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Good evening and welcome to Belfast, the city in the midst of the huge | :00:12. | :00:16. | |
commemoration for the most famous ship ever built. The Titanic. More | :00:16. | :00:21. | |
than 25,000 people applied to be part of tonight's event, in which | :00:21. | :00:24. | |
we will remember the many hundreds who perished, and those who | :00:24. | :00:28. | |
survived, but whose lives were changed forever by the events which | :00:28. | :00:33. | |
took place exactly 100 years ago tonight. Here, at the Waterfront | :00:33. | :00:36. | |
Hall in the heart of Belfast, just over a mile from where she was | :00:36. | :00:41. | |
constructed, you will see a series of short documentaries, here I | :00:41. | :00:44. | |
witness accounts of that fateful journey and see performances from, | :00:44. | :00:49. | |
among others, Bryan Ferry, Joss Stone, Nicola Benedetti, Alfie Boe | :00:49. | :00:52. | |
and Maverick Sabre, in an event which we hope will be a fitting | :00:52. | :01:02. | |
| :01:02. | :01:02. | ||
Apology for the loss of subtitles for 43 seconds | :01:02. | :01:46. | |
tribute. Live from the city where 100 years ago today, a passenger | :01:46. | :01:51. | |
liner called Titanic hit an iceberg in the North Atlantic, 400 miles | :01:51. | :01:55. | |
south-east of Newfoundland. The great liner was on route to New | :01:55. | :01:58. | |
York, during its maiden voyage. A ship described as practically | :01:58. | :02:04. | |
unsinkable by its owners, the White Star Line, took two hours 40 | :02:04. | :02:08. | |
minutes to fill with water and sink, with the loss of more than 1500 | :02:08. | :02:15. | |
souls. Remarkably, more than 700 people survived what was to become | :02:15. | :02:23. | |
the most famous disaster in maritime history. There was peace | :02:23. | :02:27. | |
and the world hadn't even tenor to its way. Nothing was revealed in | :02:27. | :02:32. | |
the morning, a trend of which was not known the night before. It | :02:32. | :02:37. | |
seems to me that the disaster about to occur was the event that not | :02:37. | :02:42. | |
only made the world rabbit's eyes and awake, but will kick with a | :02:42. | :02:46. | |
start. Keeping it moving at a rapidly accelerating pace ever | :02:46. | :02:53. | |
since. With less and less peace, satisfaction and happiness. To my | :02:53. | :03:03. | |
| :03:03. | :03:04. | ||
mind, the world of today awoke 15th April, 1912. The news of the | :03:04. | :03:09. | |
Titanic disaster was received with almost disbelief. There are stories | :03:09. | :03:14. | |
of grown men actually in tears in the street. Here was the greatest | :03:14. | :03:19. | |
ship in the world. This was a maiden voyage. She was unsinkable. | :03:19. | :03:24. | |
She hits an iceberg. You have a very wealthy and the very poor. To | :03:24. | :03:33. | |
some degree nature overpowered them all. I think fundamentally, Titanic | :03:33. | :03:37. | |
is a signifier for the inevitable failure of The Wanted technology. | :03:37. | :03:43. | |
The fragility and fallibility of human ambition. And also, the | :03:43. | :03:53. | |
| :03:53. | :04:15. | ||
# Long afloat on shipless oceans # I did all my best to smile | :04:15. | :04:21. | |
# 'til your singing eyes and fingers | :04:21. | :04:30. | |
# Drew me loving to your isle # And you sang | :04:30. | :04:38. | |
# Sail to me # Let me enfold you | :04:38. | :04:48. | |
| :04:48. | :05:00. | ||
# Here I am # Did I dream you dreamed about me? | :05:00. | :05:10. | |
| :05:10. | :05:13. | ||
# Were you hare when I was fox? # Now my foolish boat is leaning | :05:13. | :05:21. | |
# Broken lovelorn on your rocks, # For you sing, touch me not, touch | :05:21. | :05:31. | |
| :05:31. | :05:32. | ||
me not, come back tomorrow # O my heart, o my heart shies from | :05:32. | :05:42. | |
| :05:42. | :05:42. | ||
Apology for the loss of subtitles for 43 seconds | :05:42. | :06:48. | |
# I am puzzled as the newborn child # I am troubled at the tide | :06:48. | :06:58. | |
| :06:58. | :07:00. | ||
# Should I stand amid the breakers? # Should I lie with death my bride? | :07:00. | :07:10. | |
| :07:10. | :07:18. | ||
# Hear me sing, 'swim to me, swim to me, let me enfold you | :07:18. | :07:28. | |
| :07:28. | :07:59. | ||
# Here I am, here I am, waiting to The Edwardian age in which Titanic | :07:59. | :08:06. | |
was built is an Era synonymous with social change. It was a time of | :08:06. | :08:10. | |
great opulence for some, but a harsh, tough life for most. For | :08:10. | :08:14. | |
people of every class, though, Titanic offered the chance to | :08:14. | :08:18. | |
travel to Weylandt defined by its optimism. The United States of | :08:18. | :08:24. | |
America. The North Atlantic crossing in the early 20th century | :08:24. | :08:29. | |
was the most profitable steamship routes in the world, with British | :08:29. | :08:32. | |
ships competing with French, Belgian and especially German | :08:32. | :08:37. | |
liners for passengers. Scores of ships crossed and recrossed the | :08:37. | :08:41. | |
Atlantic, carrying everyone from the rich and famous in first class, | :08:41. | :08:45. | |
to emigrants in steerage class, hoping to start a new life in the | :08:45. | :08:49. | |
land of opportunity. The United States was a magnet for the largest | :08:49. | :08:55. | |
number of European immigrants in the 19th century and into the early | :08:55. | :09:00. | |
20th. Because it was the hottest, most dynamic economy in the world. | :09:00. | :09:07. | |
It was the place where growth was exponential. At last I was going to | :09:07. | :09:12. | |
America, really, really going at last. The boundaries burst, the | :09:12. | :09:19. | |
arch of heaven sword. A Million Suns shone out for every stop. The | :09:19. | :09:23. | |
winds rushed in from outer space, roaring in my ears - America, | :09:23. | :09:33. | |
America! New year of -- New York had exploded in size over the last | :09:33. | :09:37. | |
80 or 90 years. It had become one of the world's great cities. It was | :09:37. | :09:42. | |
immensely rich. Fifth Avenue at that time was the greatest | :09:42. | :09:45. | |
millionaire's row the world has ever seen. We were building | :09:45. | :09:50. | |
buildings like Grand Central and the public library. It was a very | :09:50. | :09:55. | |
vibrant and assertive City at that time. This was the age of the | :09:55. | :09:59. | |
Carnegies and the Astors, the plutocrats who got rich in the | :09:59. | :10:03. | |
gilded age. The wrist -- the richest of them all, John Pierpoint | :10:03. | :10:08. | |
Morgan, who dominated American industrial finance. His library, | :10:08. | :10:18. | |
| :10:18. | :10:19. | ||
built of pink marble from Tennessee, still stands in midtown Manhattan. | :10:19. | :10:24. | |
JP Morgan was probably the most powerful banker who ever lived. He | :10:24. | :10:29. | |
was a formidable figure. There is no banker today who has 1% of that | :10:29. | :10:33. | |
power and prestige that JP Morgan had. Keen to have a slice of the | :10:33. | :10:38. | |
lucrative North Atlantic liner business, Morgan bought the British | :10:38. | :10:44. | |
company White Star Line in 1902 for $32 million. The equivalent today | :10:44. | :10:49. | |
of $837 million. His business plan for the White Star Line was | :10:49. | :10:56. | |
basically to build not a monopoly, but more or less a cartel. Where he | :10:56. | :11:00. | |
would dominate the transatlantic travel business, and to cook it up | :11:00. | :11:03. | |
with railroads, so you could have a through trip from Chicago, taking | :11:03. | :11:10. | |
you all the way to Paris. White Star Line's main competitor, Cunard, | :11:10. | :11:14. | |
had great success with their new liners, which had been designed for | :11:14. | :11:20. | |
speed. For his plan to work, Morgan needed to build three supersize | :11:20. | :11:28. | |
luxury liners. The idea was they would be half as large again as the | :11:28. | :11:32. | |
Cunard liners. They were not to be the fastest ships at sea, but they | :11:32. | :11:36. | |
would offer superlative standards of accommodation and comfort and | :11:36. | :11:42. | |
with high standards of safety. Morgan, along with White Star | :11:42. | :11:45. | |
Line's managing director, Bruce Ismay, thought that the race for | :11:45. | :11:48. | |
the North Atlantic was as much about fashion and comfort as it was | :11:48. | :11:53. | |
about speed. They knew that to attract the rich elite used to | :11:53. | :11:56. | |
wining and dining in the luxury Hotels of the age, the shipper's | :11:56. | :12:01. | |
own accommodation needed to be equally lavish. This was an attempt | :12:01. | :12:08. | |
to provide the best service, a floating hotel. They wanted to make | :12:08. | :12:14. | |
sure that their impact was of the biggest, best ship. The ship | :12:14. | :12:16. | |
haven't been built before people were talking about this gigantic | :12:16. | :12:22. | |
ship that was the most luxurious ever. In that sense, the world was | :12:22. | :12:25. | |
already so - not already expecting something incredible from the | :12:25. | :12:30. | |
Titanic before it had even set sail. The contract to build the ships | :12:30. | :12:35. | |
went to Harland and Wolff in Belfast. The year was 1908. Work on | :12:35. | :12:38. | |
the Olympic, Britannic and the most luxurious of them all, Titanic, | :12:39. | :12:48. | |
| :12:49. | :13:09. | ||
# Oooh oooh, New York # Grew up in a town | :13:09. | :13:16. | |
# That is famous as a place of movie scenes | :13:16. | :13:22. | |
# Noise is always loud # There are sirenes all around | :13:22. | :13:32. | |
| :13:32. | :13:32. | ||
# If I could make it here # I could make it anywhere | :13:32. | :13:41. | |
# That's what they say # Seeing my face in lights | :13:41. | :13:50. | |
# Or my name in marquees found down Broadway | :13:50. | :13:54. | |
# Even if it ain't all it seems # I got a pocketful of dreams | :13:54. | :13:57. | |
# Baby, I'm from # New York, concrete jungle where | :13:57. | :14:04. | |
dreams are made of # There's nothing you can't do | :14:04. | :14:10. | |
# Now you're in New York # These streets will make you feel | :14:10. | :14:17. | |
brand new # Big lights will inspire you | :14:17. | :14:24. | |
# Hear it for New York, New York, New York | :14:24. | :14:28. | |
# On the avenue, there ain't never a curfew | :14:28. | :14:36. | |
# Ladies work so hard # Such a melting pot on the corner | :14:36. | :14:45. | |
selling rock # Preachers pray to God | :14:45. | :14:49. | |
# Hail a gypsy cab # Takes me down from Harlem to the | :14:50. | :14:57. | |
Brooklyn Bridge # Someone sleeps tonight with a | :14:57. | :15:01. | |
hunger # For more than from an empty | :15:01. | :15:10. | |
fridge # I'm going to make it by any means | :15:10. | :15:13. | |
# I got a pocketful of dreams # Baby, I'm from | :15:13. | :15:18. | |
# New York, concrete jungle where dreams are made of | :15:18. | :15:28. | |
# There's nothing you can't do # Now you're in New York | :15:28. | :15:30. | |
# These streets will make you feel brand new | :15:30. | :15:36. | |
# Big lights will inspire you # Hear it for New York, New York, | :15:36. | :15:43. | |
New York # One hand in the air for the big | :15:43. | :15:46. | |
city # Street lights, big dreams, all | :15:46. | :15:49. | |
looking pretty # No place in the world that can | :15:49. | :15:52. | |
compared # Put your lighters in the air | :15:52. | :15:58. | |
# Everybody say yeah, yeah yeah # New York, concrete jungle where | :15:58. | :16:07. | |
dreams are made of # There's nothing you can't do | :16:07. | :16:14. | |
# Now you're in New York # These streets will make you feel | :16:14. | :16:19. | |
brand new # Big lights will inspire you | :16:19. | :16:29. | |
| :16:29. | :17:03. | ||
Belfast News Letter, 21st October, 1910. It is a matter of real | :17:03. | :17:07. | |
gratification to all of us in Belfast that the Olympic and the | :17:07. | :17:13. | |
Titanic should be built here. In undertaking the construction of | :17:13. | :17:17. | |
vessels of such enormous proportions, it is felt that | :17:17. | :17:23. | |
Harland and Wolff are maintaining their own splendid tradition, and | :17:23. | :17:28. | |
at the same time, indicating the right of the bolster capital to be | :17:28. | :17:32. | |
reckoned as one of the greatest shipbuilding centres in the world - | :17:32. | :17:42. | |
- Ulster. Belfast in the 1900s was a vibrant, industrial, it had grown | :17:42. | :17:47. | |
rapidly in the past 100 years. It was bursting with some confidence | :17:47. | :17:53. | |
and pride. It was unlike any other city in Ireland. More like the | :17:53. | :17:58. | |
industrial cities of Britain. Its wealth was based on the production | :17:58. | :18:03. | |
of linen, engineering and shipbuilding. In March, 1909, the | :18:03. | :18:09. | |
building of Titanic began in Hollande and Wolff shipyard. She | :18:09. | :18:15. | |
was to be built alongside her sister ship, Olympic. This was the | :18:15. | :18:20. | |
biggest shipyard in the world but it needed to be expanded to build | :18:20. | :18:25. | |
what would become the largest moving objects on the planet. | :18:25. | :18:32. | |
was a major shipbuilding challenge to construct a ship as biggest | :18:32. | :18:36. | |
Titanic. A huge steel gantry was built over the slip ways that were | :18:36. | :18:43. | |
laid down. It was a huge investment in infrastructure. Built up by the | :18:43. | :18:46. | |
chairman, Lord Pirrie, this was the most sophisticated shipyard in the | :18:46. | :18:53. | |
world. Lord Pirrie had served his time 3D shipyard man and boy. He | :18:53. | :19:03. | |
began as an apprentice, and then became a partner. He worked his way | :19:03. | :19:10. | |
up. He was the archetypal visionary, businessman from Belfast. When | :19:10. | :19:14. | |
Titanic was being built, 15,000 people poured through the gates of | :19:14. | :19:20. | |
Harland and Wolff every day. build a ship like Titanic requires | :19:20. | :19:26. | |
a huge number of specialist shipbuilding trades from riveters 2 | :19:26. | :19:30. | |
platers two painters and plumbers, as many traits as you could think | :19:30. | :19:37. | |
of were required. You were building a floating town. Many thousands of | :19:37. | :19:40. | |
people were dependent on the shipyards for employment but not | :19:40. | :19:48. | |
all of them could secure full-time A lot of people would be casually | :19:48. | :19:54. | |
employed. They would go down every day to get picked on. It was a | :19:54. | :19:59. | |
rather demeaning experience. They would all be at that big gates and | :19:59. | :20:04. | |
the foreman would come to the gates and he had infinite power to save | :20:04. | :20:11. | |
you, you, you -- to save you. drawing offices with the vision | :20:11. | :20:17. | |
that the ship was conceived now lay empty. In 1909 dozens of | :20:17. | :20:21. | |
draughtsmen worked in these offices, drawing sections of the ship to | :20:21. | :20:28. | |
scale. They were overseen by Thomas Andrews, the ship's designer and | :20:28. | :20:34. | |
nephew of Lord Pirrie. Outside these windows, those paper plans | :20:34. | :20:41. | |
were being transformed into ships of steel. The steel hull had to be | :20:41. | :20:44. | |
erected on the ship away and it had to be plated and the whole | :20:44. | :20:53. | |
structure was held together by steel pins. Millions of rivets were | :20:53. | :20:57. | |
used. There was a relatively small amount of electricity being used in | :20:57. | :21:01. | |
those days but the shipyard was ahead of the time and it had its | :21:01. | :21:06. | |
own generating station to provide electricity for machinery and for | :21:06. | :21:11. | |
lighting the entire site. Harland and Wolff dominated the landscape, | :21:11. | :21:18. | |
and they could visibly see the signs of shipbuilding. The shipyard | :21:18. | :21:21. | |
cranes and countries were visible at the end of every street other | :21:21. | :21:25. | |
prisons of the shipyard loomed over our little working-class houses -- | :21:26. | :21:31. | |
and the presence of the shipyard. Belfast impresses you as being very | :21:31. | :21:36. | |
rich and bezique and out of the water, beyond the Custom House, | :21:36. | :21:40. | |
rose some huge shapeless things, which I found to be a shipbuilding | :21:40. | :21:46. | |
yard, where rink 10,000 men were hammering iron and steel for a | :21:46. | :21:51. | |
great ocean liners. The noise of wheels, who has, cracks, spindles | :21:51. | :22:00. | |
and steam hammers filled my ears and made my head ache. The working | :22:00. | :22:04. | |
conditions 100 years ago were like nothing we could tolerate today. | :22:04. | :22:11. | |
You did physical, heavy, dirty, dangerous work, all day. | :22:11. | :22:16. | |
Particularly a riveter, going up sometimes et feet onto scaffolding, | :22:16. | :22:21. | |
he would go up at 5 o'clock in the morning and the planks would be | :22:21. | :22:26. | |
covered with ice, the droppings. Injury was accepted and death was | :22:26. | :22:32. | |
not uncommon. During the building of the Olympic and Titanic, a | :22:32. | :22:40. | |
report listed 246 accidents, of which eight were fatalities. | :22:40. | :22:45. | |
great grandfather was a riveter, Robert James Murphy. He was the | :22:45. | :22:49. | |
riveter who fell to his death on the Titanic. His son up with the | :22:49. | :22:53. | |
same name had fallen to his death on the scaffolding six months | :22:54. | :22:58. | |
earlier on the Olympic. An extraordinary coincidence. I just | :22:58. | :23:08. | |
| :23:08. | :23:08. | ||
Apology for the loss of subtitles for 43 seconds | :23:08. | :27:55. | |
# Dream. # You have to dare to dream. | :27:55. | :28:05. | |
| :28:05. | :28:14. | ||
The taking of the ship's Hall to the water for the first time was an | :28:14. | :28:19. | |
important stage in the construction of the ship. She's moving into the | :28:19. | :28:23. | |
water and is a float for the first time and it marks the transition | :28:23. | :28:27. | |
from an inert mass of steel to a living and floating vessel on the | :28:27. | :28:35. | |
When Titanic was launched, she became the largest moving object on | :28:35. | :28:44. | |
the planet. She was 882 ft and nine inches long. Fitting out the most | :28:44. | :28:52. | |
luxurious ship in the world took another 10 months. On April 2nd, | :28:52. | :29:02. | |
| :29:02. | :29:06. | ||
1912, Titanic sailed to Southampton Large numbers of people did come to | :29:06. | :29:11. | |
see the Titanic leaving Belfast. This was a ship the size that | :29:11. | :29:15. | |
people could not imagine and of course it generated a huge amount | :29:15. | :29:20. | |
of interest. People knew people who had worked on it and there was a | :29:20. | :29:30. | |
| :29:30. | :29:40. | ||
great excitement about its setting Titanic's arrival in Southampton | :29:40. | :29:44. | |
marked the start of the huge operation of preparing the ship for | :29:44. | :29:51. | |
the voyage to New York. Cargo, post, food and drink had to be loaded in | :29:51. | :29:59. | |
great quantities and the crew had to be interviewed. There was 900 | :29:59. | :30:04. | |
crew on the Titanic, 300 in the engine department, but 500 were to | :30:04. | :30:06. | |
look after the passengers, including stewards and things like | :30:06. | :30:12. | |
that. Nearly 700 of the crew who were taken on from the maiden | :30:12. | :30:17. | |
voyage came from Southampton. Titanic represented state of the | :30:17. | :30:21. | |
yacht technology in every way. She had electric cranes for handling | :30:21. | :30:25. | |
package, 10,000 electric light bulbs, elevators powered by | :30:25. | :30:31. | |
electricity, and these wonders true passengers to the ship. A dedicated | :30:31. | :30:34. | |
boat train brought many of the first class passengers directly | :30:34. | :30:39. | |
from London Waterloo to the quayside in sup Hampton. People | :30:39. | :30:44. | |
getting on board the Titanic would have come from all walks of life so | :30:44. | :30:48. | |
Southampton Docks would have been a massive confusion of noise and | :30:48. | :30:53. | |
bustle, he people with large trucks and people with facts on their | :30:53. | :30:56. | |
backs with all their worldly possessions, so there would have | :30:56. | :31:02. | |
been confusion but also excitement. And then in the middle of all the | :31:02. | :31:06. | |
commotion, the boat train arrives with more passengers and they have | :31:06. | :31:10. | |
to be taken inside quickly. Once you make sure your luggage was on | :31:10. | :31:15. | |
board, you would then walk up the main reception areas and waiting | :31:15. | :31:19. | |
for you would be the band, playing one of a number of songs as part of | :31:19. | :31:25. | |
the official welcome to this wonderful ship. That was your first | :31:25. | :31:30. | |
experience of the Titanic. Music, lot of people waiting with drinks, | :31:30. | :31:34. | |
giving you canapes. It was all part of this experience, that you were | :31:34. | :31:39. | |
part of an exclusive party setting sail on a big adventure. Dear Mrs | :31:39. | :31:43. | |
Burbidge, you cannot imagine how pleased I was to find your | :31:43. | :31:47. | |
exquisite basket of flowers in the sitting room on the steam a four- | :31:47. | :31:55. | |
star but what a ship! So huge and so magnificently appointed! Our | :31:55. | :31:59. | |
rooms are furnished in the best of taste and most luxurious! Very | :31:59. | :32:09. | |
| :32:09. | :32:13. | ||
The passengers would have expected a huge range of music. Musical | :32:13. | :32:17. | |
numbers, ragtime, an early form of jazz. The musicians have to know a | :32:17. | :32:23. | |
huge amount of music. First-class passengers would be given a music | :32:23. | :32:27. | |
booklet that simply had titles and numbers next to the titles. Someone | :32:27. | :32:33. | |
she would shout out, number one, the Barber of Seville overture by | :32:33. | :32:43. | |
| :32:43. | :32:44. | ||
There were more than 352 tunes on the White Star Line's list of music. | :32:44. | :32:47. | |
And it was the responsibility of the bandleader, Wallace Hartley, to | :32:47. | :32:52. | |
ensure that his fellow musicians knew every one of them by heart. | :32:52. | :32:58. | |
Hartley was just 33 years old, from Colm, in Lancashire. He worked on | :32:58. | :33:03. | |
miners before. The band would have played in various parts of the ship. | :33:03. | :33:07. | |
They wouldn't always played together, they'd split up. A trio | :33:07. | :33:12. | |
might go to the Cafe Parisian and play as a Palm Court trio. It was | :33:12. | :33:16. | |
known as a Palm Court real because they tended to be concealed by | :33:16. | :33:22. | |
potted palm trees. A quintet would play in the reception room in first | :33:22. | :33:26. | |
class, or it might play for dancers after meals. The tables would be | :33:27. | :33:31. | |
pushed back, the parquet flooring exposed, perfect for waltzing. The | :33:31. | :33:36. | |
band would strike up, and sometimes the band would play in the second- | :33:36. | :33:46. | |
| :33:46. | :33:46. | ||
Apology for the loss of subtitles for 43 seconds | :33:46. | :35:02. | |
class saloon. He would not play for My dear, the ship is like a palace. | :35:02. | :35:08. | |
There is a exercise DEC, a swimming bath, gymnasium and squash racket | :35:08. | :35:14. | |
court. A huge lounge and surrounding verandas. My carriage - | :35:14. | :35:17. | |
- cabin is ripping. Hot and cold water, a comfy bed and plenty of | :35:17. | :35:23. | |
room. Please write and tell me how you are getting on. One letter a | :35:23. | :35:33. | |
| :35:33. | :35:33. | ||
Apology for the loss of subtitles for 43 seconds | :35:33. | :37:04. | |
week ought not over Tai Yu. Your A maiden voyage in Southampton was | :37:04. | :37:09. | |
always an exciting thing. But on this day, 10th April, 1912, it was | :37:09. | :37:15. | |
more exciting than ever. Lightoller, Titanic's Second Officer, described | :37:15. | :37:20. | |
Titanic as a nest of these. But he said on a sailing day she was like | :37:20. | :37:30. | |
| :37:30. | :37:36. | ||
Titanic's captain for this maiden voyage was captain Smith, defection | :37:36. | :37:39. | |
at a known as E-Day, he was regarded as the millionaire's | :37:39. | :37:45. | |
captain. He was witty, charming and sophisticated. Everyone wanted to | :37:45. | :37:53. | |
sail with Captain Smith. The first stopping point for the Titanic's | :37:53. | :37:56. | |
maiden voyage was a Cherbourg. This was part of the grand strategy to | :37:56. | :38:01. | |
have the greatest and best people on board. This is where Europe's a | :38:01. | :38:05. | |
lead bordered the Titanic. People from high-society in Paris and | :38:05. | :38:10. | |
other parts of Europe as well, making up a large proportion of the | :38:10. | :38:14. | |
27 nationalities you can count on the ship's list. The people | :38:14. | :38:18. | |
travelling on the Titanic were a mixed bag of people, a Noah's Ark. | :38:18. | :38:23. | |
They were American multi- millionaires, like John Jacob Astor | :38:24. | :38:27. | |
IV, and his brand new wife. They were people like Isador Straus, who | :38:27. | :38:32. | |
owned Macy's. They were businessmen travelling back from business trips | :38:32. | :38:36. | |
to Europe. There were more than 30 millionaires on board Titanic - so | :38:36. | :38:42. | |
many that the press called it the millionaire's special. For it to be | :38:42. | :38:47. | |
known bet you were on his maiden voyage was part of not only society | :38:47. | :38:51. | |
gossip, but also part of a larger public knowledge of what you were | :38:51. | :38:57. | |
up to. After race six-week holiday in Italy, the silent screen star | :38:57. | :39:01. | |
Dorothy Gibson was returning to New York on Titanic to shoot a new | :39:02. | :39:07. | |
movie. She was the highest-paid film actress in the world. One of | :39:07. | :39:13. | |
more than 301st class passengers who'd paid up to �512 for a parlour | :39:13. | :39:21. | |
ticket - the equivalent in today's money of �45,500. But the majority | :39:21. | :39:28. | |
of passengers on board were in third, or steerage class. One could | :39:28. | :39:33. | |
say that the steerage class in the Titanic represented all resembled | :39:33. | :39:38. | |
life in New York or Chicago or any of the large American cities. It | :39:38. | :39:45. | |
was a polyglot mixture of the many peoples of Europe. Many of the | :39:45. | :39:49. | |
people were almost fleeing their former lives. There is one case in | :39:49. | :39:56. | |
particular, Michel Navratil, and his two sons, Michel Junior and | :39:56. | :40:00. | |
Edmond. He recently separated from his wife, and unbeknown to her, | :40:00. | :40:04. | |
he'd put them on board the Titanic to take them from America. In many | :40:04. | :40:08. | |
ways, he was stealing the children away from his former wife. After a | :40:08. | :40:13. | |
Cherbourg, the final port of call to pick at -- to pick up passengers | :40:13. | :40:19. | |
and Mail was Queenstown in Ireland. One of the loveliest and most | :40:19. | :40:22. | |
fascinating passengers on the Titanic was Father Browne. He was | :40:22. | :40:27. | |
booked in on a pleasure trip from Southampton to Cherbourg and then | :40:27. | :40:32. | |
to Queenstown. Father Brown, a keen amateur photographer, captured some | :40:32. | :40:38. | |
of the photographs of light on board Titanic to survive. Including | :40:38. | :40:43. | |
guests enjoying the first-class dining saloon, the biggest room a | :40:43. | :40:48. | |
float. Before we disembarked at Queenstown, Father Browne captured | :40:48. | :40:51. | |
these images of third-class steerage passengers waiting to get | :40:51. | :40:58. | |
on board. A total of 2.5 million people sailed from here during the | :40:58. | :41:04. | |
19th and early 20th centuries. Some 30,000 emigrated to America in 1912 | :41:04. | :41:09. | |
alone. The people who were ready to board the Titanic in Queenstown | :41:09. | :41:15. | |
would have been prepared to leave their lives behind and to emigrate | :41:15. | :41:22. | |
for a new life in America. This was nothing new in Ireland. For many | :41:22. | :41:26. | |
people there were limited job opportunities. The choice for many | :41:26. | :41:32. | |
was obvious. Lead and make a new life for themselves overseas. | :41:32. | :41:40. | |
well as taking on 120 passengers at Queenstown, Titanic loaded 1385 | :41:40. | :41:48. | |
mailbags. At 130 on April 11th, Titanic cast her moorings in | :41:48. | :41:53. | |
Queenstown and steamed out into the Atlantic. There were 2235 people on | :41:54. | :41:58. | |
board. Father Brown captured these last images of the ship as she set | :41:59. | :42:08. | |
| :42:09. | :42:41. | ||
# I know it doesn't seem that way. # But maybe it's the perfect day. | :42:41. | :42:51. | |
| :42:51. | :42:59. | ||
# Even though the bills are piling. # And maybe Lady Luck ain't smiling. | :42:59. | :43:07. | |
# But if we'd only open our eyes. # We'd see the blessing in disguise. | :43:07. | :43:11. | |
# That all the rain clouds are fountains. | :43:11. | :43:18. | |
# Though our troubles seem like mountains. | :43:18. | :43:28. | |
| :43:28. | :43:34. | ||
# There's gold in them hills. # So don't lose heart. | :43:34. | :43:44. | |
| :43:44. | :43:56. | ||
# Give the day a chance to start. # Every now and then life says. | :43:56. | :44:00. | |
# Where do you think you're going so fast. | :44:00. | :44:05. | |
# We're apt to think it's cruel but sometimes. | :44:05. | :44:15. | |
| :44:15. | :44:23. | ||
# And if we'd get up off our knees. # Why then we'd see the forest for | :44:23. | :44:31. | |
the trees. # And we'd see the new sun rising. | :44:31. | :44:41. | |
| :44:41. | :44:42. | ||
# Over the hills on the horizon. # There's gold in them hills. | :44:42. | :44:52. | |
| :44:52. | :45:01. | ||
# So don't lose faith. # Give the world a chance to say. | :45:01. | :45:07. | |
# A word or two my friend. # There's no telling how the day | :45:07. | :45:17. | |
| :45:17. | :45:22. | ||
might end. # And we'll never know until we see. | :45:22. | :45:32. | |
| :45:32. | :45:32. | ||
Apology for the loss of subtitles for 43 seconds | :45:32. | :46:30. | |
# That there's gold in them hills. From the moment she had left | :46:30. | :46:36. | |
Queenstown, Titanic made excellent progress averaging his speed of 22 | :46:36. | :46:39. | |
knots. As the good weather continued, she covered more than | :46:39. | :46:49. | |
| :46:49. | :46:51. | ||
500 miles a day. Titanic was The finds of shipbuilding has | :46:52. | :46:56. | |
reached a degree perfection in its highest form, which has put wind | :46:56. | :47:01. | |
and water almost at defiance. It has not only worked the see of its | :47:01. | :47:05. | |
terrors but it has imposed on its surface comforts and luxuries of | :47:05. | :47:13. | |
travel, surpassing anything on land. There was great emphasis at the | :47:13. | :47:18. | |
time on the safety arrangements of the ship and in promoting this, the | :47:18. | :47:22. | |
White Star Line used the term that the ship would be practically | :47:22. | :47:28. | |
unsinkable, and they were referring in particular to the system of | :47:29. | :47:33. | |
watertight compartments in the ship, and in the promotional literature, | :47:33. | :47:36. | |
the White Star Line were saying that the captain, by pressing a | :47:36. | :47:40. | |
button, could electronically close the watertight doors in the event | :47:40. | :47:45. | |
of an accident, practically making Bishop unsinkable, and of course | :47:45. | :47:53. | |
the inference in saying that was tantamount to saying that it was | :47:53. | :47:58. | |
unsinkable. The problem was there was no effective plan B and there | :47:58. | :48:03. | |
was a complacent failure of regulator, shipbuilder and ship | :48:03. | :48:13. | |
| :48:13. | :48:13. | ||
owner in not providing sufficient By the evening of April 14th, | :48:13. | :48:17. | |
Titanic was over half way across the Atlantic. We all knew perfectly | :48:17. | :48:21. | |
well that we were just about entering the region where icebergs | :48:21. | :48:30. | |
might be seen and had taken There had been the usual wireless | :48:30. | :48:34. | |
messages reporting the weather and I spokes, but as none of those I | :48:34. | :48:40. | |
spoke late on our course, it did not directly concern us. It then | :48:40. | :48:44. | |
came out but one vital message had never been delivered to the bridge. | :48:44. | :48:49. | |
That message came from a ship called the Musaba, warning all | :48:50. | :48:54. | |
ships of heavy pack ice, icebergs and field ice in an area lying | :48:54. | :49:04. | |
| :49:04. | :49:10. | ||
right ahead of the Titanic and what The collision took place at 11:40pm, | :49:10. | :49:16. | |
ship's time. About midnight, it was realised that the vessel could not | :49:16. | :49:23. | |
live and about five past 12, but order was given to uncover the | :49:23. | :49:33. | |
| :49:33. | :49:40. | ||
boats underneath. -- the order was On Sunday night, we were thrown out | :49:40. | :49:43. | |
of our bed bungs by the shock of the collision but we were not at | :49:43. | :49:48. | |
all afraid because everything was silent, the lights burned brightly. | :49:48. | :49:53. | |
We had no cause for alarm. But outside our door, we heard a rising | :49:53. | :49:58. | |
clamour and we went out and found the passages and corridors full of | :49:58. | :50:06. | |
running people. In a few moments, I felt the engines slow and stop. The | :50:06. | :50:13. | |
dancing motion and the vibrations ceased suddenly after being part of | :50:13. | :50:17. | |
our very existence for a few days and that was the first hint that | :50:17. | :50:21. | |
anything out of the ordinary was happening. I called out to my | :50:21. | :50:27. | |
daughter, Marjorie, as she was in her nightgown, with a blanket | :50:27. | :50:31. | |
around her. I started out of the door and my husband followed | :50:31. | :50:35. | |
immediately behind. Neither of us took any of our belongings from the | :50:35. | :50:40. | |
cabin and I remember that he even left his watch lying on the pillow. | :50:40. | :50:46. | |
We did not doubt an incident that we would return. -- for an instant. | :50:46. | :50:51. | |
The boat deck was running with people. Many women and children had | :50:51. | :50:55. | |
to be forced into the boats. They've got much more safe on the | :50:55. | :51:01. | |
deck of the big liner than enough small boats, 90 ft over the water | :51:01. | :51:07. | |
line. I had my husbands say, go, for God's sake be brave and go, I | :51:07. | :51:12. | |
will get on another boat! I stumbled to my feet. I saw over | :51:12. | :51:17. | |
their heads my husband's back as he walked steadily down the deck and | :51:17. | :51:27. | |
| :51:27. | :51:29. | ||
disappeared among the men. His face was turned away. So that I never | :51:29. | :51:39. | |
| :51:39. | :52:03. | ||
saw it again, but I know he went # God on high. | :52:03. | :52:13. | |
| :52:13. | :52:22. | ||
# Hear my prayer. # He is young. | :52:22. | :52:31. | |
# He's afraid. # Let him rest. | :52:31. | :52:41. | |
| :52:41. | :52:45. | ||
# Heaven blessed. # Bring him home. | :52:45. | :52:55. | |
| :52:55. | :53:03. | ||
# He's like the son I might have known. | :53:03. | :53:10. | |
# If God had granted me a son. # The summers die. | :53:10. | :53:15. | |
# One by one. # How soon they fly. | :53:15. | :53:24. | |
# On and on. # And I am old. | :53:24. | :53:34. | |
| :53:34. | :53:36. | ||
# And will be gone. # Bring him peace. | :53:36. | :53:46. | |
| :53:46. | :53:46. | ||
# Bring him joy. # He is young. | :53:47. | :53:56. | |
| :53:57. | :54:03. | ||
# He is only a boy. # You can take. | :54:03. | :54:13. | |
| :54:13. | :54:13. | ||
# You can give. # Let him be. | :54:13. | :54:23. | |
| :54:23. | :54:25. | ||
# Let him live. # If I die. | :54:25. | :54:35. | |
| :54:35. | :54:43. | ||
# Let me die. # Let him live. | :54:43. | :54:53. | |
| :54:53. | :54:53. | ||
Apology for the loss of subtitles for 43 seconds | :54:53. | :55:40. | |
# Bring him home. The bottom of our boat slapped the | :55:40. | :55:44. | |
ocean as we came down, with a force that I thought must shock us | :55:44. | :55:48. | |
overboard. We were drenched with ice-cold spray but we hung on and | :55:48. | :55:58. | |
| :55:58. | :55:59. | ||
the men wrote us rapidly away from At midnight, 20 minutes after the | :55:59. | :56:03. | |
collision, it became clear to Captain Smith that the ship was | :56:03. | :56:09. | |
sinking. He called for all the boilers to be shut down and the | :56:09. | :56:13. | |
wireless operator was told to send the first distress call for | :56:13. | :56:22. | |
assistance. Orders were given to uncover the lifeboats and get | :56:22. | :56:32. | |
| :56:32. | :56:35. | ||
passengers and crew ready on Dec. - It seems that the band, just past | :56:35. | :56:43. | |
midnight, went to the boat deck and people wondered what was going to | :56:43. | :56:46. | |
happen but already broom up was beginning to spread that something | :56:46. | :56:52. | |
had happened to the ship -- rumours were spreading. The band decided, | :56:52. | :56:58. | |
in a really heroic spirit, to play cheery tunes. I think Jock Hume, | :56:58. | :57:03. | |
the violinist, said, we are going to cheer them up a bit with music | :57:03. | :57:11. | |
because they did not want the At 12:20pm, but order was given to | :57:11. | :57:15. | |
start loading the lifeboats with women and children first. It | :57:15. | :57:19. | |
quickly became clear that there were enough lifeboats for only half | :57:19. | :57:24. | |
of those on board. On the boat deck, the band played to keep everybody | :57:24. | :57:30. | |
calm. Some people when they are frightened, they run and panic and | :57:30. | :57:33. | |
others retreat to what makes them feel safe and what makes them feel | :57:33. | :57:39. | |
Duman, and for musicians that do music for the love of it, music is | :57:39. | :57:44. | |
what makes you feel safe -- feel safe and what makes them feel human. | :57:44. | :57:49. | |
I imagine playing was not only a comfort for the other people but a | :57:49. | :57:53. | |
huge comfort for them at a time when they did not know whether they | :57:53. | :57:57. | |
were going to live. It seems likely that the band leader, Wallace | :57:57. | :58:02. | |
Hartley, had not been ordered by the captain to play music. It was a | :58:02. | :58:10. | |
decision taken by him and his After finding her danger was the | :58:10. | :58:13. | |
situation was, he probably caught his men together and began playing. | :58:13. | :58:18. | |
He often said, music was a bigger weapon for stopping disorder than | :58:18. | :58:22. | |
anything on earth. He knew the value of the weapon he had and I | :58:22. | :58:28. | |
think he proved his point. The band played for more than two hours. The | :58:28. | :58:35. | |
ship's lights went out at 2:18 in the morning. All the lifeboats had | :58:35. | :58:40. | |
left, but there was still more than 1500 people on board the thinking | :58:40. | :58:49. | |
ship. Dashed sinking ship. Some survivors accounts describe how | :58:49. | :58:59. | |
| :58:59. | :59:00. | ||
Wallace Hartley dismissed his band Wallace Hartley had told a member | :59:00. | :59:03. | |
of the band with whom he had played on another ship that if disaster | :59:03. | :59:09. | |
were to strike, he was likely to play Nearer My God To Thee. It was | :59:09. | :59:14. | |
it him that meant a great deal to him. It was eight tune that his | :59:14. | :59:19. | |
father, as choirmaster of Bethel Chapel in Colne, had introduced to | :59:19. | :59:24. | |
that chapel. If you think that they had done their best to calm down | :59:24. | :59:28. | |
passengers and now the moment had come, there were no lights, the | :59:28. | :59:32. | |
lights had gone off, the water was coming around him, some passengers | :59:32. | :59:38. | |
who survived threat that it was circling around his knees. He is | :59:38. | :59:42. | |
playing his own requiem, he is playing that tune that he sang as a | :59:42. | :59:52. | |
| :59:52. | :59:52. | ||
Apology for the loss of subtitles for 43 seconds | :59:52. | :02:33. | |
It was about 2am when the Titanic finally sank. There were two | :02:33. | :02:43. | |
| :02:43. | :02:43. | ||
terrific explosions and several large screens as she went down. | :02:43. | :02:48. | |
watched the lights go out one by one and the huge ship sliding to | :02:48. | :02:53. | |
her grave on the starlit water. And so the last, long, slow death | :02:53. | :02:58. | |
struggle of the pride of Queen's Island. The greatest and newest | :02:58. | :03:07. | |
ship in the world. When the Titanic took her final punch, there was a | :03:07. | :03:16. | |
noise I shall never forget. Shouting, screaming and explosions. | :03:16. | :03:23. | |
100,000 fans at a cup final could not make more noise. We were too | :03:23. | :03:27. | |
far away from the Titanic when it went down to see those that had | :03:27. | :03:30. | |
leaked or those that had been washed into the sea. But we could | :03:30. | :03:36. | |
hear them for some time after. Then all was still and we knew that the | :03:36. | :03:45. | |
last of them had perished. Those who love them call them gone. But | :03:45. | :03:52. | |
they live on with the virility immortal. The courage of 1500 souls | :03:52. | :04:00. | |
who quietly gave their lives for others floods an entire world and | :04:00. | :04:08. | |
makes us humbly eager to give tribute by living no other lives. - | :04:08. | :04:18. | |
| :04:18. | :04:18. | ||
Apology for the loss of subtitles for 43 seconds | :04:18. | :07:32. | |
MUSIC - Shostakovich - The None of us in the life world's knew | :07:32. | :07:37. | |
whether any rescue ship had been reached by the Titanic's radio. All | :07:37. | :07:42. | |
during the light -- night we saw lights all around us, but they | :07:42. | :07:51. | |
proved only to be the flashlights The distress signals sent by | :07:51. | :07:55. | |
Titanic were received at the Marconi radio station at Cape Race | :07:55. | :08:05. | |
| :08:05. | :08:06. | ||
Newfoundland early in the morning From here, they were sent on or | :08:06. | :08:11. | |
around the world. They were also picked up directly by ships, | :08:11. | :08:16. | |
including the Cunard liner Carpathia. A captain responded | :08:16. | :08:19. | |
immediately and turned her course to sail for steam to the aid of | :08:19. | :08:29. | |
Titanic. She was just 58 miles away, but with a top speed of 17.5 knots, | :08:29. | :08:35. | |
she wouldn't arrive before Titanic had slipped beneath the waves. | :08:35. | :08:42. | |
Carpathia reached the scene at dawn. And over the next four hours, | :08:42. | :08:46. | |
picked up 712 survivors. sinking of the Titanic was probably | :08:46. | :08:50. | |
the first global news story, simply because of several factors. Firstly, | :08:50. | :08:53. | |
communication was much quicker than it ever had been before. Even as | :08:53. | :08:59. | |
the reports of the ship had sunk, it was wired out across the world. | :08:59. | :09:03. | |
But I think the expectations surrounding the making Boyd had | :09:03. | :09:07. | |
helped seed this terrible tragedy of becoming interested to everybody. | :09:07. | :09:11. | |
Such fanfare had gritted its departure. And no one thought | :09:11. | :09:15. | |
anything could go wrong. So when the news started to break, everyone | :09:15. | :09:21. | |
was in complete shock. In America, the New York Times was the first | :09:21. | :09:26. | |
paper to report the sinking, dedicating 12 pages to the disaster | :09:26. | :09:31. | |
the following day. At first, details were sketchy and White Star | :09:31. | :09:34. | |
Line's offices were besieged with the relatives demanding news of | :09:34. | :09:40. | |
their loved ones. In London, the saddest places of all were the | :09:40. | :09:44. | |
offices of the White Star Line. It was a tragic scene. And as a | :09:44. | :09:49. | |
heartbroken inquirers groped their way out of the Doors, the golden | :09:49. | :09:52. | |
spring sunshine which flooded Trafalgar Square only emphasise the | :09:52. | :09:58. | |
contrast between life and death. It was the women awaited. But the only | :09:58. | :10:02. | |
news of those sales were that the majority were women and children | :10:02. | :10:10. | |
that were saved. There was no news of the men. Only silence. | :10:10. | :10:13. | |
Belfast it was received with disbelief that a ship which had | :10:13. | :10:19. | |
been so recently at the heart of the city was now lying on the | :10:19. | :10:24. | |
bottom of the Atlantic Ocean. There was an immediate sense of public | :10:24. | :10:30. | |
grieving and a huge loss of life - match at the huge loss of life. You | :10:30. | :10:34. | |
can only imagine how they must have felt when they heard that news. | :10:34. | :10:42. | |
There are stories of grown men actually in tears in the street. | :10:42. | :10:46. | |
But there were few details of what had happened on the night of the | :10:46. | :10:48. | |
sinking. The only reliable information was that there were | :10:48. | :10:53. | |
more than 700 survivors on the Carpathia, and the world's press | :10:53. | :11:00. | |
was desperate to hear their stories. After three days' sailing, but | :11:00. | :11:05. | |
Carpathia finally reached New York. The competition awaiting the | :11:05. | :11:10. | |
Carpathia to get exclusive stories was intense. When the Carpathia was | :11:10. | :11:14. | |
first sighted, the press immediately rushed into action. A | :11:14. | :11:17. | |
number of reporters had already chartered tug boats and they | :11:17. | :11:22. | |
assembled as a flotilla. They followed the Carpathia along | :11:22. | :11:26. | |
towards pier 54. Once they got close enough, the reporters were | :11:26. | :11:30. | |
said to have been shouting back at the passengers, trying to get any | :11:30. | :11:40. | |
| :11:40. | :11:40. | ||
I shall never forget the night the Carpathia got in. The great peer | :11:40. | :11:47. | |
was packed with people. They were very quiet. There was no noise. No | :11:47. | :11:51. | |
confusion. They were admitted by ticket only and the police | :11:51. | :11:57. | |
regulations were perfect. I saw the red lights of the Carpathia turning | :11:57. | :12:04. | |
in, bringing with her what sad and dreadful news. There was an ominous | :12:04. | :12:11. | |
stillness as the gangway was made fast. And then, as the people came | :12:11. | :12:21. | |
| :12:21. | :12:26. | ||
off, such scenes as no one could Once ashore, the survivors gave | :12:26. | :12:30. | |
their accounts of the disaster. Not only did the personal stories come | :12:30. | :12:36. | |
out, but now there was a definitive list of those who'd survived. It | :12:36. | :12:44. | |
was confirmed that oboe 1500 people have lost their lives. -- over 1500 | :12:44. | :12:48. | |
people. Included in the list were some of the richest, most prominent | :12:48. | :12:57. | |
people of the day. In total, 48 % and 80 % of the men on board were | :12:57. | :13:03. | |
unaccounted for. Nowhere was the wait for news more agonising than | :13:03. | :13:12. | |
in Southampton, home to 700 of the This morning the first for news | :13:12. | :13:16. | |
that has taught at Southampton for three days was at last assuaged. At | :13:16. | :13:20. | |
7 o'clock, a clerk came out of the White Star Line officers in the | :13:20. | :13:23. | |
docks and placed on the huge blackboard outside the list of the | :13:23. | :13:27. | |
saved among the crew. At that time there was no one about except the | :13:27. | :13:31. | |
women, who have waited there in the street almost without moving. None | :13:31. | :13:36. | |
of them certainly have slept since Tuesday night. But as the names | :13:36. | :13:41. | |
appeared, printed in big, blue letters, the dreadful gasp of | :13:41. | :13:46. | |
apprehension was heard. And the women pressed up close, eager and | :13:46. | :13:56. | |
| :13:56. | :14:01. | ||
Of the 700 crew from the city, more than 500 had died. It was said that | :14:01. | :14:05. | |
there was hardly a street in Southampton that haven't lost | :14:05. | :14:13. | |
someone on the ship. -- that had and lost someone on the ship. | :14:13. | :14:17. | |
My dear mother and all. I don't know how to write to you Wallwork | :14:17. | :14:22. | |
to say. I feel I shall go mad sometimes but as much as my heart | :14:22. | :14:28. | |
aches, it takes for you, too. For he is your son and the best that | :14:28. | :14:34. | |
ever lived. I have not given up hope till today that he might be | :14:34. | :14:44. | |
| :14:44. | :15:12. | ||
found. But I'm told all boats are # I never see the clouds fall on | :15:12. | :15:16. | |
you. # Baby tell me how. | :15:16. | :15:21. | |
# Is it what you do. # When the sun shines through the | :15:21. | :15:29. | |
rainbow. # I know the truth. | :15:29. | :15:33. | |
# Baby all my life I'll wait for you. | :15:33. | :15:38. | |
# At the boat yard we've been waiting. | :15:38. | :15:44. | |
# To the coast guard we've been waving. | :15:44. | :15:53. | |
# Hoping that the rumours are true. # I hope you'll come through. | :15:53. | :15:59. | |
# And I'll never lose you. # I never see the clouds fall on | :15:59. | :16:08. | |
you. # Baby tell me how. | :16:08. | :16:13. | |
# Is it what you do. # When the sun shines through the | :16:14. | :16:18. | |
rainbow. # I know the truth. | :16:18. | :16:24. | |
# Know that all my life I'll wait for you. | :16:24. | :16:34. | |
| :16:34. | :16:37. | ||
# Sharp winds are cold and scathing. # No matter how long I save it. | :16:37. | :16:46. | |
# Knowing, trusting and praying. # I know you'll come through. | :16:46. | :16:52. | |
# And I'll never lose you. # I never see the clouds fall on | :16:52. | :17:01. | |
you. # Baby tell me how. | :17:01. | :17:05. | |
# Is it what you do # When the sun shines through the | :17:05. | :17:12. | |
rainbow. # I know it's true. | :17:12. | :17:22. | |
| :17:22. | :17:34. | ||
# Baby all my life I'll wait for # Will you come through. | :17:34. | :17:41. | |
# Will you be true. # God I miss you. | :17:41. | :17:51. | |
| :17:51. | :18:09. | ||
# I see your face. # Empty space. # I am never leaving this place. | :18:09. | :18:15. | |
# I never see the clouds fall on you. | :18:15. | :18:25. | |
# Baby tell me how, is it what you # And when the sun shines through | :18:25. | :18:31. | |
the Rainbow. # I know the truth. | :18:31. | :18:41. | |
| :18:41. | :18:44. | ||
# I will wait for you. # I will wait for your thoughts. | :18:44. | :18:54. | |
| :18:54. | :18:55. | ||
# Baby. Baby, won't you tell me how. | :18:55. | :19:05. | |
| :19:05. | :19:05. | ||
# Tell me how! # I'll never see the clouds falling | :19:06. | :19:14. | |
on you. # Baby, tell me how, tell me how. | :19:15. | :19:23. | |
# Is it what you do? # I know the truth. | :19:23. | :19:32. | |
# I know that all my life, a weight see you. | :19:32. | :19:39. | |
-- I will wait for you. # I never see the clouds fallen you. | :19:39. | :19:49. | |
| :19:49. | :19:57. | ||
In the aftermath of the disaster, the people of New York took pity on | :19:57. | :20:02. | |
the survivors and left money and clothes for the 212 crew members | :20:02. | :20:08. | |
whose pay had been stopped when Titanic sank. On 20th April, the | :20:08. | :20:14. | |
crewmen were taken back to England. But in New York there still | :20:14. | :20:23. | |
The great mystery in the immediate aftermath of the Titanic is two of | :20:23. | :20:28. | |
these two children who do not have any parents? They get labelled the | :20:28. | :20:31. | |
Titanic orphans and their photographs are reproduced in | :20:31. | :20:37. | |
newspapers around the world. To try to find out who they were. The two | :20:37. | :20:42. | |
boys, who spoke only French, were being looked after by a first-class | :20:42. | :20:48. | |
passenger at her home on West 83rd Street. Eventually their identity | :20:48. | :20:54. | |
was discovered. The two Navratil boys have lost their father in the | :20:54. | :20:57. | |
tragedy and it was only by chance that their mother had read the | :20:57. | :21:00. | |
account of their arrival in New York and suddenly realised these | :21:00. | :21:06. | |
were her children, so of course she jumped on the first ship, headed | :21:06. | :21:13. | |
over and was reunited with her lost The grim task of recovering bodies | :21:13. | :21:19. | |
from the North Atlantic was given to their crew of Mackay Bennett, | :21:19. | :21:24. | |
chartered by White Star Line so. She recovered 306 bodies, including | :21:24. | :21:29. | |
that of John Jacob Astor. In his pocket he had $3,000 in cash, the | :21:29. | :21:36. | |
equivalent today of 70,000. Dressed in evening wear, the corpse of the | :21:36. | :21:39. | |
band leader Wallace Hartley was reported to be found with his music | :21:39. | :21:49. | |
| :21:49. | :21:50. | ||
Wallace Hartley's body was brought back to Liverpool. It was taken by | :21:50. | :21:53. | |
train all the way to Colne and there, a memorial service was held. | :21:53. | :22:00. | |
The crowd number was estimated at nearly 40,000. Dependents of the | :22:00. | :22:05. | |
band were not entitled to any compensation. The band had actually | :22:05. | :22:09. | |
gone on board a second class passengers. They were employees of | :22:09. | :22:15. | |
the agency in Liverpool, not of White Star Line, so White Star Line | :22:15. | :22:20. | |
scores thought they owed them no compensation. -- of course. | :22:20. | :22:25. | |
days after the funeral, the orchestral Association organised a | :22:25. | :22:29. | |
memorial concert for the musicians at the Royal Albert Hall. | :22:30. | :22:34. | |
musicians from many different orchestras arrived at the Royal | :22:34. | :22:37. | |
Albert Hall. They had an extraordinary array of conductors, | :22:37. | :22:42. | |
Elgar was one of them. The proceeds from the concert was to help the | :22:42. | :22:46. | |
families deal with their loss. There was a tremendous outpouring | :22:46. | :22:50. | |
of public Greece and this was the beginning of the Titanic memorial | :22:50. | :22:55. | |
industry -- public grief. Entrepreneurs sensed a ready market | :22:55. | :23:00. | |
and produced mementoes of the disaster. The most readily | :23:00. | :23:04. | |
available were postcards but there were also songs and music produced | :23:04. | :23:08. | |
all round the world, and for the first-class passenger and from star | :23:08. | :23:13. | |
Dorothy Gibson, the Titanic was an opportunity to turn tragedy into | :23:13. | :23:18. | |
profit. Within four weeks, she had released a film about the disaster | :23:18. | :23:23. | |
starving herself, wearing the dress she had worn at night. -- starring | :23:23. | :23:30. | |
herself. In Belfast, life returned almost to normal. At the Harland | :23:30. | :23:38. | |
and Wolff shipyard, which had lost nine men, work continued on | :23:38. | :23:45. | |
Britannic, the third in the trio of giant ships. But the scars of | :23:45. | :23:53. | |
Initially in Belfast there was a certain measure of embarrassment | :23:53. | :23:56. | |
that this had been made in Belfast and it was not something people | :23:56. | :24:01. | |
wanted to be associated with. I think over time that has changed. | :24:01. | :24:05. | |
People have become more interested in the Titanic, people see it more | :24:05. | :24:08. | |
as a recognition that something great was achieved and what it | :24:08. | :24:15. | |
means that the place where it was actually born. The Titanic, to so | :24:15. | :24:21. | |
many people in different ways, it represented a dream for the wealthy | :24:21. | :24:24. | |
owners it was the dream of dominance of the shipping route, | :24:24. | :24:28. | |
for the immigrants it was a dream of a better life, for my great | :24:28. | :24:33. | |
grandfather it was a dream of the next meal, food on the table, as do | :24:33. | :24:43. | |
| :24:43. | :24:47. | ||
the job. Everybody had their own As a result of those events 100 | :24:47. | :24:51. | |
years ago, maritime regulations were changed. Ships had to carry | :24:52. | :24:57. | |
enough lifeboats for all passengers and crew. Bigger vessels had to be | :24:57. | :25:02. | |
equipped with a permanently manned Marconi set and an international | :25:02. | :25:07. | |
ice patrol was established, which runs to this day, but the thinking | :25:07. | :25:12. | |
of the Titanic did not deter the shipping yards from their quest to | :25:12. | :25:18. | |
build ever better and better ships. Just two months after Titanic sank, | :25:18. | :25:24. | |
a German ship took the title of the world's largest vessels, 52,000 | :25:24. | :25:31. | |
tonnes. Modern passenger liners can be four times bigger. And what of | :25:31. | :25:36. | |
Belfast 100 years on? Queen's Island is once again thriving. On | :25:36. | :25:40. | |
the Hollande and walls site is a new exhibition commemorating the | :25:40. | :25:46. | |
Titanic -- Harland and Wolff. As the City braces her legacy and the | :25:46. | :25:51. | |
extraordinary achievements of the Edwardian shipbuilders. That | :25:51. | :25:54. | |
exhibition serves as a reminder of the human endeavour that built the | :25:54. | :26:01. | |
Titanic, the tragedy that befell her, the bravery of those on board, | :26:01. | :26:06. | |
and the souls who were lost that night. I hope that tonight we have | :26:06. | :26:10. | |
made a modest contribution to the legacy of the Titanic. From | :26:11. | :26:14. | |
everyone here in the Waterfront Hall and the thousands watch him in | :26:14. | :26:24. | |
| :26:24. | :26:33. | ||
Belfast, good night. -- watching in # I'll sing it one last time for | :26:33. | :26:43. | |
| :26:43. | :26:44. | ||
you. # You've been the only thing that's | :26:44. | :26:52. | |
right. # In all I've done. | :26:52. | :27:01. | |
# And I can barely look at you. # But every single time I do. | :27:01. | :27:11. | |
| :27:11. | :27:20. | ||
# I know we'll make it anywhere. # Light up, light up. | :27:20. | :27:28. | |
# As if you have a choice. # Even if you cannot hear my voice. | :27:29. | :27:38. | |
| :27:39. | :27:50. | ||
# Louder, louder. # And we'll run for our lives. | :27:50. | :28:00. | |
| :28:00. | :28:00. | ||
# I can hardly speak, I understand. # Why you can't raise your voice to | :28:00. | :28:10. | |
| :28:10. | :28:13. | ||
# To think I might not see those eyes. | :28:13. | :28:23. | |
| :28:23. | :28:24. | ||
# Makes it so hard not to cry. # And as we say our long goodbyes. | :28:24. | :28:34. | |
| :28:34. | :28:40. | ||
# Light up, light up. # As if you have a choice. | :28:40. | :28:50. | |
| :28:50. | :29:02. | ||
# Even if you cannot hear my voice. # Louder, louder. | :29:02. | :29:12. | |
| :29:12. | :29:12. | ||
# And we'll run for our lives. # I can hardly speak, I understand. | :29:12. | :29:22. | |
| :29:22. | :29:37. | ||
# Why you can't raise your voice to # Light up, light up. | :29:37. | :29:43. | |
# As if you have a choice. # Even if you cannot hear my voice. | :29:43. | :29:53. | |
| :29:53. | :30:01. |