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Imagine you've embarked on the journey of a lifetime... | 0:00:02 | 0:00:05 | |
..a luxury cruise around the world. | 0:00:06 | 0:00:10 | |
I've done things and seen places that other people dream of seeing. | 0:00:10 | 0:00:13 | |
2,000 people are travelling some of the way... | 0:00:15 | 0:00:17 | |
..but 400 lucky souls have signed up | 0:00:19 | 0:00:21 | |
for the entire adventure. | 0:00:21 | 0:00:23 | |
Well, this for me is the culmination of a life's dream - | 0:00:25 | 0:00:28 | |
it sure makes your eyes water. | 0:00:28 | 0:00:31 | |
They'll be stopping at some of most beautiful | 0:00:31 | 0:00:33 | |
and exotic places around the globe. | 0:00:33 | 0:00:35 | |
I think it's the most amazing thing ever. | 0:00:38 | 0:00:41 | |
But this all-inclusive package offers much more than | 0:00:41 | 0:00:44 | |
sunshine and sightseeing. | 0:00:44 | 0:00:47 | |
On this global odyssey, the passengers have | 0:00:47 | 0:00:49 | |
their very own vicar. | 0:00:49 | 0:00:51 | |
Welcome, everyone, to this very special and very happy occasion. | 0:00:51 | 0:00:55 | |
The ship IS my parish, therefore I'm seeking to minister to | 0:00:55 | 0:00:59 | |
everyone on board whether they're believers or not. | 0:00:59 | 0:01:03 | |
Welcome to the Cruise. | 0:01:03 | 0:01:05 | |
Since leaving the UK, Balmoral has crossed | 0:01:18 | 0:01:21 | |
the Atlantic and Pacific Oceans, | 0:01:21 | 0:01:24 | |
sailed around Australia, | 0:01:24 | 0:01:26 | |
and is now heading to South East Asia. | 0:01:26 | 0:01:28 | |
The ship's resident Reverend is Colin Still. | 0:01:32 | 0:01:35 | |
'I've always enjoyed going on the sea, | 0:01:36 | 0:01:38 | |
'I had many trips before I started as a chaplain and, of course,' | 0:01:38 | 0:01:42 | |
I love travelling and that's the main thing, | 0:01:42 | 0:01:44 | |
is that it's extraordinary. What a wonderful world is out there, | 0:01:44 | 0:01:49 | |
with wonderful colours and people. | 0:01:49 | 0:01:52 | |
# It's fun to say at the Y-M-C-A | 0:01:52 | 0:01:55 | |
# It's fun to stay at the... # | 0:01:55 | 0:01:56 | |
He may be a man of the cloth, | 0:01:56 | 0:01:58 | |
but, on board, Colin's considered one of the entertainers. | 0:01:58 | 0:02:02 | |
Cruise ships provide a great range of entertainments, and if you | 0:02:02 | 0:02:06 | |
wanted to, you could fill every minute of the day with activities. | 0:02:06 | 0:02:11 | |
# And I did not... # | 0:02:11 | 0:02:12 | |
Sometimes passengers take part. | 0:02:12 | 0:02:15 | |
# ..for being hard of hearing... | 0:02:15 | 0:02:19 | |
# For I am a Pirate King | 0:02:19 | 0:02:22 | |
ALL: # Hurrah, hurrah for the Pirate King | 0:02:22 | 0:02:25 | |
# Hurrah for the Pirate King! # | 0:02:25 | 0:02:30 | |
But, this time around, choir mistress Sue Alderson | 0:02:30 | 0:02:33 | |
isn't producing a musical. | 0:02:33 | 0:02:35 | |
We are going to be doing something different on this leg. | 0:02:35 | 0:02:39 | |
We're going to do work for Colin's services for Easter. | 0:02:39 | 0:02:43 | |
'And we're going to do an arrangement of Walk in Jerusalem.' | 0:02:46 | 0:02:51 | |
I just wanted you to look at it, | 0:02:51 | 0:02:52 | |
if you don't mind, just to make sure that this is appropriate | 0:02:52 | 0:02:56 | |
and the kind of thing that you would like for Palm Sunday. | 0:02:56 | 0:02:59 | |
It's three parts. So it's harmony as well, so it's quite tricky. | 0:02:59 | 0:03:04 | |
The idea is that, um, Andy plays | 0:03:04 | 0:03:07 | |
the ukulele for one verse | 0:03:07 | 0:03:10 | |
and sings one verse, and then Anita will play some music which | 0:03:10 | 0:03:15 | |
links his playing with this choral arrangement. | 0:03:15 | 0:03:21 | |
# Walking in Jerusalem just like John | 0:03:21 | 0:03:23 | |
# Walking in Jerusalem just like John. # | 0:03:24 | 0:03:27 | |
Sue's drafted in Andy Starling to add something different. | 0:03:27 | 0:03:30 | |
Lovely, lovely, Andy. Lovely. | 0:03:30 | 0:03:32 | |
-We didn't get the notes right! -It was fine. | 0:03:32 | 0:03:35 | |
'Well, I brought the ukulele on holiday with me | 0:03:35 | 0:03:37 | |
'just to pass time when we were at sea, | 0:03:37 | 0:03:39 | |
'and it just so happened that Sue was sunbathing out on the deck | 0:03:39 | 0:03:43 | |
'and I was practising the tune that she fancied doing with the choir. | 0:03:43 | 0:03:47 | |
'So, she then said,' | 0:03:47 | 0:03:48 | |
well, would I join the choir, | 0:03:48 | 0:03:50 | |
sing it as part of their Palm Sunday performance, so to say. | 0:03:50 | 0:03:55 | |
BOTH: # Ready, I wanna be ready | 0:03:55 | 0:03:59 | |
# Walking in Jerusalem just like John. # | 0:03:59 | 0:04:02 | |
-That's perfect. -Yeah, once I've got it in my head... | 0:04:02 | 0:04:05 | |
'I wouldn't say I'm a strong believer. | 0:04:05 | 0:04:09 | |
'I'm a retired soldier so, yes,' | 0:04:09 | 0:04:11 | |
there have been situations where you definitely feel | 0:04:11 | 0:04:14 | |
that there is somebody looking after you and making sure | 0:04:14 | 0:04:18 | |
that everything works out in the end. | 0:04:18 | 0:04:20 | |
But I can't say I'm a churchgoing person. | 0:04:20 | 0:04:23 | |
I'd probably get struck down by lightning if I said that. | 0:04:24 | 0:04:26 | |
Most passengers prefer to have their entertainment laid on. | 0:04:28 | 0:04:31 | |
Ladies and gentlemen, it is my pleasure | 0:04:31 | 0:04:33 | |
to introduce seasoned Scarlatti and Schubert | 0:04:33 | 0:04:36 | |
by the fabulous, talented Philip Lange. | 0:04:36 | 0:04:39 | |
'I started playing the piano at the age of seven taking | 0:05:00 | 0:05:03 | |
'formal lessons, and I was inspired, greatly inspired by | 0:05:03 | 0:05:06 | |
'Sir John Barbirolli when I went to a concert, | 0:05:06 | 0:05:09 | |
'conducting the Halle Orchestra.' | 0:05:09 | 0:05:10 | |
'And at that concert,' | 0:05:13 | 0:05:14 | |
after that concert, at the age of 13 | 0:05:14 | 0:05:15 | |
I decided, yes, I want to be a professional musician. | 0:05:15 | 0:05:18 | |
'I enjoy cruise ships | 0:05:24 | 0:05:26 | |
'for the informality of it all. | 0:05:26 | 0:05:28 | |
'When I play on land, you come out, you bow, | 0:05:28 | 0:05:32 | |
'you play, you bow and off you go again. | 0:05:32 | 0:05:34 | |
'There's no interaction with your audience. | 0:05:34 | 0:05:36 | |
'But, on a cruise, you can really talk about the pieces | 0:05:36 | 0:05:39 | |
'that you're going to play, try and give the audience an insight, | 0:05:39 | 0:05:44 | |
'and I think a sense of humour is important, | 0:05:44 | 0:05:47 | |
'they love a few of my silly jokes and stories about the composers.' | 0:05:47 | 0:05:51 | |
That was a quiet number, wasn't it? | 0:05:51 | 0:05:53 | |
AUDIENCE LAUGHS | 0:05:53 | 0:05:54 | |
That's enough to make you all go to sleep, isn't it? Good afternoon! | 0:05:54 | 0:05:57 | |
'People stop me on the ship and say,' | 0:05:57 | 0:06:00 | |
"We really enjoyed your concert," | 0:06:00 | 0:06:02 | |
and that to me, is the greatest accolade. | 0:06:02 | 0:06:04 | |
'And if I'm giving people pleasure, that gives me | 0:06:04 | 0:06:06 | |
'tremendous pleasure so I enjoy it very much.' | 0:06:06 | 0:06:08 | |
APPLAUSE | 0:06:18 | 0:06:21 | |
But even though Philip Lange loves entertaining, | 0:06:21 | 0:06:24 | |
it wasn't his only ambition. | 0:06:24 | 0:06:26 | |
When we were talking, | 0:06:28 | 0:06:29 | |
you did mention that you had offered yourself for ordination. | 0:06:29 | 0:06:33 | |
What sort of... How did you feel that God was calling you? | 0:06:33 | 0:06:37 | |
Well, faith had been important really from a young lad, I suppose. | 0:06:37 | 0:06:41 | |
I grew up as a Methodist. | 0:06:41 | 0:06:42 | |
I was made a member of the Methodist Church | 0:06:42 | 0:06:44 | |
when I was about 14. | 0:06:44 | 0:06:46 | |
And then, at 18, I, um... | 0:06:46 | 0:06:49 | |
started getting into church music, | 0:06:49 | 0:06:51 | |
and just, you know, love all the settings that there were. | 0:06:51 | 0:06:55 | |
And the liturgy, of course, I love the prayer book, | 0:06:55 | 0:06:58 | |
I completely fell in love with the language of the prayer book. | 0:06:58 | 0:07:01 | |
So, I think the combination of the language | 0:07:01 | 0:07:03 | |
and the music that the Anglican Church had to offer was | 0:07:03 | 0:07:06 | |
very special and I suppose my journey started there. | 0:07:06 | 0:07:10 | |
But my calling to ordination I think was... | 0:07:10 | 0:07:14 | |
I had a year in Paris as director of music at the British school, | 0:07:14 | 0:07:18 | |
as well as being head of music, I was also a resident tutor in the | 0:07:18 | 0:07:21 | |
boarding house, and this was my first time of doing pastoral work. | 0:07:21 | 0:07:26 | |
And I really wanted to do more of this and with my calling with that. | 0:07:26 | 0:07:30 | |
My ambition was to not be a parish priest, but to be a school chaplain. | 0:07:30 | 0:07:35 | |
I thought what a wonderful combination. | 0:07:35 | 0:07:37 | |
The Church's loss is Balmoral's gain. | 0:07:37 | 0:07:40 | |
I've been able to come to three of your recitals, | 0:07:40 | 0:07:43 | |
and I've so thoroughly enjoyed them. | 0:07:43 | 0:07:45 | |
I mean, clearly you have a wonderful gift, | 0:07:45 | 0:07:48 | |
and, so, in that respect... | 0:07:48 | 0:07:51 | |
surely you can feel that you're serving God through your gift, | 0:07:51 | 0:07:54 | |
-and in that way. -Indeed. | 0:07:54 | 0:07:56 | |
I have regrets when I hear those wonderful | 0:08:00 | 0:08:02 | |
words of the Eucharist, I wish I was saying them. | 0:08:02 | 0:08:05 | |
The blessing of the Sacrament, I think, is very, very special, | 0:08:05 | 0:08:09 | |
but the Lord has given me a great gift in being able | 0:08:09 | 0:08:11 | |
to play the piano, and I'm delighted, | 0:08:11 | 0:08:14 | |
and flattered, shall I say, that | 0:08:14 | 0:08:16 | |
I can give people pleasure through my own music making. | 0:08:16 | 0:08:18 | |
Thankfully, he did find a vocation in his playing | 0:08:19 | 0:08:23 | |
because it's a gift that is much appreciated | 0:08:23 | 0:08:26 | |
by a very much wider audience than perhaps his ministry would've been. | 0:08:26 | 0:08:31 | |
APPLAUSE | 0:08:31 | 0:08:33 | |
Balmoral's sailing into Semarang, | 0:08:40 | 0:08:42 | |
the capital of Indonesia... | 0:08:42 | 0:08:44 | |
..which is reawakening memories of Colin's own calling to the Church. | 0:08:45 | 0:08:50 | |
I always enjoy steam trains and it takes me back to | 0:08:52 | 0:08:57 | |
when I was in my teens and I used to go for my summer holidays to | 0:08:57 | 0:09:01 | |
visit my uncle and aunt in Mid Wales. | 0:09:01 | 0:09:04 | |
It goes only one way. | 0:09:06 | 0:09:07 | |
Oh, I see, yes, OK. | 0:09:07 | 0:09:10 | |
While I was there on holiday, I used to go down to the signal box | 0:09:10 | 0:09:13 | |
and pull the levers, and when the Aberystwyth express | 0:09:13 | 0:09:17 | |
came through it was me that was letting it through. | 0:09:17 | 0:09:20 | |
It was all very exciting. | 0:09:20 | 0:09:21 | |
Number 11, we're all in this one? Good. | 0:09:21 | 0:09:24 | |
I'm going to come and sit next to you if that's all right. | 0:09:24 | 0:09:27 | |
TRAIN WHISTLES | 0:09:27 | 0:09:28 | |
It was lovely seeing all the paddy fields and the people | 0:09:30 | 0:09:33 | |
working in the fields, and it just reminded me of the time when | 0:09:33 | 0:09:37 | |
I was working in Borneo, and it was great to be reminded of that, | 0:09:37 | 0:09:42 | |
because I haven't been back since 1962. | 0:09:42 | 0:09:46 | |
TRAIN WHISTLES | 0:09:46 | 0:09:47 | |
Oh, wow. | 0:09:47 | 0:09:48 | |
Borneo was an important point in my life | 0:09:50 | 0:09:54 | |
because just prior to going to Borneo, whilst | 0:09:54 | 0:09:57 | |
I was in Germany, I felt that God was calling me | 0:09:57 | 0:10:00 | |
to the priesthood. And that was, strange enough, through a dream. | 0:10:00 | 0:10:04 | |
I dreamt that I was reading theology at Selwyn College, Cambridge. | 0:10:04 | 0:10:09 | |
And I talked to various people about it and shared my thoughts | 0:10:09 | 0:10:13 | |
with a bishop, and he said, | 0:10:13 | 0:10:15 | |
"Well, just push the door, go for it." | 0:10:15 | 0:10:18 | |
So that's why I applied to Selwyn College | 0:10:18 | 0:10:21 | |
and, as it turned out, they gave me a place and I started there in '64. | 0:10:21 | 0:10:26 | |
After leaving Java, Balmoral heads north towards | 0:10:29 | 0:10:32 | |
Ho Chi Minh City in Vietnam. | 0:10:32 | 0:10:34 | |
Navigating the busy Mekong Delta requires careful concentration. | 0:10:41 | 0:10:45 | |
It's been really interesting first of all seeing the enormous | 0:10:52 | 0:10:56 | |
amount of shipping that is flying up and down the river, | 0:10:56 | 0:11:00 | |
and then all of this jungle or marshes that are around, | 0:11:00 | 0:11:04 | |
a pretty inhospitable area and, certainly, it makes you think about the troops | 0:11:04 | 0:11:08 | |
when they were fighting the war. It must have been absolutely hell. | 0:11:08 | 0:11:12 | |
To be at sea for four months is quite a long time | 0:11:16 | 0:11:19 | |
and now we've done ten weeks of that journey, particularly those | 0:11:19 | 0:11:24 | |
who are working on board, are feeling a bit tired | 0:11:24 | 0:11:27 | |
because it's a seven-day week | 0:11:27 | 0:11:29 | |
and life doesn't stop on board as it does in a parish at home. | 0:11:29 | 0:11:33 | |
I am missing home, but the weeks will just fly now, | 0:11:36 | 0:11:40 | |
I think these next six weeks will go really quickly. | 0:11:40 | 0:11:43 | |
And we've got some really exciting stops as well. | 0:11:43 | 0:11:47 | |
And passenger Christine Eldred would like it to go on for ever. | 0:11:47 | 0:11:50 | |
I am like a kid waking up on Christmas Day every day, | 0:11:52 | 0:11:56 | |
and this morning... | 0:11:56 | 0:11:57 | |
..I was up at half past four. | 0:11:58 | 0:12:00 | |
Every port, obviously, is different | 0:12:01 | 0:12:03 | |
and, even now, I've been on the ship for about two and a bit months | 0:12:03 | 0:12:08 | |
and I'm still like pinching myself sometimes, I'm like... | 0:12:08 | 0:12:12 | |
"Am I really here or am I going to wake up at home | 0:12:13 | 0:12:15 | |
"in Morton in Dorset?" | 0:12:15 | 0:12:17 | |
Christine's travelling on a tight budget, | 0:12:19 | 0:12:21 | |
sharing a cabin with Gillian Benjamin. | 0:12:21 | 0:12:24 | |
I didn't know Christine very well, | 0:12:24 | 0:12:26 | |
we'd kept in touch after we met | 0:12:26 | 0:12:28 | |
two years ago and when I said, "Come on, join me," | 0:12:28 | 0:12:31 | |
she said, "Yes, please". | 0:12:31 | 0:12:33 | |
It's been brilliant. | 0:12:33 | 0:12:34 | |
We...you know, we get on so well | 0:12:34 | 0:12:36 | |
and we're not living in each other's pockets, we give each other space. | 0:12:36 | 0:12:41 | |
And I've seen it go so wrong in the past | 0:12:41 | 0:12:44 | |
with people trying to share, | 0:12:44 | 0:12:45 | |
that I think I'm very, very lucky. | 0:12:45 | 0:12:47 | |
Well, so much so that we've gone and booked again for next year. | 0:12:47 | 0:12:50 | |
So that says it all, doesn't it? | 0:12:50 | 0:12:53 | |
Going under that bridge was pretty awesome, | 0:12:53 | 0:12:56 | |
cos I was stood up underneath and the captain went on the whistle | 0:12:56 | 0:12:59 | |
you know, and the echo and I nearly had a heart attack. | 0:12:59 | 0:13:02 | |
I'm like, "Oh!" It really made me jump. | 0:13:02 | 0:13:04 | |
Oh, this trip has been just... | 0:13:04 | 0:13:06 | |
I can't think of a word really...spectacular. | 0:13:07 | 0:13:11 | |
Morning. Hello. | 0:13:24 | 0:13:26 | |
'We start a new choir today because | 0:13:26 | 0:13:28 | |
'about two thirds of my choir got off so' | 0:13:28 | 0:13:32 | |
I'm left with about 20 people from the choir before. | 0:13:32 | 0:13:36 | |
Good, good, good. | 0:13:36 | 0:13:37 | |
I'm going to go back here a bit. | 0:13:37 | 0:13:39 | |
OK. | 0:13:41 | 0:13:43 | |
Right. | 0:13:43 | 0:13:44 | |
'I got there early because I'm always there early | 0:13:44 | 0:13:46 | |
'and Sue was kind of looking a little bit worried | 0:13:46 | 0:13:49 | |
'because I didn't think she was expecting many people to come. | 0:13:49 | 0:13:53 | |
'She was pacing up and down' | 0:13:53 | 0:13:54 | |
like she was having a baby, well, not having a baby but, | 0:13:54 | 0:13:57 | |
do you know what I mean? She was very nervous. | 0:13:57 | 0:13:59 | |
And at sort of... | 0:13:59 | 0:14:00 | |
I looked at my watch and five minutes before the off, | 0:14:00 | 0:14:03 | |
kind of thing, there was | 0:14:03 | 0:14:04 | |
I was counting and there was like eight of us and I'm like, | 0:14:04 | 0:14:07 | |
"Oh, my God," and she was, you know, she looked really worried. | 0:14:07 | 0:14:10 | |
Then, all of a sudden, people came, and, in fact, | 0:14:10 | 0:14:12 | |
I think we got as many as we had in the last choir, which is fantastic. | 0:14:12 | 0:14:17 | |
Loads of new people. | 0:14:17 | 0:14:18 | |
Welcome. Is it Jean? Lovely. Excellent. | 0:14:18 | 0:14:21 | |
'Meeting a new choir is always exciting, | 0:14:21 | 0:14:25 | |
'you just don't know who is going to be there. | 0:14:25 | 0:14:27 | |
'It's always a challenge and I just love it.' | 0:14:27 | 0:14:31 | |
Do you sing alto or soprano? | 0:14:31 | 0:14:33 | |
Well, certainly not very high. | 0:14:33 | 0:14:34 | |
That's all right. Well, stay there then, OK. | 0:14:34 | 0:14:37 | |
'Everybody's totally different. | 0:14:37 | 0:14:39 | |
'I can't read music, and quite | 0:14:39 | 0:14:40 | |
'a few people that join the choir didn't think that they could sing. | 0:14:40 | 0:14:44 | |
'And you get a camaraderie where the people that' | 0:14:44 | 0:14:47 | |
can do it try and bring along the people that can't do it. | 0:14:47 | 0:14:50 | |
'So, it works really well.' | 0:14:50 | 0:14:52 | |
Yeah, Rosemary, are you singing with us | 0:14:52 | 0:14:54 | |
this time or just breathing with us? | 0:14:54 | 0:14:56 | |
I think you're singing with us the time, go in there. | 0:14:58 | 0:15:01 | |
OK, lovely. | 0:15:04 | 0:15:05 | |
Welcome, everyone - it's absolutely super to see | 0:15:05 | 0:15:08 | |
so many people here this afternoon. | 0:15:08 | 0:15:10 | |
It's very encouraging. It's a relief. | 0:15:12 | 0:15:15 | |
SHE LAUGHS | 0:15:15 | 0:15:16 | |
First of all, can I introduce to you Anita, | 0:15:16 | 0:15:19 | |
who is a passenger on board and is our fantastic pianist. | 0:15:19 | 0:15:24 | |
Without her, we could not have done the standard of the music | 0:15:24 | 0:15:29 | |
that we've performed while we've been on board. | 0:15:29 | 0:15:31 | |
So it is a huge thank you to Anita for all of that. | 0:15:31 | 0:15:36 | |
APPLAUSE AND CHEERING | 0:15:36 | 0:15:38 | |
'We will have two days, two rehearsals to perform at the service' | 0:15:42 | 0:15:47 | |
on Palm Sunday, which is this Sunday. | 0:15:47 | 0:15:50 | |
'It's all going to be a little bit tense because we're in Singapore,' | 0:15:51 | 0:15:55 | |
all that day, get back on at four, and the service is at five. | 0:15:55 | 0:15:59 | |
'It's going to be another challenge, but a challenge of a different kind.' | 0:16:01 | 0:16:05 | |
For one... | 0:16:07 | 0:16:08 | |
ALL: # For by and by, by and by... # | 0:16:10 | 0:16:12 | |
Excellent, well done. OK. | 0:16:13 | 0:16:15 | |
But by far the biggest challenge is feeding 1,500 | 0:16:16 | 0:16:20 | |
hungry mouths three times a day. | 0:16:20 | 0:16:22 | |
The food is fab on this ship. Really nice. | 0:16:23 | 0:16:26 | |
And I've managed not to put on any weight, but it's very hard. | 0:16:26 | 0:16:31 | |
It's really lovely food and you can eat all day if you want. | 0:16:31 | 0:16:34 | |
Executive Chef Sara Sipek has to make it all happen. | 0:16:37 | 0:16:41 | |
Two small lamb, one lamb, one small vegetarian, one small pasta. | 0:16:41 | 0:16:46 | |
It seems nowadays that the food is the most important | 0:16:46 | 0:16:48 | |
thing about cruising, and people expect food 24 hours a day, | 0:16:48 | 0:16:51 | |
so without the galley team there'd be nothing for people to eat at all. | 0:16:51 | 0:16:56 | |
Sara's the first woman to make top chef in the company. | 0:16:56 | 0:17:00 | |
Working with so many men in the galley is fun | 0:17:00 | 0:17:02 | |
most of the time. It was difficult at the beginning. | 0:17:02 | 0:17:05 | |
I found a lot of resistance against the female | 0:17:05 | 0:17:07 | |
that we couldn't do it, but the funny thing is | 0:17:07 | 0:17:09 | |
they always say the woman's place is in the kitchen. | 0:17:09 | 0:17:12 | |
Nobody can tell me now | 0:17:12 | 0:17:13 | |
that I can't do it, that women can't do it. | 0:17:13 | 0:17:16 | |
Manjee, we need more cheese in the sauce. | 0:17:16 | 0:17:18 | |
The mealtime schedule must go like clockwork. | 0:17:18 | 0:17:21 | |
I have a fantastic team here - 89 male cooks, | 0:17:23 | 0:17:26 | |
and three females in the galley. | 0:17:26 | 0:17:28 | |
We have Indonesian chefs, Indian chefs, Filipino chefs, Thai as well. | 0:17:28 | 0:17:32 | |
They're also being taught different ways of eating and food | 0:17:32 | 0:17:34 | |
and they will cook me something from their countries, | 0:17:34 | 0:17:37 | |
different times for me to try, so I get to learn things as well. | 0:17:37 | 0:17:40 | |
Something wrong? | 0:17:40 | 0:17:42 | |
We need to put some more cream inside. | 0:17:42 | 0:17:44 | |
'We just had a tasting table, we do every night.' | 0:17:44 | 0:17:47 | |
Taste the sherry? | 0:17:47 | 0:17:48 | |
'The waiters have an opportunity to come and taste, | 0:17:48 | 0:17:50 | |
'they know exactly what to give the guests, | 0:17:50 | 0:17:52 | |
'and what kind of flavours the food has if the guests ask. | 0:17:52 | 0:17:54 | |
'And it's also a learning process for them too.' | 0:17:54 | 0:17:57 | |
This is a final reminder - the steaks are all temperatures. | 0:17:57 | 0:18:00 | |
The lamb, please ask the guests, medium or well done. | 0:18:00 | 0:18:03 | |
'When people complain that they put on weight I just laugh, | 0:18:03 | 0:18:05 | |
'I think it's great. I did have a guest a while ago who complained | 0:18:05 | 0:18:08 | |
'to me that her husband couldn't come for the formal night because his | 0:18:08 | 0:18:11 | |
'trousers didn't fit any more and she was upset that I laughed.' | 0:18:11 | 0:18:14 | |
It's funny. I think it's great because that means that they've | 0:18:14 | 0:18:17 | |
enjoyed the food and put on weight and had a good time. | 0:18:17 | 0:18:19 | |
Fixed dinner times mean that any change of schedule is a problem... | 0:18:21 | 0:18:25 | |
and it's the cruise director's job to deal with the fallout. | 0:18:25 | 0:18:29 | |
OK, guys, shh. | 0:18:29 | 0:18:31 | |
So Anthony's just got something he needs to inform us of | 0:18:31 | 0:18:36 | |
and then we will need to make a decision. | 0:18:36 | 0:18:38 | |
We've extended our stay in Singapore by three hours, | 0:18:38 | 0:18:42 | |
so we're staying till eight o'clock. | 0:18:42 | 0:18:45 | |
So, obviously, it means we can't... Unfortunately, we're not able | 0:18:45 | 0:18:49 | |
to change the timing of the service. | 0:18:49 | 0:18:52 | |
So we would obviously still love the service to go ahead as normal | 0:18:52 | 0:18:55 | |
and for your input to go ahead as normal, | 0:18:55 | 0:18:58 | |
but the service will have to remain at five o'clock because we can't change. | 0:18:58 | 0:19:02 | |
We can't alter the timings because of the dinner service. | 0:19:02 | 0:19:06 | |
I discussed a number of options with Colin | 0:19:06 | 0:19:09 | |
and, unfortunately, there's | 0:19:09 | 0:19:11 | |
nothing that seems to be any better than the situation that we are in. | 0:19:11 | 0:19:14 | |
We would love you to go ahead as normal, | 0:19:14 | 0:19:16 | |
but I understand if one or two of you | 0:19:16 | 0:19:18 | |
would rather spend a little bit more time ashore. | 0:19:18 | 0:19:20 | |
It depends on having to go and now discuss with husbands. | 0:19:20 | 0:19:23 | |
I know, I realise that. I realise that. | 0:19:23 | 0:19:25 | |
The sudden change of plan may scupper Sue's choir, | 0:19:27 | 0:19:30 | |
and lose some of Colin's congregation. | 0:19:30 | 0:19:33 | |
Can I ask one question? | 0:19:33 | 0:19:35 | |
Why can't we move this service to the following day? | 0:19:35 | 0:19:38 | |
I know it's Palm Sunday, right, | 0:19:38 | 0:19:40 | |
Palm Sunday service will take place. | 0:19:40 | 0:19:42 | |
'There was controversy because they said, "Well, why can't they do | 0:19:42 | 0:19:45 | |
"the church service on another day while we're at sea?" | 0:19:45 | 0:19:47 | |
'And everybody was saying that the Christians changed | 0:19:47 | 0:19:50 | |
'the day of Christmas to suit the Pagan mid-Winter ceremonies,' | 0:19:50 | 0:19:54 | |
so why couldn't they move Palm Sunday by a day. | 0:19:54 | 0:19:56 | |
'It is always possible to change a service. We've already done | 0:19:56 | 0:20:00 | |
'that a number of times, but because it's Holy Week and there are' | 0:20:00 | 0:20:04 | |
special services set aside for each of the days that we're at sea, | 0:20:04 | 0:20:08 | |
'people would be upset if we didn't have something tomorrow.' | 0:20:08 | 0:20:11 | |
Hopefully, we'll keep the nucleus of people to put on what I'm sure | 0:20:11 | 0:20:14 | |
will be another wonderful performance at the service tomorrow. | 0:20:14 | 0:20:17 | |
Some have arranged to meet family - | 0:20:17 | 0:20:19 | |
obviously they want to stay longer with family. | 0:20:19 | 0:20:22 | |
'So we will be reduced numbers, we'll just work round | 0:20:22 | 0:20:25 | |
'and we'll just go with what we've got.' | 0:20:25 | 0:20:28 | |
Can't be helped. | 0:20:28 | 0:20:29 | |
We haven't seen them for years | 0:20:29 | 0:20:31 | |
so if we've got more time with them... | 0:20:31 | 0:20:33 | |
Sorry about that, Sue. | 0:20:33 | 0:20:35 | |
What about you, Anita? | 0:20:35 | 0:20:37 | |
I don't know, because we have a tour at half past one, I think. | 0:20:37 | 0:20:43 | |
Well, they should be back shouldn't they? | 0:20:43 | 0:20:46 | |
-I hope so. -All the tours... | 0:20:46 | 0:20:48 | |
When the tours are back at half past four, | 0:20:48 | 0:20:50 | |
which is OK. | 0:20:50 | 0:20:53 | |
Yeah, I'm sure they'll be back. | 0:20:53 | 0:20:54 | |
'I'm going to the Singapore Zoo tomorrow | 0:20:54 | 0:20:57 | |
'and I'm looking forward to this day' | 0:20:57 | 0:20:58 | |
more than any other day | 0:20:58 | 0:21:00 | |
cos I'm going to have breakfast with the orang-utans. | 0:21:00 | 0:21:02 | |
But I would've even forgone that to support Sue because | 0:21:02 | 0:21:06 | |
I think she's doing a fantastic job, and I think she's just amazing. | 0:21:06 | 0:21:10 | |
You are so loyal. | 0:21:10 | 0:21:11 | |
Um, on this occasion, I don't expect, um, your loyalty. | 0:21:11 | 0:21:17 | |
I would love it, and it would be nice if we had it, | 0:21:17 | 0:21:20 | |
but I don't expect it. | 0:21:20 | 0:21:21 | |
If you do want to, just so long as you let me know, | 0:21:21 | 0:21:24 | |
because I would need to know who is not going to be there. | 0:21:24 | 0:21:28 | |
Um...no blacklist. | 0:21:28 | 0:21:30 | |
THEY LAUGH | 0:21:30 | 0:21:32 | |
But... | 0:21:32 | 0:21:33 | |
'It was a bit of a disaster, | 0:21:33 | 0:21:34 | |
'with the disruption of being told that everything had changed. | 0:21:34 | 0:21:38 | |
'It set everybody off in' | 0:21:38 | 0:21:40 | |
a bit of a negative atmosphere. | 0:21:40 | 0:21:42 | |
'Then, all of a sudden, I was asked to come across and perform.' | 0:21:42 | 0:21:45 | |
-NERVOUSLY: -# I... # | 0:21:46 | 0:21:49 | |
'Which I wasn't quite ready for...' | 0:21:49 | 0:21:50 | |
at that point so I hadn't psyched myself up to do it. | 0:21:50 | 0:21:54 | |
-NERVOUSLY: -# I want to be ready to | 0:21:54 | 0:21:56 | |
# Walk in Jerusalem just like John. # | 0:21:56 | 0:22:01 | |
-Sorry about that. -Don't worry, and then... | 0:22:01 | 0:22:03 | |
So then Anita, you'll just start us straight in. | 0:22:03 | 0:22:06 | |
That's a lovely link. | 0:22:11 | 0:22:12 | |
ALL FAINTLY: # Oh, by and by | 0:22:14 | 0:22:17 | |
# By and by... # Where are we? Come on. | 0:22:17 | 0:22:20 | |
Ready? Three, four. | 0:22:20 | 0:22:23 | |
'We've just got to get over these things, haven't we?' | 0:22:23 | 0:22:25 | |
There are setbacks all the time, and it's what | 0:22:25 | 0:22:27 | |
we do about it isn't it, really? Not the setback itself, so... | 0:22:27 | 0:22:32 | |
we'll keep saying... | 0:22:32 | 0:22:34 | |
..our prayers and hope for the best on Sunday. | 0:22:35 | 0:22:38 | |
# Oh, by and by, by and by | 0:22:38 | 0:22:43 | |
# Oh, by and by | 0:22:43 | 0:22:47 | |
# By and by | 0:22:47 | 0:22:50 | |
# By and by, by and by | 0:22:50 | 0:22:56 | |
# I'm ready | 0:22:56 | 0:23:03 | |
# To walk in Jerusalem | 0:23:03 | 0:23:08 | |
# Just like John. # | 0:23:08 | 0:23:11 | |
It's Palm Sunday in Singapore | 0:23:14 | 0:23:16 | |
and Colin's on escort duty again. | 0:23:16 | 0:23:18 | |
What will happen tonight I have no idea, | 0:23:19 | 0:23:22 | |
but the service will take place | 0:23:22 | 0:23:24 | |
and those that would like to come will be there, | 0:23:24 | 0:23:28 | |
and those who are staying longer | 0:23:28 | 0:23:30 | |
with their families and relatives, | 0:23:30 | 0:23:32 | |
well, that's their prerogative and I hope they have a good visit. | 0:23:32 | 0:23:36 | |
It's not ideal, but he's got Christine | 0:23:36 | 0:23:38 | |
and the orang-utans for company. | 0:23:38 | 0:23:41 | |
Singapore has a very successful programme in breeding orang-utans, | 0:23:41 | 0:23:47 | |
because they are really threatened in many parts of Indonesia. | 0:23:47 | 0:23:50 | |
Most of these orang-utans are from Sumatra, | 0:23:50 | 0:23:53 | |
as well as born as actually two sub-species. | 0:23:53 | 0:23:56 | |
# Now I'm the king of the swingers | 0:23:56 | 0:23:58 | |
# Oh, the jungle VIP | 0:23:58 | 0:24:01 | |
# I've reached the top and had to stop | 0:24:01 | 0:24:03 | |
# And that's what's bothering me... # | 0:24:03 | 0:24:06 | |
'Well, I enjoyed being with Christine at the zoo because she was | 0:24:06 | 0:24:09 | |
'so enthusiastic about every animal, | 0:24:09 | 0:24:11 | |
'but particularly with the orang-utans. | 0:24:11 | 0:24:13 | |
'I took a photograph of her being very close to them | 0:24:14 | 0:24:17 | |
'and she was just so excited.' | 0:24:17 | 0:24:20 | |
There was a tiny two-week-old baby, I was so close to him | 0:24:20 | 0:24:23 | |
and then I blew him a kiss...like that. | 0:24:23 | 0:24:26 | |
# Oh, oobee doo | 0:24:27 | 0:24:29 | |
# I wanna be like you | 0:24:29 | 0:24:32 | |
# I wanna walk like you | 0:24:32 | 0:24:34 | |
# Talk like you | 0:24:34 | 0:24:36 | |
# You'll see it's true | 0:24:36 | 0:24:39 | |
# An ape like me | 0:24:39 | 0:24:42 | |
# Can learn to be human... # | 0:24:42 | 0:24:45 | |
-Meerkats! -Oh, yes, they're...yes! | 0:24:45 | 0:24:47 | |
COLIN LAUGHS | 0:24:47 | 0:24:49 | |
It was brilliantly laid out, and the way the animals could be seen | 0:24:49 | 0:24:53 | |
and yet they looked in their natural habitat, | 0:24:53 | 0:24:55 | |
it was just lovely to see so many animals in such a close proximity. | 0:24:55 | 0:25:00 | |
-TOUR GUIDE: We take special care of these... -Oh, look at them! | 0:25:00 | 0:25:03 | |
So, what's your favourite so far? | 0:25:16 | 0:25:19 | |
Oh, that's an impossible question! | 0:25:19 | 0:25:21 | |
TOUR GUIDE: ..residents are the giant tortoise and Komodo dragon. | 0:25:23 | 0:25:28 | |
Although the tour's a diversion, | 0:25:31 | 0:25:34 | |
Colin can't stop worrying. | 0:25:34 | 0:25:36 | |
Well, I think it might be a bit of a walk. | 0:25:36 | 0:25:38 | |
'Well, it seems strange to be even thinking of the service tonight | 0:25:38 | 0:25:41 | |
'when we're in amongst all this amazing foliage and animals.' | 0:25:41 | 0:25:47 | |
You can see the flying fox taking off. Can you see the flying fox? | 0:25:47 | 0:25:50 | |
'My mind hasn't concentrated yet on Palm Sunday service, | 0:25:51 | 0:25:56 | |
'I'm not at all happy, | 0:25:56 | 0:25:57 | |
'but, unfortunately, we couldn't change the time,' | 0:25:57 | 0:26:00 | |
which is disappointing. | 0:26:00 | 0:26:02 | |
Would you like to make your way to the bus? | 0:26:02 | 0:26:03 | |
They'll be back at one. | 0:26:03 | 0:26:05 | |
I've got to get quickly in the shower, change, | 0:26:05 | 0:26:07 | |
put my lovely frocks on and go to choir, | 0:26:07 | 0:26:09 | |
cos we've got the Palm Sunday service which I'm really | 0:26:09 | 0:26:11 | |
looking forward to as well because I love the song we're singing | 0:26:11 | 0:26:14 | |
and it's just been the most amazing day. | 0:26:14 | 0:26:17 | |
Having breakfast with monkeys - fantastic. | 0:26:17 | 0:26:19 | |
Orang-utans, which are my favourite. | 0:26:19 | 0:26:22 | |
-Nice to see you. -Thank you. | 0:26:27 | 0:26:29 | |
Colin's got back on time, but many of the congregation aren't... | 0:26:29 | 0:26:34 | |
and there's one glaring absentee. | 0:26:34 | 0:26:37 | |
Welcome to our Palm Sunday interdenominational church service. | 0:26:37 | 0:26:42 | |
We've got a slight hiccup in as much as our pianist has | 0:26:42 | 0:26:46 | |
not yet got back from one of the tours. | 0:26:46 | 0:26:49 | |
Without Anita, the choir decide they can't perform Walk In Jerusalem. | 0:26:49 | 0:26:54 | |
So we're going to start our service without a pianist, | 0:26:54 | 0:26:58 | |
which means we're going to try and sing unaccompanied. | 0:26:58 | 0:27:01 | |
# Ride on, ride on in majesty... # | 0:27:01 | 0:27:07 | |
I'm not all that keen on pitching notes... | 0:27:07 | 0:27:10 | |
so having to lead the singing was a bit of a challenge. | 0:27:10 | 0:27:14 | |
# Oh, glory, Lord on high... # | 0:27:14 | 0:27:17 | |
'Well, we had a good result in spite of the fact that | 0:27:17 | 0:27:19 | |
'Anita wasn't there, which was disappointing. | 0:27:19 | 0:27:23 | |
'And I think they just accept that you don't get | 0:27:23 | 0:27:26 | |
'perfection on a ship,' | 0:27:26 | 0:27:28 | |
all the time, and that you have to adapt, | 0:27:28 | 0:27:31 | |
and make the most of what you've got. | 0:27:31 | 0:27:34 | |
It won't be wasted - Colin has suggested that next Sunday | 0:27:34 | 0:27:38 | |
we do both of them. | 0:27:38 | 0:27:39 | |
It's tremendous the effort that you've put in, | 0:27:39 | 0:27:41 | |
and I thank you so much for your support. | 0:27:41 | 0:27:45 | |
And I'll see you tomorrow, usual time. | 0:27:49 | 0:27:53 | |
We'll start on the three rehearsals now for the next one, | 0:27:53 | 0:27:57 | |
so bags of time. | 0:27:57 | 0:27:59 | |
OK? | 0:27:59 | 0:28:01 | |
I think we'll all go for a drink now. | 0:28:01 | 0:28:03 | |
THEY LAUGH | 0:28:03 | 0:28:04 | |
We've now got three sea days that we can continue rehearsing the | 0:28:04 | 0:28:07 | |
one that we should've done today, and we'll do them on Easter Sunday. | 0:28:07 | 0:28:11 | |
Hopefully! | 0:28:11 | 0:28:13 | |
Unless there's a lifeboat drill or something else. | 0:28:13 | 0:28:16 | |
When we get to that bit, Anita, could you play it? | 0:28:16 | 0:28:19 | |
Will Anita show up for Easter? | 0:28:19 | 0:28:21 | |
Stop, stop, stop. I feel you're coming in just too soon. | 0:28:21 | 0:28:25 | |
Colin gets taken for a ride. | 0:28:25 | 0:28:27 | |
Thank you. Oh, I just loved it, | 0:28:27 | 0:28:29 | |
-it was really...something very special. -Yeah. | 0:28:29 | 0:28:31 | |
And Balmoral sails into troubled waters. | 0:28:31 | 0:28:35 | |
We are taking all these precautions due to pirate activity in the area. | 0:28:35 | 0:28:39 | |
Everybody sit down, please. | 0:28:39 | 0:28:41 | |
Subtitles by Red Bee Media Ltd | 0:28:47 | 0:28:49 |