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My name's Steve Backshall. | 0:00:02 | 0:00:04 | |
And I'm on a mission, searching for... | 0:00:08 | 0:00:10 | |
deadly places, | 0:00:10 | 0:00:11 | |
deadly adventures | 0:00:11 | 0:00:13 | |
and deadly animals. | 0:00:13 | 0:00:14 | |
And you're coming with me, every step of the way! | 0:00:18 | 0:00:21 | |
Arghhhh! | 0:00:26 | 0:00:27 | |
Our planet-spanning expedition from the Arctic to Antarctica | 0:00:31 | 0:00:35 | |
is now halfway through. | 0:00:35 | 0:00:37 | |
Our next deadly destination is 4,500 miles south | 0:00:39 | 0:00:42 | |
from our start point in the Arctic Circle. | 0:00:42 | 0:00:45 | |
We've reached the Tropics, | 0:00:45 | 0:00:47 | |
and are here to explore a group of 700 islands - the Bahamas. | 0:00:47 | 0:00:52 | |
Surrounded by the Caribbean Sea | 0:00:54 | 0:00:56 | |
these warm waters are filled with a phenomenal diversity of life. | 0:00:56 | 0:01:00 | |
And we're about to meet some of their most formidable residents... | 0:01:00 | 0:01:03 | |
This is absolute chaos! | 0:01:05 | 0:01:07 | |
..avoiding the attentions of tiger-striped sharks.. | 0:01:07 | 0:01:10 | |
Whoa! Whoa! Slow, slow, slow! | 0:01:10 | 0:01:12 | |
-RADIO: -Everyone all right down there? | 0:01:14 | 0:01:16 | |
..and tangling with a toothy reptilian terror. | 0:01:16 | 0:01:19 | |
It sends a chill up your spine. Where's it gone? | 0:01:20 | 0:01:22 | |
At the moment, all I'm doing is shaking with fear. | 0:01:27 | 0:01:30 | |
And I face my worst nightmares. | 0:01:30 | 0:01:33 | |
No way! | 0:01:33 | 0:01:35 | |
There's one group of animals that we come back to | 0:01:41 | 0:01:43 | |
over and again on Deadly... the sharks, for obvious reasons. | 0:01:43 | 0:01:46 | |
But this time we're aiming to take our understanding of sharks | 0:01:46 | 0:01:49 | |
to a whole new level. | 0:01:49 | 0:01:50 | |
The experiment I have in mind can only work | 0:01:52 | 0:01:55 | |
if we can get enough sharks to take part. And this is just the place. | 0:01:55 | 0:02:00 | |
The sharks here are used to being fed, | 0:02:00 | 0:02:02 | |
and the second the boat's turned up, we are surrounded. | 0:02:02 | 0:02:05 | |
I'm going to be getting in the water | 0:02:07 | 0:02:09 | |
and feeding them by hand. | 0:02:09 | 0:02:10 | |
Wearing chainmail should protect me from any accidental nip. | 0:02:10 | 0:02:14 | |
Our aim is to film a shark's bite as never before, | 0:02:18 | 0:02:21 | |
using a specialist rig called a time-slice. | 0:02:21 | 0:02:25 | |
It has 20 small cameras, all aligned around this semicircle of metal and | 0:02:26 | 0:02:31 | |
they'll all fire off simultaneously, allowing us to freeze in time | 0:02:31 | 0:02:36 | |
the exact moment of a shark's bite. | 0:02:36 | 0:02:38 | |
It'll mean that we can see it in three dimensions, | 0:02:38 | 0:02:41 | |
understand it in super-slow speed, and it should give us | 0:02:41 | 0:02:45 | |
a better understanding of the anatomy of a shark bite. | 0:02:45 | 0:02:48 | |
'Using the time-slice on land would be tricky, but underwater and | 0:02:52 | 0:02:56 | |
'surrounded by a shiver of sharks, it'll be a serious challenge. | 0:02:56 | 0:03:01 | |
'To get a shark to bite on cue, we have a boxful of fish bait.' | 0:03:01 | 0:03:05 | |
OK, so this is the plan. | 0:03:07 | 0:03:09 | |
I'm going to try and bring a shark in and get it | 0:03:09 | 0:03:12 | |
to bite right dead in the centre. | 0:03:12 | 0:03:14 | |
It might sound easy, but trust me, it's not going to be. | 0:03:15 | 0:03:19 | |
There are sharks everywhere! | 0:03:27 | 0:03:29 | |
I'm getting absolutely beaten up here. | 0:03:31 | 0:03:33 | |
'I need a clean, clear bite, right in the epicentre of the cameras... | 0:03:35 | 0:03:40 | |
'..while taking care not to get bitten | 0:03:42 | 0:03:44 | |
'by an overenthusiastic shark.' | 0:03:44 | 0:03:46 | |
Oh, ow. | 0:03:48 | 0:03:49 | |
'Despite being super keen to feed, there's no mindless frenzy here. | 0:03:53 | 0:03:57 | |
'Finally, we start to get the hang of it. | 0:04:01 | 0:04:03 | |
'Our plan is coming together.' Yes! | 0:04:03 | 0:04:06 | |
Perfect! | 0:04:09 | 0:04:10 | |
'But with this many excited sharks, | 0:04:16 | 0:04:19 | |
'you need eyes in the back of your head.' | 0:04:19 | 0:04:21 | |
Oh...! | 0:04:23 | 0:04:25 | |
Argh! | 0:04:25 | 0:04:26 | |
Well, I got pretty hammered there. | 0:04:30 | 0:04:34 | |
Got a hold of my hand and dragged me off. | 0:04:34 | 0:04:37 | |
I don't think it meant to bite me. | 0:04:37 | 0:04:38 | |
I just didn't get my hand out of the way in time. | 0:04:38 | 0:04:42 | |
'I'm a little shaken, but no more than a few scratches. | 0:04:45 | 0:04:48 | |
'It's a good job I was wearing the chainmail. | 0:04:48 | 0:04:51 | |
'And it seems the sharks have worked out where the food is.' | 0:04:51 | 0:04:54 | |
Um...! | 0:04:55 | 0:04:57 | |
I think we've got a bit too many sharks for this. | 0:04:57 | 0:05:00 | |
Argh! | 0:05:00 | 0:05:01 | |
'It's a good time to get out and see what the time-slice has captured.' | 0:05:02 | 0:05:07 | |
OK, so... | 0:05:08 | 0:05:10 | |
you can see the lemon shark coming in here. | 0:05:10 | 0:05:14 | |
Oh, wow! | 0:05:14 | 0:05:16 | |
That is incredible! | 0:05:18 | 0:05:21 | |
Fantastic. | 0:05:21 | 0:05:23 | |
'The time-slice has captured the exact moment of the strike. | 0:05:24 | 0:05:28 | |
'It allows us to analyse the bite from every angle.' | 0:05:28 | 0:05:31 | |
Now, because the mouth is on the underside of the head, | 0:05:33 | 0:05:37 | |
it needs to lift the nose up quite considerably to be able to | 0:05:37 | 0:05:40 | |
stand any chance of getting a bite. | 0:05:40 | 0:05:42 | |
But the jaws are very, very different | 0:05:43 | 0:05:45 | |
to the jaws that you'd see in a mammal. | 0:05:45 | 0:05:47 | |
We have our upper jaw fused to our skull | 0:05:47 | 0:05:50 | |
and only our lower jaw can move free. | 0:05:50 | 0:05:53 | |
In a shark, it's completely different. | 0:05:53 | 0:05:56 | |
And you can see that at this moment of the strike. | 0:05:56 | 0:05:59 | |
There. | 0:06:01 | 0:06:02 | |
Both the shark's upper and lower jaws thrust forward. | 0:06:02 | 0:06:06 | |
Rows of thin, pointed teeth can snag larger prey. | 0:06:06 | 0:06:09 | |
Smaller prey is just hoovered up. | 0:06:09 | 0:06:13 | |
Its huge gaping mouth creates a massive cavern | 0:06:13 | 0:06:17 | |
and water is sucked in like a vacuum. | 0:06:17 | 0:06:20 | |
'The lemon shark's skewer teeth, | 0:06:24 | 0:06:27 | |
'suction strike and jutting jaws | 0:06:27 | 0:06:29 | |
'are unquestionably deadly.' | 0:06:29 | 0:06:31 | |
Agh! | 0:06:31 | 0:06:33 | |
'Our next target is another shark, | 0:06:40 | 0:06:43 | |
'but not one for the time-slice, | 0:06:43 | 0:06:45 | |
'and the chainmail will have little effect on its mighty jaws. | 0:06:45 | 0:06:48 | |
'It's the Bahamas' largest and most feared predator.' | 0:06:48 | 0:06:53 | |
So, this is Tiger Beach, except there's no beach | 0:06:55 | 0:06:59 | |
and no tigers either. | 0:06:59 | 0:07:01 | |
Well, not the obvious kind, anyhow. | 0:07:01 | 0:07:03 | |
In actual fact, it's a shallow sandbank, surrounded by miles | 0:07:03 | 0:07:06 | |
and miles of open sea. | 0:07:06 | 0:07:08 | |
'And Tiger Beach is home to tiger sharks, | 0:07:09 | 0:07:13 | |
'stripy underwater undertakers | 0:07:13 | 0:07:15 | |
'that can be at least double the size of the lemon sharks.' | 0:07:15 | 0:07:19 | |
Got something coming back. I don't know if it's a tiger now. | 0:07:19 | 0:07:22 | |
Big dark spot coming in right now. | 0:07:22 | 0:07:25 | |
'The silhouette is distinctly different to the lemons, | 0:07:25 | 0:07:28 | |
'so we kit up and drop in. | 0:07:28 | 0:07:30 | |
'Tiger sharks are opportunistic | 0:07:30 | 0:07:33 | |
'and one of the most omnivorous of all creatures. | 0:07:33 | 0:07:36 | |
'They course up and down the water column taking a bite out of... | 0:07:36 | 0:07:40 | |
'well, just about anything.' | 0:07:40 | 0:07:42 | |
So far, all I can see are lemon sharks. | 0:07:44 | 0:07:48 | |
Oh, my goodness! | 0:07:53 | 0:07:55 | |
Well, THIS is why we came here to Tiger Beach! | 0:07:57 | 0:08:02 | |
It's a true monster of a tiger shark. | 0:08:02 | 0:08:05 | |
It's easy to tell them apart from the lemons. | 0:08:08 | 0:08:10 | |
The tiger shark is noticeably broader and stouter. | 0:08:11 | 0:08:17 | |
The eyes are black... | 0:08:18 | 0:08:19 | |
..and it has these stripes and dappling colouration | 0:08:20 | 0:08:24 | |
running down the sides... | 0:08:24 | 0:08:25 | |
..that give it its tiger name. | 0:08:26 | 0:08:28 | |
It's a much more menacing shark. | 0:08:29 | 0:08:31 | |
'The teeth are also totally different to the lemons - | 0:08:35 | 0:08:38 | |
'stout, wide, curved and with a serrated edge, | 0:08:38 | 0:08:41 | |
'they can carve through seabirds, turtle shells, | 0:08:41 | 0:08:44 | |
'even other sharks.' | 0:08:44 | 0:08:47 | |
So, now we have two tiger sharks in the mix | 0:08:50 | 0:08:55 | |
and that's completely changed the situation. Three?! | 0:08:55 | 0:08:59 | |
Yes, another one. | 0:08:59 | 0:09:01 | |
Right, from here on in, we're going to have to be much more careful. | 0:09:01 | 0:09:05 | |
If a tiger shark got a hold of you, even wearing a chainmail... | 0:09:07 | 0:09:11 | |
it's going to be very bad indeed. | 0:09:11 | 0:09:13 | |
I'm...I'm really nervous about this tiger here, it's a bit... | 0:09:13 | 0:09:17 | |
a bit too... | 0:09:17 | 0:09:19 | |
..aggressive for my liking, actually. | 0:09:20 | 0:09:22 | |
That one there, it's got attitude. | 0:09:24 | 0:09:27 | |
The other ones I'm fine with, but that one, that needs to be watched. | 0:09:29 | 0:09:33 | |
I'm not comfortable with you at all. | 0:09:35 | 0:09:38 | |
Whoa! | 0:09:40 | 0:09:41 | |
Do you know what? | 0:09:42 | 0:09:44 | |
This shark is not good. | 0:09:45 | 0:09:48 | |
'It's obvious that every shark has a different personality. | 0:09:51 | 0:09:54 | |
'This one is bold, confident and inquisitive, | 0:09:54 | 0:09:57 | |
'and as sharks don't have hands to feel with, | 0:09:57 | 0:10:00 | |
'they use their mouths and their teeth.' | 0:10:00 | 0:10:04 | |
I've got my eye on you. | 0:10:04 | 0:10:06 | |
This is absolute chaos! | 0:10:12 | 0:10:14 | |
There - on your fin, Si. No, draw in your foot. | 0:10:17 | 0:10:20 | |
Draw in your foot, seriously. | 0:10:20 | 0:10:21 | |
Whoa, whoa, whoa! Si, Si, Si! | 0:10:21 | 0:10:23 | |
RADIO: Everyone OK down there? | 0:10:28 | 0:10:29 | |
That shark very, very nearly took a bite of Simon's leg... | 0:10:32 | 0:10:35 | |
..and that's a tiger, that's not good news. | 0:10:37 | 0:10:40 | |
'Best not to overstay our welcome. This is the tiger sharks' domain. | 0:10:41 | 0:10:45 | |
'Weighing up to half a tonne, these awe-inspiring beasts | 0:10:47 | 0:10:51 | |
'are the true lords of the Caribbean seas. | 0:10:51 | 0:10:54 | |
'I'm continuing my search for the Bahamas' most deadly | 0:11:01 | 0:11:04 | |
'by heading inland.' | 0:11:04 | 0:11:06 | |
What lies ahead is one of the most challenging, certainly for me, | 0:11:06 | 0:11:09 | |
THE most frightening thing that we've ever done on Deadly. | 0:11:09 | 0:11:13 | |
'This time, it's not a predatory animal, it's a deadly place.' | 0:11:14 | 0:11:18 | |
Over the years, I've done | 0:11:20 | 0:11:21 | |
expeditions in every kind of environment - | 0:11:21 | 0:11:24 | |
mountains, desert, arctic. | 0:11:24 | 0:11:26 | |
But there's one that scares me more than any other. It's caves. | 0:11:26 | 0:11:30 | |
And if there's one thing that's more frightening than a cave, | 0:11:30 | 0:11:33 | |
it's a flooded cave that has absolutely no air in it. | 0:11:33 | 0:11:36 | |
'These pools mark the entrance ways to flooded passages and caves, | 0:11:46 | 0:11:50 | |
'stretching for hundreds of miles underground. | 0:11:50 | 0:11:53 | |
'Caves are some of the most beautiful | 0:11:55 | 0:11:57 | |
'and unexplored places on Earth, | 0:11:57 | 0:11:59 | |
'but have the potential to be lethal. | 0:11:59 | 0:12:01 | |
'So, back in the UK, I've been training hard to prepare. | 0:12:01 | 0:12:05 | |
'The only things that keep you alive are planning, specialist kit | 0:12:08 | 0:12:12 | |
'and a bit of nerve. | 0:12:12 | 0:12:14 | |
'Here in the Bahamas I've teamed up with some elite cave divers.' | 0:12:17 | 0:12:21 | |
Flooded caves are one of the most unexplored environments | 0:12:21 | 0:12:25 | |
on the planet, but they're also one of the most dangerous and | 0:12:25 | 0:12:28 | |
one of the reasons for that is, there's no air inside them. | 0:12:28 | 0:12:30 | |
If you're diving out in the sea and something goes wrong, you can | 0:12:30 | 0:12:33 | |
come to the surface. You can't in a cave. | 0:12:33 | 0:12:36 | |
So, we've got enormous amounts of compressed air. | 0:12:36 | 0:12:39 | |
The other complete nightmare with cave diving would be | 0:12:39 | 0:12:43 | |
if everything went dark, because then you'd get lost | 0:12:43 | 0:12:46 | |
and if you get lost, you're probably not going to come out alive. | 0:12:46 | 0:12:48 | |
So, I've got an awful lot of light. | 0:12:48 | 0:12:51 | |
'Whenever I get into a cave, I start feeling claustrophobic | 0:12:52 | 0:12:55 | |
'and I can feel my heart rate going up and it does really frighten me.' | 0:12:55 | 0:12:59 | |
Can't put it off any longer. | 0:12:59 | 0:13:02 | |
Over all the years that Johnny the cameraman and I have been | 0:13:11 | 0:13:13 | |
working together, we've done all sorts of dives - | 0:13:13 | 0:13:17 | |
sharks, whales, crocodiles. | 0:13:17 | 0:13:19 | |
This is the first time that he's not allowed to come with me. | 0:13:19 | 0:13:21 | |
'All these precautions are for good reason.' | 0:13:21 | 0:13:25 | |
At the moment, all I'm doing is shaking with fear. | 0:13:28 | 0:13:32 | |
'The other cave divers will be watching my back | 0:13:32 | 0:13:34 | |
'and also filming what we find. | 0:13:34 | 0:13:37 | |
'It's time to leave my crew behind.' | 0:13:39 | 0:13:41 | |
Three...two...one. | 0:13:45 | 0:13:48 | |
'Not far from the last light, | 0:14:06 | 0:14:09 | |
'our first find.' | 0:14:09 | 0:14:10 | |
Amazing! | 0:14:10 | 0:14:12 | |
There's not much life living in these caves, | 0:14:12 | 0:14:16 | |
but there are a few... | 0:14:16 | 0:14:18 | |
creatures that make their home here. | 0:14:18 | 0:14:20 | |
Like these...tiny shrimp. | 0:14:20 | 0:14:23 | |
Look at all of the long antennae that it's tapping around | 0:14:23 | 0:14:27 | |
in the darkness with. It can't see... | 0:14:27 | 0:14:30 | |
so it needs to make best use of those long, sensory appendages. | 0:14:30 | 0:14:34 | |
'This cave shrimp is a rare find. | 0:14:34 | 0:14:37 | |
'They survive here by feeling their way with tactile antennae, | 0:14:37 | 0:14:40 | |
'sensing food and evading predators in the pitch black. | 0:14:40 | 0:14:44 | |
'A little deeper in the cave is a truly prehistoric find.' | 0:14:45 | 0:14:49 | |
It's called a brotula. | 0:14:51 | 0:14:52 | |
These fish are predatory, | 0:14:54 | 0:14:56 | |
so they'll swallow just about anything. | 0:14:56 | 0:14:59 | |
The extraordinary thing is, they're very, very primitive fish, | 0:14:59 | 0:15:02 | |
they've probably been around on the planet | 0:15:02 | 0:15:05 | |
maybe even hundreds of millions of years, | 0:15:05 | 0:15:07 | |
and remain pretty much unchanged. | 0:15:07 | 0:15:11 | |
And the only place they live is in caves like this. | 0:15:12 | 0:15:16 | |
'Further into the cave system, the water clears | 0:15:24 | 0:15:27 | |
'and a world of wonder emerges.' | 0:15:27 | 0:15:29 | |
No way! | 0:15:35 | 0:15:37 | |
I've never seen anything like it in my life. | 0:15:41 | 0:15:44 | |
That is incredible, | 0:15:47 | 0:15:48 | |
even more so because so few people will ever have seen it before. | 0:15:48 | 0:15:54 | |
'This cavern is adorned with stalagmites and stalactites | 0:16:00 | 0:16:04 | |
'that were formed thousands of years ago before the cave flooded.' | 0:16:04 | 0:16:08 | |
It's easy to be so overwhelmed | 0:16:08 | 0:16:12 | |
by the beauty and the majesty | 0:16:12 | 0:16:14 | |
of all the features in these caverns | 0:16:14 | 0:16:16 | |
that you totally forget where you are | 0:16:16 | 0:16:20 | |
and, all of a sudden, you remember | 0:16:20 | 0:16:22 | |
that you're underground and underwater | 0:16:22 | 0:16:24 | |
and a very, very long way from safety. | 0:16:24 | 0:16:28 | |
'We've now ventured so deep into the cave | 0:16:30 | 0:16:32 | |
'that there would be no chance of rescue. | 0:16:32 | 0:16:35 | |
'It's all too easy to get lost, | 0:16:37 | 0:16:39 | |
'it's a maze of tunnels and dead ends. | 0:16:39 | 0:16:42 | |
'And, as if to remind me, | 0:16:43 | 0:16:45 | |
'we find the bones of a long-dead deadly animal.' | 0:16:45 | 0:16:48 | |
It's the remains of a crocodile. | 0:16:48 | 0:16:50 | |
This has probably come from about 4,000 years ago. | 0:16:50 | 0:16:55 | |
You can still see the upper jawbone... | 0:16:57 | 0:17:00 | |
some of the teeth. | 0:17:00 | 0:17:02 | |
Actually, it's still in remarkably good condition. | 0:17:02 | 0:17:05 | |
'Our air's running low. | 0:17:12 | 0:17:15 | |
'Time to head for the light.' | 0:17:15 | 0:17:16 | |
There's no doubt that caves, | 0:17:24 | 0:17:26 | |
particularly flooded caves like this, are a deadly environment. | 0:17:26 | 0:17:29 | |
I mean, there's very little margin for error. You get things wrong | 0:17:29 | 0:17:33 | |
and you haven't really got a lot of chance of surviving. | 0:17:33 | 0:17:36 | |
But they've got to be one of the most | 0:17:36 | 0:17:38 | |
magical, mystical places on the planet... | 0:17:38 | 0:17:42 | |
and, uh... | 0:17:42 | 0:17:44 | |
I'm not going to forget that in a hurry. | 0:17:44 | 0:17:46 | |
'Our pole-to-pole journey rolls on south | 0:17:53 | 0:17:56 | |
'to the exotic Caribbean island of Cuba.' | 0:17:56 | 0:17:59 | |
It's the largest island in the Caribbean, | 0:18:04 | 0:18:06 | |
and a place that's legendary for its music, its culture, | 0:18:06 | 0:18:09 | |
its salsa dancing and its classic cars. | 0:18:09 | 0:18:12 | |
But we're here to show you a completely different side to Cuba. | 0:18:12 | 0:18:16 | |
The deadly side. | 0:18:16 | 0:18:17 | |
'Like the Bahamas, Cuba has a subterranean underworld which | 0:18:20 | 0:18:24 | |
'very few people ever see. | 0:18:24 | 0:18:26 | |
'The cave we are heading to is not, thank goodness, | 0:18:26 | 0:18:29 | |
'filled with water, but is filled with wonders of the wild kind.' | 0:18:29 | 0:18:33 | |
It doesn't look like much, yet. | 0:18:35 | 0:18:37 | |
But there's something very, very special inside this cave. | 0:18:37 | 0:18:41 | |
There's at least half a million bats roosting inside. | 0:18:41 | 0:18:45 | |
And many, many other predators have come here to take advantage of that. | 0:18:45 | 0:18:48 | |
'And one that can only be found here... | 0:18:50 | 0:18:53 | |
'..the Cuban boa.' | 0:18:55 | 0:18:56 | |
To show them to you, I have to take a journey into the underworld. | 0:18:58 | 0:19:02 | |
'These animals choose to live here in darkness for a reason. | 0:19:04 | 0:19:07 | |
'So as not to disturb them and cause a flying stampede, | 0:19:07 | 0:19:11 | |
'we're switching to infrared light. | 0:19:11 | 0:19:13 | |
'So, from now on, we'll be working almost in complete darkness.' | 0:19:13 | 0:19:17 | |
When you can't see very well, all of a sudden, you start to feel uneasy, | 0:19:20 | 0:19:24 | |
and particularly here in this cave where | 0:19:24 | 0:19:27 | |
there are kind of sounds of things moving around you. | 0:19:27 | 0:19:30 | |
Occasionally, you'll see something scuttling off into the darkness, | 0:19:30 | 0:19:33 | |
but you're not quite sure what it is. | 0:19:33 | 0:19:36 | |
It really, really gives you the fear. | 0:19:36 | 0:19:38 | |
BUMP | 0:19:40 | 0:19:42 | |
'The very floor seems to be moving, crawling with cockroaches. | 0:19:43 | 0:19:47 | |
'They're feasting on guano, | 0:19:49 | 0:19:51 | |
'the droppings of thousands of bats roosting on the ceiling above.' | 0:19:51 | 0:19:54 | |
But where are those bats? | 0:19:57 | 0:19:58 | |
'Our mission to find the cave boa has now taken over two hours | 0:20:01 | 0:20:05 | |
'and we've travelled half a mile into the cave. | 0:20:05 | 0:20:09 | |
'If we can find the main concentration of bats, | 0:20:09 | 0:20:12 | |
'the boas hunting them won't be too far away.' | 0:20:12 | 0:20:15 | |
Unbelievable. | 0:20:17 | 0:20:19 | |
Now, that is what I call a bat cave. | 0:20:24 | 0:20:26 | |
Caves like this are an absolute hell for human beings. | 0:20:29 | 0:20:34 | |
They're hot, they're humid, we're ankle deep in poo, | 0:20:34 | 0:20:38 | |
creepy-crawlies everywhere. But for bats, they're a kind of paradise. | 0:20:38 | 0:20:43 | |
The temperature in here is constant, | 0:20:43 | 0:20:45 | |
they're safe from the elements, from the weather. | 0:20:45 | 0:20:47 | |
This is a place where they can come | 0:20:47 | 0:20:49 | |
and they can roost during the day and be pretty much safe. | 0:20:49 | 0:20:53 | |
Safe, that is, apart from one rather terrifying predator. | 0:20:53 | 0:20:57 | |
'That's what we're here to find.' Got one! Got one! Got several! | 0:20:58 | 0:21:02 | |
There's loads of them. | 0:21:02 | 0:21:05 | |
No...way! | 0:21:05 | 0:21:06 | |
So... | 0:21:12 | 0:21:14 | |
this is why we've come to this cave. | 0:21:14 | 0:21:18 | |
Cuban boas. | 0:21:18 | 0:21:20 | |
There's one reason why this snake is here | 0:21:21 | 0:21:25 | |
and one reason alone, | 0:21:25 | 0:21:27 | |
and that's to feast on bats. | 0:21:27 | 0:21:30 | |
Just trying to keep my eyes on this snake | 0:21:30 | 0:21:33 | |
cos I can't really see it. | 0:21:33 | 0:21:35 | |
I wasn't really expecting to find anything this big, but I guess when | 0:21:35 | 0:21:39 | |
there's this much food around, you can grow to be a really good size. | 0:21:39 | 0:21:43 | |
'In the pitch dark, boas can't rely on eyesight to catch bats. | 0:21:45 | 0:21:50 | |
'Instead, lip scales packed with sensitive nerve endings | 0:21:53 | 0:21:56 | |
'allow it to sense heat. | 0:21:56 | 0:21:59 | |
'A thermal-imaging camera shows how the bats may appear to the snake. | 0:21:59 | 0:22:03 | |
'With a bat targeted, the boa lashes out with pin sharp teeth. | 0:22:06 | 0:22:10 | |
'Then it constricts, preventing blood, oxygen | 0:22:11 | 0:22:15 | |
'and nerve impulses travelling around the body.' | 0:22:15 | 0:22:17 | |
The Cuban boa, it may make its home in a nightmare of a place, | 0:22:19 | 0:22:23 | |
but, for me, this is a dream of a snake. | 0:22:23 | 0:22:26 | |
And undoubtedly deadly. | 0:22:26 | 0:22:29 | |
'To my great relief, we're done with caves | 0:22:33 | 0:22:35 | |
'and heading out to the Paradise Coast. | 0:22:35 | 0:22:38 | |
'But we're in paradise to find a crocodile that could be | 0:22:40 | 0:22:43 | |
'the biggest and baddest in the New World. | 0:22:43 | 0:22:46 | |
'The American crocodile. | 0:22:48 | 0:22:50 | |
'And we're hoping to film one underwater.' | 0:22:51 | 0:22:53 | |
These islands are dotted with loads of paradise beaches, | 0:22:56 | 0:22:59 | |
and it's the perfect place to start looking for crocodiles. | 0:22:59 | 0:23:03 | |
Are you all right there, mate? | 0:23:03 | 0:23:06 | |
THEY LAUGH | 0:23:06 | 0:23:07 | |
'The beach is covered with animal tracks. | 0:23:07 | 0:23:10 | |
'But none look like crocodile. | 0:23:10 | 0:23:12 | |
'So, what are they?' | 0:23:13 | 0:23:15 | |
-Look! -There's lots of them. -Look at that! | 0:23:16 | 0:23:19 | |
This is absolutely remarkable. | 0:23:20 | 0:23:22 | |
All of a sudden, all of the bushes have just erupted with life. | 0:23:22 | 0:23:27 | |
And one of them has to be | 0:23:27 | 0:23:29 | |
one of the most curious-looking critters I've ever seen. | 0:23:29 | 0:23:32 | |
Look at this! | 0:23:33 | 0:23:35 | |
This is a Cuban hutia. | 0:23:35 | 0:23:38 | |
And they only occur in Cuba. | 0:23:42 | 0:23:44 | |
It's like someone's taken the head of a beaver | 0:23:44 | 0:23:47 | |
and stuck it onto a wallaby. | 0:23:47 | 0:23:50 | |
Surely the hermit crabs aren't going to come | 0:23:53 | 0:23:56 | |
and take things out of my hand. That would be too bizarre for words. | 0:23:56 | 0:23:59 | |
Nope. | 0:23:59 | 0:24:00 | |
I was expecting Cuba's wildlife to be special... | 0:24:03 | 0:24:06 | |
..but not quite this special. | 0:24:07 | 0:24:08 | |
Unfortunately, though, we're on the hunt for deadly animals. | 0:24:08 | 0:24:11 | |
I'm not sure that any of this lot qualify. | 0:24:11 | 0:24:14 | |
'So, it's back to the water. | 0:24:14 | 0:24:17 | |
'Noel, our Cuban biologist, is taking us | 0:24:19 | 0:24:21 | |
'to a lagoon where crocs are often seen, and, apparently, | 0:24:21 | 0:24:24 | |
'there's a good chance they might even come and find us.' | 0:24:24 | 0:24:27 | |
HE CALLS | 0:24:27 | 0:24:30 | |
'The wild crocodiles are sometimes fed by the locals.' | 0:24:32 | 0:24:35 | |
HE CALLS | 0:24:36 | 0:24:38 | |
'When they hear these calls, | 0:24:38 | 0:24:41 | |
'they know there's opportunity for a free feed.' | 0:24:41 | 0:24:44 | |
And there's already a crocodile heading straight towards us. | 0:24:44 | 0:24:47 | |
'It's not fully grown but its senses are fully formed.' | 0:24:50 | 0:24:54 | |
You can see how much it's driven by vibrations. | 0:24:56 | 0:24:59 | |
If I just... | 0:24:59 | 0:25:00 | |
..thrash the water slightly with my hand... | 0:25:01 | 0:25:04 | |
'The sound mimics the splashing | 0:25:05 | 0:25:07 | |
'of an injured fish or animal in the water. | 0:25:07 | 0:25:09 | |
'They're detected by sensory bumps in the lip scales.' | 0:25:09 | 0:25:12 | |
It's going to come straight towards me | 0:25:12 | 0:25:15 | |
and I'm going to take my fingers out of the water | 0:25:15 | 0:25:17 | |
because, otherwise, I think I'd probably lose them. | 0:25:17 | 0:25:21 | |
'If you think I'm being overdramatic, | 0:25:21 | 0:25:24 | |
'a few years ago in Argentina... | 0:25:24 | 0:25:26 | |
'I accidentally stepped on another fairly small croc.' | 0:25:26 | 0:25:30 | |
HE SCREAMS | 0:25:32 | 0:25:34 | |
That was a Caiman. | 0:25:34 | 0:25:36 | |
And I've just been given a really nasty bite. | 0:25:36 | 0:25:40 | |
'A lucky escape, but I still needed ten stitches in my leg. | 0:25:40 | 0:25:44 | |
'So, youngster or not, he gets my full respect and attention.' | 0:25:44 | 0:25:48 | |
There aren't many rules for diving with crocodiles, | 0:25:50 | 0:25:53 | |
mostly because not many people have been dumb enough to do it. | 0:25:53 | 0:25:56 | |
'So I'm going to stick to the rules I use for swimming with sharks. | 0:25:57 | 0:26:01 | |
'Be confident and big in the water. | 0:26:03 | 0:26:05 | |
'Don't flail hands and feet around that could look like fishy food.' | 0:26:07 | 0:26:11 | |
OK, here goes nothing. | 0:26:13 | 0:26:14 | |
'And the last rule, keep your eyes on the animal | 0:26:17 | 0:26:20 | |
'so they can't take you by surprise.' | 0:26:20 | 0:26:22 | |
Where have they gone? | 0:26:22 | 0:26:24 | |
Your ten o'clock, about ten metres away, just gone under. | 0:26:24 | 0:26:27 | |
Be careful, fellas. Straight ahead of you now. | 0:26:27 | 0:26:30 | |
Yes, I see him. | 0:26:30 | 0:26:32 | |
It's such a chilling sight, | 0:26:32 | 0:26:35 | |
having a crocodile head straight towards you like this, | 0:26:35 | 0:26:38 | |
particularly when they're capable of just dropping out of sight | 0:26:38 | 0:26:42 | |
and becoming invisible. | 0:26:42 | 0:26:44 | |
Steve, there's another one here on the right. It's bigger. | 0:26:45 | 0:26:48 | |
'A larger and more menacing beast to share the water with.' | 0:26:50 | 0:26:54 | |
When you lose sight of it... | 0:27:05 | 0:27:07 | |
..it sends a chill up your spine. | 0:27:08 | 0:27:10 | |
Where's it gone? | 0:27:10 | 0:27:12 | |
His head is this far from my leg. | 0:27:18 | 0:27:22 | |
I don't want to move because any movement | 0:27:25 | 0:27:27 | |
might make me look like food. | 0:27:27 | 0:27:29 | |
'Hold your nerve, no sudden movements, | 0:27:31 | 0:27:35 | |
'and somehow keep an eye on two separate circling crocodiles.' | 0:27:35 | 0:27:39 | |
Such a magnificent creature. | 0:27:42 | 0:27:44 | |
'When hunting, they rely more on vibrations than their eyesight. | 0:27:46 | 0:27:50 | |
'Lying perfectly still under the water for 30 minutes or more, | 0:27:53 | 0:27:56 | |
'they wait for a fish, bird or mammal to alert their senses... | 0:27:56 | 0:28:00 | |
'..finally using their cone-shaped pointed teeth to finish the job.' | 0:28:02 | 0:28:06 | |
The American crocodile, one of the largest reptiles in the world. | 0:28:10 | 0:28:14 | |
There's no doubt they're deadly. | 0:28:14 | 0:28:16 | |
And I feel very lucky to have kept all my fingers. | 0:28:16 | 0:28:19 | |
'The caves and waves of the Caribbean | 0:28:24 | 0:28:26 | |
'have proved a hefty challenge. | 0:28:26 | 0:28:29 | |
'But next we'll head to the heart of darkness | 0:28:31 | 0:28:35 | |
'and the finest, most pristine jungle on the planet | 0:28:35 | 0:28:39 | |
'as we continue our expedition from pole to deadly pole.' | 0:28:39 | 0:28:45 |