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Britain is home to many of the most beautiful holy places in the world. | 0:00:03 | 0:00:06 | |
Our religious heritage | 0:00:08 | 0:00:10 | |
and architecture is more varied than virtually anywhere else on earth. | 0:00:10 | 0:00:14 | |
My name is Ifor ap Glyn | 0:00:15 | 0:00:17 | |
and I am on a journey to explore the best of Britain's holy sites | 0:00:17 | 0:00:21 | |
and to uncover the rich and diverse history of our spiritual landscape. | 0:00:21 | 0:00:25 | |
I want to know how these places came to be, | 0:00:28 | 0:00:32 | |
discover what they reveal about the people who worshipped at them, | 0:00:32 | 0:00:36 | |
and explore why they continue to fascinate us today. | 0:00:36 | 0:00:40 | |
This place is incredible. | 0:00:40 | 0:00:42 | |
My journey will take me to towering mountain hideaways... | 0:00:42 | 0:00:45 | |
It was here that St Twrog took on the pagan forces of evil. | 0:00:45 | 0:00:51 | |
..icy healing pools... | 0:00:51 | 0:00:52 | |
I'm not sure what effect this is having on me, | 0:00:52 | 0:00:55 | |
but it is certainly having an effect! | 0:00:55 | 0:00:58 | |
...and the graves of long departed saints.. | 0:00:58 | 0:01:01 | |
There's something quite unsettling about this relic. | 0:01:01 | 0:01:04 | |
I'll search out islands where the faithful seek refuge from the world. | 0:01:04 | 0:01:09 | |
I'll wander ruins steeped in history... | 0:01:09 | 0:01:12 | |
His congregation were roused to come here | 0:01:12 | 0:01:15 | |
and rip down the rich trappings of this cathedral. | 0:01:15 | 0:01:19 | |
..and descend into caves which have been sacred for thousands of years. | 0:01:19 | 0:01:23 | |
Wow! | 0:01:25 | 0:01:27 | |
From the divine to the unexpected, join me on a journey | 0:01:27 | 0:01:30 | |
to the unforgettable corners of our country, | 0:01:30 | 0:01:33 | |
the landscapes that make the soul soar. | 0:01:33 | 0:01:36 | |
It is not hard to see why places of staggering natural beauty | 0:01:55 | 0:01:59 | |
make people feel closer to God - a towering mountain view, | 0:01:59 | 0:02:04 | |
the delicate beauty of a flower, a tranquil woodland pool. | 0:02:04 | 0:02:08 | |
It is harder to understand why people might feel | 0:02:16 | 0:02:19 | |
closer to the divine by going underground. | 0:02:19 | 0:02:22 | |
I'm setting out to discover why subterranean sites have | 0:02:30 | 0:02:34 | |
some of the richest religious histories in Britain | 0:02:34 | 0:02:38 | |
and how these sites came to be considered holy. | 0:02:38 | 0:02:41 | |
My first destination is tucked away in the Peak District National Park in Derbyshire. | 0:02:43 | 0:02:48 | |
This is Lud's Church, a natural canyon that has an atmosphere | 0:02:52 | 0:02:58 | |
all of its own - indeed it has an ecology all of its own - | 0:02:58 | 0:03:01 | |
many of these plants and ferns around me are extremely rare. | 0:03:01 | 0:03:05 | |
It's a place that's on the margins in more ways than one. | 0:03:05 | 0:03:09 | |
As you descend into its depths, the temperature drops by a few | 0:03:09 | 0:03:14 | |
degrees and you feel these mossy green walls closing around you, | 0:03:14 | 0:03:18 | |
giving it an otherworldly energy that repels some people but has attracted others. | 0:03:18 | 0:03:24 | |
Is it haunted? Or is it holy? | 0:03:24 | 0:03:26 | |
No-one knows when it was first used but Pagans are thought to | 0:03:31 | 0:03:36 | |
have worshipped here and one theory is that its name comes | 0:03:36 | 0:03:39 | |
from the Celtic deity Lud, who also gave his name to Ludgate in London. | 0:03:39 | 0:03:44 | |
It crops up in Arthurian legend where it is described as | 0:03:47 | 0:03:51 | |
"the place for the Devil to recite matins". | 0:03:51 | 0:03:54 | |
During the 15th century, it was refuge for religious | 0:04:00 | 0:04:03 | |
dissenters called Lollards, led by a man named Walter de Lud-Auk. | 0:04:03 | 0:04:10 | |
They were discovered, | 0:04:10 | 0:04:13 | |
and Lud-Auk's granddaughter was killed by soldiers sent to break up their meeting. | 0:04:13 | 0:04:18 | |
All this history weighs heavily. | 0:04:22 | 0:04:27 | |
I sense someone forever just over my shoulder. | 0:04:27 | 0:04:33 | |
The rocks and ferns offer fleeting glimpses of faces gazing down as I pass through. | 0:04:33 | 0:04:39 | |
Indeed, as I set off for Lud's Church, locals warned me | 0:04:41 | 0:04:45 | |
not to linger after dark. | 0:04:45 | 0:04:47 | |
Lud Church's labyrinth of corridors | 0:04:49 | 0:04:52 | |
make it feel like a building designed by nature. It's a natural | 0:04:52 | 0:04:56 | |
wonder, and it has been a subterranean refuge and a meeting point for clandestine worship. | 0:04:56 | 0:05:02 | |
It's the perfect place to start my journey to discover what happens when holy places go underground. | 0:05:02 | 0:05:08 | |
When considering the religious history of caves, | 0:05:12 | 0:05:14 | |
the timescale opens right up. | 0:05:14 | 0:05:18 | |
Since the earliest evidence of our ancestors is to be found in caves, | 0:05:18 | 0:05:22 | |
it's no surprise that they were also the site | 0:05:22 | 0:05:24 | |
of our earliest ritual activity. | 0:05:24 | 0:05:28 | |
There's one such site in north Wales, a cave high up | 0:05:28 | 0:05:32 | |
on the side of the Great Orme, overlooking the town of Llandudno. | 0:05:32 | 0:05:36 | |
This site contains signs of ritual use dating as far back | 0:05:40 | 0:05:44 | |
as 14,000 years ago, making this one of the oldest-known sites | 0:05:44 | 0:05:49 | |
of religious practice in Britain. | 0:05:49 | 0:05:53 | |
The view today is just as stunning as it would have been | 0:05:53 | 0:05:56 | |
14,000 years ago when the first settlers came here, although as that was during the Ice Age, | 0:05:56 | 0:06:01 | |
the sea would have been much further away. | 0:06:01 | 0:06:03 | |
But it would have been a perfect vantage point for a people who lived as hunter gatherers | 0:06:03 | 0:06:08 | |
to study the game on the plains beneath. | 0:06:08 | 0:06:13 | |
The cave itself was rediscovered just over a hundred years ago, | 0:06:13 | 0:06:17 | |
by a man named Thomas Kendrick, and the first thing that strikes | 0:06:17 | 0:06:21 | |
us as we come up to it is - it doesn't look anything like a cave. | 0:06:21 | 0:06:25 | |
Thomas Kendrick was hoping to attract visitors here, | 0:06:25 | 0:06:28 | |
so he built this Victorian facade over the mouth of the cave | 0:06:28 | 0:06:31 | |
so that his visitors could take tea whilst they, too, enjoyed the view. | 0:06:31 | 0:06:36 | |
Its days as a tourist attraction have obviously long since gone, | 0:06:36 | 0:06:42 | |
but the spiritual significance of the cave within remains undiminished. | 0:06:42 | 0:06:45 | |
The caves are no longer open to the public but we've gained permission | 0:06:52 | 0:06:56 | |
from the current owners to venture into the depths. | 0:06:56 | 0:07:00 | |
As Kendrick delved into the system of caves, he came across more | 0:07:04 | 0:07:09 | |
than he'd bargained for. He found lots of bones and initially | 0:07:09 | 0:07:13 | |
threw them out before thinking that they might be worth something. | 0:07:13 | 0:07:17 | |
Archaeological examinations, and later, carbon dating, | 0:07:20 | 0:07:24 | |
revealed that these were the remains of three adults | 0:07:24 | 0:07:27 | |
and a young person who lived 14,000 years ago. | 0:07:27 | 0:07:32 | |
This isn't the earliest cave in Britain with evidence of human burial. | 0:07:37 | 0:07:41 | |
That honour belongs to a cave on the Gower Peninsula in South Wales | 0:07:41 | 0:07:45 | |
which dates back over 30,000 years. | 0:07:45 | 0:07:47 | |
But what makes this place special is the fact that with the human remains they found here, | 0:07:47 | 0:07:51 | |
they also found objects, jewellery, and one particular artefact | 0:07:51 | 0:07:56 | |
that's now kept in the British Museum in London. | 0:07:56 | 0:07:59 | |
It's one of the earliest example of artwork in the whole of Britain. | 0:07:59 | 0:08:03 | |
And there's a copy of it in the local museum here in Llandudno. | 0:08:03 | 0:08:06 | |
And this is it. | 0:08:20 | 0:08:22 | |
It's the carved jawbone of a horse. | 0:08:22 | 0:08:26 | |
Ice Age horses were obviously much smaller than their modern counterparts, | 0:08:26 | 0:08:30 | |
and as we can see, the surface has been carefully etched with this herringbone pattern | 0:08:30 | 0:08:37 | |
which would have had red ochre rubbed into it to make the markings stand out. | 0:08:37 | 0:08:42 | |
Now, we don't know whether it was worn as some kind of a pendant - | 0:08:42 | 0:08:49 | |
or was it used as some kind of religious talisman? | 0:08:49 | 0:08:53 | |
We don't know whether it was made here in Wales or carried here | 0:08:53 | 0:08:57 | |
with people who migrated into the country at the time of the last ice age. | 0:08:57 | 0:09:02 | |
What we do know is that somebody went to a lot of trouble to make it | 0:09:02 | 0:09:06 | |
and the fact that it was found | 0:09:06 | 0:09:09 | |
with evidence of human burial in Kendrick's cave | 0:09:09 | 0:09:15 | |
seems to indicate it was part of a burial ritual. | 0:09:15 | 0:09:19 | |
And even though this is a copy, it's quite an experience to | 0:09:19 | 0:09:24 | |
hold something like this, that even indirectly | 0:09:24 | 0:09:27 | |
connects us to our long forgotten forefathers | 0:09:27 | 0:09:32 | |
who buried their dead in the caves above Llandudno. | 0:09:32 | 0:09:35 | |
Events that took place 14,000 years ago are almost impossible | 0:09:40 | 0:09:45 | |
to piece together in any significant detail. | 0:09:45 | 0:09:49 | |
But my next stop, in Northumberland, allows me | 0:09:49 | 0:09:52 | |
to jump forward 13,000 years to the resting place | 0:09:52 | 0:09:55 | |
of one of the most renowned early British Christians. | 0:09:55 | 0:09:59 | |
His life - and death - were recorded in exhaustive detail. | 0:09:59 | 0:10:03 | |
When we think of caves we tend to think of a refuge, a sanctuary, | 0:10:11 | 0:10:16 | |
a hiding place. | 0:10:16 | 0:10:18 | |
And once we move on from pre-history to the Christian era, | 0:10:20 | 0:10:24 | |
that is exactly how caves were being used. | 0:10:24 | 0:10:28 | |
This isn't an easy place to find - but then that's the whole point. | 0:10:51 | 0:10:55 | |
In the 870s, following a series of Viking raids on the island | 0:10:55 | 0:10:58 | |
of Lindisfarne, the monks fled six miles inland to here. | 0:10:58 | 0:11:03 | |
They took with them their most treasured possessions, | 0:11:03 | 0:11:05 | |
including the body of their most famous abbot, St Cuthbert. | 0:11:05 | 0:11:09 | |
So, this cave became a place of refuge for somebody | 0:11:09 | 0:11:13 | |
who'd already been dead for the best part of 200 years. | 0:11:13 | 0:11:16 | |
Now as we can still see today, it's a pretty bleak spot - not that that would have bothered St Cuthbert, | 0:11:16 | 0:11:21 | |
but the monks apparently didn't stay here for very long. | 0:11:21 | 0:11:24 | |
They roamed for the best part of seven years around the north of England, | 0:11:24 | 0:11:28 | |
looking for a safe spot for the body of their most famous abbot | 0:11:28 | 0:11:33 | |
before they finally settled at Chester-le-Street, | 0:11:33 | 0:11:36 | |
having left a string of holy places in their wake. | 0:11:36 | 0:11:39 | |
This place is wonderful, but also bleak, harsh and inhospitable. | 0:11:45 | 0:11:52 | |
You can understand why this would have seemed a good option | 0:11:56 | 0:11:58 | |
when escaping from marauding Vikings, | 0:11:58 | 0:12:01 | |
but also why you would soon crave more comfortable surroundings. | 0:12:01 | 0:12:05 | |
At St Cuthbert's cave, the monks came to hide but then swiftly moved on. | 0:12:12 | 0:12:19 | |
The hermit at my next location spent most of his life in a cave | 0:12:19 | 0:12:23 | |
and in his hour of need, the very rocks themselves | 0:12:23 | 0:12:27 | |
are said to have come to the aid of their holy resident. | 0:12:27 | 0:12:30 | |
From Northumberland I've come down to South Wales | 0:12:47 | 0:12:50 | |
and a wonderful coastal setting. | 0:12:50 | 0:12:53 | |
St Govan's chapel here in Pembrokeshire | 0:13:00 | 0:13:02 | |
provides the location for perhaps the most dramatic holy cave story of them all, | 0:13:02 | 0:13:07 | |
albeit one of the most far-fetched. | 0:13:07 | 0:13:09 | |
It looks as if the cliffs themselves have split apart in order to | 0:13:09 | 0:13:13 | |
accommodate this tiny chapel, wedged down here, almost out of sight. | 0:13:13 | 0:13:18 | |
As a place to hide, it takes some beating. | 0:13:18 | 0:13:23 | |
Some time around the year 500, a mysterious hermit called St Govan | 0:13:23 | 0:13:27 | |
came to live in this stunning ravine. | 0:13:27 | 0:13:32 | |
St Govan himself would have lived in a cave amongst the rocks | 0:13:32 | 0:13:35 | |
as this chapel wasn't built until the 13th century. | 0:13:35 | 0:13:38 | |
I'm meeting Dr Patrick Thomas, Chancellor of St David's Cathedral, | 0:13:49 | 0:13:53 | |
to find out more about St Govan's claim to fame. | 0:13:53 | 0:13:58 | |
Well, he came here to escape from the world | 0:13:58 | 0:14:01 | |
and he was living in this place, halfway up the cliff, | 0:14:01 | 0:14:06 | |
where it seemed to be quiet and out of the way of things, | 0:14:06 | 0:14:09 | |
and he tried to help people who were shipwrecked, | 0:14:09 | 0:14:13 | |
and in doing so, he upset the local people | 0:14:13 | 0:14:16 | |
who depended on their living from stripping the people who had been | 0:14:16 | 0:14:21 | |
shipwrecked and indeed causing some of the shipwrecks themselves. | 0:14:21 | 0:14:25 | |
So they came to do him over, the local Mafia, as it were, | 0:14:26 | 0:14:31 | |
and he hid in a corner of the cave in a little split in the rocks, | 0:14:31 | 0:14:38 | |
a cleft in the rocks, and prayed, | 0:14:38 | 0:14:40 | |
and according to the tradition, that rock closed around him, | 0:14:40 | 0:14:45 | |
and there are marks on the cleft that is said to be the place | 0:14:45 | 0:14:49 | |
where Govan hid, that are like ribs, | 0:14:49 | 0:14:52 | |
and that's obviously strengthened the tradition. | 0:14:52 | 0:14:56 | |
The story of St Govan's subterranean miracle would have struck | 0:14:56 | 0:14:59 | |
a chord with many of our forefathers as the idea of caves as holy places | 0:14:59 | 0:15:04 | |
already had a special resonance. | 0:15:04 | 0:15:07 | |
Particularly within the Christian tradition and within the eastern tradition | 0:15:07 | 0:15:11 | |
which also affected strongly on the early Celtic saints, | 0:15:11 | 0:15:14 | |
the idea was that Jesus himself was born in a cave, | 0:15:14 | 0:15:19 | |
that was used as a stable, so it becomes connected with birth, | 0:15:19 | 0:15:24 | |
then Jesus' tomb was seen as being a cave. | 0:15:24 | 0:15:28 | |
So you've got a connection with life and with death, | 0:15:28 | 0:15:31 | |
with the most basic things, and so it becomes a place of sanctuary, | 0:15:31 | 0:15:36 | |
but also a place connected with the central themes of life and death. | 0:15:36 | 0:15:40 | |
The other undeniable attraction of this place | 0:15:41 | 0:15:44 | |
is its coastal location, | 0:15:44 | 0:15:45 | |
something that would not have been lost on St Govan. | 0:15:45 | 0:15:49 | |
For all the Celtic saints, water and the sound of water | 0:15:49 | 0:15:52 | |
was particularly important, so you are by a river, you are by a well. | 0:15:52 | 0:15:56 | |
You are here by the sea. | 0:15:56 | 0:15:58 | |
And the rhythm of the sea, and the ebb and flow of the tides | 0:15:58 | 0:16:03 | |
was something that again, would have become part of his prayer life. | 0:16:03 | 0:16:07 | |
Living here would undoubtedly have been harsh, but also very beautiful. | 0:16:10 | 0:16:15 | |
And the allure of retreating to a waterside cave is central | 0:16:20 | 0:16:25 | |
to my next destination, too. | 0:16:25 | 0:16:27 | |
All over the world, it seems that we are drawn to worshipping | 0:16:31 | 0:16:35 | |
underground - there are instances of this practise in many religions. | 0:16:35 | 0:16:39 | |
It was in a cave that the Prophet Mohammed received | 0:16:39 | 0:16:43 | |
the revelations that are the basis of the Koran. | 0:16:43 | 0:16:47 | |
Buddha also lived for a time within a cave. | 0:16:47 | 0:16:50 | |
In France there are vast ornate chapels built underground but | 0:16:50 | 0:16:54 | |
in Britain this practice only seems to have caught on in Derbyshire, | 0:16:54 | 0:16:58 | |
perhaps because the rocks here lend themselves to carving. | 0:16:58 | 0:17:02 | |
So I am heading out to see the finest example of a cave church in Britain. | 0:17:02 | 0:17:06 | |
And this is it - the Anchor Church at Ingleby. | 0:17:08 | 0:17:11 | |
This rocky outcrop once formed the southern bank of the River Trent | 0:17:14 | 0:17:19 | |
and the caves here were formed partly by the action of river water | 0:17:19 | 0:17:22 | |
on the soft rock, and partly cut out by hand. | 0:17:22 | 0:17:26 | |
As Christian worship became more mainstream, | 0:17:26 | 0:17:29 | |
people no longer sought out caves as a place of refuge and a place of safety, | 0:17:29 | 0:17:33 | |
but they still sometimes chose them as somewhere to get away from the noise | 0:17:33 | 0:17:37 | |
of the secular world, a place for spiritual contemplation and prayer. | 0:17:37 | 0:17:41 | |
The name Anchor Church derives from the Greek word "anachoreo", meaning "to withdraw". | 0:17:41 | 0:17:48 | |
This cave at Ingleby was first used as a religious retreat | 0:17:52 | 0:17:55 | |
in the 6th or 7th century, but it wasn't home to just one | 0:17:55 | 0:18:00 | |
solitary hermit - there is evidence of multiple dwellings in the area. | 0:18:00 | 0:18:05 | |
All along these cliffs are signs of candle holes | 0:18:05 | 0:18:09 | |
carved into the rock, perhaps part of lean-to structures, | 0:18:09 | 0:18:13 | |
and then spots like this where smaller caves have been carved out. | 0:18:13 | 0:18:17 | |
The first recorded hermit at Ingleby was called St Hardulph, | 0:18:17 | 0:18:21 | |
who his reputation for wisdom and holiness was such that he began to attract visitors. | 0:18:21 | 0:18:26 | |
On one occasion he famously had to save two nuns who were drowning in the river as their boat capsized | 0:18:26 | 0:18:30 | |
on their way to come and see him. | 0:18:30 | 0:18:32 | |
It would appear from cells like these that other people came to stay, | 0:18:32 | 0:18:37 | |
and so gradually it would appear that a community of hermits evolved in this area. | 0:18:37 | 0:18:42 | |
Now of course, the point of being a hermit is to get away from it all, | 0:18:42 | 0:18:46 | |
so it would seem that that was defeating the object of the exercise. | 0:18:46 | 0:18:50 | |
But as hermits came together, something else happened | 0:18:50 | 0:18:53 | |
and it is in communities of hermits like these that we find the roots of monasticism. | 0:18:53 | 0:18:58 | |
We're used to seeing the ruins of medieval monasteries that | 0:18:58 | 0:19:03 | |
in their day must have been the most spectacular buildings in the land. | 0:19:03 | 0:19:06 | |
So it's humbling to think that the monastic tradition actually grew | 0:19:06 | 0:19:10 | |
out of places like these - groups of hermits withdrawing from mainstream | 0:19:10 | 0:19:15 | |
society and then being drawn back together in isolated corners | 0:19:15 | 0:19:19 | |
of the countryside to live out their lives in devotion and prayer. | 0:19:19 | 0:19:24 | |
Even today this place still feels remote. | 0:19:27 | 0:19:30 | |
You still get a strong sense of the seclusion that would have | 0:19:30 | 0:19:33 | |
attracted a Saxon hermit here for a life of contemplation and prayer. | 0:19:33 | 0:19:37 | |
But there's something else about this place - | 0:19:37 | 0:19:39 | |
when you go inside, you're drawn somehow deeper into the earth - | 0:19:39 | 0:19:46 | |
it has that womb-like feeling | 0:19:46 | 0:19:48 | |
and it's quite unlike any of the other places I've visited. | 0:19:48 | 0:19:51 | |
Perhaps this is the appeal of underground worship, | 0:19:59 | 0:20:03 | |
the sense that by detaching yourself from the everyday concerns | 0:20:03 | 0:20:06 | |
of the world, you're almost returning to the womb, | 0:20:06 | 0:20:10 | |
entombing yourself within your beliefs. | 0:20:10 | 0:20:13 | |
If that is the case, then it can be no more graphically | 0:20:15 | 0:20:18 | |
illustrated than at the home of my next extraordinary anchorite. | 0:20:18 | 0:20:22 | |
This is the church of St Julian's in Norwich | 0:20:29 | 0:20:32 | |
where in the mid 1370's a woman made the momentous decision | 0:20:32 | 0:20:37 | |
to become an anchorite, but chose to do so in a manner that required an incredible level of commitment. | 0:20:37 | 0:20:44 | |
At the age of just 30, she willingly allowed herself to be bricked up | 0:20:44 | 0:20:49 | |
in a tiny cell within the walls of the church, | 0:20:49 | 0:20:53 | |
for the rest of her natural life. | 0:20:53 | 0:20:56 | |
She spent the next 40 years in meditation and in prayer | 0:20:56 | 0:21:00 | |
and became, in the process, | 0:21:00 | 0:21:02 | |
literally part of the fabric of the church that she loved. | 0:21:02 | 0:21:07 | |
Julian's cell itself was destroyed during the Reformation, | 0:21:14 | 0:21:17 | |
but during restoration work | 0:21:17 | 0:21:20 | |
following the bombing of the church during the last war, | 0:21:20 | 0:21:24 | |
they found some medieval foundations | 0:21:24 | 0:21:28 | |
indicating where the cell probably lay, | 0:21:28 | 0:21:31 | |
and they built this chapel on that very spot - | 0:21:31 | 0:21:34 | |
although this is much, much bigger and much, much lighter than the original cell would have been. | 0:21:34 | 0:21:39 | |
However, the original cell, like this chapel, would have been south facing, | 0:21:39 | 0:21:43 | |
so Julian could at least have enjoyed some of the warmth of the sun that she would never see again, | 0:21:43 | 0:21:50 | |
There were three windows in cells of this nature, | 0:21:50 | 0:21:53 | |
one opening into the main body of the church, | 0:21:53 | 0:21:57 | |
so that the anchorite could see the altar and receive communion. | 0:21:57 | 0:22:01 | |
then a second window through which she would receive food and be able to pass her waste out, | 0:22:01 | 0:22:07 | |
and then a third window opening out onto the street, | 0:22:07 | 0:22:11 | |
so that she could dispense advice and consolation | 0:22:11 | 0:22:14 | |
to people or pilgrims who came to see her - | 0:22:14 | 0:22:17 | |
because to the medieval mind, this extreme way of life was just as fascinating to them as it is to us. | 0:22:17 | 0:22:25 | |
Lady Julian chose to embark upon her life as an anchorite after | 0:22:27 | 0:22:31 | |
experiencing a series of visions or revelations. | 0:22:31 | 0:22:35 | |
To hear more about this I am meeting Sister Pamela | 0:22:35 | 0:22:38 | |
who lives in a nunnery attached to the church | 0:22:38 | 0:22:40 | |
and helps visitors understand the rigours of Lady Julian's life. | 0:22:40 | 0:22:46 | |
When she was 30-and-a-half years old but told that she was nearly | 0:22:46 | 0:22:49 | |
dying, and drifting away, and yet, she didn't - | 0:22:49 | 0:22:52 | |
she had these revelations, and being a sane sort of woman, | 0:22:52 | 0:22:55 | |
which I'm sure she was, she doubted them, and she was given | 0:22:55 | 0:22:59 | |
the sixteenth revelation to say, "They're not just for you. | 0:22:59 | 0:23:03 | |
"They're for everybody." She had a vivid vision of the Crucifix. | 0:23:03 | 0:23:10 | |
It was as though she was at the Passion, | 0:23:10 | 0:23:12 | |
and if any people have seen the movie Passion Of Christ, | 0:23:12 | 0:23:16 | |
you'll know how vivid that is, and I think she felt she was there. | 0:23:16 | 0:23:20 | |
Once she'd taken the momentous decision to become an anchorite, | 0:23:20 | 0:23:24 | |
the machinery of the church would have sprung into action | 0:23:24 | 0:23:26 | |
to organise the practicalities of her interment. | 0:23:26 | 0:23:30 | |
She would have been led here from the Benedictine | 0:23:30 | 0:23:33 | |
monastery at Carrow, which is just outside the city walls here, | 0:23:33 | 0:23:37 | |
and the bishop would have conducted the service, | 0:23:37 | 0:23:40 | |
which would actually have been a Requiem Mass. | 0:23:40 | 0:23:43 | |
She was being buried - not in a cave or a hole in the ground, | 0:23:43 | 0:23:47 | |
but actually in a small cell. | 0:23:47 | 0:23:51 | |
And possibly the brickie would be there, | 0:23:51 | 0:23:54 | |
to actually brick her up afterwards, after she'd been enclosed. | 0:23:54 | 0:23:59 | |
Being an anchorite, she'd spend her time praying | 0:23:59 | 0:24:03 | |
and counselling people, | 0:24:03 | 0:24:04 | |
but also meditating on these amazing revelations that she'd had, | 0:24:04 | 0:24:09 | |
so she spent 15-20 years expounding, meditating, writing...rewriting them. | 0:24:09 | 0:24:14 | |
She was a unique figure in English literature. | 0:24:14 | 0:24:17 | |
She was the first woman we know of to write a book in English. | 0:24:17 | 0:24:21 | |
-She was contemporary with Chaucer. -Yeah. -Yes. | 0:24:21 | 0:24:24 | |
The ultimate thing, of course, | 0:24:24 | 0:24:26 | |
is that she said at the end of her book, "15 years or more, | 0:24:26 | 0:24:31 | |
"God showed me in my inward being what this was all about - | 0:24:31 | 0:24:35 | |
"that love is his meaning. Who showed it to you? Love. | 0:24:35 | 0:24:40 | |
"What did He show you? Love! Why did he show you? For love. | 0:24:40 | 0:24:43 | |
"Hold onto this, and you need not know anything else, | 0:24:43 | 0:24:47 | |
"because love is Our Lord's meaning." | 0:24:47 | 0:24:49 | |
And so she sums it all up, in that word - love. | 0:24:49 | 0:24:53 | |
It is impossible for most of us | 0:24:55 | 0:24:57 | |
to imagine having ourselves bricked up for the rest of our lives. | 0:24:57 | 0:25:01 | |
Many of us would consider such an extreme decision as stifling, | 0:25:02 | 0:25:06 | |
crazy, a waste of life, even. | 0:25:06 | 0:25:11 | |
But coming here has left me with a strange admiration for | 0:25:11 | 0:25:14 | |
Lady Julian. It's rare that you come across such a singular act of faith. | 0:25:14 | 0:25:20 | |
However, after contemplating the claustrophobic confines | 0:25:21 | 0:25:25 | |
of an anchorite cell, it's almost like being able to | 0:25:25 | 0:25:27 | |
breathe again to come back into a space like this. | 0:25:27 | 0:25:31 | |
This is my final stop - Ripon Cathedral in North Yorkshire. | 0:25:33 | 0:25:38 | |
To our modern eyes, this is the kind of church architecture that we | 0:25:43 | 0:25:46 | |
find most inspiring. | 0:25:46 | 0:25:47 | |
Soaring columns, stained-glass windows, plenty of light and space. | 0:25:47 | 0:25:53 | |
For us, the idea of delving into the dark recesses of a crypt | 0:25:53 | 0:25:56 | |
is not particularly appealing, but for the earliest pilgrims to this | 0:25:56 | 0:26:00 | |
church, that would have been the main attraction. | 0:26:00 | 0:26:02 | |
This 12th century cathedral is magnificent, | 0:26:08 | 0:26:11 | |
but it was not the first church built on this site. | 0:26:11 | 0:26:15 | |
The first church here dated back to 672, | 0:26:15 | 0:26:19 | |
and was built by a man called St Wilfrid. | 0:26:19 | 0:26:21 | |
The only remaining part of that earlier church is the crypt, | 0:26:25 | 0:26:31 | |
but it was actually the crypt that made this place such | 0:26:31 | 0:26:34 | |
a celebrated destination. | 0:26:34 | 0:26:37 | |
Pilgrims would have wended their way down that passage into this | 0:26:38 | 0:26:42 | |
central chamber, lit then, as today, | 0:26:42 | 0:26:45 | |
by lamps placed in these niches, before they then venerated | 0:26:45 | 0:26:49 | |
the holy relic that would have been set in this larger niche here. | 0:26:49 | 0:26:54 | |
In a sense, it's a piece of religious theatre, | 0:26:54 | 0:26:58 | |
and the man who had it built, St Wilfrid, was certainly something | 0:26:58 | 0:27:02 | |
of a showman and this place was certainly built to impress. | 0:27:02 | 0:27:06 | |
There would have been nothing quite like it in Britain at the time. | 0:27:06 | 0:27:10 | |
What St Wilfrid built and what countless pilgrims | 0:27:10 | 0:27:13 | |
flocked to see was nothing less than a recreation of the most holy site | 0:27:13 | 0:27:17 | |
in Christendom - Jesus' tomb in Jerusalem. | 0:27:17 | 0:27:21 | |
At a time before foreign travel was a realistic possibility, | 0:27:24 | 0:27:27 | |
the crypt at Ripon was as close to the Holy Land as most | 0:27:27 | 0:27:32 | |
people in Britain would ever get. | 0:27:32 | 0:27:34 | |
This crypt consciously echoes Christ's tomb | 0:27:34 | 0:27:37 | |
where his body was laid for three days before the resurrection. | 0:27:37 | 0:27:41 | |
And in some of the other caves we've visited, they might be interpreted as womb-like structures, | 0:27:41 | 0:27:47 | |
places of refuge, of safety, and of rebirth, even. | 0:27:47 | 0:27:53 | |
This is surely why caves crop up again and again | 0:27:53 | 0:27:57 | |
in all the world's religions. | 0:27:57 | 0:27:59 | |
The reason they strike such a deep chord is because they echo | 0:27:59 | 0:28:02 | |
so closely the places we've come from and the place we will all end up - | 0:28:02 | 0:28:07 | |
the womb and the tomb. | 0:28:07 | 0:28:10 | |
What could be more primal than that? | 0:28:10 | 0:28:13 | |
It's a challenging concept, but in somewhere like this | 0:28:13 | 0:28:17 | |
perhaps we can come a little bit closer to understanding that meaning. | 0:28:17 | 0:28:21 | |
Subtitles by Red Bee Media Ltd | 0:28:52 | 0:28:55 |