
Browse content similar to Rupture: Living with a Broken Brain. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
WHOOSHING | 0:00:52 | 0:00:54 | |
ELECTRIC CRACKLING | 0:01:01 | 0:01:04 | |
SHRILL BEEPING | 0:01:04 | 0:01:07 | |
I'm not quite conscious that I nearly died. | 0:01:11 | 0:01:14 | |
And yet I'm pursued by, um... | 0:01:15 | 0:01:19 | |
..this fear of violent death happening again. | 0:01:21 | 0:01:24 | |
I had a subarachnoid aneurysm, | 0:01:33 | 0:01:36 | |
and nobody was around to witness my attack. | 0:01:36 | 0:01:38 | |
I had it in the most banal way. I was exercising on a StairMaster at a friend's, | 0:01:38 | 0:01:43 | |
and it was quite comedic, actually, because when I fell off the machine, | 0:01:43 | 0:01:48 | |
I crawled to the main house of the friends we were staying with. | 0:01:48 | 0:01:52 | |
Well, I was just sort of having, like, shotguns in my head, | 0:01:52 | 0:01:56 | |
these kind of convulsions, and I was just... | 0:01:56 | 0:01:59 | |
I felt like my whole head was going to explode. | 0:01:59 | 0:02:02 | |
For three days... | 0:02:02 | 0:02:04 | |
..I had this haemorrhage in my head. | 0:02:05 | 0:02:09 | |
And I was SO lucky that the blood did not go into the brain, cos I would have died straightaway. | 0:02:09 | 0:02:15 | |
I followed an instinct on day three, as I was getting worse, | 0:02:15 | 0:02:20 | |
and I was misdiagnosed with a viral encephalitis or viral meningitis. | 0:02:20 | 0:02:24 | |
And on day three, I suddenly... An instinct in me told me, | 0:02:24 | 0:02:29 | |
"I don't think I'll survive the weekend." | 0:02:29 | 0:02:31 | |
And I was vomiting and the headaches were just atrocious. | 0:02:31 | 0:02:35 | |
I managed to get to emergency, to ER at Cedars hospital. | 0:02:36 | 0:02:41 | |
You were developing signs of brainstem dysfunction. | 0:02:41 | 0:02:46 | |
You were unable to be aroused, you were not responsive, | 0:02:46 | 0:02:52 | |
and you were beginning to have trouble breathing, for example. | 0:02:52 | 0:02:57 | |
These are the signs telling us that there were really some | 0:02:57 | 0:03:01 | |
structures that were in jeopardy if we did not operate. | 0:03:01 | 0:03:04 | |
I'm on a drip. | 0:03:08 | 0:03:10 | |
It's midnight. | 0:03:10 | 0:03:11 | |
I'm crying. | 0:03:12 | 0:03:13 | |
My headaches are relentless. | 0:03:15 | 0:03:18 | |
I NEED morphine. | 0:03:18 | 0:03:19 | |
I'm in and out of tubes. | 0:03:21 | 0:03:23 | |
It's dawn... | 0:03:25 | 0:03:27 | |
and I'm having a lumbar puncture. | 0:03:27 | 0:03:30 | |
The nurse holds me close to her as they draw the fluid from my spine. | 0:03:30 | 0:03:33 | |
There's blood in the liquid. | 0:03:35 | 0:03:37 | |
The disease is declaring itself. LIGHT BULBS BUZZING | 0:03:37 | 0:03:40 | |
A relief. | 0:03:40 | 0:03:42 | |
Then the fear takes over. | 0:03:43 | 0:03:44 | |
Am I dying? | 0:03:46 | 0:03:48 | |
I remember just being on my own and hearing all the hospital noises | 0:03:48 | 0:03:53 | |
and thinking, "OK, I'm ready to go. | 0:03:53 | 0:03:58 | |
"I'm OK now, I'm ready to go. I don't want this pain any more." | 0:03:59 | 0:04:04 | |
'They're going to operate. | 0:04:06 | 0:04:08 | |
'The surgeon radiates hope. | 0:04:08 | 0:04:10 | |
MACHINE BEEPS 'And, when I'm gone, | 0:04:12 | 0:04:15 | |
'he opens my head to fix the machinery.' | 0:04:15 | 0:04:18 | |
CUTTING UTENSIL GRINDS AND SCREECHES | 0:04:20 | 0:04:23 | |
HEART MONITOR BEEPS | 0:04:33 | 0:04:35 | |
Consciousness. | 0:04:39 | 0:04:41 | |
My brain restores the basic order of things. | 0:04:42 | 0:04:46 | |
Who am I? | 0:04:46 | 0:04:48 | |
Where am I? | 0:04:50 | 0:04:51 | |
I need to pee but I'm too weak to move. | 0:04:53 | 0:04:55 | |
Shifting my limbs is like moving an iron mannequin. | 0:04:57 | 0:05:00 | |
I slump to the toilet seat, exhausted. Bones jutting. | 0:05:01 | 0:05:06 | |
And, there in the mirror, is someone else staring back at me. | 0:05:08 | 0:05:13 | |
Sunken eyes, bruises on her shaven head and an ugly scar. | 0:05:14 | 0:05:19 | |
What HAPPENED to me? | 0:05:21 | 0:05:23 | |
'We are all close to the brink of being someone else. | 0:05:27 | 0:05:30 | |
'The rupture of an artery wall or a lapse of concentration at the wheel of a car | 0:05:30 | 0:05:36 | |
'is all it takes to cause a mind-shattering brain injury.' | 0:05:36 | 0:05:39 | |
'My glimpse of death has left me with so many questions about life.' | 0:05:44 | 0:05:48 | |
'What are we, Maryam, | 0:05:49 | 0:05:52 | |
'and what are we to make of our brief time in the world?' | 0:05:52 | 0:05:57 | |
'And what traces do we leave behind?' | 0:05:57 | 0:06:00 | |
'The body can be dismantled and displayed in cabinets, | 0:06:00 | 0:06:03 | |
'but mostly, we leave no more than our bones behind.' | 0:06:03 | 0:06:08 | |
'And the mind?' | 0:06:09 | 0:06:12 | |
'Fragments of mind can live on through ideas and through trails of memory | 0:06:12 | 0:06:16 | |
'in other people's minds.' | 0:06:16 | 0:06:18 | |
'But what about the soul?' | 0:06:23 | 0:06:25 | |
'Ah, the ghost in the machine. | 0:06:26 | 0:06:29 | |
'And here's the machine - the brain. | 0:06:29 | 0:06:33 | |
'All worlds real and imagined are contained within its folds and convolutions. | 0:06:33 | 0:06:39 | |
'Trees and stars, words and thoughts, and ghosts like us.' | 0:06:39 | 0:06:45 | |
Everything? | 0:06:45 | 0:06:47 | |
'The universe...and more.' | 0:06:47 | 0:06:51 | |
But yet, it's so fragile. | 0:06:51 | 0:06:54 | |
Your brain is very greedy. | 0:06:56 | 0:06:57 | |
It's the greediest organ in your body for oxygen and glucose, | 0:06:57 | 0:07:01 | |
more than any other part of your body at rest. | 0:07:01 | 0:07:04 | |
And the way the oxygen gets to the brain is through blood, | 0:07:04 | 0:07:07 | |
and that's through lots and lots of blood vessels - little tiny bifurcating | 0:07:07 | 0:07:12 | |
branch-like processes leading off from your arteries and your veins | 0:07:12 | 0:07:15 | |
that ensure your brain tissue gets a really constant supply of oxygen. | 0:07:15 | 0:07:20 | |
If something goes wrong, then the brain tissue will die. | 0:07:20 | 0:07:23 | |
And the ways it can go wrong is, for example, with something called an aneurysm, | 0:07:23 | 0:07:27 | |
and that's from the Greek, "to dilate". | 0:07:27 | 0:07:29 | |
So, an aneurysm is a kind of ballooning of a vessel. | 0:07:29 | 0:07:33 | |
And you can imagine if you're stretching and stretching a balloon, | 0:07:33 | 0:07:36 | |
and what happens with a balloon if you put too much inside it? It will eventually burst. | 0:07:36 | 0:07:41 | |
So, an aneurysm is a sign that something may be about to burst, | 0:07:41 | 0:07:45 | |
and if it does, that causes what's called a haemorrhage, | 0:07:45 | 0:07:48 | |
which means that the blood leaks out into the brain and not to the places it's supposed to be. | 0:07:48 | 0:07:53 | |
Well, my view is that aneurysms form very quickly. | 0:07:53 | 0:07:56 | |
May even be in a few minutes, or instantly. | 0:07:56 | 0:07:59 | |
The tear in the artery causes a blow out, | 0:07:59 | 0:08:03 | |
and then they either just sit there doing nothing | 0:08:03 | 0:08:05 | |
or it bursts there and then and the patient presents with a subarachnoid haemorrhage. | 0:08:05 | 0:08:10 | |
The most difficult aneurysms are those which have already ruptured, | 0:08:10 | 0:08:13 | |
cos they're in a very unstable situation. | 0:08:13 | 0:08:15 | |
Even those who reach the neurosurgical unit and have the aneurysm treated, | 0:08:15 | 0:08:19 | |
probably only 30 to 40% at the most get back to their premorbid state - | 0:08:19 | 0:08:25 | |
ie, what they were before the brain haemorrhage - | 0:08:25 | 0:08:28 | |
and are able to function normally again. | 0:08:28 | 0:08:30 | |
TRAFFIC NOISE | 0:08:30 | 0:08:32 | |
You were not to know that your head contained a time bomb. | 0:08:36 | 0:08:38 | |
Many people go about their lives quite unaware | 0:08:39 | 0:08:42 | |
of the potentially fatal defects their brains are harbouring. | 0:08:42 | 0:08:45 | |
Blood-filled bulges known as aneurysms - little time bombs. | 0:08:45 | 0:08:49 | |
If an aneurysm bursts, a form of stroke, | 0:08:51 | 0:08:54 | |
the results are often catastrophic. | 0:08:54 | 0:08:56 | |
Sudden death in about one third of cases, | 0:08:56 | 0:08:59 | |
death within a month for another third, | 0:08:59 | 0:09:02 | |
and severe disability for many of the third who survive. | 0:09:02 | 0:09:06 | |
Aneurysms occur on the blood vessels on the surface of the brain, | 0:09:06 | 0:09:09 | |
so they aren't actually within the brain substance. | 0:09:09 | 0:09:11 | |
In contrast to other sorts of vascular problems like | 0:09:11 | 0:09:15 | |
arteriovenous malformations which exist in the brain. | 0:09:15 | 0:09:18 | |
The risk of having a stroke, | 0:09:19 | 0:09:21 | |
including subarachnoid haemorrhage, increases dramatically with age. | 0:09:21 | 0:09:25 | |
Nine out of ten people affected are over the age of 55, | 0:09:25 | 0:09:30 | |
but anyone of any age can fall victim. | 0:09:30 | 0:09:33 | |
Goang-Jong Shu was scarcely out of her teens. | 0:09:35 | 0:09:38 | |
I graduated sophomore year with flying colours. | 0:09:40 | 0:09:44 | |
I had the highest grade in my classes. | 0:09:45 | 0:09:48 | |
And I was really involved | 0:09:48 | 0:09:50 | |
in Key Club and community services. | 0:09:50 | 0:09:53 | |
And so, you know, I got my permit, my driving permit, | 0:09:53 | 0:09:57 | |
so I was on the top of the hill, and then this happened, so... | 0:09:57 | 0:10:02 | |
You know, my first reaction was, you know, "Why me?" | 0:10:03 | 0:10:06 | |
You know, "Why did this happen?" I was doing fine. | 0:10:06 | 0:10:10 | |
My wife and I have come to a conclusion that it must be | 0:10:10 | 0:10:14 | |
she got too... | 0:10:14 | 0:10:16 | |
..too much pressure from herself. | 0:10:17 | 0:10:20 | |
She was just striving for everything to be perfect. | 0:10:20 | 0:10:25 | |
So the aneurysm in the brain kept growing from one head, | 0:10:25 | 0:10:30 | |
and it kept growing into the three heads, | 0:10:30 | 0:10:34 | |
so it doesn't matter what time it ruptured. | 0:10:34 | 0:10:39 | |
And once it ruptured, | 0:10:39 | 0:10:41 | |
then the result is either... | 0:10:41 | 0:10:44 | |
either... | 0:10:44 | 0:10:46 | |
she will be dying or go in a coma. | 0:10:46 | 0:10:49 | |
-Become a vegetarian. -A vegetable. -Vegetable. -Vegetable. | 0:10:50 | 0:10:54 | |
LAUGHS: Vegetarian! | 0:10:54 | 0:10:56 | |
The artery from which the aneurysm arises is so damaged by the aneurysm | 0:10:57 | 0:11:02 | |
that is has to be completely blocked off. | 0:11:02 | 0:11:06 | |
The problem with that is that it deprives the brain downstream of circulation, | 0:11:06 | 0:11:11 | |
and so in order to protect the brain from a stroke while completely closing off the aneurysm, | 0:11:11 | 0:11:16 | |
one has to do a bypass. | 0:11:16 | 0:11:17 | |
-A 16-hour surgery. -Yeah. | 0:11:17 | 0:11:20 | |
Personally, I cannot imagine... | 0:11:21 | 0:11:24 | |
a doctor can perform a surgery for 16 hours. | 0:11:24 | 0:11:29 | |
The surface of the brain is here. | 0:11:29 | 0:11:31 | |
We have to open the cleft between two of the brain lobes | 0:11:31 | 0:11:35 | |
and identify this blood vessel. | 0:11:35 | 0:11:37 | |
This will be the area where the bypass is performed. | 0:11:37 | 0:11:41 | |
Now, the clock is ticking when you close off the artery. | 0:11:41 | 0:11:43 | |
You can't close off the brain artery indefinitely, | 0:11:43 | 0:11:46 | |
so we have to work quickly and finish that closure within half an hour, | 0:11:46 | 0:11:51 | |
or the brain is exposed to a period of time | 0:11:51 | 0:11:53 | |
without adequate circulation and a stroke might occur. | 0:11:53 | 0:11:56 | |
The good thing is that children are very resilient. | 0:11:56 | 0:11:58 | |
Their brains are very resilient. | 0:11:58 | 0:12:01 | |
If you can close off the weakness, if you can do a bypass if necessary | 0:12:01 | 0:12:05 | |
to preserve the circulation, their recovery is often fantastic. | 0:12:05 | 0:12:10 | |
And so, for example, if you wanted to pick the glass of water to drink, | 0:12:10 | 0:12:14 | |
how would you do that with your right hand? | 0:12:14 | 0:12:18 | |
Or you would not be able to? | 0:12:18 | 0:12:21 | |
I think I would be able to, but I can use, like, both hands. | 0:12:21 | 0:12:25 | |
Both hands? | 0:12:25 | 0:12:26 | |
OK, so it helps you. | 0:12:26 | 0:12:27 | |
We're very proud of her, taking all this. | 0:12:27 | 0:12:31 | |
And... | 0:12:33 | 0:12:34 | |
..I guess that's what we parents can do. | 0:12:36 | 0:12:39 | |
Aww, making you cry! | 0:12:44 | 0:12:47 | |
I just felt that if I could go through this process, | 0:12:47 | 0:12:50 | |
and if I had the strength to go through it, | 0:12:50 | 0:12:55 | |
then I can endure anything. I can go through anything in life. | 0:12:55 | 0:12:58 | |
-I can feel his heart beating. -Aww! | 0:13:00 | 0:13:04 | |
They're very, very... | 0:13:04 | 0:13:05 | |
-They've helped a lot of people in recovery, you know? -Uh-huh. | 0:13:05 | 0:13:09 | |
I mean, he's just a rabbit. | 0:13:09 | 0:13:11 | |
But he's so cuddly! | 0:13:11 | 0:13:14 | |
'There's something wonderful about victims | 0:13:15 | 0:13:20 | |
'who have been through a major operation. | 0:13:20 | 0:13:23 | |
'They really are eager to start again in life | 0:13:23 | 0:13:26 | |
'and there's this sort of, like, childlike quality about them all. | 0:13:26 | 0:13:30 | |
'There's no more cynicism, there's not a judgement. | 0:13:30 | 0:13:33 | |
'And it's heart-warming to see the joy and the humour.' | 0:13:33 | 0:13:38 | |
When you're walking in the streets and the brain's been bruised | 0:13:42 | 0:13:48 | |
and you see people coming at you from all directions... | 0:13:48 | 0:13:52 | |
WHOOSHING ..it's like being in a cinema and you're too close to the screen. | 0:13:52 | 0:13:57 | |
TRAFFIC NOISE The traffic, avoiding, you know, being run over by a car. | 0:13:57 | 0:14:01 | |
Just simple things like that, which are completely normal | 0:14:01 | 0:14:05 | |
and we take for granted when we're... when we're normal. | 0:14:05 | 0:14:08 | |
The brain has a consistency of jell-o, | 0:14:19 | 0:14:21 | |
but it's a fragile, | 0:14:21 | 0:14:24 | |
beautiful, pulsating, kind of a pink structure | 0:14:24 | 0:14:27 | |
with a latticework of very fine vessels coursing around, | 0:14:27 | 0:14:31 | |
with an incredible anatomy of nerves and arteries | 0:14:31 | 0:14:36 | |
and wonderful structures that make up who we are. | 0:14:36 | 0:14:40 | |
You are in the human brain, | 0:14:40 | 0:14:41 | |
you are in the most beautiful structure in the universe, | 0:14:41 | 0:14:45 | |
and that experience is always special. | 0:14:45 | 0:14:48 | |
You realise that you are working close to the artwork of God. | 0:14:49 | 0:14:53 | |
I vividly remember one patient | 0:14:53 | 0:14:56 | |
who had two aneurysms. | 0:14:56 | 0:14:58 | |
We had removed about 80 or 90% of the malformation. | 0:14:58 | 0:15:03 | |
And it was just 10% left to remove. | 0:15:05 | 0:15:09 | |
And the one thing you are always taught | 0:15:10 | 0:15:15 | |
is you leave the draining vein, | 0:15:15 | 0:15:18 | |
the vein that is draining all the blood out, until last. | 0:15:18 | 0:15:21 | |
We cut the vein and immediately that vein, you know, | 0:15:21 | 0:15:26 | |
became engorged with blood and stood up erect and everything, | 0:15:26 | 0:15:32 | |
you know, at that point changed. | 0:15:32 | 0:15:34 | |
And it was the one time in my life I felt that this patient | 0:15:34 | 0:15:37 | |
was going to die on the table. | 0:15:37 | 0:15:39 | |
We just had one chance. | 0:15:39 | 0:15:40 | |
Immediately, we just...with everything we can, | 0:15:40 | 0:15:42 | |
working through a pool of blood, you know, just...almost blindly, | 0:15:42 | 0:15:47 | |
took out the last 10% of arteriovenous malformation. | 0:15:47 | 0:15:52 | |
And miraculously, it was like the clouds parted, | 0:15:52 | 0:15:55 | |
the swelling went down, the bleeding stopped and everything was calm. | 0:15:55 | 0:15:59 | |
Aneurysms do call for a very fine, careful dissection. | 0:15:59 | 0:16:03 | |
It's a bit like bomb disposal work, | 0:16:03 | 0:16:05 | |
except it's the patient's life at risk | 0:16:05 | 0:16:06 | |
rather than the surgeon's. | 0:16:06 | 0:16:08 | |
What's crucial about neurosurgery is not really the operating, | 0:16:08 | 0:16:11 | |
it's the decision-making. | 0:16:11 | 0:16:13 | |
If you get too involved, you can't do the work. | 0:16:13 | 0:16:16 | |
And that is particularly the case, in a way, with aneurysm surgery, | 0:16:16 | 0:16:19 | |
which is this very... | 0:16:19 | 0:16:21 | |
more or less, a make or break operation. | 0:16:21 | 0:16:23 | |
You open the patient's head, you then sort of stalk slowly | 0:16:23 | 0:16:27 | |
and microscopically along the major arteries, underneath the brain. | 0:16:27 | 0:16:31 | |
Then you have this climactic moment when you catch the aneurysm | 0:16:31 | 0:16:35 | |
with a clip and you've got to be very careful | 0:16:35 | 0:16:37 | |
the aneurysm doesn't burst in the process. | 0:16:37 | 0:16:40 | |
If it does burst, then you get an intraoperative rupture. | 0:16:40 | 0:16:43 | |
That's very serious. | 0:16:43 | 0:16:44 | |
There's a high risk the patient will die on the table. | 0:16:44 | 0:16:47 | |
Stop, Dave. | 0:16:48 | 0:16:50 | |
I'm afraid. | 0:16:55 | 0:16:57 | |
Everything about neurosurgery, it's not just life or death, | 0:16:57 | 0:17:00 | |
it's quality of life. | 0:17:00 | 0:17:02 | |
You have even more difficult things, like at the front of the brain, | 0:17:02 | 0:17:04 | |
where damage causes personality change. | 0:17:04 | 0:17:07 | |
And people no longer are the people they were. | 0:17:07 | 0:17:10 | |
My mind is going. | 0:17:11 | 0:17:13 | |
I can feel it. | 0:17:18 | 0:17:20 | |
And what's so weird about that is that the patient themselves | 0:17:20 | 0:17:23 | |
doesn't know that. | 0:17:23 | 0:17:24 | |
My instructor was Mr Langley. | 0:17:25 | 0:17:29 | |
And he taught me to sing a song. | 0:17:29 | 0:17:31 | |
If you'd like to hear it, I can sing it for you. | 0:17:34 | 0:17:38 | |
Yes, I would like to hear it, HAL. Sing it for me. | 0:17:39 | 0:17:44 | |
Many of these people, you know, have suffered social collapse. | 0:17:44 | 0:17:48 | |
They've lost their job, their marriage has broken down | 0:17:48 | 0:17:50 | |
and they're sitting at home on, I don't know, disability pay. | 0:17:50 | 0:17:54 | |
They're intellectually intact but no longer able to function socially. | 0:17:54 | 0:17:58 | |
That's very sad. There's not much you can do to avoid that. | 0:17:58 | 0:18:01 | |
# Daisy, Daisy | 0:18:02 | 0:18:06 | |
# Give me your answer, do. # | 0:18:08 | 0:18:12 | |
The functions of the brain are easily warped by disease and injury. | 0:18:21 | 0:18:25 | |
Memories can be shattered, emotions destabilized. | 0:18:25 | 0:18:29 | |
It's a kind of civil war - body in conflict with mind. | 0:18:29 | 0:18:33 | |
Neil Kitchen is one of the world's most distinguished neurosurgeons. | 0:18:39 | 0:18:44 | |
He is in the process of cutting open a flap of skull bone to gain | 0:18:44 | 0:18:48 | |
access to his patient's brain. | 0:18:48 | 0:18:49 | |
The goal of the operation is to remove a cancerous brain tumour. | 0:18:51 | 0:18:54 | |
He performs his task dispassionately, | 0:18:56 | 0:18:59 | |
like a mechanic fixing damaged machinery. | 0:18:59 | 0:19:02 | |
But this machine, the brain, | 0:19:02 | 0:19:04 | |
is also the vessel of his patient's hopes and fears, | 0:19:04 | 0:19:07 | |
his dreams and his memories. | 0:19:07 | 0:19:10 | |
All that he is. | 0:19:10 | 0:19:11 | |
And consider this, | 0:19:26 | 0:19:28 | |
Mr Kitchen's compassionate skills will at best | 0:19:28 | 0:19:31 | |
grant the man but a few months more to live. | 0:19:31 | 0:19:34 | |
Inevitably, the cancer will prevail. | 0:19:34 | 0:19:38 | |
All this for a few months more, to be with his family. | 0:19:41 | 0:19:47 | |
What clearer confirmation of the value of life? | 0:19:47 | 0:19:51 | |
Than love? | 0:19:51 | 0:19:53 | |
"Do not go gentle into that good night, | 0:20:12 | 0:20:14 | |
"rage, rage against the dying of the light." | 0:20:14 | 0:20:18 | |
Think of what's involved here. | 0:20:18 | 0:20:21 | |
Here is the human brain, | 0:20:21 | 0:20:23 | |
which is a three-pound mass of jelly I can hold in the palm of my hand. | 0:20:23 | 0:20:27 | |
And yet it can contemplate the vastness of interstellar space, | 0:20:27 | 0:20:31 | |
it can contemplate | 0:20:31 | 0:20:32 | |
the meaning of infinity and of numbers, | 0:20:32 | 0:20:34 | |
it can even contemplate itself contemplating, | 0:20:34 | 0:20:37 | |
what we call self-awareness. | 0:20:37 | 0:20:38 | |
It can start introspecting on itself and raise profound questions about | 0:20:38 | 0:20:42 | |
the meaning of its own existence and why it has arrived in this cosmos. | 0:20:42 | 0:20:46 | |
To contemplate the brain is to enter a hall of mirrors. | 0:20:47 | 0:20:51 | |
We are looking in at ourselves looking out. | 0:20:51 | 0:20:53 | |
Looking in, looking out. | 0:20:53 | 0:20:55 | |
That is the curious thing about brain science. | 0:20:55 | 0:20:58 | |
The object of study is also the investigator. | 0:20:58 | 0:21:02 | |
I am my brain and I am not my brain. | 0:21:02 | 0:21:06 | |
I am not my brain, but I am nothing without my brain. | 0:21:06 | 0:21:10 | |
As the Bard said, "I could be bounded in a nutshell | 0:21:10 | 0:21:15 | |
"and count myself the king of infinite space." | 0:21:15 | 0:21:17 | |
The human brain consists of 100 billion nerve cells. | 0:21:21 | 0:21:25 | |
Each nerve cell makes something like 1,000 to 10,000 contacts | 0:21:25 | 0:21:28 | |
with adjacent nerve cells. | 0:21:28 | 0:21:29 | |
And each point of contact, called a synapse, can either be off or on. | 0:21:29 | 0:21:33 | |
So, this gives you some idea of the staggering complexity of the brain. | 0:21:33 | 0:21:36 | |
The number of permutations | 0:21:36 | 0:21:38 | |
and combinations of brain activity, or brain states, | 0:21:38 | 0:21:40 | |
exceeds the number of elementary particles in the known universe. | 0:21:40 | 0:21:44 | |
The human brain can explain the ghostly interior of an atom, | 0:21:45 | 0:21:49 | |
but it cannot fathom its own ghostly interior. | 0:21:49 | 0:21:52 | |
Consciousness remains a profound mystery. | 0:21:53 | 0:21:56 | |
It seems absurd that self-awareness can be conjured up from meat, | 0:21:56 | 0:22:00 | |
a lump of proteins, fats, sugars and salt. | 0:22:00 | 0:22:04 | |
So, what am I? Thing? | 0:22:06 | 0:22:09 | |
Or thought? | 0:22:09 | 0:22:10 | |
You are both. | 0:22:10 | 0:22:12 | |
And neither. | 0:22:12 | 0:22:13 | |
But I am a person. | 0:22:15 | 0:22:17 | |
A flimsy construction, fragile as a bubble on the breeze. | 0:22:17 | 0:22:22 | |
It's highly unlikely we have souls. | 0:22:22 | 0:22:24 | |
-It's highly unlikely there's an afterlife. -Why is that? | 0:22:24 | 0:22:26 | |
Well, because I said, | 0:22:26 | 0:22:28 | |
if you've seen people with frontal brain damage... | 0:22:28 | 0:22:30 | |
Yes. | 0:22:30 | 0:22:31 | |
..it's very hard to believe that somehow when they die, | 0:22:31 | 0:22:34 | |
it all comes back again. It doesn't make sense. | 0:22:34 | 0:22:36 | |
We can't get our heads around death, that's the thing. | 0:22:36 | 0:22:40 | |
We can't conceive... | 0:22:40 | 0:22:41 | |
Well, if you think that there is some, you know, | 0:22:41 | 0:22:44 | |
heavenly theme park that we go to when we die, | 0:22:44 | 0:22:47 | |
and I find that really hard to imagine, | 0:22:47 | 0:22:49 | |
who do you meet there? What do you do for the rest of eternity? | 0:22:49 | 0:22:52 | |
But that aside, if you don't believe that... | 0:22:52 | 0:22:55 | |
..um... | 0:22:57 | 0:22:58 | |
..how can you imagine nothingness? | 0:23:00 | 0:23:01 | |
Everything that we imagine is built on something-ness. | 0:23:01 | 0:23:04 | |
Which is maybe one of the reasons, you know, | 0:23:04 | 0:23:06 | |
that we shouldn't be afraid of it. | 0:23:06 | 0:23:09 | |
If there's nothing that we can imagine or experience, | 0:23:09 | 0:23:12 | |
then there's nothing to be afraid of. | 0:23:12 | 0:23:14 | |
I'm not actually scared of death, | 0:23:14 | 0:23:16 | |
you know, like going to sleep and not waking up, | 0:23:16 | 0:23:19 | |
but I am scared of the violence before dying. The pain. | 0:23:19 | 0:23:23 | |
That physical pain. | 0:23:25 | 0:23:26 | |
And I think that the fear of it happening again is part | 0:23:26 | 0:23:30 | |
of the trauma, and I think it's part of the trauma that a lot | 0:23:30 | 0:23:34 | |
of brain-injured suffer from. | 0:23:34 | 0:23:37 | |
Even though they might be happier in rejoicing in their new life, | 0:23:37 | 0:23:41 | |
you know, but there is that fear. | 0:23:41 | 0:23:46 | |
For the fortunate few who recover without major disability, | 0:23:53 | 0:23:57 | |
the close encounter with death can be terrifying. | 0:23:57 | 0:24:01 | |
And often life changing. | 0:24:01 | 0:24:02 | |
In the world's killers, | 0:24:05 | 0:24:08 | |
after heart and cancer, | 0:24:08 | 0:24:12 | |
it's the third biggest killer in the world. | 0:24:12 | 0:24:14 | |
I mean, of 150,000 people who have a stroke in Britain this year, | 0:24:16 | 0:24:21 | |
one third will die. | 0:24:21 | 0:24:23 | |
Roughly. And another third will be so badly disabled | 0:24:23 | 0:24:26 | |
that they will never work again. | 0:24:26 | 0:24:28 | |
One of the things about affliction to the brain is that no-one... | 0:24:28 | 0:24:32 | |
one doesn't know much about it. I didn't know a thing. | 0:24:32 | 0:24:35 | |
I didn't even know what a stroke was. | 0:24:35 | 0:24:37 | |
And I was 42 at the time, so I should have known. | 0:24:37 | 0:24:40 | |
But there had never been one in my family, I had never seen one. | 0:24:40 | 0:24:44 | |
As far as I... Now, of course, I am very alert to them. | 0:24:44 | 0:24:47 | |
And when I came home, I just felt very unwell and I made | 0:24:47 | 0:24:49 | |
a cup of tea and went to bed. | 0:24:49 | 0:24:50 | |
Whenever I woke up the following morning, | 0:24:50 | 0:24:53 | |
I was completely paralysed down my left side. | 0:24:53 | 0:24:56 | |
And I had had what was called a right hemorrhagic infarct. | 0:24:56 | 0:24:59 | |
The right side of the brain goes to the left. | 0:24:59 | 0:25:02 | |
I was very fortunate, because if you have a left side, | 0:25:02 | 0:25:05 | |
you lose language, you lose speech. | 0:25:05 | 0:25:07 | |
And I had none of that. I have a slight stammer as a result of it. | 0:25:07 | 0:25:11 | |
The stroke itself took place in what is called | 0:25:11 | 0:25:15 | |
the basal ganglia in the brain. | 0:25:15 | 0:25:17 | |
Very deep. | 0:25:17 | 0:25:19 | |
And it's the bit which controls the tongue, | 0:25:19 | 0:25:21 | |
so, for example, right now, for instance, | 0:25:21 | 0:25:24 | |
I'm having to think quite hard about speaking, | 0:25:24 | 0:25:27 | |
which I wouldn't have done before the stroke. | 0:25:27 | 0:25:29 | |
When I was in hospital, my left side was complete... | 0:25:29 | 0:25:32 | |
I couldn't stand. I was in a wheelchair. | 0:25:32 | 0:25:34 | |
And, um... | 0:25:34 | 0:25:36 | |
For a long time, for about three months, | 0:25:36 | 0:25:38 | |
it looked as though I'd spend the rest of my life in a wheelchair. | 0:25:38 | 0:25:41 | |
But, you know, my life before the stroke feels like another life. | 0:25:41 | 0:25:46 | |
It feels very remote. | 0:25:46 | 0:25:48 | |
And it feels like something I've lost. | 0:25:48 | 0:25:50 | |
-It's a loss? -It's a loss. | 0:25:50 | 0:25:52 | |
So, I think part of when I think about anger, | 0:25:52 | 0:25:55 | |
it's partly the anger of bereavement, | 0:25:55 | 0:25:58 | |
self bereavement. | 0:25:58 | 0:25:59 | |
Then the other thing that I had to do is that | 0:25:59 | 0:26:01 | |
I had to find a way of dealing with the depression, | 0:26:01 | 0:26:04 | |
because I think one of the things is you get very depressed, | 0:26:04 | 0:26:09 | |
you know, depressed at the loss of, you know, one's old life. | 0:26:09 | 0:26:13 | |
I felt very ashamed and very, very overwhelmed by that. | 0:26:13 | 0:26:19 | |
And very nervous. And awkward. | 0:26:19 | 0:26:22 | |
Even meeting old friends, it could sometimes be very difficult. | 0:26:22 | 0:26:26 | |
Well, you're a writer, and I think it's great, | 0:26:26 | 0:26:30 | |
great news that your mind has not been affected. | 0:26:30 | 0:26:33 | |
I've got my language, I've got my words and I've got my right hand, | 0:26:33 | 0:26:36 | |
so I can always write with my right hand. | 0:26:36 | 0:26:38 | |
I did feel, and I wanted to express myself, | 0:26:38 | 0:26:40 | |
I wanted to express my story, get it out. | 0:26:40 | 0:26:43 | |
And so, in some ways, I think the effect of the stroke was | 0:26:44 | 0:26:48 | |
to sharpen my desire to write, to be creative. | 0:26:48 | 0:26:51 | |
I had to kind of except it. I wrote a book about it. And then move on. | 0:26:51 | 0:26:56 | |
A really interesting feature of a stroke | 0:26:56 | 0:26:59 | |
is that very frequently people have partial | 0:26:59 | 0:27:03 | |
and sometimes complete recovery. | 0:27:03 | 0:27:04 | |
I know this from my own father | 0:27:04 | 0:27:06 | |
who had a stroke, oh, about now 15 years ago. | 0:27:06 | 0:27:09 | |
It was really very extensive, the damage. | 0:27:09 | 0:27:11 | |
And then, within a few weeks, he started to recognise people. | 0:27:11 | 0:27:14 | |
And then, amazingly, he has now got his driving licence back, | 0:27:14 | 0:27:18 | |
Not that he's allowed to use it, because he's 95! | 0:27:18 | 0:27:20 | |
So I've seen first hand how brilliantly | 0:27:20 | 0:27:23 | |
and how quickly the brain can recover from a stroke depending | 0:27:23 | 0:27:27 | |
on the extent of the damage and where the damage is, of course. | 0:27:27 | 0:27:29 | |
The more a brain cell is made to work, | 0:27:29 | 0:27:31 | |
the stronger the connections between other brain cells will be. | 0:27:31 | 0:27:34 | |
So, if you are suddenly making other brain cells work | 0:27:34 | 0:27:37 | |
because some have died, then they will make connections, | 0:27:37 | 0:27:40 | |
and that can be part of the so-called plasticity | 0:27:40 | 0:27:43 | |
of the brain, its ability to recover. | 0:27:43 | 0:27:45 | |
In addition to phantom pain, | 0:27:45 | 0:27:46 | |
people have also applied this technique to treating strokes. | 0:27:46 | 0:27:49 | |
You can make a phantom limb appear to move, | 0:27:49 | 0:27:52 | |
that alleviates phantom pain. | 0:27:52 | 0:27:54 | |
What about after an actual stroke, which causes actual paralysis? | 0:27:54 | 0:27:58 | |
Some of this paralysis is due to permanent injury | 0:27:58 | 0:28:00 | |
to the nerve fibres going from the neural cortex | 0:28:00 | 0:28:02 | |
of the right side to the arm, down the spinal cord into the arm. | 0:28:02 | 0:28:05 | |
So, there's not much you can do about that. | 0:28:05 | 0:28:07 | |
Those fibres are permanently damaged. | 0:28:07 | 0:28:09 | |
But maybe some of the paralysis is a temporary paralysis caused by | 0:28:09 | 0:28:13 | |
a temporary block of nerve signals going from the motor areas | 0:28:13 | 0:28:17 | |
of the brain to the arm. | 0:28:17 | 0:28:18 | |
So, on a hunch, we said, what if you put a mirror and have | 0:28:18 | 0:28:20 | |
the chap look at his reflection of his normal arm in the mirror. | 0:28:20 | 0:28:23 | |
So it looks like, when he makes a command, | 0:28:23 | 0:28:26 | |
that the paralysed arm comes to life and starts moving. | 0:28:26 | 0:28:29 | |
Obviously, it's not actually moving, it is lying paralysed. | 0:28:29 | 0:28:32 | |
Astonishingly, it gives the illusion that the paralysed arm is moving. | 0:28:32 | 0:28:35 | |
Many of them break into tears until they look on the other side | 0:28:35 | 0:28:38 | |
of the mirror and realise it's not moving. | 0:28:38 | 0:28:40 | |
But then, with repeated practice, the arm actually starts moving, | 0:28:40 | 0:28:44 | |
a paralysed arm. | 0:28:44 | 0:28:45 | |
Not in all the patients, but in about one third. | 0:28:45 | 0:28:47 | |
I claim that some of this which we regard as permanent | 0:28:47 | 0:28:49 | |
is actually temporary. | 0:28:49 | 0:28:51 | |
There are cells that are dormant there, inactive. | 0:28:51 | 0:28:53 | |
Using mirror feedback, you can revive the function | 0:28:53 | 0:28:56 | |
of these cells so the patient actually starts moving his arm. | 0:28:56 | 0:28:59 | |
Now we believe there is hope. | 0:28:59 | 0:29:01 | |
Now we believe we can teach the immune system how to | 0:29:01 | 0:29:06 | |
turn on those signals to regenerate those areas of the human brain. | 0:29:06 | 0:29:11 | |
It's very similar to if you imagine that you get a cut on your hand, | 0:29:11 | 0:29:15 | |
it is actually your immune system that tells your skin stem cells | 0:29:15 | 0:29:20 | |
to either turn that area where you were cut into a scar | 0:29:20 | 0:29:25 | |
or to heal it and regenerate it so that you never see the scar. | 0:29:25 | 0:29:29 | |
So, we are beginning to understand that the same process | 0:29:29 | 0:29:33 | |
occurs in the human brain. | 0:29:33 | 0:29:35 | |
And the more we understand about those immune cells, the more we can, | 0:29:35 | 0:29:39 | |
hopefully, direct that regeneration in the direction that we want. | 0:29:39 | 0:29:43 | |
Now, I think an accident | 0:29:43 | 0:29:46 | |
of whatever level that gives you this kind of disability, | 0:29:46 | 0:29:50 | |
um... | 0:29:50 | 0:29:52 | |
makes you appreciate more life and be less sort of anxious | 0:29:52 | 0:29:56 | |
about making it. | 0:29:56 | 0:29:58 | |
So, show where they operated. | 0:30:12 | 0:30:14 | |
They took out from... they went in first... | 0:30:14 | 0:30:18 | |
-My first operation was just to go in and clamp the aneurysm. -Mm-hm. | 0:30:18 | 0:30:23 | |
So they took out some of my skull here, went in, clamped it | 0:30:23 | 0:30:26 | |
then put the skull back. | 0:30:26 | 0:30:28 | |
And now... That first operation I had tubes coming out, | 0:30:28 | 0:30:33 | |
but, you know, just a little scar. | 0:30:33 | 0:30:36 | |
So, you had one big aneurysm. | 0:30:36 | 0:30:37 | |
I had one big bleed. | 0:30:37 | 0:30:39 | |
That was operated on, clamped. That was on a Friday. | 0:30:39 | 0:30:43 | |
Then Saturday came and they were doing the cognitive question | 0:30:43 | 0:30:48 | |
and answers, they were watching my pressure. | 0:30:48 | 0:30:51 | |
I did not remember this at all. It's the only part that... | 0:30:51 | 0:30:54 | |
-I guess I started to slip away. -So why? | 0:30:54 | 0:30:57 | |
Why did you have a second operation? | 0:30:57 | 0:30:59 | |
Because my brain started to swell and so the pressure | 0:30:59 | 0:31:02 | |
in my cranial area was, you know, being affected, | 0:31:02 | 0:31:07 | |
and that's very dangerous. | 0:31:07 | 0:31:08 | |
So, they had to do an emergency surgery to remove | 0:31:08 | 0:31:12 | |
half of my skull to allow my brain to swell. | 0:31:12 | 0:31:15 | |
So, what they did is they opened up from here all the way back | 0:31:15 | 0:31:20 | |
to here and they removed pretty much this half of my skull here. | 0:31:20 | 0:31:28 | |
From here. | 0:31:28 | 0:31:29 | |
And they stored it... and they stored it | 0:31:29 | 0:31:34 | |
in my abdominal wall. | 0:31:34 | 0:31:37 | |
This is a model of a patient's skull who had a fall. | 0:31:37 | 0:31:40 | |
So, at surgery, we had to remove a good-sized piece of the skull | 0:31:40 | 0:31:44 | |
and remove blood there. | 0:31:44 | 0:31:46 | |
And the patient had a fair amount of swelling and some trouble, | 0:31:46 | 0:31:49 | |
so we had to leave the skull off. | 0:31:49 | 0:31:52 | |
So, you have either the option of trying to keep the piece | 0:31:52 | 0:31:55 | |
of skull, like store it in the abdomen, | 0:31:55 | 0:31:58 | |
like in this layer under the skin where it can stay vascularised... | 0:31:58 | 0:32:02 | |
Some places will store the bone in a freezer | 0:32:02 | 0:32:05 | |
and then it can be re-implanted. | 0:32:05 | 0:32:07 | |
The disadvantage of that is it tends to kill a lot of the bone cells | 0:32:07 | 0:32:10 | |
that are in there. | 0:32:10 | 0:32:11 | |
Then I came home after that to recuperate for about two months | 0:32:11 | 0:32:15 | |
and then go back and put the skull back. | 0:32:15 | 0:32:19 | |
And so, when all that is kind of, | 0:32:19 | 0:32:22 | |
"OK, well, we're going to put you back. | 0:32:22 | 0:32:24 | |
"Before long, it's going to grow over. | 0:32:24 | 0:32:26 | |
"You're not going to even see your scar." | 0:32:26 | 0:32:28 | |
I kind of have a sense of loss | 0:32:28 | 0:32:29 | |
because I feel it was a gift that was given to me. | 0:32:29 | 0:32:32 | |
Now, how long has it been since the third operation? | 0:32:33 | 0:32:36 | |
It will be... | 0:32:36 | 0:32:38 | |
Oh, it was July 1, three months today. | 0:32:38 | 0:32:40 | |
You know, it's a new normal, and it's finding your footing, | 0:32:40 | 0:32:44 | |
how you can, you know, feel like... | 0:32:44 | 0:32:47 | |
I want to go back out into the world. | 0:32:47 | 0:32:49 | |
I have a lot to say. | 0:32:49 | 0:32:50 | |
I am so grateful, you know, | 0:32:50 | 0:32:54 | |
that I want to be able to be this very productive person now. | 0:32:54 | 0:32:58 | |
Not that I wasn't before, but now it's just different, now it's new. | 0:32:58 | 0:33:02 | |
Everything is... I want to look at everything. | 0:33:02 | 0:33:04 | |
Everything looks so beautiful. | 0:33:04 | 0:33:06 | |
Maryam is my wife. | 0:33:06 | 0:33:10 | |
And I experienced her whole saga | 0:33:10 | 0:33:14 | |
of her headaches for weeks and weeks | 0:33:14 | 0:33:18 | |
and weeks and then this violent attack that she had. | 0:33:18 | 0:33:21 | |
And it was terribly important that I didn't convey my pain to her. | 0:33:21 | 0:33:28 | |
And this is something that often is forgotten about - families, | 0:33:28 | 0:33:34 | |
husbands and wives, children of the brain sufferer. | 0:33:34 | 0:33:40 | |
You can't transmit your fears, you have to be positive, | 0:33:40 | 0:33:43 | |
you have to be up, you have to boost the morale | 0:33:43 | 0:33:46 | |
and show hope where often there may not be hope. | 0:33:46 | 0:33:51 | |
It's a very, very, very painful thing. | 0:33:51 | 0:33:55 | |
It was a sensation unlike anything I have ever experienced, obviously. | 0:33:57 | 0:34:02 | |
It was almost a sort of out of body experience. | 0:34:02 | 0:34:05 | |
It was as if the life was being literally sucked from me. | 0:34:05 | 0:34:11 | |
It was as if my body was made of tubes | 0:34:11 | 0:34:13 | |
and a great vacuum inside of me was actually sucking life out. | 0:34:13 | 0:34:18 | |
I remember saying to Bella, | 0:34:18 | 0:34:20 | |
"If I faint, I won't come back." | 0:34:20 | 0:34:22 | |
Because I had the feeling that I was on the edge of some... | 0:34:22 | 0:34:28 | |
something very extreme, you know, and very worrying, very alarming. | 0:34:28 | 0:34:34 | |
And I called the doctor immediately | 0:34:34 | 0:34:36 | |
and he called back and said, "I think you better call | 0:34:36 | 0:34:39 | |
"the ambulance just in case it's a subarachnoid haemorrhage." | 0:34:39 | 0:34:44 | |
Which is what it was. | 0:34:44 | 0:34:45 | |
Your prospects are pretty low, I mean, it's something like 10% | 0:34:45 | 0:34:48 | |
or less of survival. | 0:34:48 | 0:34:50 | |
And there are various factors in this. | 0:34:50 | 0:34:52 | |
I mean, not only is it the bleeding that can kill you, | 0:34:52 | 0:34:56 | |
but the operation can kill you. | 0:34:56 | 0:34:58 | |
And then, as I discovered, | 0:34:58 | 0:35:00 | |
this extraordinary operation they did, which was to float | 0:35:00 | 0:35:03 | |
a piece of titanium from my groin through the blood vessels, | 0:35:03 | 0:35:07 | |
up into my brain here, through the tiny little filaments, | 0:35:07 | 0:35:10 | |
and then release a spring and so on. I mean, incredible. | 0:35:10 | 0:35:14 | |
And this has its dangers because as they're doing it, bits of artery, | 0:35:14 | 0:35:19 | |
I'm afraid to say, | 0:35:19 | 0:35:20 | |
can chip off and float down and block your heart, give you a stroke. | 0:35:20 | 0:35:23 | |
That's part of the 10%. | 0:35:23 | 0:35:25 | |
Then you can get, you know, for a week you can get | 0:35:25 | 0:35:29 | |
sort of a brain reaction of shock and spasm, which also... | 0:35:29 | 0:35:34 | |
So I...you know, I won that lottery. | 0:35:34 | 0:35:39 | |
And it made me think various things. | 0:35:39 | 0:35:42 | |
One, I'd completely dropped any regrets about my life, | 0:35:42 | 0:35:48 | |
you know. | 0:35:48 | 0:35:50 | |
You know, ideas that, you know, I could've done that or | 0:35:50 | 0:35:52 | |
I should've done that or I should have been a New York correspondent | 0:35:52 | 0:35:55 | |
or I should... You know, forget about that. | 0:35:55 | 0:35:59 | |
The idea was that you'd actually survived, you know, | 0:35:59 | 0:36:02 | |
and, you know, he and I could play. | 0:36:02 | 0:36:05 | |
Wonderful. So, it was a bit like the Samurai. | 0:36:05 | 0:36:07 | |
You know, the Samurai warriors have this Zen thing which is that | 0:36:07 | 0:36:11 | |
because imminently they might be cut down in combat, | 0:36:11 | 0:36:17 | |
every breath is a sort of elixir, a sort of wonderful thing. | 0:36:17 | 0:36:20 | |
And I completely understand that, | 0:36:20 | 0:36:24 | |
and I do get that sort of feeling, you know. | 0:36:24 | 0:36:27 | |
And I... Almost always when Jimmy says we should play, I say yes, | 0:36:27 | 0:36:31 | |
except when I'm, you know, downtime. | 0:36:31 | 0:36:34 | |
Yeah? | 0:36:34 | 0:36:37 | |
And now you are writing a book. | 0:36:37 | 0:36:39 | |
Yeah. | 0:36:39 | 0:36:41 | |
Which is about a man who's having a brain aneurysm. | 0:36:41 | 0:36:43 | |
I am, indeed. I know, we both... | 0:36:43 | 0:36:45 | |
Both my gentleman, as I call him, | 0:36:45 | 0:36:49 | |
and I have a piece of titanium in our heads. | 0:36:49 | 0:36:51 | |
Keith Richards has got a piece of titanium, but bigger. | 0:36:54 | 0:36:56 | |
He's got a sort of plate. | 0:36:56 | 0:36:57 | |
-Oh, he's got a plate? -I think so. -And you have a little...? | 0:36:57 | 0:37:01 | |
-I have a tiny, little titanium coil. -It's a coil, OK. | 0:37:01 | 0:37:06 | |
But the titanium club is an exclusive club, | 0:37:06 | 0:37:09 | |
which you belong to, as well, I think. | 0:37:09 | 0:37:11 | |
I think I have changed since the operation. | 0:37:11 | 0:37:13 | |
Definitely, there's no question about it. I mean, I am much more... | 0:37:13 | 0:37:18 | |
I'm much more emotional... | 0:37:18 | 0:37:19 | |
..now. And I think because I'm more touched by... | 0:37:21 | 0:37:25 | |
by pain in others, definitely. | 0:37:25 | 0:37:28 | |
I am more succinct with it, I am more connected with it. | 0:37:28 | 0:37:32 | |
This is Monty. | 0:37:37 | 0:37:38 | |
He had an AVM when he was eight years old. | 0:37:38 | 0:37:41 | |
And here he is with his dog, Jack. | 0:37:41 | 0:37:43 | |
I was just playing sport, I was running around, | 0:37:47 | 0:37:50 | |
and then I got a headache, so I sat down. | 0:37:50 | 0:37:53 | |
And then I asked if I could go to the nurse. | 0:37:53 | 0:37:56 | |
And I just went to the nurse and suddenly I just puked and fainted. | 0:37:56 | 0:38:00 | |
-So, it was really quick, it happened very quickly? -Yeah. | 0:38:01 | 0:38:04 | |
And then I just remember one little scene of me having a mask on | 0:38:04 | 0:38:08 | |
and the doctors, like, bringing air in. | 0:38:08 | 0:38:13 | |
-Trying to revive you? -Yeah. | 0:38:13 | 0:38:15 | |
We had to wait for scans and... | 0:38:15 | 0:38:17 | |
-So you had no idea what was going on? -No. | 0:38:17 | 0:38:20 | |
They did an MRI trying to see what was the next step. | 0:38:20 | 0:38:23 | |
They knew that there was a bleed, a big one, | 0:38:23 | 0:38:26 | |
but that was all we knew. We didn't know why or how. | 0:38:26 | 0:38:29 | |
It wasn't initially apparent what had caused this bleed, | 0:38:29 | 0:38:32 | |
so we took him to the angiography suite, did in angiogram | 0:38:32 | 0:38:34 | |
that demonstrated an AVM, an arteriovenous malformation, | 0:38:34 | 0:38:38 | |
which is an abnormal connection between the arteries and veins | 0:38:38 | 0:38:42 | |
on the surface of the brain. | 0:38:42 | 0:38:44 | |
The way I embolise an AVM is to go in the artery in the groin, | 0:38:44 | 0:38:49 | |
put a catheter up into the main arteries to the brain in the neck, | 0:38:49 | 0:38:54 | |
and then through that, put a second micro catheter | 0:38:54 | 0:38:57 | |
about half a millimetre in diameter into one of the arteries | 0:38:57 | 0:39:01 | |
going into the AVM itself | 0:39:01 | 0:39:02 | |
and then inject some kind of liquid that mixes with the blood | 0:39:02 | 0:39:07 | |
and sits to form a plug filling the abnormal vessels | 0:39:07 | 0:39:11 | |
of the AVM and stopping blood flow in the AVM. | 0:39:11 | 0:39:13 | |
There are two main things I use - glue, | 0:39:15 | 0:39:17 | |
where I inject a mix of the blood and it sets and forms a cast | 0:39:17 | 0:39:21 | |
or onyx, which is a kind of rubbery material which I inject slowly, | 0:39:21 | 0:39:26 | |
watching to see where it goes within the AVM. | 0:39:26 | 0:39:30 | |
If I'm happy where it goes, I keep injecting it and it will gradually | 0:39:30 | 0:39:34 | |
fill the nidus of the AVM, the network of vessels of the AVM. | 0:39:34 | 0:39:38 | |
And if it starts to go toward one of the arteries that supplies | 0:39:38 | 0:39:43 | |
the normal brain, I'll stop, wait, | 0:39:43 | 0:39:45 | |
let it sit, and then start injecting again, | 0:39:45 | 0:39:48 | |
hoping it goes back in the direction I want it to. | 0:39:48 | 0:39:51 | |
What would you want the most right now? | 0:39:51 | 0:39:54 | |
Um... | 0:39:54 | 0:39:55 | |
To see my dog. | 0:39:57 | 0:39:58 | |
What do you think it is about an animal that helps? | 0:39:58 | 0:40:01 | |
Well, they are very loving and caring. | 0:40:01 | 0:40:05 | |
Are you both inseparable? | 0:40:05 | 0:40:07 | |
Yeah. | 0:40:07 | 0:40:09 | |
-Do you miss him now? -Yes. | 0:40:11 | 0:40:14 | |
-You want to go and play with him now? -Yeah. | 0:40:14 | 0:40:17 | |
My brain haemorrhage was a glimpse into this other world, | 0:40:43 | 0:40:46 | |
but now I am so much more aware of other forms of brain damage | 0:40:46 | 0:40:50 | |
and how crushing the effects can be. | 0:40:50 | 0:40:52 | |
And how invisible it is to others. | 0:40:52 | 0:40:55 | |
Yes, that's true. | 0:40:55 | 0:40:57 | |
Problems with memory and concentration | 0:40:57 | 0:41:00 | |
or changes in personality are not immediately obvious. | 0:41:00 | 0:41:03 | |
If they don't have conspicuous disabilities, | 0:41:03 | 0:41:06 | |
the brain injured go unnoticed. | 0:41:06 | 0:41:09 | |
And misunderstood. | 0:41:09 | 0:41:12 | |
It is across the board, every aspect of the person's life, | 0:41:17 | 0:41:21 | |
from their social, intellectual functional, vocational... | 0:41:21 | 0:41:27 | |
Every aspect of their life is affected. | 0:41:27 | 0:41:30 | |
And it's invisible. | 0:41:32 | 0:41:34 | |
Sherrie Baehr who has initiated this charity called the Silver Lining | 0:41:34 | 0:41:39 | |
that belongs to them, to those brain injured, | 0:41:39 | 0:41:42 | |
and they have to raise money for their own charity. | 0:41:42 | 0:41:44 | |
And with that money, they go | 0:41:44 | 0:41:46 | |
and help other people that are more disadvantaged than themselves. | 0:41:46 | 0:41:50 | |
And it re-engages them in life, gives them a focus, a purpose, | 0:41:50 | 0:41:53 | |
and they feel useful. | 0:41:53 | 0:41:54 | |
I think one of the biggest problems I've had | 0:41:54 | 0:41:56 | |
since the accident is it was never properly followed up. | 0:41:56 | 0:41:59 | |
And I had the injury, I was in hospital for quite a while, | 0:41:59 | 0:42:02 | |
and then they just let me go. And no-one saw me. | 0:42:02 | 0:42:06 | |
Until I saw Sherrie last year, | 0:42:06 | 0:42:08 | |
no-one spoke to me about the car accident. | 0:42:08 | 0:42:11 | |
So, I spent grammar school thinking I was really quite stupid, | 0:42:11 | 0:42:14 | |
with memory problems, etc. | 0:42:14 | 0:42:16 | |
And I never knew it was because of my brain injury. | 0:42:16 | 0:42:18 | |
People tend to get burned out after a while. | 0:42:18 | 0:42:21 | |
Because the progress in brain injury is so slow. | 0:42:21 | 0:42:25 | |
Why is that? | 0:42:25 | 0:42:27 | |
Well, the brain heals itself very slowly. | 0:42:27 | 0:42:30 | |
Is that why a lot of brain injured then sort of get into depressions? | 0:42:30 | 0:42:35 | |
-Because they're not seeing a progression. -Absolutely. | 0:42:35 | 0:42:39 | |
OK, when I was 21, | 0:42:39 | 0:42:45 | |
I got hit by a car and I fell back. | 0:42:45 | 0:42:48 | |
Fortunately for me, I broke a windscreen, | 0:42:48 | 0:42:52 | |
cos I hit the left-hand side of my brain, | 0:42:52 | 0:42:56 | |
so that affected my speech. | 0:42:56 | 0:42:59 | |
Because I often think, if I hit the right side, | 0:42:59 | 0:43:02 | |
my speech would be normal, | 0:43:02 | 0:43:04 | |
but then maybe I would forget things | 0:43:04 | 0:43:07 | |
or maybe... It would be so different. | 0:43:07 | 0:43:10 | |
But no, it's... You know. | 0:43:10 | 0:43:13 | |
So, that's why I sound drunk, and I'm not. | 0:43:13 | 0:43:17 | |
Return to previous social relationships is not possible. | 0:43:17 | 0:43:22 | |
Family relationships are often very changed. | 0:43:22 | 0:43:25 | |
And what people naturally do is you don't really want to be | 0:43:25 | 0:43:29 | |
around someone that you have problems with all the time. | 0:43:29 | 0:43:32 | |
I was assaulted and somebody stabbed a snooker cue | 0:43:32 | 0:43:35 | |
through my right eye socket, | 0:43:35 | 0:43:38 | |
through my brain, to the back of my skull. | 0:43:38 | 0:43:42 | |
It's quite an abstract thing to sort of come to terms with, | 0:43:42 | 0:43:45 | |
a brain injury. It's slightly nebulous. | 0:43:45 | 0:43:48 | |
Confidence is a major issue afterwards. | 0:43:48 | 0:43:51 | |
And sort of, self-identity even. | 0:43:51 | 0:43:56 | |
Ed has spent, and I hope I am not over exaggerating, | 0:43:57 | 0:44:01 | |
but the last ten years hardly getting out of bed. | 0:44:01 | 0:44:05 | |
Not engaging with the community or life at all. | 0:44:06 | 0:44:12 | |
And Ed is quite an inspiration for the Silver Lining for me | 0:44:12 | 0:44:15 | |
because when I saw Ed in Namibia, | 0:44:15 | 0:44:18 | |
he was the first one up in the morning. | 0:44:18 | 0:44:21 | |
Yeah, Namibia was just a wonderful opportunity to, | 0:44:21 | 0:44:25 | |
instead of, I guess, being brain injured, | 0:44:25 | 0:44:29 | |
feeling like a bit of a burden on the state, | 0:44:29 | 0:44:32 | |
it was nice to be able to sort of help other people | 0:44:32 | 0:44:36 | |
and give something back. | 0:44:36 | 0:44:38 | |
And, uh... | 0:44:38 | 0:44:42 | |
The children we met out there were just a massive inspiration, | 0:44:42 | 0:44:46 | |
full of life and joy, despite very meagre circumstances. | 0:44:46 | 0:44:51 | |
It can't be easy being an orphan in Africa. | 0:44:51 | 0:44:55 | |
So, yeah, that was... That was a real privilege. | 0:44:55 | 0:44:59 | |
Of course you give hope, you have to give hope constantly | 0:45:08 | 0:45:11 | |
to the sufferer, | 0:45:11 | 0:45:13 | |
to the injured person, | 0:45:13 | 0:45:15 | |
who is in a kind of desert of his or her own, | 0:45:15 | 0:45:19 | |
as they struggle to find a way out and to live. | 0:45:19 | 0:45:22 | |
And then it occurred to me, | 0:45:22 | 0:45:24 | |
a memory that I had of when I was working in Africa over many years. | 0:45:24 | 0:45:28 | |
I'd been to the Namibian desert, where the desert elephant, | 0:45:28 | 0:45:32 | |
who moves in a family group out of this barren land. | 0:45:32 | 0:45:36 | |
And this mammal, this largest mammal on earth, | 0:45:36 | 0:45:38 | |
has the ability to feel, to suffer, feel grief and pain. | 0:45:38 | 0:45:43 | |
They show hate and they show love, like us humans do. | 0:45:43 | 0:45:47 | |
But they also have the most incredible memory. | 0:45:47 | 0:45:49 | |
And that memory serves to cross these vast, | 0:45:49 | 0:45:54 | |
barren landscapes | 0:45:54 | 0:45:56 | |
to return to an area they remember they'd found water, | 0:45:56 | 0:46:00 | |
maybe 10 years ago. | 0:46:00 | 0:46:02 | |
And it allows them, this memory allows them to live. | 0:46:02 | 0:46:07 | |
I remember my husband telling me things after my operation | 0:46:09 | 0:46:14 | |
and I wouldn't understand what he was saying. | 0:46:14 | 0:46:17 | |
The words were familiar, but their meanings would evaporate. | 0:46:17 | 0:46:22 | |
And I couldn't make the connection between the thoughts | 0:46:22 | 0:46:26 | |
and the words, and then I couldn't retain what he was saying. | 0:46:26 | 0:46:29 | |
So, it was a real, real battle with the memory, | 0:46:29 | 0:46:31 | |
and I was feeling awful, | 0:46:31 | 0:46:36 | |
as if I'd become stupid. | 0:46:36 | 0:46:38 | |
How does the meat of the brain give rise to the mind that we experience? | 0:46:38 | 0:46:44 | |
How does memory, perception, language, problem solving skills, | 0:46:44 | 0:46:48 | |
control of action, | 0:46:48 | 0:46:49 | |
how does it all come together to produce this unified sense | 0:46:49 | 0:46:52 | |
of self that we all experience? | 0:46:52 | 0:46:54 | |
GUITAR MUSIC | 0:46:54 | 0:46:57 | |
I had a great deal of anger in me, | 0:47:06 | 0:47:09 | |
for what I referred to at the time | 0:47:09 | 0:47:11 | |
as misdiagnosis. To have been diagnosed | 0:47:11 | 0:47:16 | |
as a manic depressive | 0:47:16 | 0:47:19 | |
when I was suffering from birth AVM, arteriovenous malformation, | 0:47:19 | 0:47:23 | |
was very injurious at the time. | 0:47:23 | 0:47:27 | |
I thought it was injurious. | 0:47:27 | 0:47:29 | |
There's a whole legend that has been built up around Pat. | 0:47:29 | 0:47:32 | |
We have this great guitar virtuoso, | 0:47:32 | 0:47:35 | |
a prodigy who leaves home in Philadelphia as a 15-year-old kid | 0:47:35 | 0:47:39 | |
and goes to live in Harlem and plays with the jazz greats. | 0:47:39 | 0:47:42 | |
That in itself is a pretty remarkable story. | 0:47:42 | 0:47:45 | |
He then begins to have psychological problems. | 0:47:45 | 0:47:48 | |
He then develops seizures. | 0:47:48 | 0:47:50 | |
And in 1980, at the age of 36, | 0:47:50 | 0:47:53 | |
he has a life-threatening brain haemorrhage, | 0:47:53 | 0:47:56 | |
which requires pretty drastic surgery. | 0:47:56 | 0:47:59 | |
And that's where the legend really starts, | 0:47:59 | 0:48:02 | |
because then he completely loses the ability to play the guitar. | 0:48:02 | 0:48:06 | |
Not knowing who I was, not knowing how to play, | 0:48:06 | 0:48:09 | |
being told that I should play my instrument again, | 0:48:09 | 0:48:14 | |
being told that I should do this and I should do that, | 0:48:14 | 0:48:17 | |
and this person is who you are, | 0:48:17 | 0:48:20 | |
all of those things I was told were very painful because I feared not | 0:48:20 | 0:48:25 | |
being able to live up to the overall description that others gave to me | 0:48:25 | 0:48:30 | |
of that person. | 0:48:30 | 0:48:32 | |
It took me 17 years to play the instrument again. | 0:48:32 | 0:48:37 | |
He certainly lost the motivation to play. | 0:48:37 | 0:48:38 | |
I think he was, for a while, a lost soul. | 0:48:38 | 0:48:43 | |
He'd lost his sense of identity. | 0:48:43 | 0:48:45 | |
He didn't recognise his parents, he didn't really know who he was. | 0:48:45 | 0:48:48 | |
It takes a long time for him to even pick up a guitar again, | 0:48:48 | 0:48:51 | |
despite the encouragement to get him back to his old self. | 0:48:51 | 0:48:54 | |
And eventually, he relearns the guitar from tuition videos | 0:48:54 | 0:48:58 | |
from a great teacher, his former self. | 0:48:58 | 0:49:01 | |
In a sense, the legend is intact. | 0:49:04 | 0:49:06 | |
It is a remarkable story that he did have this period of loss | 0:49:06 | 0:49:09 | |
of identity. | 0:49:09 | 0:49:10 | |
So the idea that he completely lost the ability to play | 0:49:10 | 0:49:14 | |
was never...was never probably true. | 0:49:14 | 0:49:18 | |
What he wouldn't have lost is the sort of the dexterity, | 0:49:18 | 0:49:21 | |
the movement of the fingers over the fretboard, | 0:49:21 | 0:49:23 | |
because those parts of the brain were not affected. | 0:49:23 | 0:49:27 | |
When you remember your life story, that is known as episodic memory. | 0:49:27 | 0:49:31 | |
When you remember skills, like knowing how to ride a bike | 0:49:31 | 0:49:34 | |
or play the guitar, that is known as procedural memory. | 0:49:34 | 0:49:37 | |
Memory is obviously a huge topic, | 0:49:37 | 0:49:41 | |
and it is a major commitment of real estate by the brain | 0:49:41 | 0:49:44 | |
to manage all your lifelong memories | 0:49:44 | 0:49:47 | |
and have a really efficient filing system so that you can access | 0:49:47 | 0:49:51 | |
that memory rapidly. | 0:49:51 | 0:49:53 | |
It's amazing to see Google do that. | 0:49:53 | 0:49:55 | |
So, you type in some obscure thing and you instantly get this answer. | 0:49:55 | 0:50:00 | |
Well, the brain does that a million or a trillion times | 0:50:00 | 0:50:04 | |
more effectively, and we don't know how. | 0:50:04 | 0:50:06 | |
Someone who is injured and loses their ability to form | 0:50:06 | 0:50:08 | |
new memories, they don't have short-term memory, | 0:50:08 | 0:50:11 | |
they can remember what happened before the injury | 0:50:11 | 0:50:14 | |
because the machinery that put those memories in place | 0:50:14 | 0:50:17 | |
was functioning then. | 0:50:17 | 0:50:19 | |
That machinery is somehow damaged by the injury. | 0:50:19 | 0:50:22 | |
They can't put new data into the filing system. | 0:50:22 | 0:50:25 | |
There are things that the human brain does that is incredible, | 0:50:46 | 0:50:51 | |
that is very difficult to measure. | 0:50:51 | 0:50:53 | |
How does one measure creativity? | 0:50:53 | 0:50:56 | |
Our ability to see, our ability to speak, our ability to think, | 0:50:56 | 0:51:00 | |
our ability to create, | 0:51:00 | 0:51:02 | |
our ability to ask the questions that we don't understand. | 0:51:02 | 0:51:07 | |
It's hard to assign that to a particular region of the brain, | 0:51:07 | 0:51:11 | |
so my view has always been it's that something extra, | 0:51:11 | 0:51:17 | |
that something special that those vast areas of the frontal lobes | 0:51:17 | 0:51:22 | |
and temporal lobes are actually performing. | 0:51:22 | 0:51:24 | |
When Herbie Hancock, you know, | 0:51:24 | 0:51:27 | |
composes a great piece of music, or Quincy Jones. | 0:51:27 | 0:51:30 | |
Yeah, I mean, one can remove large areas of one's brain, | 0:51:30 | 0:51:35 | |
but can you still get that type of creativity | 0:51:35 | 0:51:38 | |
without those areas? I doubt it. | 0:51:38 | 0:51:40 | |
Can you describe what happened to you in 1974? | 0:51:47 | 0:51:51 | |
Well, something that I'm sure both of us hope never happens again. | 0:51:51 | 0:51:56 | |
I guess I was 41 years old and all of a sudden I blank out, | 0:51:56 | 0:52:02 | |
double vision. | 0:52:02 | 0:52:05 | |
When I come to, I feel like somebody had shot my head off with a shotgun. | 0:52:05 | 0:52:09 | |
And you had it at what moment? | 0:52:09 | 0:52:12 | |
Well, I was being intimate with my wife, you know, | 0:52:12 | 0:52:17 | |
and I had been up for two or three days writing music. | 0:52:17 | 0:52:20 | |
And we were lying there that afternoon | 0:52:20 | 0:52:23 | |
and one thing led to another, and, bam, I was out, you know. | 0:52:23 | 0:52:28 | |
For seven days, they couldn't figure out what it was. | 0:52:28 | 0:52:31 | |
Thank God my doctor was a genius. She was a very special lady. | 0:52:31 | 0:52:35 | |
She is one of the ladies who worked on Einstein when he was dying. | 0:52:35 | 0:52:39 | |
She said, "I think I know what it is, but before we do it, | 0:52:39 | 0:52:42 | |
"we have to cut the throat and put in two pipes at 32 degrees | 0:52:42 | 0:52:46 | |
"to cool the brain down because it is inflamed and if we open the top, | 0:52:46 | 0:52:52 | |
"it'll jump out the top." | 0:52:52 | 0:52:53 | |
All this talk, I don't need this, you know! | 0:52:53 | 0:52:55 | |
I don't need to hear all this stuff. | 0:52:55 | 0:52:57 | |
They told me the odds were 100-to-1 to live, | 0:52:57 | 0:53:01 | |
-that makes you feel real good. -Yeah. | 0:53:01 | 0:53:03 | |
And they came back in after the operation and said, | 0:53:03 | 0:53:06 | |
"The good news is you'll live, the bad news is you got another one | 0:53:06 | 0:53:08 | |
"on the other side and we have to go back in two months." | 0:53:08 | 0:53:12 | |
So... | 0:53:12 | 0:53:13 | |
A lot of the things I'm glad I missed in the first operation... | 0:53:13 | 0:53:16 | |
For instance, before I go in, I'm looking and I see a bag down there | 0:53:16 | 0:53:20 | |
in my stretcher and I say, "What's that?" | 0:53:20 | 0:53:23 | |
They said, "That's your hair. If you don't make it, | 0:53:23 | 0:53:25 | |
"we put it back on so you look good in your coffin." | 0:53:25 | 0:53:27 | |
THEY LAUGH | 0:53:27 | 0:53:31 | |
For the second operation, my whole left side was paralysed. | 0:53:31 | 0:53:35 | |
Did you find that the experience, the near-death experience, | 0:53:35 | 0:53:38 | |
and going through all of that really painful journey | 0:53:38 | 0:53:41 | |
made you discover something new in your music? | 0:53:41 | 0:53:43 | |
The essence, I think, stays the same. | 0:53:43 | 0:53:46 | |
It's just your passion probably steps up | 0:53:46 | 0:53:51 | |
six or 17 marks, you know, | 0:53:51 | 0:53:53 | |
your passion for being able to write music, to express yourself, because, | 0:53:53 | 0:53:57 | |
you know, everything in life, the value just goes straight up. | 0:53:57 | 0:54:01 | |
You know, just everything, your relationship with your family, | 0:54:01 | 0:54:04 | |
your friends, everything becomes more important. | 0:54:04 | 0:54:07 | |
You are more careful about everything, | 0:54:07 | 0:54:09 | |
you just care a lot more. | 0:54:09 | 0:54:11 | |
What did the doctor say to you when you had your operation, | 0:54:11 | 0:54:14 | |
that you were not allowed to do in music anymore? | 0:54:14 | 0:54:17 | |
The first thing was I could never play my horn anymore. | 0:54:17 | 0:54:19 | |
Only with just the physical idea of blowing with that kind of force, | 0:54:19 | 0:54:25 | |
it could blow the metal cap off of the brain and you would die. | 0:54:25 | 0:54:30 | |
That's not... It doesn't take too long to think about that. | 0:54:30 | 0:54:35 | |
I can't play in front of you, ma'am. | 0:54:37 | 0:54:39 | |
-So we are brothers and sisters in this. -Yeah, exactly. | 0:54:57 | 0:55:01 | |
-I am also very blessed. -Yeah. -Very blessed. | 0:55:01 | 0:55:04 | |
I don't believe in God, in fact I'm the other extreme, | 0:55:07 | 0:55:10 | |
I'm an atheist, not because I don't believe... | 0:55:10 | 0:55:13 | |
not because the brain-mind continuum aspect, | 0:55:13 | 0:55:16 | |
it's just that I have seen so many bad things happen to people. | 0:55:16 | 0:55:20 | |
Be afflicted with so many bad things, | 0:55:20 | 0:55:23 | |
or left in such a damaged state or such human tragedies | 0:55:23 | 0:55:26 | |
that I cannot conceive that a god would want that. | 0:55:26 | 0:55:32 | |
-I agree with you. -That's the reason why I'm an atheist. | 0:55:32 | 0:55:37 | |
COUNTRY MUSIC | 0:55:43 | 0:55:46 | |
There has to be joy and laughter, | 0:55:50 | 0:55:52 | |
which is what we experience at the Royal Hospital | 0:55:52 | 0:55:54 | |
of Neurodisability, watching some of them dance to music. | 0:55:54 | 0:56:00 | |
It's...it's touching to see them really have pleasure. | 0:56:00 | 0:56:03 | |
You find there's joy. | 0:56:06 | 0:56:08 | |
There's despair, too, | 0:56:08 | 0:56:10 | |
and hopelessness, let's not forget. | 0:56:10 | 0:56:12 | |
For some people, disability is just overwhelming. | 0:56:12 | 0:56:18 | |
And that's the saddest thing. | 0:56:18 | 0:56:20 | |
We should never despair. | 0:56:20 | 0:56:23 | |
Jane, can you tell us about Jeffrey? | 0:56:30 | 0:56:33 | |
Yeah, he was previously an inspector of taxes, | 0:56:33 | 0:56:35 | |
so he is quite high educational level, really. | 0:56:35 | 0:56:40 | |
And the results of his brainstem stroke are that he is paralysed, | 0:56:40 | 0:56:44 | |
or partially paralysed, | 0:56:44 | 0:56:45 | |
but he is still cognitively completely intact, | 0:56:45 | 0:56:48 | |
so he understands everything you say to him, ask of him. | 0:56:48 | 0:56:51 | |
Sometimes he finds it difficult to respond to things | 0:56:51 | 0:56:54 | |
because of his communication difficulties. | 0:56:54 | 0:56:56 | |
He's only got his eyes that he can actually communicate with. | 0:56:56 | 0:56:59 | |
This is like a therapeutic exercise, OK? | 0:56:59 | 0:57:02 | |
So don't worry too much about the game content. | 0:57:02 | 0:57:05 | |
Lift that hand up. Up, up, up, up, up. | 0:57:07 | 0:57:10 | |
Yes. Keep going. | 0:57:10 | 0:57:12 | |
Yep. Brilliant! | 0:57:12 | 0:57:14 | |
OK, Jeffrey, are you OK? | 0:57:16 | 0:57:19 | |
You OK to carry on? Can you give me an eyes up for yes? | 0:57:19 | 0:57:22 | |
'To be or not to be... | 0:57:23 | 0:57:27 | |
'..that is the question. | 0:57:29 | 0:57:32 | |
'Whether it is nobler in the mind | 0:57:32 | 0:57:36 | |
'to suffer the slings and arrows of outrageous fortune... | 0:57:36 | 0:57:39 | |
'..or to take arms against a sea of troubles. | 0:57:41 | 0:57:45 | |
'And by opposing, end them.' | 0:57:46 | 0:57:52 | |
My very first clinical placement was at a neuro rehab hospital. | 0:57:53 | 0:57:58 | |
And one of the very first patients I came across was a boy | 0:57:58 | 0:58:01 | |
who had walked into an empty lift shaft | 0:58:01 | 0:58:05 | |
and had sort of fallen, I think it was three floors, | 0:58:05 | 0:58:08 | |
and very nearly died. | 0:58:08 | 0:58:11 | |
This was my first encounter with that kind of really severe disability. | 0:58:11 | 0:58:14 | |
I was absolutely shaken by it. | 0:58:14 | 0:58:16 | |
And I felt, you know, why? Why let him...? | 0:58:16 | 0:58:19 | |
Why should he live? It's not fair to him or his parents. | 0:58:19 | 0:58:22 | |
And he looked absolutely destroyed and distressed. | 0:58:22 | 0:58:28 | |
He was in a hell. | 0:58:28 | 0:58:31 | |
And then I was around one day when his mother came in | 0:58:31 | 0:58:33 | |
and she sat with him and cradled his head in her arms | 0:58:33 | 0:58:39 | |
and he was a different, you know... | 0:58:39 | 0:58:41 | |
The whole was greater than the sum of the parts. | 0:58:41 | 0:58:45 | |
He was different. | 0:58:45 | 0:58:46 | |
There was something there that came through as a consequence | 0:58:46 | 0:58:50 | |
of his mother actually being there with him, holding him. | 0:58:50 | 0:58:54 | |
-Jeffrey understands everything I'm saying. Don't you? -Yes. -Yeah. | 0:58:54 | 0:58:58 | |
The additional problem that Jeffrey has is that he hasn't got | 0:58:58 | 0:59:01 | |
complete control of his ocular muscles, | 0:59:01 | 0:59:04 | |
so sometimes when he tries to move his eyes in one direction | 0:59:04 | 0:59:07 | |
they don't respond to what you want them to do, do they either? | 0:59:07 | 0:59:10 | |
Which is difficult. | 0:59:10 | 0:59:12 | |
Obviously, to be able to move his hand, | 0:59:12 | 0:59:14 | |
it might seem like a very, very small step to other people, | 0:59:14 | 0:59:17 | |
but it's a huge step for him, because when he arrived here, | 0:59:17 | 0:59:20 | |
he was completely paralysed and could only move his eyes. | 0:59:20 | 0:59:23 | |
'He's starting to see now improvement in himself | 0:59:23 | 0:59:25 | |
'and he's starting to think that he can achieve things.' | 0:59:25 | 0:59:28 | |
OK. Don't wear yourself out. | 0:59:28 | 0:59:30 | |
You do too much. | 0:59:30 | 0:59:33 | |
'That is the question. | 0:59:33 | 0:59:35 | |
'To die, to sleep. No more. | 0:59:36 | 0:59:41 | |
'And by a sleep, to say we end the heartache | 0:59:41 | 0:59:45 | |
'and the thousand natural shocks that flesh is heir to.' | 0:59:45 | 0:59:50 | |
'Tis a consummation devoutly to be wished. | 0:59:50 | 0:59:53 | |
'To die, to sleep... | 0:59:53 | 0:59:57 | |
'..to sleep...' | 0:59:58 | 0:59:59 | |
When you see sufferers, however severely disabled they are... | 1:00:01 | 1:00:05 | |
..experience joy for a couple of seconds, | 1:00:07 | 1:00:11 | |
you realise that it's worth helping them. | 1:00:11 | 1:00:14 | |
And when you see these extraordinary, you know, | 1:00:14 | 1:00:19 | |
therapists like at the Royal Hospital of Neurodisability, | 1:00:19 | 1:00:21 | |
who are there, | 1:00:21 | 1:00:22 | |
dedicated to the brain injured, it's definitely worth having a life. | 1:00:22 | 1:00:28 | |
About two years ago, | 1:00:28 | 1:00:31 | |
Marc was having some headaches, | 1:00:31 | 1:00:33 | |
not feeling very well, | 1:00:33 | 1:00:35 | |
and it was diagnosed | 1:00:35 | 1:00:39 | |
that he had a tumour. | 1:00:39 | 1:00:41 | |
He went into hospital to have the tumour removed | 1:00:41 | 1:00:45 | |
and that all went absolutely fine. | 1:00:45 | 1:00:48 | |
But unfortunately, while Marc was in hospital, | 1:00:48 | 1:00:51 | |
he got meningitis, | 1:00:51 | 1:00:55 | |
which was actually what the cause was of Marc's difficulties. | 1:00:55 | 1:01:00 | |
Which one did you enjoy most? | 1:01:00 | 1:01:02 | |
I'm going to get you to type out which one you enjoyed most. | 1:01:05 | 1:01:09 | |
'D... | 1:01:09 | 1:01:13 | |
'O... | 1:01:13 | 1:01:16 | |
'C... | 1:01:16 | 1:01:18 | |
'K... | 1:01:18 | 1:01:20 | |
'Space.... Dock.... | 1:01:20 | 1:01:22 | |
'Of... | 1:01:22 | 1:01:24 | |
'The... | 1:01:24 | 1:01:26 | |
'B-A... | 1:01:27 | 1:01:32 | |
'Y... | 1:01:32 | 1:01:34 | |
'Dock of the Bay.' | 1:01:34 | 1:01:37 | |
PIANO MUSIC | 1:01:37 | 1:01:40 | |
# Sittin' in the morning sun | 1:01:43 | 1:01:47 | |
# I'll be sittin' when the evenin' come | 1:01:47 | 1:01:53 | |
# Watchin' the ships roll in | 1:01:53 | 1:01:57 | |
# And then I watch 'em roll away again, yeah | 1:01:57 | 1:02:03 | |
# Sittin' on the dock of the bay | 1:02:03 | 1:02:06 | |
# Watchin' the tide roll away | 1:02:06 | 1:02:13 | |
# Sittin' on the dock of the bay | 1:02:13 | 1:02:16 | |
# Wastin' time | 1:02:16 | 1:02:19 | |
# Sittin' on the dock of the bay | 1:02:22 | 1:02:27 | |
# Wastin' time. # | 1:02:27 | 1:02:30 | |
APPLAUSE | 1:02:38 | 1:02:42 | |
Did you enjoy that one? | 1:02:43 | 1:02:45 | |
'Fantastic.' | 1:02:50 | 1:02:52 | |
# I'm sittin' on the dock of the bay | 1:02:55 | 1:02:58 | |
# Wastin' time | 1:02:58 | 1:03:04 | |
# Look like nothing's going to change | 1:03:04 | 1:03:09 | |
# Everything still remains the same. # | 1:03:09 | 1:03:14 | |
Everybody has had their personal journey, but they've been through | 1:03:14 | 1:03:17 | |
this place where the brain has been very affected and has had to try | 1:03:17 | 1:03:22 | |
and come back and there is an openness to try and help those | 1:03:22 | 1:03:26 | |
who need help. | 1:03:26 | 1:03:28 | |
And who are isolated, as well. | 1:03:28 | 1:03:30 | |
When I left the hospital, everything was in slow motion. | 1:03:35 | 1:03:38 | |
And I spent four months trying to kind of get back into life. | 1:03:38 | 1:03:43 | |
And I remember there was a school a couple of blocks away | 1:03:43 | 1:03:47 | |
and there were kids playing basketball | 1:03:47 | 1:03:49 | |
by the school and I just remember... | 1:03:49 | 1:03:53 | |
..I remember watching them... | 1:03:55 | 1:03:57 | |
..and thinking... | 1:04:00 | 1:04:01 | |
.."Never take your life for granted again." | 1:04:03 | 1:04:05 | |
Because they were running... | 1:04:08 | 1:04:10 | |
..and it was so healthy. | 1:04:13 | 1:04:15 | |
And I thought, "Never take your life for granted again." | 1:04:16 | 1:04:20 | |
And that memory serves to cross these vast, barren landscapes, | 1:04:43 | 1:04:50 | |
to return to an area that they remember they had found water, | 1:04:50 | 1:04:53 | |
maybe ten years ago. | 1:04:53 | 1:04:56 | |
This memory allows them to live. | 1:04:56 | 1:04:59 | |
It wasn't quite what you expected, Maryam, | 1:05:37 | 1:05:41 | |
you pictured scenes of personal tragedy and hopelessness, | 1:05:41 | 1:05:44 | |
the anguish and sorrow of profound disability. | 1:05:44 | 1:05:47 | |
Well, that can't be denied. | 1:05:47 | 1:05:50 | |
But normality has a habit of seeping through, | 1:05:50 | 1:05:53 | |
and more than that, vitality, a sharpened sense of the value | 1:05:53 | 1:05:57 | |
of ordinary things, | 1:05:57 | 1:05:58 | |
of the sheer privilege of being alive. | 1:05:58 | 1:06:02 | |
Who knows if we'll ever fathom the mysteries of the brain, | 1:06:02 | 1:06:07 | |
the thing is to appreciate the fragile wonder of it all. | 1:06:07 | 1:06:10 | |
Down to the last breath, down to the dying embers of consciousness. | 1:06:10 | 1:06:16 | |
Life is good. | 1:06:16 | 1:06:18 | |
We forget that. | 1:06:18 | 1:06:19 | |
I could hold my brain in my two hands. | 1:06:40 | 1:06:44 | |
It is the size of... | 1:06:44 | 1:06:46 | |
It's like a handful. It's like a handful of porridge. | 1:06:46 | 1:06:49 | |
And that brain is | 1:06:50 | 1:06:53 | |
my gestures, my personality, | 1:06:53 | 1:06:57 | |
my beliefs, my movements, everything. | 1:06:57 | 1:07:01 | |
My entire life is in that handful of porridge. | 1:07:01 | 1:07:04 | |
Of course there are ups and downs, you know. | 1:07:04 | 1:07:08 | |
I can't say I was always cheerful every time, | 1:07:08 | 1:07:12 | |
but, um, I mean, | 1:07:12 | 1:07:15 | |
that's where my parents come in. | 1:07:15 | 1:07:17 | |
They've always been a strong supporter, my number one fan. | 1:07:17 | 1:07:21 | |
A lot of people would be like, "Are you out of your mind, a gift? | 1:07:23 | 1:07:27 | |
"You nearly died!" But I didn't. | 1:07:27 | 1:07:32 | |
You have to really understand | 1:07:33 | 1:07:37 | |
and become a master | 1:07:37 | 1:07:39 | |
at how to live with joy and enjoy joy. | 1:07:39 | 1:07:44 | |
Living for the day thing, much more I have that. | 1:07:45 | 1:07:48 | |
I'm much calmer about that kind of thing and I'm appreciative. | 1:07:48 | 1:07:53 | |
I do get great flashes at the pleasure | 1:07:53 | 1:07:56 | |
of kind of being alive, seeing things, seeing the river, | 1:07:56 | 1:07:58 | |
seeing the spring, seeing all that stuff. | 1:07:58 | 1:08:01 | |
I get a great sense of relief and intensity about that, you know. | 1:08:01 | 1:08:06 | |
The greatest thing for me at this point in my life | 1:08:06 | 1:08:09 | |
is when a little sparrow lands on the windowsill | 1:08:09 | 1:08:14 | |
or I can see it and I can hear it sing. | 1:08:14 | 1:08:18 | |
I fall... Anything that helps me to get back to love. | 1:08:18 | 1:08:23 | |
Subneuroid acro... | 1:08:29 | 1:08:32 | |
What did you have? | 1:08:33 | 1:08:35 | |
A sub... I don't know how to pronounce it. | 1:08:35 | 1:08:37 | |
That's my thing, my brain is... | 1:08:37 | 1:08:39 | |
I don't know how to pronounce anything now! | 1:08:39 | 1:08:41 | |
Subarachnoid... | 1:08:41 | 1:08:44 | |
-What is the second part? -Aneurysm. -Oh, aneurysm. | 1:08:46 | 1:08:48 | |
Subarachnoid aneurysm. Subarachnoid aneurysm. | 1:08:48 | 1:08:53 | |
Subtitles by Red Bee Media Ltd | 1:08:54 | 1:08:58 |