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This programme contains scenes which some viewers may find disturbing | 0:00:02 | 0:00:10 | |
If other people think, "Why would he want to do that", | 0:00:22 | 0:00:26 | |
that's their problem not mine. | 0:00:26 | 0:00:27 | |
I don't have a problem. | 0:00:29 | 0:00:31 | |
We will be opening up a cadaver, | 0:00:31 | 0:00:34 | |
a body bag, | 0:00:34 | 0:00:36 | |
to show you a dead person. | 0:00:36 | 0:00:39 | |
Hold the scalpel handle something like this, | 0:00:46 | 0:00:50 | |
between the thumb and middle finger. | 0:00:50 | 0:00:53 | |
It's going to be very scary, I'll be right up there at the front, | 0:00:53 | 0:00:57 | |
but it will be very, very scary. | 0:00:57 | 0:01:00 | |
Today we're going to remove the calvaria, which is the skull cap, | 0:01:02 | 0:01:06 | |
and expose the brain. | 0:01:06 | 0:01:08 | |
Looking at the dissection and realising just how much | 0:01:08 | 0:01:12 | |
we had taken apart this person... | 0:01:12 | 0:01:16 | |
To have it affect me so much this year, it kind of shocked me, | 0:01:16 | 0:01:19 | |
cos I was like, "I'm not supposed to feel like this. | 0:01:19 | 0:01:22 | |
"Why can't I handle it? Why can't I just go in and dissect my body?" | 0:01:22 | 0:01:25 | |
I'm mourning for the loss of a death that I just didn't know. | 0:01:26 | 0:01:30 | |
To a life that I missed out on... | 0:01:30 | 0:01:34 | |
..and... | 0:01:36 | 0:01:38 | |
..a body that I destroyed. | 0:01:41 | 0:01:43 | |
On behalf of Pam, James, Callum, Natalie and Ian's extended family, | 0:02:23 | 0:02:29 | |
it is my privilege to thank you for coming today. | 0:02:29 | 0:02:33 | |
When we were planning the funeral I thought, "How do we do this?" | 0:02:33 | 0:02:37 | |
Because a lot of people didn't know about Ian's decision. | 0:02:37 | 0:02:40 | |
So I did think about asking to have an empty casket up there | 0:02:40 | 0:02:44 | |
so that people wouldn't walk in and go, "Oh! Where's the body?" | 0:02:44 | 0:02:48 | |
We had the service for our closure, | 0:02:50 | 0:02:54 | |
not for any religious things | 0:02:54 | 0:02:57 | |
because we're not a religious family. | 0:02:57 | 0:03:00 | |
And a lot of people, friends, hadn't realised that Ian was sick, | 0:03:00 | 0:03:05 | |
so we just wanted to... | 0:03:05 | 0:03:08 | |
have the service and just remember him. | 0:03:08 | 0:03:12 | |
I hope that it doesn't upset in any way. | 0:03:59 | 0:04:03 | |
For me, I'm quite calm about the whole thing. | 0:04:03 | 0:04:07 | |
It's a body, they can treat it with respect, | 0:04:08 | 0:04:11 | |
which I have no doubt that they will do. | 0:04:11 | 0:04:15 | |
Apart from that, they just use it the best way they can. | 0:04:15 | 0:04:20 | |
It's there to be used. I hope they use it and use it wisely. | 0:04:20 | 0:04:24 | |
I always knew that Dad was going to donate his body, | 0:04:24 | 0:04:27 | |
so that was always there, but nearer the time when the process... | 0:04:27 | 0:04:33 | |
When you actually start thinking, "What is going to happen?" | 0:04:33 | 0:04:36 | |
Small things, like his body wasn't going to be at the funeral. | 0:04:36 | 0:04:39 | |
The decision to donate my body is... | 0:05:08 | 0:05:11 | |
..simply to help the students... | 0:05:14 | 0:05:19 | |
and to make my parting easier for my family and loved ones. | 0:05:19 | 0:05:25 | |
Good morning, everybody. | 0:05:41 | 0:05:44 | |
Just to remind you, I'm Helen Nicholson | 0:05:44 | 0:05:47 | |
and I'm going to talk to you today | 0:05:47 | 0:05:49 | |
about the use of cadavers and the ethics behind them. | 0:05:49 | 0:05:55 | |
'Going back to our bequestee,' | 0:06:04 | 0:06:06 | |
he's - or she's - put in storage, | 0:06:06 | 0:06:09 | |
then in about a year's time, | 0:06:09 | 0:06:10 | |
he'll come out to the dissecting room and you guys and the physios | 0:06:10 | 0:06:15 | |
and the dentists will all work on these bodies for the next two years. | 0:06:15 | 0:06:20 | |
I decided I wanted to be a doctor when I was 11. | 0:06:20 | 0:06:24 | |
It was when I first decided that I loved science | 0:06:24 | 0:06:26 | |
and was actually quite good at science. | 0:06:26 | 0:06:28 | |
I guess I want to be a hero. I want to save people's lives, I think. | 0:06:32 | 0:06:37 | |
I think...you know, you watch programmes like ER... | 0:06:37 | 0:06:42 | |
not Shortland Street, but ER and you just... | 0:06:42 | 0:06:45 | |
I just want to save people's lives. | 0:06:47 | 0:06:49 | |
My father has a kidney transplant | 0:06:57 | 0:06:59 | |
and so I've always kind of been interested in wanting to help him | 0:06:59 | 0:07:04 | |
and it just really annoyed me just sitting there | 0:07:04 | 0:07:07 | |
and not knowing what to do to help. | 0:07:07 | 0:07:09 | |
I'd like to say that my attitude to the body would be impassionate, | 0:07:20 | 0:07:25 | |
that I would feel nothing looking at them | 0:07:25 | 0:07:30 | |
because they were just a body, but it's hard not to see a body | 0:07:30 | 0:07:34 | |
and not think of a life. | 0:07:34 | 0:07:35 | |
So, I shall see. | 0:07:35 | 0:07:38 | |
'I think I've seen death quite a lot in life. | 0:08:08 | 0:08:11 | |
'I've met it and I... | 0:08:11 | 0:08:12 | |
'..acknowledged it.' | 0:08:14 | 0:08:16 | |
And I think that made me see death in a more positive way, | 0:08:16 | 0:08:21 | |
I'm not scared of it. | 0:08:21 | 0:08:23 | |
Cell phones turned off, either left here or in your pocket, OK? | 0:08:23 | 0:08:29 | |
As a teenager, I had an obsession with my own mortality | 0:08:30 | 0:08:35 | |
and quite a strong fear of death. | 0:08:35 | 0:08:39 | |
And, er... | 0:08:39 | 0:08:41 | |
I think dealing with dead bodies and human dissection | 0:08:41 | 0:08:44 | |
will allow me to kind of cross a bridge, which I need to. | 0:08:44 | 0:08:48 | |
On the first day, when the students come in, | 0:09:21 | 0:09:25 | |
it's just the environment, the smells here, | 0:09:25 | 0:09:30 | |
the body bags - they are very daunting for them. | 0:09:30 | 0:09:35 | |
We will be opening up a cadaver, | 0:09:52 | 0:09:56 | |
a body bag, to show you a dead person, | 0:09:56 | 0:10:00 | |
and I will take you in little groups to do that. | 0:10:00 | 0:10:03 | |
I think that I've had a pretty good body. | 0:10:05 | 0:10:09 | |
It's never let me down. | 0:10:10 | 0:10:13 | |
I've never really been... Apart from having lead poisoning | 0:10:13 | 0:10:17 | |
and now cancer, I've never really had anything bad wrong with me. | 0:10:17 | 0:10:21 | |
It is quite normal to feel sick, | 0:10:35 | 0:10:37 | |
it is quite normal to feel sad, | 0:10:37 | 0:10:40 | |
it is quite normal to feel unwell. | 0:10:40 | 0:10:43 | |
I've never seen a dead body before, | 0:10:43 | 0:10:47 | |
and to have all these people, you know, that are dead... | 0:10:47 | 0:10:51 | |
That could be someone's mother or father or sister. | 0:10:51 | 0:10:55 | |
It'll be quite full on. | 0:10:55 | 0:10:57 | |
Come around, come around. | 0:10:57 | 0:10:59 | |
What we'll do is we'll just expose up to the belly button. | 0:11:08 | 0:11:14 | |
Has anyone got any questions? | 0:11:14 | 0:11:16 | |
Looking at the body for the first time was a little bit shocking | 0:11:43 | 0:11:47 | |
because you weren't expecting his eyes to be open, | 0:11:47 | 0:11:50 | |
you weren't expecting his expression to be like he was in pain, | 0:11:50 | 0:11:53 | |
or anything like that. | 0:11:53 | 0:11:55 | |
I guess it was a bit naive to think that they'd look like | 0:11:55 | 0:11:58 | |
the person was asleep, which was completely not true at all. | 0:11:58 | 0:12:01 | |
He looked very unhealthy. | 0:12:01 | 0:12:04 | |
This person must have thought about donating his body | 0:12:04 | 0:12:06 | |
WELL before 52, so in his 40s, and young people do not do that, | 0:12:06 | 0:12:12 | |
so this person is particularly special. | 0:12:12 | 0:12:15 | |
'It's such an amazing thing. | 0:12:17 | 0:12:20 | |
to sort of give up your loved one's body | 0:12:20 | 0:12:23 | |
even though their soul's, like, obviously somewhere else, | 0:12:23 | 0:12:26 | |
but it's still what you have left of them. | 0:12:26 | 0:12:29 | |
To give it to...well, me... so that I can learn. | 0:12:29 | 0:12:33 | |
-Is the loss of weight after...? -No, you see, the history said | 0:12:33 | 0:12:37 | |
that he had cancer, so that's before he died, they become cachectic, | 0:12:37 | 0:12:42 | |
and in the end stages of cancer, they lose a lot of weight. | 0:12:42 | 0:12:46 | |
It's a pretty harrowing experience, you know, really, | 0:12:50 | 0:12:53 | |
because I've never seen a dead body before and... | 0:12:53 | 0:12:58 | |
I don't know, you feel... | 0:12:58 | 0:13:01 | |
..like you're invading someone's privacy | 0:13:02 | 0:13:04 | |
by looking at, you know, their body. | 0:13:04 | 0:13:08 | |
-You all right? -Yeah. | 0:13:08 | 0:13:10 | |
It was something like I've never experienced before. | 0:13:14 | 0:13:19 | |
It was incredibly stressful. | 0:13:19 | 0:13:22 | |
I found it really, really difficult. | 0:13:22 | 0:13:25 | |
'Occasionally, we have students in the first week who decide | 0:13:27 | 0:13:30 | |
'they do not want to do medicine anymore because of the stress | 0:13:30 | 0:13:33 | |
'that they go through in the first week.' | 0:13:33 | 0:13:36 | |
I always think that these kind of people will make very good doctors. | 0:13:40 | 0:13:43 | |
They are emotional people so they will be sympathetic to others | 0:13:43 | 0:13:46 | |
that they deal with later on in life. | 0:13:46 | 0:13:51 | |
But we just need to wait and see | 0:13:51 | 0:13:53 | |
how they react to the actual dissection procedures, | 0:13:53 | 0:13:58 | |
how they face the concept of picking up instruments | 0:13:58 | 0:14:03 | |
and getting into the actual procedures. | 0:14:03 | 0:14:05 | |
When the students get their first chance to dissect, | 0:14:18 | 0:14:21 | |
often it's a limb that they will do first, | 0:14:21 | 0:14:25 | |
so their first chance of holding a scalpel, | 0:14:25 | 0:14:28 | |
of making that incision and watching how they cope with that... | 0:14:28 | 0:14:32 | |
that's a fascinating thing to watch. | 0:14:32 | 0:14:35 | |
For nearly all of you, | 0:14:35 | 0:14:38 | |
this will be a completely new experience, | 0:14:38 | 0:14:42 | |
so I thought would be helpful, at the start, | 0:14:42 | 0:14:45 | |
to go over some of the basic techniques of dissection. | 0:14:45 | 0:14:50 | |
It's going to be scary, it's going to be very scary, | 0:14:52 | 0:14:55 | |
I'll be right up there at the front, | 0:14:55 | 0:14:57 | |
but it will be very, very scary. | 0:14:57 | 0:15:00 | |
Hold the scalpel handle | 0:15:00 | 0:15:03 | |
something like this, between the thumb and middle finger | 0:15:03 | 0:15:07 | |
and then put your index finger on the shoulder of the handle. | 0:15:07 | 0:15:13 | |
If you hold it like that, you can put quite a lot of pressure | 0:15:13 | 0:15:16 | |
on the scalpel handle and push it downwards. | 0:15:16 | 0:15:19 | |
You can apply quite a firm pressure on that blade. | 0:15:19 | 0:15:22 | |
Walking up to the dissection room | 0:15:22 | 0:15:25 | |
and being able to dissect on real bodies | 0:15:25 | 0:15:29 | |
will be both intimidating and fascinating. | 0:15:29 | 0:15:33 | |
I would gently move the scalpel blade downwards like this, | 0:15:33 | 0:15:39 | |
following that line, cutting along that line. | 0:15:39 | 0:15:41 | |
I'm not cutting very deeply because of the thickness of the skin. | 0:15:41 | 0:15:45 | |
I remember feeling extremely nervous the first time | 0:15:46 | 0:15:50 | |
I went in to a dissection room. I remember feeling rather horrified | 0:15:50 | 0:15:54 | |
the first time I saw an incision on a cadaver. | 0:15:54 | 0:15:57 | |
'Usually, when you look at a dead body, | 0:16:00 | 0:16:02 | |
'I guess you say, "This is so and so's body",' | 0:16:02 | 0:16:05 | |
but... | 0:16:05 | 0:16:07 | |
..you think of their character still being part of it. | 0:16:08 | 0:16:12 | |
I guess... | 0:16:12 | 0:16:14 | |
once I start, you know, | 0:16:14 | 0:16:17 | |
handling dead bodies, in a sense... | 0:16:17 | 0:16:21 | |
I'll have to remove myself, or I wouldn't be able to do it. | 0:16:21 | 0:16:25 | |
I would cut like this, | 0:16:25 | 0:16:27 | |
and I would try to take the skin away as a layer. | 0:16:27 | 0:16:32 | |
The body's not like a piece of meat in a supermarket. | 0:16:32 | 0:16:36 | |
You know, it's a human body, | 0:16:36 | 0:16:38 | |
it used to be a person, you know. | 0:16:38 | 0:16:42 | |
A person that's laughed and a person that's cried | 0:16:42 | 0:16:46 | |
and now I'm going to cut them up. | 0:16:46 | 0:16:49 | |
That's uncomfortable. | 0:16:49 | 0:16:51 | |
'When you're dead, you're dead. | 0:17:21 | 0:17:23 | |
'It's not as though you're there living through something | 0:17:23 | 0:17:27 | |
'that you wouldn't want to live through.' | 0:17:27 | 0:17:30 | |
And whether that is because of our active mind telling us | 0:17:30 | 0:17:32 | |
that, "Gee whizz, they're going to do this to me and that to me", | 0:17:32 | 0:17:36 | |
I don't know, but that part of it does not worry me. | 0:17:36 | 0:17:38 | |
'I went first because...' | 0:17:40 | 0:17:43 | |
if I didn't, we might never have started. | 0:17:43 | 0:17:46 | |
We were all just standing there looking at it | 0:17:46 | 0:17:48 | |
and nobody wanted to be that person to make that first incision. | 0:17:48 | 0:17:52 | |
We could have been still standing there | 0:17:52 | 0:17:55 | |
staring at his body at the end of the session. | 0:17:55 | 0:17:58 | |
'When we first started doing the dissection,' | 0:18:26 | 0:18:29 | |
I actually stood back a bit. | 0:18:29 | 0:18:31 | |
We had some very keen future surgeons in our group | 0:18:31 | 0:18:36 | |
and they were happy to get in there, and that was fine by me. | 0:18:36 | 0:18:39 | |
I was quite happy just to stand back and watch for a bit. | 0:18:39 | 0:18:43 | |
'I could just imagine someone doing the same thing to my leg' | 0:18:44 | 0:18:49 | |
and how painful that would feel, | 0:18:49 | 0:18:51 | |
and actually making the incision | 0:18:51 | 0:18:54 | |
was even worse, because... | 0:18:54 | 0:18:56 | |
Well, nothing quite prepares you | 0:18:56 | 0:18:58 | |
for cutting through someone else's skin, I think. | 0:18:58 | 0:19:01 | |
'When they actually have to make the incisions themselves,' | 0:19:04 | 0:19:07 | |
and it's the excitement of the discovery, | 0:19:07 | 0:19:10 | |
and the realisation that they are cutting open a human body. | 0:19:10 | 0:19:13 | |
To me, that's a very rewarding and enriching experience. | 0:19:13 | 0:19:18 | |
His skin was very... | 0:19:20 | 0:19:21 | |
..kind of thin and delicate | 0:19:22 | 0:19:25 | |
and it gave way very easily, so... | 0:19:25 | 0:19:29 | |
But it wasn't like slicing up a piece of meat for dinner. | 0:19:29 | 0:19:33 | |
It was a very different experience. | 0:19:33 | 0:19:35 | |
'It was quite brutal, I must admit. | 0:19:41 | 0:19:44 | |
'And it was quite hard to go through the layers | 0:19:44 | 0:19:47 | |
'and see the different structures | 0:19:47 | 0:19:50 | |
'that we had to identify and all that.' | 0:19:50 | 0:19:54 | |
I've always been proud of my back. I've always had a very strong back. | 0:19:54 | 0:19:57 | |
My back has never given me trouble until now. | 0:19:57 | 0:20:01 | |
I've done some fairly hard work in my life. | 0:20:01 | 0:20:05 | |
I was a milkman for quite a few years | 0:20:05 | 0:20:08 | |
and your back gets a fair hammering at being a milkman. | 0:20:08 | 0:20:11 | |
One thing that I realised was... | 0:20:20 | 0:20:25 | |
how easy it was to start... | 0:20:25 | 0:20:29 | |
..seeing the body as a tool of learning rather than a person. | 0:20:30 | 0:20:35 | |
And so after... | 0:20:37 | 0:20:40 | |
two or three times of dissection classes, | 0:20:40 | 0:20:44 | |
I have to remind myself again of how this was a live person. | 0:20:44 | 0:20:49 | |
'Clearly, there's a practical element to the dissection,' | 0:20:50 | 0:20:54 | |
but I think there's a huge emotional element to dissection | 0:20:54 | 0:20:58 | |
that is very hard to quantify and put your finger on. | 0:20:58 | 0:21:02 | |
It's to do with dealing with the dead human body, | 0:21:02 | 0:21:06 | |
coming to terms with what a privilege it is to do that... | 0:21:06 | 0:21:09 | |
..and I think our students do that well on the whole. | 0:21:11 | 0:21:14 | |
I hope that they look at it. | 0:21:15 | 0:21:18 | |
They don't just do it as a daily routine that we've got to do this | 0:21:18 | 0:21:22 | |
and we've got to do that. | 0:21:22 | 0:21:23 | |
They look at it and... | 0:21:23 | 0:21:26 | |
remember the part of the anatomy they're working on | 0:21:26 | 0:21:29 | |
and hopefully, that might help somebody | 0:21:29 | 0:21:32 | |
that has got something wrong with them in the future | 0:21:32 | 0:21:34 | |
just by the fact that they took a bit more careful notice | 0:21:34 | 0:21:37 | |
of what they were doing. | 0:21:37 | 0:21:38 | |
I think it's probably going to be one of the most important | 0:21:38 | 0:21:44 | |
learning things I'll do | 0:21:44 | 0:21:46 | |
because...you know, you'll look at a heart or you'll go to a patient | 0:21:46 | 0:21:51 | |
and see their heart and in your mind, you'll know every single heart | 0:21:51 | 0:21:56 | |
will sort of be the heart of the first body you dissected. | 0:21:56 | 0:22:00 | |
Today you'll be fracturing some ribs. | 0:22:05 | 0:22:09 | |
Not your own, but the cadaver's, you WILL be fracturing some | 0:22:09 | 0:22:12 | |
and that's not very pleasant. You'll have to take a rib cutter | 0:22:12 | 0:22:16 | |
at some stage in the proceedings, towards the end of the dissection, | 0:22:16 | 0:22:20 | |
and you will have to be cutting through the ribs laterally | 0:22:20 | 0:22:23 | |
and medially in order to detach the anterior and lateral chest wall | 0:22:23 | 0:22:29 | |
to expose the underlying lungs and pleura. | 0:22:29 | 0:22:31 | |
Be careful when you come to do that manoeuvre - | 0:22:31 | 0:22:34 | |
the bone spikes can be pretty sharp and you can injure yourself, | 0:22:34 | 0:22:38 | |
so please be careful with that. | 0:22:38 | 0:22:40 | |
Opening the chest was a bit difficult | 0:22:46 | 0:22:50 | |
because you had to cut through ribs and cut through the clavicle, | 0:22:50 | 0:22:53 | |
and cut a bit here and a bit there. | 0:22:53 | 0:22:55 | |
The tools that we used to do that are quite...wooden tools, | 0:22:55 | 0:23:01 | |
like wooden work tools. | 0:23:01 | 0:23:03 | |
I smoked for 48 years... | 0:23:04 | 0:23:07 | |
I don't really have a lot of lung trouble that I really know of. | 0:23:07 | 0:23:12 | |
But grateful for the day that I decided to knock off smoking | 0:23:12 | 0:23:16 | |
20 odd years ago. | 0:23:16 | 0:23:18 | |
'The lungs were a lot heavier than I expected.' | 0:23:30 | 0:23:35 | |
I don't know... I kind of had this idea that they were light | 0:23:35 | 0:23:38 | |
and fluffy, but they're not. | 0:23:38 | 0:23:40 | |
I couldn't really take my hands off it | 0:23:46 | 0:23:48 | |
because I just wanted to see it inflate and deflate. | 0:23:48 | 0:23:51 | |
'I don't find the lungs very fascinating. | 0:23:54 | 0:23:57 | |
'In a cadaver, they remind me of pneumonia -' | 0:23:57 | 0:23:59 | |
they are heavy, they are sodden, they are discoloured. | 0:23:59 | 0:24:02 | |
Whereas in a living person they are pink, they are aerated, | 0:24:02 | 0:24:06 | |
they are collapsible. | 0:24:06 | 0:24:09 | |
They are beautiful structures in a living person. | 0:24:09 | 0:24:11 | |
So I find the lungs in the cadaver very disappointing, | 0:24:11 | 0:24:15 | |
very different to how I find the heart in a cadaver. | 0:24:15 | 0:24:17 | |
To me, opening the chest and taking out the heart is something | 0:24:26 | 0:24:29 | |
that is so exciting | 0:24:29 | 0:24:31 | |
because the heart is such a wondrous structure. | 0:24:31 | 0:24:35 | |
I never, ever cease to be amazed when you open the heart | 0:24:35 | 0:24:40 | |
and you look at those delicate valves inside the heart | 0:24:40 | 0:24:43 | |
and the beautiful little strings | 0:24:43 | 0:24:45 | |
that connect the valves to the muscle. | 0:24:45 | 0:24:48 | |
I find it astonishing that that structure can beat | 0:24:49 | 0:24:52 | |
almost three billion times in a lifetime. | 0:24:52 | 0:24:55 | |
My father, he had a very strong heart | 0:24:56 | 0:24:59 | |
and when he died they said it wasn't his heart that let him down. | 0:24:59 | 0:25:03 | |
He actually had emphysema. | 0:25:03 | 0:25:06 | |
And I've feel that I've always had a heart like my dad. | 0:25:06 | 0:25:11 | |
My best bit would have to be my heart because my brain's buggered. | 0:25:11 | 0:25:16 | |
'It's pretty inspiring, actually.' | 0:25:20 | 0:25:23 | |
I don't know why, but I've always seen the heart | 0:25:26 | 0:25:30 | |
as sort of just the heart and not the seat of the soul, | 0:25:30 | 0:25:33 | |
so it was quite inspiring to pull it out and take a look at it. | 0:25:33 | 0:25:39 | |
You'll see that some of them will have red latex | 0:25:39 | 0:25:44 | |
injected into the arteries. | 0:25:44 | 0:25:46 | |
This makes it easier for you to dissect. | 0:25:46 | 0:25:49 | |
'The way you hold muscle is different to the way you hold a heart. | 0:26:06 | 0:26:10 | |
'You know, the heart, it's deep inside the chest | 0:26:10 | 0:26:13 | |
'and it's protected all around' | 0:26:13 | 0:26:14 | |
and, you know, there's so much sort of romanticising that goes on | 0:26:14 | 0:26:20 | |
about the heart, you know. | 0:26:20 | 0:26:23 | |
It's "love with all your heart" or "do with all your heart". | 0:26:23 | 0:26:27 | |
When you put your head against someone's chest | 0:26:27 | 0:26:29 | |
you hear their heart beat. | 0:26:29 | 0:26:31 | |
And when you have a pulse, it means that someone's alive. | 0:26:31 | 0:26:34 | |
So it's like it gives life and it gives emotion. | 0:26:34 | 0:26:38 | |
It's definitely more than just a muscle... | 0:26:40 | 0:26:44 | |
..it's something amazing. | 0:26:45 | 0:26:47 | |
'It was only a heart, it was only a pump. | 0:26:49 | 0:26:52 | |
'It was really nothing that special for me.' | 0:26:52 | 0:26:56 | |
It's only a machine | 0:26:56 | 0:26:58 | |
and it's attached with a lot of pipes | 0:26:58 | 0:27:01 | |
to other areas of the body, | 0:27:01 | 0:27:03 | |
but it's not actually who we are, and it's not our soul. | 0:27:03 | 0:27:07 | |
'You know, some days,' | 0:27:09 | 0:27:11 | |
I think I'm OK with what I'm doing, you know. | 0:27:11 | 0:27:17 | |
And you know, some days, I think I'm not. | 0:27:17 | 0:27:20 | |
And I'd just rather sit back and let somebody else do it | 0:27:21 | 0:27:26 | |
and take in what I can without actually... | 0:27:26 | 0:27:28 | |
you know... | 0:27:28 | 0:27:30 | |
..being part of it. | 0:27:32 | 0:27:35 | |
Ian's decision | 0:27:45 | 0:27:47 | |
to donate his body has made it difficult | 0:27:47 | 0:27:51 | |
to actually walk past the medical school without thinking, | 0:27:51 | 0:27:54 | |
"I wonder if he's in there, I wonder where he is." | 0:27:54 | 0:27:58 | |
When someone dies, and they're buried, | 0:28:00 | 0:28:02 | |
that's where they are, you know. They're not going anywhere, | 0:28:02 | 0:28:06 | |
or you've got their ashes and that's where they are. | 0:28:06 | 0:28:08 | |
'This service is an opportunity for us students' | 0:28:12 | 0:28:16 | |
and staff to say thank you. | 0:28:16 | 0:28:18 | |
To say thank you to your loved ones for the huge gift | 0:28:18 | 0:28:22 | |
that they've given us. | 0:28:22 | 0:28:23 | |
When somebody dies and comes to us, | 0:28:27 | 0:28:31 | |
they come to us very quickly... | 0:28:31 | 0:28:33 | |
..so the family don't have a normal funeral service - | 0:28:35 | 0:28:39 | |
they don't have a funeral service with the body in a coffin. | 0:28:39 | 0:28:43 | |
'I did feel at the funeral, there was no body.' | 0:28:45 | 0:28:48 | |
There was a bunch of flowers and that was different, um, | 0:28:48 | 0:28:54 | |
I suppose it rattled my cage a bit that Dad wasn't at his funeral. | 0:28:54 | 0:28:58 | |
And when you're sitting in a church or at a service | 0:28:58 | 0:29:03 | |
and there's a bunch of flowers, it's not the same. | 0:29:03 | 0:29:07 | |
We went to the funeral | 0:29:09 | 0:29:11 | |
and there was no coffin, there was no body there, | 0:29:11 | 0:29:15 | |
and we said to Mum, you know, "Where is she?" | 0:29:15 | 0:29:19 | |
And she said her body had been donated. | 0:29:19 | 0:29:22 | |
She drove us past the building, the anatomy department building, | 0:29:22 | 0:29:26 | |
and said, "She's in there", so I always actually expected, | 0:29:26 | 0:29:30 | |
if I went into the building, | 0:29:30 | 0:29:32 | |
I expected her to be in a bottle peering out. | 0:29:32 | 0:29:35 | |
So I never go into that building. | 0:29:35 | 0:29:37 | |
I didn't realise that so many people donated their body | 0:29:39 | 0:29:43 | |
and when the medical students got up and talked... | 0:29:43 | 0:29:49 | |
..they showed such respect for the bodies. | 0:29:50 | 0:29:55 | |
"A time to weep and a time to laugh, | 0:29:55 | 0:29:58 | |
"a time to mourn and a time to dance." | 0:29:58 | 0:30:02 | |
'I talked to the relatives of the donors and...' | 0:30:04 | 0:30:08 | |
..it just... | 0:30:10 | 0:30:12 | |
it kind of started to hit me | 0:30:12 | 0:30:14 | |
how hard it was for them. | 0:30:14 | 0:30:16 | |
And what do they do with the bits | 0:30:16 | 0:30:18 | |
after you've finished with it? It gets cremated...? | 0:30:18 | 0:30:21 | |
I think they get cremated. | 0:30:21 | 0:30:23 | |
That's what we heard - they were cremated and the ashes sprinkled. | 0:30:23 | 0:30:26 | |
Yes. | 0:30:26 | 0:30:27 | |
Quite devastated not to say goodbye to Noel. | 0:30:27 | 0:30:31 | |
It's been a little wound that needed a bit of healing, | 0:30:32 | 0:30:37 | |
I knew it needed to come to closure, | 0:30:37 | 0:30:39 | |
so when I saw this was on, I thought, "That's an absolute gift." | 0:30:39 | 0:30:43 | |
INAUDIBLE SPEECH | 0:30:43 | 0:30:47 | |
Today we're going to progress with the abdomen, we're going to start | 0:30:50 | 0:30:55 | |
looking inside the abdomen, and this is what a surgeon does | 0:30:55 | 0:30:59 | |
when they do something called a laparotomy, | 0:30:59 | 0:31:02 | |
looking inside the abdomen. | 0:31:02 | 0:31:03 | |
To me, it's very exciting opening the abdomen, | 0:31:03 | 0:31:06 | |
because the abdomen is like a black box, really. | 0:31:06 | 0:31:09 | |
You operate on people with severe abdominal pain | 0:31:15 | 0:31:18 | |
and you don't always know what you're going to find. | 0:31:18 | 0:31:21 | |
When you actually get in there and you open up the abdomen, | 0:31:24 | 0:31:28 | |
you can see that it IS actually... | 0:31:28 | 0:31:32 | |
where the textbooks say it is. It does look almost exactly the same. | 0:31:32 | 0:31:36 | |
Conveniently, the bile ducts are all coloured green, | 0:31:36 | 0:31:40 | |
like they are in the textbooks. | 0:31:40 | 0:31:42 | |
And it's just amazing to actually see where it all fits. | 0:31:42 | 0:31:45 | |
When I take my tablets now, I take them all together | 0:31:49 | 0:31:52 | |
and I look at them and think, | 0:31:52 | 0:31:54 | |
"How the hell do you know which way you're supposed to go?" You know. | 0:31:54 | 0:31:58 | |
But the body knows which one, where it's supposed to go to. | 0:31:58 | 0:32:02 | |
So it's a pretty clever piece of mechanism when you think about it. | 0:32:02 | 0:32:06 | |
'I think a very underrated organ is the human bowel.' | 0:32:07 | 0:32:11 | |
I think that students tend to look at this as | 0:32:11 | 0:32:15 | |
rather an indelicate piece of tubing | 0:32:15 | 0:32:19 | |
which is potentially smelly and rather unpleasant. | 0:32:19 | 0:32:23 | |
Probably the best way to describe the pelvis and the abdomen was | 0:32:23 | 0:32:27 | |
brown and smelly. | 0:32:27 | 0:32:29 | |
Um, that's pretty much what I got from it. | 0:32:29 | 0:32:31 | |
I enjoyed dissecting it again, but it was... | 0:32:31 | 0:32:34 | |
It didn't look as cool as what I guess it looks in textbooks. | 0:32:34 | 0:32:40 | |
'I didn't really cope very well with the abdomen,' | 0:32:43 | 0:32:47 | |
because I wasn't taking into account what it was going to smell like, | 0:32:47 | 0:32:51 | |
and the smell kind of hit me a lot stronger than I was expecting it to. | 0:32:51 | 0:32:55 | |
Um, cos I was kind of getting to the point where I could cope | 0:32:55 | 0:33:00 | |
quite decently after the thorax, | 0:33:00 | 0:33:04 | |
but abdomen was a whole different thing. | 0:33:04 | 0:33:07 | |
Perhaps this isn't the most PC thing to say, | 0:33:09 | 0:33:13 | |
but while we were doing it, all I could think about was | 0:33:13 | 0:33:16 | |
"Wow, you can actually hold a lot of crap inside," | 0:33:16 | 0:33:19 | |
because we actually had to slice rectum into two, | 0:33:19 | 0:33:23 | |
and it kind of smushed out on the side, | 0:33:23 | 0:33:26 | |
and I was like, "Wow." | 0:33:26 | 0:33:28 | |
See the stomach and the spleen are connected there? > | 0:33:28 | 0:33:31 | |
Gastric arteries... > | 0:33:31 | 0:33:32 | |
Got a beautiful appendix... | 0:33:32 | 0:33:35 | |
I hope to God I'm there when some know-all decides | 0:33:37 | 0:33:41 | |
he's going to find my bits that are missing. | 0:33:41 | 0:33:44 | |
I can just imagine, you know, | 0:33:44 | 0:33:47 | |
"Oh, you said the gall bladder's...uh? | 0:33:47 | 0:33:50 | |
"The gall bladder's not there." | 0:33:50 | 0:33:52 | |
< Take this clot out and you will see | 0:33:52 | 0:33:55 | |
< where the hepatic veins drain. | 0:33:55 | 0:33:57 | |
< As you can see, | 0:33:57 | 0:33:59 | |
< the IVC is hugged by the liver | 0:33:59 | 0:34:02 | |
and so you don't see the hepatic veins anywhere outside. | 0:34:02 | 0:34:07 | |
We'll open that up and we'll see | 0:34:20 | 0:34:23 | |
what's happening inside. | 0:34:23 | 0:34:24 | |
So you will be the people diagnosing the other way, | 0:34:24 | 0:34:28 | |
diagnosing what the surgeon has done. OK? | 0:34:28 | 0:34:31 | |
There's a lump there. | 0:34:41 | 0:34:43 | |
You'll have to discover what that lump is. | 0:34:43 | 0:34:46 | |
OK. | 0:34:46 | 0:34:47 | |
The homework is to read | 0:34:47 | 0:34:49 | |
and see what could be a mass in this area. | 0:34:49 | 0:34:54 | |
It's in the right iliac fossa area. Come up with some ideas. | 0:34:54 | 0:34:59 | |
'I was quite frustrated that I didn't know what it was. | 0:34:59 | 0:35:03 | |
'It just looked odd.' | 0:35:03 | 0:35:05 | |
It was in the wrong place and the wrong shape | 0:35:05 | 0:35:07 | |
for everything that's supposed to be there and it was just odd. | 0:35:07 | 0:35:10 | |
Ah! What did you find? | 0:35:13 | 0:35:15 | |
-A kidney. -Well done, you. | 0:35:15 | 0:35:18 | |
Then we found he had a kidney transplant, and... | 0:35:18 | 0:35:21 | |
Well, half the story behind it. That was very interesting. | 0:35:21 | 0:35:24 | |
'If I have a real case and a real story behind it, I'll remember it.' | 0:35:24 | 0:35:28 | |
There, it's sitting so nicely. | 0:35:28 | 0:35:30 | |
This is what you'd find in the lumbar area where the kidney is sitting, | 0:35:30 | 0:35:34 | |
so they've made a space in the iliac fossa. | 0:35:34 | 0:35:36 | |
'I was really interested to see it, | 0:35:36 | 0:35:38 | |
'cos my dad has a kidney transplant.' | 0:35:38 | 0:35:41 | |
I was surprised to see they put it in the iliac fossa | 0:35:41 | 0:35:44 | |
because I obviously hadn't done my reading, but, um... | 0:35:44 | 0:35:47 | |
yeah, it's like, "Woah, this is what's in my dad," you know. | 0:35:47 | 0:35:50 | |
I was just really interested from that kind of view. | 0:35:50 | 0:35:53 | |
And, yeah, so I picked it up and had a look at it. | 0:35:53 | 0:35:56 | |
< Dr Samalia's table over there, | 0:35:56 | 0:35:58 | |
< they have a cadaver who's had a kidney transplant. | 0:35:58 | 0:36:01 | |
Today we're going to remove the calvaria, which is the skullcap, | 0:36:20 | 0:36:24 | |
and expose the brain. Now, this is probably | 0:36:24 | 0:36:27 | |
the most difficult thing for you to do, | 0:36:27 | 0:36:31 | |
I mean, difficult in that it's not an easy dissection. | 0:36:31 | 0:36:34 | |
We give them a preamble, we try to talk to them a lot about it, | 0:36:34 | 0:36:36 | |
and we get the demonstrators to talk very carefully | 0:36:36 | 0:36:39 | |
through the procedure. You are seeing something you will probably | 0:36:39 | 0:36:42 | |
never see again in your career. | 0:36:42 | 0:36:44 | |
And then there is nothing more than having to just go and do it. | 0:36:44 | 0:36:48 | |
'We're presented with, you know, our cadaver,' | 0:36:48 | 0:36:51 | |
and the head has been, you know, sort of prepared - | 0:36:51 | 0:36:56 | |
they saw around the skull | 0:36:56 | 0:36:59 | |
and the calvaria. | 0:36:59 | 0:37:01 | |
There's a levering. Suddenly the skullcap is removed | 0:37:19 | 0:37:22 | |
and the brain is removed in front of you | 0:37:22 | 0:37:24 | |
with a suction noise when the cap comes off. | 0:37:24 | 0:37:27 | |
'Almost like a Velcro sound,' | 0:37:27 | 0:37:31 | |
but more violent, more ripping. | 0:37:31 | 0:37:35 | |
'It was like opening a gift.' | 0:37:40 | 0:37:42 | |
I had no idea what was inside it and how does it look in a real human. | 0:37:42 | 0:37:46 | |
For me, it was unique. I will never get that experience again | 0:37:46 | 0:37:49 | |
and that's so special. | 0:37:49 | 0:37:51 | |
We had to use what they call a "brain knife", | 0:37:54 | 0:37:57 | |
which was this interesting-looking knife | 0:37:57 | 0:38:00 | |
which you couldn't saw back and forth, | 0:38:00 | 0:38:02 | |
you had to make one clean cut. And that was quite challenging, | 0:38:02 | 0:38:05 | |
because the brain's kind of soft and spongy, | 0:38:05 | 0:38:08 | |
so if you press it down, it feels like you're injuring it somehow. | 0:38:08 | 0:38:11 | |
'When students do this, | 0:38:17 | 0:38:18 | |
'it does detach them a bit from what they're doing,' | 0:38:18 | 0:38:21 | |
'and they start thinking about it in terms of what they're learning.' | 0:38:21 | 0:38:25 | |
I don't think I'd want to be part of it if I didn't think it was of use. | 0:38:25 | 0:38:28 | |
'When you study the human body more and more, | 0:38:47 | 0:38:49 | |
'you realise that the brain | 0:38:49 | 0:38:52 | |
'is the most complicated part of it.' | 0:38:52 | 0:38:56 | |
Your personality and so much of you depend upon your brain, | 0:38:56 | 0:38:59 | |
like your movement depended on your brain, | 0:38:59 | 0:39:02 | |
feeling depended on your brain, | 0:39:02 | 0:39:04 | |
who you were depended on how hormones interacted with your brain. | 0:39:04 | 0:39:08 | |
'If it wasn't for your brain you wouldn't be doing anything,' | 0:39:10 | 0:39:13 | |
I mean...so that's got to be the most interesting. | 0:39:13 | 0:39:16 | |
It was strange initially, | 0:39:16 | 0:39:18 | |
cos I've never imagined that this small mushy thing, | 0:39:18 | 0:39:23 | |
is the thing that actually makes us work and makes us who we are, | 0:39:23 | 0:39:26 | |
I kept bringing it back to myself and this is what's in my head | 0:39:26 | 0:39:30 | |
and this is what makes me who I am. | 0:39:30 | 0:39:33 | |
'I haven't got a clue how my brain works,' | 0:39:35 | 0:39:37 | |
erm, so maybe I'm not as clever as I thought I was! | 0:39:37 | 0:39:41 | |
'To hold someone's brain in your hand is incredible,' | 0:39:43 | 0:39:46 | |
it's the most incredible feeling. | 0:39:46 | 0:39:50 | |
We know, we've learnt all the pathways about how a neuron fires | 0:39:58 | 0:40:02 | |
and that makes us move our arm, | 0:40:02 | 0:40:04 | |
but there's absolutely no concept | 0:40:04 | 0:40:06 | |
of what is it that makes the neuron fire in the first place? | 0:40:06 | 0:40:09 | |
What is it that makes us decide we want to move our arm? | 0:40:09 | 0:40:12 | |
Like, that is what absolutely fascinates me. | 0:40:12 | 0:40:15 | |
The idea of thought and where that comes from is amazing. | 0:40:15 | 0:40:18 | |
It was like looking at a motherboard of a computer, | 0:40:18 | 0:40:22 | |
it's just a mass of wiring. | 0:40:22 | 0:40:24 | |
'When you try to learn about what the brain does, | 0:40:25 | 0:40:28 | |
'you start to realise just how much,' | 0:40:28 | 0:40:31 | |
like, how complex it is, and how much it is impossible | 0:40:31 | 0:40:35 | |
to learn everything that the brain does. | 0:40:35 | 0:40:38 | |
No matter how much we study it, and... | 0:40:40 | 0:40:42 | |
..how many levels we dissect it to and how far we break it down, | 0:40:45 | 0:40:49 | |
we will never capture the essence of what makes it work. | 0:40:49 | 0:40:53 | |
This is a very historic day for you, | 0:41:14 | 0:41:17 | |
because this is your last dissection session. | 0:41:17 | 0:41:20 | |
You're completing a journey today | 0:41:20 | 0:41:23 | |
that you started almost two years ago, | 0:41:23 | 0:41:26 | |
and I think we need to reflect for a moment on one or two things. | 0:41:26 | 0:41:30 | |
First, we need to reflect once again on the outstanding generosity | 0:41:30 | 0:41:34 | |
of the people who have bequested their bodies | 0:41:34 | 0:41:37 | |
to allow you to study to become knowledgeable and safe doctors. | 0:41:37 | 0:41:42 | |
'Yoomi, Katherine and I started to organise the pieces together | 0:41:45 | 0:41:50 | |
'putting it together, and it was important to do.' | 0:41:50 | 0:41:54 | |
And I felt quite good. | 0:41:54 | 0:41:56 | |
I felt kind of... saying thank you out loud, | 0:41:56 | 0:41:59 | |
but that would've been awkward. | 0:41:59 | 0:42:02 | |
I was... | 0:42:02 | 0:42:04 | |
I was sad... | 0:42:05 | 0:42:06 | |
..because he'd given us so much | 0:42:08 | 0:42:12 | |
and we just seemed to take and take and take from him. | 0:42:12 | 0:42:15 | |
When we tried to put him back together, | 0:42:15 | 0:42:19 | |
we couldn't. It was... | 0:42:19 | 0:42:21 | |
I didn't really like that part very much. | 0:42:21 | 0:42:23 | |
I got quite attached to our guy. | 0:42:24 | 0:42:27 | |
Never going to see him again. | 0:42:27 | 0:42:29 | |
It probably would've upset me if we'd left him | 0:42:30 | 0:42:33 | |
without putting him back the way he should be. | 0:42:33 | 0:42:36 | |
And I don't even know why. I think it's probably just... | 0:42:36 | 0:42:40 | |
..some natural instinct that it's what should happen. | 0:42:43 | 0:42:47 | |
By the end of the dissection, looking at the dissection | 0:42:49 | 0:42:53 | |
and realising... | 0:42:53 | 0:42:54 | |
just how much we had taken apart this person, | 0:42:54 | 0:42:59 | |
I guess in some ways that was great | 0:42:59 | 0:43:03 | |
because we got the most out of this gift as we possibly could have. | 0:43:03 | 0:43:06 | |
Initially, I thought... | 0:43:08 | 0:43:10 | |
..what we were doing in dissection was desecration. | 0:43:11 | 0:43:16 | |
But now I don't think so. | 0:43:20 | 0:43:24 | |
I think there is no other way | 0:43:24 | 0:43:27 | |
to learn what we've learned from dissection. | 0:43:27 | 0:43:31 | |
I've always prided myself on being able to man up and take it. | 0:43:35 | 0:43:38 | |
"It doesn't bother me, I'm not an emotional person," | 0:43:38 | 0:43:41 | |
and then to have it affect me so much this year, it kind of shocked me. | 0:43:41 | 0:43:45 | |
I was like, "I'm not supposed to be feeling like this. | 0:43:45 | 0:43:47 | |
"Why can't I handle it? Why can't I just go and dissect my body?" | 0:43:47 | 0:43:51 | |
I think I've come to like that part of me and appreciate | 0:43:51 | 0:43:54 | |
how important it is. | 0:43:54 | 0:43:56 | |
I think the body's life in the dissection room is different. | 0:43:57 | 0:44:00 | |
I would say it's a specimen, it's a subject, | 0:44:00 | 0:44:03 | |
it's just more like tissue, | 0:44:03 | 0:44:06 | |
which is a sad thing to say, but that's the reality of it. | 0:44:06 | 0:44:10 | |
I think everyone treated the body as well as we could've treated it. | 0:44:10 | 0:44:15 | |
This journey, these two years in dissection, have been like... | 0:44:16 | 0:44:20 | |
..unveiling a shroud of mystery of the human body. | 0:44:22 | 0:44:27 | |
A comparison would be... | 0:44:27 | 0:44:29 | |
gaining the X-ray eyes of Superman. | 0:44:29 | 0:44:33 | |
I learnt that I am much more sensitive than I'd like to admit. | 0:44:34 | 0:44:39 | |
I learnt that... | 0:44:39 | 0:44:41 | |
..I'm not very good with death. | 0:44:42 | 0:44:44 | |
I'm not a lot like a lot of my classmates... | 0:44:44 | 0:44:49 | |
..in that I'm not nearly as driven or sure that this is what I want. | 0:44:51 | 0:44:56 | |
I guess... | 0:44:57 | 0:44:58 | |
..I've learnt that at the end of the day, | 0:45:00 | 0:45:04 | |
we came from dust and we're coming back to be dust, really. | 0:45:04 | 0:45:08 | |
There's a lot in between - we have a full life in between - | 0:45:08 | 0:45:12 | |
but the body itself is only... | 0:45:12 | 0:45:15 | |
..material, really. | 0:45:16 | 0:45:19 | |
There's nothing more to it. | 0:45:19 | 0:45:20 | |
I don't so much have a problem with death any more, | 0:45:25 | 0:45:27 | |
and...I could put it down to time, | 0:45:27 | 0:45:31 | |
or I could put it down to education, | 0:45:31 | 0:45:35 | |
but it's probably more along the lines | 0:45:35 | 0:45:38 | |
of I've spent the better part of two years... | 0:45:38 | 0:45:42 | |
..looking at dead people and their body parts. | 0:45:43 | 0:45:47 | |
I'm not so afraid of death any more. | 0:45:47 | 0:45:50 | |
Relieved. | 0:45:51 | 0:45:52 | |
Relieved, emancipated. | 0:45:54 | 0:45:55 | |
I feel... | 0:45:57 | 0:45:58 | |
free. | 0:45:58 | 0:46:00 | |
I'd like to know why he made the decisions he did, and... | 0:46:15 | 0:46:19 | |
..I'd like to see how he came to be the man who lies on our table. | 0:46:20 | 0:46:25 | |
'We had the chance to see the interview with the donors.' | 0:46:25 | 0:46:29 | |
I felt extremely privileged to be able to see... | 0:46:31 | 0:46:35 | |
..the people that they used to be | 0:46:37 | 0:46:39 | |
and their thoughts and their feelings and their... | 0:46:39 | 0:46:42 | |
insight about what they're going to do. | 0:46:42 | 0:46:44 | |
'All in all, looking back, I've had a very interesting life' | 0:46:44 | 0:46:49 | |
and I've had a wonderful, caring family, | 0:46:49 | 0:46:51 | |
which I'm absolutely grateful for. | 0:46:51 | 0:46:54 | |
'Brought up through the worst part of the Depression...' | 0:47:25 | 0:47:29 | |
It was an amazing experience | 0:47:29 | 0:47:31 | |
and I think it's going to stay with me forever. | 0:47:31 | 0:47:34 | |
And that's going to be, for me, fulfilling their wishes. | 0:47:37 | 0:47:40 | |
I think there's no replacement for that feeling, | 0:47:40 | 0:47:43 | |
I think it was...it was amazing | 0:47:43 | 0:47:45 | |
and it was extremely important for me to see that. | 0:47:45 | 0:47:48 | |
It was weird seeing him talk and kind of... | 0:47:49 | 0:47:52 | |
see bits on him that I do remember, | 0:47:52 | 0:47:54 | |
how it looked in the dissection room, | 0:47:54 | 0:47:56 | |
and it was really weird thinking, when he talked about his heart, | 0:47:56 | 0:48:00 | |
yes, his heart was a really good heart and his lungs were really good | 0:48:00 | 0:48:03 | |
and I wouldn't have suspected he smoked, | 0:48:03 | 0:48:05 | |
I just thought he may have been exposed to cities or something. | 0:48:05 | 0:48:09 | |
It's actually sort of a revelation for me because... | 0:48:11 | 0:48:13 | |
I initially thought... | 0:48:13 | 0:48:15 | |
you know, "It used to be a person, | 0:48:15 | 0:48:18 | |
"this is someone's loved one." | 0:48:18 | 0:48:21 | |
But it's not, it's not someone's loved one at all - it's just a body. | 0:48:21 | 0:48:26 | |
It just really hits you that it's not just a cadaver, | 0:48:46 | 0:48:49 | |
it was a person. | 0:48:49 | 0:48:51 | |
Just to hear him say in that interview | 0:48:53 | 0:48:55 | |
that the last thing...he wanted | 0:48:55 | 0:48:58 | |
was people to think he was selfish... | 0:48:58 | 0:49:00 | |
..just made me a bit, well, really upset. | 0:49:02 | 0:49:05 | |
I've had a terrific life, | 0:49:05 | 0:49:07 | |
I reckon I've crammed about... | 0:49:07 | 0:49:09 | |
..three lives into one. | 0:49:10 | 0:49:12 | |
I never expected to get past 40 - | 0:49:13 | 0:49:16 | |
I'll be 75 this year, that's a lot of extra years, | 0:49:16 | 0:49:19 | |
a lot of extra fun and things that I've been able to do for people | 0:49:19 | 0:49:23 | |
and that's what I feel life is all about. | 0:49:23 | 0:49:26 | |
In the last few months, he showed a way different side to his character | 0:49:32 | 0:49:36 | |
that I hadn't seen, a strength actually that I hadn't seen. | 0:49:36 | 0:49:39 | |
And I was really proud of the way he... | 0:49:39 | 0:49:42 | |
..he found closure with the family. | 0:49:43 | 0:49:46 | |
I'm mourning for the loss of a death that I just didn't know, | 0:49:52 | 0:49:56 | |
to a life that I missed out on... | 0:49:56 | 0:50:00 | |
..and... | 0:50:02 | 0:50:03 | |
..and a body that I destroyed. | 0:50:07 | 0:50:09 | |
And the worst part is... | 0:50:11 | 0:50:14 | |
that's what he wanted. | 0:50:14 | 0:50:15 | |
He didn't want us... | 0:50:18 | 0:50:20 | |
..to do what I'm doing now. He just... | 0:50:22 | 0:50:26 | |
wanted us to learn. | 0:50:26 | 0:50:28 | |
I guess thank you doesn't really cut it because, you know... | 0:50:36 | 0:50:39 | |
I ho... | 0:50:43 | 0:50:45 | |
I hope... | 0:50:45 | 0:50:46 | |
I hope if they saw, I hope if the donor saw what we did, | 0:50:49 | 0:50:53 | |
they'd still be pleased that they did it. | 0:50:53 | 0:50:56 | |
# It's always a struggle | 0:50:56 | 0:50:59 | |
# To let somebody go... # | 0:50:59 | 0:51:02 | |
I hope everyone understands why Dad did it, | 0:51:03 | 0:51:07 | |
but I appreciate that, no, probably not all will. | 0:51:07 | 0:51:09 | |
If other people think, "Why would he want to do that?" | 0:51:11 | 0:51:14 | |
that's their problem, not mine. | 0:51:14 | 0:51:16 | |
I don't have a problem. | 0:51:18 | 0:51:20 | |
# Take me to the fantastic place | 0:51:30 | 0:51:35 | |
# Keep the rest of my life away | 0:51:35 | 0:51:40 | |
# Take me to the fantastic place | 0:51:41 | 0:51:46 | |
# Keep the rest of my life away | 0:51:46 | 0:51:50 | |
# Take me to the island | 0:51:53 | 0:51:55 | |
# I'll watch the rain over your shoulder | 0:51:55 | 0:52:01 | |
# The streetlights in the water... # | 0:52:03 | 0:52:05 | |
Subtitles by Red Bee Media Ltd | 0:52:05 | 0:52:07 | |
E-mail [email protected] | 0:52:07 | 0:52:09 |