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The sky is one of the most challenging places to live. | 0:00:04 | 0:00:08 | |
But all across the world, extraordinary animals do | 0:00:10 | 0:00:14 | |
something we can only dream of... | 0:00:14 | 0:00:16 | |
..take to the air. | 0:00:18 | 0:00:20 | |
Some spend their whole lives up here. | 0:00:24 | 0:00:26 | |
Others only visit for a moment. | 0:00:29 | 0:00:33 | |
We'll discover how many incredible animals thrive in the sky... | 0:00:35 | 0:00:39 | |
..and what clever tricks they use to get airborne. | 0:00:43 | 0:00:46 | |
With the help of some specially trained animals, | 0:00:48 | 0:00:51 | |
the latest technology and special effects techniques, | 0:00:51 | 0:00:56 | |
we'll reveal brand-new discoveries | 0:00:56 | 0:00:59 | |
that explain how animals take to the skies. | 0:00:59 | 0:01:02 | |
This is Life In The Air. | 0:01:05 | 0:01:07 | |
Right now, there are billions of creatures | 0:01:20 | 0:01:23 | |
living in the three miles of air above our heads... | 0:01:23 | 0:01:26 | |
without us evening knowing they're up here. | 0:01:26 | 0:01:28 | |
They've overcome gravity, | 0:01:30 | 0:01:32 | |
they've mastered flight and now they live their lives up here, | 0:01:32 | 0:01:36 | |
making the most of the opportunities the skies have to offer. | 0:01:36 | 0:01:40 | |
There are over a thousand species of mammal | 0:01:41 | 0:01:44 | |
and over tens of thousands of species of birds up here. | 0:01:44 | 0:01:47 | |
The biggest numbers are the smallest players. | 0:01:50 | 0:01:54 | |
And the closer you look, the more of them you see. | 0:01:54 | 0:01:58 | |
Insects, trillions of them, | 0:01:58 | 0:02:02 | |
so many that 98% of everything that flies is an insect, | 0:02:02 | 0:02:08 | |
and most of them don't even have names. | 0:02:08 | 0:02:10 | |
The air above us is more crowded and more dangerous than you might think. | 0:02:12 | 0:02:17 | |
Predators are everywhere. | 0:02:21 | 0:02:23 | |
At every level, the skies are teeming with life. | 0:02:25 | 0:02:28 | |
There are thousands of creatures using | 0:02:30 | 0:02:32 | |
the skies as super-highways, | 0:02:32 | 0:02:34 | |
travelling huge distances | 0:02:34 | 0:02:36 | |
to find food or to migrate. | 0:02:36 | 0:02:38 | |
Butterflies. | 0:02:43 | 0:02:45 | |
Even ladybirds. | 0:02:45 | 0:02:46 | |
Over a kilometre above our heads there are moths | 0:02:54 | 0:02:57 | |
speeding by at 80 kilometres an hour. | 0:02:57 | 0:02:59 | |
But what happens when so many lives collide? | 0:03:06 | 0:03:09 | |
How do animals compete with each other up here? | 0:03:16 | 0:03:18 | |
How do they win a mate? | 0:03:23 | 0:03:25 | |
How do they find food? | 0:03:29 | 0:03:30 | |
How do they hunt, and avoid being hunted? | 0:03:32 | 0:03:35 | |
Up here, animals are pushed to the limits of what's possible. | 0:03:36 | 0:03:40 | |
Welcome to another world, | 0:03:45 | 0:03:48 | |
a world of intense competition, | 0:03:48 | 0:03:50 | |
of extreme lives in crowded skies. | 0:03:50 | 0:03:54 | |
The coast of South Africa is home to one of the most extreme | 0:04:09 | 0:04:13 | |
fliers in the natural world. | 0:04:13 | 0:04:15 | |
The Cape gannet has a unique way of beating the competition | 0:04:16 | 0:04:20 | |
when it comes to finding food. | 0:04:20 | 0:04:22 | |
The size of this island breeding colony | 0:04:33 | 0:04:35 | |
shows the richness of the seas around them, | 0:04:35 | 0:04:39 | |
enough to supply the tonnes of fish caught by these birds every day. | 0:04:39 | 0:04:43 | |
But it's how they catch fish that's so remarkable. | 0:04:47 | 0:04:50 | |
Here, the competition from other sea birds is intense. | 0:04:51 | 0:04:54 | |
Most can only catch fish when they swim close to the surface. | 0:04:55 | 0:04:59 | |
But there are richer pickings deeper down. | 0:05:03 | 0:05:06 | |
And that's what the gannets are after. | 0:05:07 | 0:05:09 | |
It requires an extreme form of flying that would kill most | 0:05:12 | 0:05:15 | |
other creatures. | 0:05:15 | 0:05:16 | |
Several kilometres from the gannets' colony, | 0:05:20 | 0:05:22 | |
a vast shoal of sardines is massing. | 0:05:22 | 0:05:25 | |
And 20,000 gannets are heading out after them. | 0:05:28 | 0:05:31 | |
But most of the sardines are several metres below the surface, | 0:05:33 | 0:05:37 | |
completely out of reach for the other sea birds. | 0:05:37 | 0:05:40 | |
So the gannets prepare to perform | 0:05:40 | 0:05:42 | |
one of the most dangerous flying stunts in the animal kingdom. | 0:05:42 | 0:05:46 | |
Climbing 30 metres above the surface, | 0:05:52 | 0:05:55 | |
they drop from the sky using gravity to accelerate... | 0:05:55 | 0:05:58 | |
Hitting the water at 100 kilometres an hour. | 0:06:12 | 0:06:15 | |
with the same force as a bullet fired from a handgun. | 0:06:15 | 0:06:18 | |
The impact should kill them. | 0:06:24 | 0:06:26 | |
At that speed, it's like hitting concrete. | 0:06:27 | 0:06:29 | |
So how can they possibly survive? | 0:06:37 | 0:06:40 | |
Less than a second before contact, they tuck in their wings and change | 0:06:51 | 0:06:55 | |
their shape, streamlining their body to slice through the water. | 0:06:55 | 0:06:59 | |
The gannets have air-filled pockets under the skin in their necks | 0:07:02 | 0:07:05 | |
and chests, thought to act like airbags to help | 0:07:05 | 0:07:08 | |
cushion their bodies from the impact of the water's surface. | 0:07:08 | 0:07:11 | |
But their technique must be precise. | 0:07:15 | 0:07:19 | |
If their shape isn't perfectly streamlined, | 0:07:19 | 0:07:22 | |
the impact of hitting the water would crush them. | 0:07:22 | 0:07:24 | |
The dive propels them down to where the fish are schooling | 0:07:29 | 0:07:32 | |
but they still have to catch them. | 0:07:32 | 0:07:34 | |
Exactly how they do that depends on a critical decision each bird | 0:07:34 | 0:07:39 | |
made the second before it dived. | 0:07:39 | 0:07:41 | |
In mid-air, the gannet has two choices - | 0:07:52 | 0:07:55 | |
to dive shallow or to dive deep. | 0:07:55 | 0:07:58 | |
A quick, shallow dive allows it to hit the water fast | 0:08:01 | 0:08:04 | |
and instantly snatch any fish near the surface. | 0:08:04 | 0:08:07 | |
But once under attack, | 0:08:09 | 0:08:11 | |
the sardines escape downwards, and the gannets must up their game. | 0:08:11 | 0:08:15 | |
..diving almost vertically to give them | 0:08:21 | 0:08:23 | |
the speed to reach 10m underwater in a few seconds. | 0:08:23 | 0:08:27 | |
Their extreme dive has taken them to an alien world, | 0:08:49 | 0:08:52 | |
far away from the competition from the other sea birds. | 0:08:52 | 0:08:56 | |
A world where wings become fins, feet become paddles... | 0:08:57 | 0:09:01 | |
Even their eyes change shape so that they can see underwater, | 0:09:03 | 0:09:06 | |
and special eyelids act like goggles. | 0:09:06 | 0:09:08 | |
They are the only birds down here, and they reap the reward. | 0:09:14 | 0:09:18 | |
Running out of breath, they return to their sky world | 0:09:32 | 0:09:35 | |
using the air trapped in their feathers | 0:09:35 | 0:09:38 | |
to carry them back to the surface. | 0:09:38 | 0:09:40 | |
Risking death to dive deep allows gannets to escape the competition | 0:09:45 | 0:09:49 | |
and find food for their families. | 0:09:49 | 0:09:51 | |
But using extreme flying to catch | 0:09:53 | 0:09:55 | |
food is not just a survival trick for gannets. | 0:09:55 | 0:09:58 | |
There's plenty of food out there | 0:10:00 | 0:10:02 | |
for the animals who can fly well enough to catch it. | 0:10:02 | 0:10:05 | |
An African skimmer goes fishing too, flying with such precision that the | 0:10:08 | 0:10:12 | |
lower part of its beak can feel for fish just below the surface. | 0:10:12 | 0:10:16 | |
If it snaps shut, it's caught a fish. | 0:10:16 | 0:10:20 | |
There's a fishing bat that expertly deploys its enormous clawed | 0:10:25 | 0:10:29 | |
talons as trawling fish hooks. | 0:10:29 | 0:10:31 | |
But bats had better watch out or they might become food themselves. | 0:10:36 | 0:10:40 | |
Falcons use quick reactions | 0:10:42 | 0:10:43 | |
and extreme control to catch fast flying bats in mid-air. | 0:10:43 | 0:10:47 | |
Food is not the only thing animals in the skies compete for. | 0:11:04 | 0:11:08 | |
When it comes to finding a mate, there are some creatures | 0:11:08 | 0:11:11 | |
who've taken this to a record-breaking extreme. | 0:11:11 | 0:11:13 | |
Meet the Anna's hummingbird. | 0:11:16 | 0:11:18 | |
One of California's finest. | 0:11:28 | 0:11:30 | |
He's no bigger than a ping-pong ball, | 0:11:30 | 0:11:32 | |
no heavier than a 20-pence coin, | 0:11:32 | 0:11:35 | |
but he's a record-breaking flying machine. | 0:11:35 | 0:11:37 | |
His wings pump at 2,500 times a minute. | 0:11:43 | 0:11:47 | |
His heart beats at 1,200 times a minute | 0:11:48 | 0:11:52 | |
and he can hover for well over an hour. | 0:11:52 | 0:11:54 | |
He needs to mate, | 0:12:01 | 0:12:03 | |
but he has to prove that he's fitter than the rest. | 0:12:03 | 0:12:06 | |
He has a problem. | 0:12:08 | 0:12:11 | |
There's another male vying for the female's attention, | 0:12:11 | 0:12:14 | |
and he's a record-breaking flying machine too. | 0:12:14 | 0:12:17 | |
Let the competition commence. | 0:12:22 | 0:12:24 | |
Aggression drives the intruder away. | 0:12:41 | 0:12:43 | |
But that in itself doesn't impress her enough. | 0:12:46 | 0:12:49 | |
Now he's going to have to pull off the flying stunt of his life. | 0:12:49 | 0:12:54 | |
First, he woos her to his performance arena with a song. | 0:12:54 | 0:12:57 | |
IT CHIRPS | 0:12:57 | 0:12:59 | |
Now he's got her attention, | 0:13:07 | 0:13:09 | |
the stage is set for this tiny bird to perform | 0:13:09 | 0:13:12 | |
the fastest courtship display ever seen in the animal world. | 0:13:12 | 0:13:16 | |
He climbs 30m above her... | 0:13:21 | 0:13:23 | |
Then for the grand finale, he dives straight at the ground. | 0:13:32 | 0:13:36 | |
That was it, over in a few hundredths of a second. | 0:13:46 | 0:13:50 | |
And again. | 0:13:52 | 0:13:53 | |
To see what he's doing, we need to slow things down. | 0:13:55 | 0:13:59 | |
This is much more than just high-speed flying. | 0:13:59 | 0:14:01 | |
By folding his wings in tightly, he mimics a missile, | 0:14:09 | 0:14:13 | |
travelling 20m and 400 times his body length every second. | 0:14:13 | 0:14:17 | |
At the last moment, he pulls up sharply, | 0:14:24 | 0:14:27 | |
pulling more Gs than a jet fighter pilot. | 0:14:27 | 0:14:30 | |
But it's not just the speed, the height or | 0:14:45 | 0:14:48 | |
the angle of his flight, it's all about serenading on the wing. | 0:14:48 | 0:14:52 | |
His tail is singing a sweet song with jet-fighter force. | 0:14:54 | 0:14:58 | |
The air screaming through his spread-out tail feathers makes them | 0:15:06 | 0:15:09 | |
vibrate in a very special way. | 0:15:09 | 0:15:12 | |
BUZZING | 0:15:12 | 0:15:16 | |
Slowed down, this is the sound they make. | 0:15:16 | 0:15:19 | |
BUZZING | 0:15:21 | 0:15:24 | |
BUZZING | 0:15:26 | 0:15:30 | |
It's far louder than any of his singing. | 0:15:30 | 0:15:32 | |
And the faster he dives, the better it sounds. | 0:15:32 | 0:15:36 | |
BUZZING | 0:15:36 | 0:15:40 | |
Who'd have thought that a sound like this... | 0:15:43 | 0:15:45 | |
BRIEF CHIRP | 0:15:45 | 0:15:46 | |
..or this... BRIEF CHIRP | 0:15:46 | 0:15:48 | |
..would make all the difference and see off the competition? | 0:15:48 | 0:15:51 | |
To her, it proves he's fit. | 0:15:51 | 0:15:54 | |
This bird boy-racer has won himself a mate by pushing | 0:15:56 | 0:16:00 | |
himself to the limit and proving he's got what it takes. | 0:16:00 | 0:16:04 | |
But he's not the only one who knows that a little showing off | 0:16:05 | 0:16:08 | |
can go a long way. | 0:16:08 | 0:16:10 | |
Aerial displays are a serious business. | 0:16:14 | 0:16:17 | |
The greater the effort, the more lasting the impression. | 0:16:17 | 0:16:21 | |
Meet the male spatuletail hummingbird. | 0:16:22 | 0:16:25 | |
It has to be said, with a tail like that, | 0:16:38 | 0:16:40 | |
he's already making quite an impression. | 0:16:40 | 0:16:43 | |
But to win over his female, | 0:16:44 | 0:16:46 | |
he'll need to hover and wave his enormous tail flags | 0:16:46 | 0:16:49 | |
at the same time. | 0:16:49 | 0:16:51 | |
It's such an endurance test, | 0:17:04 | 0:17:06 | |
every now and then, he needs to take a little rest. | 0:17:06 | 0:17:10 | |
With every leap, | 0:17:16 | 0:17:18 | |
this lesser florican is trying to prove he's fitter | 0:17:18 | 0:17:20 | |
than all the other males. | 0:17:20 | 0:17:22 | |
And today, just to make sure, he's going to do 500 of them. | 0:17:22 | 0:17:28 | |
In the dense jungles of Costa Rica, | 0:17:36 | 0:17:39 | |
there's little room for showing off. | 0:17:39 | 0:17:42 | |
So one amorous male woos a female | 0:17:42 | 0:17:44 | |
with an altogether more cunning tactic. | 0:17:44 | 0:17:46 | |
Meet the male glasswing butterfly. | 0:17:49 | 0:17:52 | |
He's got see-through wings precisely | 0:17:56 | 0:17:58 | |
because he doesn't want to stand out from the crowd. | 0:17:58 | 0:18:01 | |
There are just too many jungle predators around for that. | 0:18:05 | 0:18:09 | |
He too uses the air to show off, | 0:18:12 | 0:18:14 | |
but it's an aerial display like no other. | 0:18:14 | 0:18:17 | |
He's going to use the air to carry an irresistible message | 0:18:19 | 0:18:22 | |
to a female and to get her to come to him. | 0:18:22 | 0:18:26 | |
On his wings, he has little bunches of hair | 0:18:30 | 0:18:33 | |
loaded with his own distinctive pheromone perfume. | 0:18:33 | 0:18:36 | |
The perfume wafts through the trees carrying a specially coded message | 0:18:42 | 0:18:46 | |
invisible to others. | 0:18:46 | 0:18:48 | |
It tells the female who he is and how many poisonous plants | 0:18:50 | 0:18:55 | |
he's managed to eat. | 0:18:55 | 0:18:56 | |
Because he stores the poisons in his body | 0:18:59 | 0:19:01 | |
and uses them to show how distasteful he is to predators. | 0:19:01 | 0:19:05 | |
So, to a female checking out the males in the jungle, | 0:19:10 | 0:19:13 | |
it's good to have bad taste. | 0:19:13 | 0:19:16 | |
The secret message wafting invisibly through the jungle says, | 0:19:20 | 0:19:23 | |
"I'm here, I'm male and I taste worse than all the others." | 0:19:23 | 0:19:28 | |
She's hooked and follows the trail of his irresistible odour. | 0:19:32 | 0:19:36 | |
It's a clever trick, | 0:19:47 | 0:19:49 | |
the male attracts a female without attracting predators. | 0:19:49 | 0:19:52 | |
When it comes to finding a mate, | 0:19:55 | 0:19:57 | |
males will try anything that works to give them an edge. | 0:19:57 | 0:20:01 | |
And with the skies so full of competition, | 0:20:01 | 0:20:03 | |
it pays to be cunning like the glasswing. | 0:20:03 | 0:20:06 | |
But once animals have paired up, | 0:20:09 | 0:20:12 | |
it's not long before offspring arrive, | 0:20:12 | 0:20:14 | |
and they need looking after. | 0:20:14 | 0:20:17 | |
This is Oregon, USA. | 0:20:19 | 0:20:21 | |
Home to the kingbirds. | 0:20:23 | 0:20:25 | |
They're an ordinary looking couple working hard to raise a family. | 0:20:27 | 0:20:31 | |
But don't be deceived, | 0:20:33 | 0:20:35 | |
these birds are remarkable. | 0:20:35 | 0:20:38 | |
The male has picked the perfect home, | 0:20:40 | 0:20:43 | |
the air is thick with insects to eat, | 0:20:43 | 0:20:45 | |
but he'll have to work hard to catch them for his family. | 0:20:45 | 0:20:48 | |
He's agile enough to take insects on the wing, and that's no mean feat. | 0:20:49 | 0:20:54 | |
The top prize for a kingbird is this. | 0:21:22 | 0:21:25 | |
A big, juicy dragonfly. | 0:21:27 | 0:21:29 | |
They're more manoeuvrable than him, | 0:21:33 | 0:21:36 | |
and they're one of the fastest insects in the world, | 0:21:36 | 0:21:39 | |
topping 50 kilometres an hour. | 0:21:39 | 0:21:41 | |
But the kingbird is faster. | 0:21:46 | 0:21:49 | |
This is speed versus agility. | 0:21:49 | 0:21:51 | |
He'll work hard like this to feed his chicks | 0:22:01 | 0:22:04 | |
for nearly for nearly two months. | 0:22:04 | 0:22:06 | |
His commitment is total. | 0:22:06 | 0:22:07 | |
But his true colours are about to be revealed. | 0:22:10 | 0:22:12 | |
He's spotted danger in his neighbourhood. | 0:22:12 | 0:22:15 | |
CROWING | 0:22:15 | 0:22:17 | |
Ravens. | 0:22:20 | 0:22:21 | |
They'd kill his whole family in minutes given the chance. | 0:22:24 | 0:22:26 | |
He's going to have to defend his offspring. | 0:22:30 | 0:22:32 | |
Ravens are clever, and they're four times bigger than him. | 0:22:37 | 0:22:41 | |
But no-one is going to hurt his family. | 0:22:48 | 0:22:51 | |
As formidable as the ravens are, | 0:22:57 | 0:22:59 | |
the kingbird has an unexpected side to his character. | 0:22:59 | 0:23:02 | |
Sheer. Obsessive. Belligerence. | 0:23:02 | 0:23:07 | |
What he's about to do seems almost suicidal. | 0:23:10 | 0:23:13 | |
He manoeuvres into the raven's blind spot. | 0:23:21 | 0:23:23 | |
He hassles it, landing on its back, even stabs at its neck. | 0:23:27 | 0:23:33 | |
The raven could kill him. | 0:23:33 | 0:23:34 | |
But as long as he holds this position, he's in control. | 0:23:37 | 0:23:40 | |
Those superb acrobatic skills that helped him | 0:23:45 | 0:23:48 | |
chase down dragonflies are now being used to help keep his family safe. | 0:23:48 | 0:23:52 | |
Kingbirds will take on anything, | 0:24:06 | 0:24:10 | |
including large birds of prey. | 0:24:10 | 0:24:12 | |
They've even been seen having a go at low-flying aircraft. | 0:24:16 | 0:24:19 | |
A combination of spectacular flying agility and an almost | 0:24:32 | 0:24:36 | |
psychopathic attitude makes the skies above a kingbird nest | 0:24:36 | 0:24:40 | |
a little less crowded than they might be, | 0:24:40 | 0:24:42 | |
and the chicks, a little safer. | 0:24:42 | 0:24:45 | |
That's dedication. | 0:24:46 | 0:24:48 | |
The kingbird takes huge risks to give his young a flying start | 0:24:56 | 0:24:59 | |
in this competitive world. | 0:24:59 | 0:25:01 | |
But there's a tiny animal from Texas that takes parenthood | 0:25:03 | 0:25:07 | |
to an even greater extreme. | 0:25:07 | 0:25:09 | |
The phorid fly. | 0:25:15 | 0:25:17 | |
Smaller than a pin's head, she's a mother. | 0:25:17 | 0:25:20 | |
And right now, she needs to lay her eggs and secure a safe future | 0:25:20 | 0:25:23 | |
for her offspring. | 0:25:23 | 0:25:25 | |
But to do this, | 0:25:30 | 0:25:31 | |
she must face one of the most feared animals in Texas. | 0:25:31 | 0:25:35 | |
Fire ants. | 0:25:37 | 0:25:38 | |
In their thousands. | 0:25:39 | 0:25:41 | |
They have a vicious bite and a venomous sting. | 0:25:43 | 0:25:46 | |
They'll kill any insect that crosses their path. | 0:25:47 | 0:25:50 | |
But incredibly, these vicious predators aren't going to eat | 0:25:57 | 0:26:00 | |
the phorid fly's young, | 0:26:00 | 0:26:02 | |
the young phorid flies are going to eat them. | 0:26:02 | 0:26:05 | |
First, the mother must pull off one of the greatest daredevil | 0:26:08 | 0:26:12 | |
flying missions in the natural world - | 0:26:12 | 0:26:14 | |
she's going to lay her eggs on living fire ants. | 0:26:14 | 0:26:18 | |
She's going to have to do some serious precision flying, | 0:26:21 | 0:26:25 | |
or she'll be killed herself. | 0:26:25 | 0:26:27 | |
How she does it can only be fully understood | 0:26:28 | 0:26:30 | |
by watching in slow motion. | 0:26:30 | 0:26:32 | |
First, she hovers as close as possible to her victim | 0:26:37 | 0:26:40 | |
but just out of reach of the ants' jaws. | 0:26:40 | 0:26:43 | |
The risk is finely balanced, just a breath of wind and she's dinner. | 0:26:44 | 0:26:48 | |
Now she's ready to quickly deposit an egg in a chink | 0:27:08 | 0:27:11 | |
in the ant's armour, at a leg joint. | 0:27:11 | 0:27:13 | |
From start to finish, it takes just one sixtieth of a second. | 0:27:14 | 0:27:18 | |
Once attacked, the ants send out a chemical alarm to warn the others. | 0:27:37 | 0:27:41 | |
They hide, crowding under any available cover, | 0:27:43 | 0:27:47 | |
making it much harder for the phorid fly to get at them. | 0:27:47 | 0:27:51 | |
But she has over 100 eggs still to lay. | 0:27:53 | 0:27:56 | |
She's going to have to up her game and test her hovering skills | 0:27:57 | 0:28:00 | |
to the max if she's going to deliver her cargo successfully. | 0:28:00 | 0:28:03 | |
Her daredevil mission is accomplished. | 0:28:37 | 0:28:39 | |
But the story isn't over for the ants. | 0:28:41 | 0:28:44 | |
Inside each ant, | 0:28:46 | 0:28:48 | |
the fly larva has taken over the ant's mind, | 0:28:48 | 0:28:51 | |
reprogramming it to walk off like a zombie. | 0:28:51 | 0:28:54 | |
The ant finally dies safely away from its colony | 0:28:56 | 0:29:00 | |
where the fly larva can grow up in peace. | 0:29:00 | 0:29:02 | |
The ant's zombie body now becomes perfect phorid fly baby food. | 0:29:06 | 0:29:10 | |
For two weeks, the fly larva eats the ant from the inside. | 0:29:16 | 0:29:20 | |
A tiny new phorid fly stretches her wings for the first time. | 0:29:26 | 0:29:30 | |
Soon, like her mother, she'll fly her own mission impossible, | 0:29:36 | 0:29:40 | |
a hair's breadth from a fire ant's jaws. | 0:29:40 | 0:29:43 | |
At every stage of their lives, animals are doing what it | 0:29:52 | 0:29:56 | |
takes to stay ahead of the rest | 0:29:56 | 0:29:58 | |
to survive and raise a family. | 0:29:58 | 0:30:01 | |
But in our crowded skies, | 0:30:01 | 0:30:02 | |
they face competition from others at every turn. | 0:30:02 | 0:30:06 | |
With so many lives interacting, colliding and competing | 0:30:06 | 0:30:10 | |
and so much pressure to succeed, | 0:30:10 | 0:30:12 | |
animals have had to push their flying abilities to the extreme, | 0:30:12 | 0:30:16 | |
taking huge risks with their own lives. | 0:30:16 | 0:30:18 | |
Up here, it can be tough to find food... | 0:30:31 | 0:30:34 | |
..win a mate... | 0:30:37 | 0:30:40 | |
or secure a future for your offspring. | 0:30:40 | 0:30:42 | |
Life in the air is a life of intense competition. | 0:30:46 | 0:30:50 | |
And where there's competition, | 0:30:53 | 0:30:55 | |
there are animals who choose not to play by the rules. | 0:30:55 | 0:30:59 | |
Few are sneakier than an inhabitant of tropical seas | 0:31:01 | 0:31:04 | |
and islands around the world - | 0:31:04 | 0:31:07 | |
the frigate bird. | 0:31:07 | 0:31:08 | |
This pterodactyl-shaped bird has a curious problem. | 0:31:12 | 0:31:17 | |
Remarkably for a sea bird, its feathers aren't waterproof. | 0:31:17 | 0:31:22 | |
If it gets too wet, it'll sink and drown. | 0:31:22 | 0:31:25 | |
That's obviously not good for a bird that needs to catch fish. | 0:31:31 | 0:31:35 | |
So the frigate bird uses its unique flying speed | 0:31:35 | 0:31:38 | |
and agility to catch fish another, less honest, way. | 0:31:38 | 0:31:42 | |
It steals fish from others. | 0:31:46 | 0:31:48 | |
It's a flying pirate. | 0:31:49 | 0:31:51 | |
This time, its victim is a red-billed tropic bird. | 0:31:54 | 0:31:57 | |
The frigate bird is going to force it to give up its last meal, | 0:32:02 | 0:32:06 | |
and that means putting it under serious pressure. | 0:32:06 | 0:32:08 | |
The tropic bird is a superb flier, | 0:32:38 | 0:32:41 | |
but the frigate bird pirate is better. | 0:32:41 | 0:32:43 | |
His wings are unusually large, but his body remains light. | 0:32:45 | 0:32:49 | |
These two things combined deliver the most extraordinary | 0:32:49 | 0:32:52 | |
agility in the air. | 0:32:52 | 0:32:54 | |
The frigate bird can, in theory, | 0:32:55 | 0:32:57 | |
out manoeuvre any other sea bird in the world. | 0:32:57 | 0:33:00 | |
Perfect skills for a pirate of the skies. | 0:33:02 | 0:33:04 | |
But the tropic bird isn't going to give up its hard-earned meal easily. | 0:33:18 | 0:33:22 | |
When the tropic bird finally gives up its dinner, | 0:33:53 | 0:33:56 | |
the frigate bird is in precisely the right spot for the catch. | 0:33:56 | 0:34:00 | |
When it comes to aerial combat, | 0:34:07 | 0:34:09 | |
it takes a lot to beat this thieving pirate. | 0:34:09 | 0:34:12 | |
Our crowded skies are a competitive battle zone, | 0:34:21 | 0:34:24 | |
with tussles between species going on all the time, | 0:34:24 | 0:34:28 | |
as they've done for millions of years. | 0:34:28 | 0:34:31 | |
But just occasionally, the underdog fights back | 0:34:35 | 0:34:39 | |
and outsmarts its attacker. | 0:34:39 | 0:34:41 | |
Take this moth. | 0:34:45 | 0:34:46 | |
It can seem pretty incompetent in the air, | 0:34:48 | 0:34:50 | |
with weak and fluttery flight and a bad sense of direction. | 0:34:50 | 0:34:54 | |
It can blame that on its ancestors. | 0:34:57 | 0:34:59 | |
100 million years ago, insects had the night sky to themselves. | 0:35:02 | 0:35:07 | |
They didn't need to be strong fliers | 0:35:07 | 0:35:09 | |
because there wasn't much out there to get them. | 0:35:09 | 0:35:12 | |
But then along came new, intelligent, | 0:35:14 | 0:35:16 | |
highly-equipped creatures that could hunt them down easily. | 0:35:16 | 0:35:20 | |
They are the only mammals that have ever learnt to fly, | 0:35:27 | 0:35:30 | |
and many could see in the dark. | 0:35:30 | 0:35:32 | |
Bats. | 0:35:52 | 0:35:53 | |
Bats were onto something. | 0:35:56 | 0:35:58 | |
There was a great feast to be had in the night. | 0:35:58 | 0:36:00 | |
To a moth, this is a sophisticated, highly dangerous enemy. | 0:36:01 | 0:36:06 | |
A bat finds its prey using echolocation. | 0:36:08 | 0:36:11 | |
Literally, it locates using echoes. | 0:36:14 | 0:36:18 | |
You could say it sees using sound. | 0:36:18 | 0:36:21 | |
It sends out clicks into the air, as many as 200 a second. | 0:36:23 | 0:36:28 | |
If the clicks hit anything, they bounce back as echoes. | 0:36:28 | 0:36:32 | |
It's by listening to those echoes in the darkness a bat can pick | 0:36:33 | 0:36:37 | |
out its surroundings, even a moth. | 0:36:37 | 0:36:40 | |
As the bat approaches its victim, the clicks get faster, | 0:36:44 | 0:36:48 | |
creating a buzz of sound that helps it home in on its target. | 0:36:48 | 0:36:52 | |
These sounds all happen beyond our human hearing. | 0:36:57 | 0:37:00 | |
But we can see them as sound waves. | 0:37:01 | 0:37:04 | |
First searching. | 0:37:05 | 0:37:07 | |
Then approaching. | 0:37:09 | 0:37:10 | |
And then finally, the attack. | 0:37:11 | 0:37:14 | |
So a bat is a super flyer with added superpowers, | 0:37:19 | 0:37:24 | |
and that's hard to beat. | 0:37:24 | 0:37:26 | |
If they were going to survive, moths had to raise their own game. | 0:37:29 | 0:37:33 | |
Some of them began to hear the bats coming. | 0:37:35 | 0:37:38 | |
When they hear the buzz of an attacking bat, | 0:37:41 | 0:37:43 | |
these moths take evasive action. | 0:37:43 | 0:37:45 | |
They drop out of the sky. | 0:37:46 | 0:37:48 | |
Simple, but effective. | 0:37:51 | 0:37:53 | |
An arms race had begun between bats and moths, | 0:37:58 | 0:38:01 | |
each trying to out compete each other in the night sky. | 0:38:01 | 0:38:05 | |
Eventually, a race of super moths emerged. | 0:38:06 | 0:38:10 | |
Super moths like this tiger moth. | 0:38:13 | 0:38:16 | |
Its superpowers have only recently been explained. | 0:38:16 | 0:38:19 | |
The tiger moth can vibrate a tiny membrane under its wing. | 0:38:27 | 0:38:31 | |
This produces a special high-frequency sound | 0:38:38 | 0:38:42 | |
to confuse bats. | 0:38:42 | 0:38:44 | |
When a bat attacks, | 0:38:44 | 0:38:46 | |
the secret weapon is deployed. | 0:38:46 | 0:38:47 | |
The moth's special sound jams | 0:38:55 | 0:38:57 | |
the bat's echolocation system, | 0:38:57 | 0:38:59 | |
so it can't see with sound properly. | 0:38:59 | 0:39:01 | |
It's enough of a smokescreen | 0:39:02 | 0:39:04 | |
to allow the moth to escape, | 0:39:04 | 0:39:06 | |
leaving the confused bat to try and find another. | 0:39:06 | 0:39:09 | |
Every night, around the world, hi-tech aerial battles like this | 0:39:14 | 0:39:18 | |
take place with sophisticated weaponry, | 0:39:18 | 0:39:20 | |
changing the odds, as predator is pitched against prey. | 0:39:20 | 0:39:24 | |
Bat versus moth, | 0:40:13 | 0:40:15 | |
aerial competition that's been played out over millions | 0:40:15 | 0:40:18 | |
of years between billions of rivals, | 0:40:18 | 0:40:21 | |
where the tiniest advantage may make | 0:40:21 | 0:40:23 | |
all the difference in the fierce battles that rage in the skies. | 0:40:23 | 0:40:27 | |
If you're caught in a one-on-one life or death battle in the sky | 0:40:31 | 0:40:35 | |
and you don't have a secret weapon up your sleeve, | 0:40:35 | 0:40:38 | |
you'd better be able to out-fly your assailant. | 0:40:38 | 0:40:42 | |
As a lone flyer, you have few other options. | 0:40:42 | 0:40:45 | |
But there is one way to beat even the best aerial hunter. | 0:40:46 | 0:40:49 | |
And that's teamwork. | 0:40:51 | 0:40:52 | |
A group is almost impossible to sneak up on without being noticed. | 0:40:59 | 0:41:03 | |
But there are other reasons that animals move together like this. | 0:41:09 | 0:41:13 | |
Predators can only chase one of you at a time. | 0:41:16 | 0:41:20 | |
The way they see has evolved to focus on just one animal. | 0:41:22 | 0:41:26 | |
Faced with a swirling flock, they struggle to focus. | 0:41:30 | 0:41:33 | |
It's information overload. | 0:41:33 | 0:41:36 | |
Flocking is a really effective strategy, | 0:41:47 | 0:41:50 | |
and many birds do this all over the world. | 0:41:50 | 0:41:53 | |
But how can they fly so fast | 0:41:54 | 0:41:56 | |
and so close to each other without colliding? | 0:41:56 | 0:41:59 | |
And who is deciding where to go? | 0:41:59 | 0:42:02 | |
Take starlings. | 0:42:02 | 0:42:05 | |
Their flocking behaviour is world-famous, | 0:42:05 | 0:42:08 | |
it even has a special name - a murmuration. | 0:42:08 | 0:42:12 | |
Confusing to a predator, | 0:42:16 | 0:42:18 | |
it's one of the most breathtaking sights in nature. | 0:42:18 | 0:42:21 | |
Hundreds of thousands of individual birds are moving as one, | 0:42:49 | 0:42:53 | |
and amazingly, there's no single bird in charge of the plan. | 0:42:53 | 0:42:58 | |
Just how these complex aerial displays work has baffled us | 0:42:58 | 0:43:02 | |
for centuries and has only just recently been explained. | 0:43:02 | 0:43:05 | |
Remarkably, the truth about their complexity is rather simple. | 0:43:06 | 0:43:10 | |
To understand how it works, imagine you could fly | 0:43:10 | 0:43:14 | |
into a giant flock alongside one single starling. | 0:43:14 | 0:43:17 | |
How she flies is all to do | 0:43:23 | 0:43:25 | |
with what her seven closest neighbours are up to. | 0:43:25 | 0:43:28 | |
As the flock moves, | 0:43:33 | 0:43:35 | |
those seven might change, | 0:43:35 | 0:43:37 | |
but the principle stays the same. | 0:43:37 | 0:43:39 | |
Every starling in the flock is following three simple rules. | 0:43:41 | 0:43:44 | |
Firstly, as you fly, steer towards each other. | 0:43:48 | 0:43:51 | |
Secondly, if any of your seven neighbours turn, then you turn. | 0:43:56 | 0:44:00 | |
Finally, don't crowd each other. | 0:44:05 | 0:44:07 | |
Amazingly, that's all there is to it. | 0:44:13 | 0:44:16 | |
Inside a flock, individual birds are making these simple decisions | 0:44:23 | 0:44:27 | |
in hundredths of a second, again and again. | 0:44:27 | 0:44:30 | |
It's enough to confuse a predator. | 0:44:31 | 0:44:34 | |
And when half a million birds do it altogether, | 0:44:34 | 0:44:37 | |
the results are spectacular. | 0:44:37 | 0:44:39 | |
So how do we know precisely that this incredible spectacle is | 0:45:05 | 0:45:09 | |
the result of just three simple rules and seven near neighbours? | 0:45:09 | 0:45:13 | |
The answer lies in what you see here. | 0:45:14 | 0:45:17 | |
This swirling mass of birds doesn't actually exist in the natural | 0:45:18 | 0:45:22 | |
world, it exists inside a computer. | 0:45:22 | 0:45:25 | |
It's a computer simulation, with virtual birds | 0:45:27 | 0:45:30 | |
created by scientists trying to work out how flocks work. | 0:45:30 | 0:45:34 | |
Incredibly, this computer-generated flock looks | 0:45:41 | 0:45:45 | |
and behaves exactly like the real thing. | 0:45:45 | 0:45:47 | |
Each bird is following its seven neighbours | 0:45:48 | 0:45:51 | |
and using the same three rules. | 0:45:51 | 0:45:53 | |
Watch a real flock anywhere on earth... | 0:45:55 | 0:45:57 | |
..and it will be working in exactly the same way. | 0:45:58 | 0:46:01 | |
In our crowded and competitive skies, | 0:46:30 | 0:46:33 | |
this surely is the ultimate defence against an airborne predator | 0:46:33 | 0:46:37 | |
and one of nature's greatest flying stunts. | 0:46:37 | 0:46:40 | |
Our skies are teeming with life, | 0:46:44 | 0:46:47 | |
every creature trying to find its way and to survive. | 0:46:47 | 0:46:51 | |
If you can overcome the challenges of life in the air, | 0:46:54 | 0:46:56 | |
there are great opportunities to be had. | 0:46:56 | 0:46:59 | |
It's all about finding your place in the sky | 0:46:59 | 0:47:02 | |
and picking a winning strategy. | 0:47:02 | 0:47:05 | |
For some, it's enough just to beat gravity for a few seconds. | 0:47:05 | 0:47:10 | |
For others, it means taking a leap of faith. | 0:47:10 | 0:47:13 | |
Extraordinary specialist techniques might just give you an edge. | 0:47:16 | 0:47:19 | |
All these animals have skills we humans can only wonder at. | 0:47:22 | 0:47:26 | |
Every time an animal takes to the air, | 0:47:27 | 0:47:30 | |
it seems to be performing its own personal miracle. | 0:47:30 | 0:47:33 | |
Defying gravity to live in a world | 0:47:37 | 0:47:40 | |
that we are only just beginning to understand. | 0:47:40 | 0:47:43 | |
In Life In The Air, the team's mission was to reveal the incredible | 0:48:04 | 0:48:07 | |
abilities of airborne animals in more detail than ever before. | 0:48:07 | 0:48:11 | |
To do it required some extreme perseverance | 0:48:11 | 0:48:15 | |
and a range of approaches. | 0:48:15 | 0:48:17 | |
Some animal stars could be filmed in controlled conditions, | 0:48:17 | 0:48:20 | |
allowing the team to move their cameras alongside them. | 0:48:20 | 0:48:24 | |
Others could only be filmed on their own terms out in the wild. | 0:48:24 | 0:48:27 | |
Blimey! | 0:48:27 | 0:48:28 | |
The most challenging filming in the wild involved the smallest | 0:48:30 | 0:48:33 | |
and fastest of flyers - the Anna's hummingbird. | 0:48:33 | 0:48:37 | |
To film their record-breaking dive, | 0:48:39 | 0:48:41 | |
the team needed a secret weapon - cameraman Barrie Britton. | 0:48:41 | 0:48:45 | |
Filming birds requires keeping them in shot | 0:48:51 | 0:48:54 | |
and in focus from great distances. | 0:48:54 | 0:48:56 | |
Few people on the planet can do it, and Barrie is one of the best. | 0:48:56 | 0:49:01 | |
But this was the first time he'd attempted to film | 0:49:06 | 0:49:08 | |
the legendary Anna's hummingbird. | 0:49:08 | 0:49:10 | |
On the edge of a university campus in California, | 0:49:15 | 0:49:18 | |
he has his first view of the male's display. | 0:49:18 | 0:49:20 | |
The hummingbird has gone really high in the sky, | 0:49:24 | 0:49:28 | |
and it's coming in. Whoa! | 0:49:28 | 0:49:30 | |
He's so small and he's just moving so quickly. | 0:49:32 | 0:49:35 | |
I think it's going to be a real challenge to film it. | 0:49:37 | 0:49:40 | |
Hummingbird scientist Christopher Clark | 0:49:40 | 0:49:42 | |
knows a trick that might help. | 0:49:42 | 0:49:44 | |
He uses a stand-in female bird to attract the males. | 0:49:44 | 0:49:47 | |
The birds are going at the speed of freeway traffic. | 0:49:47 | 0:49:49 | |
Barrie is able to piggyback on Chris's studies | 0:49:49 | 0:49:52 | |
to give him a chance. | 0:49:52 | 0:49:53 | |
And as backup, the team have brought their own range | 0:49:55 | 0:49:58 | |
of stand-in models. | 0:49:58 | 0:49:59 | |
First up, a slightly moth-eaten stuffed bird. | 0:49:59 | 0:50:03 | |
According to the scientists, | 0:50:03 | 0:50:06 | |
this female, the way her tail is, | 0:50:06 | 0:50:09 | |
means that she's a bit... | 0:50:09 | 0:50:10 | |
she looks a bit more up for it than the others. | 0:50:10 | 0:50:13 | |
The model is so enticing, the male skips courtship altogether. | 0:50:13 | 0:50:17 | |
Onto model number two. | 0:50:20 | 0:50:22 | |
A more modest embroidered female. | 0:50:22 | 0:50:24 | |
Playing hard to get, | 0:50:26 | 0:50:27 | |
she's perfect for encouraging the males to perform | 0:50:27 | 0:50:30 | |
their courtship display. | 0:50:30 | 0:50:32 | |
In fact, they're so keen to show off to her, the crew need to cover | 0:50:32 | 0:50:35 | |
her up while Barrie prepares. | 0:50:35 | 0:50:38 | |
I'm ready. | 0:50:38 | 0:50:39 | |
With the set-up sorted, it's now down to Barrie versus the birds. | 0:50:39 | 0:50:43 | |
Oh, here he is. | 0:50:47 | 0:50:48 | |
-Whoa! -HE LAUGHS | 0:50:51 | 0:50:53 | |
That's really quick. | 0:50:53 | 0:50:55 | |
You think you're so clever! | 0:50:57 | 0:50:59 | |
Blimey! | 0:51:09 | 0:51:10 | |
I'm not sure this is going to work, I'm just trying. | 0:51:11 | 0:51:14 | |
Things are starting to come together. | 0:51:16 | 0:51:18 | |
That's got to be good, it's got to be good. | 0:51:18 | 0:51:22 | |
Meanwhile, thousands of miles away in the cloud forests of Ecuador, | 0:51:25 | 0:51:29 | |
another team are also challenged with filming a small, | 0:51:29 | 0:51:32 | |
fast-moving animal. | 0:51:32 | 0:51:33 | |
Their mission is to fly alongside wild bats | 0:51:36 | 0:51:39 | |
hunting in complete darkness. | 0:51:39 | 0:51:41 | |
Scientist Nick Dowdy is taking the crew to his study site within | 0:51:47 | 0:51:51 | |
the forest, where he carries out research on how wild bats | 0:51:51 | 0:51:54 | |
hunt tiger moths. | 0:51:54 | 0:51:55 | |
Huge amounts of specialist equipment are required. | 0:51:58 | 0:52:01 | |
And unable to get this deep into the jungle, | 0:52:01 | 0:52:04 | |
the team's first task is to bring the jungle to them. | 0:52:04 | 0:52:07 | |
A studio within the forest will be a temporary new home for the bats. | 0:52:12 | 0:52:15 | |
It'll replicate the jungle | 0:52:18 | 0:52:19 | |
but will also be rigged with kit by cameraman Rob Drewett. | 0:52:19 | 0:52:23 | |
It takes five days to get everything just right before switching | 0:52:27 | 0:52:31 | |
to night shifts, entering the world of the bats. | 0:52:31 | 0:52:34 | |
Challenged with flying his camera alongside them, | 0:52:36 | 0:52:38 | |
Rob has a stabilising pulley system. | 0:52:38 | 0:52:41 | |
And his state-of-the-art infrared camera | 0:52:45 | 0:52:46 | |
is able to slow down the images over 40 times. | 0:52:46 | 0:52:49 | |
Rob's also relying on some rather less technical equipment. | 0:52:53 | 0:52:57 | |
I'm having to go around and just make sure there's no | 0:52:57 | 0:53:00 | |
holes for them to get out of the enclosure. | 0:53:00 | 0:53:02 | |
Fingers crossed we've got it sorted. | 0:53:05 | 0:53:07 | |
I think we have, it looks pretty good. | 0:53:10 | 0:53:14 | |
So even like that, they're going to get out, aren't they? | 0:53:14 | 0:53:17 | |
While Rob double checks, there's also time for final kit tests | 0:53:17 | 0:53:20 | |
before everything is bat-ready. | 0:53:20 | 0:53:22 | |
-You're flapping! -HE LAUGHS | 0:53:22 | 0:53:24 | |
Nick is trained to safely capture | 0:53:28 | 0:53:30 | |
and release wild bats for use in his studies. | 0:53:30 | 0:53:33 | |
This expertise ensures the welfare of the animals during filming. | 0:53:33 | 0:53:37 | |
It's also an opportunity for Nick to gain insights into their behaviour. | 0:53:38 | 0:53:43 | |
CLICKING | 0:53:43 | 0:53:46 | |
Echolocation clicks from a bat detector show | 0:53:46 | 0:53:49 | |
the occupants are getting to know their new home. | 0:53:49 | 0:53:52 | |
Now filming can finally begin. | 0:53:55 | 0:53:56 | |
Night after night, Rob starts to get the shots he needs. | 0:54:01 | 0:54:04 | |
And the controlled conditions of the forest studio come into their own. | 0:54:06 | 0:54:10 | |
-Oh, here we go. -Here we go. | 0:54:10 | 0:54:11 | |
-Yes, it's pretty good. -Yeah. | 0:54:13 | 0:54:16 | |
But Rob's greatest challenge is yet to come - filming the bats hunting. | 0:54:16 | 0:54:20 | |
Back in California, the hummingbird crew have hit a problem. | 0:54:26 | 0:54:30 | |
The star model has lost its appeal | 0:54:30 | 0:54:32 | |
and instead of diving, the males are now attacking. | 0:54:32 | 0:54:35 | |
There's no option but to turn to the real deal, | 0:54:38 | 0:54:41 | |
a female Anna's hummingbird. | 0:54:41 | 0:54:44 | |
For these shy creatures, | 0:54:44 | 0:54:46 | |
Barrie has to rely on more traditional techniques. | 0:54:46 | 0:54:49 | |
We just need everything to kind of line up. | 0:54:49 | 0:54:51 | |
We need the females to come, land on the perch | 0:54:51 | 0:54:53 | |
and the male has to be looking the right way. | 0:54:53 | 0:54:57 | |
It's going to be a test of patience, | 0:54:57 | 0:54:58 | |
filming all day, every day, in a hide in the Californian heat. | 0:54:58 | 0:55:02 | |
The shoot is in its last few days, | 0:55:06 | 0:55:08 | |
and finally, everything is falling into place. | 0:55:08 | 0:55:10 | |
Barrie's able to capture interactions between the male | 0:55:10 | 0:55:13 | |
and a real female, and reveal the world's fastest courtship | 0:55:13 | 0:55:16 | |
display in incredible detail. | 0:55:16 | 0:55:18 | |
That's really nice, really good. | 0:55:23 | 0:55:25 | |
Back in Ecuador, Rob also faces a waiting game. | 0:55:28 | 0:55:32 | |
He's truly immersed in the bat's world, | 0:55:32 | 0:55:35 | |
becoming nocturnal himself | 0:55:35 | 0:55:37 | |
as he strives to capture their hunting behaviour. | 0:55:37 | 0:55:39 | |
There's no way of knowing exactly when the bats will strike. | 0:55:40 | 0:55:43 | |
And once triggered, the camera needs | 0:55:43 | 0:55:45 | |
at least seven seconds to save the shot. | 0:55:45 | 0:55:48 | |
Oh, that was close. | 0:55:48 | 0:55:50 | |
It's frustrating for Rob | 0:55:50 | 0:55:52 | |
if the action happens before the camera re-arms. | 0:55:52 | 0:55:55 | |
And then... | 0:55:56 | 0:55:57 | |
Ah, no. Not now, though. | 0:55:57 | 0:55:58 | |
-..catastrophe. -No, armed? | 0:55:58 | 0:56:00 | |
Armed. | 0:56:00 | 0:56:02 | |
Ah! | 0:56:02 | 0:56:03 | |
Look at this. | 0:56:03 | 0:56:05 | |
-Ah! -Oh, my God. | 0:56:05 | 0:56:07 | |
This is disastrous. | 0:56:10 | 0:56:12 | |
I'm a bit nervous about using this camera - | 0:56:12 | 0:56:14 | |
it crashed and we lost a whole night's footage. | 0:56:14 | 0:56:17 | |
So fingers crossed it doesn't do that again. | 0:56:17 | 0:56:22 | |
Having worked through the night for over two whole weeks, Rob's spirits | 0:56:22 | 0:56:25 | |
are low, and he only has a few days left. | 0:56:25 | 0:56:30 | |
But he's not one for quitting. | 0:56:30 | 0:56:31 | |
Am I armed? | 0:56:31 | 0:56:34 | |
Yep. | 0:56:34 | 0:56:35 | |
Oh, that was in frame! | 0:56:35 | 0:56:37 | |
OK, let's have a look at that one. | 0:56:39 | 0:56:41 | |
I think we might have got that. Yes! | 0:56:41 | 0:56:44 | |
Ah, that's nice. | 0:56:44 | 0:56:46 | |
Great, we got one. | 0:56:46 | 0:56:48 | |
-Yes! -Well done, good work. | 0:56:48 | 0:56:50 | |
After many sleepless nights, Rob's perseverance pays off, | 0:56:50 | 0:56:53 | |
helped by a successful partnership with science, a little | 0:56:53 | 0:56:56 | |
technology and a great performance from the masters of the night sky. | 0:56:56 | 0:57:00 | |
In total, crews have worked over 300 days on location | 0:57:04 | 0:57:09 | |
to film incredible animals in action in the skies. | 0:57:09 | 0:57:12 | |
Life in the air has been captured | 0:57:17 | 0:57:19 | |
in greater detail than ever before. | 0:57:19 | 0:57:22 | |
Seeing how animals survive | 0:57:22 | 0:57:24 | |
and thrive up here has revealed just what it takes to master the skies. | 0:57:24 | 0:57:30 |