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-Funeral service. -And dad passed away on what date? | 0:00:04 | 0:00:07 | |
'It's one of the first calls we make when someone dies.' | 0:00:07 | 0:00:11 | |
All the family memories, and all the pictures of the wedding days, it's so sad. | 0:00:11 | 0:00:16 | |
'Funeral directors help us bury out loved ones. | 0:00:16 | 0:00:20 | |
'One day they'll do the same for us.' | 0:00:20 | 0:00:23 | |
What happens is, the body is laid in, this way is Mecca. | 0:00:23 | 0:00:27 | |
-What a day. -Come on. | 0:00:27 | 0:00:29 | |
When I seen her, she looked absolutely beautiful. | 0:00:29 | 0:00:32 | |
And all I wanted to do was get hold of her. I couldn't. | 0:00:32 | 0:00:36 | |
'Death is a certainty. But there are many ways to say the final goodbye, | 0:00:36 | 0:00:42 | |
'with or without belief.' | 0:00:42 | 0:00:44 | |
It's not a proper biker's funeral unless it's freezing and raining, | 0:00:44 | 0:00:48 | |
but he's dry and that's what matters. | 0:00:48 | 0:00:50 | |
'Planned or paid for in advance.' | 0:00:50 | 0:00:55 | |
I'm not scared cos I know I'll be with my dad. | 0:00:55 | 0:00:59 | |
'Quietly or noisily.' | 0:00:59 | 0:01:01 | |
The grave will collapse. Can you move back, please? | 0:01:01 | 0:01:04 | |
It's organised chaos. | 0:01:04 | 0:01:06 | |
'In an expensive casket.' | 0:01:06 | 0:01:08 | |
Euphemistically referred to by some people as the Rolex. | 0:01:08 | 0:01:12 | |
-'Or wrapped in a simple shroud.' -It would be like a dress, like that. | 0:01:12 | 0:01:16 | |
Our motto is, "Anything that's legal." We aren't here to be the bastions of good taste. | 0:01:16 | 0:01:20 | |
'We reveal how today's funeral is changing | 0:01:20 | 0:01:24 | |
'and compare the end-of-life rituals of different faiths.' | 0:01:24 | 0:01:28 | |
So long as the ashes are scattered on flowing water, that's all that needs to be done, really. | 0:01:28 | 0:01:34 | |
'We go behind the scenes of Britain's funeral parlours | 0:01:35 | 0:01:38 | |
'and watch funeral directors at work.' | 0:01:38 | 0:01:42 | |
In here we have three deceased awaiting clearance for embalming. | 0:01:42 | 0:01:48 | |
'Caring for the living and the dead.' | 0:01:48 | 0:01:52 | |
'From the mortuary to the grave.' | 0:01:53 | 0:01:56 | |
A funeral is more symbolic than a wedding, | 0:01:56 | 0:02:00 | |
because it's about someone's life. | 0:02:00 | 0:02:02 | |
'There are half a million funerals every year in Britain, | 0:02:11 | 0:02:14 | |
'each one reflecting the life, loves and beliefs of the person who's gone. | 0:02:14 | 0:02:19 | |
'Lilleywhite Funerals has stood on this Manchester street corner for 120 years.' | 0:02:21 | 0:02:26 | |
Good morning, Lilleywhite Funeral Service. | 0:02:27 | 0:02:29 | |
'It specialises in a send-off still chosen by two out of three people. | 0:02:29 | 0:02:34 | |
'Religious service followed by cremation or burial.' | 0:02:35 | 0:02:38 | |
How many times do you polish your shoes a day? | 0:02:41 | 0:02:44 | |
Erm, at least twice, if not more. | 0:02:44 | 0:02:48 | |
Every time we go out. | 0:02:48 | 0:02:50 | |
'It's the start of the working day. | 0:02:51 | 0:02:54 | |
'Office manager Rochelle Dalton | 0:02:54 | 0:02:56 | |
is checking on the clients in the chapel of rest.' | 0:02:56 | 0:03:00 | |
I'm just going down into the chapels of rest. | 0:03:04 | 0:03:06 | |
Every morning I come down here just to make sure there are plenty of tissues, | 0:03:06 | 0:03:11 | |
to make sure that the flowers are OK, | 0:03:11 | 0:03:13 | |
and to make sure that all the deceased are all right, | 0:03:13 | 0:03:18 | |
and presentable, ready for families coming in to view them. | 0:03:18 | 0:03:22 | |
Sometimes the bodies can look maybe a little blue or a little dark, | 0:03:27 | 0:03:33 | |
so then we have to put a little bit of makeup on just to cover that. | 0:03:33 | 0:03:36 | |
-It doesn't bother you, then? -No, not at all. | 0:03:39 | 0:03:42 | |
Not at all. No. | 0:03:42 | 0:03:44 | |
Erm, there's no reason why anybody should worry about going in. | 0:03:44 | 0:03:50 | |
Erm, they can't harm you. They can't harm you. | 0:03:50 | 0:03:55 | |
-Washing. -HE LAUGHS | 0:03:57 | 0:03:59 | |
That's 90 percent of our job. Washing cars. | 0:03:59 | 0:04:04 | |
'Managing director Simon Lilleywhite | 0:04:09 | 0:04:12 | |
'is the fifth generation of the family to come into the funeral trade.' | 0:04:12 | 0:04:16 | |
I think I've always known in my heart of hearts | 0:04:17 | 0:04:20 | |
that funeral directing was the right profession for me. | 0:04:20 | 0:04:23 | |
Most people still want a very traditional funeral. | 0:04:24 | 0:04:27 | |
Maybe a little bit of embellishment around the sides to make it personal to the person that's passed away. | 0:04:27 | 0:04:32 | |
Erm, things have changed, but mainly people want a traditional funeral. | 0:04:32 | 0:04:37 | |
They tend to fall back on what they've experienced in the past and what they're comfortable with. | 0:04:40 | 0:04:45 | |
And if it's not broken, we don't need to fix it. | 0:04:45 | 0:04:49 | |
'Whitechapel, East London. | 0:04:55 | 0:04:58 | |
'Home to another traditional funeral business | 0:05:01 | 0:05:04 | |
'with a different way of burying the dead.' | 0:05:04 | 0:05:07 | |
You rang me yesterday regarding sending human remains back to Albania. | 0:05:07 | 0:05:12 | |
'Haji Taslim Muslim Funerals | 0:05:12 | 0:05:14 | |
is owned by Gulam Taslim and his daughter, Moona.' | 0:05:14 | 0:05:18 | |
Let me find out what's happening and I'll ring back | 0:05:18 | 0:05:20 | |
cos you might find they won't give Mummy's body to us today. | 0:05:20 | 0:05:23 | |
Funeral service. Funeral service. Funeral service. | 0:05:23 | 0:05:27 | |
'Here funerals are all about simplicity and speed.' | 0:05:27 | 0:05:31 | |
Here they do it over the phone. They don't say, "I want class A, class B, | 0:05:31 | 0:05:35 | |
"I want a coffin with special handles." | 0:05:35 | 0:05:38 | |
They just say, "Give me a funeral." | 0:05:38 | 0:05:40 | |
Just like they were ordering a pizza. It's as simple as that. | 0:05:40 | 0:05:44 | |
'Muslims want their loved ones in the grave as soon as possible after death. | 0:05:44 | 0:05:49 | |
'Allowing the soul to make a fast journey to paradise.' | 0:05:50 | 0:05:54 | |
They're not really worried about what the coffin looks like | 0:05:56 | 0:06:00 | |
or anything else, they just want it done quickly. | 0:06:00 | 0:06:03 | |
And if it means it's done in the back of an estate car, | 0:06:03 | 0:06:06 | |
as opposed to a hearse, so be it. | 0:06:06 | 0:06:08 | |
If it means they do it in their mate's car as opposed to using your ambulance, | 0:06:08 | 0:06:11 | |
they don't really care, they just want it done. | 0:06:11 | 0:06:14 | |
They don't care what mum's popped in afterwards, as long as she gets to the cemetery. | 0:06:14 | 0:06:18 | |
PHONE RINGS Funeral service. | 0:06:18 | 0:06:22 | |
'With four funerals and more to arrange every day, the pressure is on.' | 0:06:25 | 0:06:30 | |
How did she die then, Linda? | 0:06:30 | 0:06:32 | |
A black cab hit her? | 0:06:33 | 0:06:36 | |
'Today Gulam is picking up the body of an 80-year-old man | 0:06:51 | 0:06:55 | |
'from the local hospital. | 0:06:55 | 0:06:57 | |
'He was knocked down by a bus on his way to the mosque.' | 0:06:58 | 0:07:02 | |
We go to this hospital quite a lot | 0:07:04 | 0:07:07 | |
because I would say 45 to 50 percent of our clients | 0:07:07 | 0:07:11 | |
actually die at this hospital in East London. | 0:07:11 | 0:07:14 | |
And we have a very high Muslim population here of around 30,000. | 0:07:14 | 0:07:19 | |
So I picked him up from the mortuary | 0:07:19 | 0:07:22 | |
and I'm taking him back to the place where he will be washed and shrouded. | 0:07:22 | 0:07:27 | |
Erm, and then he will be buried tomorrow, about lunchtime. | 0:07:27 | 0:07:32 | |
We have people die in the morning, at nine, and they're buried by one o'clock. | 0:07:32 | 0:07:38 | |
We believe that the sooner you lay a person in their grave, | 0:07:40 | 0:07:44 | |
the sooner they get eternal peace. | 0:07:44 | 0:07:46 | |
Plus, it's done like that back home in most of the Middle Eastern and Far Eastern countries | 0:07:46 | 0:07:51 | |
because of the humidity and heat. | 0:07:51 | 0:07:54 | |
'It's now a race against time | 0:07:54 | 0:07:56 | |
'to get the body prepared and into the grave.' | 0:07:56 | 0:07:58 | |
MUSIC: "Back In Black" by AC/DC | 0:08:01 | 0:08:04 | |
'Speed plays an important part at this alternative funeral business in Leicestershire, | 0:08:12 | 0:08:17 | |
'but it's nothing to do with religious tradition.' | 0:08:17 | 0:08:20 | |
# Back in black, I hit the sack | 0:08:22 | 0:08:25 | |
# I've been too long, I'm glad to be back... | 0:08:25 | 0:08:27 | |
'Faster Pastor Paul Sinclair is a former church minister | 0:08:27 | 0:08:31 | |
'specialising in funerals for bikers | 0:08:31 | 0:08:33 | |
'and those wanting something a little bit different.' | 0:08:33 | 0:08:37 | |
# I got nine lives, cat's eyes | 0:08:37 | 0:08:40 | |
# Using every one of them and running wild... | 0:08:40 | 0:08:43 | |
'His hearses carry nearly 400 coffins a year.' | 0:08:46 | 0:08:50 | |
Here's three of the bikes. The others are out on funerals. | 0:08:51 | 0:08:55 | |
But we've got three of them here and these are what you call sidecar hearses or motorcycle hearses. | 0:08:55 | 0:09:01 | |
And this one will get you to the crematorium quicker than anyone else or your money back. | 0:09:01 | 0:09:05 | |
'Paul's business reflects the changing face of funerals in Britain. | 0:09:10 | 0:09:14 | |
'Most people still choose religion | 0:09:14 | 0:09:17 | |
'but they also want a service that's less sombre and more personalised. | 0:09:17 | 0:09:22 | |
'A celebration of life.' | 0:09:22 | 0:09:24 | |
I can't tell you how fast this will go for legal reasons, | 0:09:24 | 0:09:28 | |
but I can tell you it's pretty quick. | 0:09:28 | 0:09:30 | |
And this is the motorcycle hearse that people often ask for a last blast. | 0:09:30 | 0:09:36 | |
Now, to some people, that might sound a bit disrespectful. | 0:09:36 | 0:09:39 | |
But it's no different from a Scotsman being led by a bagpiper, | 0:09:39 | 0:09:43 | |
or a Manchester United supporter having a coffin in Manchester United colours. | 0:09:43 | 0:09:49 | |
So if somebody's an old boy or they used to race bikes, | 0:09:49 | 0:09:51 | |
they want to go quite quick, so we give it a good blast. | 0:09:51 | 0:09:55 | |
I think funerals are beginning to change, | 0:09:55 | 0:09:58 | |
er, mostly by people demanding they change. | 0:09:58 | 0:10:02 | |
They're saying, "Look, we want something not exactly the same as the last 12 people in front of us." | 0:10:02 | 0:10:07 | |
If you go into a supermarket to buy something, | 0:10:07 | 0:10:11 | |
not everything's the same colour, not everything's the same size, | 0:10:11 | 0:10:14 | |
not everything's the same style, you have a big choice. | 0:10:14 | 0:10:18 | |
And people expect the same with their funeral. | 0:10:18 | 0:10:20 | |
There's no other industry, whether it's clothing, vehicles, anywhere, | 0:10:20 | 0:10:25 | |
where you would walk into a room and ask to buy something | 0:10:25 | 0:10:29 | |
and be told, "But that's not traditional." | 0:10:29 | 0:10:31 | |
'Preparation of the body is an important funeral ritual across all religions and cultures. | 0:10:41 | 0:10:47 | |
'New clients arriving at Lilleywhite's | 0:10:50 | 0:10:53 | |
'usually stay for a week before the service. | 0:10:53 | 0:10:56 | |
'Behind the mortuary door, | 0:10:56 | 0:10:59 | |
'a hidden but important part of the undertaker's job is about to take place. | 0:10:59 | 0:11:03 | |
'Simon has vital work to do to preserve the body, | 0:11:06 | 0:11:10 | |
'to make the dead presentable to the living.' | 0:11:10 | 0:11:13 | |
This is the mortuary. This is where when we collect people we bring them and store them | 0:11:14 | 0:11:18 | |
until we get them ready to place in the chapel of rest. | 0:11:18 | 0:11:21 | |
We keep people in the fridge, obviously, for hygiene and preservation reasons. | 0:11:26 | 0:11:33 | |
We have an embalmer who embalms if the person needs to be embalmed. | 0:11:37 | 0:11:40 | |
Erm, my staff will wash the deceased, | 0:11:40 | 0:11:44 | |
dress them, shave them, tend to their hair, | 0:11:44 | 0:11:48 | |
before placing them in the coffins and then they go into the chapels. | 0:11:48 | 0:11:53 | |
And it is to make sure that nature doesn't take its course | 0:11:53 | 0:11:57 | |
sooner rather than later. | 0:11:57 | 0:12:00 | |
'A bereaved family are expected in for a viewing. | 0:12:09 | 0:12:13 | |
'Simon makes sure the deceased is looking as lifelike as possible.' | 0:12:15 | 0:12:19 | |
-So this is the lady that you're burying today. -This morning, yes. Mrs Mottershead. | 0:12:26 | 0:12:30 | |
We made her look as natural as possible. | 0:12:36 | 0:12:38 | |
Erm, I mean, just so it looks like mum asleep in a coffin. | 0:12:38 | 0:12:43 | |
Everything needs to be absolutely perfect. | 0:12:46 | 0:12:48 | |
We don't want any slip-ups, any little mistakes that often upset people. | 0:12:48 | 0:12:52 | |
The little things upset people. Big things... | 0:12:52 | 0:12:55 | |
But it's the little things, the colour of the nail varnish, | 0:12:55 | 0:12:58 | |
the colour of lipstick, they're the things we have to make sure we get right. | 0:12:58 | 0:13:02 | |
All the pictures of the wedding days and it's so sad, it really is. | 0:13:05 | 0:13:09 | |
You know, all the things that they put in, the grandchildren. | 0:13:09 | 0:13:12 | |
All the family memories. | 0:13:13 | 0:13:16 | |
-Does it ever get to you? -Yes. Yeah. | 0:13:16 | 0:13:19 | |
Yeah. I think if it doesn't then you're in the wrong job. | 0:13:19 | 0:13:24 | |
You don't become emotionally involved, | 0:13:24 | 0:13:27 | |
but of course you feel, if it was my mum, or somebody I knew and loved, | 0:13:27 | 0:13:31 | |
if it doesn't affect you then... | 0:13:31 | 0:13:33 | |
You've got to show empathy and sympathy to the people you're dealing with. | 0:13:33 | 0:13:37 | |
I think coming to say goodbye for the last time will be hard for them. | 0:13:38 | 0:13:43 | |
They've been coming a lot. | 0:13:43 | 0:13:45 | |
And I think today is the final time they can say goodbye. | 0:13:45 | 0:13:49 | |
'At Taslim's, the Muslim funeral directors, | 0:13:57 | 0:14:00 | |
'the body isn't preserved because the burial happens so quickly. | 0:14:00 | 0:14:04 | |
'But there's an important Islamic ritual to carry out. | 0:14:06 | 0:14:10 | |
'Harun Rashid Ali washes the male bodies | 0:14:11 | 0:14:14 | |
'with dignity and respect for the deceased at all times.' | 0:14:14 | 0:14:17 | |
When we're doing the washing, we need to make sure that | 0:14:24 | 0:14:26 | |
from the belly button, from the tummy to the knees all the time covered up. | 0:14:26 | 0:14:31 | |
We're going to wash it underneath the plastic. | 0:14:31 | 0:14:34 | |
And we need to keep that covered all the time while we're doing the washing. | 0:14:34 | 0:14:37 | |
Water has to be warm, not too cold, not too hot. | 0:14:40 | 0:14:44 | |
'Great care is taken because Muslims believe the dead person may still hear and feel what's going on.' | 0:14:44 | 0:14:51 | |
He can feel it, yeah. | 0:14:51 | 0:14:53 | |
That's what we believe in, | 0:14:53 | 0:14:56 | |
that when the man passed away, you have to be really careful | 0:14:56 | 0:14:59 | |
and make sure it doesn't harm him because he does feel, he can feel a bit of it. | 0:14:59 | 0:15:04 | |
'Female bodies are washed by women. | 0:15:06 | 0:15:08 | |
'Or the deceased's family come in to do it themselves.' | 0:15:08 | 0:15:12 | |
When I first started the washing, I was really frightened and scared, | 0:15:12 | 0:15:16 | |
and I thought, "I can't do this job." | 0:15:16 | 0:15:19 | |
At the moment, I'm not frightened of anything because I believe that they cannot do anything to you. | 0:15:20 | 0:15:26 | |
We're going to dry him up, OK? And then we're going to place him in the coffin. | 0:15:26 | 0:15:30 | |
Make sure his eyes are closed. | 0:15:35 | 0:15:37 | |
'Every Muslim is treated the same way in death, | 0:15:44 | 0:15:48 | |
'so all bodies are dressed in the same simple shroud. | 0:15:48 | 0:15:51 | |
'Habiba, the second daughter in the family business, | 0:15:53 | 0:15:56 | |
'makes sure everything is done correctly.' | 0:15:56 | 0:15:59 | |
For a man, it's very, very simple. | 0:15:59 | 0:16:01 | |
It's just three pieces. With us women, it's five. | 0:16:01 | 0:16:04 | |
We've got an extra headscarf, an extra bit round the middle. | 0:16:04 | 0:16:08 | |
It's just to hold us all in, I think. | 0:16:08 | 0:16:10 | |
We cut a line down here. | 0:16:10 | 0:16:13 | |
Just cutting out the place to put the head. | 0:16:13 | 0:16:15 | |
So we don't rip down the front cos we don't want to expose the front, we rip down the back. | 0:16:15 | 0:16:20 | |
None of the material or the cotton that we use can be sewn. | 0:16:20 | 0:16:24 | |
If you look, none of the edges have got any sewing on it. That's why we just rip it. | 0:16:24 | 0:16:28 | |
None of it's been sewn together, you're not allowed that. | 0:16:28 | 0:16:31 | |
So if I was going to put this on, | 0:16:31 | 0:16:34 | |
it would be like a dress, like that. | 0:16:34 | 0:16:37 | |
But underneath this there would be another piece of cloth. | 0:16:37 | 0:16:40 | |
Erm, it would be like a towel. | 0:16:40 | 0:16:42 | |
And you wrap it under the armpits and fold it like that. | 0:16:42 | 0:16:45 | |
So that would be the first piece. This would be the second piece. | 0:16:45 | 0:16:48 | |
The third piece would be my headscarf, which we'll make in a minute. | 0:16:48 | 0:16:52 | |
That's piece number four and that's piece number five. | 0:16:52 | 0:16:56 | |
-That's his number. -Yeah. | 0:16:56 | 0:16:58 | |
Can you text him my mobile number, please, so that he knows. | 0:16:58 | 0:17:01 | |
Well, we need to know about the man who ran over on the bus. | 0:17:01 | 0:17:06 | |
OK. They said that in... | 0:17:06 | 0:17:09 | |
'In the office, Moona is helping a friend of the man knocked down by a bus. | 0:17:09 | 0:17:13 | |
'He's here to find out when the funeral is taking place.' | 0:17:13 | 0:17:17 | |
How did you find out that he'd passed away? Cos he was on his way to the mosque when he got knocked over. | 0:17:17 | 0:17:22 | |
-The mosque is near me. -Oh, I see. | 0:17:22 | 0:17:25 | |
'On the day Abib Madah died, Usman was waiting for him at prayers. | 0:17:25 | 0:17:29 | |
'But he never arrived.' | 0:17:29 | 0:17:31 | |
-If you come tomorrow, the prayer time, you need to be here for half past 12, one o'clock. -I will. I will. | 0:17:31 | 0:17:38 | |
-And you can join the prayer. OK, then. -Thank you. Bye. | 0:17:38 | 0:17:41 | |
I know him for long time. I know him for long time. | 0:17:42 | 0:17:45 | |
I known him since 1960. | 0:17:45 | 0:17:47 | |
-Were you a good friend? -Yes, it is. | 0:17:49 | 0:17:51 | |
Was my best friend. | 0:17:52 | 0:17:55 | |
There's a gentleman went and prayed every day at the mosque with his mate, | 0:17:55 | 0:17:58 | |
and then one day he didn't quite make it there. It's just sad. | 0:17:58 | 0:18:03 | |
But nice to hear that he had friends that he used to do that with. | 0:18:03 | 0:18:06 | |
Personalises it all a bit more, I suppose. | 0:18:06 | 0:18:09 | |
You always discover something you missed just before the funeral. | 0:18:16 | 0:18:20 | |
And the beauty of a British bike | 0:18:20 | 0:18:22 | |
is a little bit of oil appears here and there. | 0:18:22 | 0:18:25 | |
'Paul Sinclair is preparing one of his motorcycle hearses | 0:18:25 | 0:18:29 | |
'for an alternative funeral that will take place tomorrow.' | 0:18:29 | 0:18:32 | |
A large number of people who ask for our motorbike hearses | 0:18:32 | 0:18:36 | |
are non-religious, or they don't believe in God at all. | 0:18:36 | 0:18:40 | |
And this helps them to get through it cos it reminds them of the person's life, | 0:18:40 | 0:18:44 | |
and it enables them to look back with fond memories at that time. | 0:18:44 | 0:18:47 | |
-Here they are. -'Audrey Frost's husband, Malcolm, has died at the age of 70, | 0:18:51 | 0:18:57 | |
'a member of a well-known bike club, the Blue Knights.' | 0:18:57 | 0:19:01 | |
This is the Tardis, this is Malcolm's trike. | 0:19:01 | 0:19:04 | |
He was very loving, very caring | 0:19:05 | 0:19:08 | |
and very vulnerable but full of fun. | 0:19:08 | 0:19:11 | |
Everybody knew Malcolm. | 0:19:11 | 0:19:13 | |
He was very much a... | 0:19:13 | 0:19:16 | |
He was a people person. | 0:19:16 | 0:19:19 | |
I'll miss him terribly. | 0:19:19 | 0:19:22 | |
He was... He was the love of my life. | 0:19:22 | 0:19:26 | |
He was my soul mate. | 0:19:26 | 0:19:28 | |
Yeah. No, we don't want people dressed up in suits and black and all the rest of it. | 0:19:31 | 0:19:37 | |
'An estimated one in ten people have a funeral with no religion and Malcolm is one of them. | 0:19:37 | 0:19:42 | |
'But his send-off will have its own unique set of rituals.' | 0:19:42 | 0:19:47 | |
We never actually discussed whether he wanted a biking funeral, | 0:19:47 | 0:19:51 | |
but we knew. We knew. It was just him. | 0:19:51 | 0:19:56 | |
It just had to be. | 0:19:56 | 0:19:58 | |
I think if you cut him in half, he'd have biker written. | 0:19:58 | 0:20:01 | |
You know, like a stick of rock. | 0:20:01 | 0:20:04 | |
Possibly that was his religion. | 0:20:06 | 0:20:08 | |
When somebody dies who doesn't know God, and their friends don't know God, | 0:20:10 | 0:20:16 | |
the funeral is a particular challenge because what do you do at that funeral? | 0:20:16 | 0:20:20 | |
Do you try to explain what's ahead? | 0:20:20 | 0:20:22 | |
Do you try to explain the afterlife? What do you do? | 0:20:22 | 0:20:26 | |
You can't really sing about these things. | 0:20:26 | 0:20:29 | |
So I think what most non-religious people would do, | 0:20:29 | 0:20:32 | |
and I think this is the wise thing to do, | 0:20:32 | 0:20:34 | |
is they will focus on the life of the person who's died | 0:20:34 | 0:20:38 | |
and celebrate what they do know | 0:20:38 | 0:20:40 | |
and what they can all agree on and rejoice in together. | 0:20:40 | 0:20:44 | |
Tomorrow's got to be right for Malcolm. | 0:20:44 | 0:20:48 | |
It's got to be... | 0:20:48 | 0:20:50 | |
..an expression of him and a celebration of him | 0:20:50 | 0:20:54 | |
and... | 0:20:54 | 0:20:56 | |
..it's got to be what he would want. | 0:20:57 | 0:21:01 | |
It's got to be the conclusion. | 0:21:01 | 0:21:03 | |
It's got to be a conclusion of his life. | 0:21:04 | 0:21:08 | |
'Simon and his team are preparing for a visit from the Mottershead family | 0:21:19 | 0:21:23 | |
'for a viewing in the chapel of rest.' | 0:21:23 | 0:21:26 | |
This is the arranging room. We bring the families in to arrange funerals. | 0:21:27 | 0:21:32 | |
So every morning when I come in, | 0:21:32 | 0:21:34 | |
my priority is just to check that everywhere is presentable. | 0:21:34 | 0:21:38 | |
-I notice you've got the tissues on the table. -Yes. Yeah. | 0:21:41 | 0:21:45 | |
And more often than not, we do need them. | 0:21:45 | 0:21:49 | |
In every chapel of rest we have tissues. | 0:21:49 | 0:21:52 | |
In the waiting room we have tissues. Everywhere there are tissues, just in case. | 0:21:52 | 0:21:57 | |
DOORBELL RINGS | 0:22:04 | 0:22:06 | |
'The family have arrived to say a final goodbye | 0:22:12 | 0:22:15 | |
'before Lesley's coffin is closed for the funeral.' | 0:22:15 | 0:22:18 | |
Some families don't come. Some families come all the time. | 0:22:18 | 0:22:22 | |
And it's what's right for them. | 0:22:22 | 0:22:24 | |
I think some people find it very, very difficult to come so they don't come. | 0:22:24 | 0:22:28 | |
And I encourage people to go with how they feel. | 0:22:28 | 0:22:31 | |
If they feel like they don't need to say goodbye, then don't say goodbye. | 0:22:31 | 0:22:34 | |
If they feel like they want to say goodbye, then come along. | 0:22:34 | 0:22:37 | |
-What a day! -Come on. -Come on, now. -Thank you. | 0:22:43 | 0:22:48 | |
Goodbye. | 0:23:01 | 0:23:03 | |
'Lesley and Albert were married for 35 years. | 0:23:05 | 0:23:09 | |
'She died suddenly from heart failure.' | 0:23:09 | 0:23:12 | |
When I seen her, she looked absolutely beautiful. | 0:23:14 | 0:23:18 | |
All her nails had been done, her hair had been done. | 0:23:19 | 0:23:23 | |
She was dressed in all her new clothes. | 0:23:24 | 0:23:26 | |
But I've never seen anybody look as nice as what she did. | 0:23:26 | 0:23:30 | |
She looked like a film star. Honestly, she looked like a film star. | 0:23:32 | 0:23:35 | |
And all I wanted to do was get hold of her. I couldn't. | 0:23:37 | 0:23:41 | |
I kissed her and everything, you know. | 0:23:41 | 0:23:44 | |
Yeah, I kissed her and everything. | 0:23:45 | 0:23:47 | |
Stroked her hair and her cheek. | 0:23:49 | 0:23:51 | |
HE SIGHS | 0:23:53 | 0:23:55 | |
It's a shame. | 0:23:59 | 0:24:01 | |
'Arranging a funeral is one of the hardest things we have to do. | 0:24:11 | 0:24:16 | |
'Today Denise Wales has an appointment with a funeral director near her home in Leeds.' | 0:24:17 | 0:24:23 | |
I've got butterflies. My stomach's churning. | 0:24:23 | 0:24:27 | |
It's turning and everything. | 0:24:27 | 0:24:29 | |
But I'll take a breather | 0:24:30 | 0:24:32 | |
and walk in them doors | 0:24:32 | 0:24:35 | |
and do whatever has to be done. | 0:24:35 | 0:24:39 | |
'Denise is a 49-year-old single mum with two teenage daughters.' | 0:24:41 | 0:24:45 | |
You're expecting somebody tall | 0:24:47 | 0:24:50 | |
in a dark suit with a top hat, | 0:24:50 | 0:24:54 | |
but I don't think it'll be like that, but it's what I've got situated in my mind. | 0:24:54 | 0:24:59 | |
'She's terminally ill with cancer | 0:25:01 | 0:25:03 | |
'and she's here to arrange her own funeral.' | 0:25:03 | 0:25:06 | |
I shouldn't really be doing this. | 0:25:10 | 0:25:13 | |
It's like, "Well, yeah, you're going to have to do it. You've no choice in the matter." | 0:25:13 | 0:25:17 | |
And the best thing really is if we just talk through anything you want to discuss | 0:25:17 | 0:25:22 | |
about what you would like to happen at the funeral. | 0:25:22 | 0:25:25 | |
'Funeral director Ruth Tempest will help Denise put her plan together.' | 0:25:25 | 0:25:30 | |
Have you had any thoughts as to who you would want to lead the service? | 0:25:30 | 0:25:34 | |
-Are you religious yourself? -No. | 0:25:34 | 0:25:36 | |
I'm not going on the religion side of things. | 0:25:36 | 0:25:39 | |
We can either dress you in your own clothes... | 0:25:39 | 0:25:43 | |
-Please. -Yeah. That's fine. | 0:25:43 | 0:25:45 | |
Which I'll get help with from Rebecca and Megan. | 0:25:45 | 0:25:48 | |
They might even want to shove a bit of makeup on me. | 0:25:48 | 0:25:51 | |
-SHE LAUGHS -That's not a problem. | 0:25:51 | 0:25:54 | |
Her daughters are both very young, so to have to make decisions | 0:25:54 | 0:25:58 | |
at their age... | 0:25:58 | 0:26:00 | |
I know she's been very open with them about what she wants | 0:26:00 | 0:26:04 | |
and discussed what they want to happen, too. | 0:26:04 | 0:26:06 | |
So at least now they all know what's going to happen. | 0:26:06 | 0:26:11 | |
And it'll be easier for them to not have so much to decide at the time. | 0:26:11 | 0:26:16 | |
I mean, really, knowing that it's going to get burnt, as well, afterwards, | 0:26:18 | 0:26:22 | |
the traditional one will be fine. | 0:26:22 | 0:26:25 | |
And I think it looks so different when flowers have been put on, | 0:26:25 | 0:26:28 | |
-you know, just an arrangement of flowers on the top of the coffin. -Yeah. | 0:26:28 | 0:26:32 | |
-We've got three different chapels. -Oh, right. | 0:26:32 | 0:26:34 | |
'Denise has asked to see the chapel of rest, | 0:26:38 | 0:26:41 | |
'the place family and friends will come to view her body before the funeral.' | 0:26:41 | 0:26:45 | |
So, like I say, if they wanted to bring... | 0:26:51 | 0:26:53 | |
There's shelves to put photographs or anything like that on. | 0:26:53 | 0:26:57 | |
And the tables, we can always bring more tables and things like that. | 0:26:57 | 0:27:01 | |
So would I be on this side, then? Or would I be this side? | 0:27:01 | 0:27:06 | |
-Yeah, no, you'd be here where... -Where that is. Yeah. | 0:27:06 | 0:27:09 | |
Your head would be this side, if you want to know that much. | 0:27:12 | 0:27:16 | |
-My head would be that side? -Yeah. -Could it not be that side? | 0:27:17 | 0:27:21 | |
We... The only reason we usually do that is for when people come in, | 0:27:21 | 0:27:27 | |
sometimes for them to see you straight away is quite upsetting. | 0:27:27 | 0:27:31 | |
-Right. -So we'd have you so that they can come in, | 0:27:31 | 0:27:34 | |
see you, and it's them to turn to you... | 0:27:34 | 0:27:37 | |
-Mind you, I'm not going to feel it anyway, am I? -No. -SHE LAUGHS | 0:27:37 | 0:27:41 | |
I'm thinking of it as being me, because that way round, I wouldn't like it, I'd feel sick. | 0:27:41 | 0:27:45 | |
-Oh, would you? -Yeah. Oh, God, I can't believe I just did that. | 0:27:45 | 0:27:50 | |
I'm thinking as though I'm going to be stood up, aren't I? | 0:27:51 | 0:27:53 | |
I'm going to be still here. | 0:27:53 | 0:27:55 | |
I think it is hard to think of it any other way, isn't it? | 0:27:55 | 0:28:00 | |
You can't... It's hard to see past that. | 0:28:00 | 0:28:03 | |
It is. | 0:28:05 | 0:28:07 | |
SHE SOBS | 0:28:07 | 0:28:09 | |
-It'll be all right. -I know. It's very real, isn't it? | 0:28:09 | 0:28:13 | |
It is now, yeah. | 0:28:13 | 0:28:15 | |
Since I was just chatting then, I just... It's just hit me. | 0:28:15 | 0:28:19 | |
But, no. This'll be fine. It'll be OK. | 0:28:20 | 0:28:24 | |
-OK. -I'm sorry about that. | 0:28:24 | 0:28:26 | |
-You don't need to be sorry. -Yeah, but no, I'm happy with all that. | 0:28:26 | 0:28:30 | |
SHE SOBS | 0:28:34 | 0:28:37 | |
And dad passed away on what date? | 0:28:37 | 0:28:40 | |
25th. | 0:28:41 | 0:28:43 | |
And where was he when this happened? | 0:28:43 | 0:28:46 | |
It's all right. It's not a problem. | 0:28:46 | 0:28:48 | |
'It can be sometimes quite an emotional rollercoaster ride.' | 0:28:48 | 0:28:52 | |
But, yeah, I love it. I really enjoy it. | 0:28:52 | 0:28:56 | |
And I feel for the people that are coming through the door, as well. | 0:28:56 | 0:28:59 | |
Because, you know, they're all in the same boat, | 0:28:59 | 0:29:03 | |
erm, and we're here for them. They need us and we're here for them. | 0:29:03 | 0:29:08 | |
It would be, for a very simple funeral, it would be around £1,850. | 0:29:10 | 0:29:16 | |
On the whole, we try to keep a very light atmosphere in the office, | 0:29:16 | 0:29:19 | |
and try to be, you know, when there aren't clients here, try to enjoy ourselves a little bit. | 0:29:19 | 0:29:23 | |
Because otherwise you would go home depressed all the time | 0:29:23 | 0:29:26 | |
and we've all got children and families that we have to go home to. | 0:29:26 | 0:29:29 | |
You have to try and keep a smile on your face. | 0:29:29 | 0:29:32 | |
'Audrey Frost wants to see her husband, Malcolm, for the last time before his funeral.' | 0:29:40 | 0:29:45 | |
Hello. | 0:29:46 | 0:29:48 | |
'I've just got to go down and make sure his hair's done right. | 0:29:48 | 0:29:53 | |
'Cos I've been doing that for 16 years. | 0:29:53 | 0:29:55 | |
'Cos he liked it plaited. Just make sure he's respectable.' | 0:29:55 | 0:29:59 | |
Take as long as you need. I'm right outside if you need me. | 0:29:59 | 0:30:02 | |
-Thanks very much. -You're welcome. -Thank you. | 0:30:02 | 0:30:05 | |
-There he is, the old boy. -The old git. | 0:30:08 | 0:30:11 | |
Ey up, my Malcy. | 0:30:11 | 0:30:14 | |
SHE SOBS I'm going to miss you so much. | 0:30:15 | 0:30:19 | |
SHE SOBS | 0:30:20 | 0:30:23 | |
Come on, now. | 0:30:23 | 0:30:25 | |
That's the last time and that's how I wanted to see him, really. | 0:30:25 | 0:30:31 | |
They've done a fantastic job. | 0:30:31 | 0:30:34 | |
Cos he looked so ill last time I saw him. | 0:30:35 | 0:30:39 | |
And it's... nice to see him look like himself and asleep. | 0:30:39 | 0:30:43 | |
I wanted to take him home. | 0:30:44 | 0:30:46 | |
-Did he look at peace? -Yeah. | 0:30:52 | 0:30:55 | |
And he looked ready to go, didn't he, Jim? | 0:30:57 | 0:31:00 | |
All right. | 0:31:01 | 0:31:03 | |
'Friday is the Muslim holy day, the most popular day for funerals, | 0:31:18 | 0:31:22 | |
'because there are lots of people at the mosque to pray for the dead. | 0:31:22 | 0:31:26 | |
'Gulam needs to get Abib's body there in time for prayers.' | 0:31:26 | 0:31:29 | |
We're trying to get it in front of the priest | 0:31:30 | 0:31:33 | |
before the congregation gets into the mosque because then we can't get into the mosque | 0:31:33 | 0:31:36 | |
because we've got 4,000 people, so we have to be inside the mosque by 12. What time is it now? | 0:31:36 | 0:31:42 | |
Yeah, 11.30, so we're doing it now. | 0:31:42 | 0:31:44 | |
-So is that a race against time? -It's always a race against time. It's very stressful. | 0:31:44 | 0:31:49 | |
-But we try our best. -Good luck. -All right. Thank you. | 0:31:49 | 0:31:53 | |
CAR ENGINE STARTS | 0:31:53 | 0:31:56 | |
'Over 4,000 people will attend Abib's funeral | 0:32:03 | 0:32:07 | |
'because the service will be part of Friday prayers. | 0:32:07 | 0:32:09 | |
'He'll share it with four other Muslims | 0:32:09 | 0:32:12 | |
'who will also be buried today.' | 0:32:12 | 0:32:14 | |
The funeral service in itself is very different from other faiths | 0:32:18 | 0:32:21 | |
in that it is a basic ceremony, | 0:32:21 | 0:32:24 | |
it's very quick, the prayers are done standing up, | 0:32:24 | 0:32:28 | |
they take all of a couple of minutes | 0:32:28 | 0:32:31 | |
and that same prayer is said for every single Muslim person that dies. | 0:32:31 | 0:32:37 | |
'Moona's outside the mosque checking everything runs smoothly.' | 0:32:37 | 0:32:42 | |
-Busy, huh? -Very busy. | 0:32:42 | 0:32:44 | |
So you have the men coming out of one section and the ladies out of the other. | 0:32:44 | 0:32:47 | |
Because there's five Janazahs today, | 0:32:47 | 0:32:49 | |
there's actually more people here than there normally would be. | 0:32:49 | 0:32:53 | |
'When prayers are finished, she'll make sure coffins, mourners and hearses | 0:32:53 | 0:32:58 | |
'are reunited in the right place at the right time. | 0:32:58 | 0:33:01 | |
'Easier said than done.' | 0:33:01 | 0:33:04 | |
The problem now is everyone comes out of prayer | 0:33:04 | 0:33:08 | |
and they try to locate their coffin and they're not quite sure who's who. | 0:33:08 | 0:33:11 | |
And they're literally just sort of running around trying to find their loved ones. | 0:33:11 | 0:33:15 | |
We're going to try and make sure that everyone gets to see their loved one, pay their last respects, | 0:33:15 | 0:33:20 | |
so we have to wait for most of the people to come out of prayer, | 0:33:20 | 0:33:23 | |
and then take the coffins into the viewing area so they can get that chance. | 0:33:23 | 0:33:27 | |
Or try. | 0:33:27 | 0:33:29 | |
The coffins will be brought out and taken into the hall here | 0:33:34 | 0:33:38 | |
where people get a chance to say their last goodbyes. | 0:33:38 | 0:33:42 | |
'Abib's coffin is on its way to the viewing room. | 0:33:43 | 0:33:46 | |
'Muslim funerals are communal events. | 0:33:46 | 0:33:49 | |
'Abib was part of the Somalian community in London | 0:33:49 | 0:33:52 | |
'and people who didn't even know him have turned up.' | 0:33:52 | 0:33:55 | |
We should have walkie-talkies at this point. It would be very useful. | 0:33:57 | 0:34:00 | |
'Outside, Moona's next challenge is getting the right coffin into the right hearse.' | 0:34:03 | 0:34:09 | |
The worst case scenario is you have families running out with their coffin going, "Where's the car?" | 0:34:09 | 0:34:13 | |
And the car's not at the front, it's at the back of the mosque. | 0:34:13 | 0:34:16 | |
And they go back through and you're thinking, "Oh!" | 0:34:16 | 0:34:18 | |
The idea now is to make sure the family knows who their driver is, | 0:34:18 | 0:34:21 | |
the driver then informs them where their car is, | 0:34:21 | 0:34:23 | |
and they actually get into the right car, and into the coach, as well. | 0:34:23 | 0:34:27 | |
I'm just going to double check with everyone now. | 0:34:27 | 0:34:29 | |
I did tell them at the front, and I think they've still gone to the back. | 0:34:31 | 0:34:34 | |
It can be quite confusing, right? | 0:34:36 | 0:34:38 | |
I did say at the front and they've just gone on a walkabout. | 0:34:38 | 0:34:43 | |
It's the white hearse just down there on the right. OK? | 0:34:51 | 0:34:54 | |
This one's your one. You got your papers? | 0:34:59 | 0:35:02 | |
'Non-Muslims attending funerals here for the first time | 0:35:07 | 0:35:11 | |
'can find it all a bit of a culture shock.' | 0:35:11 | 0:35:13 | |
I suppose anyone looking at it would think, "That's just organised chaos, how awful. | 0:35:14 | 0:35:19 | |
"It's not personal. If that was my mum, I'd hate that." | 0:35:19 | 0:35:22 | |
But people wouldn't have it any other way here, | 0:35:24 | 0:35:26 | |
it's what they're used to and it's acceptable and that's fine. | 0:35:26 | 0:35:29 | |
It's just normal round here. It's bizarre but normal. | 0:35:29 | 0:35:32 | |
'Denise Wales is living on borrowed time | 0:35:46 | 0:35:49 | |
'and carrying on with arrangements for her own funeral. | 0:35:49 | 0:35:52 | |
'She's visiting the crematorium chapel where her service will take place.' | 0:35:52 | 0:35:57 | |
You get a 40-minute service, the first service is nine o'clock in the morning | 0:35:58 | 0:36:02 | |
through to 3:40 in the afternoon, every 40 minutes. | 0:36:02 | 0:36:05 | |
'Phil Stevenson, the head of Leeds Cemeteries, is showing her round.' | 0:36:05 | 0:36:09 | |
You can tailor the service to suit your needs, really. | 0:36:09 | 0:36:12 | |
Yeah. And more so when you're doing it yourself. SHE LAUGHS | 0:36:12 | 0:36:17 | |
We don't get many people who do that. | 0:36:17 | 0:36:19 | |
There are more and more these days trying to do that. | 0:36:19 | 0:36:22 | |
Oh, mine's not by trying, trust me, mine's not by trying. | 0:36:22 | 0:36:25 | |
I don't really relish doing this but I've got to. | 0:36:25 | 0:36:28 | |
It's like a dream. But also a nightmare at the same time. | 0:36:29 | 0:36:34 | |
Because you literally think, what you're talking about and what you're discussing, | 0:36:34 | 0:36:39 | |
that you are going to be there when it all happens. | 0:36:39 | 0:36:43 | |
I'm terrified. I'm absolutely frightened to death. | 0:36:43 | 0:36:48 | |
But what can I do? | 0:36:48 | 0:36:50 | |
If I just keep that in my head, | 0:36:50 | 0:36:55 | |
the being frightened all the time, | 0:36:55 | 0:36:58 | |
then I'm just going to get weaker, | 0:36:58 | 0:37:01 | |
and I can't get weak, I still need to stay strong. | 0:37:01 | 0:37:04 | |
When I would go to meet a family, they would tell me about their loved one who's died | 0:37:06 | 0:37:10 | |
and I would put a eulogy together and speak about them. | 0:37:10 | 0:37:14 | |
'Denise doesn't want a priest to take her service | 0:37:14 | 0:37:17 | |
'so the choice is a non-religious humanist, or a civil celebrant.' | 0:37:17 | 0:37:21 | |
After leaving school, how about work? | 0:37:21 | 0:37:24 | |
Straight away. The Queens Hotel. | 0:37:24 | 0:37:27 | |
-The Queens Hotel? -Yeah. Waitress. Silver-service waitress. -Oh! | 0:37:27 | 0:37:32 | |
'She's chosen John Milan. | 0:37:32 | 0:37:34 | |
'As a civil celebrant, he'll let her bring some religion into the service.' | 0:37:34 | 0:37:39 | |
And would you like to include the Lord's Prayer also in the service? | 0:37:39 | 0:37:44 | |
-We're going to have a prayer, but only one. -One prayer. -Yeah. | 0:37:45 | 0:37:50 | |
And we're not quite sure which one it's going to be yet. | 0:37:50 | 0:37:53 | |
That's OK. We've got plenty of time. So I'll just put prayer with a question mark. | 0:37:53 | 0:37:58 | |
And... after you was diagnosed... | 0:37:58 | 0:38:03 | |
-..with cancer... -Mm-hm. -Erm... | 0:38:05 | 0:38:08 | |
-..how have you been since then? -Still the same. | 0:38:09 | 0:38:12 | |
-You haven't changed? -No. -Good. -Yeah. No. | 0:38:12 | 0:38:16 | |
-There's not a lot you can do about it, is there? -No. | 0:38:19 | 0:38:23 | |
This will be unusual for me because I'll be taking a service for someone I've met and got to like. | 0:38:23 | 0:38:30 | |
'Motorcyclists are arriving from all over the country for Malcolm Frost's funeral. | 0:38:36 | 0:38:41 | |
'He'll even have his own police escort.' | 0:38:41 | 0:38:44 | |
30 years, we never fell out. | 0:38:47 | 0:38:50 | |
We used to have a good argument but never fell out and I thought the world of him. | 0:38:50 | 0:38:54 | |
Decent. Nice. Loved it. | 0:38:58 | 0:39:00 | |
Loved biking. Was a good man. | 0:39:00 | 0:39:04 | |
He's the best Blue Knight I've ever known. | 0:39:08 | 0:39:10 | |
He always wore his colours, even in Tesco. | 0:39:10 | 0:39:13 | |
Always wore his colours. | 0:39:13 | 0:39:15 | |
'Malcolm's bike club, the Blue Knights, have their own version of an afterlife.' | 0:39:17 | 0:39:22 | |
In the Blue Knights, there's a chapter called Heaven One. | 0:39:24 | 0:39:28 | |
He will never ever be forgotten because he's now a member of Heaven One. | 0:39:28 | 0:39:33 | |
'His widow, Audrey, will ride her own bike behind the hearse.' | 0:39:35 | 0:39:39 | |
Audrey, how are you feeling about today? | 0:39:42 | 0:39:44 | |
I'm trying not to feel today. | 0:39:44 | 0:39:47 | |
Just getting on with it. | 0:39:47 | 0:39:49 | |
Just trying not think about too much | 0:39:49 | 0:39:52 | |
and just appreciating all the love and support that I'm finding around me. | 0:39:52 | 0:39:57 | |
It's a shame he's not here. He'd appreciate it. | 0:40:00 | 0:40:04 | |
'Paul is loading up the coffin into his motorcycle hearse | 0:40:08 | 0:40:12 | |
'for the journey to the house.' | 0:40:12 | 0:40:14 | |
I think when somebody has died and they have no religion, they don't know God at all, | 0:40:14 | 0:40:20 | |
it's particularly important for them | 0:40:20 | 0:40:22 | |
that the funeral reflects the individual who died, | 0:40:22 | 0:40:25 | |
to help them get through it. I think you really have to work hard | 0:40:25 | 0:40:29 | |
to make that funeral as personal and precious as possible. | 0:40:29 | 0:40:32 | |
'At the crematorium, civil celebrant Evie Jesson has prepared a non-religious service.' | 0:40:35 | 0:40:41 | |
The music that they've chosen is Too Old To Rock And Roll, Too Young To Die, by Jethro Tull, | 0:40:43 | 0:40:49 | |
True Love Ways, by Buddy Holly, | 0:40:49 | 0:40:52 | |
and Wish You Were Here, by Pink Floyd. | 0:40:52 | 0:40:57 | |
-What do you think that says about the deceased? -He's a rocker. | 0:40:58 | 0:41:01 | |
'The hearse has arrived at the house | 0:41:05 | 0:41:08 | |
'so friends and family can pay their last respects.' | 0:41:08 | 0:41:11 | |
So what we're doing right now is reminding folk of the deceased's life. | 0:41:12 | 0:41:17 | |
And there's a bit of camaraderie going on, | 0:41:17 | 0:41:20 | |
and it's helping them cope, it's helping them remember the way he used to be. | 0:41:20 | 0:41:24 | |
And the beautiful thing is they're all going to get to go for a ride out on their bikes again. | 0:41:24 | 0:41:28 | |
And anyone who didn't get the chance to say goodbye, this is their way to say goodbye. | 0:41:28 | 0:41:33 | |
I don't think there'll be a last blast, | 0:41:36 | 0:41:39 | |
because if you look carefully, there's a few cops right behind me. | 0:41:39 | 0:41:42 | |
Er, but certainly if we can shake them off somehow, we will. | 0:41:42 | 0:41:47 | |
HE LAUGHS | 0:41:47 | 0:41:49 | |
'It's now time for the cortege to leave for the crematorium, | 0:42:01 | 0:42:05 | |
'to give biker Malcolm Frost his final ride.' | 0:42:05 | 0:42:09 | |
He wasn't religious, | 0:42:17 | 0:42:20 | |
but I think he felt there was a spiritual aspect to life. | 0:42:20 | 0:42:25 | |
And he'd come to terms with... | 0:42:25 | 0:42:28 | |
..the spirituality | 0:42:29 | 0:42:31 | |
and he'd come to terms with the fact that | 0:42:31 | 0:42:34 | |
his life was at an end. | 0:42:34 | 0:42:37 | |
'Lesley Mottershead's funeral will be held at noon | 0:42:57 | 0:43:00 | |
'at St Mary's, a local Anglican church, | 0:43:00 | 0:43:03 | |
'followed by a burial at a nearby cemetery.' | 0:43:03 | 0:43:06 | |
We are entrusted with people's loved ones. | 0:43:08 | 0:43:11 | |
Erm, and we've got to look after them the best we possibly can. | 0:43:11 | 0:43:16 | |
-Do you always do this? -I do, yeah. | 0:43:18 | 0:43:21 | |
Just to make sure that there's no bits on the coats, | 0:43:21 | 0:43:25 | |
I always brush or roller them down. | 0:43:25 | 0:43:28 | |
-There you go. -Thank you. | 0:43:28 | 0:43:30 | |
'Before the coffin leaves for the church, | 0:43:32 | 0:43:34 | |
'Rochelle has one last job to do.' | 0:43:34 | 0:43:37 | |
The family have requested that I take a lock of hair off Lesley, | 0:43:38 | 0:43:43 | |
just so that Albert can keep it as a bit of a memento, | 0:43:43 | 0:43:47 | |
so I'm just going to cut some of Lesley's hair | 0:43:47 | 0:43:49 | |
and I'm going to put it in a little box that Albert's brought in | 0:43:49 | 0:43:52 | |
so that he can keep it. OK. | 0:43:52 | 0:43:54 | |
'Although they weren't regular church-goers, | 0:44:10 | 0:44:13 | |
'Albert wanted his wife to have a full Christian burial.' | 0:44:13 | 0:44:16 | |
I got the best off her, and the least I can do is give her the best. | 0:44:18 | 0:44:22 | |
I think she got the best. | 0:44:22 | 0:44:24 | |
Well, the best I could afford, any road. | 0:44:24 | 0:44:27 | |
I'm a Catholic, you know? | 0:44:29 | 0:44:32 | |
My wife was a Protestant. | 0:44:32 | 0:44:34 | |
But she didn't mind and I didn't mind. | 0:44:34 | 0:44:36 | |
I think you've got to have a funeral in church. | 0:44:38 | 0:44:40 | |
You go to a cremation, | 0:44:44 | 0:44:46 | |
they close the curtain and that's the end of it. | 0:44:46 | 0:44:49 | |
That's... their life gone. Everything gone. | 0:44:49 | 0:44:52 | |
There's nothing there. | 0:44:52 | 0:44:55 | |
With a funeral and everything, you know, the church... | 0:44:55 | 0:44:58 | |
..I can always go there, sit there and talk to her. | 0:44:59 | 0:45:02 | |
And I cry every day. | 0:45:03 | 0:45:06 | |
It's hard. | 0:45:08 | 0:45:10 | |
'Simon leads the funeral cortege down the street where Lesley lived.' | 0:45:17 | 0:45:21 | |
CHURCH BELL CHIMES | 0:45:25 | 0:45:29 | |
'It's very difficult to feel what they're feeling | 0:45:30 | 0:45:34 | |
'because we didn't know the person that's passed away, | 0:45:34 | 0:45:36 | |
'but you obviously empathise with them. | 0:45:36 | 0:45:39 | |
'You feel for them.' | 0:45:39 | 0:45:41 | |
CHURCH BELL CHIMES | 0:45:42 | 0:45:44 | |
'You get satisfaction because you've helped them | 0:45:44 | 0:45:47 | |
'through a part of their life that is a difficult part of their life. | 0:45:47 | 0:45:51 | |
'Just being there for people, | 0:45:54 | 0:45:56 | |
'helping them celebrate a life.' | 0:45:56 | 0:45:59 | |
Be careful as we go through the doorway, lads. | 0:46:01 | 0:46:03 | |
If you just keep going, it'll be fine. Yeah, keep going. | 0:46:03 | 0:46:06 | |
CHURCH BELL CHIMES | 0:46:11 | 0:46:14 | |
So we'll be in church about half an hour now | 0:46:14 | 0:46:17 | |
and then we'll make our way over to the cemetery. | 0:46:17 | 0:46:19 | |
-Will you stay outside or...? -I'll go back inside in a minute, | 0:46:19 | 0:46:22 | |
just to make sure there's no hiccups, but there shouldn't be. | 0:46:22 | 0:46:25 | |
If you move this one in | 0:46:25 | 0:46:28 | |
and put the heart and the three wreaths down this side, | 0:46:28 | 0:46:31 | |
it'll balance it up. | 0:46:31 | 0:46:33 | |
'At a biker funeral like this, | 0:46:46 | 0:46:48 | |
'where they're all wearing their colours and showing their respect, | 0:46:48 | 0:46:51 | |
'it's very serious, the ride out here. | 0:46:51 | 0:46:53 | |
'It's not a frivolous thing at all. It's very, very serious. | 0:46:53 | 0:46:56 | |
'It's no different from watching a royal funeral, being escorted by our riders.' | 0:46:56 | 0:47:01 | |
As you probably know, | 0:47:12 | 0:47:14 | |
Malcolm didn't practise any particular faith. | 0:47:14 | 0:47:18 | |
And so, in accordance with his wishes, | 0:47:18 | 0:47:20 | |
this ceremony will not have any specifically-religious content. | 0:47:20 | 0:47:26 | |
It is more a celebration of his life | 0:47:26 | 0:47:29 | |
and the things that he did and achieved. | 0:47:29 | 0:47:32 | |
He went to school locally but was apparently a bit of a rogue. | 0:47:32 | 0:47:37 | |
Malc touched a great many lives. | 0:47:37 | 0:47:40 | |
He was fundamentally a kind, outgoing, laidback man | 0:47:40 | 0:47:47 | |
with a wicked sense of humour. | 0:47:47 | 0:47:49 | |
Once seen, he was never missed. | 0:47:51 | 0:47:53 | |
He will be lovingly remembered. | 0:47:53 | 0:47:56 | |
We will now listen to True Love Ways by Buddy Holly, | 0:47:56 | 0:48:01 | |
which says everything about what Audrey and Malc were to each other. | 0:48:01 | 0:48:06 | |
# Just you know why | 0:48:06 | 0:48:08 | |
# Why you and I | 0:48:11 | 0:48:14 | |
# Will by and by... | 0:48:17 | 0:48:21 | |
I'll miss you, mate. | 0:48:23 | 0:48:26 | |
Thank you for your friendship, support over the years | 0:48:26 | 0:48:30 | |
and thanks for some great memories. | 0:48:30 | 0:48:32 | |
However, this time I've got the last word. | 0:48:32 | 0:48:36 | |
So God bless you, brother, | 0:48:36 | 0:48:38 | |
and we'll meet up later. Thank you. | 0:48:38 | 0:48:41 | |
# Just you and I | 0:48:42 | 0:48:45 | |
# Know true love ways... | 0:48:45 | 0:48:48 | |
'Denise has finished arranging her own funeral | 0:48:54 | 0:48:57 | |
'and can return to enjoying the time she has left.' | 0:48:57 | 0:49:00 | |
'Doing what we've done today was comforting. | 0:49:02 | 0:49:06 | |
'And it was better than I thought it was going to be.' | 0:49:06 | 0:49:11 | |
# Sometimes we'll sigh | 0:49:14 | 0:49:18 | |
There you go, Dad. | 0:49:18 | 0:49:20 | |
'I was scared. I was petrified. | 0:49:20 | 0:49:24 | |
'But part of the way through it, | 0:49:24 | 0:49:27 | |
'I felt really comfortable.' | 0:49:27 | 0:49:29 | |
Take care and I'll see you when I see you. | 0:49:29 | 0:49:33 | |
This is where I'm coming. Part of me. | 0:49:34 | 0:49:37 | |
I'm having some with my dad, | 0:49:37 | 0:49:39 | |
and my plaque will go up here, | 0:49:39 | 0:49:42 | |
but the rest of me the girls want | 0:49:42 | 0:49:45 | |
and they want to put me in the garden | 0:49:45 | 0:49:48 | |
and have a headstone there in the garden for them. | 0:49:48 | 0:49:53 | |
I knew eventually one day I was going to come here. | 0:49:54 | 0:49:57 | |
But, erm... But, yeah, it's hard. | 0:49:58 | 0:50:01 | |
But I'm not scared, cos I know I'll be with my dad | 0:50:02 | 0:50:07 | |
and we'll be looked after together. | 0:50:07 | 0:50:09 | |
With a bit of luck, it'll be longer than they've said. | 0:50:09 | 0:50:12 | |
It's just meant to be. | 0:50:14 | 0:50:16 | |
But... never mind. | 0:50:17 | 0:50:20 | |
Do not stand at my grave and weep. | 0:50:25 | 0:50:29 | |
I am not there, I do but sleep. | 0:50:29 | 0:50:31 | |
I am in a thousand winds that blow. | 0:50:32 | 0:50:35 | |
I am the softly-falling snow. | 0:50:35 | 0:50:38 | |
# How I wish | 0:50:38 | 0:50:39 | |
# How I wish you were here | 0:50:39 | 0:50:43 | |
# We're just two lost souls swimming in a fishbowl # | 0:50:44 | 0:50:49 | |
Whether somebody is religious, non-religious, whatever they are, | 0:50:49 | 0:50:53 | |
what matters at the funeral is that it's absolutely meaningful, | 0:50:53 | 0:50:56 | |
that it's well thought through, that it's thorough and it's special. | 0:50:56 | 0:51:01 | |
It should be unique. That person was unique so their funeral should be unique. | 0:51:01 | 0:51:05 | |
And if you can get these things right, or as close to right as you can, that's a good funeral. | 0:51:05 | 0:51:10 | |
Great send off, I think. | 0:51:10 | 0:51:12 | |
'Lesley Mottershead's coffin has been brought to the cemetery for the burial.' | 0:51:19 | 0:51:23 | |
'When the coffin's lowered into the grave, | 0:51:24 | 0:51:27 | |
'suddenly everything's real | 0:51:27 | 0:51:29 | |
'and it does often get the better of people. | 0:51:29 | 0:51:31 | |
'I think it's the reality that the person's passed away, | 0:51:35 | 0:51:37 | |
'the finality of it, | 0:51:37 | 0:51:40 | |
'suddenly that's finished and they have to open a new chapter. | 0:51:40 | 0:51:45 | |
'And it's that last few minutes when the priest or the minister says the final prayers | 0:51:48 | 0:51:53 | |
'and the coffin's lowered into the ground, | 0:51:53 | 0:51:55 | |
'that's when everything often comes to a head for people.' | 0:51:55 | 0:51:59 | |
Earth to earth, ashes to ashes, | 0:52:03 | 0:52:06 | |
dust to dust. | 0:52:06 | 0:52:09 | |
In sure and certain hope of the resurrection... | 0:52:09 | 0:52:12 | |
'I think it went very well. I think we did what the family asked us to do. | 0:52:14 | 0:52:17 | |
'I think they sent their mum and wife off in the way that they wanted to | 0:52:17 | 0:52:23 | |
'and it was very well attended. | 0:52:23 | 0:52:26 | |
'So, all in all, successful. | 0:52:26 | 0:52:30 | |
'It was a sad funeral but a fitting farewell, I think, for the lady.' | 0:52:32 | 0:52:35 | |
'The Gardens of Peace is a Muslim cemetery on the outskirts of London. | 0:52:46 | 0:52:50 | |
'This is where many of Taslim's customers are laid to rest.' | 0:52:52 | 0:52:56 | |
I've buried, I don't know, over a thousand people in my life, I would say, | 0:52:58 | 0:53:03 | |
and I've seen some very tragic cases, | 0:53:03 | 0:53:06 | |
I've seen some very violent cases. | 0:53:06 | 0:53:08 | |
You may be healthy, you may be fine, | 0:53:08 | 0:53:11 | |
and then all of a sudden... that's it. | 0:53:11 | 0:53:15 | |
So I don't hold grudges long, | 0:53:16 | 0:53:19 | |
I tell people not to do that, | 0:53:19 | 0:53:21 | |
especially if it's with family and someone they love, | 0:53:21 | 0:53:24 | |
cos it might be their last argument. | 0:53:24 | 0:53:26 | |
But at the end of the day, I know it's there round every corner, | 0:53:28 | 0:53:32 | |
so... make every day count. | 0:53:32 | 0:53:35 | |
'The coach load of mourners help Gulam take Abib Madah to the graveside.' | 0:53:43 | 0:53:48 | |
Come round, yeah? | 0:53:48 | 0:53:51 | |
Down on the floor, on the floor. | 0:53:51 | 0:53:53 | |
On the floor. Come round here. Come round here. | 0:53:53 | 0:53:56 | |
'His body is taken out of the coffin. | 0:54:00 | 0:54:03 | |
'He'll be buried in his white shroud facing Mecca.' | 0:54:03 | 0:54:06 | |
Lift him up, please. Up. | 0:54:09 | 0:54:12 | |
OK, just hold it. | 0:54:13 | 0:54:16 | |
'The coffin will be taken back to Taslim's.' | 0:54:23 | 0:54:25 | |
What happens is, the body is laid in. | 0:54:29 | 0:54:31 | |
This way is Mecca. So the body has the back put against the grave here so it's facing that way. | 0:54:31 | 0:54:37 | |
And once they're in, these pieces of wood are laid over like that, | 0:54:37 | 0:54:42 | |
and then another one, and then another one, | 0:54:42 | 0:54:45 | |
so the earth doesn't go on top of the body | 0:54:45 | 0:54:47 | |
and the body is facing Mecca. | 0:54:47 | 0:54:50 | |
And the honour is, you see, for the family of the deceased, | 0:54:50 | 0:54:53 | |
if it's a man, for his brothers or his boys to do this. | 0:54:53 | 0:54:57 | |
If it's a lady, it's her sons or her husband even can do it. | 0:54:57 | 0:55:03 | |
To lay them and face them towards Mecca. | 0:55:03 | 0:55:05 | |
(SPEAKS ARABIC) | 0:55:07 | 0:55:10 | |
'There are no women here. They're not allowed to go to the graveside. | 0:55:11 | 0:55:16 | |
'It's believed that their weeping could upset the deceased and delay the departure of the soul.' | 0:55:16 | 0:55:20 | |
Can you move back, please? Can you move back, please? | 0:55:20 | 0:55:23 | |
The grave will collapse. Can you move back, please? | 0:55:23 | 0:55:25 | |
Move back, please. Move back, please. | 0:55:25 | 0:55:28 | |
'They want the body in the ground and covered with earth as quickly as possible.' | 0:55:28 | 0:55:32 | |
It's organised chaos. | 0:55:45 | 0:55:48 | |
That's what we call it here. | 0:55:48 | 0:55:50 | |
The main thing is, there doesn't seem to be any decorum, | 0:55:50 | 0:55:53 | |
any dignity about it, but that's the way it is. | 0:55:53 | 0:55:56 | |
They believe heaven starts in the grave. | 0:55:56 | 0:55:59 | |
So they just want to put this guy in the grave ASAP and fill in his grave and walk away, | 0:56:04 | 0:56:10 | |
and then they say God and the angels take over. | 0:56:10 | 0:56:12 | |
They want to fill it in themselves. They'd dig the grave themselves given the chance. | 0:56:17 | 0:56:21 | |
They're fighting over the shovels, as you can see. | 0:56:21 | 0:56:23 | |
Move back, please. We'll break it with a machine. | 0:56:28 | 0:56:31 | |
'There are no ornate headstones. | 0:56:32 | 0:56:36 | |
'Each grave looks the same. | 0:56:36 | 0:56:38 | |
'All Muslims are equal in death.' | 0:56:38 | 0:56:41 | |
Come everyone, please. | 0:56:44 | 0:56:46 | |
(ALL SPEAK ARABIC) | 0:56:52 | 0:56:55 | |
Death means the beginning of the new life. | 0:57:03 | 0:57:05 | |
They don't see death as the full stop. | 0:57:05 | 0:57:08 | |
They see death as the beginning. | 0:57:08 | 0:57:10 | |
And that's why, all over the world, Muslims are not frightened of death. | 0:57:10 | 0:57:14 | |
The everlasting life, the promised life. | 0:57:14 | 0:57:18 | |
So they look forward to it in a way. | 0:57:18 | 0:57:20 | |
'Next time, doing what's best for the living and the dead. | 0:57:43 | 0:57:48 | |
'A funeral photographer's pictures help the bereaved to move on.' | 0:57:48 | 0:57:51 | |
We photograph from the beginning. We have scans of babies. | 0:57:51 | 0:57:56 | |
We have teenagers, we have weddings. | 0:57:56 | 0:57:58 | |
But we don't have funerals. Well, why not? That's the end of the story. It's the closing chapter. | 0:57:58 | 0:58:02 | |
'But what do the undertakers do when religious rules upset the mourners left behind?' | 0:58:02 | 0:58:09 | |
-I want to see him. -It's not my rules, it's Islam rules. | 0:58:09 | 0:58:12 | |
We just have to wait here and I'm not happy about that. | 0:58:12 | 0:58:15 | |
Gentlemen, would you like to come, please? | 0:58:15 | 0:58:18 | |
Subtitles by Red Bee Media Ltd | 0:58:18 | 0:58:22 | |
. | 0:58:22 | 0:58:22 |