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Alchemy, the dream of turning base metals into gold, | 0:00:06 | 0:00:11 | |
used to be an offence punishable with a long prison sentence. | 0:00:11 | 0:00:15 | |
But here at one of the most advanced | 0:00:19 | 0:00:21 | |
nuclear research facilities in the world | 0:00:21 | 0:00:23 | |
they're attempting a new type of alchemy. | 0:00:23 | 0:00:26 | |
They're trying to command the extreme forces of nature | 0:00:26 | 0:00:30 | |
and make one element change into another brand new element. | 0:00:30 | 0:00:35 | |
This is the latest chapter in the extraordinary story of | 0:00:38 | 0:00:42 | |
scientists' battle to control the building blocks | 0:00:42 | 0:00:46 | |
that make up our universe. | 0:00:46 | 0:00:48 | |
The elements. | 0:00:48 | 0:00:49 | |
I'm Jim Al-Khalili. | 0:00:49 | 0:00:54 | |
As a nuclear physicist my life's work wouldn't have been possible | 0:00:54 | 0:00:58 | |
without the pioneering chemists | 0:00:58 | 0:01:00 | |
who first explored the mysteries of matter. | 0:01:00 | 0:01:03 | |
It's beautiful. | 0:01:03 | 0:01:04 | |
I've seen how they laboured to discover hidden elements and | 0:01:04 | 0:01:10 | |
crack the secret code of the natural world to create the periodic table. | 0:01:10 | 0:01:16 | |
Now the story turns to the scientists who unlocked | 0:01:20 | 0:01:24 | |
the potential of the 92 elements which made up our planet. | 0:01:24 | 0:01:29 | |
I'll discover how they endeavoured to combine them | 0:01:31 | 0:01:34 | |
and create our modern world. | 0:01:34 | 0:01:36 | |
Their mission to control nature is a tale of struggle and serendipity, | 0:01:39 | 0:01:45 | |
of accident meeting design. | 0:01:45 | 0:01:48 | |
And of the power of the elements harnessed | 0:01:48 | 0:01:52 | |
to release unimaginable forces. | 0:01:52 | 0:01:55 | |
Everything around me has been created as the result | 0:02:27 | 0:02:31 | |
of chemical reactions unlocking the power of the elements | 0:02:31 | 0:02:35 | |
and turning them into compounds. | 0:02:35 | 0:02:37 | |
The element iron fortified with chromium, carbon and nickel | 0:02:39 | 0:02:45 | |
makes the stainless steel cladding around this building. | 0:02:45 | 0:02:49 | |
Its glass is a union of silicon and oxygen. | 0:02:49 | 0:02:53 | |
Just 92 elements created our planet. | 0:02:56 | 0:02:59 | |
Our quest to combine them spans centuries. | 0:03:00 | 0:03:05 | |
People had been mixing, muddling | 0:03:06 | 0:03:08 | |
and making compounds from prehistoric times. | 0:03:08 | 0:03:12 | |
Inspired by the alchemists, early experimenters added | 0:03:12 | 0:03:16 | |
all sorts of chemicals together just to see what happened. | 0:03:16 | 0:03:20 | |
But it was more cooking than a real science, | 0:03:20 | 0:03:23 | |
what you might call "bucket chemistry". | 0:03:23 | 0:03:26 | |
Unsurprisingly some of the earliest breakthroughs | 0:03:28 | 0:03:32 | |
were made entirely by chance. | 0:03:32 | 0:03:34 | |
One discovery by a German chemist, | 0:03:36 | 0:03:39 | |
Heinrich Diesbach, was a milestone in the paint industry. | 0:03:39 | 0:03:44 | |
Science historian Professor Allan Chapman | 0:03:47 | 0:03:50 | |
is going to show me how Diesbach stumbled across the ingredients | 0:03:50 | 0:03:55 | |
of the first synthetic paint. | 0:03:55 | 0:03:57 | |
-Hello, Allan. -Good to see you. | 0:03:57 | 0:04:00 | |
-Wonderful engine isn't she? -Fantastic. | 0:04:00 | 0:04:02 | |
The development of the paint that goes onto these engines | 0:04:02 | 0:04:05 | |
which we call Brunswick Green was itself a mixture | 0:04:05 | 0:04:08 | |
of two artificially developed paint compounds in the 18th | 0:04:08 | 0:04:12 | |
and early 19th century. | 0:04:12 | 0:04:13 | |
The first of these was Prussian Blue, | 0:04:13 | 0:04:15 | |
developed in the 18th century, a deep beautiful, rich blue. | 0:04:15 | 0:04:19 | |
And mix that with another chemical substance, chrome yellow, | 0:04:19 | 0:04:24 | |
then you produce these wonderful colours | 0:04:24 | 0:04:26 | |
which Isambard Kingdom Brunel and his successors painted on these gorgeous | 0:04:26 | 0:04:30 | |
Great Western railway engines. | 0:04:30 | 0:04:32 | |
Before the discovery of Prussian Blue, most pigments | 0:04:32 | 0:04:37 | |
were derived from nature. | 0:04:37 | 0:04:39 | |
The best blue pigments came from rare lapus lazuli. | 0:04:39 | 0:04:44 | |
Allan Chapman is going to try to recreate Diesbach's discovery. | 0:04:46 | 0:04:51 | |
He's starting with one unusual ingredient | 0:04:51 | 0:04:54 | |
that ended up in the recipe by accident. | 0:04:54 | 0:04:58 | |
First of all, take your blood. | 0:04:58 | 0:04:59 | |
Take your blood. | 0:04:59 | 0:05:01 | |
And pour it into the crucible. | 0:05:01 | 0:05:04 | |
And then we take the potash, and the potash is the alkaline material | 0:05:04 | 0:05:09 | |
which we now call potassium carbonate. | 0:05:09 | 0:05:12 | |
Diesbach was trying to make red paint, not blue, | 0:05:12 | 0:05:16 | |
but he had no idea his potash had been contaminated. | 0:05:16 | 0:05:21 | |
And we think of course that it was the blood that formed the contaminant | 0:05:21 | 0:05:24 | |
that changed the reaction of the colour | 0:05:24 | 0:05:26 | |
and produced a blue rather than a red. | 0:05:26 | 0:05:29 | |
Heating blood alters its proteins, enabling them to combine with | 0:05:30 | 0:05:34 | |
the iron in blood cells and the potassium carbonate, or potash. | 0:05:34 | 0:05:40 | |
What's happening in the reaction now is that the carbonate is reacting | 0:05:40 | 0:05:44 | |
with the haemoglobin | 0:05:44 | 0:05:45 | |
and other structures in the blood to produce this extraordinary, thick, | 0:05:45 | 0:05:49 | |
what might best be simply called a gunge. | 0:05:49 | 0:05:52 | |
After heating the gunge to an ash and then filtering and diluting it, | 0:05:52 | 0:05:57 | |
Diesbach added green vitriol, | 0:05:57 | 0:06:00 | |
what we now call iron sulphate, unaware he was about to create | 0:06:00 | 0:06:04 | |
a complex iron compound, Ferric ferrocyanide, or Prussian Blue. | 0:06:04 | 0:06:12 | |
Now, watch this carefully, | 0:06:12 | 0:06:14 | |
it will effervesce and might effervesce violently. So watch this. | 0:06:14 | 0:06:18 | |
Look at that! | 0:06:21 | 0:06:23 | |
And notice the very nice green beginning to emerge. | 0:06:27 | 0:06:31 | |
Now for the final solution, it says to add the spirit of salt. | 0:06:31 | 0:06:36 | |
This acid should help draw out the Prussian Blue. | 0:06:36 | 0:06:40 | |
And shut the cupboard down | 0:06:40 | 0:06:41 | |
because it will throw off all sorts of toxic gases. | 0:06:41 | 0:06:45 | |
-There we are. -Now, you're talking. -There's a real deep one! | 0:06:47 | 0:06:52 | |
Almost caught the bottle. Look at that. | 0:06:55 | 0:06:58 | |
Now that is Prussian blue, that's brilliant. | 0:06:58 | 0:07:00 | |
That's lovely, isn't it? The very first ever synthetic pigment, | 0:07:00 | 0:07:06 | |
and dry that out and pulverise it | 0:07:06 | 0:07:08 | |
and mix it up as a powder and you have a paint. | 0:07:08 | 0:07:12 | |
Diesbach's chance encounter with blood had given the world synthetic | 0:07:12 | 0:07:17 | |
Prussian Blue paint from a compound of iron. | 0:07:17 | 0:07:21 | |
Iron is the Earth's most abundant element. | 0:07:24 | 0:07:28 | |
Our planet is essentially a vast sphere with an iron core. | 0:07:30 | 0:07:35 | |
Though it's a silvery, lustrous metal, | 0:07:36 | 0:07:40 | |
contact with damp air sees it quickly rust. | 0:07:40 | 0:07:43 | |
The planet Mars is thought to be red due to iron oxide. | 0:07:43 | 0:07:49 | |
Adding just 1.7% of carbon makes iron into the more durable steel, | 0:07:50 | 0:07:56 | |
which helped launch the Industrial Revolution. | 0:07:56 | 0:07:59 | |
Diesbach had glimpsed the potential of making compounds. | 0:08:05 | 0:08:09 | |
But scientists' understanding of how elements combined | 0:08:11 | 0:08:15 | |
and could be controlled was still hazy. | 0:08:15 | 0:08:18 | |
In a bid to master the elements, one German chemist, Justus von Liebig, | 0:08:23 | 0:08:28 | |
became obsessed with creating explosive combinations. | 0:08:28 | 0:08:32 | |
His passion was sparked when, as a child in Darmstadt, | 0:08:35 | 0:08:40 | |
he saw a peddler letting off fireworks. | 0:08:40 | 0:08:43 | |
They were powered by silver fulminate, | 0:08:43 | 0:08:46 | |
the same chemicals found in bangers. | 0:08:46 | 0:08:49 | |
Liebig had found his vocation. | 0:08:56 | 0:09:00 | |
But it was as much Liebig's personality | 0:09:03 | 0:09:06 | |
as his love for explosives which powered his great breakthrough. | 0:09:06 | 0:09:10 | |
It was said that he was arrogant, irascible, pugnacious and pigheaded. | 0:09:12 | 0:09:18 | |
Not a man to cross you might think. | 0:09:18 | 0:09:21 | |
So when German chemist Friedrich Wohler got an | 0:09:21 | 0:09:25 | |
angry letter from Liebig in 1825, you can imagine his heart sinking. | 0:09:25 | 0:09:32 | |
Liebig had read a paper written by Wohler | 0:09:32 | 0:09:36 | |
about a compound he had made called silver cyanate. This is its formula. | 0:09:36 | 0:09:41 | |
It's made in equal parts from the elements | 0:09:42 | 0:09:46 | |
silver, carbon, nitrogen and oxygen. | 0:09:46 | 0:09:49 | |
Wohler described it as harmless and stable. | 0:09:49 | 0:09:52 | |
Liebig saw silver, carbon, nitrogen and oxygen and exploded | 0:09:52 | 0:09:58 | |
because this was exactly what made up HIS silver fulminate. | 0:09:58 | 0:10:03 | |
How could two substances that were apparently made of | 0:10:03 | 0:10:07 | |
the same amounts of the same elements, behave so differently? | 0:10:07 | 0:10:11 | |
True to character, Liebig decided | 0:10:11 | 0:10:14 | |
there was only one answer, that Wohler was wrong. | 0:10:14 | 0:10:19 | |
He dashed off a furious letter to Wohler | 0:10:19 | 0:10:22 | |
slamming him as a hopeless analyst. | 0:10:22 | 0:10:24 | |
Well, Wohler wasn't having any of that. | 0:10:24 | 0:10:27 | |
He challenged Liebig to make Silver cyanate and test it for himself. | 0:10:27 | 0:10:33 | |
Dr Andrea Sella has studied 19th century chemistry | 0:10:33 | 0:10:37 | |
and is attempting to create Wohler's silver cyanate. | 0:10:37 | 0:10:42 | |
The rules of chemistry really said that the only thing that counted was | 0:10:42 | 0:10:47 | |
what in your material, what its composition was. | 0:10:47 | 0:10:51 | |
And, so here we have this lovely white powder | 0:10:51 | 0:10:54 | |
which we're now going to filter off | 0:10:54 | 0:10:57 | |
and according to the then rules of chemistry, | 0:10:57 | 0:11:02 | |
this should be absolutely identical to Liebig's material. | 0:11:02 | 0:11:07 | |
And what would Liebig have expected to happen? | 0:11:07 | 0:11:12 | |
Liebig expected something really quite nasty. | 0:11:12 | 0:11:14 | |
I actually made a small amount of it earlier | 0:11:14 | 0:11:17 | |
and we'll put it here on this little piece of aluminium foil. | 0:11:17 | 0:11:20 | |
You take a match... | 0:11:20 | 0:11:23 | |
If this was Liebig's material then something interesting should happen. | 0:11:23 | 0:11:27 | |
Why don't you have a go? I'll step back. | 0:11:27 | 0:11:29 | |
Thank you very much(!) | 0:11:29 | 0:11:31 | |
Are you sure about this? Should I... | 0:11:31 | 0:11:33 | |
Go for it. | 0:11:33 | 0:11:35 | |
Be a chemist. | 0:11:36 | 0:11:38 | |
HE LAUGHS | 0:11:38 | 0:11:40 | |
-Nothing. -Nothing. | 0:11:49 | 0:11:51 | |
Now this would have been totally shocking to Liebig | 0:11:51 | 0:11:54 | |
because Liebig was expecting that something which | 0:11:54 | 0:11:57 | |
had silver, carbon, nitrogen and oxygen in it would be explosive. | 0:11:57 | 0:12:01 | |
And yet here was something with the same composition | 0:12:01 | 0:12:04 | |
and yet it didn't go bang. | 0:12:04 | 0:12:06 | |
-So, same ingredients, same elements in the same proportions. -Absolutely. | 0:12:06 | 0:12:10 | |
But they had to be two different compounds. | 0:12:10 | 0:12:13 | |
They were two totally different compounds. | 0:12:13 | 0:12:15 | |
Liebig and Wohler had discovered a fundamental characteristic | 0:12:17 | 0:12:22 | |
of the elements. | 0:12:22 | 0:12:23 | |
One which would in time explain how just 92 elements | 0:12:23 | 0:12:29 | |
could give rise to the extraordinary complexity of the modern world. | 0:12:29 | 0:12:33 | |
They'd stumbled on what would later be called "isomers". | 0:12:35 | 0:12:39 | |
What made their compounds different | 0:12:39 | 0:12:41 | |
was the way that the elements were connected. | 0:12:41 | 0:12:44 | |
If I take these building blocks I can use them to make... | 0:12:44 | 0:12:47 | |
a space shuttle... | 0:12:51 | 0:12:52 | |
..or a plane... | 0:12:56 | 0:12:58 | |
..or a boat. | 0:13:01 | 0:13:05 | |
It all depends how I fit the pieces together. | 0:13:05 | 0:13:07 | |
The same is true with the elements. | 0:13:07 | 0:13:09 | |
Like the explosive fulminate or the calm cyanate. | 0:13:09 | 0:13:13 | |
It seems that the same elements combined together in different ways | 0:13:13 | 0:13:18 | |
will give rise to different compounds with different properties. | 0:13:18 | 0:13:22 | |
Chemists began to suspect that the key to designing new compounds | 0:13:22 | 0:13:28 | |
was in understanding how the elements combined. | 0:13:28 | 0:13:32 | |
And this was all down to atoms. | 0:13:32 | 0:13:35 | |
Atoms are infinitesimally small particles of matter. | 0:13:36 | 0:13:41 | |
The image of these silicon atoms | 0:13:41 | 0:13:44 | |
is magnified more than 10 million times. | 0:13:44 | 0:13:48 | |
These are gold atoms. At the start of the 19th century, | 0:13:48 | 0:13:53 | |
science first began to consider | 0:13:53 | 0:13:55 | |
that all elements may be composed of atoms. | 0:13:55 | 0:13:59 | |
What scientists now realised was that the arrangement of | 0:13:59 | 0:14:02 | |
the atoms, the way they were connected together, was crucial. | 0:14:02 | 0:14:07 | |
And by studying the element carbon | 0:14:07 | 0:14:09 | |
hey made one of chemistry's great breakthroughs. | 0:14:09 | 0:14:13 | |
In 1796 Yorkshire chemist, Smithson Tennant, was investigating what | 0:14:13 | 0:14:20 | |
diamonds were made of, when he decided to burn one. | 0:14:20 | 0:14:25 | |
Now he used sunlight and a magnifying lens to heat the diamond. | 0:14:25 | 0:14:30 | |
But I'm going to speed things up and use a glass blowing torch | 0:14:30 | 0:14:35 | |
and I have some liquid oxygen. | 0:14:35 | 0:14:36 | |
Now if I hold this then in the flame and heat it up... | 0:14:36 | 0:14:40 | |
And there we have it whizzing around, that's beautiful. | 0:14:44 | 0:14:49 | |
The bubbles coming off were collected by Smithson Tennant, | 0:14:56 | 0:15:00 | |
they're pure carbon dioxide. | 0:15:00 | 0:15:02 | |
Now, he knew that he'd started with just two ingredients - | 0:15:02 | 0:15:06 | |
diamond and oxygen. | 0:15:06 | 0:15:08 | |
And what he produced was a gas made up of just carbon and oxygen. | 0:15:08 | 0:15:12 | |
So, he knew that diamond had to be carbon. | 0:15:12 | 0:15:16 | |
Now that's almost disappeared. | 0:15:16 | 0:15:19 | |
It's gone. That diamond doesn't exist any more, | 0:15:19 | 0:15:23 | |
it's in the air that I'm breathing. It's turned into carbon dioxide. | 0:15:23 | 0:15:27 | |
So, unfortunately diamonds aren't forever. | 0:15:27 | 0:15:32 | |
Tennant's revelation left scientists with a conundrum. | 0:15:35 | 0:15:39 | |
They knew carbon already, | 0:15:39 | 0:15:41 | |
as graphite, one of the softest elements on the planet. | 0:15:41 | 0:15:46 | |
So how could it be the same element as the hardest substance, diamond? | 0:15:46 | 0:15:53 | |
What was carbon's secret? | 0:15:53 | 0:15:56 | |
At the end of the 18th century, Tennant didn't yet know that | 0:15:57 | 0:16:01 | |
elements were made of atoms, so he was unable to find the answer. | 0:16:01 | 0:16:06 | |
It would be another half century before a young Scotsman | 0:16:06 | 0:16:10 | |
called Archibald Scott Couper took up the challenge. | 0:16:10 | 0:16:15 | |
Couper was a rising star in chemistry. | 0:16:15 | 0:16:18 | |
In 1856 when he was 27, he went to Paris to work with one of | 0:16:18 | 0:16:23 | |
the eminent chemists of the day, Charles-Adolphe Wurtz. | 0:16:23 | 0:16:27 | |
Couper was fascinated by the way | 0:16:31 | 0:16:34 | |
carbon atoms combined with other atoms. | 0:16:34 | 0:16:38 | |
And he came up with the idea of bonds, links between the atoms | 0:16:38 | 0:16:43 | |
to explain how the elements join with each other. | 0:16:43 | 0:16:46 | |
This is Couper's paper, written in June 1858. | 0:16:52 | 0:16:56 | |
The ideas in here would spark a revolution | 0:16:56 | 0:16:59 | |
in the way we interpret chemistry. | 0:16:59 | 0:17:02 | |
And this is Couper's picture of the way the atoms are connected. | 0:17:02 | 0:17:06 | |
The C stands for Carbon and the H for hydrogen, | 0:17:06 | 0:17:11 | |
and these lines are Couper's bonds | 0:17:11 | 0:17:14 | |
that explain how he thought | 0:17:14 | 0:17:17 | |
the atoms all joined together. | 0:17:17 | 0:17:20 | |
And this is the real genius, | 0:17:20 | 0:17:22 | |
somehow Couper realised that carbon doesn't just have one link, | 0:17:22 | 0:17:28 | |
but four. | 0:17:28 | 0:17:30 | |
Because of its four bonds, it can attach with different strengths | 0:17:30 | 0:17:35 | |
to other carbon atoms, that's why it can exist in two extreme forms. | 0:17:35 | 0:17:40 | |
In diamond, all four bonds are connected to other carbon atoms in | 0:17:40 | 0:17:44 | |
three dimensions, that's why diamond is so hard. | 0:17:44 | 0:17:48 | |
But in graphite, only three of the bonds are connected to other carbon | 0:17:48 | 0:17:52 | |
atoms in a single plane, making the connections weaker, | 0:17:52 | 0:17:57 | |
which is why graphite is a much softer material. | 0:17:57 | 0:18:00 | |
Carbon's four bonds give it another extraordinary property. | 0:18:02 | 0:18:07 | |
Imagine I am a carbon atom. | 0:18:07 | 0:18:10 | |
I can use one hand to link to another atom and my other hand | 0:18:10 | 0:18:13 | |
to link to a second, leaving my feet free to make more links. | 0:18:13 | 0:18:18 | |
So, carbon's four bonds means it can combine | 0:18:21 | 0:18:26 | |
with lots of other atoms. | 0:18:26 | 0:18:29 | |
It can form rings and long chains, | 0:18:30 | 0:18:34 | |
something that makes it rare amongst the elements. | 0:18:34 | 0:18:38 | |
Carbon. It has us in its nurturing grasp from our birth to our death. | 0:18:43 | 0:18:48 | |
It's found in everything from a whale's backbone | 0:18:51 | 0:18:54 | |
to the smallest virus. | 0:18:54 | 0:18:56 | |
Carbon is in DNA, cellulose, fat, sugar. | 0:18:57 | 0:19:02 | |
Daily, each of us takes in 300g of it. | 0:19:04 | 0:19:08 | |
Earth's carbon, like most other elements, | 0:19:09 | 0:19:12 | |
was ejected from dying stars which means | 0:19:12 | 0:19:16 | |
we're all made of stardust. | 0:19:16 | 0:19:19 | |
Couper had solved a fundamental puzzle. | 0:19:25 | 0:19:29 | |
He'd explained why carbon could be found in so many compounds, | 0:19:29 | 0:19:34 | |
why it made up so much of the natural world. | 0:19:34 | 0:19:37 | |
Now, he just had to publish his findings to claim the credit. | 0:19:37 | 0:19:42 | |
But a German chemist, | 0:19:42 | 0:19:44 | |
Friedrich Kekule had hit upon exactly the same idea. | 0:19:44 | 0:19:49 | |
Kekule spent time studying in London, and it was apparently whilst | 0:19:49 | 0:19:55 | |
on a London bus that he claimed he'd had a flash of inspiration. | 0:19:55 | 0:20:01 | |
Most of us sit on the bus dreaming about Leeds United, what we're going | 0:20:01 | 0:20:05 | |
to have for supper when we get home, or what's on the telly. | 0:20:05 | 0:20:09 | |
But Kekule claimed he dreamt of | 0:20:09 | 0:20:11 | |
whirling atoms embracing in a giddy dance. | 0:20:11 | 0:20:15 | |
He saw them uniting into chains, | 0:20:15 | 0:20:17 | |
pulling more atoms together. | 0:20:17 | 0:20:20 | |
Suddenly the conductor shouted, "Clapham" | 0:20:20 | 0:20:23 | |
and Kekule came to with new ideas of structure formed in his mind. | 0:20:23 | 0:20:30 | |
Kekule raced to get his concept into print. | 0:20:30 | 0:20:33 | |
Couper's boss had been slow to get his paper published, | 0:20:33 | 0:20:37 | |
so Kekule took all the credit. | 0:20:37 | 0:20:40 | |
And in science there's no prize for second place. | 0:20:41 | 0:20:47 | |
Despite having been the first to unravel carbon's secrets, | 0:20:47 | 0:20:52 | |
Couper got none of the glory. | 0:20:52 | 0:20:54 | |
When he discovered that his boss, Adolphe Wurtz had somehow | 0:20:54 | 0:20:58 | |
delayed in sending his paper, | 0:20:58 | 0:21:00 | |
he flew into a rage at Wurtz, who promptly expelled him from the lab. | 0:21:00 | 0:21:05 | |
From there, he disappeared completely from chemical history. | 0:21:05 | 0:21:09 | |
No scientific papers, no letters to journals, no experiments, nothing. | 0:21:09 | 0:21:14 | |
Couper missed out on his chance for recognition | 0:21:20 | 0:21:23 | |
and soon after lost his mind. | 0:21:23 | 0:21:26 | |
He would spend years in an asylum. | 0:21:26 | 0:21:30 | |
But once carbon's secrets had been revealed, | 0:21:37 | 0:21:39 | |
a world of opportunity beckoned for many others. | 0:21:39 | 0:21:43 | |
There are more known compounds of carbon | 0:21:43 | 0:21:47 | |
than of any other element, | 0:21:47 | 0:21:49 | |
so understanding how it could combine gave us the means | 0:21:49 | 0:21:53 | |
of creating compounds by design. | 0:21:53 | 0:21:56 | |
Suddenly it seems everyone was manipulating the elements | 0:21:56 | 0:22:00 | |
so it wasn't long before industry | 0:22:00 | 0:22:02 | |
was cashing in on this new found certainty, | 0:22:02 | 0:22:05 | |
and modern, industrial chemistry was born. | 0:22:05 | 0:22:09 | |
Combining elements into new compounds would not only offer | 0:22:15 | 0:22:19 | |
the prospect of building fortunes, | 0:22:19 | 0:22:23 | |
science's mastery of carbon chemistry began to shape our lives. | 0:22:23 | 0:22:28 | |
It's hard to imagine a world without plastics today. | 0:22:28 | 0:22:32 | |
One, invented in 1907 had the catchy title of | 0:22:32 | 0:22:37 | |
polyoxybenzylmethylenglycolanhydride better known as Bakelite. | 0:22:37 | 0:22:43 | |
It soon appeared almost everywhere. | 0:22:46 | 0:22:50 | |
The wonder material could be moulded into a myriad of different shapes. | 0:22:50 | 0:22:56 | |
New discoveries came thick and fast. | 0:22:56 | 0:22:59 | |
In the 1930s, American Chemist, Wallace Carothers | 0:23:00 | 0:23:05 | |
tapped into a mass market. | 0:23:05 | 0:23:07 | |
He converted carbon chemistry into cash | 0:23:07 | 0:23:11 | |
when he invented what's in here. | 0:23:11 | 0:23:14 | |
It looks a bit like a cocktail, at the bottom is a carbon chain, | 0:23:14 | 0:23:19 | |
hexamethylenediamin. That's "hexa" for hexagon. | 0:23:19 | 0:23:24 | |
Six carbon atoms. | 0:23:24 | 0:23:26 | |
And floating above it is another carbon chain, | 0:23:26 | 0:23:30 | |
decanedioyl dichloride. | 0:23:30 | 0:23:32 | |
And on the boundary between the two chemicals | 0:23:32 | 0:23:35 | |
they're reacting together to form bonds. | 0:23:35 | 0:23:38 | |
So if I pull out this glass rod, | 0:23:38 | 0:23:41 | |
I make a string which is more and more of the chemicals | 0:23:41 | 0:23:45 | |
bonding together into very long chains. | 0:23:45 | 0:23:48 | |
I'm going to make use of this device as a spinning wheel. | 0:23:51 | 0:23:55 | |
With just a few elements, carbon, | 0:23:58 | 0:24:01 | |
nitrogen, oxygen, and hydrogen, found in coal, water and air, | 0:24:01 | 0:24:07 | |
Carothers had designed | 0:24:07 | 0:24:09 | |
his very own unique fibre. | 0:24:09 | 0:24:11 | |
It could be spun as fine as a spider's web, | 0:24:11 | 0:24:14 | |
but had the strength of steel. | 0:24:14 | 0:24:17 | |
It was called Nylon. | 0:24:18 | 0:24:20 | |
When nylon stockings first went on sale in America, | 0:24:23 | 0:24:27 | |
the entire stock of 5 million was sold in a day. | 0:24:27 | 0:24:31 | |
Nylon began a revolution in synthetic chemistry, | 0:24:32 | 0:24:36 | |
but Carothers didn't live to see its success. | 0:24:36 | 0:24:39 | |
He suffered from depression | 0:24:39 | 0:24:41 | |
and just three weeks after the basic patent for Nylon had been filed, | 0:24:41 | 0:24:45 | |
at the age of 41, he committed suicide | 0:24:45 | 0:24:48 | |
by slipping a carbon compound, potassium cyanide, into his drink. | 0:24:48 | 0:24:53 | |
Nylon became a global phenomenon, progress appeared unstoppable. | 0:24:59 | 0:25:05 | |
But inevitably, perhaps, | 0:25:05 | 0:25:08 | |
our increasing control of the elements brought new dilemmas. | 0:25:08 | 0:25:13 | |
The automobile was just 35 years old | 0:25:20 | 0:25:23 | |
when Thomas Midgley Junior, an engineer with General Motors, | 0:25:23 | 0:25:28 | |
found a chemical remedy to help its engine | 0:25:28 | 0:25:31 | |
run smoothly and more efficiently. | 0:25:31 | 0:25:33 | |
Cars at that time had terrible trouble | 0:25:33 | 0:25:36 | |
with their engines knocking and misfiring. | 0:25:36 | 0:25:39 | |
Midgely had tried to solve this by experimenting, | 0:25:39 | 0:25:43 | |
it's said, with everything from butter | 0:25:43 | 0:25:46 | |
and camphor to ethyl acetate and aluminium chloride. | 0:25:46 | 0:25:51 | |
Success finally came with a lead compound, | 0:25:53 | 0:25:56 | |
tetra-ethyl lead, known as TEL. | 0:25:56 | 0:26:00 | |
It worked brilliantly, nothing else came close. | 0:26:00 | 0:26:04 | |
By the 1970s, the US alone | 0:26:05 | 0:26:08 | |
was adding around 200,000 tonnes of lead to its petrol every year. | 0:26:08 | 0:26:14 | |
But research was emerging to suggest that it was causing harm, | 0:26:17 | 0:26:21 | |
both to humans and the environment. | 0:26:21 | 0:26:23 | |
In 1983 a Royal Commission questioned whether | 0:26:23 | 0:26:29 | |
"any part of the Earth's surface | 0:26:29 | 0:26:32 | |
"or any form of life remains uncontaminated". | 0:26:32 | 0:26:36 | |
Midgley's compound began to be phased out. | 0:26:37 | 0:26:41 | |
Today almost all of the world's petrol supplies are unleaded. | 0:26:41 | 0:26:46 | |
Lead. | 0:26:50 | 0:26:52 | |
The alchemists thought it was the oldest metal. | 0:26:52 | 0:26:56 | |
The Romans were the first to use it on a large scale. | 0:26:57 | 0:27:01 | |
It is so stable that Roman lead pipes still survive to this day. | 0:27:01 | 0:27:07 | |
Our word "plumbing" comes from the Latin word for lead, plumbum. | 0:27:07 | 0:27:13 | |
Lead is toxic to humans as it deactivates the enzymes | 0:27:15 | 0:27:19 | |
that make haemoglobin in blood. | 0:27:19 | 0:27:21 | |
Although no longer used in petrol, | 0:27:23 | 0:27:26 | |
much of the lead produced each year still ends up in cars, in batteries. | 0:27:26 | 0:27:32 | |
Lead may have forced scientists to face difficult questions, | 0:27:34 | 0:27:39 | |
but it didn't stop them forging ahead | 0:27:39 | 0:27:41 | |
in their bid to control and manipulate the natural world. | 0:27:41 | 0:27:46 | |
And their work with one group of elements was to spark a | 0:27:46 | 0:27:50 | |
revolutionary idea - the prospect of creating new, manmade elements. | 0:27:50 | 0:27:57 | |
It was a concept that would shake the foundations of chemistry... | 0:27:59 | 0:28:03 | |
-EXPLOSION -..to its core. | 0:28:03 | 0:28:06 | |
At its heart, were the radioactive elements. | 0:28:06 | 0:28:10 | |
In 1896, French scientist Henri Becquerel | 0:28:13 | 0:28:20 | |
was working with uranium crystals | 0:28:20 | 0:28:24 | |
and found ultraviolet light made them glow. | 0:28:24 | 0:28:27 | |
It looks eerie. | 0:28:27 | 0:28:29 | |
He left uranium salts overnight | 0:28:29 | 0:28:32 | |
on a photographic plate that had never been exposed to light. | 0:28:32 | 0:28:37 | |
In the morning, he found a dark shadow on it | 0:28:37 | 0:28:40 | |
and realised that the uranium salts must have been the source of energy. | 0:28:40 | 0:28:44 | |
Bequerel had discovered radioactivity. | 0:28:44 | 0:28:48 | |
Scientists began to investigate. | 0:28:49 | 0:28:53 | |
One was a young Polish chemist, Marie Curie. | 0:28:53 | 0:28:57 | |
Marie began collecting uranium ore, called pitchblende. | 0:28:59 | 0:29:03 | |
CLICKING | 0:29:03 | 0:29:04 | |
Testing it with an electrometer, | 0:29:04 | 0:29:07 | |
-she found... -RAPID CLICKING | 0:29:07 | 0:29:10 | |
..that it was four times more radioactive than pure uranium. | 0:29:10 | 0:29:14 | |
She checked it 20 times. What could be going on? | 0:29:14 | 0:29:17 | |
Then she had a brainwave, she decided there was | 0:29:17 | 0:29:20 | |
something else in the pitchblende that was boosting its radioactivity. | 0:29:20 | 0:29:24 | |
Something more radioactive than uranium. | 0:29:24 | 0:29:27 | |
But what? Could it be a new element? | 0:29:27 | 0:29:30 | |
Marie Curie didn't have a well-equipped lab, | 0:29:31 | 0:29:35 | |
it was far more basic. | 0:29:35 | 0:29:36 | |
A bit like this. | 0:29:36 | 0:29:38 | |
One chemist called it a cross between a horse stable | 0:29:44 | 0:29:47 | |
and a potato cellar. | 0:29:47 | 0:29:49 | |
She had a tonne of pitchblende, some say 10 tonnes, | 0:29:49 | 0:29:53 | |
delivered by horse and cart. | 0:29:53 | 0:29:56 | |
And then with just basic equipment like this, | 0:29:56 | 0:29:59 | |
she attempted to isolate her mystery elements. | 0:29:59 | 0:30:02 | |
Her experiments had a myriad of complex stages, including | 0:30:07 | 0:30:12 | |
potentially lethal processes using highly flammable hydrogen gas. | 0:30:12 | 0:30:17 | |
But all her hard work was worth it. | 0:30:26 | 0:30:28 | |
With just her primitive kit, | 0:30:28 | 0:30:31 | |
Marie Curie discovered two radioactive elements. | 0:30:31 | 0:30:34 | |
Polonium, named after her native Poland | 0:30:34 | 0:30:38 | |
and another that would launch an entire industry, radium. | 0:30:38 | 0:30:42 | |
Radium was once the key component in luminous paint. | 0:30:45 | 0:30:50 | |
It's intensely radioactive. | 0:30:50 | 0:30:52 | |
The world fell in love with radium, | 0:30:55 | 0:30:58 | |
assuming its invisible energy must be good for you. | 0:30:58 | 0:31:02 | |
The French slapped on Radium face powder. | 0:31:02 | 0:31:06 | |
The Germans ate Radium chocolate. | 0:31:06 | 0:31:09 | |
The Americans wore Radium branded condoms. | 0:31:10 | 0:31:14 | |
But the magic faded when doctors realised | 0:31:14 | 0:31:19 | |
that far from boosting health, it triggered cancers. | 0:31:19 | 0:31:24 | |
Marie Curie didn't live to see the amazing journey | 0:31:24 | 0:31:28 | |
the radioactive elements would take us on. | 0:31:28 | 0:31:31 | |
Because whilst they're naturally occurring elements, | 0:31:31 | 0:31:34 | |
they would take man one step closer to a seemingly impossible dream. | 0:31:34 | 0:31:39 | |
To create entirely new elements. | 0:31:39 | 0:31:43 | |
Ernest Rutherford was working with radioactivity to investigate | 0:31:47 | 0:31:52 | |
the subatomic world, when he made an astonishing discovery. | 0:31:52 | 0:31:58 | |
At the beginning of the 20th century, | 0:31:58 | 0:32:00 | |
it was widely believed that atoms never change. | 0:32:00 | 0:32:03 | |
That carbon atoms will always be carbon atoms, gold always gold. | 0:32:03 | 0:32:08 | |
Well, Rutherford overturned this idea | 0:32:08 | 0:32:10 | |
by taking a great leap forward in scientific thinking. | 0:32:10 | 0:32:14 | |
I'm surrounded by some of the original equipment used by | 0:32:16 | 0:32:19 | |
Rutherford and the early pioneers to unlock the secrets of the atom. | 0:32:19 | 0:32:24 | |
Rutherford had concluded that the atom was mostly empty space, | 0:32:24 | 0:32:30 | |
with tiny electrons buzzing around a central nucleus containing protons, | 0:32:30 | 0:32:36 | |
positively charged particles. | 0:32:36 | 0:32:38 | |
Protons are vital to an atom's identity. | 0:32:38 | 0:32:42 | |
The number of protons gives an element its uniqueness. | 0:32:42 | 0:32:46 | |
Carbon atoms have six protons in their nucleus. | 0:32:46 | 0:32:50 | |
Seven means nitrogen. | 0:32:50 | 0:32:53 | |
Rutherford came to the shattering conclusion | 0:32:53 | 0:32:57 | |
that the number of protons in the nucleus of a radioactive element | 0:32:57 | 0:33:01 | |
could change because it decayed. | 0:33:01 | 0:33:03 | |
Rutherford realised some of the mysterious radioactivity | 0:33:07 | 0:33:11 | |
was actually miniscule fragments of atoms containing protons, | 0:33:11 | 0:33:16 | |
which were being fired out of the nucleus. | 0:33:16 | 0:33:19 | |
He named them alpha particles. | 0:33:19 | 0:33:22 | |
Much as life forms break up and decay, | 0:33:24 | 0:33:27 | |
so some elements themselves break up, radioactive decay. | 0:33:27 | 0:33:32 | |
As the tiny chips of the atom, the alpha particles, fly off, | 0:33:35 | 0:33:39 | |
its nucleus shrinks. | 0:33:39 | 0:33:42 | |
Rutherford realised that as the nucleus loses protons, | 0:33:43 | 0:33:48 | |
the atom's identity changes. | 0:33:48 | 0:33:50 | |
It turns from one element into another. | 0:33:50 | 0:33:54 | |
We can glimpse radioactive decay in a cloud chamber. | 0:33:57 | 0:34:01 | |
If you look carefully, you can see trails of vapour | 0:34:04 | 0:34:09 | |
which are caused by alpha particles | 0:34:09 | 0:34:12 | |
being spat out from the source. | 0:34:12 | 0:34:14 | |
Now they are incredibly tiny, | 0:34:14 | 0:34:16 | |
they're a hundred thousandth of the width of a single atom. | 0:34:16 | 0:34:19 | |
They show radioactive decay. | 0:34:19 | 0:34:23 | |
Rutherford was studying this when he suddenly realised | 0:34:25 | 0:34:30 | |
that it could transform the atom of one element | 0:34:30 | 0:34:33 | |
into the atom of another. | 0:34:33 | 0:34:34 | |
So if that happened naturally, | 0:34:34 | 0:34:37 | |
could it also be made to happen artificially? | 0:34:37 | 0:34:41 | |
Could Rutherford deliberately create one element from another? | 0:34:41 | 0:34:45 | |
Rutherford loved simplicity, | 0:34:47 | 0:34:48 | |
and this simple piece of kit was his basic apparatus. | 0:34:48 | 0:34:53 | |
He introduced a radioactive source at this end | 0:34:53 | 0:34:56 | |
which blasted alpha particles toward the screen on the far end. | 0:34:56 | 0:35:01 | |
When he filled the chamber with nitrogen, | 0:35:01 | 0:35:05 | |
he saw flashes that weren't from the alpha particles. | 0:35:05 | 0:35:08 | |
Rutherford suspected that a change was taking place. | 0:35:10 | 0:35:14 | |
Now, the nucleus of nitrogen contains seven protons, | 0:35:14 | 0:35:18 | |
whereas an oxygen nucleus has eight protons. | 0:35:18 | 0:35:22 | |
Now, in Rutherford's experiment he was firing alpha particles, | 0:35:22 | 0:35:26 | |
each one containing two protons, | 0:35:26 | 0:35:28 | |
and these alphas were colliding with the nitrogen. | 0:35:28 | 0:35:31 | |
This is where the alchemy takes place. | 0:35:31 | 0:35:33 | |
Because the collision knocks out a single proton, | 0:35:33 | 0:35:37 | |
these were what were causing the flashes on the screen. | 0:35:37 | 0:35:40 | |
But what's left behind is now no longer nitrogen. | 0:35:40 | 0:35:45 | |
The extra proton it's gained means that it has transmuted into oxygen. | 0:35:45 | 0:35:50 | |
The small flashes on Rutherford's apparatus | 0:35:52 | 0:35:56 | |
proved an explosive moment in science. | 0:35:56 | 0:35:59 | |
Turning nitrogen into oxygen was as weird as stroking a cat | 0:35:59 | 0:36:03 | |
and having it suddenly turn into a dog. | 0:36:03 | 0:36:06 | |
A fire can reveal how different these two elements are. | 0:36:06 | 0:36:11 | |
This is liquid nitrogen. | 0:36:13 | 0:36:15 | |
See what happens when I pour it on the fire. | 0:36:17 | 0:36:20 | |
The fire goes out. | 0:36:26 | 0:36:29 | |
This is liquid oxygen. | 0:36:29 | 0:36:32 | |
It burns much more brightly. | 0:36:40 | 0:36:42 | |
Rutherford had turned one element into a completely different one. | 0:36:42 | 0:36:48 | |
Scientists had previously believed | 0:36:51 | 0:36:53 | |
elements were fixed and unchangeable. | 0:36:53 | 0:36:56 | |
Now, Rutherford had proved that they could be transformed. | 0:36:56 | 0:37:00 | |
This suggested another intriguing possibility. | 0:37:00 | 0:37:04 | |
Rutherford's work, turning one known element into another, | 0:37:06 | 0:37:11 | |
gave scientists hope that they could turn an element | 0:37:11 | 0:37:14 | |
into a completely new one. | 0:37:14 | 0:37:16 | |
For many years progress was very slow | 0:37:16 | 0:37:18 | |
because they simply didn't know enough about the atom. | 0:37:18 | 0:37:21 | |
Then in 1932, here in Cambridge, a crucial part of the atom was found. | 0:37:21 | 0:37:28 | |
James Chadwick discovered neutrons. | 0:37:28 | 0:37:31 | |
These are particles without an overall positive or negative charge, | 0:37:34 | 0:37:39 | |
that along with positively charged protons, make up the nucleus, | 0:37:39 | 0:37:44 | |
the heart of the atom. | 0:37:44 | 0:37:46 | |
Italian scientist, Enrico Fermi, saw the potential of the neutron | 0:37:48 | 0:37:53 | |
in the quest to make brand new elements. | 0:37:53 | 0:37:57 | |
The team who worked with him thought he was infallible | 0:37:57 | 0:38:00 | |
and nicknamed him "The Pope". | 0:38:00 | 0:38:03 | |
Fermi's big idea was to create a new element, | 0:38:03 | 0:38:06 | |
one beyond the end of the periodic table. | 0:38:06 | 0:38:09 | |
Further up even than uranium, | 0:38:10 | 0:38:12 | |
the heaviest naturally occurring element on Earth. | 0:38:12 | 0:38:16 | |
If Rutherford could turn nitrogen into oxygen, | 0:38:16 | 0:38:21 | |
Fermi wondered what would happen if uranium was made heavier still, | 0:38:21 | 0:38:26 | |
by adding more protons to its nucleus. | 0:38:26 | 0:38:28 | |
Could he go beyond nature and create a new element? | 0:38:29 | 0:38:34 | |
Fermi experimented on uranium | 0:38:34 | 0:38:37 | |
using Rutherford's technique of pounding the nucleus. | 0:38:37 | 0:38:40 | |
Others had also tried using positively charged alpha particles, | 0:38:41 | 0:38:46 | |
but so far no-one had succeeded in creating new elements. | 0:38:46 | 0:38:50 | |
Then one day when Fermi was playing tennis, | 0:38:51 | 0:38:54 | |
he realised where the other scientists were going wrong. | 0:38:54 | 0:38:58 | |
He was hammering away at the tennis balls | 0:38:58 | 0:39:00 | |
when he suddenly had a moment of true clarity. | 0:39:00 | 0:39:03 | |
He knew that the nucleus of the atom is positively charged | 0:39:05 | 0:39:09 | |
as are the alpha particles. | 0:39:09 | 0:39:11 | |
So they tend to repel one another making it highly unlikely | 0:39:11 | 0:39:16 | |
for the alphas to enter the nucleus. But then, | 0:39:16 | 0:39:19 | |
it occurred to Fermi that if he used neutrons, | 0:39:19 | 0:39:23 | |
particles with no charge, | 0:39:23 | 0:39:24 | |
then the nucleus wouldn't repel them, | 0:39:24 | 0:39:27 | |
making it much more likely that they would be able to penetrate it. | 0:39:27 | 0:39:31 | |
So in 1934, Fermi began to experiment | 0:39:33 | 0:39:38 | |
by shooting neutrons at the nucleus of uranium. | 0:39:38 | 0:39:43 | |
Fermi was hoping that when the neutron entered the uranium nucleus, | 0:39:46 | 0:39:51 | |
it would make the whole thing unstable. | 0:39:51 | 0:39:53 | |
The nucleus likes to be balanced, so if it has too many neutrons, | 0:39:53 | 0:39:57 | |
it will convert one of them into a proton, | 0:39:57 | 0:40:00 | |
spitting out an electron. | 0:40:00 | 0:40:02 | |
Fermi reasoned that this would increase the number of protons, | 0:40:02 | 0:40:07 | |
giving him a brand new element. | 0:40:07 | 0:40:09 | |
As he ran the experiment, Fermi found elements he didn't recognise. | 0:40:11 | 0:40:15 | |
So what were they? | 0:40:15 | 0:40:17 | |
He worked his way down the periodic table, checking for known elements. | 0:40:17 | 0:40:22 | |
He tested for radon, actinium, polonium, all the way down to lead. | 0:40:22 | 0:40:27 | |
The new elements were none of these. | 0:40:27 | 0:40:32 | |
So in 1934 the man they called the Pope | 0:40:32 | 0:40:37 | |
made a leap of faith. | 0:40:37 | 0:40:40 | |
He proclaimed to the scientific world | 0:40:40 | 0:40:43 | |
that he'd created elements heavier than uranium. | 0:40:43 | 0:40:48 | |
Scientists were electrified and began to investigate Fermi's claim. | 0:40:48 | 0:40:55 | |
In 1938, a team of German scientists led by chemist Otto Hahn | 0:41:09 | 0:41:15 | |
decided to repeat Fermi's work. | 0:41:15 | 0:41:19 | |
Only they quickly found | 0:41:19 | 0:41:20 | |
that his claim to have created a new element was wrong. | 0:41:20 | 0:41:24 | |
They identified one of his elements as barium | 0:41:27 | 0:41:30 | |
which has 56 protons in its nucleus | 0:41:30 | 0:41:33 | |
compared with the uranium he started with which has 92. | 0:41:33 | 0:41:37 | |
Hahn was intrigued. | 0:41:37 | 0:41:39 | |
It's as though uranium had been split in two. | 0:41:39 | 0:41:43 | |
Hahn wrote of his confusion to a colleague, Lise Meitner, | 0:41:53 | 0:41:57 | |
who was working in Sweden at the time. | 0:41:57 | 0:41:59 | |
As an Austrian Jew, Meitner had recently fled Nazi Germany | 0:41:59 | 0:42:03 | |
and was spending Christmas 1938 | 0:42:03 | 0:42:06 | |
at the seaside with her nephew, Otto Frisch. | 0:42:06 | 0:42:10 | |
Meitner puzzled over the mystery | 0:42:10 | 0:42:13 | |
and together with Frisch she considered the uranium nucleus. | 0:42:13 | 0:42:17 | |
Because it's a relative giant it must be quite unstable. | 0:42:17 | 0:42:21 | |
Then they started to think about water droplets, | 0:42:21 | 0:42:26 | |
and Meitner imagined the uranium nucleus | 0:42:26 | 0:42:29 | |
like a very wobbly, unstable drop | 0:42:29 | 0:42:31 | |
ready to divide with the impact of a single neutron. | 0:42:31 | 0:42:36 | |
She suddenly realised that the uranium's nucleus had split in two. | 0:43:00 | 0:43:05 | |
Both Fermi and Hahn had witnessed what we now know as nuclear fission. | 0:43:05 | 0:43:10 | |
Then Meitner worked through the calculations. | 0:43:13 | 0:43:16 | |
She reckoned that the combined mass of the two fragments | 0:43:16 | 0:43:20 | |
was slightly less than the mass of the original uranium nucleus | 0:43:20 | 0:43:25 | |
by about a fifth of one proton. | 0:43:25 | 0:43:27 | |
She wondered what had happened to this missing mass. | 0:43:27 | 0:43:31 | |
Then it slowly dawned on her. | 0:43:31 | 0:43:34 | |
Einstein's famous equation e=mc2. | 0:43:34 | 0:43:38 | |
The missing mass had been converted into pure energy. | 0:43:38 | 0:43:43 | |
Meitner's flash of insight heralded the creation of the nuclear age, | 0:43:50 | 0:43:55 | |
where exciting possibilities for a new form of energy | 0:43:55 | 0:43:59 | |
would be countered by its potential for weaponry. | 0:43:59 | 0:44:02 | |
This site at Orford Ness used to be a military testing ground, | 0:44:09 | 0:44:14 | |
one of the most secret places in Britain. | 0:44:14 | 0:44:18 | |
Back in 1939, Lise Meitner's work on nuclear fission | 0:44:21 | 0:44:25 | |
was published as war cast a long shadow across Europe. | 0:44:25 | 0:44:29 | |
It shook not just the scientific community, | 0:44:29 | 0:44:33 | |
governments who stood on the brink of conflict | 0:44:33 | 0:44:36 | |
became aware of the extraordinary power | 0:44:36 | 0:44:39 | |
that could now be wrought from an element. | 0:44:39 | 0:44:41 | |
On both sides of the Atlantic, scientists were scrambled to | 0:44:41 | 0:44:46 | |
investigate the potential of this new discovery. | 0:44:46 | 0:44:50 | |
The result was the US led Manhattan project. | 0:44:50 | 0:44:53 | |
Its aim was to produce the first atomic bomb. | 0:44:53 | 0:44:58 | |
Using scientists from America, | 0:44:58 | 0:45:01 | |
Canada and Europe, the 2 billion project's rapid progress | 0:45:01 | 0:45:06 | |
was fuelled by fears that Nazi Germany | 0:45:06 | 0:45:09 | |
was investigating nuclear weapons of its own. | 0:45:09 | 0:45:12 | |
Both the Germans and the Allies knew that the uranium nucleus could be | 0:45:16 | 0:45:20 | |
split by bombarding it with neutrons to release a huge amount of energy. | 0:45:20 | 0:45:25 | |
But to be effective, | 0:45:25 | 0:45:27 | |
that energy needed to be released almost instantly, | 0:45:27 | 0:45:31 | |
a slow reaction would produce a uranium fire but no bomb. | 0:45:31 | 0:45:35 | |
So both sides poured their efforts into perfecting | 0:45:35 | 0:45:40 | |
the key to a rapid energy release on a grand scale. | 0:45:40 | 0:45:43 | |
A chain reaction. | 0:45:44 | 0:45:46 | |
Imagine this ping-pong ball is a neutron, | 0:45:48 | 0:45:51 | |
flying towards an unstable uranium nucleus, a mousetrap. | 0:45:51 | 0:45:56 | |
It sets off the mouse trap | 0:45:56 | 0:45:58 | |
which in turn forces a new neutron into the air. | 0:45:58 | 0:46:03 | |
Now in a chain reaction, this is what would happen. | 0:46:07 | 0:46:11 | |
One neutron to set it off, | 0:46:11 | 0:46:14 | |
but loads of mousetraps of uranium primed and ready. | 0:46:14 | 0:46:19 | |
Now imagine each mousetrap of uranium releases a | 0:46:26 | 0:46:29 | |
blast of energy, that same energy that Lise Meitner had calculated. | 0:46:29 | 0:46:33 | |
The resulting blast would be enormous. | 0:46:33 | 0:46:36 | |
In 1942, Italian physicist, Enrico Fermi, now living in America, | 0:46:51 | 0:46:58 | |
became the first man to unleash uranium's chain reaction. | 0:46:58 | 0:47:03 | |
Uranium. | 0:47:05 | 0:47:07 | |
It harbours the power not only to win wars | 0:47:09 | 0:47:11 | |
but to electrify millions of homes. | 0:47:14 | 0:47:16 | |
Before its radioactive secrets were revealed, | 0:47:16 | 0:47:20 | |
this element's glow under ultraviolet light | 0:47:20 | 0:47:23 | |
made uranium glass a desirable asset. | 0:47:23 | 0:47:27 | |
About seven weeks worth of your year's electricity | 0:47:27 | 0:47:33 | |
comes from nuclear fission part fuelled by uranium. | 0:47:33 | 0:47:37 | |
And it's used in tank shells | 0:47:37 | 0:47:39 | |
as its great weight allows it to drive through armour. | 0:47:39 | 0:47:44 | |
But processing uranium for bombs was both difficult and costly. | 0:47:47 | 0:47:54 | |
America would need to come up with a suitable alternative | 0:47:54 | 0:47:58 | |
to create its nuclear arsenal. | 0:47:58 | 0:48:00 | |
In California, scientists were focussing on trying to create | 0:48:03 | 0:48:08 | |
a new element heavier than uranium. | 0:48:08 | 0:48:10 | |
The key to this was a machine called a cyclotron | 0:48:14 | 0:48:18 | |
which gave rise to this giant machine, a synchrotron. | 0:48:18 | 0:48:23 | |
Both machines operate on the same principle. | 0:48:23 | 0:48:26 | |
They use huge magnets to steer charged atoms round and round, | 0:48:26 | 0:48:31 | |
faster and faster. | 0:48:31 | 0:48:33 | |
The magnets are so powerful that if one of them was switched on, | 0:48:33 | 0:48:37 | |
it could rip a sledgehammer straight out of my hands. | 0:48:37 | 0:48:41 | |
Now, the way to make a new element is to | 0:48:41 | 0:48:44 | |
increase the numbers of protons in a nucleus of an existing element. | 0:48:44 | 0:48:49 | |
And in a cyclotron, the way this was done, | 0:48:49 | 0:48:53 | |
was that when the charged atoms | 0:48:53 | 0:48:55 | |
reached a tenth of the speed of light, | 0:48:55 | 0:48:57 | |
they were steered and smashed into a metal target, | 0:48:57 | 0:49:02 | |
with the potential to create a new element. | 0:49:02 | 0:49:04 | |
Finally, man's dream of creating a building block from | 0:49:07 | 0:49:12 | |
beyond the end of the periodic table was about to be realised. | 0:49:12 | 0:49:18 | |
American physicists, Edwin McMillan and Philip Abelson, | 0:49:18 | 0:49:23 | |
blasted uranium with a beam of particles to create element 93. | 0:49:23 | 0:49:28 | |
They named it Neptunium. | 0:49:35 | 0:49:37 | |
The first element heavier than uranium to be created by man. | 0:49:37 | 0:49:43 | |
Chemists were once limited to using the elements nature provided. | 0:49:45 | 0:49:51 | |
Now science breached this frontier, creating synthetic elements. | 0:49:51 | 0:49:56 | |
And, with this new power would come new dilemmas. | 0:49:56 | 0:50:01 | |
In 1941, the next element to be forged by mankind | 0:50:03 | 0:50:08 | |
would become infamous... | 0:50:08 | 0:50:11 | |
it was called plutonium. | 0:50:11 | 0:50:14 | |
Scientists quickly realised that | 0:50:16 | 0:50:19 | |
plutonium was capable of undergoing nuclear fission | 0:50:19 | 0:50:23 | |
in a way that could fuel an explosive chain reaction | 0:50:23 | 0:50:27 | |
and it was soon being made into a bomb. | 0:50:27 | 0:50:30 | |
The discovery of nuclear fission to the creation of the first atom bombs | 0:50:30 | 0:50:36 | |
took less than 7 years. | 0:50:36 | 0:50:39 | |
And on August 6th, 1945 | 0:50:39 | 0:50:41 | |
the full accuracy of Lise Meitner's scribbled calculations was revealed. | 0:50:41 | 0:50:47 | |
1,900 feet over the Japanese city of Hiroshima, | 0:50:47 | 0:50:52 | |
one piece of Uranium 235 was fired into another, | 0:50:52 | 0:50:57 | |
causing a rapid chain reaction. | 0:50:57 | 0:51:00 | |
Just over half a gram of mass was converted into energy, | 0:51:00 | 0:51:05 | |
that's one tenth of a 10p coin. | 0:51:05 | 0:51:08 | |
But it exploded with a force equal to about 13,000 tonnes of TNT. | 0:51:08 | 0:51:15 | |
Three days later, Nagasaki was hit by a plutonium bomb, | 0:51:21 | 0:51:26 | |
bringing the death toll from the two bombs to an estimated 200,000. | 0:51:26 | 0:51:33 | |
Plutonium. | 0:51:46 | 0:51:48 | |
It was named after the planet Pluto | 0:51:48 | 0:51:51 | |
and also shares its name with the Roman god of the underworld. | 0:51:51 | 0:51:56 | |
Bombarding Uranium 238 with neutrons creates this powerful element. | 0:51:57 | 0:52:05 | |
A gram of plutonium has same energy as a tonne of oil. | 0:52:05 | 0:52:10 | |
Many of the Cold War's nuclear bombs contain plutonium. | 0:52:10 | 0:52:16 | |
The first man made objects destined to leave our solar system, | 0:52:16 | 0:52:21 | |
the two Voyager space probes, | 0:52:21 | 0:52:23 | |
are powered by plutonium. | 0:52:23 | 0:52:25 | |
The dream of turning lead into gold is what drove the early alchemists. | 0:52:29 | 0:52:34 | |
And the dark race to create the atom bomb was a kind of modern alchemy. | 0:52:34 | 0:52:40 | |
The war had revealed the frightening power of these unstable elements. | 0:52:40 | 0:52:45 | |
But they had offered a tantalising glimpse | 0:52:45 | 0:52:47 | |
into their infinite possibilities. | 0:52:47 | 0:52:50 | |
The lure of scientific discovery, of creating entirely new elements | 0:52:50 | 0:52:55 | |
at the extremes of the periodic table had proven irresistible. | 0:52:55 | 0:52:59 | |
The thirst to create yet more elements drives the physicists | 0:52:59 | 0:53:05 | |
at the GSI Helmholtz Centre for heavy ion research | 0:53:05 | 0:53:09 | |
in Darmstadt, Germany. | 0:53:09 | 0:53:11 | |
Their mission is to reach the limit of chemistry, | 0:53:13 | 0:53:17 | |
to find the ultimate element | 0:53:17 | 0:53:19 | |
which will stretch the laws of physics to their boundaries. | 0:53:19 | 0:53:22 | |
So far, they have made six new elements. | 0:53:22 | 0:53:27 | |
The latest confirmed is element 112, which they've named Copernicium, | 0:53:27 | 0:53:33 | |
after the astronomer Copernicus. | 0:53:33 | 0:53:36 | |
And this is where it all starts, | 0:53:38 | 0:53:41 | |
in one of the world's most powerful nuclear accelerators. | 0:53:41 | 0:53:45 | |
Scientists are using the high-tech equipment | 0:53:47 | 0:53:52 | |
behind this 70 tonne lead door | 0:53:52 | 0:53:54 | |
not only to make some of the heaviest elements ever created, | 0:53:54 | 0:53:58 | |
but to study their properties, | 0:53:58 | 0:54:00 | |
to try and understand their characteristics if you like. | 0:54:00 | 0:54:04 | |
They're attempting to finish the work | 0:54:04 | 0:54:06 | |
that chemists like Mendeleev started | 0:54:06 | 0:54:09 | |
and to discover the secrets at the outposts of the periodic table. | 0:54:09 | 0:54:14 | |
But they first have to create the new elements. | 0:54:14 | 0:54:17 | |
This is the control centre for the giant accelerator, | 0:54:21 | 0:54:25 | |
which is essentially a gun for firing one element into another. | 0:54:25 | 0:54:30 | |
This small piece of zinc | 0:54:30 | 0:54:32 | |
is identical to the sample used in the accelerator. | 0:54:32 | 0:54:35 | |
Charged atoms of zinc are fired towards a lead target. | 0:54:35 | 0:54:40 | |
Nearly 50 million volts of electricity | 0:54:40 | 0:54:43 | |
accelerate these atoms towards the target so that when they collide, | 0:54:43 | 0:54:48 | |
they are travelling at 67 million miles an hour. | 0:54:48 | 0:54:52 | |
That's nearly 4,000 times faster than the space shuttle. | 0:54:52 | 0:54:56 | |
The idea is that at this speed | 0:54:56 | 0:54:58 | |
there's a chance the atoms might fuse together, | 0:54:58 | 0:55:02 | |
creating an atom of a new element. | 0:55:02 | 0:55:05 | |
In this case, element 112. | 0:55:05 | 0:55:09 | |
But it's obviously not as simple as it sounds. | 0:55:19 | 0:55:23 | |
Too much energy and the colliding atoms break up | 0:55:23 | 0:55:26 | |
too little and the new element isn't created at all. | 0:55:26 | 0:55:30 | |
In fact, even with the perfect energy | 0:55:30 | 0:55:33 | |
the chances of union are remote. | 0:55:33 | 0:55:35 | |
It's a bit like you winning the lottery | 0:55:35 | 0:55:38 | |
with 3,000 balls to choose from rather than just 50. | 0:55:38 | 0:55:43 | |
Beating these enormous odds, | 0:55:48 | 0:55:49 | |
scientists have created new, single atoms, | 0:55:49 | 0:55:54 | |
so unstable they only exist for seconds. | 0:55:54 | 0:55:58 | |
But that's still long enough to determine some of their properties. | 0:55:59 | 0:56:04 | |
In tests, element 112 has proven volatile and unstable | 0:56:04 | 0:56:10 | |
and it reacts a little like mercury. | 0:56:10 | 0:56:13 | |
It would be liquid at room temperature if enough were made. | 0:56:13 | 0:56:18 | |
Because of that similarity its creators realised it should be | 0:56:18 | 0:56:23 | |
positioned just beneath Mercury on the periodic table. | 0:56:23 | 0:56:27 | |
Physicists here are becoming the new chemists. | 0:56:29 | 0:56:33 | |
Soon they'll be attempting to create element 120. | 0:56:33 | 0:56:38 | |
The discoveries made here at GSI may seem distant, even arcane | 0:56:38 | 0:56:44 | |
but it's vital to push the periodic table to its limits. | 0:56:44 | 0:56:48 | |
Without studying these man made, highly unstable elements | 0:56:48 | 0:56:52 | |
we may never fully understand the story of our universe. | 0:56:52 | 0:56:57 | |
My journey began with those alchemists whose daring experiments | 0:57:06 | 0:57:11 | |
led to the discovery of many of the elements. | 0:57:11 | 0:57:14 | |
They paved the way for the early chemists | 0:57:14 | 0:57:17 | |
whose mission to find out what the world is made of led to | 0:57:17 | 0:57:20 | |
them splitting matter and bringing order to the seemingly random chaos | 0:57:20 | 0:57:25 | |
of the elements, culminating in the creation of the periodic table. | 0:57:25 | 0:57:31 | |
Scientists were able to use these discoveries | 0:57:31 | 0:57:35 | |
and the ordering of the elements to build the modern world. | 0:57:35 | 0:57:40 | |
Finally, they could command nature's building blocks to their will. | 0:57:40 | 0:57:45 | |
But our story is still far from finished. | 0:57:46 | 0:57:50 | |
The fleeting glimpse we've had | 0:57:50 | 0:57:52 | |
of the exotic outposts of the periodic table | 0:57:52 | 0:57:55 | |
gives a hint to what the story of the elements may yet hold. | 0:57:55 | 0:58:00 | |
Their possible reactions, | 0:58:00 | 0:58:02 | |
their properties, their unimagined potential. | 0:58:02 | 0:58:06 | |
And that is what scientists now have to work on, | 0:58:06 | 0:58:10 | |
to reveal the secrets the elements have so far refused to surrender. | 0:58:10 | 0:58:15 | |
What's so exciting is that no-one knows where that part of this | 0:58:15 | 0:58:21 | |
astonishing story may yet take us. | 0:58:21 | 0:58:24 | |
Subtitles by Red Bee Media Ltd | 0:58:34 | 0:58:38 | |
E-mail [email protected] | 0:58:38 | 0:58:42 |