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I'm Martha Kearney. | 0:00:02 | 0:00:03 | |
During the week I work as a journalist and presenter, | 0:00:03 | 0:00:06 | |
but at the weekend, I keep bees. | 0:00:06 | 0:00:09 | |
Look at that. That's fantastic. | 0:00:09 | 0:00:12 | |
I've had hives in my garden for almost ten years | 0:00:12 | 0:00:15 | |
but I've never had any training and I'm far from expert. | 0:00:15 | 0:00:19 | |
I just hope I don't get stung! | 0:00:19 | 0:00:21 | |
So this year I'm upping my game | 0:00:21 | 0:00:23 | |
and attempting to produce my first-ever wildflower honey. | 0:00:23 | 0:00:27 | |
I'm quite excited about that. | 0:00:27 | 0:00:30 | |
I'll be finding out about the bees' extraordinary dance language... | 0:00:30 | 0:00:34 | |
It's the most sophisticated form of communication | 0:00:34 | 0:00:37 | |
that a non-human can do. | 0:00:37 | 0:00:38 | |
..and try out my honey on the public. | 0:00:38 | 0:00:41 | |
Would you like to taste some honey? | 0:00:41 | 0:00:43 | |
I've put three hives on a wildflower meadow | 0:01:03 | 0:01:05 | |
near my house in Suffolk | 0:01:05 | 0:01:07 | |
in the hope they'll produce a unique floral honey | 0:01:07 | 0:01:10 | |
more delicious than anything I've collected before. | 0:01:10 | 0:01:13 | |
But I'm beginning to despair. | 0:01:15 | 0:01:17 | |
We still haven't had a drop of honey from the hives on the meadow | 0:01:17 | 0:01:20 | |
even though we've had plenty at home. | 0:01:20 | 0:01:22 | |
And a deadline's approaching. | 0:01:22 | 0:01:24 | |
In just over a week, the owners of the meadow, | 0:01:24 | 0:01:27 | |
Matthew Hicks and Nick Cook, will be hosting a summer fair. | 0:01:27 | 0:01:31 | |
I've promised to get some honey ready to present to their visitors. | 0:01:31 | 0:01:35 | |
Over here in the far end we'll have two tents | 0:01:35 | 0:01:38 | |
where the produce stand will be, | 0:01:38 | 0:01:40 | |
so that's where we'll be having your honey | 0:01:40 | 0:01:43 | |
and all the other produce that's coming in. | 0:01:43 | 0:01:45 | |
This should be a wonderful spot. | 0:01:45 | 0:01:46 | |
So you're hoping this is all going to be filled with people? | 0:01:46 | 0:01:49 | |
Yes, I mean, what it is, because it's actually quite compact, | 0:01:49 | 0:01:52 | |
when you've got lots of people in here, | 0:01:52 | 0:01:54 | |
there's a real sort of buzz and it's a great atmosphere. | 0:01:54 | 0:01:56 | |
-A buzz! -Sorry! -See what you did there. | 0:01:56 | 0:01:58 | |
THEY LAUGH | 0:01:58 | 0:02:00 | |
With the late spring we've had, the meadow is still way behind | 0:02:00 | 0:02:04 | |
where it would normally be at this time of year. | 0:02:04 | 0:02:07 | |
The buttercup, the ox-eye daisies and the yarrow are out, | 0:02:07 | 0:02:12 | |
but the wild red clover, and the knapweed that the bees love best, | 0:02:12 | 0:02:15 | |
still haven't flowered. | 0:02:15 | 0:02:17 | |
When they open they can be bursting everywhere. | 0:02:17 | 0:02:21 | |
But will they be bursting in time for the grand opening of the meadow? | 0:02:21 | 0:02:24 | |
We hope so! | 0:02:24 | 0:02:25 | |
Hopefully with this weather now, we've got a week to go, | 0:02:25 | 0:02:28 | |
and it should catch up. | 0:02:28 | 0:02:30 | |
'With no time to waste, | 0:02:30 | 0:02:31 | |
'I've brought along my reluctant assistant Chris, my husband, | 0:02:31 | 0:02:34 | |
'to help find out if there's any honey ready to extract.' | 0:02:34 | 0:02:37 | |
-Chris, look that's brilliant. -That's perfect. | 0:02:45 | 0:02:49 | |
This is all capped with wax. | 0:02:49 | 0:02:52 | |
So that means the bees have condensed the honey, | 0:02:52 | 0:02:56 | |
capped it over with wax and that's all ready to go. | 0:02:56 | 0:02:59 | |
-Beautiful. -That's nice and sealed, isn't it? | 0:02:59 | 0:03:02 | |
-So we need to start de-beeing. -OK, so... | 0:03:02 | 0:03:06 | |
-Shall I shake off? -Yeah. | 0:03:08 | 0:03:11 | |
'You have to get rid of all the bees | 0:03:13 | 0:03:15 | |
'before you take the frames in for extracting.' | 0:03:15 | 0:03:18 | |
Oh! | 0:03:18 | 0:03:19 | |
Oh, oh, oh, oh, oh! | 0:03:19 | 0:03:21 | |
-I think we should hurry up. -OK. | 0:03:24 | 0:03:27 | |
-You don't really like this bit at all, do you? -No. | 0:03:27 | 0:03:30 | |
'I'm curious to find out how much honey we're going to get. | 0:03:30 | 0:03:33 | |
'There could be 15 or more pounds in every super.' | 0:03:33 | 0:03:37 | |
I mean, this is good. Four supers. | 0:03:39 | 0:03:41 | |
We could get 50, 60, 70 pounds of honey. It's amazing. | 0:03:41 | 0:03:45 | |
Really pleased. | 0:03:45 | 0:03:47 | |
I'm just going to shut the door, | 0:03:47 | 0:03:49 | |
because if they get in here it's absolute chaos, isn't it? | 0:03:49 | 0:03:52 | |
'Unfortunately, we've left a few bees stuck to the frames.' | 0:03:56 | 0:04:00 | |
Let me just get it out. | 0:04:00 | 0:04:02 | |
Yeah, I can hear another one. | 0:04:02 | 0:04:04 | |
Oh, look! | 0:04:06 | 0:04:08 | |
What? | 0:04:08 | 0:04:10 | |
A flying one. | 0:04:12 | 0:04:14 | |
Even though we thought we got all the bees out, | 0:04:17 | 0:04:19 | |
there are some stuck in the middle of it. | 0:04:19 | 0:04:22 | |
Chris is trying to get them out without being stung. | 0:04:22 | 0:04:25 | |
I'm standing a distance cos I'm quite allergic. | 0:04:25 | 0:04:28 | |
It's quite bad for me if I get stung. | 0:04:28 | 0:04:30 | |
Can hear him. | 0:04:31 | 0:04:33 | |
I'll just have to get him when I find him. | 0:04:33 | 0:04:37 | |
-Her. -Her. | 0:04:37 | 0:04:39 | |
'If the bees have been feeding on the wild flowers, | 0:04:41 | 0:04:44 | |
'then the honey should be lighter and runnier | 0:04:44 | 0:04:46 | |
'than the honey I usually get.' | 0:04:46 | 0:04:48 | |
That makes sense. | 0:04:48 | 0:04:50 | |
-OK, well, I think that one's pretty well... -OK. -Yeah. | 0:04:50 | 0:04:53 | |
'At home they mainly feed on oil-seed rape | 0:04:53 | 0:04:56 | |
'which makes the honey set very firm.' | 0:04:56 | 0:04:59 | |
-Have a little slurp of this. -OK. | 0:05:02 | 0:05:05 | |
Mmm. | 0:05:07 | 0:05:09 | |
-Yeah, that's good. -It's lovely, isn't it? | 0:05:11 | 0:05:13 | |
-I think it's more fragrant. -I think it's a bit lighter. | 0:05:13 | 0:05:15 | |
How much do you think we've got in there? | 0:05:15 | 0:05:18 | |
Um, I don't know. Maybe... Maybe... | 0:05:18 | 0:05:21 | |
20 pounds? | 0:05:21 | 0:05:23 | |
I mean, 40 jars, 40 little jars. | 0:05:23 | 0:05:25 | |
-Shall we see? -Yeah. -OK. -That would be great if we got that many. | 0:05:25 | 0:05:29 | |
I love this bit. | 0:05:30 | 0:05:32 | |
'We spin the honey out using a centrifugal extractor.' | 0:05:35 | 0:05:39 | |
All right, let's see what's in there. | 0:05:49 | 0:05:52 | |
-Yep. -Oh, that's flowing beautifully, isn't it? -Yeah, lovely. | 0:05:52 | 0:05:55 | |
Nice and light honey. | 0:05:55 | 0:05:58 | |
-How's it going? -It's going good actually. | 0:05:58 | 0:06:00 | |
Really, really well. We've got loads. | 0:06:00 | 0:06:03 | |
-Have you really? -Yeah, yeah, yeah. | 0:06:03 | 0:06:05 | |
When you say loads, you really mean... | 0:06:05 | 0:06:06 | |
-Loads. I mean, you can see. -Oh, my goodness. How exciting. | 0:06:06 | 0:06:09 | |
-Yeah. -There should be loads of jars. | 0:06:09 | 0:06:12 | |
Right. Oh, my god, I don't think that's safe, that handle. | 0:06:14 | 0:06:17 | |
-I'm going to lift it like this. -OK. | 0:06:17 | 0:06:20 | |
'It's time to put our harvest into jars.' | 0:06:21 | 0:06:24 | |
-I'm so relieved. -I know. -Yes, we've done it! | 0:06:34 | 0:06:38 | |
With the weather and everything, | 0:06:38 | 0:06:40 | |
I really thought we weren't going to manage it. | 0:06:40 | 0:06:42 | |
-It's fantastic. -Wonderful. | 0:06:42 | 0:06:44 | |
'We'll have plenty of honey to show at the fair. | 0:06:46 | 0:06:48 | |
'It's a much better haul than usual.' | 0:06:48 | 0:06:50 | |
12, 14, 15. | 0:06:52 | 0:06:55 | |
Do you know how much there is? | 0:06:56 | 0:06:58 | |
117 jars. | 0:06:58 | 0:07:00 | |
I mean, that's nearly 60 pounds of honey, isn't it? | 0:07:00 | 0:07:03 | |
-It's nearly 60 pounds. Brilliant. -Fantastic. -Absolutely brilliant. | 0:07:03 | 0:07:06 | |
I think this is our best haul ever, isn't it? | 0:07:06 | 0:07:09 | |
Never had that much before. | 0:07:09 | 0:07:11 | |
'And that's from just one of the hives | 0:07:11 | 0:07:13 | |
'but I don't know for certain | 0:07:13 | 0:07:15 | |
'if they've been feeding on the field of oil-seed rape next door | 0:07:15 | 0:07:18 | |
'or the wild flowers in the meadow.' | 0:07:18 | 0:07:20 | |
Bees tend to follow each other to the best source of food. | 0:07:26 | 0:07:30 | |
They have a remarkable way of communicating this information | 0:07:30 | 0:07:33 | |
to the rest of the hive, | 0:07:33 | 0:07:35 | |
which was discovered by scientist Karl von Frisch back in the 1960s. | 0:07:35 | 0:07:40 | |
Like many experts in the past, | 0:07:43 | 0:07:46 | |
he had noticed a curious dance-like movement in the hive. | 0:07:46 | 0:07:49 | |
Von Frisch proposed that this was in fact a form of coded language. | 0:07:49 | 0:07:54 | |
In 1973, he won a Nobel prize for his research | 0:07:56 | 0:08:01 | |
and this amazing phenomenon became known as the waggle dance. | 0:08:01 | 0:08:05 | |
I've come to Sussex University to meet researcher Margaret Couvillion | 0:08:06 | 0:08:10 | |
and to find out how this language really works. | 0:08:10 | 0:08:14 | |
So it's a lovely warm summer's day today, | 0:08:14 | 0:08:17 | |
so there's actually quite a lot of dances. | 0:08:17 | 0:08:18 | |
-Do you see that right there? -Oh, yeah, yeah, I can see it. | 0:08:18 | 0:08:22 | |
So it looks like a figure of eight. | 0:08:22 | 0:08:23 | |
The bee waggles her body and then she'll stop and she'll return, | 0:08:23 | 0:08:26 | |
come back, and then she waggles again, stops, | 0:08:26 | 0:08:28 | |
returns from the opposite direction and comes back. | 0:08:28 | 0:08:31 | |
This is the waggle dance. | 0:08:31 | 0:08:32 | |
It's the most sophisticated form of communication | 0:08:32 | 0:08:35 | |
that a non-human can do. | 0:08:35 | 0:08:37 | |
It's where a successful forager has gone out | 0:08:37 | 0:08:40 | |
and she's found a good source of nectar and pollen, that's their food. | 0:08:40 | 0:08:44 | |
And she comes back and she tells her nest mates exactly where she's been. | 0:08:44 | 0:08:47 | |
She gives them the directions of where they can then themselves go | 0:08:47 | 0:08:51 | |
and find this good source of forage. | 0:08:51 | 0:08:53 | |
We're watching it here inside the lab, | 0:08:53 | 0:08:55 | |
but normally this would be in a dark cavity, | 0:08:55 | 0:08:58 | |
so a successful forager would come back | 0:08:58 | 0:09:00 | |
and she would do this dance on the vertical comb, | 0:09:00 | 0:09:03 | |
and the nest mates that are receiving the message | 0:09:03 | 0:09:06 | |
will follow her, touching her with their antennae. | 0:09:06 | 0:09:09 | |
And it's this contact, | 0:09:09 | 0:09:10 | |
and the fact that they are themselves sitting on the comb, | 0:09:10 | 0:09:13 | |
is what allows them to get the information. | 0:09:13 | 0:09:15 | |
So, because they're touching her, | 0:09:15 | 0:09:17 | |
they can determine what angle at which she's dancing | 0:09:17 | 0:09:20 | |
and because they're standing on the comb that she is, | 0:09:20 | 0:09:22 | |
they can get the vibrations that she's giving off, | 0:09:22 | 0:09:25 | |
so they know how long in time she's waggling her body. | 0:09:25 | 0:09:27 | |
'Using a camera focusing on the observation hive, | 0:09:27 | 0:09:31 | |
'Margaret shows me how to decode the dance.' | 0:09:31 | 0:09:33 | |
So, Martha, I'm going to give you our two tools of the trade | 0:09:33 | 0:09:36 | |
-and let you have a go at decoding the dance yourself. -Right, OK. | 0:09:36 | 0:09:38 | |
So you have your stopwatch and a protractor. | 0:09:38 | 0:09:42 | |
The stopwatch is so you can get the duration of the waggle run, | 0:09:42 | 0:09:45 | |
so how long she waggles in seconds, | 0:09:45 | 0:09:47 | |
and the protractor is so you can get the angle at which she's facing | 0:09:47 | 0:09:50 | |
while she's waggling. | 0:09:50 | 0:09:52 | |
So here is a bee that's dancing, and let's time how long she waggles. | 0:09:52 | 0:09:56 | |
-OK. -So we'll let her turn around again and go. | 0:09:56 | 0:09:59 | |
And stop. | 0:10:01 | 0:10:02 | |
So 2.18 seconds. | 0:10:02 | 0:10:04 | |
Two seconds, how long a distance would that be? | 0:10:04 | 0:10:07 | |
Two seconds would be a little over one kilometre | 0:10:07 | 0:10:10 | |
so the longer the bee waggles in time | 0:10:10 | 0:10:12 | |
the further a distance she's communicating. | 0:10:12 | 0:10:15 | |
We sometimes see dances for five or six seconds, | 0:10:15 | 0:10:17 | |
which could then indicate three to four kilometres. | 0:10:17 | 0:10:21 | |
The other piece of information that she's communicating is direction, | 0:10:21 | 0:10:24 | |
and that, she communicates by the way she's facing | 0:10:24 | 0:10:28 | |
while she's waggling her body relative to up. | 0:10:28 | 0:10:31 | |
So, next we're going to get the angle at which she's dancing, | 0:10:31 | 0:10:34 | |
so she's headed like this, | 0:10:34 | 0:10:36 | |
70 degrees from straight up. | 0:10:36 | 0:10:39 | |
So that means 70 degrees from where the sun is on the horizon. | 0:10:39 | 0:10:43 | |
It's incredibly sophisticated, isn't it? | 0:10:43 | 0:10:45 | |
It's incredibly sophisticated, | 0:10:45 | 0:10:47 | |
but social bees have had 70 million years to evolve, | 0:10:47 | 0:10:50 | |
and so they've had plenty of time to get really good | 0:10:50 | 0:10:53 | |
at doing what it is that they do, in this case communication. | 0:10:53 | 0:10:56 | |
If that dance were going on inside that hive, | 0:10:58 | 0:11:00 | |
if you remember it was 70 degrees from the vertical, | 0:11:00 | 0:11:03 | |
and it was a little over two seconds, | 0:11:03 | 0:11:05 | |
which we determined to be a bit over one kilometre. | 0:11:05 | 0:11:08 | |
So we find where the sun is... | 0:11:08 | 0:11:09 | |
-Yes, which is there, yes. -..drop it to the horizon. -Yeah. | 0:11:09 | 0:11:13 | |
-And then we go, how many degrees? -70 degrees. | 0:11:13 | 0:11:16 | |
Then we go 70 degrees, and then how far do we go? | 0:11:16 | 0:11:19 | |
-Was it just over one kilometre? -Just over one kilometre. | 0:11:19 | 0:11:22 | |
That will be the resource that she's communicating. | 0:11:22 | 0:11:25 | |
So do you know what's in that direction? | 0:11:25 | 0:11:27 | |
So Stanmore Park is over in that direction, | 0:11:27 | 0:11:29 | |
and at this time of year there's white clover starting to bloom. | 0:11:29 | 0:11:32 | |
White clover is attractive to honey bees, | 0:11:32 | 0:11:34 | |
so it could be that she's communicated that | 0:11:34 | 0:11:36 | |
she's found a nice patch of clover. | 0:11:36 | 0:11:38 | |
Makes very nice honey actually, doesn't it, clove honey? | 0:11:38 | 0:11:40 | |
It does. Makes very tasty honey. | 0:11:40 | 0:11:42 | |
At Barton Grange, the day of the fair has arrived | 0:11:52 | 0:11:55 | |
and it's time to try out my honey. | 0:11:55 | 0:11:58 | |
£2.50 each, please. | 0:12:01 | 0:12:04 | |
Lovely, thank you very much indeed. | 0:12:04 | 0:12:06 | |
Matthew and Nick are raising money for their local church | 0:12:10 | 0:12:14 | |
and for other charities. | 0:12:14 | 0:12:16 | |
I'll be selling jars of Barton Grange honey to help out. | 0:12:18 | 0:12:22 | |
When we were extracting the honey, | 0:12:23 | 0:12:25 | |
it was a very light colour and it was very runny, | 0:12:25 | 0:12:28 | |
but, in fact, if you see here, it's already started to set. | 0:12:28 | 0:12:32 | |
Rape honey tends to set much firmer than wildflower honey. | 0:12:33 | 0:12:38 | |
So I think there's still oil-seed rape in the mix a bit. | 0:12:38 | 0:12:41 | |
It still tastes nice. | 0:12:41 | 0:12:44 | |
With a week of fine weather, | 0:12:47 | 0:12:49 | |
the meadow has almost caught up with itself. | 0:12:49 | 0:12:52 | |
Meadows like this used to be common, producing hay for animal feed. | 0:12:52 | 0:12:57 | |
They're a haven for all kinds of butterflies and insects. | 0:12:57 | 0:13:01 | |
But they're getting more and more scarce. | 0:13:01 | 0:13:03 | |
One of the visitors is Richard Mabey, the naturalist and author. | 0:13:05 | 0:13:08 | |
England 150 years ago would have been full of places like this | 0:13:08 | 0:13:12 | |
but, as grass land was turned over to arable, | 0:13:12 | 0:13:16 | |
or the grasses themselves were sown instead of just growing naturally, | 0:13:16 | 0:13:21 | |
then they pretty much disappeared. | 0:13:21 | 0:13:23 | |
What has that meant for wildlife? | 0:13:23 | 0:13:25 | |
In particular for insects, honey bees? | 0:13:25 | 0:13:28 | |
Different insects emerge at different times of the year, | 0:13:28 | 0:13:31 | |
so unless you have a diversity of flowers which come out, | 0:13:31 | 0:13:35 | |
let's say from April through to September, | 0:13:35 | 0:13:39 | |
then lots of insect species | 0:13:39 | 0:13:41 | |
which hatch from their larvae later in the year | 0:13:41 | 0:13:45 | |
are going to miss out on sources of nectar. | 0:13:45 | 0:13:47 | |
It's vital for the honey bees' survival | 0:13:49 | 0:13:51 | |
that we ensure there's a diversity | 0:13:51 | 0:13:53 | |
of flowering plants and trees available. | 0:13:53 | 0:13:55 | |
And I'm hoping the variety they've had here | 0:13:55 | 0:13:58 | |
will also make for great-tasting honey | 0:13:58 | 0:14:01 | |
to satisfy this discerning crowd. | 0:14:01 | 0:14:03 | |
Hi there. Would you like to taste some honey? | 0:14:03 | 0:14:07 | |
There you go. | 0:14:07 | 0:14:08 | |
-Tell me what you think. -Very good. | 0:14:10 | 0:14:12 | |
-Really good. -Really good? | 0:14:14 | 0:14:16 | |
Can I interest you in buying a jar, £3.50? | 0:14:16 | 0:14:18 | |
-Thank you. -That really tastes of wild flowers. | 0:14:18 | 0:14:21 | |
It's a mixture of, yes, lots of different things, so yeah. | 0:14:21 | 0:14:24 | |
Thank you. | 0:14:29 | 0:14:31 | |
There you go. Go for it. Thank you. | 0:14:31 | 0:14:35 | |
Well done, darling. | 0:14:35 | 0:14:36 | |
Is two jars too many or shall I stick with one? | 0:14:36 | 0:14:39 | |
We only want one jar, really? | 0:14:39 | 0:14:43 | |
Ideally one. Is that all right? Just for the time being. | 0:14:43 | 0:14:46 | |
'The honey proves very popular | 0:14:46 | 0:14:48 | |
'and raises over £400 for Nick and Matthew's good causes.' | 0:14:48 | 0:14:52 | |
It's going really well, actually. | 0:14:53 | 0:14:55 | |
In fact, we're running out of honey. We've had to ration it. | 0:14:55 | 0:14:59 | |
What I like is when people come across | 0:14:59 | 0:15:02 | |
so interested to find out about bees and wild flowers. | 0:15:02 | 0:15:06 | |
They're really engaged with the whole idea, I think. | 0:15:06 | 0:15:10 | |
-The whole thing is just busy, busy, busy. Fantastic. -I know. | 0:15:10 | 0:15:14 | |
We've blitzed everywhere, haven't we? | 0:15:14 | 0:15:17 | |
-Have some of your Barton Grange Honey. -Well done. | 0:15:17 | 0:15:20 | |
Mmm. Isn't that delicious? | 0:15:23 | 0:15:25 | |
Actually, that is... | 0:15:25 | 0:15:27 | |
I've got to say, that's nicer than the honey you gave me. | 0:15:27 | 0:15:30 | |
Oh, I see! | 0:15:32 | 0:15:33 | |
The honey from YOUR meadow is better than the honey from my garden. | 0:15:33 | 0:15:37 | |
I see, we're getting competitive honey now. | 0:15:37 | 0:15:39 | |
It's a different taste actually. Very different. | 0:15:39 | 0:15:43 | |
It's much coarser. | 0:15:43 | 0:15:45 | |
It's delicious. | 0:15:45 | 0:15:47 | |
I think it's very nice. | 0:15:47 | 0:15:49 | |
'When my beekeeping mentor, master beekeeper John Everett, arrives, | 0:15:51 | 0:15:55 | |
'I'm keen to get his verdict of my first crop of Barton Grange honey.' | 0:15:55 | 0:15:59 | |
Thanks for coming along. I hope you don't want to buy any honey. | 0:15:59 | 0:16:01 | |
-I've sold out. -Excellent. That's what you should have done. | 0:16:01 | 0:16:04 | |
I know, exactly. I'm very pleased about that. | 0:16:04 | 0:16:06 | |
-Do you want to try a bit? -Yeah, let's try it and see. | 0:16:06 | 0:16:09 | |
This is the batch that I extracted from Barton Grange, | 0:16:09 | 0:16:14 | |
from here, just over a week ago. | 0:16:14 | 0:16:18 | |
-Crumbs, that's a lot for me to eat. -Oh, yes. | 0:16:18 | 0:16:20 | |
-I think you have too much of... -Hmm, lovely. | 0:16:20 | 0:16:24 | |
I'm amazed that it's such a soft consistency, but... | 0:16:24 | 0:16:28 | |
I'm sure that the main components | 0:16:28 | 0:16:31 | |
must be oil-seed rape, | 0:16:31 | 0:16:32 | |
because it's so light-coloured. | 0:16:32 | 0:16:35 | |
There must be a mixture of things like, say, blackthorn, | 0:16:35 | 0:16:38 | |
and perhaps other fruit trees in here, | 0:16:38 | 0:16:41 | |
and actually I think it's brilliant, is this. It's a really nice flavour. | 0:16:41 | 0:16:45 | |
'I'm pleased John likes it, | 0:16:47 | 0:16:48 | |
'but disappointed that, after all this work, | 0:16:48 | 0:16:51 | |
'it's still dominated by oil-seed rape.' | 0:16:51 | 0:16:54 | |
I started this project with the aim of getting true wildflower honey, | 0:16:57 | 0:17:02 | |
and I'm determined to do so. | 0:17:02 | 0:17:05 | |
There are many honeys on the market | 0:17:05 | 0:17:07 | |
that are made from just one source of flowers. | 0:17:07 | 0:17:11 | |
I want to learn how they're produced. | 0:17:11 | 0:17:13 | |
-Hello. -Hello, welcome. | 0:17:13 | 0:17:15 | |
This is the best way to arrive at Tregothnan, isn't it?! | 0:17:15 | 0:17:18 | |
I've come to the Tregothnan Estate in Cornwall | 0:17:18 | 0:17:22 | |
to meet estate manager Jonathan Jones. | 0:17:22 | 0:17:24 | |
He produces manuka honey, | 0:17:24 | 0:17:26 | |
and I'm hoping he'll be able to let me in on his secret. | 0:17:26 | 0:17:29 | |
The estate has Cornwall's largest private botanical gardens. | 0:17:33 | 0:17:37 | |
Many rare species thrive down here | 0:17:37 | 0:17:40 | |
in the county's balmy microclimate. | 0:17:40 | 0:17:43 | |
This is manuka bushes, | 0:17:43 | 0:17:44 | |
which is common on the Coromandel peninsula in New Zealand. | 0:17:44 | 0:17:48 | |
And our climate here in the middle of Cornwall | 0:17:48 | 0:17:51 | |
is just like they get in that area, so they're very happy bushes. | 0:17:51 | 0:17:54 | |
Lovely. Thank you very much. That's beautiful. | 0:17:57 | 0:17:59 | |
We suddenly thought, | 0:17:59 | 0:18:01 | |
"Well, actually why don't we try making manuka honey?" | 0:18:01 | 0:18:03 | |
Because it hasn't been done before shouldn't really stop us. | 0:18:03 | 0:18:06 | |
So we got a friendly beekeeper, | 0:18:06 | 0:18:09 | |
put some hives next to the manuka bushes, | 0:18:09 | 0:18:12 | |
made lots of silly mistakes. | 0:18:12 | 0:18:14 | |
However, proved that we could produce | 0:18:14 | 0:18:17 | |
a tiny, tiny amount of manuka honey, | 0:18:17 | 0:18:19 | |
just enough to prove that, in theory, it could scaled up. | 0:18:19 | 0:18:23 | |
Manuka honey is highly sought-after | 0:18:23 | 0:18:26 | |
because it's believe to have powerful medicinal properties. | 0:18:26 | 0:18:30 | |
Honey is a very complicated natural product | 0:18:30 | 0:18:33 | |
that's never been synthesized - you can't make this stuff. | 0:18:33 | 0:18:36 | |
This is why I think it's so special, and probably why it's so effective, | 0:18:36 | 0:18:40 | |
because, do you know, in medicine | 0:18:40 | 0:18:42 | |
bugs have become resistant to almost everything man-made, | 0:18:42 | 0:18:47 | |
but never to honey. | 0:18:47 | 0:18:48 | |
Honey is still as effective today as it was for the Egyptians. | 0:18:48 | 0:18:52 | |
Manuka honey just has this extra potency. | 0:18:52 | 0:18:55 | |
It's like super-strength honey, if you like. | 0:18:55 | 0:18:57 | |
Well, I've seen the bushes. I'm very keen to taste the honey now. | 0:18:57 | 0:19:01 | |
Ah, this is the best bit, I think. | 0:19:01 | 0:19:03 | |
It's quite a kind of creamy consistency, isn't it? | 0:19:03 | 0:19:06 | |
Well, that's rather lovely, actually, isn't' it? | 0:19:10 | 0:19:12 | |
So, yes, possibly very special, possibly very potent, | 0:19:12 | 0:19:16 | |
but it can cost a lot, can't it? | 0:19:16 | 0:19:18 | |
I mean, how much would a jar this size market for? | 0:19:18 | 0:19:20 | |
Oh, we wouldn't even sell it in this jar, it's too big. | 0:19:20 | 0:19:23 | |
Our normal jar is quite tiny. Shall I show you one? | 0:19:23 | 0:19:26 | |
In fact, we had a lady at the Chelsea Flower Show. | 0:19:26 | 0:19:29 | |
-That is bijou, isn't it?! -She said, without even paying for it, | 0:19:29 | 0:19:34 | |
she said, "I've been looking for this", | 0:19:34 | 0:19:35 | |
and started wiping it all over her face, | 0:19:35 | 0:19:37 | |
saying, "It's really good for your complexion." And then she said, | 0:19:37 | 0:19:40 | |
"And how much is it?" And my colleague said, "Well, that was £50." | 0:19:40 | 0:19:44 | |
And she said, "I'll have two." No problem at all. | 0:19:44 | 0:19:47 | |
It has a real following. And... | 0:19:47 | 0:19:50 | |
So - hang on - you're telling me a jar this size costs 50 quid? | 0:19:50 | 0:19:54 | |
-£50. And... -Right, you'd have to care a lot about your skin! | 0:19:54 | 0:19:58 | |
I'm here to find out how they make sure | 0:20:05 | 0:20:07 | |
that the bees feed on the manuka and not on other flowers. | 0:20:07 | 0:20:11 | |
-Hi, Will. -Hello. | 0:20:11 | 0:20:13 | |
'Will Radmore is Tregothnan's head beekeeper.' | 0:20:13 | 0:20:18 | |
In your preparations for getting this fantastically expensive | 0:20:18 | 0:20:22 | |
and delicious manuka honey, | 0:20:22 | 0:20:24 | |
what do you have to be sure of doing? | 0:20:24 | 0:20:26 | |
Well, I've got to be sure to get rid of any other honey | 0:20:26 | 0:20:29 | |
that was in the hive beforehand, | 0:20:29 | 0:20:30 | |
so I remove all the combs and extract the honey | 0:20:30 | 0:20:34 | |
and then replace combs on the hive | 0:20:34 | 0:20:36 | |
ready for the bees to start working the manuka. | 0:20:36 | 0:20:39 | |
So you can be sure that that will be predominantly manuka honey. | 0:20:39 | 0:20:42 | |
It will be predominantly manuka, yeah. | 0:20:42 | 0:20:46 | |
Now, I've got a project that I'm trying to do, | 0:20:46 | 0:20:48 | |
which is I've put some hives on a wildflower meadow, | 0:20:48 | 0:20:52 | |
but they're near a field of oil-seed rape as well. | 0:20:52 | 0:20:56 | |
So to get my wildflower honey, what do I need to do? | 0:20:56 | 0:20:59 | |
Wait until the rapeseed has gone, extract the honey, and then, | 0:20:59 | 0:21:02 | |
if they are next to something, | 0:21:02 | 0:21:03 | |
they're generally lazy in their own minds | 0:21:03 | 0:21:05 | |
and they don't want to fly a mile and a half | 0:21:05 | 0:21:07 | |
and they will collect it from their doorstep. | 0:21:07 | 0:21:09 | |
I should be able to apply this principle to my wildflower honey. | 0:21:09 | 0:21:13 | |
Since we took off the last lot of honey | 0:21:20 | 0:21:22 | |
from the hives at Barton Grange, three weeks ago, | 0:21:22 | 0:21:25 | |
the oil-seed rape has stopped flowering | 0:21:25 | 0:21:27 | |
and I'm hoping the bees will have been foraging | 0:21:27 | 0:21:30 | |
on wild flowers ever since. | 0:21:30 | 0:21:32 | |
Well, it seems quite a long time ago now, | 0:21:42 | 0:21:43 | |
but this started off as a nucleus, | 0:21:43 | 0:21:46 | |
a small colony of bees, | 0:21:46 | 0:21:49 | |
and they've grown fantastically well, | 0:21:49 | 0:21:51 | |
you could see they were right up with three supers. | 0:21:51 | 0:21:54 | |
And what I'm hoping is that we'll be able to use | 0:21:54 | 0:21:58 | |
the method I learned about in Cornwall, | 0:21:58 | 0:22:01 | |
which is we've taken off all the oil-seed rape honey | 0:22:01 | 0:22:05 | |
and all of this should be | 0:22:05 | 0:22:09 | |
from the wildflower meadow, | 0:22:09 | 0:22:12 | |
because that's what the bees have all been foraging on. | 0:22:12 | 0:22:14 | |
So I'm hoping this will be quite a different kind of honey. | 0:22:14 | 0:22:17 | |
We take a full super of sealed honey, | 0:22:21 | 0:22:24 | |
hoping that this will be the wildflower honey | 0:22:24 | 0:22:27 | |
I've been dreaming of. | 0:22:27 | 0:22:28 | |
I love the smell of it. | 0:22:45 | 0:22:47 | |
Cos you get the smell of the beeswax and the honey, | 0:22:47 | 0:22:49 | |
it's fantastic. | 0:22:49 | 0:22:51 | |
Ooft! | 0:22:51 | 0:22:53 | |
I think... Look at that in the light. | 0:23:00 | 0:23:03 | |
I think that is considerably lighter. | 0:23:03 | 0:23:06 | |
Yeah, that's lovely and clear. | 0:23:06 | 0:23:08 | |
I'm quite excited about that, cos that, to me, | 0:23:08 | 0:23:11 | |
-looks much more like wildflower honey. -Brilliant. | 0:23:11 | 0:23:15 | |
'And now it's time for the final taste test.' | 0:23:17 | 0:23:21 | |
So, here we go, | 0:23:22 | 0:23:25 | |
this is the last jar of honey we've extracted, | 0:23:25 | 0:23:29 | |
so from this batch we've got rid of all the oil-seed rape honey. | 0:23:29 | 0:23:34 | |
And this, we think, | 0:23:34 | 0:23:36 | |
is honey made from the wild flowers in your meadow. | 0:23:36 | 0:23:41 | |
So would you like to have a taste of it? | 0:23:41 | 0:23:44 | |
Here we go, who wants to go first? | 0:23:44 | 0:23:48 | |
Chris, you're the one who's been... You've been... | 0:23:48 | 0:23:51 | |
I've been cranking the machine, and this... | 0:23:51 | 0:23:53 | |
I've worked this out, this is jar number 185. | 0:23:53 | 0:23:58 | |
THEY LAUGH | 0:23:58 | 0:24:00 | |
Seriously? | 0:24:00 | 0:24:02 | |
Yeah, I mean, it's about 95 pounds of honey | 0:24:02 | 0:24:05 | |
we've got out of Barton Grange, which is fantastic, so... | 0:24:05 | 0:24:10 | |
hopefully, this is the best as well as the last. | 0:24:10 | 0:24:14 | |
Yeah it's really, really nice. | 0:24:18 | 0:24:21 | |
I could drink it, it's so delicious. | 0:24:21 | 0:24:23 | |
It's just so light, whereas the other stuff was more... | 0:24:23 | 0:24:28 | |
-grainier. -Yes, absolutely. Definitely, yeah. | 0:24:28 | 0:24:31 | |
Hmm. I think it's lovely. | 0:24:31 | 0:24:34 | |
It's really much more intense | 0:24:34 | 0:24:36 | |
and, I think, a more complicated taste | 0:24:36 | 0:24:38 | |
than the honey we extracted earlier. | 0:24:38 | 0:24:40 | |
Lots of different floral tones in there. | 0:24:40 | 0:24:44 | |
'It may taste delicious, | 0:24:44 | 0:24:45 | |
'but I'm still curious | 0:24:45 | 0:24:47 | |
'about exactly which flowers the bees were foraging on.' | 0:24:47 | 0:24:50 | |
Peter Martin tests honey | 0:25:00 | 0:25:02 | |
for honey packers and importers. | 0:25:02 | 0:25:05 | |
The industry needs to check | 0:25:05 | 0:25:08 | |
that the honey has come from | 0:25:08 | 0:25:10 | |
where the documentation says it came from | 0:25:10 | 0:25:14 | |
and the pollen will reflect that. | 0:25:14 | 0:25:16 | |
Peter uses filter paper | 0:25:16 | 0:25:19 | |
to extract grains of pollen from the honey | 0:25:19 | 0:25:22 | |
and examines them under a microscope. | 0:25:22 | 0:25:25 | |
Different flowers produce pollen | 0:25:26 | 0:25:29 | |
with different shapes, sizes and markings. | 0:25:29 | 0:25:32 | |
The pollen can tell Peter | 0:25:32 | 0:25:34 | |
which plants the bees at the wildflower meadow were feeding on. | 0:25:34 | 0:25:37 | |
What we found in the honey was that it was about 40% rapeseed, | 0:25:37 | 0:25:42 | |
so it would appear that quite a lot of the honey | 0:25:42 | 0:25:46 | |
has come from rapeseed. But that isn't correct, | 0:25:46 | 0:25:49 | |
because some pollens are overrepresented | 0:25:49 | 0:25:52 | |
and others are underrepresented, | 0:25:52 | 0:25:55 | |
and so one has to do a calculation | 0:25:55 | 0:25:58 | |
to estimate... | 0:25:58 | 0:26:01 | |
what percentages of nectar | 0:26:01 | 0:26:04 | |
have come from the different plants. | 0:26:04 | 0:26:06 | |
And, in this case, only 13% of the nectar | 0:26:06 | 0:26:11 | |
came from rapeseed. | 0:26:11 | 0:26:12 | |
In other words, this is essentially an 87% wildflower honey. | 0:26:12 | 0:26:19 | |
There were so many points during the whole of this year | 0:26:26 | 0:26:29 | |
when I thought we had absolutely no chance at all | 0:26:29 | 0:26:31 | |
of getting wildflower honey, | 0:26:31 | 0:26:34 | |
because the weather was really against us. | 0:26:34 | 0:26:36 | |
Everything was so late, and even when we got some honey, | 0:26:36 | 0:26:41 | |
I couldn't be completely certain that it was wildflower honey | 0:26:41 | 0:26:44 | |
even though it tasted delicious. | 0:26:44 | 0:26:46 | |
But scientifically, | 0:26:47 | 0:26:49 | |
this is overwhelmingly wildflower honey, | 0:26:49 | 0:26:52 | |
so we did it, and here's proof. | 0:26:52 | 0:26:54 | |
As summer gives way to autumn, | 0:27:04 | 0:27:05 | |
the days get shorter and the temperature drops, | 0:27:05 | 0:27:08 | |
the bees come out to forage less and less. | 0:27:08 | 0:27:11 | |
By now, they should have laid down stores | 0:27:13 | 0:27:15 | |
to last them through the winter. | 0:27:15 | 0:27:17 | |
The queen has stopped laying eggs, | 0:27:19 | 0:27:21 | |
so as the bees born in early summer start to die, | 0:27:21 | 0:27:25 | |
the colony reduces in number | 0:27:25 | 0:27:27 | |
until just a core of about 10,000 remain. | 0:27:27 | 0:27:30 | |
This is pretty much the last thing I'll do in my bee keeping year, | 0:27:32 | 0:27:35 | |
because I've given the bees lots of sugar syrup - | 0:27:35 | 0:27:37 | |
they'll have turned that into stores | 0:27:37 | 0:27:39 | |
to keep them going through the winter, | 0:27:39 | 0:27:41 | |
and I just hope that they'll survive through to the spring. | 0:27:41 | 0:27:44 | |
This has been the weirdest year, I think, | 0:27:47 | 0:27:50 | |
in all the time that I've kept bees. | 0:27:50 | 0:27:53 | |
To be honest, early on, | 0:27:53 | 0:27:55 | |
I thought I'll be surprised if my bees survive, | 0:27:55 | 0:27:58 | |
let alone getting any honey. But, in fact, you know, amazingly, | 0:27:58 | 0:28:02 | |
I've ended up with now six hives, which I'm going to keep them all - | 0:28:02 | 0:28:06 | |
try and keep them all - and some wildflower honey. | 0:28:06 | 0:28:09 | |
And in the course of it I've learnt so much. | 0:28:09 | 0:28:12 | |
I really feel now I can identify the queen, | 0:28:12 | 0:28:15 | |
I can re-queen, I know which bee diseases to spot, | 0:28:15 | 0:28:19 | |
and I'm just full of even more admiration | 0:28:19 | 0:28:21 | |
for these incredible little creatures. | 0:28:21 | 0:28:23 |