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In Ireland, country music is more popular than ever. | 0:00:04 | 0:00:08 | |
A host of new country music stars have tempted a generation to turn | 0:00:08 | 0:00:13 | |
their back on the nightclub, don their Stetsons and jive the night | 0:00:13 | 0:00:16 | |
away, from Ballymena to Ballydehob. | 0:00:16 | 0:00:19 | |
This week, we're hitting the dance floor and taking to the stage with | 0:00:19 | 0:00:22 | |
the townies turning culchie... | 0:00:22 | 0:00:24 | |
Dublin is ballads, trad, not country. | 0:00:24 | 0:00:28 | |
..from a husband and wife duo starting jiving classes | 0:00:29 | 0:00:32 | |
-in the city... -I really think yous all should try it, | 0:00:32 | 0:00:34 | |
cos it's bleeding deadly. | 0:00:34 | 0:00:36 | |
Been a long time, baby. | 0:00:37 | 0:00:38 | |
..to an Elvis impersonator swapping the jumpsuit for a Stetson. | 0:00:38 | 0:00:41 | |
As soon as I put that on stage, I become myself. | 0:00:41 | 0:00:43 | |
Country is coming to a city near you. | 0:00:44 | 0:00:47 | |
But is Dublin really ready to jive? | 0:00:49 | 0:00:52 | |
Any interest in jiving, dancing? | 0:00:52 | 0:00:54 | |
Oh, no. | 0:00:54 | 0:00:56 | |
Will the Belfast music scene be all shook up by a former tribute act? | 0:00:56 | 0:01:00 | |
Cos I want people to leave here as if they've actually went to a country show. | 0:01:00 | 0:01:04 | |
And can a man who's never seen the likes of it... | 0:01:04 | 0:01:06 | |
-Bizarre. -..really become a pro-dancer on Ireland's | 0:01:06 | 0:01:10 | |
toughest floor? | 0:01:10 | 0:01:11 | |
-I'm really nervous. -Welcome to the brand-new world | 0:01:11 | 0:01:14 | |
of Irish country music. | 0:01:14 | 0:01:15 | |
# Well, you get down the fiddle and you get down the bow | 0:01:30 | 0:01:34 | |
# Kick off your shoes And you throw 'em on the floor. # | 0:01:34 | 0:01:36 | |
Now, country music in Ireland has always been | 0:01:36 | 0:01:39 | |
a predominantly rural affair. | 0:01:39 | 0:01:40 | |
Barn dances, tractor runs | 0:01:42 | 0:01:44 | |
and agricultural shows are the heartland of the scene. | 0:01:44 | 0:01:47 | |
But as the popularity of the music grows so does its fan base. | 0:01:49 | 0:01:53 | |
Pat and Patricia run a garden centre on the outskirts of Dublin... | 0:01:56 | 0:01:59 | |
..and in between the fuchsias and the petunias, | 0:02:00 | 0:02:03 | |
country music is blossoming. | 0:02:03 | 0:02:04 | |
# I beg your pardon | 0:02:04 | 0:02:08 | |
# I never promised you a rose garden. # | 0:02:08 | 0:02:11 | |
Country music, to me, is life now. | 0:02:11 | 0:02:16 | |
I can't believe I went 50 years, or 40 years, without actually dancing, | 0:02:16 | 0:02:21 | |
but we found it eventually. | 0:02:21 | 0:02:22 | |
It's giving us a great social life, | 0:02:25 | 0:02:27 | |
we're up and down the country, we've friends all over the place now. | 0:02:27 | 0:02:33 | |
We're actually like teenagers again and that's being honest with you. | 0:02:33 | 0:02:36 | |
Just putting a bit of music on, a bit of real music. | 0:02:38 | 0:02:40 | |
Bit of jiving going on, you know, just get a bit of rhythm going. | 0:02:40 | 0:02:43 | |
Ya boy, ye! | 0:02:43 | 0:02:45 | |
With the music never off the stereo, | 0:02:45 | 0:02:47 | |
unsuspecting customers can even get a jive. | 0:02:47 | 0:02:50 | |
Did you ever jive before? | 0:02:50 | 0:02:51 | |
Come on, we'll give it a... | 0:02:51 | 0:02:53 | |
Let me show you here now. Just step out onto the floor. | 0:02:53 | 0:02:55 | |
But not all Dubs are fans of country and Irish. | 0:02:59 | 0:03:01 | |
It's very unusual in Dublin for two inner-city Dubs to enjoy country | 0:03:01 | 0:03:07 | |
music. It's not heard of up here. | 0:03:07 | 0:03:09 | |
They say, "Country music, what's that?" | 0:03:09 | 0:03:13 | |
Their love of country music has only grown over the last year, | 0:03:13 | 0:03:16 | |
when Patricia asked Pat to go with her to jiving class. | 0:03:16 | 0:03:20 | |
It is a good fun. | 0:03:20 | 0:03:22 | |
Keep coming towards me. She wanted me to take up dancing and I'm going, | 0:03:22 | 0:03:26 | |
-"Yeah, right, dancing?" -HE SCOFFS | 0:03:26 | 0:03:28 | |
"I don't think so." | 0:03:28 | 0:03:30 | |
And she says, "Country dancing." I says, "You're mad, I think. | 0:03:30 | 0:03:33 | |
-"Would you go away with that?" -Initially, he just didn't dig it. | 0:03:33 | 0:03:37 | |
Champions League, how am I going to see the matches when I'm dancing? | 0:03:38 | 0:03:41 | |
-Jesus. -But Patricia's plan came up smelling of roses. | 0:03:42 | 0:03:47 | |
But he actually loved it and I was surprised. | 0:03:47 | 0:03:50 | |
He was as into it as I was. | 0:03:50 | 0:03:52 | |
With this new-found passion for the music and dancing, | 0:03:53 | 0:03:56 | |
Pat and Patricia are determined to sow the seeds of country in Dublin | 0:03:56 | 0:04:00 | |
-city. -Myself and Pat's mission is that we could bring country music | 0:04:00 | 0:04:06 | |
and jive into Dublin cos I really don't think they know what they're | 0:04:06 | 0:04:08 | |
missing, to be honest. | 0:04:08 | 0:04:10 | |
They're convinced that by setting up a weekly jive class in the city, | 0:04:11 | 0:04:15 | |
they can get the Dubs into the music. | 0:04:15 | 0:04:17 | |
If we can even get 10% of Dublin jiving, | 0:04:17 | 0:04:20 | |
I really think yous all should try it, cos it's bleeding deadly. | 0:04:20 | 0:04:23 | |
Like their Dublin cousins, Belfast folk have yet to fully jump on board | 0:04:25 | 0:04:30 | |
the country music bandwagon. | 0:04:30 | 0:04:32 | |
Being from Belfast, you know, obviously everybody's city folk | 0:04:32 | 0:04:34 | |
and the likes of city centre are still all about pop music. | 0:04:34 | 0:04:37 | |
# When I heard Big Tom in the Galtymore | 0:04:37 | 0:04:40 | |
# With the dancers crying out for more... # | 0:04:40 | 0:04:42 | |
But that wasn't always the case - | 0:04:42 | 0:04:44 | |
before pop took over Belfast, folk loved their show bands | 0:04:44 | 0:04:47 | |
and their country music. | 0:04:47 | 0:04:49 | |
Back in the day, in the '70s, every club in Belfast, | 0:04:49 | 0:04:52 | |
if you were a band that didn't do country, you didn't get a gig. | 0:04:52 | 0:04:55 | |
So, it'd be great to bring those days back again. | 0:04:55 | 0:04:57 | |
James Lynas is hoping to bring back the glory days of country. | 0:04:59 | 0:05:02 | |
I'm not going to stop until I have | 0:05:02 | 0:05:04 | |
actually got Belfast loving country music again. That's my goal. | 0:05:04 | 0:05:09 | |
# And if I got an encore | 0:05:09 | 0:05:11 | |
# I'd go home feeling like a king. # | 0:05:11 | 0:05:15 | |
James works as a cleaner... | 0:05:15 | 0:05:17 | |
This isn't a bad old job, you know, | 0:05:17 | 0:05:18 | |
but it's a long way from being on stage, you know. | 0:05:18 | 0:05:21 | |
..but he has dreams of becoming a king of country music. | 0:05:21 | 0:05:25 | |
When you've all the gear on, you know, the studded shirts, the jeans, | 0:05:25 | 0:05:28 | |
the boots, it gives me a buzz. | 0:05:28 | 0:05:30 | |
There's no better feeling in the world, you know. | 0:05:30 | 0:05:32 | |
And then on the Monday morning, you come back, | 0:05:32 | 0:05:34 | |
get your spray bottle out and continue on. | 0:05:34 | 0:05:36 | |
# Oh, it's crying time again You're gonna leave me... # | 0:05:37 | 0:05:43 | |
And before he found his country calling, | 0:05:43 | 0:05:45 | |
James performed as The King. | 0:05:45 | 0:05:48 | |
# Cos, baby | 0:05:48 | 0:05:52 | |
# Baby, you know | 0:05:52 | 0:05:55 | |
# You know that I can... # | 0:05:55 | 0:05:58 | |
-Been a long time, baby. -HE CHUCKLES | 0:05:58 | 0:06:00 | |
I did look pretty funny, to be honest. | 0:06:00 | 0:06:02 | |
Elvis had a nice, swarthy skin and I was white as a ghost. | 0:06:02 | 0:06:04 | |
But...a few sunbeds fixed that! | 0:06:04 | 0:06:07 | |
They want to see and think that you're Elvis Presley on that stage. | 0:06:10 | 0:06:13 | |
But pretending to be someone he wasn't | 0:06:13 | 0:06:16 | |
had this tribute act singing the blues. | 0:06:16 | 0:06:19 | |
If somebody said to me, "I'll give you a million pounds to stick an | 0:06:20 | 0:06:23 | |
"Elvis suit on and go and do it again," I would still say no. | 0:06:23 | 0:06:25 | |
I want to be a country artist. | 0:06:25 | 0:06:27 | |
James has now swapped the jumpsuit for a Stetson. | 0:06:28 | 0:06:32 | |
This is the real me. | 0:06:32 | 0:06:33 | |
And I've never felt so comfortable in all my life, | 0:06:34 | 0:06:37 | |
dressing up in all this gear. | 0:06:37 | 0:06:39 | |
And as soon as I put that on stage, I become myself. | 0:06:39 | 0:06:42 | |
If he wants to make it as a country singer, it's now or never. | 0:06:45 | 0:06:48 | |
For me, this is sort of make or break, | 0:06:49 | 0:06:51 | |
I would love to just be able to leave work and go full-time at the | 0:06:51 | 0:06:54 | |
singing and dedicate my life to it. | 0:06:54 | 0:06:56 | |
# They're laying people off down at the factory... # | 0:06:56 | 0:07:01 | |
Like The King before him, James has some legendary writers on board | 0:07:01 | 0:07:04 | |
to help him break the big time. | 0:07:04 | 0:07:06 | |
You know, you've got talent, you've got a really unique voice, you don't | 0:07:06 | 0:07:09 | |
-sound like anybody and it's going to happen eventually. -Cheers. | 0:07:09 | 0:07:12 | |
Jon Philibert has written songs for the likes of country legend | 0:07:12 | 0:07:15 | |
Bobby Bare and Tom Jones, and he hopes his new track | 0:07:15 | 0:07:19 | |
Whiskey Get Busy will have James toasting success. | 0:07:19 | 0:07:21 | |
Hopefully I'll have that track to you by Thursday evening and you can | 0:07:21 | 0:07:24 | |
let me know Friday, then, what you think, sure, | 0:07:24 | 0:07:26 | |
and we'll take it from there. | 0:07:26 | 0:07:27 | |
-Excellent, looking forward to it, big time. -No problem, Jon. | 0:07:27 | 0:07:30 | |
# Dancing about the Liffey | 0:07:36 | 0:07:38 | |
# Going through old Dublin town. # | 0:07:38 | 0:07:40 | |
In Dublin, Pat and Patricia have hit the streets | 0:07:40 | 0:07:43 | |
to try and convince city folk to come to the jive classes. | 0:07:43 | 0:07:46 | |
-Have yous ever thought of jiving? -Oh, not a chance. | 0:07:46 | 0:07:48 | |
-Have you ever thought of it? -Oh, no, no. | 0:07:48 | 0:07:50 | |
Any interest in jiving, dancing? | 0:07:50 | 0:07:52 | |
-Oh, no, thanks. -SHE LAUGHS | 0:07:52 | 0:07:53 | |
-No? -Would you be interested in taking up a jiving class? | 0:07:53 | 0:07:56 | |
-A which? -Jiving class. | 0:07:56 | 0:07:58 | |
But this is Dublin city... | 0:07:58 | 0:08:00 | |
-Jiving? -Jiving, yeah. -Oh, I thought you said diving. | 0:08:00 | 0:08:02 | |
-Jiving, a bit of this... -It'll keep you fit. | 0:08:02 | 0:08:04 | |
..they haven't seen jiving here since the early '70s. | 0:08:04 | 0:08:07 | |
-We're starting a jiving class. -Yeah? | 0:08:07 | 0:08:09 | |
And we're just wondering would any of yous like to come along? | 0:08:09 | 0:08:12 | |
-Me? I've two left feet and a wooden leg. -You haven't! | 0:08:12 | 0:08:14 | |
If you get into this, you'll be hooked, guarantee it. | 0:08:14 | 0:08:16 | |
If you can't get something in here, you might give up. | 0:08:16 | 0:08:19 | |
Watch the mules, now. | 0:08:22 | 0:08:24 | |
Can yous teach us? | 0:08:24 | 0:08:25 | |
With hundreds of flyers handed out and at least one on-street lesson, | 0:08:26 | 0:08:30 | |
interest starts to pick up. | 0:08:30 | 0:08:32 | |
-Have you ever danced? -I have. | 0:08:32 | 0:08:34 | |
Take that leaflet. Great for your mind, body and soul. | 0:08:34 | 0:08:37 | |
-It'd be great to see there. -Yeah. | 0:08:37 | 0:08:39 | |
Great, you'll enjoy it. | 0:08:39 | 0:08:40 | |
After a long day of traipsing the streets, Pat and Patricia | 0:08:40 | 0:08:43 | |
will just have to wait and see if anyone in the city | 0:08:43 | 0:08:47 | |
wants to learn to jive. | 0:08:47 | 0:08:49 | |
I know they'll stay if they come. | 0:08:50 | 0:08:52 | |
At least they know about it now and hopefully they might just try it, | 0:08:52 | 0:08:56 | |
even, you know. | 0:08:56 | 0:08:57 | |
# Too-ra-loo and a too-ra-lay It's in my DNA... # | 0:08:57 | 0:09:02 | |
Pat and Patricia's new classes are too far away for wannabe jiver, | 0:09:02 | 0:09:05 | |
Toura. | 0:09:05 | 0:09:07 | |
He moved to Belfast from Zimbabwe back in the '90s. | 0:09:07 | 0:09:11 | |
I'm almost as local as... | 0:09:11 | 0:09:14 | |
an Ulster fry, you know. | 0:09:14 | 0:09:16 | |
# Oh, there's Irish in America There's Irish in Berlin... # | 0:09:18 | 0:09:22 | |
From a Northern Ireland perspective, | 0:09:22 | 0:09:24 | |
we just all love having the craic, like. | 0:09:24 | 0:09:27 | |
Initially when I came, | 0:09:30 | 0:09:31 | |
the longest time I was going to stay was two years. | 0:09:31 | 0:09:34 | |
I met an Irish girl and fell in love, the rest is history. | 0:09:37 | 0:09:42 | |
23 years later, we have three daughters, so... | 0:09:42 | 0:09:45 | |
..Ireland stole my heart. | 0:09:47 | 0:09:48 | |
Since he's been in Northern Ireland, | 0:09:53 | 0:09:54 | |
Toura has tackled everything the local culture has to offer, | 0:09:54 | 0:09:57 | |
from learning Irish to perfecting traditional dance. | 0:09:57 | 0:10:00 | |
A few years ago, I was in Donegal and I saw this guy dancing sean nos | 0:10:00 | 0:10:05 | |
and I thought, "Wow." | 0:10:05 | 0:10:08 | |
And then I decided that moment that I was going to learn the dance. | 0:10:08 | 0:10:12 | |
There's an old Native American saying - | 0:10:12 | 0:10:14 | |
when you see us dance, you see our spirit. | 0:10:14 | 0:10:18 | |
That is what the dance of Ireland is to me. | 0:10:18 | 0:10:22 | |
I'm a cultural vampire, I love to immerse myself in culture. | 0:10:24 | 0:10:29 | |
With country music and jiving now | 0:10:31 | 0:10:33 | |
such a part of people's social lives, | 0:10:33 | 0:10:35 | |
Toura wants to get his teeth into the scene. | 0:10:35 | 0:10:37 | |
The country music scene is huge. | 0:10:39 | 0:10:41 | |
Young people who would normally listen to pop music, | 0:10:41 | 0:10:45 | |
they are going out | 0:10:45 | 0:10:47 | |
dancing to country music. | 0:10:47 | 0:10:50 | |
Like... | 0:10:50 | 0:10:51 | |
You know, that's just bizarre. | 0:10:52 | 0:10:55 | |
It's a whole new world | 0:10:58 | 0:11:00 | |
and tonight Toura is going to experience it for the very first | 0:11:00 | 0:11:04 | |
time at the Ryandale hotel. | 0:11:04 | 0:11:07 | |
I'm going to get a sense of what the country music scene | 0:11:08 | 0:11:12 | |
is all about. | 0:11:12 | 0:11:13 | |
Get a feel of what the craic is. | 0:11:15 | 0:11:18 | |
I normally dress quite casually but | 0:11:20 | 0:11:23 | |
from what I've heard about the country music scene, | 0:11:23 | 0:11:26 | |
the guys love to dress up. | 0:11:26 | 0:11:27 | |
The most important part of a dancer's wardrobe are his shoes | 0:11:30 | 0:11:33 | |
and Toura's confident he's got the right footwear. | 0:11:33 | 0:11:36 | |
I'm making an effort to look the part and | 0:11:37 | 0:11:40 | |
if the shiny shoes help me blend in, | 0:11:40 | 0:11:44 | |
so be it. | 0:11:44 | 0:11:45 | |
I'm a novice, but I'm willing to give it a go. | 0:11:49 | 0:11:52 | |
Time to go country dancing. | 0:11:54 | 0:11:56 | |
If you want to become an accomplished jiver, | 0:11:57 | 0:11:59 | |
there's nowhere better to watch the pros in action than the Moy, | 0:11:59 | 0:12:02 | |
County Tyrone, the best spot in the land for a bit of country and Irish. | 0:12:02 | 0:12:06 | |
He might be handy at the Irish dancing | 0:12:17 | 0:12:18 | |
but jiving's a different game altogether. | 0:12:18 | 0:12:20 | |
And it seems shiny shoes aren't welcome here. | 0:12:22 | 0:12:25 | |
It's my first time, man. | 0:12:25 | 0:12:27 | |
I can tell that by that attire. | 0:12:27 | 0:12:29 | |
What's wrong with what I'm wearing? | 0:12:29 | 0:12:31 | |
-Well, you haven't the brown shoes on, like. -No. | 0:12:31 | 0:12:33 | |
I wouldn't go to the back door with them on. | 0:12:33 | 0:12:38 | |
What a night I've had! | 0:12:38 | 0:12:39 | |
The craic is absolutely amazing. | 0:12:39 | 0:12:42 | |
My plan now is to go and get some lessons. | 0:12:44 | 0:12:47 | |
I need to get my steps in check. | 0:12:47 | 0:12:49 | |
I need to learn how to dance. | 0:12:49 | 0:12:50 | |
Dancing is the most important skill necessary if you want to really | 0:12:53 | 0:12:58 | |
enjoy a country night out. | 0:12:58 | 0:12:59 | |
# Going out for the craic Guitar on my back | 0:12:59 | 0:13:02 | |
# Gonna sing and dance all night... # | 0:13:02 | 0:13:03 | |
Jive classes are popping up all over rural Ireland | 0:13:03 | 0:13:06 | |
as beginners get to grips with the moves. | 0:13:06 | 0:13:08 | |
In Dublin city, husband and wife dance teachers Pat and Patricia are | 0:13:09 | 0:13:13 | |
anxiously waiting to see if anyone will turn up | 0:13:13 | 0:13:16 | |
to their new Monday night jive class. | 0:13:16 | 0:13:18 | |
I hope people really do turn up now. | 0:13:20 | 0:13:22 | |
This is the big test. This is the big push, so | 0:13:22 | 0:13:25 | |
if we can get a bit of movement here tonight, we can work on it. | 0:13:25 | 0:13:28 | |
You know, you can put notices up and you can give leaflets out | 0:13:28 | 0:13:30 | |
but people say they'll come, but will they come, | 0:13:30 | 0:13:32 | |
do you know what I mean? I've been there myself saying, | 0:13:32 | 0:13:35 | |
"Oh, yeah, I'll go," and then, "No, I'm not going to go." So, yeah, | 0:13:35 | 0:13:38 | |
so hopefully they'll just get the courage to walk through the door. | 0:13:38 | 0:13:42 | |
How you doing, ladies? How are you? How are you doing? | 0:13:42 | 0:13:45 | |
-Are you here for the jiving, are you? -We are indeed. -Oh, happy days. | 0:13:45 | 0:13:47 | |
Enjoy yourselves. You'll have a good old night. Enjoy it. | 0:13:47 | 0:13:51 | |
After a slow start, | 0:13:51 | 0:13:53 | |
the hall starts to fill up with would-be jivers from the city. | 0:13:53 | 0:13:56 | |
It looks like great fun, so here we are. | 0:13:56 | 0:13:58 | |
In for a penny, in for a pound. | 0:13:59 | 0:14:00 | |
And before long, they're learning their first country dance steps. | 0:14:03 | 0:14:07 | |
Right, two, three, kick. | 0:14:07 | 0:14:09 | |
Left, two, three, kick. | 0:14:09 | 0:14:12 | |
# Going out for the craic Guitar on my back | 0:14:12 | 0:14:15 | |
# Gonna sing and dance all night... # | 0:14:15 | 0:14:18 | |
Best friends Sean, Leanne and Tanya are a former disco-dancing trio. | 0:14:18 | 0:14:23 | |
I was the champ, so I came... | 0:14:23 | 0:14:25 | |
I always used to come first. | 0:14:25 | 0:14:26 | |
It just gives that more ability, you know yourself... | 0:14:27 | 0:14:30 | |
-God! -But these former disco dancers | 0:14:31 | 0:14:33 | |
are struggling with the country moves. | 0:14:33 | 0:14:36 | |
-Two, three, four... -They'll do all right, in fairness. | 0:14:36 | 0:14:39 | |
I've seen a lot worse dancers than what's here tonight. | 0:14:39 | 0:14:41 | |
Just once they get their steps right. | 0:14:41 | 0:14:43 | |
That starts with the rhythm and the count. | 0:14:43 | 0:14:45 | |
Everything else will come after that. | 0:14:45 | 0:14:47 | |
And the trio were finding out you need a good pair of lungs to jive. | 0:14:47 | 0:14:50 | |
I'm like the Liffey in Dublin. | 0:14:52 | 0:14:53 | |
I swear to God, the sweat is rolling off me. | 0:14:53 | 0:14:57 | |
I've never done a work-out in the gym or anything in my life, just not into it. Like, | 0:14:57 | 0:15:01 | |
this is something good for me, cos I'll end up taking the banger one of these days. | 0:15:01 | 0:15:04 | |
The banger means a heart attack, just to let you know. | 0:15:04 | 0:15:10 | |
Meanwhile, Patricia has a spring in her step about the good turnout. | 0:15:10 | 0:15:13 | |
It's great to have a crowd so, yeah, I was delighted so many people came. | 0:15:13 | 0:15:17 | |
Like, it's great. I'll make jivers out of them yet. | 0:15:17 | 0:15:20 | |
Dublin can jive. | 0:15:20 | 0:15:21 | |
And it seems the disco dancers are country converts. | 0:15:24 | 0:15:27 | |
In my flat this week, I'm going to be practising, | 0:15:29 | 0:15:31 | |
getting all the country music up on my telly. | 0:15:31 | 0:15:33 | |
That's it. Got to get costumes and all now it's practising. | 0:15:33 | 0:15:36 | |
Dress sense on this scene is no laughing matter. | 0:15:40 | 0:15:43 | |
These boys and girls take their fashion seriously. | 0:15:45 | 0:15:48 | |
Would-be jiver Toura from Belfast is preparing for a big night out at the | 0:15:51 | 0:15:55 | |
Four Seasons in Monaghan and, if he's going country, | 0:15:55 | 0:15:58 | |
he needs to dress country. | 0:15:58 | 0:16:00 | |
I'm going to a country gig next week. | 0:16:00 | 0:16:02 | |
Last time I was there, I was not dressed right. | 0:16:02 | 0:16:05 | |
Can you get me sorted? | 0:16:05 | 0:16:06 | |
Oh, definitely. Know what you're after, nice brown shoe, brown belt, | 0:16:06 | 0:16:09 | |
double-collared shirt, 100%. | 0:16:09 | 0:16:11 | |
-Come on this way. -OK. | 0:16:11 | 0:16:12 | |
On this scene, you can have any colour of shoe you like... | 0:16:16 | 0:16:19 | |
-Now you're talking! -..as long as it's brown. | 0:16:19 | 0:16:21 | |
No, no, no, no, no, no. Definitely not. | 0:16:21 | 0:16:23 | |
What you want is a nice brown shoe. See, something like that there? | 0:16:23 | 0:16:26 | |
That's tidy, that'll do, that's nice. | 0:16:26 | 0:16:27 | |
-They are a bit plain, like. -Listen, that's what all the guys | 0:16:27 | 0:16:30 | |
-are going for. -'They are stylish. | 0:16:30 | 0:16:32 | |
'They're not really me in the sense but...' | 0:16:32 | 0:16:34 | |
..I'm game for it, like, you know. | 0:16:35 | 0:16:37 | |
Yeah, that's a different style altogether, like. | 0:16:38 | 0:16:40 | |
That's pure class, pure country. | 0:16:40 | 0:16:42 | |
Oh, yeah. | 0:16:49 | 0:16:50 | |
You're not going to know me now. | 0:16:52 | 0:16:53 | |
You're 100% country. | 0:16:53 | 0:16:54 | |
One, two, three, four and one, two... | 0:16:56 | 0:17:00 | |
With the wardrobe sorted, | 0:17:00 | 0:17:02 | |
Toura just needs to work on his moves. | 0:17:02 | 0:17:03 | |
He's been attending a jiving class in Banbridge, along with 60 others | 0:17:06 | 0:17:10 | |
keen to learn. | 0:17:10 | 0:17:12 | |
This is my third lesson. | 0:17:15 | 0:17:17 | |
I'll still have to get my footwork sorted, | 0:17:17 | 0:17:20 | |
so I'm getting there but I'm not yet there. | 0:17:20 | 0:17:23 | |
Oh! | 0:17:27 | 0:17:28 | |
OK. So just watch the wee things like that there. | 0:17:28 | 0:17:31 | |
The Four Seasons Hotel in Monaghan hosts the very best jivers every | 0:17:31 | 0:17:35 | |
Sunday night, and if Toura's serious about mixing with the best, | 0:17:35 | 0:17:38 | |
he'd need to learn fast. | 0:17:38 | 0:17:41 | |
You're not driving a two-handed saw. | 0:17:43 | 0:17:44 | |
-Hey! -SHE LAUGHS | 0:17:44 | 0:17:46 | |
OK, bring me up for a spin. | 0:17:46 | 0:17:47 | |
Woo! | 0:17:47 | 0:17:49 | |
-Oh, OK. -Well, maybe not too fast. | 0:17:49 | 0:17:52 | |
You need to calm down just a little bit there. | 0:17:52 | 0:17:54 | |
He's a very eager dancer, | 0:17:54 | 0:17:56 | |
so he can sometimes get overexcited and use a bit too much force when he | 0:17:56 | 0:17:59 | |
is leading a lady, which can be quite sore on her wrists, | 0:17:59 | 0:18:01 | |
arms and shoulders, and I definitely know that from experience. | 0:18:01 | 0:18:04 | |
One, two. Remember, not too many, not too big a step, | 0:18:04 | 0:18:07 | |
just a small kind of little pivot. | 0:18:07 | 0:18:08 | |
Yeah, very good. Just kind of get your whole body into the rhythm of | 0:18:08 | 0:18:11 | |
it cos you don't want to exert yourself too much by going crazy. | 0:18:11 | 0:18:15 | |
Other wee thing is that when you're leading the lady's hands, | 0:18:15 | 0:18:18 | |
make sure that you're leading it maybe a beat or two beforehand. | 0:18:18 | 0:18:21 | |
Especially, remember the very beginning, where we go one, two, | 0:18:21 | 0:18:24 | |
three, four, one, on two, the hand is raised... | 0:18:24 | 0:18:27 | |
-Ah. -So that, on three, the lady begins to spin | 0:18:27 | 0:18:30 | |
and then brought back in. | 0:18:30 | 0:18:31 | |
OK? | 0:18:31 | 0:18:32 | |
It's a different dancing style than he's used to. | 0:18:36 | 0:18:38 | |
Oh, what was that? | 0:18:39 | 0:18:40 | |
I don't know. | 0:18:40 | 0:18:42 | |
But he's got rhythm and the moves are improving. | 0:18:42 | 0:18:45 | |
Much better. | 0:18:47 | 0:18:48 | |
Calm the arm down just a little bit. | 0:18:49 | 0:18:51 | |
You're doing really well. | 0:18:51 | 0:18:52 | |
Was that OK? | 0:18:56 | 0:18:57 | |
That was really good. You just need to remember that | 0:18:57 | 0:19:00 | |
when you're going up like that, you could be going up for a set that's | 0:19:00 | 0:19:02 | |
maybe two, three, four, maybe five songs long - | 0:19:02 | 0:19:05 | |
if they're doing a medley, it's going to be a very long dance. | 0:19:05 | 0:19:08 | |
You could be up on the floor for 15 minutes, just doing a jive, | 0:19:08 | 0:19:11 | |
so you don't want to exert all your energy just at once | 0:19:11 | 0:19:13 | |
and then be, like, mad jiving, crazy jiving and then all of a sudden | 0:19:13 | 0:19:16 | |
being like, "My goodness, I can't jive any longer!" | 0:19:16 | 0:19:18 | |
Shuffle, shuffle, left. Shuffle, shuffle, right. | 0:19:18 | 0:19:21 | |
He's come on quite a lot since he's first started out, | 0:19:21 | 0:19:23 | |
so we're looking forward to seeing the finished product. | 0:19:23 | 0:19:26 | |
Right, left, right, clap. | 0:19:26 | 0:19:28 | |
-Hips, hips... -Woo! | 0:19:28 | 0:19:31 | |
I've had an amazing night. | 0:19:31 | 0:19:32 | |
That's the beauty of this scene, you know, that people just help you. | 0:19:32 | 0:19:37 | |
They dance with you. | 0:19:37 | 0:19:39 | |
And I tell you what - I'm ready for the Four Seasons. | 0:19:39 | 0:19:43 | |
# The more I get to drinkin'... # | 0:19:48 | 0:19:51 | |
Former Elvis impersonator James Lynas is recording his new single. | 0:19:51 | 0:19:55 | |
# So, whiskey | 0:19:55 | 0:19:57 | |
# Get busy | 0:19:57 | 0:19:58 | |
# I'm depending on you. # | 0:19:59 | 0:20:03 | |
What did you think of that, Frankie? | 0:20:03 | 0:20:04 | |
-SPEECH INAUDIBLE THROUGH GLASS -# You! # | 0:20:04 | 0:20:07 | |
# You! # | 0:20:07 | 0:20:08 | |
# I'm depending on you! # | 0:20:08 | 0:20:13 | |
James hopes this new song will propel him to country music stardom. | 0:20:16 | 0:20:20 | |
All I'd hope, in about a year's time, | 0:20:21 | 0:20:23 | |
that we'll be down there with the likes of the Robert Mizzells, | 0:20:23 | 0:20:26 | |
Nathan Carters. That's my aim, is to get up there with those guys. | 0:20:26 | 0:20:29 | |
# Whiskey, I have heard your reputation. # | 0:20:29 | 0:20:35 | |
That's a wee Belfast twang. It sneaks in there now and again. | 0:20:35 | 0:20:38 | |
You can't take... | 0:20:38 | 0:20:39 | |
# I guess I'll get to... # | 0:20:39 | 0:20:41 | |
You can take a boy out of Belfast but you can't take the Belfast out | 0:20:41 | 0:20:44 | |
-of a boy. -It's class. | 0:20:44 | 0:20:46 | |
Son, your voice is fantastic. | 0:20:46 | 0:20:49 | |
-Excellent. -Cheers. Happy days. -Very, very good. | 0:20:49 | 0:20:51 | |
# I'm depending on you Yeah! # | 0:20:51 | 0:20:54 | |
I would say I'm obsessive about country music. | 0:20:56 | 0:20:59 | |
It's actually become like a disease and I can't shake it off | 0:20:59 | 0:21:02 | |
and I won't. I don't even want to try and shake it off, to be honest. | 0:21:02 | 0:21:05 | |
I eat, sleep and breathe it. | 0:21:05 | 0:21:08 | |
Even the kids are starting to eat, sleep and breathe it. | 0:21:08 | 0:21:11 | |
James and his new band have struggled to get gigs | 0:21:11 | 0:21:14 | |
in and around Belfast. | 0:21:14 | 0:21:16 | |
Because Belfast is hard to get country venues, you know, | 0:21:16 | 0:21:20 | |
and it's very rare. | 0:21:20 | 0:21:21 | |
But they've secured a headline gig ten miles down the road in | 0:21:23 | 0:21:27 | |
Carrickfergus, but that's as close as the music gets to the city. | 0:21:27 | 0:21:31 | |
We're rehearsing like mad, just making sure it's going to be right. | 0:21:31 | 0:21:34 | |
The last thing we want to do is go to a country venue and | 0:21:34 | 0:21:38 | |
not be country. | 0:21:38 | 0:21:40 | |
In Dublin, country music and jiving is proving popular | 0:21:44 | 0:21:47 | |
with the city slickers, | 0:21:47 | 0:21:48 | |
as Pat and Patricia's class goes from strength to strength. | 0:21:48 | 0:21:52 | |
-You enjoyed last week anyway? -Yes. -That's your first night in. That's good, yeah. | 0:21:53 | 0:21:56 | |
Each week, more and more new faces are showing up to learn to dance. | 0:21:57 | 0:22:01 | |
I haven't danced in ages. | 0:22:01 | 0:22:03 | |
-I know, but you'll be grand. -I've not been to a dance class in years. | 0:22:03 | 0:22:05 | |
Turn, two, three, left, right... | 0:22:05 | 0:22:08 | |
Amongst the new recruits, there are some regulars as well. | 0:22:08 | 0:22:11 | |
The former disco dancers, Sean, Tanya and Leanne, are back for more. | 0:22:11 | 0:22:16 | |
# Up the jive | 0:22:16 | 0:22:18 | |
# Yeah, up the jive... # | 0:22:20 | 0:22:22 | |
As Patricia puts the 40-strong class through their steps, | 0:22:25 | 0:22:28 | |
the local women's Gaelic team decide to pitch in, too. | 0:22:28 | 0:22:31 | |
-How are you? -Grand. -You're interested in coming in? | 0:22:32 | 0:22:34 | |
-We are, yeah. -Lovely, lovely. | 0:22:34 | 0:22:35 | |
-The more the merrier. -You'll be well able for yous are well fit. | 0:22:35 | 0:22:38 | |
Oh, I don't know about that! | 0:22:38 | 0:22:39 | |
The fancy footwork shouldn't be an issue for these girls. | 0:22:39 | 0:22:43 | |
# Up the jive... # | 0:22:43 | 0:22:45 | |
Woohoo! | 0:22:45 | 0:22:47 | |
Kind of tough after you've just done a Gaa workout | 0:22:47 | 0:22:50 | |
and then you're into a jive workout. | 0:22:50 | 0:22:52 | |
Instead of the hands being up here, | 0:22:52 | 0:22:53 | |
it's all this motion and getting my hands and the feet together and... | 0:22:53 | 0:22:58 | |
Yeah. | 0:22:58 | 0:22:59 | |
As the footballers tackle the basic moves, | 0:23:01 | 0:23:03 | |
the former disco dancers are jiving like old pros. | 0:23:03 | 0:23:07 | |
# There's flirtin', courtin' Who knows for certain | 0:23:07 | 0:23:09 | |
# Who's with who tonight | 0:23:09 | 0:23:11 | |
# Up the jive... # | 0:23:11 | 0:23:12 | |
-Tonight went brilliant. -Oh, yeah, it went brilliant. | 0:23:12 | 0:23:14 | |
I think cos it's the second week, you know the steps, it's easier to get into, like. | 0:23:14 | 0:23:17 | |
You know, we could be teaching our own classes coming up. | 0:23:17 | 0:23:20 | |
-You never know. -Have a jive and... | 0:23:20 | 0:23:22 | |
Having a jiving class in Coulagh. | 0:23:22 | 0:23:24 | |
Garden centre owners Pat and Patricia are delighted with how | 0:23:26 | 0:23:30 | |
things have blossomed. | 0:23:30 | 0:23:33 | |
I think our mission to countrify Dublin is going to work | 0:23:33 | 0:23:36 | |
and we're going get them all jiving so, yeah, it's brilliant. | 0:23:36 | 0:23:39 | |
At the end of the day, that's our goal, | 0:23:41 | 0:23:43 | |
bringing jive and dance back to Dublin, | 0:23:43 | 0:23:45 | |
and I think we're going to get there, do you know that? | 0:23:45 | 0:23:48 | |
# I'm gonna | 0:23:48 | 0:23:49 | |
# Roll out the red carpet When you come home... # | 0:23:49 | 0:23:52 | |
Bringing the music back to Belfast is James Lynas' ultimate goal. | 0:23:52 | 0:23:57 | |
Tonight, him and the band are in Carrickfergus | 0:23:57 | 0:23:59 | |
for their biggest gig yet. | 0:23:59 | 0:24:01 | |
It's not the Grand Ole Opry, but it's a nice venue, you know, | 0:24:01 | 0:24:04 | |
and we're getting closer and closer to doing it in the home city. | 0:24:04 | 0:24:07 | |
The nerves are starting to kick in. | 0:24:09 | 0:24:11 | |
But, sure, that's all part of the fun. | 0:24:11 | 0:24:13 | |
If there are no nerves, you can't perform. | 0:24:13 | 0:24:15 | |
That's how I feel about it, you know. | 0:24:15 | 0:24:18 | |
Well, that's my Elvis tattoo | 0:24:18 | 0:24:20 | |
I got a few years ago. It says TCB. | 0:24:20 | 0:24:22 | |
That means taking care of business | 0:24:22 | 0:24:23 | |
and that's hopefully what we'll do this evening here. | 0:24:23 | 0:24:26 | |
As well as playing the standard country tunes, | 0:24:26 | 0:24:28 | |
James will be testing out his brand-new track on the crowd. | 0:24:28 | 0:24:32 | |
Good old-fashioned honky-tonk country song. | 0:24:32 | 0:24:34 | |
Typical country song about women and beer, you know. | 0:24:34 | 0:24:37 | |
A nice wee story to it. | 0:24:37 | 0:24:38 | |
With a quick costume change, James is ready to hit the stage. | 0:24:38 | 0:24:42 | |
Sure you wouldn't know I was from Belfast. | 0:24:42 | 0:24:44 | |
THEY CHEER | 0:24:44 | 0:24:47 | |
# Stop the world and let me off | 0:24:51 | 0:24:54 | |
# I'm tired of going round and round... # | 0:24:56 | 0:24:58 | |
He's absolutely amazing. | 0:25:00 | 0:25:01 | |
Really, really enjoying the night so far. | 0:25:01 | 0:25:03 | |
It's great. And it's great to see a fantastic crowd in there. | 0:25:03 | 0:25:06 | |
This place is buzzing. | 0:25:06 | 0:25:07 | |
It really is good to see. | 0:25:07 | 0:25:08 | |
-To be fair, I'm not a country and western fan, don't really... -We're getting there, we're getting there. | 0:25:10 | 0:25:14 | |
Yeah, we're getting there, but it's actually a very, very good night. | 0:25:14 | 0:25:18 | |
The paying punters are enjoying the well-known country tunes, | 0:25:20 | 0:25:24 | |
but the big test is whether they'll like James's new single, | 0:25:24 | 0:25:28 | |
Whiskey Get Busy. | 0:25:28 | 0:25:29 | |
# I said, whiskey | 0:25:29 | 0:25:31 | |
# Get busy | 0:25:31 | 0:25:33 | |
# Do what you gotta do... # | 0:25:33 | 0:25:36 | |
Whiskey Get Busy? I really enjoyed it. | 0:25:36 | 0:25:38 | |
Everyone seemed to enjoy it. | 0:25:38 | 0:25:40 | |
-If he's back here again, we'll be here. -Yeah. | 0:25:40 | 0:25:42 | |
-Definitely. -We definitely will be here. -Definitely. | 0:25:42 | 0:25:44 | |
# Whiskey, I have heard your reputation... # | 0:25:44 | 0:25:49 | |
To think that someone from Belfast is going to be singing instead of us | 0:25:49 | 0:25:53 | |
having to travel down the country all the time, it's great. | 0:25:53 | 0:25:57 | |
# I'm depending on you! # | 0:25:57 | 0:26:03 | |
Oh! | 0:26:03 | 0:26:05 | |
With such a great reception, | 0:26:05 | 0:26:06 | |
country might just ride again in Belfast city. | 0:26:06 | 0:26:10 | |
James, please bring the country music back to Belfast, please! | 0:26:10 | 0:26:14 | |
-We need it! -I just love the old music and | 0:26:14 | 0:26:17 | |
I just wish it was everywhere. | 0:26:17 | 0:26:19 | |
If you can please Belfast people, you can please anybody. | 0:26:19 | 0:26:22 | |
Most Belfast people are hard to please, you know. | 0:26:22 | 0:26:25 | |
The Four Seasons in Monaghan on a Sunday night attracts the very best | 0:26:26 | 0:26:30 | |
country dancers to jive the night away... | 0:26:30 | 0:26:32 | |
..and Toura is about to jump feet first into the evening. | 0:26:33 | 0:26:37 | |
This time, I have made the effort to get the right shoes, | 0:26:37 | 0:26:41 | |
the brown shoes and the belt. | 0:26:41 | 0:26:43 | |
He might look the part, but the proof is in the dancing. | 0:26:45 | 0:26:48 | |
I want to watch it a little bit and then I'll give it a go. | 0:26:48 | 0:26:52 | |
Before daring to step onto the floor, | 0:26:52 | 0:26:55 | |
Toura gets an idea of the standard the ladies expect. | 0:26:55 | 0:26:58 | |
Seeing some of the dancers, it really makes me nervous. | 0:26:58 | 0:27:01 | |
I'm going to ask somebody for a dance now, | 0:27:01 | 0:27:03 | |
so hopefully I won't make an idiot of myself! | 0:27:03 | 0:27:08 | |
I've got to give it a go. | 0:27:08 | 0:27:10 | |
It's the moment of truth. | 0:27:10 | 0:27:11 | |
Can Toura from Zimbabwe jive with the best of them? | 0:27:11 | 0:27:15 | |
# Kiss me, Mary Kiss me, Mary | 0:27:15 | 0:27:17 | |
# Kiss me one more time | 0:27:17 | 0:27:19 | |
# I may be young and a little scared But I wanna cross the line | 0:27:19 | 0:27:23 | |
# Oh, come on, Mary... # | 0:27:23 | 0:27:25 | |
There's no doubt - the boy can jive. | 0:27:25 | 0:27:27 | |
# Kiss me Let me walk you home tonight... # | 0:27:27 | 0:27:31 | |
He's great. He's fantastic. | 0:27:31 | 0:27:33 | |
And he just wanted to throw in extra bits. | 0:27:33 | 0:27:34 | |
It's good to have something different and a bit of energy and he's a lovely, lovely person. | 0:27:34 | 0:27:38 | |
He's bubbly and he's a bit of craic and, sure, that's what you want. | 0:27:38 | 0:27:41 | |
# Life's too short Let's have some fun | 0:27:41 | 0:27:43 | |
# There's good times here for everyone... # | 0:27:43 | 0:27:47 | |
And having proved his dance floor credentials, | 0:27:47 | 0:27:50 | |
there's no stopping him now. | 0:27:50 | 0:27:52 | |
His humour, he's, like, in your eyes and his legs are like this here! | 0:27:53 | 0:27:57 | |
Yeah, all you can do is laugh, | 0:27:57 | 0:27:59 | |
but that's what makes it a brilliant dance. | 0:27:59 | 0:28:01 | |
That's why you'd want to go back and dance again and again with him, | 0:28:01 | 0:28:04 | |
because he's such fun to dance with. | 0:28:04 | 0:28:06 | |
What a night I've had! | 0:28:07 | 0:28:09 | |
Absolutely amazing. | 0:28:09 | 0:28:10 | |
You know, it's family, it is a way of life for these guys | 0:28:10 | 0:28:14 | |
and I think it might be a way of life or me, too, now. | 0:28:14 | 0:28:17 | |
# So, whiskey | 0:28:20 | 0:28:22 | |
# Get busy | 0:28:22 | 0:28:23 | |
# I'm depending on you | 0:28:24 | 0:28:27 | |
# Yeah, whiskey | 0:28:27 | 0:28:29 | |
# Get busy | 0:28:29 | 0:28:30 | |
# Well, I'm | 0:28:31 | 0:28:33 | |
# I'm depending on you. # | 0:28:33 | 0:28:38 | |
Keep it country, boys! | 0:28:40 | 0:28:41 | |
Yeah! | 0:28:43 | 0:28:45 |