | |
-Yeah, thanks, John. -All right, see you later. -Thanks. | 0:22:48 | 0:22:52 | |
Which means I can go back to this! | 0:22:52 | 0:22:55 | |
Colin's aim was always to create a business he could pass on. | 0:22:55 | 0:22:59 | |
Nick's wondering how Colin's daughter Alice feels about the family heirloom. | 0:22:59 | 0:23:05 | |
-Your dad really is working hard. -Absolutely. -He's brought the place up to the most perfect pitch now. | 0:23:05 | 0:23:11 | |
-It must tempt you to come back here and take over the running of it. -Yeah, it certainly does in future. | 0:23:11 | 0:23:18 | |
We want to see how it develops over the next few years. | 0:23:18 | 0:23:22 | |
We're doing our own thing in England, but we'd look to it. | 0:23:22 | 0:23:27 | |
Would it speed up your decision if this wedding venue idea of his really took off? | 0:23:27 | 0:23:32 | |
-Would that sort of...? -It would be an influence. -It would be a living then. -Yeah. | 0:23:32 | 0:23:37 | |
Do something for me. Like all daughters, you have huge influence with your father. I have none. | 0:23:37 | 0:23:44 | |
Please ask him to put packages together. That's where the real profit is. | 0:23:44 | 0:23:49 | |
-I'll certainly try. -Push him on it. -I will. | 0:23:49 | 0:23:52 | |
Colin, I'd like to thank you very much for inviting me here to the opening | 0:23:52 | 0:23:57 | |
of the Tullyveery House FIRST Wedding Fair and the beginning of a great wedding location business. | 0:23:57 | 0:24:05 | |
-I might even come back and have my second wedding here. Here we go! Ready? -Absolutely! | 0:24:05 | 0:24:11 | |
-Go for it. -How's that? | 0:24:11 | 0:24:14 | |
The crowds are in. The next few hours are about the hard sell. | 0:24:16 | 0:24:22 | |
# All of me | 0:24:22 | 0:24:24 | |
# Why not take all of me? # | 0:24:24 | 0:24:28 | |
The invited suppliers are doing brisk business. | 0:24:29 | 0:24:33 | |
Colin is also getting inquiries. | 0:24:33 | 0:24:36 | |
We'll have a look at the house. | 0:24:36 | 0:24:39 | |
Nick's idea of house tours is also proving popular, but what is Colin selling? | 0:24:39 | 0:24:45 | |
Is he offering bespoke packages with extra services included? | 0:24:45 | 0:24:49 | |
Or is he still uneasy about becoming a truly commercial venture? | 0:24:49 | 0:24:52 | |
This room here, the hall, is licensed for civil weddings, as is the dining room next door. | 0:24:52 | 0:24:59 | |
Basically, having a civil ceremony in here, you can organise it. | 0:24:59 | 0:25:03 | |
Do your own thing with food. Bring your own bottle. I'll chill it if it's white or sparkling, | 0:25:03 | 0:25:10 | |
and come back the next day and have bacon and eggs in the wreckage of the tent! | 0:25:10 | 0:25:15 | |
The house tours and wedding fair are going well. Couples are interested, | 0:25:15 | 0:25:20 | |
but Nick wants to find out if Colin is selling enough to secure the estate's future. | 0:25:20 | 0:25:25 | |
-What's he giving you? The location? -It's beautiful, but mostly his idea that we can do whatever we want. | 0:25:25 | 0:25:32 | |
We have the whole place. | 0:25:32 | 0:25:35 | |
-Has he offered you a package or just the venue? -Just the venue. Not quite a package, | 0:25:35 | 0:25:41 | |
although he's offering a list of suppliers and the freedom to choose. | 0:25:41 | 0:25:45 | |
-He's left you to put it all together? -Yeah. -And you found the price acceptable? -Absolutely. | 0:25:45 | 0:25:51 | |
And you get it for three days - the day before, the wedding and the next day to clear up. | 0:25:51 | 0:25:57 | |
Or, as Colin has offered us, to party on! | 0:25:57 | 0:26:01 | |
-I think Colin likes a party. -Yes! | 0:26:01 | 0:26:04 | |
Colin's attracting a fair amount of interest, but my question is: | 0:26:04 | 0:26:09 | |
why wouldn't he be? It's the most beautiful setting for a wedding. | 0:26:09 | 0:26:13 | |
And what's he charging? About £1,800 and yet he's saying, | 0:26:13 | 0:26:18 | |
"Come! Spend three days! Have the wedding, then use the place as your own on the day after | 0:26:18 | 0:26:26 | |
for £1,800?! | 0:26:26 | 0:26:28 | |
He could charge more. He really could. He's giving it away. | 0:26:28 | 0:26:32 | |
Colin, what a great day. Beautiful weather and a great turn-out. I mean, wonderful. | 0:26:34 | 0:26:40 | |
-Any bookings? Any positive business? -Yeah, six. On top of the five we've got this year, in 2012, | 0:26:40 | 0:26:46 | |
there are six booked up for 2013. | 0:26:46 | 0:26:48 | |
Lots of referrals from the suppliers. I've had key suppliers here. They'll put the word out. | 0:26:48 | 0:26:54 | |
The only thing that was worrying me and we've fought about it | 0:26:54 | 0:26:58 | |
is that if I were getting married, again, | 0:26:58 | 0:27:01 | |
what you're really saying is, "Look, have it here, but you go ahead and organise it." | 0:27:02 | 0:27:08 | |
I'm not an events co-ordinator, but the key is to sit down and discover what they'd like to have. | 0:27:08 | 0:27:15 | |
And then formulate that. I can point them towards the right suppliers. | 0:27:15 | 0:27:20 | |
I want them to have freedom of choice. Then I will steer them in the directions that are worth going. | 0:27:20 | 0:27:26 | |
That's all very well and good, but the whole thing was, "I've got this beautiful facility. | 0:27:26 | 0:27:32 | |
"Now I've got to find the revenue stream to keep it going." | 0:27:32 | 0:27:37 | |
Right? And you found that revenue stream and I'm just wondering if it's too much of a trickle. | 0:27:37 | 0:27:43 | |
-That's all. -And I take that point completely. And I will not lose sight of that as time goes by. | 0:27:43 | 0:27:49 | |
When I first set foot in Tullyveery House eight months ago, | 0:27:51 | 0:27:55 | |
Colin Heron essentially had a place to plonk a marquee. | 0:27:55 | 0:27:59 | |
What has he got today? He's got actually a multi-faceted business. | 0:27:59 | 0:28:03 | |
He's got a thriving corporate dinner business, cruise lunches and a real wedding location business. | 0:28:03 | 0:28:10 | |
Colin wanted to save this wonderful house and the family farm for the next generation. | 0:28:10 | 0:28:16 | |
Do you know something? I think he's done it. | 0:28:16 | 0:28:20 | |
Subtitles by Red Bee Media Ltd | 0:28:47 | 0:28:50 |