
Browse content similar to Space Dive. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
Sunday 14th October. | 0:00:06 | 0:00:08 | |
Mission control. We're in perfect conditions for launch. | 0:00:08 | 0:00:11 | |
The world is watching... | 0:00:11 | 0:00:14 | |
To expedite the process... | 0:00:14 | 0:00:15 | |
..as a man in a space suit flies a balloon to 128,000 feet. | 0:00:15 | 0:00:21 | |
We are away. Felix is away. | 0:00:21 | 0:00:25 | |
At the edge of space, he leaves the capsule, | 0:00:25 | 0:00:27 | |
stands on a tiny step... | 0:00:27 | 0:00:29 | |
..and jumps. | 0:00:32 | 0:00:33 | |
He becomes the first person to fall faster than the speed of sound. | 0:00:39 | 0:00:43 | |
But although the world watched, it didn't see the whole story. | 0:00:47 | 0:00:52 | |
How seconds earlier, as he fell, Felix Baumgartner lost control | 0:00:54 | 0:00:59 | |
and came close to disaster. | 0:00:59 | 0:01:01 | |
What is he doing? He's spinning, isn't he? | 0:01:01 | 0:01:05 | |
How on the way up, he was nearly forced to call off the whole jump. | 0:01:05 | 0:01:10 | |
We have an emergency here. We could very well be cutting him down any minute. | 0:01:12 | 0:01:17 | |
And how four years of struggles and setbacks | 0:01:17 | 0:01:21 | |
pushed the mission to the brink of collapse. | 0:01:21 | 0:01:23 | |
Two flights, two mission aborts - stop selling me excuses. | 0:01:25 | 0:01:29 | |
What's going on? | 0:01:31 | 0:01:33 | |
He had the opportunity to get trained properly. He never took advantage of it. | 0:01:33 | 0:01:36 | |
Sometimes feels like it's just too much. | 0:01:36 | 0:01:39 | |
This is the untold story of how a team of scientists | 0:01:41 | 0:01:46 | |
and sky-divers... | 0:01:46 | 0:01:48 | |
Rock and roll! | 0:01:48 | 0:01:49 | |
..took a giant leap... | 0:01:49 | 0:01:52 | |
..and stunned the world. | 0:01:53 | 0:01:55 | |
I had this dream when I was a little kid. | 0:02:32 | 0:02:35 | |
And I'm still having it two or three times a month. | 0:02:36 | 0:02:39 | |
Always the same dream, you know, | 0:02:41 | 0:02:43 | |
I'm just walking out here on the street, | 0:02:43 | 0:02:45 | |
I run for a couple of feet, then I take off. | 0:02:45 | 0:02:47 | |
It was always a show-off flight to my friends, | 0:02:51 | 0:02:55 | |
cos they don't believe it. | 0:02:55 | 0:02:56 | |
I'm always telling them, "OK, wait until you see this." | 0:02:56 | 0:02:59 | |
You can do backflips, front flips, you can do spins, | 0:03:02 | 0:03:04 | |
you can do whatever you want. | 0:03:04 | 0:03:06 | |
Then coming back after a couple of minutes and telling them, "See, I told you I can fly." | 0:03:09 | 0:03:13 | |
Felix Baumgartner is gripped by an obsession. | 0:03:22 | 0:03:25 | |
He wants to fly. | 0:03:28 | 0:03:30 | |
Higher, further, faster than any human has ever dared. | 0:03:33 | 0:03:38 | |
But to realise that dream, he needs to break a record | 0:03:43 | 0:03:47 | |
that has stood for more than fifty years. | 0:03:47 | 0:03:50 | |
In 1960, test pilot Joe Kittinger volunteered for a mission | 0:04:03 | 0:04:08 | |
to test survival at the edge of the Earth's atmosphere. | 0:04:08 | 0:04:12 | |
Protected by just a pressure suit, | 0:04:15 | 0:04:18 | |
he flew a balloon beyond 100,000 feet. | 0:04:18 | 0:04:21 | |
Not only did he survive the flight, | 0:04:23 | 0:04:26 | |
at the edge of space, he did something extraordinary. | 0:04:26 | 0:04:31 | |
Joe fell 19 miles back to earth. | 0:04:50 | 0:04:54 | |
His feat was so dangerous | 0:04:56 | 0:04:58 | |
and technically difficult that it has never been matched. | 0:04:58 | 0:05:02 | |
Before Felix can take on HIS near-space mission, | 0:05:14 | 0:05:17 | |
he needs to be trained. | 0:05:17 | 0:05:19 | |
Only one man has the skills and experience for the job. | 0:05:23 | 0:05:26 | |
Retired Colonel...Joe Kittinger. | 0:05:30 | 0:05:32 | |
I think the first week after my jump I got a phone call from a guy | 0:05:34 | 0:05:37 | |
wanting to beat my record. | 0:05:37 | 0:05:39 | |
And monthly since then, for 50 years I've been getting calls. | 0:05:40 | 0:05:43 | |
99% of them have no idea of the challenge. | 0:05:43 | 0:05:47 | |
Joe has come out of retirement to help Felix break his record | 0:05:56 | 0:06:01 | |
and become the first person | 0:06:01 | 0:06:03 | |
to freefall faster than the speed of sound. | 0:06:03 | 0:06:06 | |
It's kind of a weird thought | 0:06:09 | 0:06:11 | |
when you look at all these supersonic planes. | 0:06:11 | 0:06:13 | |
And when I do my jump, I'm travelling at the same speed. | 0:06:15 | 0:06:19 | |
Well, nobody's ever done it. | 0:06:20 | 0:06:22 | |
I can't estimate, but it's going to be the dynamics, aeronautics, | 0:06:23 | 0:06:28 | |
CG changes, turbulence. | 0:06:28 | 0:06:30 | |
Felix really doesn't have the experience | 0:06:32 | 0:06:35 | |
and the background that I had. | 0:06:35 | 0:06:38 | |
But he'll be going five miles higher than what I jumped from | 0:06:38 | 0:06:41 | |
so I've got to be extra intense at looking at how he's doing. | 0:06:41 | 0:06:46 | |
When I go supersonic speed, I almost become an aeroplane. | 0:06:53 | 0:06:58 | |
You're a bomb. | 0:06:58 | 0:06:59 | |
A bomb? | 0:06:59 | 0:07:01 | |
You're a bomb. | 0:07:01 | 0:07:03 | |
I want to be an aeroplane, not a bomb! | 0:07:04 | 0:07:07 | |
You're a bomb that can manoeuvre. | 0:07:07 | 0:07:09 | |
But I was born to fly. | 0:07:11 | 0:07:13 | |
That's right, you were born to fly. And you'd better fly too! | 0:07:13 | 0:07:16 | |
Felix has already turned his obsession with flying into a career. | 0:07:24 | 0:07:28 | |
He is a professional BASE jumper. | 0:07:32 | 0:07:35 | |
He's set records for the highest jump from a building... | 0:07:39 | 0:07:42 | |
..and the lowest. | 0:07:45 | 0:07:46 | |
But for this mission, | 0:07:51 | 0:07:53 | |
Felix needs to jump from 20 miles higher than he has ever been before. | 0:07:53 | 0:07:57 | |
Just getting there | 0:08:03 | 0:08:05 | |
requires a multi-million dollar space programme. | 0:08:05 | 0:08:08 | |
Screw it in, screw it in. It's still got to go this way. | 0:08:18 | 0:08:21 | |
A team of 20 engineers and scientists | 0:08:21 | 0:08:24 | |
is working on the technology to fly Felix beyond the stratosphere. | 0:08:24 | 0:08:29 | |
We're trying to take a human being up into space | 0:08:31 | 0:08:35 | |
and have him come back safely. | 0:08:35 | 0:08:36 | |
I've got a diagram here. | 0:08:36 | 0:08:38 | |
I call it a plumbing diagram - we're space plumbers. | 0:08:38 | 0:08:42 | |
All the way over. | 0:08:48 | 0:08:50 | |
The man in charge is Art Thompson. | 0:08:50 | 0:08:52 | |
Oh, my God! This is going to be big, isn't it?! | 0:08:52 | 0:08:57 | |
Art has worked on rocket planes for NASA | 0:08:59 | 0:09:02 | |
and stealth bombers for the US military. | 0:09:02 | 0:09:05 | |
But for this mission, he's working for an Austrian drinks company. | 0:09:06 | 0:09:12 | |
You really got to kind of hand it to them that they took on | 0:09:12 | 0:09:16 | |
this commitment to do, in essence, a privately funded space programme. | 0:09:16 | 0:09:22 | |
But Red Bull's budget of £3.5 million pounds | 0:09:26 | 0:09:28 | |
comes with something these engineers aren't used to - | 0:09:28 | 0:09:32 | |
a 12-month deadline. | 0:09:32 | 0:09:35 | |
We've got schedules to make! We've got big schedules to make! | 0:09:35 | 0:09:41 | |
Yeah! | 0:09:41 | 0:09:43 | |
Despite the lack of time, Art's ideas for the project are ambitious. | 0:09:46 | 0:09:53 | |
It starts out really simple | 0:09:55 | 0:09:57 | |
as a napkin sketch in the middle of the night | 0:09:57 | 0:10:00 | |
and eventually that ends up becoming more. | 0:10:00 | 0:10:02 | |
It's a technical beast that keeps growing. | 0:10:04 | 0:10:07 | |
Just like Joe's day, the only way up for Felix | 0:10:10 | 0:10:13 | |
is via the oldest aircraft of all - a balloon. | 0:10:13 | 0:10:19 | |
It's almost like the space programme going full circle again. | 0:10:19 | 0:10:23 | |
It started with the balloon, we've come back to the balloon. | 0:10:23 | 0:10:26 | |
But this is no ordinary balloon. | 0:10:26 | 0:10:31 | |
At nearly 30 million cubic feet, | 0:10:31 | 0:10:34 | |
it's the biggest ever used for a manned flight. | 0:10:34 | 0:10:37 | |
One tenth as thick as a polythene bag | 0:10:38 | 0:10:41 | |
but strong enough to carry the space capsule that Art is building. | 0:10:41 | 0:10:45 | |
At launch, it will be filled with helium | 0:10:46 | 0:10:49 | |
until it's taller than a fifty-storey building. | 0:10:49 | 0:10:52 | |
It's amazing that this | 0:10:52 | 0:10:55 | |
piece of plastic, that is no thicker than a dry cleaner bag, | 0:10:55 | 0:11:00 | |
is going to hold up all this weight. | 0:11:00 | 0:11:03 | |
At around 63,000 feet, it will pass through the Armstrong line. | 0:11:04 | 0:11:10 | |
Beyond this point, the lack of pressure | 0:11:11 | 0:11:13 | |
would be deadly without protection. | 0:11:13 | 0:11:16 | |
As it rises, the gas will expand | 0:11:19 | 0:11:22 | |
until the balloon is the width of a football field. | 0:11:22 | 0:11:25 | |
It will take three hours to carry Felix 24 miles above the earth. | 0:11:28 | 0:11:33 | |
Getting him there is hard enough. | 0:11:38 | 0:11:42 | |
Keeping him alive is even harder. | 0:11:42 | 0:11:45 | |
We're talking about the medical and physiological considerations | 0:12:00 | 0:12:04 | |
of an extreme altitude jump. | 0:12:04 | 0:12:06 | |
Felix and Joe meet the project's medical team. | 0:12:06 | 0:12:10 | |
We have to go through the what-if's to understand what our choices are. | 0:12:10 | 0:12:15 | |
It includes a former astronaut | 0:12:15 | 0:12:18 | |
and the world's leading expert on altitude sickness. | 0:12:18 | 0:12:21 | |
This is what happens in the body. | 0:12:21 | 0:12:23 | |
The CO2, partial pressure of oxygen... | 0:12:23 | 0:12:26 | |
The doctors have identified a series of high-altitude dangers. | 0:12:26 | 0:12:31 | |
First, a life-threatening condition called hypoxia. | 0:12:32 | 0:12:37 | |
Definition of hypoxia. | 0:12:37 | 0:12:39 | |
It's a deficiency of oxygen. These are the symptoms. | 0:12:39 | 0:12:43 | |
You may get impaired efficiency, drowsiness, poor judgement, | 0:12:43 | 0:12:48 | |
visual blurring, extreme fatigue, | 0:12:48 | 0:12:51 | |
you're not really functional at that point. | 0:12:51 | 0:12:54 | |
But there's a bigger threat - | 0:12:54 | 0:12:57 | |
the lack of atmospheric pressure above the Armstrong line. | 0:12:57 | 0:13:03 | |
Ebulism. Definition - tissue vaporization. It's dramatic. | 0:13:03 | 0:13:07 | |
It's life-threatening. | 0:13:07 | 0:13:09 | |
Above the Armstrong line, you don't have the pressure | 0:13:11 | 0:13:16 | |
of the atmosphere holding the gas in your blood stream. | 0:13:16 | 0:13:21 | |
The gas is trying to find the fastest path out of your body. | 0:13:21 | 0:13:26 | |
Out of every orifice you have, you'll start to ooze fluids. | 0:13:26 | 0:13:30 | |
Your body wants to swell up twice its size. | 0:13:30 | 0:13:32 | |
It's like the worst possible horror film. | 0:13:32 | 0:13:36 | |
We can show you a video of a guy that had that in a chamber, | 0:13:36 | 0:13:39 | |
suit pressurised, it becomes disconnected from a life support. | 0:13:39 | 0:13:43 | |
He remembered his tongue was boiling. | 0:13:43 | 0:13:46 | |
'You're so far away from anything, any medical treatment, | 0:13:48 | 0:13:52 | |
'any help at all. If something goes wrong,' | 0:13:52 | 0:13:55 | |
you're by yourself. That is really scary. | 0:13:55 | 0:13:58 | |
This is what I'm thinking about all the time. | 0:13:58 | 0:14:01 | |
Where do you want to abort? At what level of risk do you want to abort? | 0:14:01 | 0:14:05 | |
Only way to ensure his safety is stay on the ground. | 0:14:05 | 0:14:08 | |
He's not going to do that. | 0:14:08 | 0:14:10 | |
We're talking about risk factors - that's a crock. | 0:14:10 | 0:14:13 | |
We're going to do this project. Let's just get out of this, | 0:14:13 | 0:14:16 | |
accept a little bit of risk and press on. | 0:14:16 | 0:14:18 | |
'The consensus is that he can survive the experience.' | 0:14:20 | 0:14:24 | |
I hope we're right. | 0:14:29 | 0:14:31 | |
Felix has one key piece of safety equipment | 0:14:39 | 0:14:43 | |
that he has to learn to trust - | 0:14:43 | 0:14:46 | |
his pressurised space suit. | 0:14:46 | 0:14:49 | |
Joe takes him to be fitted | 0:14:51 | 0:14:53 | |
at the same company that made his space suit 50 years ago. | 0:14:53 | 0:14:58 | |
It's a piece of art. | 0:15:10 | 0:15:12 | |
It's all hand done. | 0:15:12 | 0:15:14 | |
She just assembled these two pieces, | 0:15:14 | 0:15:16 | |
you can not see where she just sewed that together. | 0:15:16 | 0:15:20 | |
-It's impossible. -I think it's right there. | 0:15:20 | 0:15:22 | |
-Where? -No, I don't think so! -THEY LAUGH | 0:15:22 | 0:15:25 | |
Cos I can't find it either. | 0:15:25 | 0:15:28 | |
It will take a team of people more than a year | 0:15:31 | 0:15:34 | |
to build the customised suit. | 0:15:34 | 0:15:37 | |
A single flaw could be deadly. | 0:15:37 | 0:15:40 | |
You have to be very exact about everything. | 0:15:43 | 0:15:46 | |
If you did do something wrong, it could be someone's life, you know, so... | 0:15:46 | 0:15:51 | |
But they check us much too much. | 0:15:51 | 0:15:53 | |
Space suits are designed for protection, not for free-falling. | 0:15:56 | 0:16:01 | |
This is a whole new world for Felix. | 0:16:03 | 0:16:06 | |
Ready to do this? | 0:16:06 | 0:16:08 | |
Screw it in, clockwise. Screw it in. | 0:16:11 | 0:16:15 | |
Run it up to 3 PSI. | 0:16:24 | 0:16:26 | |
FELIX SPEAKS INDISTINCTLY | 0:16:27 | 0:16:30 | |
The suit is inflated with air, | 0:16:30 | 0:16:33 | |
creating a protective cocoon around the body. | 0:16:33 | 0:16:36 | |
Can I jump? | 0:16:39 | 0:16:41 | |
This pressurised air keeps you alive at altitude | 0:16:41 | 0:16:44 | |
but makes movement difficult. | 0:16:44 | 0:16:47 | |
Three, two, one. | 0:16:47 | 0:16:50 | |
Get full flex. All the way back. | 0:16:50 | 0:16:53 | |
Good. | 0:16:55 | 0:16:56 | |
Do that again. | 0:16:58 | 0:17:00 | |
'It's hard to describe how it feels. | 0:17:07 | 0:17:09 | |
'Your movements are totally limited.' | 0:17:09 | 0:17:12 | |
Is that hard? Is that OK? | 0:17:12 | 0:17:14 | |
'You can't breathe that easy any more. | 0:17:16 | 0:17:20 | |
'It's difficult, you know?' | 0:17:20 | 0:17:22 | |
You don't feel a damn thing in that suit. | 0:17:22 | 0:17:24 | |
When I go for a skydive, | 0:17:28 | 0:17:30 | |
I want the air floating around my body. | 0:17:30 | 0:17:34 | |
I want to feel it, I want to feel the speed, | 0:17:34 | 0:17:36 | |
I want to feel the temperature. | 0:17:36 | 0:17:39 | |
Work with the air, use it, | 0:17:39 | 0:17:41 | |
so you can move your body while falling down. | 0:17:41 | 0:17:43 | |
'So first time wearing the pressure suit, | 0:17:48 | 0:17:51 | |
'pumped up like this,' | 0:17:51 | 0:17:54 | |
it was like, "Where's my freedom? It's gone!" | 0:17:54 | 0:17:57 | |
Felix will have to learn how to freefall in a rigid pressure suit. | 0:18:02 | 0:18:08 | |
The first person ever to do that was Joe. | 0:18:10 | 0:18:14 | |
Hey, Joe. Remember this? | 0:18:14 | 0:18:17 | |
Yeah. Looks familiar. | 0:18:17 | 0:18:19 | |
It's a picture of Joe going out of the gondola. | 0:18:19 | 0:18:23 | |
To me it was a lot simpler, a lot easier. | 0:18:25 | 0:18:28 | |
I'd worn pressure suits a long time. | 0:18:28 | 0:18:30 | |
I'd flown aeroplanes in pressure suits | 0:18:30 | 0:18:32 | |
so I was used to flying with a pressure suit. | 0:18:32 | 0:18:35 | |
I'd got used to how uncomfortable it is. | 0:18:35 | 0:18:38 | |
Yeah, and I'm not a fighter pilot. | 0:18:39 | 0:18:41 | |
I didn't spend much time in a pressure suit | 0:18:41 | 0:18:44 | |
so that's the big thing. | 0:18:44 | 0:18:45 | |
You are an attitude. | 0:18:45 | 0:18:47 | |
Back in '55, '56, '57, | 0:18:56 | 0:18:59 | |
space was something that no-one ever thought would happen. | 0:18:59 | 0:19:03 | |
Some people actually said we could never go there. | 0:19:03 | 0:19:05 | |
When Joe began his mission, NASA was just being formed | 0:19:05 | 0:19:10 | |
and space travel was still a thing of the future. | 0:19:10 | 0:19:14 | |
His jump was part of a research programme called Project Excelsior. | 0:19:14 | 0:19:20 | |
I wasn't interested in skydiving, | 0:19:20 | 0:19:22 | |
I wasn't interested in setting records. | 0:19:22 | 0:19:25 | |
I was interested in getting escape systems for pilots and astronauts. | 0:19:25 | 0:19:29 | |
I never get tired of watching the footage. | 0:19:31 | 0:19:32 | |
-It's incredible. -I don't either. -It's just incredible. | 0:19:32 | 0:19:37 | |
Oh, you know, it was the most significant thing | 0:19:37 | 0:19:39 | |
to happen in my life, that parachute jump was. | 0:19:39 | 0:19:42 | |
It's just as vivid in my mind today as it was the day I did it. | 0:19:42 | 0:19:46 | |
On 16th August 1960, | 0:19:50 | 0:19:53 | |
Joe left earth on a mission to see if a pilot could survive | 0:19:53 | 0:19:57 | |
an emergency bailout from the edge of space. | 0:19:57 | 0:20:01 | |
His every word was recorded for research. | 0:20:03 | 0:20:06 | |
What I have here really is a transcript | 0:20:06 | 0:20:09 | |
and this is what I said. | 0:20:09 | 0:20:13 | |
I said, "Overhead it's black, probably because of the polarization. | 0:20:13 | 0:20:18 | |
"Beneath me I can see the clouds. Quite fantastic." | 0:20:18 | 0:20:22 | |
The balloon carried Joe 19 miles above the earth. | 0:20:25 | 0:20:29 | |
It's just a beautiful, beautiful setting. | 0:20:31 | 0:20:34 | |
But then all of a sudden you realise that it's hostile. VERY hostile. | 0:20:36 | 0:20:40 | |
As he was preparing to jump, Joe made a terrifying discovery... | 0:20:43 | 0:20:47 | |
..he had a hole in one of his gloves. | 0:20:49 | 0:20:51 | |
My hand started swelling twice it's normal size. | 0:20:51 | 0:20:55 | |
I was really distressed. | 0:20:57 | 0:20:59 | |
I thought, "Well, if I tell the ground that I have this problem, | 0:21:00 | 0:21:05 | |
"they're going to make me abort." | 0:21:05 | 0:21:07 | |
But I was there as a test pilot, | 0:21:11 | 0:21:14 | |
and my job now was to jump. | 0:21:14 | 0:21:18 | |
I took a deep breath... | 0:21:24 | 0:21:27 | |
I stood up, moved to the door... | 0:21:27 | 0:21:31 | |
I said "Lord, take care of me now." | 0:21:31 | 0:21:33 | |
"Awfully bright. Cold in my legs. | 0:21:51 | 0:21:56 | |
"Can't get my breath." | 0:21:57 | 0:21:59 | |
Joe ignored the pain in his hand | 0:22:03 | 0:22:05 | |
and recorded everything he could feel and see as he fell. | 0:22:05 | 0:22:09 | |
I said, "Gosh, I'm not accelerating very fast," | 0:22:10 | 0:22:13 | |
cos you have nothing to define speed. | 0:22:13 | 0:22:16 | |
There's no signposts going by, there's nothing visual at all. | 0:22:18 | 0:22:21 | |
In fact, Joe was falling at 614 mph, | 0:22:23 | 0:22:29 | |
just short of the speed of sound. | 0:22:29 | 0:22:31 | |
"70,000. Beautiful. | 0:22:33 | 0:22:37 | |
"Hit it in 35 secs. | 0:22:37 | 0:22:40 | |
"60,000. 50,000." | 0:22:40 | 0:22:45 | |
The further I fell, the happier I got, | 0:22:47 | 0:22:49 | |
because I knew I was going back down to a safer environment. | 0:22:49 | 0:22:51 | |
And that's a nice thought. | 0:22:54 | 0:22:56 | |
At 18,000 feet, after a four-and-a-half minute freefall, | 0:23:02 | 0:23:07 | |
Joe's chute opened. | 0:23:07 | 0:23:09 | |
"Oh, gee, that sure feels good, that cold air. | 0:23:11 | 0:23:14 | |
"Ah, boy. Thank you, God, thank you. | 0:23:14 | 0:23:17 | |
"Thank you for protecting me during that long descent. Thank you, God." | 0:23:18 | 0:23:24 | |
Joe's injured hand eventually healed. | 0:23:30 | 0:23:33 | |
The data from his freefall helped develop a parachute escape system | 0:23:34 | 0:23:40 | |
used by high-altitude pilots. | 0:23:40 | 0:23:42 | |
Now, Joe has to train Felix to do what he did, | 0:23:44 | 0:23:48 | |
only faster and further. | 0:23:48 | 0:23:51 | |
It was the highlight of my life. | 0:23:53 | 0:23:56 | |
Until I have to beat Felix's new record. | 0:23:56 | 0:23:59 | |
And I know how to do it now, cos they've got all the equipment. | 0:24:01 | 0:24:05 | |
I don't know if Felix told you, but I'm his backup. | 0:24:05 | 0:24:08 | |
If he breaks his leg or something | 0:24:08 | 0:24:10 | |
I'm going to be his backup for the jump. | 0:24:10 | 0:24:12 | |
It's not commonly known, | 0:24:12 | 0:24:14 | |
but, uh, that's the agreement that Felix and I have. | 0:24:14 | 0:24:17 | |
I don't ever want to see this like this again. | 0:24:18 | 0:24:21 | |
You stretch your lines out. | 0:24:21 | 0:24:23 | |
From now on, I don't want to see a cord like this. | 0:24:23 | 0:24:27 | |
C'mon now, we're better than that. | 0:24:27 | 0:24:29 | |
Back at mission headquarters, | 0:24:29 | 0:24:31 | |
Art and the team are struggling with the capsule. | 0:24:31 | 0:24:34 | |
Three, two, one. | 0:24:34 | 0:24:36 | |
-Woo! -APPLAUSE | 0:24:36 | 0:24:40 | |
We'll see what the load cell says. | 0:24:40 | 0:24:43 | |
Even simple tests hit problems. | 0:24:43 | 0:24:46 | |
The sensor's messed up. | 0:24:47 | 0:24:50 | |
This project is so mentally, physically, intense... | 0:24:54 | 0:25:00 | |
COMPUTER CHIMES | 0:25:00 | 0:25:01 | |
..a lot of my crew is convinced I'm trying to kill them. | 0:25:01 | 0:25:05 | |
The capsule's engineering is more complicated | 0:25:07 | 0:25:09 | |
than anyone could have predicted. | 0:25:09 | 0:25:13 | |
The project is falling behind schedule | 0:25:14 | 0:25:17 | |
and Red Bull's budget has trebled to nearly £10 million. | 0:25:17 | 0:25:22 | |
Engineering's a process of discovery | 0:25:22 | 0:25:23 | |
and we discover things take longer, or are more complex... | 0:25:23 | 0:25:26 | |
It sends over a project manager from Austria to whip the team into shape. | 0:25:26 | 0:25:30 | |
We're still processing information... | 0:25:30 | 0:25:33 | |
We discovered that we need another electrical engineer | 0:25:33 | 0:25:36 | |
and a technician, which we don't have right now. | 0:25:36 | 0:25:38 | |
'It's just two different worlds colliding.' | 0:25:38 | 0:25:41 | |
How can a marketing person | 0:25:41 | 0:25:43 | |
help somebody managing an engineering project? | 0:25:43 | 0:25:45 | |
We can't necessarily hire somebody to do the job | 0:25:45 | 0:25:48 | |
if we don't have information. | 0:25:48 | 0:25:50 | |
It's their money. Red Bull can move in and take over, | 0:25:50 | 0:25:52 | |
but they can't speed it up. | 0:25:52 | 0:25:54 | |
Red Bull insists there can be no more delays. | 0:25:55 | 0:25:58 | |
I hate standing up early. LAUGHTER | 0:26:13 | 0:26:16 | |
Which is not early for most people, | 0:26:16 | 0:26:18 | |
but eight o'clock to me is like the middle of the night. | 0:26:18 | 0:26:20 | |
Felix's training in the pressure suit begins at a facility | 0:26:24 | 0:26:29 | |
used by the military to simulate conditions on the edge of space. | 0:26:29 | 0:26:33 | |
Overseeing the test is Joe's colleague, Mike Todd. | 0:26:37 | 0:26:42 | |
'It's really a training exercise for Felix.' | 0:26:43 | 0:26:46 | |
He has a limited suit experience | 0:26:46 | 0:26:48 | |
and the more experience we can get him in the suit, | 0:26:48 | 0:26:51 | |
the more confident he's going to be at altitude. | 0:26:51 | 0:26:53 | |
Sir, whenever you're ready, go ahead and reach up to the top | 0:26:55 | 0:26:58 | |
and bring your visor down slowly. | 0:26:58 | 0:27:00 | |
The suit's flexibility is still causing Felix concern. | 0:27:02 | 0:27:06 | |
Now he'll find out what it's like working in it for several hours. | 0:27:08 | 0:27:12 | |
'I've seen people struggle with pressure suits.' | 0:27:16 | 0:27:19 | |
'You're in your own little environment, | 0:27:22 | 0:27:24 | |
'it's a little plastic bubble, | 0:27:24 | 0:27:26 | |
'and you've always got something touching your skin some place | 0:27:26 | 0:27:30 | |
'which reminds you that you are.' | 0:27:30 | 0:27:31 | |
He's coming up. | 0:27:37 | 0:27:39 | |
Felix is depressurised to 76,000 feet - | 0:27:43 | 0:27:47 | |
way beyond the Armstrong Line. | 0:27:47 | 0:27:49 | |
It's getting hot in here, Tom. It's getting hot in here. | 0:27:52 | 0:27:55 | |
The water bubbling | 0:28:01 | 0:28:03 | |
is what would happen to his blood without protection. | 0:28:03 | 0:28:05 | |
The higher you go, the more the suit inflates, | 0:28:10 | 0:28:13 | |
so it's getting harder to move. | 0:28:13 | 0:28:16 | |
Plus your neck ring is lifting your head. | 0:28:16 | 0:28:20 | |
-INTERCOM: -Everything looks good. How are you doing? | 0:28:21 | 0:28:23 | |
It really hurts my stomach. | 0:28:23 | 0:28:26 | |
Got stomach pain now. | 0:28:28 | 0:28:30 | |
'It's getting hot and cold inside your body.' | 0:28:32 | 0:28:35 | |
You can feel how you start sweating. | 0:28:35 | 0:28:36 | |
Your respiration rate has definitely changed. | 0:28:36 | 0:28:39 | |
'You feel claustrophobic, you know? | 0:28:41 | 0:28:43 | |
'I was really close to telling the guys, "Hey, get me out of this suit. | 0:28:43 | 0:28:46 | |
'"I can't deal with that any more." | 0:28:46 | 0:28:48 | |
'I was really fighting against it, you know? | 0:28:48 | 0:28:50 | |
'Fighting against my own fear, fighting against my own mind.' | 0:28:50 | 0:28:54 | |
'Everybody's counting on you.' | 0:29:03 | 0:29:06 | |
Everyone thinks you're a really cool guy, you can deal with it, | 0:29:06 | 0:29:09 | |
and, I mean, I have to accomplish a jump from 130,000ft, | 0:29:09 | 0:29:12 | |
breaking the speed of sound, | 0:29:12 | 0:29:13 | |
and I can't even stand being in the suit on the ground. | 0:29:13 | 0:29:17 | |
Do we have experience from other pilots? What do they say? | 0:29:23 | 0:29:27 | |
Sure. They do feel more and more confident, | 0:29:27 | 0:29:29 | |
the more and more they do it, but ah, it's a learning curve. | 0:29:29 | 0:29:34 | |
And you're getting it. | 0:29:34 | 0:29:36 | |
Felix's anxiety about the suit | 0:29:40 | 0:29:42 | |
brings back uncomfortable memories for Mike Todd. | 0:29:42 | 0:29:46 | |
40 years ago, he worked with another civilian | 0:29:47 | 0:29:49 | |
attempting to jump from extreme altitude. | 0:29:49 | 0:29:53 | |
Nick Piantanida was a 33-year-old skydiver | 0:29:58 | 0:30:04 | |
who had dreams of beating Joe's record. | 0:30:04 | 0:30:06 | |
Nick was going at 125,000 feet. | 0:30:08 | 0:30:11 | |
David Clark supplied him with a pressure suit | 0:30:11 | 0:30:14 | |
and we supplied him with a parachute. | 0:30:14 | 0:30:18 | |
Didn't quite have the backing that we have on this project, | 0:30:18 | 0:30:22 | |
nor did he have the experience. | 0:30:22 | 0:30:25 | |
Like Felix, Nick had never worked in a pressure suit. | 0:30:26 | 0:30:30 | |
Despite intense training, he never felt comfortable in it. | 0:30:33 | 0:30:37 | |
On 1st May, 1966, he took off in his balloon. | 0:30:41 | 0:30:46 | |
'Testing, 1, 2, 3. | 0:30:49 | 0:30:50 | |
'1, 2, 3.' | 0:30:50 | 0:30:52 | |
A recording of his communication with mission control has survived. | 0:30:55 | 0:31:00 | |
Two hours into his ascent, something went terribly wrong. | 0:31:17 | 0:31:22 | |
'Visor...' | 0:31:22 | 0:31:24 | |
'What was that, Nick?' | 0:31:24 | 0:31:25 | |
'Emergen...' | 0:31:25 | 0:31:26 | |
Emergency, cut him off. | 0:31:26 | 0:31:28 | |
He was probably up around 50,000 feet and some way or another, | 0:31:32 | 0:31:36 | |
the visor was either opened accidentally or intentionally, | 0:31:36 | 0:31:40 | |
we really don't know. | 0:31:40 | 0:31:42 | |
The people on the ground | 0:31:45 | 0:31:46 | |
immediately cut the balloon away from the gondola. | 0:31:46 | 0:31:49 | |
By the time they got to him, they found him | 0:31:50 | 0:31:53 | |
outside of the gondola with the visor partially open. | 0:31:53 | 0:31:57 | |
Nick was in a coma caused by hypoxia - | 0:32:00 | 0:32:03 | |
a lack of oxygen to the brain. | 0:32:03 | 0:32:05 | |
He died four months later. | 0:32:08 | 0:32:10 | |
'Am...I the next one who fails?' | 0:32:23 | 0:32:28 | |
'I'm 40 years old, and I want to get older, you know?' | 0:32:30 | 0:32:33 | |
Good. | 0:32:39 | 0:32:40 | |
All right, let's go. | 0:32:40 | 0:32:42 | |
The scientists want to analyse the aerodynamics of Felix in flight. | 0:32:46 | 0:32:50 | |
It's the kind of low-altitude jump that Felix is used to... | 0:32:54 | 0:32:58 | |
..but wearing the suit, even unpressurised, | 0:33:01 | 0:33:04 | |
makes it a challenge. | 0:33:04 | 0:33:06 | |
It's like watching a hawk in flight. | 0:33:31 | 0:33:33 | |
I deal with aircraft, | 0:33:36 | 0:33:37 | |
and we make machines that do certain flight dynamics. | 0:33:37 | 0:33:43 | |
In this case, the machine is Felix. | 0:33:44 | 0:33:48 | |
At this altitude, Felix falls at around 100 miles an hour. | 0:33:52 | 0:33:57 | |
Jumping from 24 miles up, he'll be in a near-vacuum. | 0:34:00 | 0:34:05 | |
The lack of resistance means he'll just keep accelerating. | 0:34:07 | 0:34:11 | |
Faster than a jumbo jet after 25 seconds. | 0:34:13 | 0:34:16 | |
Moments later, faster than a .45 calibre bullet. | 0:34:18 | 0:34:22 | |
And after 35 seconds, he'll exceed 700 miles an hour. | 0:34:23 | 0:34:27 | |
As he passes through the sound barrier, | 0:34:32 | 0:34:34 | |
the team want Felix to be in the delta position, | 0:34:34 | 0:34:37 | |
tracking head down. | 0:34:37 | 0:34:39 | |
They think this is will be the safest position to go supersonic. | 0:34:41 | 0:34:45 | |
But it's a theory that has never been tested. | 0:34:47 | 0:34:50 | |
We're putting Felix into a condition that really has never been done | 0:34:50 | 0:34:55 | |
and has never been documented for sure, | 0:34:55 | 0:34:59 | |
so we don't know what happens to the body at the speed of sound. | 0:34:59 | 0:35:03 | |
What they do know is when an object like a plane goes supersonic, | 0:35:03 | 0:35:08 | |
it is catching up with and pushing through its own sound waves. | 0:35:08 | 0:35:12 | |
In early jets, this caused extreme vibration. | 0:35:16 | 0:35:18 | |
No-one knows what it will do to Felix. | 0:35:20 | 0:35:23 | |
As he pushes closer to the sound barrier, | 0:35:23 | 0:35:27 | |
he may potentially have parts of his body that are supersonic | 0:35:27 | 0:35:31 | |
while other parts of his body are not. | 0:35:31 | 0:35:34 | |
You end up with a vibration | 0:35:35 | 0:35:37 | |
that could cause physical problems, | 0:35:37 | 0:35:40 | |
because your body is very | 0:35:40 | 0:35:42 | |
susceptible to vibration and wave patterns, | 0:35:42 | 0:35:44 | |
so if you get the wrong pattern, | 0:35:44 | 0:35:45 | |
you can cause internal damage to organs. | 0:35:45 | 0:35:48 | |
We've created computer models | 0:35:49 | 0:35:51 | |
trying to see what we think is going to happen, | 0:35:51 | 0:35:55 | |
but after doing all the math, | 0:35:55 | 0:35:57 | |
it's still a guess. | 0:35:57 | 0:35:59 | |
The test jumps help Felix feel safer in the suit. | 0:36:04 | 0:36:08 | |
But back on the ground, the more research the team does, | 0:36:18 | 0:36:21 | |
the more risks they have to deal with. | 0:36:21 | 0:36:24 | |
Yeah. | 0:36:24 | 0:36:25 | |
So what's your preference right now? | 0:36:25 | 0:36:27 | |
Is it feet first or head first? | 0:36:27 | 0:36:28 | |
He wants to go head first. | 0:36:28 | 0:36:30 | |
Just to slide up to the door... | 0:36:30 | 0:36:32 | |
The latest is a high-altitude phenomenon called flat spin, | 0:36:32 | 0:36:36 | |
something Joe experienced on one of his early jumps. | 0:36:36 | 0:36:39 | |
'When I was freefalling, all of a sudden' | 0:36:39 | 0:36:42 | |
I had this violent, uh... | 0:36:42 | 0:36:44 | |
rotation. | 0:36:44 | 0:36:45 | |
And it was so violent, I could not pull my arms in, | 0:36:47 | 0:36:50 | |
I couldn't do anything, I was just...paralysed. | 0:36:50 | 0:36:54 | |
Joe's camera captured the violence of his spin. | 0:36:56 | 0:36:59 | |
Matter of fact, I spun at 120 rpm. | 0:37:01 | 0:37:03 | |
I was unconscious. | 0:37:03 | 0:37:04 | |
I could have died. | 0:37:04 | 0:37:06 | |
Spinning with your head | 0:37:11 | 0:37:13 | |
at the centre of rotation | 0:37:13 | 0:37:14 | |
means the G-force pulls the blood out of your brain, | 0:37:14 | 0:37:17 | |
causing a blackout. | 0:37:17 | 0:37:19 | |
Spinning with your feet at the centre means | 0:37:21 | 0:37:24 | |
the blood rushes into your brain, | 0:37:24 | 0:37:26 | |
causing what's known as a redout. | 0:37:26 | 0:37:29 | |
Both could be lethal. | 0:37:29 | 0:37:31 | |
So the whole team throw themselves at one problem - | 0:37:38 | 0:37:42 | |
how to stop a supersonic spin. | 0:37:42 | 0:37:45 | |
'How much of a spin is too much for you to recover from? | 0:37:48 | 0:37:51 | |
'Nobody really knows.' | 0:37:51 | 0:37:52 | |
Stop, stop, stop, stop! | 0:37:52 | 0:37:54 | |
It's stopped. | 0:37:54 | 0:37:55 | |
HE LAUGHS | 0:37:55 | 0:37:57 | |
-Was that fast enough that time? -'When I'm spinning so fast' | 0:37:57 | 0:38:00 | |
that I can't bring my arms in, that's too much of a spin. | 0:38:00 | 0:38:02 | |
That was my first take on it. But I didn't know how much that was, | 0:38:02 | 0:38:05 | |
so I went up and skydived | 0:38:05 | 0:38:07 | |
and I tried different things, and I took a G-meter up, | 0:38:07 | 0:38:09 | |
see how much the Gs spun. | 0:38:09 | 0:38:12 | |
Skydiver Luke Aikens tests lots of systems, | 0:38:12 | 0:38:15 | |
but can't find one that will cope with the force Felix will achieve. | 0:38:15 | 0:38:19 | |
Then he has a brainwave. | 0:38:21 | 0:38:23 | |
Supersonic bombs use a small stabilisation chute | 0:38:27 | 0:38:30 | |
known as a drogue to land point-first. | 0:38:30 | 0:38:33 | |
Maybe it could be adapted to help Felix. | 0:38:35 | 0:38:38 | |
So I'm out of control, fire the drogue, boom. | 0:38:39 | 0:38:43 | |
It just grabs you and flips you right-side up. | 0:38:43 | 0:38:45 | |
Pretty amazing how well that works. | 0:38:48 | 0:38:50 | |
So now I'm going to spin this thing around. | 0:38:52 | 0:38:54 | |
If he's spinning about this fast for six seconds, | 0:38:54 | 0:38:59 | |
we came up with a device that will automatically fire the drogue. | 0:38:59 | 0:39:01 | |
You'll see the light come on in the drogue, | 0:39:01 | 0:39:04 | |
boom, the drogue fires. | 0:39:04 | 0:39:05 | |
The drogue chute is a last resort. | 0:39:09 | 0:39:11 | |
Felix will only use it in an emergency. | 0:39:11 | 0:39:14 | |
If something gets bad, he has that option. | 0:39:16 | 0:39:19 | |
If not, we never see that thing, | 0:39:19 | 0:39:21 | |
and all this hard work is for nothing. | 0:39:21 | 0:39:23 | |
Felix continues his series of low-altitude test jumps. | 0:39:32 | 0:39:36 | |
His confidence in the suit is building. | 0:39:37 | 0:39:40 | |
Until it all goes very wrong. | 0:39:49 | 0:39:52 | |
What is going on here? | 0:39:55 | 0:39:57 | |
That's his parachute! | 0:39:57 | 0:39:58 | |
Felix has accidentally cut away his main parachute | 0:40:00 | 0:40:03 | |
and now he can't find the handle for his reserve. | 0:40:03 | 0:40:05 | |
What's that and what's that? | 0:40:05 | 0:40:07 | |
At 2,000 feet, just seconds from it being critical, | 0:40:09 | 0:40:14 | |
he finds it. | 0:40:14 | 0:40:15 | |
Here, we've got to go get him. | 0:40:16 | 0:40:18 | |
We've got to go get him. | 0:40:18 | 0:40:19 | |
The unfamiliar suit and parachute | 0:40:24 | 0:40:26 | |
meant Felix had pulled the wrong handle. | 0:40:26 | 0:40:29 | |
I thought, "What's going on with my handle?" | 0:40:30 | 0:40:32 | |
And then I figured, | 0:40:32 | 0:40:33 | |
"Hey, this is the reserve cut-away handle..." | 0:40:33 | 0:40:36 | |
And you were getting close to the ground by then. | 0:40:36 | 0:40:38 | |
-I saw the ground coming up, and I thought...! -Yeah. | 0:40:38 | 0:40:41 | |
-"That's going to hurt." -Yeah! | 0:40:41 | 0:40:43 | |
Scared me. | 0:40:43 | 0:40:45 | |
I know! HE LAUGHS | 0:40:45 | 0:40:46 | |
It scared the ... out of me as well. | 0:40:46 | 0:40:48 | |
-Trust me. -Yeah. | 0:40:48 | 0:40:49 | |
Ahhh. Still alive. | 0:40:49 | 0:40:52 | |
Don't do that, OK? | 0:40:53 | 0:40:55 | |
No, I'm not. | 0:40:55 | 0:40:56 | |
All the safety relies on the engineers, you know? | 0:41:02 | 0:41:05 | |
There are so many things that I have no control of. | 0:41:05 | 0:41:08 | |
Stuff that I don't know. I have to trust these guys. | 0:41:08 | 0:41:11 | |
The difference between them and me is, | 0:41:13 | 0:41:16 | |
if they fail, they don't lose their lives. | 0:41:16 | 0:41:21 | |
My biggest desire is to keep Felix safe. | 0:41:24 | 0:41:28 | |
I feel like his life is in my hands, | 0:41:30 | 0:41:33 | |
and the last thing I want to do | 0:41:33 | 0:41:37 | |
is kill my friend, so... | 0:41:37 | 0:41:40 | |
The science team's struggle with safety | 0:41:49 | 0:41:52 | |
is making the engineering more complex. | 0:41:52 | 0:41:54 | |
And the technology is still not ready. | 0:41:57 | 0:42:00 | |
The launch date is delayed, | 0:42:02 | 0:42:05 | |
and Felix arrives with a team from Red Bull | 0:42:05 | 0:42:07 | |
for an emergency meeting. | 0:42:07 | 0:42:09 | |
We've been spending a lot money | 0:42:11 | 0:42:12 | |
and we are far behind all the deadlines. | 0:42:12 | 0:42:15 | |
A lot of things are not working out as they are supposed to be, | 0:42:15 | 0:42:17 | |
and this is... | 0:42:17 | 0:42:19 | |
Let's call it judgement day, you know. | 0:42:19 | 0:42:21 | |
Art, even if he is my friend, | 0:42:21 | 0:42:24 | |
I can't afford to work like this | 0:42:24 | 0:42:27 | |
and that's why I strongly recommend | 0:42:27 | 0:42:30 | |
we take Art off as project leader today. | 0:42:30 | 0:42:33 | |
It's not that we're going to fire Art. | 0:42:33 | 0:42:35 | |
He just has to step back to the second line. | 0:42:35 | 0:42:37 | |
We're going to take Patrick as project leader. | 0:42:37 | 0:42:40 | |
But Art and his team have no idea | 0:42:45 | 0:42:47 | |
that he's about to be replaced by his second-in-command. | 0:42:47 | 0:42:51 | |
Did you ride in with the crazy man? | 0:42:51 | 0:42:53 | |
Yes. | 0:42:53 | 0:42:54 | |
Felix insists that the camera stays outside the office | 0:42:59 | 0:43:03 | |
and the microphones are turned off. | 0:43:03 | 0:43:06 | |
THEY SPEAK WITHOUT SOUND | 0:43:06 | 0:43:09 | |
'Just told him.' | 0:43:33 | 0:43:34 | |
We just told him. | 0:43:34 | 0:43:36 | |
Of course, he didn't like the idea, | 0:43:38 | 0:43:42 | |
but I'm so focused on the project, that no matter what it takes, | 0:43:42 | 0:43:47 | |
I'm willing to do it to make this happen. | 0:43:47 | 0:43:49 | |
Just when you think you have it all figured out, | 0:43:49 | 0:43:51 | |
all of a sudden you get another surprise. | 0:43:51 | 0:43:53 | |
It's the most complicated mess I've ever been involved in. | 0:43:53 | 0:43:58 | |
STUDIO CHATTER | 0:44:10 | 0:44:13 | |
Despite the chaos behind the scenes, Red Bull isn't giving up. | 0:44:15 | 0:44:20 | |
..the daring and dangerous attempt to break world records that have stood... | 0:44:22 | 0:44:28 | |
You jumped out of a balloon at 102,000ft? | 0:44:28 | 0:44:33 | |
-Absolutely. Sure did. -What did that feel like? | 0:44:33 | 0:44:35 | |
-What sounds like a plot of a far-fetched Hollywood movie... -This year, the skydiver... | 0:44:35 | 0:44:41 | |
THEY SPEAK FOREIGN LANGUAGES | 0:44:41 | 0:44:46 | |
..going up 37km into the sky and then jumping out. | 0:44:46 | 0:44:51 | |
Then I step off. Within the first 30 seconds, I'll reach the speed of sound. | 0:44:51 | 0:44:56 | |
Wow. Good luck... | 0:44:56 | 0:44:57 | |
..to both of you and we appreciate you joining us. | 0:44:57 | 0:45:00 | |
The whole world now knows about Felix's jump. | 0:45:09 | 0:45:14 | |
HE SPEAKS GERMAN | 0:45:14 | 0:45:19 | |
'A friend of mine, he built this stone for me as a gift | 0:45:19 | 0:45:23 | |
because it says "Born to fly" on that stone, and now we put the stone | 0:45:23 | 0:45:26 | |
right in front of my house. | 0:45:26 | 0:45:28 | |
It says "Born to fly" on it, so I love it. | 0:45:28 | 0:45:30 | |
Not so good. | 0:45:38 | 0:45:39 | |
If you lose your English, just say I'm proud of my son. | 0:45:44 | 0:45:47 | |
Every time. When they ask you something - do you think it's dangerous? "I'm proud of my son." | 0:45:47 | 0:45:51 | |
How was he as a little kid? | 0:45:51 | 0:45:53 | |
I'm proud of my son. | 0:45:53 | 0:45:54 | |
Just say that. | 0:45:54 | 0:45:56 | |
I am proud of my son. | 0:45:56 | 0:45:58 | |
Back at base, things are going from bad to worse. | 0:48:01 | 0:48:06 | |
Following Art's demotion, | 0:48:06 | 0:48:09 | |
the engineers are on the brink of mutiny. | 0:48:09 | 0:48:12 | |
I don't approve of this leadership change. It doesn't work for me. | 0:48:15 | 0:48:18 | |
And I don't believe it works for the team. | 0:48:18 | 0:48:20 | |
You know, it may have made sense to Red Bull but for us, | 0:48:20 | 0:48:24 | |
it hasn't been productive. | 0:48:24 | 0:48:25 | |
'I said I can't work under those terms, | 0:48:25 | 0:48:28 | |
'so I'll be leaving on Wednesday.' | 0:48:28 | 0:48:30 | |
I give my resignation from this team. | 0:48:31 | 0:48:34 | |
I come in later. | 0:48:37 | 0:48:38 | |
I'm kind of like the step-parent who comes into the relationship and | 0:48:38 | 0:48:41 | |
all the kids are not really ready to respect the instructions. | 0:48:41 | 0:48:46 | |
It doesn't matter if they're right or wrong, | 0:48:46 | 0:48:48 | |
they're just there to push back because you're not the one | 0:48:48 | 0:48:50 | |
who was here when the rules were set originally. | 0:48:50 | 0:48:53 | |
So you're saying it's going to be about three weeks, did you say? | 0:48:53 | 0:48:59 | |
No, about a month. | 0:48:59 | 0:49:00 | |
About a month? That's a concern. | 0:49:00 | 0:49:04 | |
Hey, Patrick? My concern here on this is that we've got a partial system, | 0:49:04 | 0:49:08 | |
we still don't have flight hardware. | 0:49:08 | 0:49:10 | |
It's going to take another month. | 0:49:10 | 0:49:12 | |
Is this just going to keep going on indefinitely? | 0:49:12 | 0:49:15 | |
Why don't we have a complete system two months ago? | 0:49:15 | 0:49:17 | |
Well, it's a little behind the schedule | 0:49:24 | 0:49:25 | |
we had from five months ago but, it's not nearly as far behind as | 0:49:25 | 0:49:29 | |
everything else on the project from six or seven months ago. | 0:49:29 | 0:49:34 | |
All right, so there we have it. | 0:49:35 | 0:49:38 | |
There's a lot of work to be done | 0:49:38 | 0:49:43 | |
and it's very frustrating to be kept out of the loop. | 0:49:43 | 0:49:48 | |
'I hate to be isolated, I do. | 0:49:54 | 0:49:58 | |
'This is what they do to people in prison.' | 0:50:01 | 0:50:03 | |
After only a few weeks as technical director, Patrick resigns. | 0:50:09 | 0:50:15 | |
Going through some of the things we've got to accomplish today, obviously... | 0:50:15 | 0:50:20 | |
Art is back in charge. | 0:50:20 | 0:50:22 | |
And his team are back working together. | 0:50:22 | 0:50:26 | |
My job is a hard job to fill. | 0:50:26 | 0:50:29 | |
I guess that's job security in some ways. | 0:50:29 | 0:50:31 | |
I've got an incredible amount of emotional and mental endurance. | 0:50:31 | 0:50:37 | |
We lost about six weeks in the turmoil there. | 0:50:37 | 0:50:40 | |
We've got to make up for that time. | 0:50:42 | 0:50:43 | |
-Let's go from here. You'll go from that split right there. -Hey-hey! | 0:50:43 | 0:50:50 | |
Three more times and we've got it. | 0:50:50 | 0:50:53 | |
We're working together, the shop's working well. | 0:50:53 | 0:50:56 | |
We're getting things done. | 0:50:56 | 0:50:58 | |
It feels like we're back on track as far | 0:50:58 | 0:51:00 | |
as it feels like we're back on track as far as being a team. | 0:51:00 | 0:51:03 | |
-Looks pretty good. -Progress! Progress. It's good. | 0:51:07 | 0:51:14 | |
The project is two years late and £9 million over budget, | 0:51:18 | 0:51:23 | |
but at last it has a capsule ready to be tested. | 0:51:23 | 0:51:26 | |
Now all it needs is a pilot. | 0:51:28 | 0:51:30 | |
Felix is back in training. | 0:51:47 | 0:51:50 | |
And that means he has to | 0:51:51 | 0:51:53 | |
confront his anxieties about freefalling in the suit. | 0:51:53 | 0:51:56 | |
This time, he's jumping with it pressurised. | 0:51:58 | 0:52:01 | |
This is supersmall. This really sucks. Let's put the shoes... | 0:52:03 | 0:52:10 | |
I don't want to wear the helmet before I have shoes on. | 0:52:10 | 0:52:12 | |
Mike, put the helmet away. | 0:52:14 | 0:52:19 | |
I think Felix probably feels a little bit of anxiety, | 0:52:19 | 0:52:23 | |
you know, everything's, coming together. | 0:52:23 | 0:52:27 | |
Now it becomes more upon his performance and less upon | 0:52:27 | 0:52:33 | |
maybe the science team | 0:52:33 | 0:52:35 | |
so he's more and more in the limelight | 0:52:35 | 0:52:39 | |
Hold on a second. Hands away. I can't work with this ... . | 0:52:39 | 0:52:45 | |
Felix is going to 28,000 feet. | 0:52:47 | 0:52:49 | |
He's never jumped from higher | 0:52:53 | 0:52:55 | |
and he's facing the restriction of a pressurised suit. | 0:52:55 | 0:52:59 | |
This is the most extreme freefall he's ever done. | 0:53:01 | 0:53:05 | |
Joining him is Luke Aikens. | 0:53:05 | 0:53:06 | |
At these altitudes, everyone needs to wear an oxygen mask. | 0:53:23 | 0:53:28 | |
As Felix completes final checks, Luke, | 0:53:33 | 0:53:36 | |
in the foreground, takes off his mask. | 0:53:36 | 0:53:39 | |
He leaves the plane and hangs on waiting for Felix. | 0:53:47 | 0:53:50 | |
But Felix isn't ready. | 0:54:00 | 0:54:02 | |
Luke doesn't know it, | 0:54:10 | 0:54:11 | |
but the lack of oxygen means his brain is shutting down. | 0:54:11 | 0:54:15 | |
He's going hypoxic and it means he's losing his grip. | 0:54:18 | 0:54:21 | |
Suddenly he falls.. | 0:54:26 | 0:54:28 | |
Luke is effectively unconscious and falling to earth at 160mph. | 0:54:34 | 0:54:38 | |
Felix is confused and jumps out after him. | 0:54:41 | 0:54:45 | |
The team has no idea of the drama unfolding above them. | 0:54:56 | 0:55:02 | |
Luke needs to come round. His parachute won't open automatically. | 0:55:04 | 0:55:10 | |
-Can you see them? -Yup. | 0:55:13 | 0:55:16 | |
Just seconds from the ground, Luke regains consciousness and pulls his chute. | 0:55:18 | 0:55:25 | |
How did it go? | 0:55:35 | 0:55:36 | |
I don't remember jumping out. | 0:55:36 | 0:55:37 | |
You don't remember jumping out? | 0:55:37 | 0:55:39 | |
I remember giving Felix thumbs up I the door, | 0:55:39 | 0:55:41 | |
I climbed out and then I was in freefall looking for Felix. Did we leave together? | 0:55:41 | 0:55:46 | |
-No, you were... -I just went, right? That's what I thought I did. | 0:55:46 | 0:55:50 | |
Luke said he didn't even remember jumping out. | 0:55:50 | 0:55:53 | |
I was out of it... | 0:55:54 | 0:55:55 | |
He took his face mask off. | 0:55:57 | 0:55:58 | |
You usually don't jump from altitudes like this. | 0:56:00 | 0:56:04 | |
Everyone talks about the hypoxia and the effects of it | 0:56:04 | 0:56:07 | |
and how it comes on and you think everything's fine and it's not. | 0:56:07 | 0:56:11 | |
I'm losing all my flexibility. | 0:56:11 | 0:56:13 | |
In an emergency situation, it becomes scary. | 0:56:13 | 0:56:16 | |
Felix is shaken by Luke's near miss. | 0:56:16 | 0:56:20 | |
The suit is blown up and I can't move. | 0:56:20 | 0:56:23 | |
He's focusing his anger on the suit, | 0:56:23 | 0:56:26 | |
convinced he can't jump safely in it. | 0:56:26 | 0:56:28 | |
It's not moving in this direction, so it's like I can't see it. | 0:56:28 | 0:56:33 | |
So I'm not jumping in it anymore. This thing is crap. | 0:56:33 | 0:56:37 | |
Felix forces the team to abandon testing altogether. | 0:56:38 | 0:56:43 | |
I'm very disappointed. What we thought was working OK | 0:56:43 | 0:56:47 | |
and was going to be fine is suddenly not OK anymore. | 0:56:47 | 0:56:51 | |
We're going to have to go back and think about what we're doing. | 0:56:52 | 0:56:55 | |
Felix walks out on the mission and catches the first flight home. | 0:57:18 | 0:57:23 | |
It sometimes feels like, I can't do it. It's just too much. | 0:57:27 | 0:57:33 | |
There's a lot of stuff that has never been done before | 0:57:33 | 0:57:36 | |
and I don't have a lot of time to prepare myself for stuff like this. | 0:57:36 | 0:57:39 | |
Like in a suit, I mean pilots have a couple of thousand hours | 0:57:39 | 0:57:42 | |
in that suit - I just have 20. | 0:57:42 | 0:57:45 | |
Just having the suit on my body, feeling it, | 0:57:45 | 0:57:48 | |
the smell and everything makes me kind of anxious, | 0:57:48 | 0:57:52 | |
I'm sitting there like, I don't feel good today. | 0:57:52 | 0:57:55 | |
I'm not sure, I don't like the suit today. I'm telling myself, hey, | 0:57:55 | 0:58:00 | |
c'mon, tough it out, you have to go through this because it's getting closer. | 0:58:00 | 0:58:05 | |
This is the year that we have to deliver | 0:58:05 | 0:58:07 | |
and know you're having a problem wearing the suit? | 0:58:07 | 0:58:10 | |
But I couldn't stand it so I told Mike, I opened my visor again, | 0:58:10 | 0:58:13 | |
get me out of the suit. I just can't do it today. | 0:58:13 | 0:58:16 | |
Red Bull offers Felix professional help. | 0:58:19 | 0:58:23 | |
Imagine that you are now in the room where the tests are. | 0:58:27 | 0:58:30 | |
You see the oxygen mask. | 0:58:31 | 0:58:34 | |
You see the mask, you smell it, | 0:58:36 | 0:58:41 | |
you know you can cope with it. | 0:58:41 | 0:58:43 | |
We're kind of second-guessing what's going on in Felix's head, | 0:58:48 | 0:58:51 | |
and whether it's the fear of the jump of the fear of the suit | 0:58:51 | 0:58:55 | |
or just the fear of possibly failing at something. | 0:58:55 | 0:58:59 | |
But there's something going on in his head that he has | 0:59:01 | 0:59:04 | |
to get a hold of. | 0:59:04 | 0:59:06 | |
This shouldn't be something that you have to talk somebody into doing. | 0:59:06 | 0:59:10 | |
You're going to get someone hurt if you do. | 0:59:11 | 0:59:13 | |
It has been six months | 0:59:29 | 0:59:31 | |
since Felix's anxiety in the suit ended his training. | 0:59:31 | 0:59:34 | |
The engineers are now in the final stage of their work. | 0:59:38 | 0:59:41 | |
They just need to test the capsule under pressurised conditions. | 0:59:41 | 0:59:46 | |
Check location of all four parachute handles. | 0:59:48 | 0:59:51 | |
But Felix has refused to return from Austria. | 0:59:54 | 0:59:57 | |
OK, the outside is 20,600ft... | 0:59:57 | 1:00:00 | |
The team have been forced to bring in a substitute for the test. | 1:00:00 | 1:00:05 | |
The test pilot that we have, Rob Rowe, is a real pro | 1:00:05 | 1:00:09 | |
and, ah, we have a lot of advantages of having him doing it, | 1:00:09 | 1:00:13 | |
because of his professionalism. | 1:00:13 | 1:00:15 | |
Rob is a charm to work with, | 1:00:16 | 1:00:18 | |
he never complains about anything, he's very easy going. | 1:00:18 | 1:00:22 | |
He considers himself more of a tool for the project. | 1:00:22 | 1:00:25 | |
News of the team's progress has reached Felix. | 1:00:30 | 1:00:33 | |
I saw the video of when Rob was in the chamber in Brooks, | 1:00:36 | 1:00:40 | |
and I got so jealous just watching him. | 1:00:40 | 1:00:43 | |
Because he is in my suit. This is my suit. | 1:00:43 | 1:00:46 | |
This is my spacecraft. Everything was developed for me. | 1:00:46 | 1:00:50 | |
And just seeing him in the suit, sitting in my capsule, | 1:00:50 | 1:00:54 | |
playing with all the buttons and stuff made me start thinking, | 1:00:54 | 1:01:00 | |
like, hey, I mean, I lost a whole programme. | 1:01:00 | 1:01:03 | |
'I have to find a solution.' | 1:01:06 | 1:01:08 | |
Felix is running out of time. | 1:01:13 | 1:01:16 | |
He steps up his personal training. | 1:01:16 | 1:01:19 | |
I'm working on my fitness and my mental skills. | 1:01:23 | 1:01:26 | |
I'm doing a lot of scuba diving, | 1:01:28 | 1:01:30 | |
because it's very similar to wearing that suit. | 1:01:30 | 1:01:34 | |
If I can handle this, I can also handle the suit. | 1:01:34 | 1:01:36 | |
But Felix's team is losing confidence in him. | 1:01:38 | 1:01:42 | |
He had the opportunity to train properly, | 1:01:44 | 1:01:46 | |
he just never took advantage of it. | 1:01:46 | 1:01:47 | |
He needs to be in the suit. | 1:01:47 | 1:01:50 | |
He needs to be part of the team. | 1:01:50 | 1:01:51 | |
You need to be dedicated to do this. | 1:01:51 | 1:01:55 | |
And if you're not dedicated, you've got no business being here. | 1:01:55 | 1:01:58 | |
This is something I want so bad | 1:02:00 | 1:02:04 | |
and I'm willing to go that extra mile to reach that goal. | 1:02:04 | 1:02:07 | |
And if they don't believe I can do it, | 1:02:07 | 1:02:09 | |
that even gives me a lot more motivation. | 1:02:09 | 1:02:13 | |
A year has passed since Felix halted his training. | 1:02:39 | 1:02:42 | |
Everything is now ready for the final jump. | 1:02:44 | 1:02:47 | |
Except him. | 1:02:48 | 1:02:50 | |
He finally returns to face the team - and the suit. | 1:02:54 | 1:02:58 | |
The capsule already demonstrated that it's capable of doing the job. | 1:03:01 | 1:03:06 | |
It's already been tested and stamped and approved. | 1:03:06 | 1:03:11 | |
Now it's Felix's turn to get stamped and approved. | 1:03:11 | 1:03:14 | |
Everybody's out there. Everybody's fired up, so it's kind of cool. | 1:03:21 | 1:03:25 | |
This is a complete rehearsal of the capsule's ascent to 125,000ft. | 1:03:26 | 1:03:33 | |
It's a final test of the technology, and of Felix. | 1:03:33 | 1:03:37 | |
We've got cold temperature, we have low pressures, | 1:03:38 | 1:03:41 | |
we have a pressure suit involved. | 1:03:41 | 1:03:43 | |
It's as close as we can get to the actual flight | 1:03:45 | 1:03:48 | |
without taking off the ground. | 1:03:48 | 1:03:50 | |
To simulate the exact conditions of the real jump, | 1:03:51 | 1:03:55 | |
Felix is locked inside the suit for four hours. | 1:03:55 | 1:03:59 | |
Can you read me, Felix? | 1:04:05 | 1:04:07 | |
Attaboy. How's your cabin doing? | 1:04:07 | 1:04:10 | |
The team watch his every move. | 1:04:13 | 1:04:15 | |
The last time I was putting that helmet on, | 1:04:26 | 1:04:28 | |
just the smell of the rubber made me feel so bad. | 1:04:28 | 1:04:32 | |
This time, everything is totally different. | 1:04:32 | 1:04:35 | |
It's still the same smell, but it's related to something else. | 1:04:35 | 1:04:39 | |
It's not my enemy anymore. | 1:04:39 | 1:04:41 | |
You're doing great, Felix. | 1:04:42 | 1:04:43 | |
The instrumentation looks great, you're doing good. Keep it up! | 1:04:43 | 1:04:46 | |
I think that the biggest link that I created is that | 1:04:46 | 1:04:50 | |
where you're going to go - normally you should not be there. | 1:04:50 | 1:04:54 | |
But as soon as you wear that suit, that allows you to be there. | 1:04:54 | 1:04:58 | |
That's the only way to survive in that hostile environment. | 1:04:58 | 1:05:02 | |
And just by thinking about that changes the whole picture. | 1:05:02 | 1:05:05 | |
Whatever was there, he's resolved, | 1:05:07 | 1:05:11 | |
I think we're all not only impressed but amazed that he turned it around. | 1:05:11 | 1:05:17 | |
180 degree change. | 1:05:19 | 1:05:21 | |
He's dedicated and motivated and he'll do a good job. | 1:05:25 | 1:05:29 | |
Felix has proved he has what it takes to get safely | 1:05:31 | 1:05:34 | |
to the edge of space. | 1:05:34 | 1:05:36 | |
Now all he needs to do... | 1:05:39 | 1:05:41 | |
is jump. | 1:05:41 | 1:05:43 | |
Preparations for launch are underway. | 1:06:08 | 1:06:11 | |
And the world's media arrives in New Mexico. | 1:06:12 | 1:06:15 | |
It has taken £18 million and years of hard work, | 1:06:18 | 1:06:22 | |
but the team are ready for take-off. | 1:06:22 | 1:06:25 | |
I've been working four years on this project, | 1:06:30 | 1:06:33 | |
I've been waiting 52 years for someone to beat my record. | 1:06:33 | 1:06:36 | |
It's been a long journey. | 1:06:36 | 1:06:38 | |
We're delighted that we're finally at the final step. | 1:06:38 | 1:06:42 | |
Felix himself has come a long way, | 1:06:47 | 1:06:50 | |
he had no pressure suit experience at all at the beginning of this. | 1:06:50 | 1:06:54 | |
And now he is very confident in a pressure suit. | 1:06:54 | 1:06:57 | |
So I'm very proud of him. | 1:06:57 | 1:07:00 | |
The team prepares for a launch after sunrise. | 1:07:17 | 1:07:20 | |
They send up weather balloons to check the wind speed. | 1:07:21 | 1:07:24 | |
My biggest fear of the entire thing | 1:07:26 | 1:07:28 | |
is getting the balloon off the ground. | 1:07:28 | 1:07:32 | |
It's going to be 750ft tall, | 1:07:34 | 1:07:36 | |
so that's about three-quarters the size of the Eiffel Tower. | 1:07:36 | 1:07:40 | |
Conditions to launch this type of balloon have to be perfect. | 1:07:40 | 1:07:43 | |
Joe will be directing Felix from Mission Control. | 1:07:51 | 1:07:55 | |
He will talk him through each stage of the mission. | 1:07:58 | 1:08:01 | |
I'm sitting there, empathising with him. | 1:08:02 | 1:08:04 | |
And when he jumps, I'm jumping with him. | 1:08:04 | 1:08:07 | |
I've done it myself | 1:08:07 | 1:08:10 | |
and I know exactly what he's going through. | 1:08:10 | 1:08:12 | |
Wind speeds are perfect. | 1:08:16 | 1:08:19 | |
The race is on to inflate the balloon before the weather changes. | 1:08:20 | 1:08:23 | |
Joe, this is Felix in the capsule, do you read me? | 1:08:25 | 1:08:28 | |
I read you very loud, how do you read me? | 1:08:28 | 1:08:31 | |
But there's a problem with the radio. | 1:08:31 | 1:08:34 | |
-1, 2, 3, 4, 5. -..in the capsule, do you read me? | 1:08:34 | 1:08:37 | |
Felix, I can read you five-square, but you're obviously not reading me. | 1:08:37 | 1:08:41 | |
It takes more than half an hour to fix. | 1:08:41 | 1:08:45 | |
We need to switch over to radio two. | 1:08:45 | 1:08:48 | |
We need him to hurry up or we're going to run out of time. | 1:08:48 | 1:08:51 | |
The weather window is closing fast. | 1:08:51 | 1:08:54 | |
Get out the door, let's go! | 1:08:54 | 1:08:55 | |
OK, helium good, let's start. | 1:08:55 | 1:08:57 | |
We got to press on. We're way behind schedule! | 1:09:01 | 1:09:03 | |
The wind is beginning to rise. | 1:09:08 | 1:09:10 | |
I gotta tell you, | 1:09:17 | 1:09:18 | |
the wind is blowing this balloon all over creation! | 1:09:18 | 1:09:20 | |
Felix, the wind's came up. We'll have to abort. | 1:09:34 | 1:09:40 | |
No way. | 1:09:40 | 1:09:42 | |
Sorry to tell you. | 1:09:44 | 1:09:46 | |
This is going to be a painful mission debrief. | 1:09:50 | 1:09:53 | |
The team's mistakes have cost them one of their two balloons. | 1:09:59 | 1:10:03 | |
And the confidence of their pilot. | 1:10:03 | 1:10:06 | |
We've got to figure out what the issues were | 1:10:08 | 1:10:11 | |
as far as the radio comm, cos with the switch... | 1:10:11 | 1:10:13 | |
-My radio comm? -It wasn't intentional. | 1:10:13 | 1:10:16 | |
-It just happened? -Yeah. | 1:10:16 | 1:10:18 | |
In such an operation as this, things just happen?! | 1:10:18 | 1:10:20 | |
We're looking at what we need to be better organised... | 1:10:20 | 1:10:22 | |
Now we're down to one balloon. | 1:10:22 | 1:10:25 | |
We have to have the right conditions. | 1:10:25 | 1:10:26 | |
So what's the plan? | 1:10:26 | 1:10:28 | |
Right now, Don's looking at weather. | 1:10:28 | 1:10:30 | |
Next step is figure out the day. | 1:10:30 | 1:10:32 | |
The team will have to wait four days for another chance. | 1:10:37 | 1:10:41 | |
'You have to start up your system again | 1:10:56 | 1:10:58 | |
'and think through the process, and then it's not going to happen,' | 1:10:58 | 1:11:03 | |
then you have to do it all over again. It's just exhausting, | 1:11:03 | 1:11:05 | |
so, I don't know how much more I can do this, you know. | 1:11:05 | 1:11:08 | |
So, I really hope this is going to happen tonight. | 1:11:08 | 1:11:10 | |
Hello, Eva. | 1:11:12 | 1:11:14 | |
-How are you? Alles gut! -Alles gut. | 1:11:14 | 1:11:18 | |
Felix, do you read me? | 1:11:37 | 1:11:38 | |
Read you loud and clear, sir. | 1:11:38 | 1:11:40 | |
We've got to get closer to going. | 1:11:40 | 1:11:43 | |
You were born ready, Felix. | 1:11:46 | 1:11:48 | |
This time, the team is on schedule. | 1:11:50 | 1:11:53 | |
But with only one balloon, there is no room for error. | 1:11:53 | 1:11:57 | |
We're all with you, buddy. | 1:11:58 | 1:12:00 | |
Standing by, Joe, ready to go. | 1:12:00 | 1:12:02 | |
Stand by and get ready for your trip to space. | 1:12:04 | 1:12:06 | |
We are go for launch! | 1:12:10 | 1:12:11 | |
-Oh, beautiful! -Beautiful, wow! | 1:12:36 | 1:12:40 | |
Look at it go! | 1:12:45 | 1:12:47 | |
-CHEERING -Release! | 1:12:53 | 1:12:56 | |
Felix, you're on the way to space. | 1:13:12 | 1:13:14 | |
Rock'n'roll! Thank you so much, guys. | 1:13:14 | 1:13:17 | |
And you're going up just great. | 1:13:17 | 1:13:19 | |
Felix, you're going up at 1,200ft per minute. Right on track. | 1:13:43 | 1:13:47 | |
Everything's looking good, you're doing great on the cabin. | 1:13:47 | 1:13:50 | |
And everything is green. | 1:13:50 | 1:13:52 | |
We know you will, Felix, we've got confidence in you. | 1:14:00 | 1:14:04 | |
That's a good view of the airfield down there. | 1:14:11 | 1:14:14 | |
You've passed about 30,000, you're doing 100mph. | 1:14:14 | 1:14:18 | |
And you're moving across New Mexico. | 1:14:21 | 1:14:23 | |
100 miles an hour. Really? | 1:14:23 | 1:14:26 | |
Actually, 112 right now, you're flat moving out. | 1:14:28 | 1:14:32 | |
Just before Felix passes into the deadly atmosphere | 1:14:47 | 1:14:50 | |
above the Armstrong line, | 1:14:50 | 1:14:52 | |
he makes an alarming discovery. | 1:14:52 | 1:14:54 | |
Phil, check your monitor. Phil, check your monitor. | 1:15:04 | 1:15:08 | |
"Phil, check your monitor" is Joe's emergency code. | 1:15:08 | 1:15:12 | |
We have a problem, we have a problem. | 1:15:12 | 1:15:15 | |
The television signal from the control room | 1:15:15 | 1:15:19 | |
is cut to allow Felix to talk openly. | 1:15:19 | 1:15:22 | |
Face plate heat is all the way up... | 1:15:22 | 1:15:25 | |
The millions watching at home see nothing of what follows. | 1:15:25 | 1:15:29 | |
If Felix has no face-plate heat, his visor will keep fogging up. | 1:15:45 | 1:15:49 | |
If he can't see the horizon, or his instruments, he can't jump safely. | 1:15:51 | 1:15:57 | |
We have a choice - | 1:15:59 | 1:16:01 | |
to continue up a little bit and see if it gets better | 1:16:01 | 1:16:04 | |
as you get lots of cold, or abort. | 1:16:04 | 1:16:07 | |
What do you think we should do? | 1:16:11 | 1:16:12 | |
I think we're seeing face-plate heating... | 1:16:12 | 1:16:14 | |
I don't see it fogging up. | 1:16:14 | 1:16:17 | |
Here's the problem - he thinks he doesn't have face plate. | 1:16:24 | 1:16:27 | |
It's his own perception, | 1:16:27 | 1:16:28 | |
and if he doesn't trust that he doesn't have face plate, | 1:16:28 | 1:16:32 | |
he's not a safe person and he probably wants to abort. | 1:16:32 | 1:16:35 | |
Mike, I want you to have our helicopter be in position - | 1:16:38 | 1:16:42 | |
we might have to cut him down. | 1:16:42 | 1:16:45 | |
We have an emergency here, and they should be ready to act. | 1:16:45 | 1:16:49 | |
As Felix rises above 80,000 feet, | 1:16:53 | 1:16:56 | |
the team need to reassure him that the visor will work when he jumps. | 1:16:56 | 1:17:01 | |
If he didn't have face-plate heating, | 1:17:01 | 1:17:03 | |
he'd be fogged up completely. | 1:17:03 | 1:17:05 | |
OK, Felix, here's what we think we should do. | 1:17:05 | 1:17:09 | |
He has to unplug his visor from the capsule power | 1:17:09 | 1:17:13 | |
allowing it to be powered by the pack on his chest. | 1:17:13 | 1:17:16 | |
But that could cut his communication to mission control - | 1:17:16 | 1:17:20 | |
and he may never get it back. | 1:17:20 | 1:17:22 | |
Are you going to go for an umbilical disconnect? | 1:17:28 | 1:17:31 | |
Yeah, he's going to the bathroom. | 1:17:35 | 1:17:37 | |
It's a good time to do it. | 1:17:37 | 1:17:39 | |
Felix has now risen past Joe's altitude of 102,000 feet, | 1:17:42 | 1:17:48 | |
but he faces a serious dilemma. | 1:17:48 | 1:17:51 | |
if he carries on, he may have no sight and no contact with his team. | 1:17:51 | 1:17:56 | |
Abort, and he may never get another chance. | 1:17:56 | 1:18:01 | |
He needs to hurry up and find out if it's going to work or not | 1:18:11 | 1:18:15 | |
so we know if we're pressing on to 128. | 1:18:15 | 1:18:17 | |
Felix, are you good there? | 1:18:21 | 1:18:23 | |
Felix decides to risk it. | 1:18:36 | 1:18:38 | |
OK, do you understand the procedures? | 1:18:38 | 1:18:40 | |
If you thumbs up, we keep going, thumbs down, we cut you loose. | 1:18:40 | 1:18:43 | |
Roger. Go ahead, Felix, and good luck and God bless you. | 1:18:47 | 1:18:51 | |
Can you hear me, Felix? | 1:19:15 | 1:19:17 | |
Felix, I'm reading you loud and clear too. | 1:19:25 | 1:19:27 | |
We have good communications... | 1:19:27 | 1:19:29 | |
Plugged into the chest pack, he still has communication. | 1:19:29 | 1:19:33 | |
Hold your breath | 1:19:33 | 1:19:34 | |
and let's see if we get the condensation again, Felix. | 1:19:34 | 1:19:38 | |
Hold your breath and let's see if we get condensation. | 1:19:38 | 1:19:40 | |
Felix, it appears as if it's dissipating | 1:19:43 | 1:19:47 | |
while you've got your breath held - | 1:19:47 | 1:19:49 | |
is that what you're seeing? | 1:19:49 | 1:19:50 | |
I think that means that it's working. | 1:19:53 | 1:19:55 | |
How you doing, Felix? Hanging in there, buddy? | 1:19:57 | 1:19:59 | |
Felix is going to jump. | 1:20:12 | 1:20:13 | |
The world is allowed to watch once more. | 1:20:14 | 1:20:18 | |
OK, confirm you're ready to start the res check. | 1:20:18 | 1:20:23 | |
OK, here we go, Felix! Item one. | 1:20:25 | 1:20:27 | |
Depress the suit, reinstall hose and cover. | 1:20:27 | 1:20:31 | |
Suit is depressurised, hose and cover are installed. | 1:20:33 | 1:20:37 | |
Attaboy! | 1:20:37 | 1:20:38 | |
Activate suit and chest-pack cameras. | 1:20:38 | 1:20:43 | |
Suit and chest-pack cameras are on. | 1:20:45 | 1:20:48 | |
Verify face seal tight. | 1:20:49 | 1:20:52 | |
Verify face seal is tight. | 1:20:56 | 1:20:58 | |
Move seat to the forward position. | 1:21:01 | 1:21:03 | |
Seat is in the forward position. | 1:21:05 | 1:21:08 | |
OK, we're getting serious now, Felix. | 1:21:08 | 1:21:11 | |
Depressurise the capsule to 40,000 feet | 1:21:11 | 1:21:14 | |
and confirm pressure suit inflation. | 1:21:14 | 1:21:17 | |
Confirmed, the suit is pressurised. | 1:21:17 | 1:21:20 | |
Depressurise the cabin to ambient altitude. | 1:21:20 | 1:21:23 | |
There it is! There's the world out there. | 1:21:28 | 1:21:31 | |
Move seat to the rear capsule. | 1:21:33 | 1:21:34 | |
Lift legs into the door threshold. | 1:21:37 | 1:21:39 | |
In position at the threshold. | 1:21:42 | 1:21:44 | |
Glide the seat forward. | 1:21:47 | 1:21:49 | |
Release seatbelt. | 1:21:56 | 1:21:57 | |
Attaboy. That's good. OK. Stand up on the exterior step. | 1:21:59 | 1:22:03 | |
Keep your head down. | 1:22:03 | 1:22:05 | |
Release the helmet tie-down strap. | 1:22:05 | 1:22:07 | |
And our guardian angel will take care of you. | 1:22:12 | 1:22:15 | |
FELIX BREATHES HEAVILY | 1:22:31 | 1:22:33 | |
WIND WHOOSHES | 1:22:48 | 1:22:51 | |
Is he...? What is he doing? | 1:23:22 | 1:23:25 | |
He's spinning, isn't he? | 1:23:25 | 1:23:28 | |
Felix has just gone supersonic. | 1:23:28 | 1:23:31 | |
But he's lost control. | 1:23:31 | 1:23:34 | |
Gosh darn. | 1:23:52 | 1:23:54 | |
APPLAUSE AND WHOOPING | 1:24:17 | 1:24:19 | |
Woo-hoo-hoo! | 1:24:22 | 1:24:23 | |
1 minute 30 seconds, and stable as a rock. | 1:24:32 | 1:24:36 | |
INDISTINCT | 1:24:43 | 1:24:45 | |
Felix, are you calling me? | 1:24:46 | 1:24:48 | |
Keep talking, Felix, keep talking. | 1:24:48 | 1:24:51 | |
Three minutes' freefall. Three minutes' freefall. | 1:24:51 | 1:24:54 | |
Felix, you're at the coldest altitude. | 1:25:10 | 1:25:12 | |
The further you fall, the warmer it's going to get. | 1:25:12 | 1:25:15 | |
CHEERING AND APPLAUSE | 1:25:29 | 1:25:33 | |
Felix, we're so proud of you. You did absolutely fabulously. | 1:25:45 | 1:25:49 | |
Absolutely fabulous. I couldn't have done any better myself. | 1:25:49 | 1:25:53 | |
WHOOPING AND CHEERING | 1:26:02 | 1:26:04 | |
Yes! | 1:26:30 | 1:26:32 | |
Oh, my God. | 1:26:34 | 1:26:35 | |
That was so scary you cannot believe. | 1:26:35 | 1:26:38 | |
I think I just lost 1,000 of weight off my shoulders. | 1:26:39 | 1:26:43 | |
I wanted to hug the whole world. | 1:26:43 | 1:26:46 | |
Come on, buddy. | 1:26:46 | 1:26:47 | |
Without this guy, I couldn't have done it. | 1:26:50 | 1:26:52 | |
Yes! | 1:27:08 | 1:27:10 | |
Colonel. | 1:27:10 | 1:27:11 | |
It had a wonderful conclusion. I am now a has-been. | 1:27:38 | 1:27:43 | |
But a famous one! | 1:27:43 | 1:27:44 | |
THEY LAUGH | 1:27:44 | 1:27:46 | |
Subtitles by Red Bee Media Ltd | 1:28:16 | 1:28:20 |