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Imagine you've embarked on the journey of a lifetime... | 0:00:02 | 0:00:05 | |
..a luxury cruise around the world. | 0:00:07 | 0:00:10 | |
I've done things and seen places that other people dream of seeing. | 0:00:10 | 0:00:14 | |
2,000 people are travelling some of the way, | 0:00:15 | 0:00:19 | |
but 400 lucky souls have signed up for the entire adventure. | 0:00:19 | 0:00:23 | |
Well this, for me, is the culmination of a life's dream. | 0:00:25 | 0:00:28 | |
It sure makes your eyes water. | 0:00:28 | 0:00:31 | |
They'll be stopping at some of most beautiful | 0:00:31 | 0:00:34 | |
and exotic places around the globe. | 0:00:34 | 0:00:36 | |
I think it's the most amazing thing ever. | 0:00:39 | 0:00:42 | |
But this all-inclusive package offers much more than sunshine | 0:00:42 | 0:00:45 | |
and sightseeing. | 0:00:45 | 0:00:47 | |
On this global odyssey, the passengers have their very | 0:00:47 | 0:00:50 | |
own vicar. | 0:00:50 | 0:00:51 | |
Welcome, everyone, to this very special and very happy occasion. | 0:00:51 | 0:00:56 | |
The ship IS my parish, therefore, I'm seeking to minister to | 0:00:56 | 0:01:00 | |
everyone onboard, whether they're believers or not. | 0:01:00 | 0:01:03 | |
Welcome to The Cruise. | 0:01:03 | 0:01:05 | |
Balmoral has already crossed | 0:01:16 | 0:01:17 | |
the Atlantic and the Caribbean and passed through the Panama Canal. | 0:01:17 | 0:01:22 | |
She's now embarking on one of the longest legs, | 0:01:23 | 0:01:26 | |
across the vast Pacific Ocean. | 0:01:26 | 0:01:28 | |
The chaplain onboard is the Reverend Colin Still. | 0:01:30 | 0:01:34 | |
On our cruise, we're now almost as far away from home as we can be, | 0:01:35 | 0:01:39 | |
and long days at sea present all sorts of opportunities and problems. | 0:01:39 | 0:01:44 | |
This is a particularly long one, seven days at sea, | 0:01:45 | 0:01:49 | |
but what is good is that so many of them are taking positive | 0:01:49 | 0:01:52 | |
steps to make sure the quality of their life still continues. | 0:01:52 | 0:01:56 | |
One group of passengers have formed their own club. | 0:02:03 | 0:02:06 | |
Ian Ernshaw and Dave Davies are the ringleaders. | 0:02:09 | 0:02:12 | |
CHEERING | 0:02:12 | 0:02:14 | |
If you join in all these games, you'll make friends | 0:02:14 | 0:02:18 | |
because they don't want to be on their own. | 0:02:18 | 0:02:20 | |
They want to meet people, and the way of cruising is meeting people. | 0:02:20 | 0:02:25 | |
I've had people ask me, "You come with a big crowd, didn't you?" | 0:02:25 | 0:02:29 | |
And I said, "No." I said, "We didn't know a single person | 0:02:29 | 0:02:32 | |
"until we got on this ship." | 0:02:32 | 0:02:34 | |
And there's been a bond | 0:02:34 | 0:02:35 | |
of about 20, maybe 30 people, and it's been fun all the way through. | 0:02:35 | 0:02:41 | |
I look at the rather elderly passenger list in a positive way. | 0:02:44 | 0:02:49 | |
They're really determined to enjoy themselves | 0:02:49 | 0:02:52 | |
and to make the most of the limited time that is available. | 0:02:52 | 0:02:55 | |
You can hear all the fun down there, | 0:02:57 | 0:02:59 | |
all the laughter and the camaraderie. | 0:02:59 | 0:03:01 | |
I know lots of people have nicknames. | 0:03:01 | 0:03:03 | |
For some reason, they've called me Stumpy. | 0:03:03 | 0:03:05 | |
Go on, Stumpy! | 0:03:05 | 0:03:07 | |
I don't think it's cos I'm short and fat. Could be. | 0:03:10 | 0:03:13 | |
Ian? Oh, he's Mr No Mates, | 0:03:15 | 0:03:18 | |
cos if you get tied up with Ian, you never win nothing. | 0:03:18 | 0:03:20 | |
CHEERING | 0:03:22 | 0:03:24 | |
-I don't believe it! -We do! | 0:03:27 | 0:03:29 | |
You're in trouble, you three, tonight. | 0:03:30 | 0:03:33 | |
LAUGHTER | 0:03:33 | 0:03:34 | |
Hello. | 0:03:37 | 0:03:38 | |
Ian and Gail Hussey have joined the cruise to celebrate their golden | 0:03:38 | 0:03:41 | |
wedding anniversary, and they've asked Colin to renew their vows. | 0:03:41 | 0:03:46 | |
I just want to let Gail know that everything | 0:03:48 | 0:03:51 | |
I said 50 years ago is still true today. | 0:03:51 | 0:03:56 | |
Now it's just a question of finding the perfect place for the ceremony. | 0:03:58 | 0:04:01 | |
That's a lovely backdrop. | 0:04:04 | 0:04:05 | |
It's unfortunate that there's nothing to see apart from... | 0:04:05 | 0:04:08 | |
nothing TO see apart from THE sea. | 0:04:08 | 0:04:10 | |
THE sea, yeah. It would do, it would do. | 0:04:10 | 0:04:13 | |
Would it? | 0:04:13 | 0:04:14 | |
As long we're not doing this too much. | 0:04:14 | 0:04:16 | |
We're not very good on our legs any more, you know. | 0:04:16 | 0:04:19 | |
But it hasn't always been plain sailing. | 0:04:19 | 0:04:23 | |
About ten years into our marriage, all sorts of peculiar | 0:04:23 | 0:04:28 | |
symptoms started to occur with me, body-wise. It was diagnosed | 0:04:28 | 0:04:34 | |
as being what they said, in those days, was "disseminated sclerosis". | 0:04:34 | 0:04:38 | |
Which I think today is just a form of MS. | 0:04:40 | 0:04:42 | |
It has been difficult, especially for Ian, | 0:04:43 | 0:04:47 | |
but it's been difficult for us to live with it, too. | 0:04:47 | 0:04:50 | |
I don't like all these mirrors everywhere. | 0:04:51 | 0:04:53 | |
How the other half lives, eh? | 0:04:53 | 0:04:56 | |
We joke and say that | 0:04:56 | 0:04:57 | |
if we'd killed each other, we'd have only served half the time. | 0:04:57 | 0:05:00 | |
Well, yes, this is lovely but, uh... | 0:05:00 | 0:05:02 | |
Hmm. | 0:05:04 | 0:05:06 | |
All we can do is just ask. And see what happens. | 0:05:06 | 0:05:09 | |
I think it would be better up in the Observatory. | 0:05:09 | 0:05:11 | |
Amateur dramatics are always a popular pastime. | 0:05:14 | 0:05:17 | |
Good morning, ladies and gentlemen, | 0:05:17 | 0:05:19 | |
and welcome to what we're going to call The Theatre. | 0:05:19 | 0:05:22 | |
The producer, Carol Bunyan, has three weeks to perfect the play | 0:05:22 | 0:05:27 | |
Awayday - a satire on corporate culture. | 0:05:27 | 0:05:31 | |
You pull him that way, right? And then you pull him... That's it! | 0:05:31 | 0:05:34 | |
It's quite a challenge | 0:05:36 | 0:05:37 | |
as Carol's asking her inexperienced thespians to improvise the dialogue. | 0:05:37 | 0:05:41 | |
Working with the lions backstage. I think | 0:05:41 | 0:05:43 | |
he's practising his lion-taming skills. | 0:05:43 | 0:05:45 | |
"Oh, good!" We all go. At which point, Sue... | 0:05:45 | 0:05:47 | |
I get them to talk to each other, they're the husband, | 0:05:47 | 0:05:50 | |
they're the wife. Once those characters all come together, | 0:05:50 | 0:05:52 | |
I then tell them the plot of the piece, and then we spin it. | 0:05:52 | 0:05:56 | |
All sounds terribly easy. It's not. | 0:05:56 | 0:05:58 | |
LAUGHS | 0:05:58 | 0:05:59 | |
No, no, no. It... Honestly, there's one too many gags. Honestly. | 0:05:59 | 0:06:04 | |
'Sometimes in drama, because it's improvisation, it can turn,' | 0:06:04 | 0:06:08 | |
if you're not careful, into psychodrama. | 0:06:08 | 0:06:11 | |
Say you have a situation where somebody's falling in love | 0:06:11 | 0:06:13 | |
with somebody. | 0:06:13 | 0:06:14 | |
-You can call me Torquil. -Oh, Torquil! | 0:06:14 | 0:06:17 | |
Oh, Susie! | 0:06:17 | 0:06:18 | |
And suddenly, you see from the performance that's a little | 0:06:18 | 0:06:21 | |
bit too near the truth, we just turn that story around. | 0:06:21 | 0:06:25 | |
Come on, girls! On, on, on! | 0:06:25 | 0:06:28 | |
When Sue gives you a cue, you move. Limp, limp, limp, limp, limp! | 0:06:28 | 0:06:31 | |
You do get a lot of complications onboard. You really do. | 0:06:31 | 0:06:35 | |
And erm, I used to have a note on my door, as a joke, | 0:06:35 | 0:06:38 | |
"Surgery Hours", because people were, like, "Can I talk to you?" | 0:06:38 | 0:06:42 | |
And you turn yourself into some sort of terrible therapist. | 0:06:42 | 0:06:44 | |
I'm so glad Colin, the Reverend Colin, | 0:06:44 | 0:06:46 | |
is on, who's a great chum of mine, cos he takes all | 0:06:46 | 0:06:48 | |
the flack now. "Go and see Colin. He'll have a chat." | 0:06:48 | 0:06:52 | |
We're now in the middle of the Pacific | 0:06:52 | 0:06:54 | |
and today, we're due to cross the Equator. | 0:06:54 | 0:06:57 | |
They have the crossing of the line ceremony and passengers love it. | 0:06:57 | 0:07:03 | |
The tradition is to appease Neptune, the God of the Sea. | 0:07:03 | 0:07:07 | |
Neptune will now face the wrongdoers of this vessel. | 0:07:07 | 0:07:10 | |
Fishes must be kissed... | 0:07:10 | 0:07:11 | |
..and the trusty shellbacks introduce | 0:07:13 | 0:07:15 | |
the slimy polliwogs to the mysteries of the deep. | 0:07:15 | 0:07:18 | |
Fine dining and free food can have their downsides. | 0:07:48 | 0:07:52 | |
There's a lot of cream in this, | 0:07:52 | 0:07:54 | |
so this is fattening. | 0:07:54 | 0:07:55 | |
It looks very nice. | 0:07:55 | 0:07:57 | |
See, I could put two or three pounds on by tomorrow. | 0:07:57 | 0:08:00 | |
Then I'll have to work it off. | 0:08:00 | 0:08:01 | |
Since I've started cruising, | 0:08:01 | 0:08:03 | |
I've learnt you don't bring one-size clothing. | 0:08:03 | 0:08:07 | |
You need to vary it because of the amount of food that you may consume. | 0:08:07 | 0:08:12 | |
These trousers are a 38. I set off with these, but now, | 0:08:12 | 0:08:16 | |
because they're 38, they don't fit, so they can go over there. | 0:08:16 | 0:08:22 | |
These are a 40. I can... I can just get into these, | 0:08:22 | 0:08:24 | |
just get into these now, but I feel now that if another... | 0:08:24 | 0:08:29 | |
another couple of weeks, three weeks, and these'll be no good. | 0:08:29 | 0:08:33 | |
Now I'm getting desperate. 42! | 0:08:34 | 0:08:36 | |
This is the last pair of trousers I've got, | 0:08:38 | 0:08:40 | |
and this is what cruising's all about. | 0:08:40 | 0:08:42 | |
You come on the ship as a passenger, and you go off as cargo! | 0:08:42 | 0:08:47 | |
Balmoral has now arrived at the tropical island of Tahiti. | 0:08:51 | 0:08:54 | |
Time to reflect on how the ship's company are coping with the trials | 0:08:58 | 0:09:02 | |
and tribulations of the long days at sea. | 0:09:02 | 0:09:05 | |
People love clubs. | 0:09:07 | 0:09:08 | |
People love to belong to little clubs, whatever it is. | 0:09:08 | 0:09:11 | |
I see them sitting round the ship, learning their lines together | 0:09:11 | 0:09:14 | |
or talking together, and they immediately become a little club. | 0:09:14 | 0:09:17 | |
So we're a different kind of club, really. | 0:09:17 | 0:09:20 | |
This way? Don't back me into the water. | 0:09:20 | 0:09:24 | |
Forward, forward. | 0:09:24 | 0:09:25 | |
Yes. I'm not going back any further. | 0:09:25 | 0:09:28 | |
I have a problem there because my service is | 0:09:30 | 0:09:33 | |
being in the Neptune Lounge, which is large, and typical Anglicans | 0:09:33 | 0:09:37 | |
will sit at the back or they won't all sit up the front. I try | 0:09:37 | 0:09:41 | |
to get them to do that but then when I did the Holy Communion, we sat | 0:09:41 | 0:09:45 | |
round in a ring, and that starts to build up a sense of belonging. | 0:09:45 | 0:09:50 | |
Yes, I mean, what... When they do things like mine | 0:09:50 | 0:09:53 | |
or the choir, they're quite intensive and quite demanding, and I think | 0:09:53 | 0:09:57 | |
that's quite good because they... It takes their mind off stuff. | 0:09:57 | 0:10:00 | |
Oh, the ginger flowers again. | 0:10:02 | 0:10:04 | |
I mean, I've had two people come up to me, saying, | 0:10:04 | 0:10:06 | |
"I'm so glad I'm doing the play. I've forgotten what's at home." | 0:10:06 | 0:10:10 | |
But I have to steer clear of lots of subjects. The very subjects | 0:10:10 | 0:10:13 | |
that you don't steer clear of I have to. I mean, I can't... | 0:10:13 | 0:10:15 | |
I don't want to talk about anybody dying or anybody being ill. | 0:10:15 | 0:10:19 | |
I did that, too, which is why it's great having you onboard. | 0:10:19 | 0:10:22 | |
"Go and talk to Colin. Just go and talk to Colin. Don't talk to me! | 0:10:22 | 0:10:25 | |
"No sympathy whatsoever here, dear. Drama queen! | 0:10:25 | 0:10:27 | |
"Go and talk to the nice man." | 0:10:27 | 0:10:29 | |
But that's very important on a ship. Very important. | 0:10:29 | 0:10:32 | |
Yeah, yeah. | 0:10:32 | 0:10:33 | |
The Husseys are meeting Colin to prepare for their wedding vows. | 0:10:40 | 0:10:43 | |
Right, well, first of all, then, | 0:10:45 | 0:10:46 | |
I'd like to mention the family, as I said just now, in... | 0:10:46 | 0:10:51 | |
in the prayers so... | 0:10:51 | 0:10:53 | |
You've got two children? | 0:10:53 | 0:10:55 | |
It's quite a nice reminder of the... their wedding day, and particularly, | 0:10:55 | 0:11:00 | |
Gail and Ian have brought wedding photographs and family photographs. | 0:11:00 | 0:11:05 | |
And this is our present family. These are our current children. | 0:11:05 | 0:11:10 | |
Oh. | 0:11:10 | 0:11:11 | |
They're Norwegian Buhunds, | 0:11:11 | 0:11:13 | |
and as soon as I get home, I'm off to judge them at Crufts, | 0:11:13 | 0:11:16 | |
which is like getting the OBE, to be invited to judge at Crufts. | 0:11:16 | 0:11:19 | |
Oh, very special. | 0:11:19 | 0:11:20 | |
It is, it is. | 0:11:20 | 0:11:21 | |
Most of our life gets taken up with dogs. | 0:11:21 | 0:11:25 | |
I'm known as the local dog lady because people come to me | 0:11:25 | 0:11:27 | |
for advice, which I don't mind at all as long as they don't | 0:11:27 | 0:11:30 | |
call me the local bitch! | 0:11:30 | 0:11:31 | |
There we are. There's Liz and Chris, and we have three grandcats. | 0:11:34 | 0:11:38 | |
When we knew that the Reverend Colin was going to be onboard, | 0:11:41 | 0:11:45 | |
I said to Ian, "Shall we see if we can renew our vows?" | 0:11:45 | 0:11:48 | |
He actually jumped at it. He jumped at the idea, which surprised me. | 0:11:48 | 0:11:52 | |
I want to thank you for being such a pain in the butt. | 0:11:52 | 0:11:54 | |
HE LAUGHS | 0:11:54 | 0:11:56 | |
That's not actually what I shall say at the time. | 0:11:56 | 0:11:59 | |
I have one word for the reason why we're still together - apathy. | 0:11:59 | 0:12:03 | |
We have friends who...they've had the same conversation, | 0:12:05 | 0:12:09 | |
but their reply had been inertia. | 0:12:09 | 0:12:11 | |
BOTH: Through Jesus Christ our Lord, amen. | 0:12:12 | 0:12:15 | |
And can... can I just add something on that? | 0:12:15 | 0:12:18 | |
At the end of that, which it seems appropriate, | 0:12:18 | 0:12:20 | |
and that whoever is left follows quickly because we're both old. | 0:12:20 | 0:12:25 | |
It's St Valentine's day today | 0:12:31 | 0:12:32 | |
so I've designed a special service for that. | 0:12:32 | 0:12:35 | |
I hope people will enjoy it and, of course, it's got the theme of love. | 0:12:36 | 0:12:40 | |
Hello, Carol. | 0:12:42 | 0:12:43 | |
Good morning, Colin. | 0:12:43 | 0:12:44 | |
I don't normally go to the services, but Colin has asked me | 0:12:44 | 0:12:47 | |
to read The Owl And The Pussycat by Edward Lear | 0:12:47 | 0:12:50 | |
because it's Valentine's Day and it's about love. | 0:12:50 | 0:12:53 | |
# Love | 0:12:53 | 0:12:54 | |
# Love changes everything | 0:12:54 | 0:12:57 | |
# Days are longer... # | 0:12:57 | 0:12:59 | |
The Owl and the Pussycat went to sea | 0:12:59 | 0:13:01 | |
In a beautiful pea green boat, | 0:13:01 | 0:13:03 | |
They took some money, and plenty of honey, | 0:13:03 | 0:13:06 | |
Wrapped up in a five pound note. | 0:13:06 | 0:13:07 | |
'Quite a lot of the people who work on the ship get | 0:13:07 | 0:13:09 | |
'roped in to the services, like the choir lady and myself, the drama,' | 0:13:09 | 0:13:14 | |
and it's quite nice to all join in with each other's things. | 0:13:14 | 0:13:17 | |
I mean, Colin will come to the rehearsal sometimes, | 0:13:17 | 0:13:19 | |
so it's, um...it's nice. It makes it a community. It's good. | 0:13:19 | 0:13:23 | |
The first official St Valentine's Day was | 0:13:23 | 0:13:26 | |
declared on the 14th February by Pope Gelasius in 496, | 0:13:26 | 0:13:33 | |
in memory of a 3rd century martyred priest in Rome. | 0:13:33 | 0:13:37 | |
ANNOUNCEMENT BELL | 0:13:42 | 0:13:44 | |
'Code Alpha, Code Alpha. Deck three...' | 0:13:44 | 0:13:47 | |
The "Code Alpha, Code Alpha, Code Alpha" | 0:13:47 | 0:13:49 | |
is a call for the medics to go to a particular place. | 0:13:49 | 0:13:53 | |
What in fact happened was that a man | 0:13:53 | 0:13:55 | |
and his wife were on their way to breakfast, and the husband | 0:13:55 | 0:14:00 | |
was leading the way, and then looked round and his wife had collapsed. | 0:14:00 | 0:14:05 | |
The wife was taken in to the medical centre and the two doctors and three | 0:14:05 | 0:14:10 | |
nurses all worked on the lady for two hours but without any success. | 0:14:10 | 0:14:15 | |
Doctor Tom More dealt with the emergency. | 0:14:17 | 0:14:20 | |
Unfortunately, it sometimes happens that somebody does die onboard | 0:14:21 | 0:14:24 | |
and we must cope with it, you know. We have the facilities, | 0:14:24 | 0:14:27 | |
and we will do our best to keep them alive. | 0:14:27 | 0:14:30 | |
But, you know, if it happens in the middle of the Pacific, then | 0:14:30 | 0:14:33 | |
we have to cope with it, both the person who's dying | 0:14:33 | 0:14:36 | |
and then dies, and then we have to cope with the person who is | 0:14:36 | 0:14:39 | |
bereaved, and it's a very important part of the work. | 0:14:39 | 0:14:42 | |
To counsel someone who's bereaved is perhaps one of the most | 0:14:42 | 0:14:45 | |
difficult, simply because there's very little that you can | 0:14:45 | 0:14:49 | |
actually physically do to help them. | 0:14:49 | 0:14:52 | |
Sometimes, you can put an arm round a person, | 0:14:52 | 0:14:55 | |
but most of the time, it's really just trying to talk it through, | 0:14:55 | 0:14:59 | |
and really, give a message of hope. | 0:14:59 | 0:15:02 | |
Carol has only a couple of days before curtain up on her corporate satire. | 0:15:13 | 0:15:18 | |
Today is our last chance. What I'd love to do | 0:15:18 | 0:15:21 | |
is go straight through it and not stop for anything. | 0:15:21 | 0:15:24 | |
Right, OK, let's go for it. Let's go from scene one - action. | 0:15:24 | 0:15:29 | |
'Today was the first time they did a run, | 0:15:29 | 0:15:31 | |
'and I tried not to stop it because I wanted to see what happened | 0:15:31 | 0:15:35 | |
'if I said nothing. Because on the day, I'll be backstage.' | 0:15:35 | 0:15:38 | |
Sue's on by now. You're on by now, love. | 0:15:38 | 0:15:41 | |
-I've got an e-mail! -Ooh! | 0:15:41 | 0:15:44 | |
It says... | 0:15:44 | 0:15:46 | |
-No, I'm sorry. -CAROL: It's OK. | 0:15:47 | 0:15:50 | |
-Mike shouted at me when I... -Sorry? -..you know. -What? | 0:15:50 | 0:15:54 | |
Gail and Martha are both aware that that scene went "whoop" today, | 0:15:54 | 0:15:58 | |
it really hit the dirt. | 0:15:58 | 0:16:00 | |
'I have to pull that one back up, for their sake.' | 0:16:00 | 0:16:03 | |
Just keep on going. If you stumble, if you fall, you've got to, | 0:16:03 | 0:16:07 | |
at this stage, improvise your way out of it. | 0:16:07 | 0:16:10 | |
It only takes two of them to really blow it, | 0:16:10 | 0:16:13 | |
and the play goes down the pan. | 0:16:13 | 0:16:14 | |
This is an all-inclusive cruise, | 0:16:14 | 0:16:18 | |
except for excursions... and drinks. | 0:16:18 | 0:16:21 | |
So some of the passengers have set up their own speakeasy, | 0:16:21 | 0:16:24 | |
and Colin can't resist. | 0:16:24 | 0:16:28 | |
-Come on in, Colin. -Come in, Colin! | 0:16:28 | 0:16:31 | |
'The main thing about this is for them not to drink too much. | 0:16:31 | 0:16:35 | |
'Plenty of mixers, plenty of mixers.' | 0:16:35 | 0:16:37 | |
-DIRECTOR: -Why don't you want them to drink too much? | 0:16:37 | 0:16:39 | |
It's got to last. HE LAUGHS | 0:16:39 | 0:16:41 | |
I was 16 when I went on my first ship. | 0:16:41 | 0:16:45 | |
I had a holiday in Norway. I was a boy scout, and we went | 0:16:45 | 0:16:48 | |
from Newcastle, on the Bergen Line, to Stavanger and Bergen. | 0:16:48 | 0:16:53 | |
It was a great experience, and that set me off. | 0:16:53 | 0:16:57 | |
-Well, cheers, everyone. -Cheers, everybody. | 0:16:57 | 0:16:59 | |
-Cheers. Cheers, cheers, cheers. -To new friends we've all met. | 0:16:59 | 0:17:04 | |
IAN: And a lovely table. | 0:17:04 | 0:17:05 | |
At our age now, there's a thing called SKI-ing, we're SKI-ing - | 0:17:05 | 0:17:10 | |
we're "Spending the Kids' Inheritance". | 0:17:10 | 0:17:13 | |
SLURS SPEECH: Joking apart, they realise it's our time. | 0:17:13 | 0:17:16 | |
I hope I didn't slur there, cos this-this... | 0:17:16 | 0:17:20 | |
this brandy seems to be working now! THEY LAUGH | 0:17:20 | 0:17:23 | |
Our daughter brought us down to Southampton. | 0:17:26 | 0:17:28 | |
-We got off out the car and she broke down. -Really? | 0:17:28 | 0:17:32 | |
I've never seen her break down like she did | 0:17:32 | 0:17:34 | |
cos we was going away for seven weeks. | 0:17:34 | 0:17:37 | |
You give your kids what you can give your kids, | 0:17:37 | 0:17:40 | |
now your kids want to say "Thank you, go away and enjoy it." | 0:17:40 | 0:17:44 | |
And we've met so many friends by these get-togethers. | 0:17:44 | 0:17:48 | |
Of course, once you do that, they reciprocate | 0:17:48 | 0:17:52 | |
and they invite you back to their place. | 0:17:52 | 0:17:56 | |
Are you listening, Dave? THEY LAUGH | 0:17:56 | 0:17:58 | |
My hearing aid is switched off! I never heard a word, then. | 0:17:58 | 0:18:03 | |
You know what it's like... | 0:18:03 | 0:18:05 | |
The cruise has clocked up 16,000 miles as Balmoral | 0:18:08 | 0:18:12 | |
makes landfall in New Zealand. | 0:18:12 | 0:18:14 | |
Colin's escorting a busy tour with four hours' driving | 0:18:16 | 0:18:19 | |
and several stop offs. | 0:18:19 | 0:18:21 | |
They need a top guide, and they've got one in coach driver, Norm. | 0:18:25 | 0:18:29 | |
In the Rotorua area, there's a lot of activity going on | 0:18:29 | 0:18:32 | |
such as four-wheel driving, bungee jumping. Anyone want to have a go? | 0:18:32 | 0:18:36 | |
You've all gone very quiet! | 0:18:36 | 0:18:38 | |
'After five days at sea, everyone's delighted just to | 0:18:40 | 0:18:44 | |
'have their feet on soil again.' | 0:18:44 | 0:18:46 | |
Bird's Nest Crater. | 0:18:46 | 0:18:48 | |
Wai-O-Tapu, which is a thermal wonderland, | 0:18:48 | 0:18:52 | |
and it's got lots of sulphur lakes and hot springs, and hot mud. | 0:18:52 | 0:18:57 | |
It's an interesting place, | 0:19:00 | 0:19:01 | |
but I wouldn't like to stay here long, would you? With this smell. | 0:19:01 | 0:19:05 | |
And it reminds me of when I was at school in the chemistry lab. | 0:19:05 | 0:19:08 | |
There was always a horrible smell of sulphur permeating the corridors. | 0:19:08 | 0:19:12 | |
-Thanks, Norman. -No problem. | 0:19:12 | 0:19:13 | |
Next stop is lunch on a paddle steamer, with a haka thrown in. | 0:19:13 | 0:19:18 | |
THEY CHANT THE HAKA | 0:19:20 | 0:19:22 | |
APPLAUSE | 0:19:28 | 0:19:30 | |
Finally, a whistle-stop visit to a wildlife park. | 0:19:31 | 0:19:34 | |
'One marvels at the diversity, | 0:19:38 | 0:19:40 | |
'and it's the most amazing thing when you travel around the world | 0:19:40 | 0:19:43 | |
'to see so many different animals in their natural habitat.' | 0:19:43 | 0:19:48 | |
And that just leaves an hour before the ship departs. | 0:19:51 | 0:19:54 | |
But they come to a grinding halt. | 0:19:55 | 0:19:58 | |
There's been a crash on the highway. | 0:19:58 | 0:20:00 | |
NORM: Now if this car was to move up in front... | 0:20:00 | 0:20:03 | |
-Uh-oh, no, he's turning him around. -That's what we said. | 0:20:03 | 0:20:06 | |
They need to find another route, and there's a complication. | 0:20:06 | 0:20:11 | |
-I don't know that way. OTHER DRIVER: -Go through... | 0:20:11 | 0:20:14 | |
-Past Kiwifruit? -The next one past that. | 0:20:14 | 0:20:18 | |
Kiwifruit 360? | 0:20:18 | 0:20:19 | |
Oh, yeah. Thanks, Norm. OK. | 0:20:19 | 0:20:22 | |
We're heading back in the opposite direction. | 0:20:23 | 0:20:26 | |
We've been told there's approximately a three-hour delay, | 0:20:26 | 0:20:29 | |
the ship's due to sail at six o'clock, so we've got 40 minutes. | 0:20:29 | 0:20:33 | |
So close, yet so far. | 0:20:33 | 0:20:36 | |
We're very late now, | 0:20:37 | 0:20:39 | |
and actually, we should've been back at this moment. | 0:20:39 | 0:20:44 | |
Whilst Norm battles down the back roads, | 0:20:44 | 0:20:47 | |
on Balmoral, they're getting making final preparations for departure. | 0:20:47 | 0:20:51 | |
If they miss it, their only option will be to drive through | 0:20:54 | 0:20:57 | |
the night to the next stop. | 0:20:57 | 0:20:59 | |
Hey, listen, if we have to go to Auckland, | 0:20:59 | 0:21:01 | |
I can stop in at my place on the way home and we'll have dinner there. EXCITED CHATTER | 0:21:01 | 0:21:05 | |
I'm sure my wife would be absolutely rapt to see all of you come in. | 0:21:05 | 0:21:09 | |
-Thank you very much. -Thanks for your divine intervention there. | 0:21:20 | 0:21:23 | |
Thank you very much. | 0:21:23 | 0:21:25 | |
After a wonderful day and a bit of a mystery tour, | 0:21:25 | 0:21:28 | |
with Colin's intervention, we'd certainly make it. No problem. | 0:21:28 | 0:21:31 | |
We can sail now. | 0:21:32 | 0:21:34 | |
All of us are accounted for. | 0:21:34 | 0:21:36 | |
One drama over, but there's plenty more to come. | 0:21:37 | 0:21:40 | |
It's been a bit hectic in the last 24 hours, | 0:21:42 | 0:21:44 | |
because the last run we did was... Well, it was dreadful. | 0:21:44 | 0:21:47 | |
And this morning I threw all the rewrites at them, in a gentle | 0:21:47 | 0:21:52 | |
sort of way, and they accepted them entirely and they've gone with it. | 0:21:52 | 0:21:56 | |
'But I shan't know until we actually do it if it's worked.' | 0:21:56 | 0:21:58 | |
APPLAUSE Hello, everybody, and thank you for coming. | 0:21:58 | 0:22:02 | |
There's no going back as Carol's company of first-timers | 0:22:02 | 0:22:05 | |
settle their nerves before the big performance. | 0:22:05 | 0:22:08 | |
The Balmoral Players present, 'The Awayday'. | 0:22:08 | 0:22:12 | |
Group hug, group hug. | 0:22:15 | 0:22:18 | |
Oh, Major, it's time you got in touch with your feminine side! | 0:22:18 | 0:22:22 | |
'It's incredibly difficult.' | 0:22:22 | 0:22:24 | |
First of all, you've got people who are not used to being on the stage. | 0:22:24 | 0:22:28 | |
'The stage is ever so hot and uncomfortable.' | 0:22:28 | 0:22:32 | |
There you are! I've been looking for you everywhere. | 0:22:32 | 0:22:35 | |
They don't have many props and they don't have any scenery, | 0:22:35 | 0:22:38 | |
so it's very difficult to enter into this situation. | 0:22:38 | 0:22:41 | |
I'm looking for Mavis, the girl who works down at the canteen. | 0:22:41 | 0:22:46 | |
Half the time, I'm not sure how it's going down at all. | 0:22:46 | 0:22:49 | |
I'm hiding backstage during the play, obviously, | 0:22:49 | 0:22:52 | |
just throwing them on and dragging them off and telling them | 0:22:52 | 0:22:54 | |
they look wonderful, darling. And all that nonsense! | 0:22:54 | 0:22:58 | |
Carol works so hard, | 0:23:00 | 0:23:02 | |
and she's so tactful, really, when she's telling us that we're rubbish. | 0:23:02 | 0:23:06 | |
With husband Ian looking on, | 0:23:08 | 0:23:10 | |
and Carol on tenterhooks, | 0:23:10 | 0:23:12 | |
the pressure is all on Gail. | 0:23:12 | 0:23:16 | |
And that Reverend Colin's got the most beautiful voice. | 0:23:16 | 0:23:19 | |
He could talk me into a nunnery! | 0:23:19 | 0:23:22 | |
LAUGHTER | 0:23:22 | 0:23:24 | |
SHE MOUTHS | 0:23:24 | 0:23:26 | |
Right, come on, let's get on with some work here. | 0:23:27 | 0:23:30 | |
Can you think what rhymes with... | 0:23:30 | 0:23:33 | |
Venus? | 0:23:33 | 0:23:35 | |
LAUGHTER | 0:23:35 | 0:23:37 | |
'What's important about doing this on the ship is that the | 0:23:40 | 0:23:44 | |
'passengers have a very good time, they have great fun | 0:23:44 | 0:23:47 | |
'in the improvisations, and if we get a lovely play at the end' | 0:23:47 | 0:23:51 | |
of it which everybody can enjoy, that's the icing on the cake. | 0:23:51 | 0:23:54 | |
Raaargh! | 0:23:54 | 0:23:56 | |
RAAARGH! | 0:23:56 | 0:23:57 | |
LAUGHTER | 0:23:57 | 0:24:00 | |
Here he comes. | 0:24:00 | 0:24:01 | |
Those lions were way too rough. | 0:24:04 | 0:24:06 | |
Oh, it was a real bit of fun. | 0:24:07 | 0:24:09 | |
They were very inventive, and I thought they did extremely well. | 0:24:09 | 0:24:13 | |
APPLAUSE | 0:24:13 | 0:24:16 | |
The Husseys' big day has arrived. | 0:24:16 | 0:24:19 | |
Just time for Gale to renovate herself. | 0:24:19 | 0:24:21 | |
He's probably more nervous than he shows. | 0:24:22 | 0:24:26 | |
I'm a little bit nervous, to be frank, erm... | 0:24:26 | 0:24:30 | |
because I haven't got any written script. | 0:24:30 | 0:24:34 | |
It's really surprised me because I thought he'd get himself in a state. | 0:24:34 | 0:24:37 | |
I'm going to have to do this again. | 0:24:40 | 0:24:42 | |
'We've had a very difficult life, because of my illness, and...' | 0:24:44 | 0:24:50 | |
I gave Gale a hell of a time. | 0:24:50 | 0:24:53 | |
It's a miracle that she's still with me. It really is. | 0:24:57 | 0:25:02 | |
He couldn't accept that he was ill, being a rugger player | 0:25:02 | 0:25:05 | |
and having been really fit and sporty... | 0:25:05 | 0:25:08 | |
'which gave him all sorts of psychological problems. | 0:25:08 | 0:25:12 | |
'But there we are. | 0:25:12 | 0:25:13 | |
'It's all done and dusted now.' | 0:25:13 | 0:25:16 | |
And now he doesn't have to work, we get on fine. | 0:25:16 | 0:25:19 | |
Mentally I was not on any, erm, | 0:25:19 | 0:25:23 | |
normal planet, really, | 0:25:23 | 0:25:26 | |
I suppose is the only way you can put it. | 0:25:26 | 0:25:29 | |
You've done a grand job, thank you very much indeed. | 0:25:29 | 0:25:32 | |
-You look fabulous, madam. -Thank you. | 0:25:32 | 0:25:35 | |
Now that we have come out of this dark, dark, dark, dark tunnel, | 0:25:35 | 0:25:39 | |
we're now in the light with the rest of you. | 0:25:39 | 0:25:41 | |
So, whoopee! | 0:25:42 | 0:25:44 | |
Oh, that'll do, that'll do. | 0:25:44 | 0:25:47 | |
Blimey, I'm getting fat. | 0:25:47 | 0:25:49 | |
Hello, Gale. | 0:25:55 | 0:25:58 | |
Good to see you. You're looking very special. | 0:25:58 | 0:26:00 | |
'People renew their marriage vows for all sorts of reasons, | 0:26:02 | 0:26:06 | |
'particularly at anniversaries, | 0:26:06 | 0:26:08 | |
'especially the 50th anniversary of a marriage. | 0:26:08 | 0:26:11 | |
'It is a time to take stock...' | 0:26:11 | 0:26:13 | |
and to have the opportunity of thanking each other | 0:26:13 | 0:26:16 | |
for seeing each other through some pretty tough times | 0:26:16 | 0:26:19 | |
'as well as some very happy ones.' | 0:26:19 | 0:26:21 | |
But love is the fulfilling of the Lord... | 0:26:21 | 0:26:24 | |
'I think the service we had was very meaningful, | 0:26:24 | 0:26:27 | |
'particularly as the couple spoke to each other in a very personal way.' | 0:26:27 | 0:26:31 | |
I'm going to find it very difficult to express the depth of the love | 0:26:31 | 0:26:37 | |
and gratitude that I have, that you have stood by me through all | 0:26:37 | 0:26:42 | |
the trials and tribulations of our life together so far. | 0:26:42 | 0:26:45 | |
Bless you for that. | 0:26:46 | 0:26:47 | |
'Everyone present was very touched by...' | 0:26:47 | 0:26:50 | |
their sincerity and the depth of feeling that was expressed. | 0:26:50 | 0:26:54 | |
-BOTH: -'Our love for one another...' | 0:26:54 | 0:26:55 | |
unite our wills in your will, | 0:26:55 | 0:26:58 | |
that we may grow together in love and peace, | 0:26:58 | 0:27:02 | |
all the days of our life, | 0:27:02 | 0:27:05 | |
and whoever is left follows quickly thereafter. | 0:27:05 | 0:27:08 | |
I am sure that from now on in, things can only get better. | 0:27:09 | 0:27:14 | |
They're certainly much calmer than they have been! | 0:27:14 | 0:27:17 | |
But things are good now. | 0:27:17 | 0:27:20 | |
And bless you for bringing up those two lovely children, | 0:27:20 | 0:27:22 | |
almost entirely single-handed. You did a brilliant job, | 0:27:22 | 0:27:26 | |
and thank you ever so much. | 0:27:26 | 0:27:28 | |
APPLAUSE | 0:27:28 | 0:27:30 | |
'It's wonderful to have done it, | 0:27:30 | 0:27:33 | |
'and the Reverend Colin has done a wonderful job.' | 0:27:33 | 0:27:36 | |
And now, please, can we have some lunch? | 0:27:38 | 0:27:40 | |
Over the years we've had all sorts of trials and upsets | 0:27:42 | 0:27:47 | |
and this has been the woman who's been beside me | 0:27:47 | 0:27:50 | |
all the way through, picking me up when I fell down... | 0:27:50 | 0:27:53 | |
And pushing him down sometimes! | 0:27:53 | 0:27:55 | |
These are all the things I wanted to say during the, er... | 0:27:57 | 0:28:02 | |
-Renewal. -..renewal of our vows, | 0:28:02 | 0:28:04 | |
but I didn't. | 0:28:04 | 0:28:06 | |
I got myself so tongue-tied | 0:28:06 | 0:28:08 | |
and so worried that I was going to forget what it was I was going to say | 0:28:08 | 0:28:11 | |
in the first place that I never said a single dickey bird. | 0:28:11 | 0:28:14 | |
Oh, you did. | 0:28:14 | 0:28:15 | |
Well, all right, I did. I said one thing. | 0:28:15 | 0:28:17 | |
Next time, Colin is on a mission... | 0:28:25 | 0:28:28 | |
-I've been to many seaman's missions. -So you usually go to it? -Yeah. | 0:28:28 | 0:28:33 | |
..and Balmoral plays host to a modern-day Romeo and Juliet. | 0:28:33 | 0:28:37 | |
'Our eyes met...' | 0:28:37 | 0:28:38 | |
that was it. | 0:28:38 | 0:28:41 | |
From that moment, my fate was sealed. | 0:28:41 | 0:28:43 | |
SHE LAUGHS | 0:28:43 | 0:28:45 | |
Subtitles by Red Bee Media Ltd | 0:29:06 | 0:29:09 |