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In Ireland, country music is more popular than ever. | 0:00:02 | 0:00:06 | |
A host of new country music stars have tempted a generation | 0:00:06 | 0:00:10 | |
to turn their back on the nightclub, don their Stetsons | 0:00:10 | 0:00:13 | |
and jive the night away, from Ballymena to Ballydehob. | 0:00:13 | 0:00:16 | |
This week, we're forming an orderly queue | 0:00:20 | 0:00:23 | |
at Ireland's leading country music record store. | 0:00:23 | 0:00:26 | |
We've been here for four hours, waiting to see Derek Ryan again, | 0:00:28 | 0:00:31 | |
and we're really excited. | 0:00:31 | 0:00:32 | |
CHEERING | 0:00:32 | 0:00:34 | |
In a world of streaming and downloads, | 0:00:35 | 0:00:37 | |
Stewart's has stood steadfast for 40 years in Dungannon town centre. | 0:00:37 | 0:00:42 | |
There's a feeling you get that you don't get anywhere else, you know? | 0:00:42 | 0:00:46 | |
This is the place to be. | 0:00:46 | 0:00:49 | |
And with a very special birthday on the horizon, | 0:00:49 | 0:00:52 | |
store owner Raymond is planning to celebrate in style. | 0:00:52 | 0:00:56 | |
The shop's there 40 years, it's something special. | 0:00:56 | 0:00:58 | |
I want to have the biggest collection | 0:00:58 | 0:01:00 | |
of Irish country artists ever in the one place. | 0:01:00 | 0:01:02 | |
But is a small store in a town centre | 0:01:03 | 0:01:06 | |
prepared for the most impressive country music line-up | 0:01:06 | 0:01:09 | |
Ireland has ever seen? | 0:01:09 | 0:01:11 | |
Philomena's on at the minute. | 0:01:11 | 0:01:12 | |
Big Tom - he's arrived, we can't get him out the car | 0:01:12 | 0:01:14 | |
because everybody's around him, wanting photographs. | 0:01:14 | 0:01:17 | |
Derek Ryan's in here, eating all the buns, | 0:01:17 | 0:01:18 | |
and I can't even get a cup of tea! | 0:01:18 | 0:01:20 | |
Welcome to the celebratory world of Irish country music. | 0:01:22 | 0:01:26 | |
Stewart's Record Store in the heart of Mid-Ulster is an institution. | 0:01:44 | 0:01:48 | |
# Sing your heart out, country boy... # | 0:01:49 | 0:01:53 | |
Legendary singer Gene Stuart | 0:01:53 | 0:01:56 | |
opened the store in 1975, | 0:01:56 | 0:01:58 | |
and with a bone fide icon in charge, | 0:01:58 | 0:02:00 | |
there's no surprise it became a country music Mecca | 0:02:00 | 0:02:04 | |
for generations of fans. | 0:02:04 | 0:02:05 | |
# Sing your heart out, country boy... # | 0:02:05 | 0:02:09 | |
Over the years, the shop has withstood bombs and changing tastes. | 0:02:09 | 0:02:13 | |
Still in the Stewart family, the shop is run by Gene's brother, | 0:02:13 | 0:02:16 | |
Raymond, and his daughters, Olivia and Mairead. | 0:02:16 | 0:02:19 | |
# Singing all his stories to the crowd... # | 0:02:20 | 0:02:23 | |
Country music has always been popular in Ireland. | 0:02:23 | 0:02:26 | |
I think it's in the DNA of Irish people. | 0:02:26 | 0:02:28 | |
Our shop's there 40 years, it was opened by people like Brendan Quinn, | 0:02:28 | 0:02:33 | |
Eileen King, Bryan Coll - all of those people. | 0:02:33 | 0:02:36 | |
# Sing your heart out, play your guitar... # | 0:02:36 | 0:02:40 | |
The thing that has happened in recent years, | 0:02:40 | 0:02:41 | |
it's the new young people coming into the business that have | 0:02:41 | 0:02:44 | |
really brought it on, and they have encouraged the new generation | 0:02:44 | 0:02:47 | |
of country music fans to come in. | 0:02:47 | 0:02:49 | |
They're all good-looking, great artists, great songwriters, | 0:02:49 | 0:02:52 | |
and that has given the whole industry a spike. | 0:02:52 | 0:02:55 | |
-FANS: -Whoo! | 0:02:55 | 0:02:57 | |
With country music undergoing something of a renaissance, | 0:02:57 | 0:03:00 | |
the shop is busier than ever, | 0:03:00 | 0:03:02 | |
but being a fan wasn't always something to shout about. | 0:03:02 | 0:03:06 | |
Before, country music wasn't cool with young people. | 0:03:10 | 0:03:12 | |
I remember a girl coming into the shop many years ago | 0:03:12 | 0:03:15 | |
and buying a country album, and she asked for it to be put in two bags | 0:03:15 | 0:03:18 | |
so she could walk round the town and people wouldn't know. | 0:03:18 | 0:03:21 | |
She probably told them she was | 0:03:21 | 0:03:22 | |
buying the Bay City Rollers or something. | 0:03:22 | 0:03:24 | |
Now, young people are coming into the shop and they're loving to buy | 0:03:26 | 0:03:29 | |
country music, they're buying Derek and Mason and Mike Denver | 0:03:29 | 0:03:32 | |
and Johnny Brady and Lisa, all those people. | 0:03:32 | 0:03:35 | |
So it's cool to be country now. | 0:03:35 | 0:03:37 | |
But there's more to this record store than meets the eye. | 0:03:42 | 0:03:46 | |
Above the shop is where the real operation takes place. | 0:03:46 | 0:03:50 | |
Dungannon might be a small town, but it can rightly claim to be | 0:03:50 | 0:03:53 | |
the epicentre of country music in Ireland. | 0:03:53 | 0:03:56 | |
It's home to Raymond's Sharpe record label, through which many of | 0:03:56 | 0:04:00 | |
the top artists record and release their music. | 0:04:00 | 0:04:03 | |
A lot of the new Irish country stars, | 0:04:03 | 0:04:05 | |
we bring them out on the Sharpe Music label. | 0:04:05 | 0:04:07 | |
Well, inside the next couple of weeks, we'll be able to set | 0:04:07 | 0:04:09 | |
a release date for the album, and then will be able to get it up | 0:04:09 | 0:04:12 | |
on social media and notify all the dealers and distributors. | 0:04:12 | 0:04:15 | |
'Behind the scenes, we work very closely with all the artists, | 0:04:15 | 0:04:18 | |
'working on the tracks, working on the recording, the artwork,' | 0:04:18 | 0:04:22 | |
and then I suppose, eventually, getting it out to the shops, | 0:04:22 | 0:04:25 | |
which is a very important part. | 0:04:25 | 0:04:27 | |
We supply all the shops in Ireland, all the big stores. | 0:04:28 | 0:04:31 | |
But Stewart's don't just ship records the length | 0:04:31 | 0:04:33 | |
and breadth of Ireland. | 0:04:33 | 0:04:36 | |
We send parcels all over the world. | 0:04:36 | 0:04:38 | |
Australia, Japan, New Zealand, Brazil, Spain, Portugal. | 0:04:38 | 0:04:42 | |
And it seems they're fond of artists like Big Tom | 0:04:42 | 0:04:45 | |
in some unexpected places. | 0:04:45 | 0:04:47 | |
We even send them to Libya, believe it or not, | 0:04:47 | 0:04:50 | |
so it is popular all over the world. | 0:04:50 | 0:04:52 | |
# Why'd you come in here looking like that? | 0:04:55 | 0:04:58 | |
# In your high-heeled boots and your painted-on jeans... # | 0:04:58 | 0:05:01 | |
She may not be a household name in Libya, | 0:05:01 | 0:05:04 | |
but Lisa McHugh is one of Ireland's most popular country singers, | 0:05:04 | 0:05:08 | |
and Raymond is busy finalising the details of her new album. | 0:05:08 | 0:05:11 | |
# You're almost giving me a heart attack... # | 0:05:11 | 0:05:14 | |
Lisa! | 0:05:14 | 0:05:15 | |
How are you? Thank you. | 0:05:15 | 0:05:18 | |
# I just can't stand it... # | 0:05:19 | 0:05:21 | |
Since breaking onto the scene in 2011, Lisa has introduced | 0:05:21 | 0:05:25 | |
a whole new generation - particularly young men - | 0:05:25 | 0:05:28 | |
to country music standards. | 0:05:28 | 0:05:30 | |
-You were lucky to come in today and meet Lisa McHugh! -I know, wasn't I? | 0:05:31 | 0:05:34 | |
-What will the girlfriend say about this? -I don't know. | 0:05:34 | 0:05:38 | |
With the album launch only weeks away, | 0:05:42 | 0:05:44 | |
Raymond has final sign-off on the artwork. | 0:05:44 | 0:05:47 | |
The cover's great. | 0:05:47 | 0:05:48 | |
I love the title, #Country, nobody's ever came up with it before. | 0:05:48 | 0:05:52 | |
'This will be my third album released with Raymond,' | 0:05:52 | 0:05:55 | |
and there's no-one here in Ireland that pushes an album | 0:05:55 | 0:05:59 | |
quite like Sharpe do. | 0:05:59 | 0:06:01 | |
And Raymond in particular, he's very hands-on. | 0:06:01 | 0:06:04 | |
And there's a nice space there for you to sign your CD | 0:06:04 | 0:06:07 | |
when you're finished. When it's put out on all the stores, | 0:06:07 | 0:06:10 | |
I think that cover's going to stand out. | 0:06:10 | 0:06:11 | |
-What do you think of the cover of your new album? -Is it ready? | 0:06:11 | 0:06:14 | |
-Of course it is. -It is not, it's paper. | 0:06:14 | 0:06:16 | |
No, we haven't got the digipaks in yet. They'll be in soon. | 0:06:17 | 0:06:22 | |
# Oh, baby, tell me the truth | 0:06:22 | 0:06:24 | |
# What in the world's coming over you? # | 0:06:24 | 0:06:28 | |
The shop has seen some changes since it first opened in the 1970s, | 0:06:28 | 0:06:32 | |
and nowadays, you can't sell records | 0:06:32 | 0:06:34 | |
unless you have a slick social media campaign. | 0:06:34 | 0:06:37 | |
Hi, guys, Lisa here in Stewart's Music Shop in Dungannon. | 0:06:37 | 0:06:40 | |
Cannot wait to launch my brand-new album, #Country, | 0:06:40 | 0:06:44 | |
right here in store. See you then. | 0:06:44 | 0:06:46 | |
Perfect. | 0:06:46 | 0:06:47 | |
Lisa's album launch isn't the only event Raymond has on the horizon. | 0:06:47 | 0:06:51 | |
He's determined to mark the shop's 40th anniversary | 0:06:51 | 0:06:54 | |
with a massive country music bash. | 0:06:54 | 0:06:57 | |
I might be a bit ambitious what I'm planning to do, but I want to invite | 0:06:57 | 0:07:00 | |
all the artists who were at the shop when it opened, | 0:07:00 | 0:07:02 | |
and I want to invite all the new artists | 0:07:02 | 0:07:04 | |
that's came along in 40 years. I want to have | 0:07:04 | 0:07:06 | |
the biggest collection of Irish country artists | 0:07:06 | 0:07:08 | |
ever in the one place, at the one day, | 0:07:08 | 0:07:10 | |
I want to have them performing in the shop as well. | 0:07:10 | 0:07:13 | |
Probably never been done before, and a bit ambitious, | 0:07:13 | 0:07:15 | |
and I don't know where they're going to go or whatever, | 0:07:15 | 0:07:17 | |
but it will all sort itself out. | 0:07:17 | 0:07:19 | |
One of the store's most loyal customers is 71-year-old Isaac. | 0:07:24 | 0:07:28 | |
There's something relaxing about country music, | 0:07:33 | 0:07:35 | |
and the lyrics speak to me in a very strong way, | 0:07:35 | 0:07:38 | |
of certain songs on the record, you know? | 0:07:38 | 0:07:42 | |
There's something there and it gives you a buzz. | 0:07:42 | 0:07:44 | |
If I come in here, a member of staff would say to me, | 0:07:47 | 0:07:50 | |
"Isaac, there's 200 new LPs came in today." | 0:07:50 | 0:07:54 | |
Bang - right away, I'm over here. And I'm looking through them. | 0:07:54 | 0:07:58 | |
But, for a pensioner, record collecting is an expensive business. | 0:07:58 | 0:08:01 | |
Morning, Brian, my friend, I've just picked some more stuff out there. | 0:08:01 | 0:08:05 | |
-A few more for the collection. -A few more for the collection. | 0:08:05 | 0:08:08 | |
'I can select a pile of LPs from here and I can go over and say, | 0:08:08 | 0:08:12 | |
' "Brian, if I give you a fiver deposit, I'll have the rest | 0:08:12 | 0:08:15 | |
' "of the money for you at the end of the month, will that do?" | 0:08:15 | 0:08:18 | |
'And Brian will say, "Of course you can. That's OK, Isaac." ' | 0:08:18 | 0:08:21 | |
It's the only story I know around Ireland where you can do that. | 0:08:21 | 0:08:24 | |
-Thank you very much, Brian. -Any time, Isaac. -I'm away now. | 0:08:24 | 0:08:27 | |
-To go home, put my feet up and relax. -Good man. | 0:08:27 | 0:08:30 | |
And, as the shop's most loyal customer, | 0:08:30 | 0:08:33 | |
Isaac has his ear to the ground, and he's heard rumour of the party. | 0:08:33 | 0:08:38 | |
I'm not really supposed to know, but I got a wee whimper, you know? | 0:08:38 | 0:08:42 | |
From Brian, that certain artists had been asked, like Nathan Carter, | 0:08:42 | 0:08:47 | |
Jimmy Buckley, Lisa McHugh, all the big artists like that. | 0:08:47 | 0:08:50 | |
I'm looking forward to it, you know? | 0:08:50 | 0:08:53 | |
# Oh, that little-bitty, teeny-weeny thing they call the love bug... # | 0:08:58 | 0:09:03 | |
Isaac's small flat could be mistaken for a record store, | 0:09:03 | 0:09:06 | |
given his impressive collection. | 0:09:06 | 0:09:08 | |
# It all started with a little-bitty kiss and a hug... # | 0:09:09 | 0:09:13 | |
Day-in, day-out, listening to my country music, this is the life. | 0:09:13 | 0:09:17 | |
I hope in the near future to have 1,000 records, maybe more. | 0:09:18 | 0:09:23 | |
If it's 2,000, 3,000, so be it, I'll have them here. | 0:09:23 | 0:09:26 | |
But it's not only records. | 0:09:28 | 0:09:30 | |
Isaac has collected a whole country-music-inspired wardrobe. | 0:09:30 | 0:09:34 | |
As you can see, it's a beautiful jacket. It means so much to me. | 0:09:36 | 0:09:40 | |
Everything country I like. | 0:09:40 | 0:09:42 | |
Country shirts, country guitars, country boots. Anything country. | 0:09:42 | 0:09:46 | |
This LP, as you can see, is Philomena's greatest hits. | 0:09:47 | 0:09:52 | |
Blanket On The Ground, and also this one, | 0:09:52 | 0:09:54 | |
Susan McCann's Down River Road. Brilliant. | 0:09:54 | 0:09:58 | |
Charley Pride, Does My Ring Hurt Your Finger? | 0:09:59 | 0:10:03 | |
Isaac can't wait for the celebrations, | 0:10:03 | 0:10:06 | |
where he'll get to meet his idols. | 0:10:06 | 0:10:08 | |
Well, I'm looking forward to this 40th anniversary party | 0:10:08 | 0:10:11 | |
up in Gene Stuart's. | 0:10:11 | 0:10:12 | |
I'm looking forward to meeting a lot of them stars | 0:10:12 | 0:10:15 | |
and maybe having a chat with them. | 0:10:15 | 0:10:18 | |
And getting to know them better, you know? | 0:10:18 | 0:10:20 | |
Anybody that says country music is rubbish, I tell them, | 0:10:23 | 0:10:27 | |
"Take a hike. Listen to it." | 0:10:27 | 0:10:29 | |
And once you've heard this, I would say you'll become | 0:10:29 | 0:10:31 | |
a Nathan Carter fan overnight, | 0:10:31 | 0:10:33 | |
and I'm convinced the next time I'm talking to you, you'll be | 0:10:33 | 0:10:36 | |
saying to me, "Oh, Isaac, I'm a big Nathan Carter fan now after that." | 0:10:36 | 0:10:40 | |
So here goes, just sit back, relax and enjoy it. | 0:10:40 | 0:10:43 | |
MUSIC: Wagon Wheel by Nathan Carter | 0:10:43 | 0:10:46 | |
And with so many country artists in his front room, | 0:10:49 | 0:10:52 | |
Isaac will never be stuck for company. | 0:10:52 | 0:10:55 | |
Country music, it stops me from being lonely. | 0:10:55 | 0:10:58 | |
When I'm down, I put on a bit of country music, | 0:10:58 | 0:11:00 | |
sit back and listen, | 0:11:00 | 0:11:02 | |
and something in that song helps me to relax. | 0:11:02 | 0:11:05 | |
And it helps when I'm getting depressed. Why be depressed? | 0:11:05 | 0:11:08 | |
Listen to a relaxing piece of country music, | 0:11:08 | 0:11:11 | |
it lifts your heart up. It lifts me. | 0:11:11 | 0:11:14 | |
Before any celebrations, | 0:11:17 | 0:11:19 | |
the shop has to keep this on selling records, and Raymond takes | 0:11:19 | 0:11:22 | |
a traditional approach to supplying stores with his artists. | 0:11:22 | 0:11:26 | |
Our van sales delivery system is a very unique thing | 0:11:28 | 0:11:31 | |
to Sharpe Music, we been doing it now these past 30 years. | 0:11:31 | 0:11:35 | |
We're the last of it, and it's something | 0:11:35 | 0:11:37 | |
as a tradition I would like to keep going. | 0:11:37 | 0:11:39 | |
# And play the Truck-Drivin' Man... # | 0:11:39 | 0:11:42 | |
There's not as many record shops in the country as there used to be. | 0:11:44 | 0:11:47 | |
Downloads are a new thing now, a lot of people's buying downloads. | 0:11:47 | 0:11:51 | |
But there's one genre of music that people still continue | 0:11:51 | 0:11:54 | |
to want to buy a physical CD. | 0:11:54 | 0:11:56 | |
Every week, Stewart's deliver only the finest country produce, | 0:11:58 | 0:12:01 | |
fresh from the van, to dozens of independent stores all over Ireland. | 0:12:01 | 0:12:05 | |
-What have you got on that list there for me? -Right, Raymond, let me see. | 0:12:08 | 0:12:12 | |
Could you give me half a dozen of Big Tom, please? | 0:12:12 | 0:12:15 | |
-No problem. -That new Tony Kerr CD. -Oh, aye. | 0:12:15 | 0:12:18 | |
-And Lee Matthews. -Oh, yeah, yeah. | 0:12:18 | 0:12:19 | |
Do you know what it reminds me of? | 0:12:19 | 0:12:21 | |
It reminds me of the grocery van used to go around | 0:12:21 | 0:12:23 | |
the country years ago. | 0:12:23 | 0:12:24 | |
My mother used to write the note for the van, so I'm back to | 0:12:24 | 0:12:27 | |
writing the note again, so maybe I've gone full circle. | 0:12:27 | 0:12:30 | |
# I climbed back aboard my old semi... # | 0:12:30 | 0:12:33 | |
Being on the open road has Raymond reminiscing | 0:12:33 | 0:12:36 | |
about his famous brother. | 0:12:36 | 0:12:39 | |
Our brother, Eugene, sadly died this year on the 11th of February. | 0:12:39 | 0:12:44 | |
He had a great career in country music, | 0:12:44 | 0:12:46 | |
part of that Big Tom, Larry Cunningham, Brian Coll era. | 0:12:46 | 0:12:50 | |
They carried the mantle for Irish country music for years. | 0:12:50 | 0:12:53 | |
Drove all over Ireland on bad roads, in bad vehicles, to huge crowds. | 0:12:53 | 0:12:57 | |
Had some great records, some hit records, | 0:12:57 | 0:13:00 | |
recorded in Nashville, packed dance halls all over Ireland. | 0:13:00 | 0:13:04 | |
He had a great career in country music, | 0:13:04 | 0:13:06 | |
and he's left a great legacy behind. | 0:13:06 | 0:13:09 | |
We've landed in Donegal Town. | 0:13:13 | 0:13:16 | |
Like every other town, it's full of traffic and no parking spaces. | 0:13:16 | 0:13:20 | |
-Good to see you, sir. -How are you? | 0:13:23 | 0:13:25 | |
What way are you fixed for a bit of gear? | 0:13:25 | 0:13:27 | |
I could do with a bit of stuff. | 0:13:27 | 0:13:28 | |
I've a wee list here, mate, if you want a look at it. | 0:13:28 | 0:13:31 | |
-Let's go. -Good man. | 0:13:31 | 0:13:32 | |
Do you know that our shop was opened 40 years this year? | 0:13:33 | 0:13:36 | |
You'll come down maybe, if you're knocking about. | 0:13:36 | 0:13:38 | |
-I will definitely come down. -It'll be a good old day. | 0:13:38 | 0:13:40 | |
I've never known to miss a party yet. | 0:13:40 | 0:13:42 | |
THEY LAUGH | 0:13:42 | 0:13:43 | |
He may already be inviting guests, but delivering CDs to Donegal | 0:13:43 | 0:13:48 | |
means Raymond hasn't had time to actually plan the party. | 0:13:48 | 0:13:51 | |
I have most of the artists still to call, | 0:13:52 | 0:13:56 | |
I have to announce it on social media, to advertise it, | 0:13:56 | 0:13:59 | |
get all the posters done, get the cake. | 0:13:59 | 0:14:02 | |
In fact, I've an awful lot of work to do. | 0:14:02 | 0:14:04 | |
# Play a song for me, Apple Jack, Apple Jack | 0:14:04 | 0:14:08 | |
# Play a song for me and I'll sing | 0:14:08 | 0:14:13 | |
# Play a song for me, Apple Jack, Apple Jack... # | 0:14:13 | 0:14:19 | |
In two weeks' time, the store will potentially host | 0:14:19 | 0:14:22 | |
the most impressive musical line-up Ireland has ever seen. | 0:14:22 | 0:14:27 | |
But today, singer Lisa McHugh is the star attraction, | 0:14:27 | 0:14:30 | |
as she launches her new album. | 0:14:30 | 0:14:33 | |
# Time still not forgotten... # | 0:14:33 | 0:14:36 | |
But whilst the army of fans who have turned up to get selfies | 0:14:36 | 0:14:39 | |
and signed CDs is great for business, | 0:14:39 | 0:14:42 | |
it's left Raymond with a problem. | 0:14:42 | 0:14:44 | |
Just wondering what we're going to do on the 40th birthday party, | 0:14:44 | 0:14:47 | |
cos we has Lisa here on her own and the shop was packed, | 0:14:47 | 0:14:50 | |
people couldn't get in. | 0:14:50 | 0:14:52 | |
There's going to be a wee bit of scratching our heads. | 0:14:52 | 0:14:54 | |
I don't know how we're going to get everyone in, but we'll give it a go. | 0:14:54 | 0:14:57 | |
But I want the shop to be functional on our 40th birthday party, | 0:14:57 | 0:15:00 | |
I want people to come and see the record shop as it is, | 0:15:00 | 0:15:03 | |
so truthfully, I don't have a clue what I'm going to do. | 0:15:03 | 0:15:07 | |
As the tidy up begins, Raymond's daughters, Olivia and Mairead, | 0:15:07 | 0:15:10 | |
who help run the shop, want him to be realistic. | 0:15:10 | 0:15:12 | |
There's going to be people coming to the shop for the very first time. | 0:15:12 | 0:15:15 | |
No, they're going to end up halfway down Irish Street. | 0:15:15 | 0:15:18 | |
We want to get them in, we want to get the till ringing. | 0:15:18 | 0:15:20 | |
THEY LAUGH | 0:15:20 | 0:15:22 | |
# You've gone your way... # | 0:15:22 | 0:15:25 | |
Brian, we're not in bad shape now, are we? | 0:15:25 | 0:15:27 | |
# I've gone mine... # | 0:15:27 | 0:15:28 | |
Daddy, we are going to have to think about this, | 0:15:28 | 0:15:30 | |
we're going to have to make some plans, | 0:15:30 | 0:15:32 | |
it's not just going to happen. | 0:15:32 | 0:15:33 | |
It will be grand, we'll get it sorted out. We always do. | 0:15:33 | 0:15:36 | |
I know, but people have to be comfortable and they have to | 0:15:36 | 0:15:39 | |
-have a good time. We'll have to look after them. -Don't worry about it. | 0:15:39 | 0:15:42 | |
Everything will be fine. You'll be saying, | 0:15:42 | 0:15:44 | |
"Raymond, that was some day." | 0:15:44 | 0:15:45 | |
Daddy's an optimist, an eternal optimist, and he does tend to | 0:15:47 | 0:15:50 | |
think that things will always work out OK, but we're going to | 0:15:50 | 0:15:53 | |
have to rein him in a little bit this time and get some plans made. | 0:15:53 | 0:15:56 | |
With his daughter's words of caution ringing in his ears, | 0:15:59 | 0:16:02 | |
Raymond fires ahead nonetheless - | 0:16:02 | 0:16:03 | |
his phone book reading like a Who's Who of the country scene. | 0:16:03 | 0:16:07 | |
# Operator, won't you put me on through | 0:16:07 | 0:16:10 | |
# I gotta send my love down to Baton Rouge... # | 0:16:10 | 0:16:12 | |
PHONE RINGS | 0:16:12 | 0:16:13 | |
-Hello? -Hello, is that Brian? -Speaking. | 0:16:13 | 0:16:16 | |
Brian, it's Raymond Stewart here down at Dungannon. | 0:16:16 | 0:16:18 | |
How are you keeping? | 0:16:18 | 0:16:20 | |
-Hello? -Hello, is that Margo? -That's me! | 0:16:20 | 0:16:23 | |
-Hello? -Hello. Is that Johnny? | 0:16:23 | 0:16:26 | |
-Hello? -Marty Mone? | 0:16:26 | 0:16:28 | |
-BRIAN: -Oh, well, Raymond, how's things? -The very best. | 0:16:28 | 0:16:30 | |
Do you remember I was chatting with you, Brian, | 0:16:30 | 0:16:33 | |
a couple of weeks ago about the shop being 40 years old? | 0:16:33 | 0:16:35 | |
-You were there when it opened. -I was indeed, aye. | 0:16:35 | 0:16:38 | |
I would love it if were are able to come down for an hour on that day. | 0:16:38 | 0:16:41 | |
-MARGO: -Oh, absolutely, I wouldn't miss it, | 0:16:41 | 0:16:44 | |
I'll be really, really thrilled to come down. | 0:16:44 | 0:16:46 | |
Is there somewhere to leave Zimmer frames and crutches and stuff? | 0:16:46 | 0:16:49 | |
Is there somewhere to leave that stuff? | 0:16:49 | 0:16:51 | |
HE LAUGHS | 0:16:51 | 0:16:52 | |
I don't want you to steal them when I'm talking to somebody! | 0:16:52 | 0:16:54 | |
You're supple enough yet, boy. | 0:16:54 | 0:16:56 | |
-Aye, no! See you then. -Thanks, Brian. | 0:16:56 | 0:16:57 | |
I'm really glad that you asked me. Thanks a million. | 0:16:57 | 0:17:00 | |
-Thanks a million, Margo. -All right. | 0:17:00 | 0:17:01 | |
I'll be there, look forward to seeing you on the 10th... | 0:17:01 | 0:17:04 | |
# Happy birthday to you... # | 0:17:04 | 0:17:06 | |
HE LAUGHS | 0:17:06 | 0:17:07 | |
I'm there. I'm already there, man, thank you very much for inviting me. | 0:17:07 | 0:17:10 | |
Thanks, Johnny. Thanks, see you then, bye. | 0:17:10 | 0:17:12 | |
# Tonight I'm moving on Just letting you know | 0:17:12 | 0:17:14 | |
# It's on to the whiskey I go... # | 0:17:14 | 0:17:18 | |
On the growing list of artists | 0:17:18 | 0:17:19 | |
booked for the birthday celebrations, one name stands out. | 0:17:19 | 0:17:24 | |
Derek Ryan is one of the biggest stars in the circuit. | 0:17:24 | 0:17:27 | |
# Tonight I'm moving on Just letting you know | 0:17:27 | 0:17:32 | |
# It's on to the whiskey I go. # | 0:17:32 | 0:17:35 | |
All right. | 0:17:35 | 0:17:37 | |
I don't even drink whiskey. | 0:17:37 | 0:17:39 | |
# Hold on to your hat | 0:17:39 | 0:17:41 | |
# And we'll drive this road together... # | 0:17:41 | 0:17:44 | |
Derek is a household name with three number ones | 0:17:44 | 0:17:47 | |
under his belt and a legion of dedicated fans. | 0:17:47 | 0:17:50 | |
His appearance at Stewart's is sure to draw a crowd. | 0:17:50 | 0:17:54 | |
# Hold on to your hat... # | 0:17:54 | 0:17:57 | |
The way it's taken off in the last five, six years | 0:17:57 | 0:17:59 | |
is just a dream come true. | 0:17:59 | 0:18:01 | |
I do have to pinch myself. | 0:18:01 | 0:18:02 | |
Not so long ago, you know, I was living in London, | 0:18:02 | 0:18:05 | |
and I remember playing one night in the pub to the barman, you know. | 0:18:05 | 0:18:08 | |
That was the only person there! | 0:18:08 | 0:18:10 | |
# It's all part of God's plan... # | 0:18:10 | 0:18:14 | |
Like many a singer before him, | 0:18:14 | 0:18:16 | |
it was Raymond who helped launch his career. | 0:18:16 | 0:18:19 | |
God's Plan was my debut single. | 0:18:19 | 0:18:21 | |
I got CDs printed up and sent them out to every DJ | 0:18:21 | 0:18:24 | |
and sent it to Raymond. | 0:18:24 | 0:18:25 | |
I sent up, I think it might have been 25 copies of the single to him | 0:18:25 | 0:18:29 | |
and literally three days later, he rang again and said, "Look, | 0:18:29 | 0:18:32 | |
"it sold out and you need to come up and have a chat." So, I went up and | 0:18:32 | 0:18:35 | |
met him and just from that moment, just clicked with him, really. | 0:18:35 | 0:18:38 | |
Here we go! | 0:18:38 | 0:18:40 | |
HE SINGS | 0:18:43 | 0:18:45 | |
Raymond's always been, "You know, let's go for it, let's do this!" | 0:18:45 | 0:18:49 | |
And it's infectious, you know? | 0:18:49 | 0:18:50 | |
That's why I think myself and Raymond buzz off each other and | 0:18:50 | 0:18:53 | |
seven albums on and many years later we're still working great together. | 0:18:53 | 0:18:57 | |
# It only seems like yesterday... # | 0:19:03 | 0:19:05 | |
As the big day arrives, | 0:19:05 | 0:19:07 | |
it seems the country gods are smiling on the celebrations. | 0:19:07 | 0:19:10 | |
The sun's shining. Actually, the sun's in my eyes. | 0:19:12 | 0:19:14 | |
I couldn't have asked for anything better. It's perfect conditions. | 0:19:14 | 0:19:17 | |
So just have to worry to make sure that all the people that are here | 0:19:17 | 0:19:20 | |
enjoy themselves and all the artists enjoy themselves | 0:19:20 | 0:19:23 | |
and it's a successful day, and we sell loads of CDs. | 0:19:23 | 0:19:27 | |
# A yellow coloured ribbon... # | 0:19:27 | 0:19:29 | |
It's the most important day in Stewart's history | 0:19:29 | 0:19:31 | |
since the shop first opened 40 years ago - | 0:19:31 | 0:19:34 | |
four decades of great memories for Raymond. | 0:19:34 | 0:19:37 | |
-Stewart's record shop opening today. -What age were you then? | 0:19:39 | 0:19:42 | |
I was only a cub, sure, still only a cub. | 0:19:42 | 0:19:45 | |
There's a handsome-looking young man there. | 0:19:47 | 0:19:50 | |
-The haircut on you. -That's some haircut! | 0:19:50 | 0:19:52 | |
That's a very old photograph of the shop there. | 0:19:55 | 0:19:57 | |
You wouldn't even have been born then. | 0:19:57 | 0:19:59 | |
Look, see how dressed everybody was. | 0:19:59 | 0:20:02 | |
There's an early Gene Stuart album. | 0:20:05 | 0:20:07 | |
Gene Stuart And The Homesteaders. | 0:20:07 | 0:20:09 | |
I remember the day that album came into the shop. | 0:20:09 | 0:20:12 | |
Eugene was there and he opened the box | 0:20:12 | 0:20:13 | |
and he was shocked to see that his new album had arrived. | 0:20:13 | 0:20:16 | |
Declan Nerney, look at how young Declan is. Good album, that. | 0:20:16 | 0:20:19 | |
But I remember him on the day, | 0:20:19 | 0:20:20 | |
he was so pleased to see his new album, he wasn't expecting it. | 0:20:20 | 0:20:23 | |
Put it up there. | 0:20:23 | 0:20:24 | |
All these artists are the people | 0:20:27 | 0:20:29 | |
that cut the track for the artists today - | 0:20:29 | 0:20:31 | |
these people are the pioneers of Irish country music. | 0:20:31 | 0:20:33 | |
It came from the show bands, | 0:20:33 | 0:20:35 | |
and a lot of the songs that they recorded many years ago, | 0:20:35 | 0:20:38 | |
they've been re-released again by the new country artists. | 0:20:38 | 0:20:41 | |
It stands testament to them. | 0:20:41 | 0:20:43 | |
So we owe them all a great sense of gratitude. | 0:20:43 | 0:20:46 | |
It's amazing to have them all here today. | 0:20:46 | 0:20:48 | |
I don't believe there's ever been so many of the older... | 0:20:48 | 0:20:52 | |
Shall we call them "the previous generation"? | 0:20:52 | 0:20:54 | |
..and the current generation ever in the one place before. | 0:20:54 | 0:20:58 | |
On the other side of town, | 0:21:03 | 0:21:05 | |
store regular Isaac is gearing up for the day ahead. | 0:21:05 | 0:21:08 | |
# Sitting on the back boards having a beer | 0:21:08 | 0:21:11 | |
# Talking about his farm and his old John Deere. # | 0:21:11 | 0:21:14 | |
40 years of country music. You know, I'm delighted | 0:21:14 | 0:21:17 | |
that I've won a golden ticket to go up to this event. | 0:21:17 | 0:21:19 | |
You know, I feel like I'm a millionaire. | 0:21:19 | 0:21:22 | |
And I'm hoping to meet many stars that's going to be there. | 0:21:22 | 0:21:25 | |
# ..there be a John Deere beer | 0:21:25 | 0:21:27 | |
# You know, it's not that easy to farm out west | 0:21:37 | 0:21:39 | |
# But when you're driving a Deere, you're driving the best... # | 0:21:39 | 0:21:42 | |
You know, it'll be weird to meet these people, | 0:21:42 | 0:21:44 | |
they were very young then but | 0:21:44 | 0:21:46 | |
they've gone on about the same as myself. | 0:21:46 | 0:21:48 | |
It's good to see them not forgetting what happened 40 years ago. | 0:21:48 | 0:21:52 | |
I want to see all the hands in the air now. | 0:21:56 | 0:21:59 | |
# On a Sunday morning and I feel so bad | 0:21:59 | 0:22:02 | |
# My legs are tired and weak... | 0:22:02 | 0:22:04 | |
As country fans of all ages crowd Irish Street, | 0:22:04 | 0:22:09 | |
the musicians start to arrive, | 0:22:09 | 0:22:11 | |
including some who performed on the day the shop first opened. | 0:22:11 | 0:22:15 | |
Brendan Quinn isn't as young as he once was but he's still at it. | 0:22:15 | 0:22:20 | |
I can't believe it's 40 years since we opened the shop. | 0:22:20 | 0:22:24 | |
And there, look. That's me in all my glory there. | 0:22:24 | 0:22:27 | |
Brian Coll, Philomena Begley, Gene himself. | 0:22:27 | 0:22:30 | |
I was just a young lad at that stage, making my way in the game. | 0:22:30 | 0:22:33 | |
Very, very raw. But 40 years later, I've learned a lot. | 0:22:33 | 0:22:37 | |
So it's good to be here and good to be above the ground. | 0:22:38 | 0:22:41 | |
# I thought that you would be a perfect... # | 0:22:44 | 0:22:49 | |
Another those who performed that day in 1975 was Eileen King, | 0:22:49 | 0:22:53 | |
and Isaac gets a front row view as she belts out one of her classics | 0:22:53 | 0:22:58 | |
and Isaac's favourite song. | 0:22:58 | 0:23:00 | |
# But like a big red rose that's made of paper... # | 0:23:02 | 0:23:10 | |
'I remember coming down here to the shop, and Gene taking the records' | 0:23:10 | 0:23:14 | |
and telling me what to record, so it really means an awful lot to me, | 0:23:14 | 0:23:18 | |
and country music is my whole life. | 0:23:18 | 0:23:21 | |
# Wherever you go, I want you to know | 0:23:21 | 0:23:26 | |
# It takes people like you to make people like me... # | 0:23:26 | 0:23:31 | |
Hey! | 0:23:34 | 0:23:35 | |
And it takes dedicated people to make a 250-mile round trip, | 0:23:39 | 0:23:44 | |
just to see their favourite artists. | 0:23:44 | 0:23:46 | |
-Say cheese! -Cheese! | 0:23:46 | 0:23:49 | |
But Paddy and Eileen have made that journey from Athlone | 0:23:49 | 0:23:52 | |
and are busy stocking up on autographs. | 0:23:52 | 0:23:55 | |
It's country music heaven. What more can you wish for? | 0:23:55 | 0:23:58 | |
All the stars are here - Tommy Cameron, when we came in the door. | 0:23:58 | 0:24:02 | |
-Yeah, Michael English. -Marty Mone. | 0:24:02 | 0:24:06 | |
Marty Mone, and Margo, can't forget her! Margo... | 0:24:06 | 0:24:10 | |
The wee man from Strabane, Uncle Hugo. Johnny Brady. | 0:24:10 | 0:24:14 | |
And Johnny Brady. So we're not doing too bad! | 0:24:14 | 0:24:17 | |
-Michael, it's a pleasure. -Thanks, Paddy. Great to see you. | 0:24:17 | 0:24:21 | |
-God bless you. -God bless. | 0:24:21 | 0:24:22 | |
There's a buzz of enthusiasm here. Everybody is here in country music. | 0:24:22 | 0:24:25 | |
Only one day in my life bigger than today - | 0:24:25 | 0:24:28 | |
the day I married my wife! | 0:24:28 | 0:24:30 | |
He never told me that before, so he didn't! | 0:24:30 | 0:24:34 | |
# And we're all gonna die someday, Lord | 0:24:34 | 0:24:37 | |
# We're all gonna die someday... # | 0:24:37 | 0:24:39 | |
As the music continues outside, Isaac is busy inside, | 0:24:39 | 0:24:42 | |
catching up with his favourite stars. | 0:24:42 | 0:24:45 | |
-You want me to sign it? -Yes, please. -OK. | 0:24:45 | 0:24:47 | |
And who needs an autograph book when you have a guitar? | 0:24:47 | 0:24:50 | |
-Thank you very much. -Not at all, great to see you. | 0:24:50 | 0:24:53 | |
When this guitar is signed and I hang it on the wall, | 0:24:53 | 0:24:55 | |
it'll have pride of place in my home. | 0:24:55 | 0:24:57 | |
When anybody comes in and sees this hanging on the wall, | 0:24:57 | 0:25:00 | |
I'll just have to be open and honest and tell them - | 0:25:00 | 0:25:03 | |
"Not for sale!" | 0:25:03 | 0:25:04 | |
Seeing legendary artists onstage together is priceless, | 0:25:04 | 0:25:07 | |
but is Dungannon big enough for two Queens of Country? | 0:25:07 | 0:25:12 | |
Philomena Begley and Margo! | 0:25:12 | 0:25:14 | |
-Excuse me, you're the older one. -No, no, no... | 0:25:14 | 0:25:17 | |
-She's trying to tell everybody that she's younger than me! -Hey! | 0:25:17 | 0:25:20 | |
You were on the road younger than me. | 0:25:20 | 0:25:22 | |
You're getting a pension, I'm not! | 0:25:22 | 0:25:24 | |
LAUGHTER | 0:25:24 | 0:25:26 | |
They may be older than they once were, | 0:25:26 | 0:25:28 | |
but the songs are timeless. | 0:25:28 | 0:25:31 | |
# We make up with each other | 0:25:31 | 0:25:36 | |
# The way old friends do... # | 0:25:36 | 0:25:41 | |
With so many artists together in one place, | 0:25:43 | 0:25:46 | |
it's creating something of a logistical headache. | 0:25:46 | 0:25:49 | |
There's an awful lot of people here from all over, | 0:25:49 | 0:25:51 | |
the shop's deadly busy. | 0:25:51 | 0:25:53 | |
We haven't enough people on the till. | 0:25:53 | 0:25:55 | |
Philomena's on there at the minute. | 0:25:55 | 0:25:57 | |
Big Tom, he's arrived - we can't get him out of the car, | 0:25:57 | 0:25:59 | |
because everybody's around him, wanting photographs. | 0:25:59 | 0:26:01 | |
Derek Ryan's in here, eating all the buns, | 0:26:01 | 0:26:03 | |
and I can't even get a cup of tea! | 0:26:03 | 0:26:05 | |
Big Tom is known as the grandfather of Irish country music, | 0:26:07 | 0:26:11 | |
and public appearances these days are rare. | 0:26:11 | 0:26:13 | |
Given the demand for selfies and autographs, | 0:26:13 | 0:26:16 | |
he's late to the stage. | 0:26:16 | 0:26:17 | |
-CHEERING -Thank you! | 0:26:19 | 0:26:22 | |
A lot of people have been asking me, what am I going to do? | 0:26:22 | 0:26:25 | |
I'm not going to do very much! | 0:26:25 | 0:26:27 | |
LAUGHTER | 0:26:27 | 0:26:28 | |
GUITAR PLAYS INTRO | 0:26:30 | 0:26:34 | |
# Oh, we're going out the same way we came in | 0:26:36 | 0:26:40 | |
# Don't matter who you know or where you've been | 0:26:42 | 0:26:47 | |
# Makes no difference who you are, Skid Row Joe or superstar | 0:26:47 | 0:26:52 | |
# You're going out the same way you came in... # | 0:26:52 | 0:26:55 | |
So far, it's going great, we're almost there, it's been fantastic. | 0:26:57 | 0:27:00 | |
I don't think I've ever seen a line-up like that before | 0:27:00 | 0:27:02 | |
in all my life, so I would like to be paying them. | 0:27:02 | 0:27:05 | |
Hold On To Your Hat, here we go. | 0:27:05 | 0:27:07 | |
Derek Ryan, back where it all started for him, | 0:27:07 | 0:27:10 | |
is closing the day's celebrations. | 0:27:10 | 0:27:12 | |
Let's see those hands in the air! | 0:27:12 | 0:27:14 | |
Are we ready? | 0:27:18 | 0:27:20 | |
# Hold on to your hat and we'll drive this road together | 0:27:21 | 0:27:25 | |
# Hold on to your hat, say you'll be mine for ever | 0:27:25 | 0:27:30 | |
# Ah, you know you are my sweetheart | 0:27:32 | 0:27:35 | |
# You're the apple of my eye... # | 0:27:35 | 0:27:37 | |
'What can I say? It's been one hell of a day. | 0:27:37 | 0:27:40 | |
'And I got to meet ones that I'd never met before,' | 0:27:40 | 0:27:43 | |
like Michael English, and who else? Um... | 0:27:43 | 0:27:47 | |
-Jimmy Devine. -Jimmy Devine and Lee Matthews, who I'd never met either. | 0:27:47 | 0:27:51 | |
-Michael English. -Yeah, I said Michael English. Are you listening? | 0:27:51 | 0:27:54 | |
It'll be a long drive back to Athlone for Paddy and Eileen, so! | 0:27:54 | 0:27:58 | |
CHEERING | 0:27:58 | 0:28:00 | |
Isaac is so overwhelmed by the experience. | 0:28:00 | 0:28:03 | |
He's already planning his next big day. | 0:28:03 | 0:28:05 | |
I hope, when they're wheeling me out in a brown box, that they're | 0:28:05 | 0:28:10 | |
playing a country song as I'm lowered down and put in the ground. | 0:28:10 | 0:28:14 | |
# Oh, you're going out the same way you came in | 0:28:15 | 0:28:20 | |
# Makes no difference who you know or where you've been | 0:28:20 | 0:28:24 | |
# Makes no difference who you are, Skid Row Joe or superstar | 0:28:25 | 0:28:30 | |
# You're going out the same way you came in | 0:28:30 | 0:28:34 | |
# Yeah, you're going out the same way you came in. # | 0:28:36 | 0:28:39 |