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| Line | From | To | |
|---|---|---|---|
BIRDSONG | 0:00:05 | 0:00:07 | |
MAN SINGING | 0:00:07 | 0:00:08 | |
PANPIPE MUSIC | 0:00:36 | 0:00:38 | |
The heart of Africa. | 0:00:41 | 0:00:43 | |
Below the clouds lie the rainforests of south-east Cameroon, | 0:00:45 | 0:00:50 | |
home of the Baka. | 0:00:50 | 0:00:52 | |
MAN CONTINUES HUMMING | 0:01:18 | 0:01:20 | |
The Baka left camp this morning. | 0:01:34 | 0:01:37 | |
For the last three months, they have been on a journey through the forest, | 0:01:37 | 0:01:41 | |
hunting and gathering. | 0:01:41 | 0:01:42 | |
Travelling with the group is a family. | 0:01:51 | 0:01:55 | |
This story is about their life in the rainforest. | 0:01:55 | 0:01:58 | |
THEY TALK IN THEIR NATIVE LANGUAGE | 0:02:06 | 0:02:08 | |
BIRDSONG | 0:02:13 | 0:02:14 | |
Likano is Ali's father. | 0:02:18 | 0:02:21 | |
Ali is four years old. | 0:02:28 | 0:02:30 | |
His brother, Yeye, is eight. | 0:02:30 | 0:02:33 | |
Their mother, Deni, is in her early 20s. | 0:02:33 | 0:02:36 | |
Likano has been married before. | 0:02:41 | 0:02:43 | |
Now, at 40, he's the second oldest of all the men. | 0:02:43 | 0:02:47 | |
Not far away, the rest of Likano's village have settled | 0:03:17 | 0:03:21 | |
and are thinking of setting up camp for the night. | 0:03:21 | 0:03:24 | |
The three-month journey through the forest has been tiring. | 0:04:27 | 0:04:30 | |
Today's camp will be the last before the Baka reach home. | 0:04:32 | 0:04:35 | |
Within an hour or so, the frameworks are ready for roofing. | 0:05:18 | 0:05:22 | |
The shelters will only be used for a night or two, | 0:06:14 | 0:06:17 | |
but they're strong enough to keep out the heaviest storm. | 0:06:17 | 0:06:20 | |
It's always like this. | 0:06:44 | 0:06:46 | |
The women establish camp after a few hours' walk, | 0:06:46 | 0:06:49 | |
while the men look for food. | 0:06:49 | 0:06:50 | |
THEY GRUNT WITH EXERTION | 0:06:53 | 0:06:55 | |
Close by, Likano and the other men are breaking open a termite mound. | 0:06:57 | 0:07:02 | |
They're after winged termites, | 0:07:02 | 0:07:04 | |
which are gathered in the top of the mound. | 0:07:04 | 0:07:07 | |
The smoke is stopping the termites retreating underground. | 0:07:30 | 0:07:34 | |
They're not all edible. | 0:07:46 | 0:07:48 | |
The bites of the defending termites are painful. | 0:07:48 | 0:07:51 | |
The winged termites are plump and full of protein, | 0:07:54 | 0:07:57 | |
with a taste like raw egg. | 0:07:57 | 0:07:59 | |
Camps are always established within easy reach of rivers. | 0:08:08 | 0:08:12 | |
LAUGHTER | 0:08:36 | 0:08:37 | |
Many of the trees and vines of the forest contain poisons. | 0:08:45 | 0:08:48 | |
The Baka have an intimate knowledge of these plants | 0:08:48 | 0:08:52 | |
and how to use them. | 0:08:52 | 0:08:53 | |
The chemicals in these vines are Rotenones. | 0:09:00 | 0:09:04 | |
To release them, the creepers have to be beaten into a pulp. | 0:09:04 | 0:09:08 | |
SHOUTING | 0:09:19 | 0:09:20 | |
By rinsing the pulp into the fast-flowing water, | 0:09:34 | 0:09:37 | |
the chemicals are dispersed into the river. | 0:09:37 | 0:09:40 | |
The river flows into a small patch of savannah. | 0:09:57 | 0:10:01 | |
It's too wet for rainforest to grow here | 0:10:01 | 0:10:04 | |
and so these open areas are dominated by palms. | 0:10:04 | 0:10:07 | |
The chemicals which have dissolved into the river are not poisonous. | 0:10:12 | 0:10:16 | |
Instead, they deprive the fish of oxygen. | 0:10:16 | 0:10:20 | |
Unable to breathe, they float to the surface. | 0:10:20 | 0:10:22 | |
SHE SHRIEKS | 0:10:42 | 0:10:44 | |
SHE SHRIEKS | 0:10:54 | 0:10:56 | |
At the camp, the women are setting off to gather fruits. | 0:11:55 | 0:11:59 | |
It is only during the rainy season that the Baka come this far into the forest. | 0:11:59 | 0:12:04 | |
They've come in search of feki fruit. | 0:12:04 | 0:12:07 | |
Its seeds are rich in oil. | 0:12:07 | 0:12:10 | |
Every rainy season for thousands of years, | 0:12:15 | 0:12:18 | |
the Baka have come to collect fruit in this way. | 0:12:18 | 0:12:21 | |
It's almost the end of the rainy season | 0:12:35 | 0:12:38 | |
and much of the feki fruit has already been gathered. | 0:12:38 | 0:12:41 | |
Those fruits still left on the trees | 0:12:41 | 0:12:44 | |
are a rich source of food for gorillas. | 0:12:44 | 0:12:47 | |
To get at them, they will climb 30 metres or more into the canopy. | 0:12:47 | 0:12:51 | |
Adults like these can weigh 200 kilos. | 0:13:07 | 0:13:09 | |
These are the animals the Baka fear most in the forest. | 0:13:13 | 0:13:17 | |
Elephants also roam the forest here. | 0:13:46 | 0:13:49 | |
Many fruits like feki must pass through an elephant's stomach | 0:13:50 | 0:13:54 | |
to have a better chance of germinating. | 0:13:54 | 0:13:56 | |
Large mammals and large birds, like this giant hornbills, | 0:13:59 | 0:14:03 | |
give the rainforest here its special character. | 0:14:03 | 0:14:07 | |
They too are essential, dispersing the seeds which will become | 0:14:07 | 0:14:11 | |
the next generation of the forest. | 0:14:11 | 0:14:13 | |
Back at the camp, the women are already preparing the fruits. | 0:14:43 | 0:14:47 | |
THEY CHAT AMONGST THEMSELVES | 0:14:53 | 0:14:55 | |
The seeds are crushed to provide a precious oily paste. | 0:15:25 | 0:15:29 | |
This will be used for cooking in the months to come. | 0:15:29 | 0:15:33 | |
For centuries, the Baka have been called pygmies by the outside world. | 0:15:55 | 0:16:02 | |
It's a name they dislike. | 0:16:02 | 0:16:04 | |
Most of the people here are well under five feet fall | 0:16:04 | 0:16:07 | |
but in the forest, and to the Baka, their size is irrelevant. | 0:16:07 | 0:16:11 | |
MAMMAL CALLS OUT | 0:16:43 | 0:16:44 | |
The calls piercing the darkness are those of the tree hyrax. | 0:16:57 | 0:17:01 | |
A giant pangolin visits the same termite mound | 0:17:26 | 0:17:30 | |
that the Baka raided earlier in the day. | 0:17:30 | 0:17:33 | |
HE SINGS | 0:18:24 | 0:18:25 | |
CHILDREN BEGIN TO SING | 0:18:29 | 0:18:31 | |
RHYTHMIC CLAPPING | 0:18:34 | 0:18:35 | |
GROUP SINGING CONTINUES | 0:18:52 | 0:18:54 | |
HE HUMS PERCUSSIVELY | 0:19:37 | 0:19:39 | |
Such tales are only told deep in the forest. | 0:20:37 | 0:20:41 | |
They are important for the children's education. | 0:20:41 | 0:20:44 | |
THUNDER CLAPS | 0:22:48 | 0:22:49 | |
SHE LAUGHS | 0:24:44 | 0:24:46 | |
The dry season is beginning. | 0:25:18 | 0:25:20 | |
Ahead lie ten hours of walking before reaching home. | 0:25:21 | 0:25:25 | |
MAN MIMICS GORILLA SOUND | 0:25:48 | 0:25:49 | |
This was told to Likano by his father. | 0:26:31 | 0:26:35 | |
Knowledge of the forest is often handed down in this way. | 0:26:35 | 0:26:38 | |
HE REPEATS HIS FATHER | 0:27:07 | 0:27:09 | |
HE REPEATS HIS FATHER'S WORDS | 0:27:17 | 0:27:19 | |
HE MIMICS CHIMP | 0:27:35 | 0:27:36 | |
LAUGHTER | 0:27:54 | 0:27:55 | |
THEY SHRIEK AND LAUGH | 0:28:04 | 0:28:06 | |
LAUGHTER | 0:28:14 | 0:28:16 | |
LAUGHTER | 0:28:38 | 0:28:40 | |
Home is a permanent village still deep in the forest | 0:28:46 | 0:28:49 | |
and ten miles from the nearest mud road. | 0:28:49 | 0:28:52 | |
Deni and Likano share this village with 20 or so members of their extended family. | 0:28:52 | 0:28:57 | |
Here the local Konabembe villagers bring metal goods and clothes from the outside world. | 0:28:57 | 0:29:04 | |
These are traded with the Baka for meat from the forest, | 0:29:06 | 0:29:10 | |
and for occasional work on nearby Konabembe plantations. | 0:29:10 | 0:29:14 | |
Although they speak different languages, | 0:29:18 | 0:29:20 | |
they can easily understand each other. | 0:29:20 | 0:29:23 | |
The Baka have never been truly isolated | 0:29:27 | 0:29:29 | |
and have always relied on local villagers for non-forest goods. | 0:29:29 | 0:29:33 | |
But visits from the outside world are just a diversion | 0:29:33 | 0:29:37 | |
from a daily life still focussed on the forest. | 0:29:37 | 0:29:39 | |
As the dry season progresses, the Baka are becoming increasingly interested | 0:29:39 | 0:29:45 | |
in the activity of the honey bee. | 0:29:45 | 0:29:47 | |
Guards protect the entrance. | 0:29:56 | 0:29:58 | |
Returning bees are bringing information back | 0:30:03 | 0:30:05 | |
about the first flowers of the dry season. | 0:30:05 | 0:30:08 | |
In the darkness of the nest, | 0:30:08 | 0:30:10 | |
the dance of the arriving bee tells the others | 0:30:10 | 0:30:12 | |
exactly where to find the flowers. | 0:30:12 | 0:30:14 | |
From the interior of the nest, bees fly far across the canopy, | 0:30:28 | 0:30:32 | |
straight to the flowers. | 0:30:32 | 0:30:35 | |
Honey bees are the most important pollinators here. | 0:30:53 | 0:30:57 | |
From every corner of the forest, | 0:30:58 | 0:31:00 | |
nectar and pollen are carried back to the nest. | 0:31:00 | 0:31:02 | |
Here, pollen is stored. | 0:31:10 | 0:31:13 | |
Red from the feki fruit, yellow from the njaya. | 0:31:13 | 0:31:16 | |
The combs reflect the flowers in the forest. | 0:31:18 | 0:31:21 | |
Incoming nectar is given to house bees... | 0:31:22 | 0:31:24 | |
..who transform it into honey. | 0:31:26 | 0:31:28 | |
It is this honey that the Baka are now looking for. | 0:31:39 | 0:31:42 | |
To find the nest, Likano turns to the forest for help. | 0:31:42 | 0:31:46 | |
The honey prayer will sharpen his ability to see and hear the bees. | 0:32:13 | 0:32:18 | |
The forehead is the centre of luck. | 0:32:49 | 0:32:51 | |
BABY CRIES | 0:33:12 | 0:33:14 | |
Future hunters also need the help of the forest. | 0:33:18 | 0:33:21 | |
Deni is preparing a medicine from the heartwood of the ngele tree. | 0:33:27 | 0:33:31 | |
Sand is used as an abrasive to create a red paste. | 0:33:39 | 0:33:43 | |
It's to make Ali grow up big and strong. | 0:33:45 | 0:33:48 | |
ALI CRIES | 0:33:57 | 0:33:58 | |
Soap comes naturally from certain leaves. | 0:34:13 | 0:34:16 | |
Washing is important before applying the medicine. | 0:34:45 | 0:34:49 | |
It's important to look after children in the forest. | 0:35:28 | 0:35:31 | |
Illness and death can strike suddenly. | 0:35:31 | 0:35:34 | |
Many a child is lost in infancy. | 0:35:34 | 0:35:36 | |
DISTANT CHATTER AND LAUGHTER | 0:35:50 | 0:35:52 | |
Yusa has been treating this ulcerous sore on Batanga's leg | 0:36:07 | 0:36:11 | |
for a few days now. | 0:36:11 | 0:36:12 | |
Batanga is her grandson... | 0:36:20 | 0:36:22 | |
..and Babu, her son. | 0:36:23 | 0:36:27 | |
Yusa is renowned for her knowledge of forest medicines. | 0:37:01 | 0:37:05 | |
Likano often tells of how he married Deni. | 0:37:33 | 0:37:36 | |
His first wife left him but before she went, she chose Deni, | 0:37:36 | 0:37:39 | |
then a young girl, as her replacement. | 0:37:39 | 0:37:42 | |
Night can be a good time to look for honey. | 0:38:05 | 0:38:07 | |
Honey bees are active at the nest well before dawn. | 0:38:10 | 0:38:13 | |
The earliest foragers leave by the light of the full moon | 0:38:17 | 0:38:20 | |
in search of flowers high in the canopy. | 0:38:20 | 0:38:23 | |
The first bee has arrived. | 0:38:25 | 0:38:27 | |
Below, Likano and Babu have been waiting for the flowers to talk. | 0:38:30 | 0:38:35 | |
A tree talking is a tree humming with bees. | 0:38:37 | 0:38:40 | |
By listening to the sound of the retuning bees, | 0:38:40 | 0:38:43 | |
they can discover the direction of the nest. | 0:38:43 | 0:38:46 | |
The light of dawn reveals the site of the nest, | 0:39:11 | 0:39:14 | |
high in the canopy. | 0:39:14 | 0:39:16 | |
Two more men arrive from the village. | 0:39:21 | 0:39:24 | |
Mewunga is Likano's brother-in-law and he is to climb. | 0:39:24 | 0:39:28 | |
The nest is 40 metres above the forest floor. | 0:39:29 | 0:39:32 | |
Very few Baka would attempt a climb like this. | 0:39:32 | 0:39:35 | |
Mewunga is using a special vine to help him climb. | 0:39:44 | 0:39:48 | |
By cutting tiny foot-holds, he will slowly inch his way up the tree. | 0:39:57 | 0:40:02 | |
The climb will take several hours. | 0:40:02 | 0:40:05 | |
Not far from the village, a Golden Cat has killed an antelope. | 0:40:31 | 0:40:36 | |
The cat is elusive and seldom seen by the Baka. | 0:40:36 | 0:40:39 | |
The women left the village at dawn to come dam fishing. | 0:41:12 | 0:41:17 | |
LAUGHTER | 0:41:30 | 0:41:31 | |
It is only the women who fish in this way. | 0:41:38 | 0:41:41 | |
INDISTINCT CHATTERING | 0:41:49 | 0:41:51 | |
Below the dam, the remaining water is scooped further downstream. | 0:41:55 | 0:42:00 | |
Dams must be constantly reinforced. | 0:42:05 | 0:42:08 | |
Deni is several months pregnant | 0:42:27 | 0:42:30 | |
but it doesn't stop her working as hard as the other women. | 0:42:30 | 0:42:34 | |
As the water recedes, the fish retreat under rocks. | 0:42:34 | 0:42:37 | |
Many fish lie dormant during the dry season and have to be dug out | 0:43:02 | 0:43:06 | |
from deep in the mud below the banks of the river. | 0:43:06 | 0:43:09 | |
Hunger has driven the cat back to its kill. | 0:43:18 | 0:43:22 | |
Deni is teasing Malenge, her step-daughter, | 0:43:43 | 0:43:46 | |
about Babu, who wants to take her as his second wife. | 0:43:46 | 0:43:50 | |
The cat poses no real danger to the women, | 0:44:47 | 0:44:49 | |
but it's a relief when it's gone. | 0:44:49 | 0:44:51 | |
LAUGHTER | 0:44:52 | 0:44:55 | |
They are off to find out how the climb for honey is going. | 0:45:19 | 0:45:22 | |
BANGS ECHO | 0:45:23 | 0:45:27 | |
Mewunga is already some 30 metres above the forest floor. | 0:45:39 | 0:45:43 | |
In the nest, thousands of stinging bees | 0:47:13 | 0:47:16 | |
pose a serious threat to Mewunga's life. | 0:47:16 | 0:47:19 | |
Before he climbs any higher, he must have the protection | 0:47:21 | 0:47:24 | |
of a smoking bundle of leaves. | 0:47:24 | 0:47:26 | |
At this height, a single slip means death. | 0:48:07 | 0:48:11 | |
Last year, two men were killed climbing trees for honey. | 0:48:11 | 0:48:15 | |
BUZZING | 0:48:38 | 0:48:41 | |
Mewunga stuffs bark scrapings containing cyanide compounds | 0:48:51 | 0:48:55 | |
-into the nest... -BUZZING | 0:48:55 | 0:48:59 | |
..followed by the smoking leaves. | 0:48:59 | 0:49:02 | |
This stuns the bees, | 0:49:02 | 0:49:04 | |
who in their panic, gorge themselves on honey | 0:49:04 | 0:49:07 | |
and become lethargic. | 0:49:07 | 0:49:08 | |
Mewunga is not stung once. | 0:49:21 | 0:49:23 | |
The nest has to be hacked open to get at the comb inside. | 0:49:44 | 0:49:48 | |
Mewunga is completely confident working at this height. | 0:50:08 | 0:50:12 | |
The honey basket has to be hauled over 40 metres. | 0:50:14 | 0:50:18 | |
SHOUTING | 0:51:07 | 0:51:10 | |
15 kilos of honey is lowered to the crowd below. | 0:52:07 | 0:52:11 | |
Honeyguides feed on beeswax and are never far away | 0:52:22 | 0:52:25 | |
when there's honey around. | 0:52:25 | 0:52:27 | |
Honey is the ultimate gift of the forest | 0:52:56 | 0:52:59 | |
and very little of it will return to the village. | 0:52:59 | 0:53:03 | |
HUMMING | 0:53:14 | 0:53:17 | |
EXCITED SHOUTING | 0:53:59 | 0:54:04 | |
The children have found a colony of roosting bats. | 0:54:14 | 0:54:17 | |
Malenge is Likano's daughter. | 0:54:32 | 0:54:35 | |
In the village, there's a row developing | 0:55:11 | 0:55:14 | |
between Likano, Malenge's father, and Babu, | 0:55:14 | 0:55:17 | |
who wants to take her as his second wife. | 0:55:17 | 0:55:19 | |
In the forest, the children have returned to their play village. | 0:56:05 | 0:56:09 | |
The children often catch mice as well as bats. | 0:56:59 | 0:57:03 | |
These are important extra sources of protein for them. | 0:57:03 | 0:57:06 | |
Likano is not well and will not let the matter rest. | 0:57:18 | 0:57:23 | |
As an elder of the village, Mode's feelings are respected. | 0:57:57 | 0:58:02 | |
LAUGHTER | 0:58:56 | 0:58:58 | |
SINGING | 0:59:20 | 0:59:23 | |
Honeybees have descended on | 1:00:09 | 1:00:11 | |
the scattered combs left from the honey climb. | 1:00:11 | 1:00:14 | |
BUZZING | 1:00:17 | 1:00:20 | |
All available honey is taken back to the shattered remnants of the nest. | 1:00:34 | 1:00:38 | |
Forest bees are often reluctant to desert a raided nest. | 1:00:40 | 1:00:44 | |
In time, this one will be completely rebuilt. | 1:00:44 | 1:00:48 | |
Other animals also take advantage of the spoils of the honey climb. | 1:01:05 | 1:01:09 | |
A honey badger is quick to seize such an opportunity. | 1:01:24 | 1:01:28 | |
Although it's quite capable of | 1:01:31 | 1:01:33 | |
tackling a bees' nest with its massive claws, | 1:01:33 | 1:01:36 | |
the honey badger readily scavenges on these combs left by the Baka. | 1:01:36 | 1:01:41 | |
DRUMMING | 1:01:58 | 1:02:02 | |
CHANTING | 1:02:05 | 1:02:08 | |
The fire dance. | 1:02:15 | 1:02:17 | |
Likano has now been feeling ill for some time. | 1:02:19 | 1:02:22 | |
The village is uniting in an effort to heal him. | 1:02:24 | 1:02:27 | |
SINGING | 1:02:35 | 1:02:37 | |
A machete is heated in the fire. | 1:02:49 | 1:02:51 | |
As the diviner rubs his foot on the red-hot machete, | 1:02:58 | 1:03:02 | |
there is a strong smell of burning flesh. | 1:03:02 | 1:03:04 | |
The healing heat is transferred to Likano's body. | 1:03:11 | 1:03:14 | |
SINGING | 1:03:20 | 1:03:24 | |
Even during the most serious ceremonies, | 1:03:59 | 1:04:01 | |
there is an undercurrent of irreverence. | 1:04:01 | 1:04:04 | |
SINGING AND DRUMMING | 1:04:04 | 1:04:10 | |
Away from the dance, | 1:04:20 | 1:04:21 | |
seeds from a struthanthus vine are being prepared. | 1:04:21 | 1:04:25 | |
They contain strong cardiac alkaloids. | 1:04:25 | 1:04:28 | |
Babu is preparing arrow poison from them. | 1:04:28 | 1:04:32 | |
Babu wants nothing to do with Likano and his illness. | 1:04:35 | 1:04:39 | |
BABU TALKS QUIETLY | 1:04:41 | 1:04:44 | |
Scrapings from this vine contain steroids. | 1:04:44 | 1:04:48 | |
Despite the problems with Likano, his wife Nabo remains loyal. | 1:04:52 | 1:04:57 | |
The shell of a giant snail is used to hold water which is | 1:05:13 | 1:05:16 | |
filtered through the scrapings of the vine on to the crushed seeds. | 1:05:16 | 1:05:21 | |
Sticky latex from a third plant binds it all together. | 1:05:29 | 1:05:32 | |
SINGING AND DRUMMING | 1:05:34 | 1:05:38 | |
SINGING AND DRUMMING | 1:06:37 | 1:06:40 | |
An elder continues to work on Likano with the hot machete. | 1:06:57 | 1:07:02 | |
SINGING AND DRUMMING | 1:07:02 | 1:07:04 | |
BABU TALKS QUIETLY | 1:07:15 | 1:07:21 | |
Flights for the arrows are made from dried leaves. | 1:07:29 | 1:07:32 | |
The quiver has been made from the skin of an antelope. | 1:07:56 | 1:07:59 | |
Babu will leave before dawn for the hunt. | 1:08:08 | 1:08:11 | |
BIRDS CHIRP | 1:08:15 | 1:08:20 | |
MONKEY CALLS | 1:08:27 | 1:08:33 | |
BIRD SINGS | 1:08:36 | 1:08:40 | |
HE WHISTLES | 1:09:18 | 1:09:22 | |
Babu is imitating the call of a crowned eagle | 1:09:22 | 1:09:24 | |
which preys on monkeys. | 1:09:24 | 1:09:27 | |
MONKEY CALLS | 1:09:28 | 1:09:32 | |
To protect his group, the male comes closer to investigate. | 1:09:50 | 1:09:54 | |
MONKEY CALLS | 1:10:07 | 1:10:09 | |
BIRD CALLS | 1:10:23 | 1:10:27 | |
MONKEY CALLS | 1:10:29 | 1:10:34 | |
BIRD CALLS | 1:10:49 | 1:10:53 | |
Babu's mother Yusa is well known for her cure for infertility. | 1:11:28 | 1:11:32 | |
This Konabembe woman has been unable to conceive | 1:11:34 | 1:11:37 | |
and has come for treatment. | 1:11:37 | 1:11:38 | |
Yusa has successfully treated friends of this woman in the past. | 1:11:51 | 1:11:57 | |
The medicine is from small plant called njaya. | 1:11:57 | 1:12:00 | |
Elsewhere in Africa, it is used to counter gonorrhoea. | 1:12:00 | 1:12:05 | |
The affair is getting out of hand. | 1:13:35 | 1:13:38 | |
Babu has long since given up on Malenge, | 1:13:38 | 1:13:41 | |
but Likano, irritable because of his health, | 1:13:41 | 1:13:43 | |
has now become obsessed by the idea that Babu has put a spell on him. | 1:13:43 | 1:13:48 | |
There is a strong fear of sorcery. | 1:14:37 | 1:14:39 | |
Often, an unexplained illness is put down to witchcraft. | 1:14:39 | 1:14:44 | |
Babu is going to take the truth drug to prove his innocence. | 1:14:47 | 1:14:51 | |
It will only kill the guilty. | 1:14:54 | 1:14:58 | |
Meanwhile, the women are working in Deni's plantation. | 1:15:02 | 1:15:06 | |
It is unusual for the Baka to grow their own bananas, | 1:15:09 | 1:15:13 | |
but it has given them more independence | 1:15:13 | 1:15:16 | |
from the local villagers who have traditionally supplied them. | 1:15:16 | 1:15:20 | |
Bananas have long been their staple source of starch. | 1:15:20 | 1:15:23 | |
WOMAN SINGS | 1:15:25 | 1:15:28 | |
Both Babu and the scandal are taken less seriously by Malenge. | 1:15:35 | 1:15:39 | |
Meanwhile, Babu has found a large Nbanda tree. | 1:16:02 | 1:16:07 | |
Its bark contains a number of poisons, | 1:16:07 | 1:16:09 | |
the source of the truth drug. | 1:16:09 | 1:16:11 | |
The Baka are convinced that if Babu is guilty, | 1:19:05 | 1:19:09 | |
he will die after taking the drug. | 1:19:09 | 1:19:11 | |
It will be some time before the effects of the drug are known. | 1:19:30 | 1:19:34 | |
THUNDER | 1:19:44 | 1:19:47 | |
Distant thunder signals the end of the dry season. | 1:19:47 | 1:19:51 | |
ANIMALS CALL | 1:20:19 | 1:20:21 | |
The storm has failed to push this old silverback gorilla out of the canopy. | 1:21:25 | 1:21:30 | |
He was ousted from his group and now lives a solitary life. | 1:21:43 | 1:21:47 | |
CHOPPING | 1:22:27 | 1:22:30 | |
In the local cocoa plantation, | 1:22:30 | 1:22:32 | |
the Baka men are working for the Konabembe women, | 1:22:32 | 1:22:36 | |
repaying the debt of the pots and pans. | 1:22:36 | 1:22:40 | |
While the men work, Ali and Yeye raid a lemon tree. | 1:22:43 | 1:22:46 | |
Jengi, the forest spirit, is coming. | 1:25:03 | 1:25:06 | |
The boys are bringing his robes to the village. | 1:25:06 | 1:25:10 | |
BOYS SING | 1:25:10 | 1:25:12 | |
The poison has made Babu quite ill. | 1:25:43 | 1:25:46 | |
It has taken him a long time to recover. | 1:25:48 | 1:25:51 | |
BOYS SING | 1:26:15 | 1:26:18 | |
The trauma of the scandal has deeply affected the Baka. | 1:26:25 | 1:26:29 | |
For the first time in many years, | 1:26:29 | 1:26:32 | |
Jengi, the most important of the forest spirits, | 1:26:32 | 1:26:35 | |
is called upon to calm the troubled village. | 1:26:35 | 1:26:38 | |
SINGING CONTINUES | 1:26:38 | 1:26:41 | |
For the next few weeks, Dengbe will live here | 1:26:58 | 1:27:01 | |
in his lair beyond the village, | 1:27:01 | 1:27:02 | |
where only the men and older boys may go. | 1:27:02 | 1:27:06 | |
Tonight, and every night for the next few weeks, | 1:27:09 | 1:27:13 | |
he will come out to dance with the village. | 1:27:13 | 1:27:16 | |
Deep in the forest, a woman is singing. | 1:27:25 | 1:27:28 | |
WOMAN SINGS | 1:27:28 | 1:27:30 | |
Her song casts a spell over the forest, | 1:27:42 | 1:27:45 | |
making it receptive to the hunt. | 1:27:45 | 1:27:48 | |
The hunt is for Dengbe - | 1:27:53 | 1:27:54 | |
his appetite for meat has to be satisfied. | 1:27:54 | 1:27:57 | |
BIRD CALLS | 1:28:01 | 1:28:03 | |
They're on the trail of an antelope. | 1:28:09 | 1:28:12 | |
MAN SHOUTS AND ANIMAL GROANS | 1:28:41 | 1:28:43 | |
The men have killed, and far away the women sense it. | 1:28:43 | 1:28:46 | |
WOMEN SING | 1:28:46 | 1:28:48 | |
The response seems to be intuitive - | 1:29:18 | 1:29:20 | |
they are too far away to have witnessed the kill. | 1:29:20 | 1:29:23 | |
The sounds are of Dengbe demanding to be fed. | 1:29:39 | 1:29:41 | |
Likano is still upset and cannot accept Babu's innocence. | 1:30:20 | 1:30:25 | |
Yeye is trying to calm things. | 1:31:57 | 1:32:00 | |
Her spitting blesses Likano. | 1:32:00 | 1:32:03 | |
She insists that he takes this sedative | 1:32:10 | 1:32:13 | |
made from the bark of a tree. | 1:32:13 | 1:32:15 | |
Outside, Dengbe has left his lair. | 1:32:42 | 1:32:45 | |
SCREAMING AND CHANTING | 1:32:46 | 1:32:48 | |
Dengbe talks by blinking his eyelids. | 1:33:10 | 1:33:13 | |
Babu interprets for the village. | 1:33:13 | 1:33:16 | |
Dengbe is often ferocious, especially towards women. | 1:33:40 | 1:33:43 | |
The men must protect them whenever he dances. | 1:33:48 | 1:33:50 | |
From behind the safety of the barrier of men, | 1:34:31 | 1:34:35 | |
the women taunt Dengbe. | 1:34:35 | 1:34:36 | |
Dengbe's presence is also witness to another drama. | 1:35:23 | 1:35:26 | |
Unexpectedly, Ali's mother felt her baby change position. | 1:35:28 | 1:35:32 | |
Likano's worries are forgotten. | 1:35:32 | 1:35:36 | |
She must be looked after. | 1:35:36 | 1:35:39 | |
This medicine, always used during labour, contains plant oestrogens. | 1:35:49 | 1:35:54 | |
Ali blesses the medicine. | 1:36:13 | 1:36:15 | |
Dengbe returns to the forest, leaving the village calm. | 1:37:09 | 1:37:14 | |
Her hands are no larger than a thumbnail. | 1:38:04 | 1:38:07 | |
Her shoulders from tip to tip, the size of a little finger. | 1:38:08 | 1:38:14 | |
Ali is distraught. | 1:38:18 | 1:38:22 | |
The baby has taken his place beside his mother. | 1:38:22 | 1:38:25 | |
Ali's sister, born into the world of the Baka. | 1:40:06 | 1:40:11 | |
The first sounds she hears are those of her people... | 1:40:12 | 1:40:16 | |
her village... | 1:40:16 | 1:40:18 | |
..her forest. | 1:40:19 | 1:40:21 | |
Her people are the people of the rainforest. | 1:40:24 | 1:40:28 | |
SOOTHING STRING MUSIC | 1:41:00 | 1:41:02 | |
HE SINGS | 1:41:51 | 1:41:53 | |
Several weeks later, | 1:41:58 | 1:41:59 | |
and Ali is adjusting to his new place in the family. | 1:41:59 | 1:42:03 | |
THEY HUM TOGETHER | 1:42:36 | 1:42:38 | |
HE SINGS | 1:43:05 | 1:43:07 | |
Subtitles by Red Bee Media Ltd | 1:44:42 | 1:44:45 |