Baka: A Cry from the Rainforest


Baka: A Cry from the Rainforest

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Transcript


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This is central Africa, 25 years ago.

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The tropical forests of southern Cameroon.

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I spent two years filming here

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with the people who know these forests the best,

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the Baka, hunter gatherers,

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who were known to the outside world as Pygmies.

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They introduced me to the wonders of this forest

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and the creatures that live here.

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Their names for the animals were magical.

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Ebobo was the lowland gorilla that climbed the tallest trees.

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Kamba was the largest of the forest elephants.

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Nduku was the very rare golden cat.

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And this creature, ngbongelebo, was the honey badger.

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But the forest was really brought to life for me by the man who became my friend.

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Likano, the father of the family I filmed.

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HE IMITATES A CHIMPANZEE

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Ali was Likano's youngest son.

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25 years later, I've returned to Cameroon to find Ali again.

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I want to find out what has happened to Ali and his family

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when the outside world has changed so much.

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I am returning to where I last saw him,

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a few miles from the Bumba River

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that drains south into the Congo basin.

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Finding Ali was easy.

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His new village is not far from where they had lived before.

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Ali is 30 now and still living in a leaf hut

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with his disabled daughter Yeye.

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HE CHATS TO HER

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Yeye is around five years old but can't walk

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and is barely able to talk.

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Yeye's mother finds it hard to cope with her disabled daughter,

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so spends much of her time in her parents' village,

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leaving Ali to look after her.

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Ali has to carry Yeye everywhere.

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Ali has told me that his father Likano died eight years ago

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and takes me to his grave just beyond the village.

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He brings with him a booklet I've given him

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with photographs from 25 years ago.

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This is the first time that Yeye and her cousin Ambi

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have ever seen pictures of their grandfather.

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SHE SPEAKS

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Unusually for the Baka, Likano was a born leader

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and insisted that his village had to be in the real forest,

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well away from the road and the outside world.

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Ali doesn't remember, but he hated the arrival of his baby sister.

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LIKANO SPEAKS

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LIKANO CHUCKLES

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Ali's parents named their new baby girl Camera after my film camera,

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because, so they said, I always cradled it like a baby.

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Now Camera is 25 and has three children of her own.

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Ambi is her oldest.

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She is having her hair done for her first day at school.

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AMBI SOBS

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Camera's baby boy is called Akade and Ndodia is her other daughter.

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I was surprised to find Ali's grandmother Ndende still alive.

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She must be in her middle 70s and has seven great-grandchildren.

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Four generations of women share this tiny village of 16.

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HE CARRIES ON TALKING

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HE CHUCKLES

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SHE GIGGLES

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I find Deni, Likano's widow,

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looking after her grandson Akade while the village is fishing.

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Camera has named Akade Little Elephant Hunter

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in honour of his great-grandfather Akade,

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the greatest of all the elephant hunters.

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Deni must be 50 now.

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She was shy and reserved when I first met her 25 years ago

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but now she's very much the matriarch of the village.

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With most of the family still here and fishing together,

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as they always had done, it doesn't feel that much has changed.

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I had no idea then how wrong I could be.

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After a few nights, I showed the Baka the film we made together so long ago

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on a projector set up in the village.

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Not only can everyone see themselves for the first time on film,

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loved ones are suddenly brought back to life on the big screen.

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25 years on, Ali and his older brother Yeye are still inseparable.

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THEY ALL CHAT AND LAUGH

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LAUGHTER

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EVERYONE CHEERS AND LAUGHS

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EVERYONE CHEERS

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HE SINGS

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HE SINGS

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HE CARRIES ON SINGING

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HE CARRIES ON SINGING

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THEY JOIN IN THE SINGING

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THEY CARRY ON SINGING

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Watching the film has rekindled Ali's love for his father.

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The grave is no longer just an empty place.

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Ali now feels the presence of his father again.

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Likano's village 25 years ago was full of artefacts,

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axes, spears and drums.

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I am surprised to find there is nothing of that sort left here

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when they were such an integral part of daily life.

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The machete seems to have replaced everything.

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The only blacksmith who still makes spear and axe heads

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lives in a Bantu village four hours' walk away.

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He fashions the axe heads from old car parts.

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I want to encourage Ali to take me into the forest again

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in the way that his father used to,

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hunting and gathering with spears and axes.

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After Likano's death eight years ago,

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Deni married his younger brother Paul.

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Paul is the only one in the village who remembers how to make an axe.

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Ali and Yeye listen politely but they disapprove of Deni's marriage.

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Paul does not measure up to their father.

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The next day, Ali and Yeye take me to the forest

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a couple of hours' walk away from the village

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to show me why they no longer have a need for spears and axes.

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Their old camp is beside the rapids of the river.

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It was a place teeming with monkeys when I was last here

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but it's obvious that this is no longer the case,

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although the new spears and axes make it feel like the old times.

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There are still plenty of trees here

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but the forest is no longer what it seems.

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So many of the medicines gathered from the forest are chemicals

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produced by the trees to defend themselves

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against attack from insects.

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But many of these trees are no longer reproducing

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because the very animals that pollinate their flowers and disperse their seeds

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have been over-hunted and are close to disappearing altogether.

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I watched Likano treat Ali with this resin when he was a baby.

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It treats many ailments and will confer good health on Yeye.

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Today the forest is a ghost forest, a shadow of its former self.

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Even the fishing is not what it was.

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We stay in their old camp overnight.

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THEY TALK TO EACH OTHER

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THEY CONTINUE TALKING

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The forest has been hunted out, mostly by Bantu hunters

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with guns and traps to provide bush meat

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for people of nearby villages and towns.

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Bush meat is the most prized meat in Cameroon

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and fetches a high price throughout the country.

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To the south of the Bumba River lie the rainforest national parks

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that have been created in recent years to protect the forest,

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but the Baka are no longer allowed to hunt there

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as they have done for centuries.

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They have been excluded, sometimes forcibly.

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Baka villages have been burned

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and families trucked out and dumped on the nearest road.

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Pressed into smaller and smaller areas,

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these patches of forest no longer offer

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young Baka men like Ali and Yeye incentive to go hunting.

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Losing the hunting skills is just one of the many reasons

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why the Baka are losing touch with their culture.

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Increasingly, I fear the forest

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no longer has a part to play in their lives.

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Timber companies add to the pressure, coming ever closer.

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This concession to the north of Ali and Yeye

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covers several hundred square kilometres.

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With forest life now largely a thing of the past,

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the focus has switched more to the outside world.

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Camera is determined to give Ambi every chance she can.

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She has decided she wants Ambi to attend school.

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It's an hour's hop, skip and jump away in the Bantu village of Massea.

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Today will be Ambi's first day.

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She will be the only Baka child to attend.

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Lessons are in French and English.

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The rest of the children only speak their local Bantu language

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so Ambi we will not understand a word.

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The teacher, Sister Nathalie,

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is one of four Catholic sisters who run the small mission here.

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SISTER NATHALIE GREETS THE CLASS

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THE CLASS RESPOND

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Bonjour, papa. Bonjour, maman.

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THE CHILDREN RESPOND

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THE CHILDREN CALL OUT

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THE CHILDREN CALL OUT

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Ambi has been promised a school pinny to celebrate her first day.

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THEY ALL SING

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THE TEACHER ENCOURAGES THEM

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THEY ALL SING

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Allons-y!

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THEY SING

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Likano, Ambi's grandfather, would have been so proud of her today.

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He spoke often of his ambition that his children should go to school.

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SHE CALLS TO AMBI

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THEY CHUCKLE HAPPILY

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SHE SPEAKS TO AMBI

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THEY CHAT

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Losing their forest is one thing, but this is worse.

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I'd been warned before I returned

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that the Baka have lost a generation of men to alcohol addiction,

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in particular to a distillation called arki.

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Arki's a spirit distilled here from sweet bananas

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by Bantu women who do not drink it themselves.

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It is highly addictive, with a dangerously high alcoholic content.

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It is illegal, as it was when I was here before,

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but now the law is no longer enforced.

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This lethal drink is destroying the Baka.

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Camera's husband Ngoko is particularly susceptible to arki.

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Local Bantu farmers exploit this addiction to entice the Baka

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to hunt in the forest for them and to work in their cocoa plantations.

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A full day's labour is often paid only with alcohol.

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I'd noticed drinking once or twice on my arrival

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but now it's obvious that it's happening most days.

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Most shockingly, Deni,

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who never drank when I was last here, seems addicted.

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SHE EXCLAIMS

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25 years ago, only some of the men drank.

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Not only are many of the women now addicted,

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but even children are drinking this lethal substance.

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Ali's sister-in-law is six months pregnant.

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It is hard to believe that regular drinking

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will not damage the baby growing inside her.

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THEY TALK TO EACH OTHER

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SHE CALLS TO SOMEONE

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I have no idea whether Ali's wife drank during her pregnancy

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but I do wonder whether Yeye was affected by alcohol

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while in her mother's womb.

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Her condition is a real concern.

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It's already becoming more and more difficult to look after her in the forest.

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I also have a nagging worry

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that Yeye may be suffering from foetal alcohol syndrome

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but it's impossible to be sure.

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I've suggested to Ali that he bring Yeye to the clinic here in Massea

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to see what, if anything, can be done.

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The clinic is right next door to Ambi's school.

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Debout.

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Assis. Debout.

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Assis. Debout. Assis.

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THE TEACHER SPEAKS

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THE CHILDREN RESPOND

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Sister Josephine established this clinic four years ago.

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HE TRANSLATES

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ALI REPLIES

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Elle etait bebe?

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But Ali is right. Yeye is at least six years old.

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ALI TRANSLATES

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Donne-moi la main. Viens.

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Donne la main. Aha! C'est bien.

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YEYE WHIMPERS

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The problem is the child is very weak.

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I will put her on a special diet.

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She should be able to have foods rich in calcium

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and possibly we should put her on calcium tablets.

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THE OTHER MAN TRANSLATES

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YEYE WAILS

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Together with calcium tablets,

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Ali is encouraged to exercise Yeye's legs

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by walking her as frequently as possible.

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Bien. Oui.

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But I do still worry that Yeye's condition must be more serious

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than calcium deficiency and a fear of walking.

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If nothing is done, Yeye's future is increasingly bleak

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as she becomes too big to be carried.

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Ali has confided in me

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that one day he hopes that Yeye will be able to attend school like Ambi.

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Ambi's making great progress.

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Sister Natalie already has high hopes for her,

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perhaps one day to return as a nurse or a teacher.

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There is a belief amongst the local teachers

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that Baka children make the brightest students.

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In the village senior school, the only Baka boy is top of the whole school.

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THE CHILD SPEAKS TO AMBI

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THE TEACHER EXCLAIMS AND CHUCKLES

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Ca c'est bien!

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Ecris.

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Oui, ca c'est bien.

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These few remaining tall trees stand as lonely sentinels,

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a reminder of my stay so long ago.

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The men have returned drunk from working in the Bantu plantation,

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telling old forest stories inspired by the film.

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As usual, Camera's husband is drunker than most.

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Years ago, Ali and Yeye would have spent the day tending traps and hunting.

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Now they and their friends simply sing about these animals their fathers once hunted.

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THEY SING

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This porcupine was the only time I saw bush meat in the village.

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DRUMS PLAY AND THEY SING

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DENI CALLS OUT

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SHE CALLS OUT AGAIN

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SHE CARRIES ON SPEAKING

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HE REMONSTRATES

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While her father Yeye has been dancing,

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little Andu has been drinking the dregs of arki.

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THEY SING AND CLAP

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Deni is trying to sing the children's song about the monster Likobo.

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SHE SINGS

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THEY BOTH SING

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THEY PLAY MUSIC

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A BABY CRIES

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THEY PLAY AND CLAP

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SHE HUMS

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The old film has revived the women's interest in so many things.

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They, more than the men, still keep some of the old traditions alive.

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Interest in the old ways is so high

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that I'm forced to show the film almost every night now.

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Beyond the sheer entertainment,

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is a genuine fascination in the world of their fathers.

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CHEERING

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THEY TALK OVER EACH OTHER

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LAUGHTER

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THUNDER

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SHE LAUGHS

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CHEERING AND APPLAUSE

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LAUGHTER AND APPLAUSE

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THUNDER IN BACKGROUND

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BAKA MUSIC

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Desperately proud of what they've seen on screen,

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Ali and Yeye talk more and more about going on a journey,

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deep into the forest to experience again the life of Likano and Akade, the elephant hunter.

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HE CHEERS

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THE BIRDS SCREECH

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CRICKETS IN BACKGROUND

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DRUMBEAT

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After the film,

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Camera's brought little Akade to the village of her in-laws,

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to dance in celebration of the life and death of her great-uncle, Sakola.

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Sakola's widow, Mbali, leads the chant.

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Deni's also here.

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Without Paul, she's receiving the attention of younger men.

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SINGING AND MUSIC

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Nobody here could possibly know the tragic turn of events

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that is to unfold in the next few days.

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Overnight, Paul's threat has come true.

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Fuelled by alcohol, he has beaten a young man over the head with a machete

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for getting a little too friendly with Deni.

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The incident with Paul is bad enough, but worse has happened.

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Last night, Camera's husband returned home drunk.

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He accused her of having had an affair and beat her.

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Camera ran into the forest to escape him

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and spent a terrified night there.

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LAUGHTER IN BACKGROUND

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Yeye has been taking her calcium pills

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and is making some progress.

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But the focus of the village is on little Akade. He has fallen sick.

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AKADE CRIES

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There are many mahogany trees in this forest.

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Its commercial name is Sapele

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and it's exploited by the loggers for export to other countries.

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But for Deni, it provides cures for many ailments.

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SHE SINGS

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She's hopeful that it will help her grandson.

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BABY CRIES

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Two days later, Ali has asked me

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to come to the village of Camera's husband, Ngoko.

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Everyone has heard the devastating news.

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Baby Akade died in the night.

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WAILING

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SHE CRIES

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SHE SOBS

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DRUMMING AND CLAPPING

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For the second time in a week,

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the village gathers to express its grief.

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Mbali, little Akade's aunt, is leading the chant again.

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CHANTING AND DRUMMING

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It's hard to believe that Camera was dancing here with her baby son

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just a few days ago.

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Death has come horribly quickly.

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SINGING

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Always the craftsman, Babu has made a guitar to sing

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his lament for his nephew, little Akade.

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HE SINGS

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SHOUTING

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The cause of little Akade's death is deeply troubling.

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The conviction persists that sorcery by persons unknown

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is at the heart of it.

0:54:000:54:01

The second death in so little time,

0:54:010:54:03

Mbali, his aunt, feels the finger of guilt pointing at her.

0:54:030:54:07

The heads of the two families, Selo and Paul,

0:54:530:54:56

are trying to calm things.

0:54:560:54:58

Camera's husband has fuelled the rumours by spending the night away.

0:55:370:55:42

SINGING AND DRUMMING

0:58:010:58:06

To change the atmosphere of death and recrimination,

0:58:240:58:29

Ali and Yeye have decided that the village must leave

0:58:290:58:32

as soon as possible for the deep forest.

0:58:320:58:35

They've invited the Likobo monsters to dance for the children

0:58:390:58:43

as a prelude to the journey.

0:58:430:58:45

UPBEAT SINGING AND DRUMS

0:58:490:58:54

SINGING, DRUMS AND CLAPPING CONTINUE

0:59:280:59:32

BIRDS AND INSECTS CHIRP

0:59:400:59:44

Before they go on the trip,

1:00:381:00:40

Deni has called Camera and her husband together,

1:00:401:00:44

to try and understand their son's death.

1:00:441:00:48

It was Camera who asked for one last viewing of the film before we set off.

1:01:321:01:37

Seeing his father's affection for him as a child is deeply moving for Ali.

1:02:441:02:48

Ali wants to pass on to Yeye what his father passed on to him.

1:02:501:02:55

Tonight, he decides to take Yeye with him.

1:02:551:02:59

He can't bear to leave her behind.

1:02:591:03:02

BIRDS CHIRP

1:03:021:03:05

Somewhere in the forest, the family are heading west,

1:03:051:03:09

avoiding the national parks to the south, where they risk arrest.

1:03:091:03:14

The logging concession lies in their way.

1:03:181:03:22

Their guards patrol the boundaries.

1:03:221:03:25

Looping west to avoid them will make the journey much longer.

1:03:251:03:29

And dangerous animals - elephant, gorilla, snakes -

1:03:291:03:33

lie ahead in the deep forest.

1:03:331:03:35

They don't know the way, but nothing is going to stop them now.

1:03:351:03:40

Mado, Little Yeye's mother,

1:03:571:03:59

has joined the band of travellers to help Ali with her daughter.

1:03:591:04:03

MAN'S VOICE REPLIES

1:04:211:04:23

THEY LAUGH

1:04:571:05:01

Settling under the forest canopy for the night,

1:05:011:05:03

away from the troubles of the village,

1:05:031:05:05

is somehow deeply comforting.

1:05:051:05:09

WOMAN LAUGHS

1:05:251:05:28

It's not long before the true forest offers up food,

1:05:331:05:37

just like the old days.

1:05:371:05:39

THEY CHAT

1:05:491:05:52

BIRDS AND INSECTS CHIRP

1:05:521:05:55

CHATTING CONTINUES

1:05:571:06:02

THEY CHAT

1:06:181:06:22

EXCITED CHATTER

1:06:501:06:55

Njenje are tiny, stingless bees,

1:06:551:06:57

whose nest stretches the entire length of this rotten tree,

1:06:571:07:02

beneath the outer bark.

1:07:021:07:04

CHATTING CONTINUES

1:07:121:07:15

BEES HUM

1:07:181:07:21

CHOPPING AND CHATTER CONTINUE

1:07:211:07:25

DEEP ROAR

1:08:161:08:21

ELEPHANT TRUMPET ECHOES

1:08:291:08:32

THEY CHAT

1:09:361:09:40

CHATTING CONTINUES

1:09:481:09:51

CRICKETS CHIRP

1:09:511:09:54

After five long days, having successfully avoided the loggers

1:10:511:10:55

and the park guards, we finally reach the Elephant's Mirror.

1:10:551:11:00

Oh!

1:11:221:11:24

HE LAUGHS AS HE TALKS

1:12:141:12:17

The Baka are using an old Bantu hunting camp as a temporary village.

1:12:251:12:29

Ali has discovered a honey bees' nest high in the canopy.

1:12:321:12:37

It will take many hours to fell this tree,

1:12:371:12:41

to get at the honey 30 metres above.

1:12:411:12:44

Felling trees in small numbers doesn't hurt the forest -

1:14:001:14:04

it may even make it richer by providing light gaps

1:14:041:14:08

for new kinds of trees to grow.

1:14:081:14:11

TREE CRACKS

1:14:251:14:26

TREE CRACKS AND FALLS

1:14:311:14:32

BEES BUZZ

1:14:441:14:46

THEY SPEAK IN BAKA

1:15:031:15:04

For Ali, and all the Baka, honey is the greatest gift of the forest.

1:15:131:15:17

THEY LAUGH

1:15:591:16:01

HE SPEAKS BAKA

1:16:031:16:04

This is just how it was 25 years ago.

1:16:251:16:28

We feel safe from the world.

1:16:281:16:31

Even Camera and Ngoko are talking again.

1:16:311:16:34

Away from the numbing effect of alcohol,

1:16:371:16:39

the true predicament of the Baka sinks in.

1:16:391:16:43

This morning we have to leave.

1:19:111:19:13

Ali knows in his heart that Yeye will never be able to come back here again.

1:19:131:19:19

But still he continues to encourage her.

1:19:191:19:21

ALI SPEAKS IN BAKA

1:19:231:19:24

THEY LAUGH

1:20:141:20:16

SHE LAUGHS

1:20:201:20:21

THEY LAUGH

1:20:271:20:28

But it can never be like this. Paradise doesn't exist.

1:20:511:20:55

I hear rumours of a railroad coming into the forest,

1:20:551:21:00

with six kilometre-long trains to take the minerals

1:21:001:21:03

that lie beneath the trees away to distant countries.

1:21:031:21:06

I returned a few weeks later to the village to find out how things are.

1:21:121:21:16

Not much has changed. The deep forest seems a world away.

1:21:171:21:21

-ALI:

-Woop, woop, woop!

1:21:211:21:25

Little Yeye is older, stronger, but still unable to walk by herself.

1:21:251:21:29

PEOPLE SING SINGING IN BAKA

1:21:311:21:33

THEY SING IN BAKA

1:21:341:21:35

The Bantu farmers are still here, prowling the village

1:21:401:21:43

with their constant offers of poisonous alcohol.

1:21:431:21:46

Camera has told her husband to leave.

1:21:551:21:58

She will no longer tolerate his drunken abuse.

1:21:581:22:00

Ambi is already speaking some French.

1:22:211:22:24

Oof!

1:22:251:22:26

THEY LAUGH

1:22:321:22:34

Yeye's wife has given birth to a little girl they call Alula.

1:23:051:23:09

We do not know yet what effect the alcohol drunk by her mother

1:23:111:23:14

during her late pregnancy may have on her tiny body.

1:23:141:23:18

But Alula will never meet her older sister Andu,

1:23:201:23:22

who died shortly after the return from the Elephant's Mirror.

1:23:221:23:27

With the death of little Akade, two of Deni's seven grandchildren

1:23:301:23:33

have now died during my short stay of a few months.

1:23:331:23:37

Yeye tends his daughter's new grave.

1:23:371:23:39

Ali has taken his daughter once again to his father's grave.

1:23:581:24:01

He never stops hoping for her.

1:24:011:24:04

Is this what it's come to?

1:25:241:25:26

Mud from his father's grave, rubbed on his daughter in hope,

1:25:261:25:30

but perhaps more in despair.

1:25:301:25:33

This is how I left Ali that morning.

1:25:411:25:43

HE HUMS

1:25:451:25:46

25 years ago, I left Ali and his baby sister Camera

1:25:511:25:54

safe in the womb of the forest, in the loving care of their parents.

1:25:541:25:58

I wondered then whether they would be the last generation to lead a forest life.

1:25:581:26:04

BABY CRIES

1:26:081:26:09

What I've found in these few months is worse than I could've imagined.

1:26:161:26:19

Under the canopy of these tall trees,

1:26:201:26:23

a human disaster is happening, quietly,

1:26:231:26:25

unnoticed by the outside world.

1:26:251:26:29

Alcohol has filled the void left by the retreating forest.

1:26:311:26:35

There are several thousand Baka families scattered throughout the forests of Southern Cameroon.

1:26:381:26:43

Ali's story speaks for many of them.

1:26:431:26:46

They've found themselves in a cul-de-sac,

1:26:461:26:48

squeezed by the interests of wildlife conservation,

1:26:481:26:51

the exploitation of the forests,

1:26:511:26:53

and the self-interest of ever-present Bantu farmers.

1:26:531:26:56

If there is to be a future for the Baka,

1:26:581:27:01

it lies with the children of Ambi's generation.

1:27:011:27:03

TEACHER SPEAKS IN FRENCH

1:27:031:27:06

Now top of her class,

1:27:071:27:08

education is gaining Ambi the respect of her classmates.

1:27:081:27:12

THEY RECITE THE WORD "TULU"

1:27:571:28:00

This is how it needs to be, bringing back a culture to the classroom as part of everybody's learning

1:28:091:28:15

as a first step in giving the Baka the respect they deserve.

1:28:151:28:19

TEACHER SPEAKS

1:28:521:28:54

CHILDREN REPLY

1:28:541:28:55

Subtitles by Red Bee Media Ltd

1:28:571:28:59

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