Browse content similar to Bournemouth to Plymouth. Check below for episodes and series from the same categories and more!
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This is Mudeford Banks in Dorset. | 0:00:18 | 0:00:21 | |
In 2004, hut number five back there sold for a staggering £140,000. | 0:00:21 | 0:00:28 | |
But it's a great location, the sea right on your doorstep. | 0:00:28 | 0:00:31 | |
Maybe it's a price worth paying. | 0:00:31 | 0:00:34 | |
The South West coast of Dorset and Devon is the home of holidaying. | 0:00:37 | 0:00:41 | |
But more and more people are no longer just visiting the coast, | 0:00:41 | 0:00:45 | |
they're buying their own little slice of it. | 0:00:45 | 0:00:48 | |
We want to find out what makes this remarkable stretch of coastline | 0:00:48 | 0:00:52 | |
such a desirable place to live. | 0:00:52 | 0:00:54 | |
At one time or another most of us have built a seaside property. | 0:00:58 | 0:01:02 | |
Alice Roberts uncovers the secret to constructing the perfect sand castle. | 0:01:02 | 0:01:10 | |
Mark Horton discovers how one of the South coast's | 0:01:10 | 0:01:13 | |
most important commuter links is at risk from the sea. | 0:01:13 | 0:01:16 | |
Nick Crane meets a man who's had to wait 40 years to rebuild his family home. | 0:01:19 | 0:01:24 | |
It really will be very emotional. Hmm. | 0:01:24 | 0:01:30 | |
While Dick Strawbridge learns why the villagers of Slapton Sands were forced to abandon their homes. | 0:01:31 | 0:01:37 | |
And I get to visit an icon of coastal construction that | 0:01:37 | 0:01:41 | |
revolutionised the way lighthouses were built around the world. | 0:01:41 | 0:01:45 | |
Welcome to the Property Coast. | 0:01:45 | 0:01:49 | |
This journey takes us from Bournemouth | 0:02:14 | 0:02:17 | |
along the dramatic Jurassic coast of Dorset and Devon to Plymouth. | 0:02:17 | 0:02:21 | |
Bournemouth's roots as a holiday destination stretch back to the early 19th century, | 0:02:24 | 0:02:29 | |
when the enchanting aroma of its pine trees and unspoilt sea air | 0:02:29 | 0:02:33 | |
attracted wealthy city folk to spend their summers here. | 0:02:33 | 0:02:36 | |
By the 1880s, Bournemouth had become a property hotspot | 0:02:39 | 0:02:43 | |
with the population increasing fourfold in just 20 years. | 0:02:43 | 0:02:47 | |
But its reputation for high living was soon to be dwarfed by one of its neighbours. | 0:02:49 | 0:02:54 | |
I'm on my way to visit one of the most expensive places to live in the whole world. | 0:02:54 | 0:02:59 | |
The peninsular of Sandbanks forms one side | 0:03:02 | 0:03:05 | |
of the entrance to Poole harbour. | 0:03:05 | 0:03:07 | |
100 years ago, this stretch of coastline was little | 0:03:08 | 0:03:12 | |
more than a shanty town, but there's not a tin shack in sight today. | 0:03:12 | 0:03:17 | |
In 2002, Sandbanks or 'Moneybanks' as some of the locals have started to call it, | 0:03:17 | 0:03:22 | |
was declared the fourth most expensive place to live on the planet | 0:03:22 | 0:03:26 | |
after London, Tokyo and Hong Kong. | 0:03:26 | 0:03:29 | |
From up here you can catch glimpses of some of the incredible mansions that have sprung up | 0:03:29 | 0:03:34 | |
all over Sandbanks, and every single one of them costs a small fortune. | 0:03:34 | 0:03:38 | |
But how on earth did this unknown bit of headland get to be so exclusive? | 0:03:43 | 0:03:47 | |
One man who played a large part in creating worldwide interest in Sandbanks is entrepreneur Tom Doyle. | 0:03:49 | 0:03:56 | |
In 2002, Tom sold a four-bedroomed apartment in this building for £1 million, | 0:04:00 | 0:04:06 | |
which at a staggering £695 per square foot | 0:04:06 | 0:04:09 | |
shot Sandbanks into the global premier league of property. | 0:04:09 | 0:04:14 | |
But if a sea view apartment costs £1 million, | 0:04:14 | 0:04:17 | |
then what's a house going to cost me? | 0:04:17 | 0:04:19 | |
You are going to need £5 or £6 million, an absolute minimum, | 0:04:19 | 0:04:23 | |
because the chances are | 0:04:23 | 0:04:24 | |
it's worth more as a piece of land than as a house, | 0:04:24 | 0:04:27 | |
because someone would want to knock it down and put a new house up. | 0:04:27 | 0:04:30 | |
So it's all about the property itself and not the house? | 0:04:30 | 0:04:34 | |
It's the land. There's two building blocks there. | 0:04:34 | 0:04:37 | |
That's £11 million. | 0:04:37 | 0:04:39 | |
It's a little bit rich for my blood! | 0:04:41 | 0:04:43 | |
Well, go this side of the road, it's a lot cheaper. | 0:04:43 | 0:04:45 | |
So if it's £5 million on the waterfront, what is it here? | 0:04:45 | 0:04:49 | |
-It could be... £600,000. -Good grief! | 0:04:49 | 0:04:53 | |
What's the most expensive house that's up for sale in Sandbanks today? | 0:04:53 | 0:04:58 | |
£10 million. | 0:04:58 | 0:05:00 | |
-Would you like to go and have a look at it? -Oh, yes. | 0:05:00 | 0:05:03 | |
In my wildest dreams I couldn't afford a house like this, but for a wee while | 0:05:05 | 0:05:09 | |
I can pretend I've got a few million pounds burning a hole in my pocket. | 0:05:09 | 0:05:13 | |
-Right Neil, this is it. -Right. | 0:05:15 | 0:05:19 | |
So this is what a £10 million house looks like in Sandbanks. | 0:05:19 | 0:05:23 | |
Yes. | 0:05:23 | 0:05:25 | |
Yes, yes, I imagine it is. | 0:05:25 | 0:05:28 | |
Nearly every room in this house has a view of the sea... | 0:05:30 | 0:05:34 | |
even the bathroom. | 0:05:34 | 0:05:36 | |
Oh... Yeah! Now that's a kitchen, isn't it? | 0:05:41 | 0:05:44 | |
It's a kitchen and three-quarters. | 0:05:44 | 0:05:46 | |
Yeah. Triple Aga. | 0:05:46 | 0:05:47 | |
It's got to be the biggest island unit you're ever going to see. | 0:05:47 | 0:05:51 | |
Yeah. I've had kitchens smaller than that granite slab! | 0:05:51 | 0:05:55 | |
-In my younger days I sold flats smaller than this! -Yeah. | 0:05:55 | 0:05:59 | |
The whole place is just dominated by the view, isn't it? | 0:05:59 | 0:06:02 | |
-Yeah, well this is what you're paying for. -Yeah. | 0:06:02 | 0:06:05 | |
-Gosh, you have your own jetty. -Two jetties. | 0:06:07 | 0:06:09 | |
Two jetties... of course you'd need two. | 0:06:09 | 0:06:12 | |
What would this house be worth if it wasn't on Sandbanks? | 0:06:12 | 0:06:17 | |
-Half the price. -Right. | 0:06:17 | 0:06:19 | |
And with probably more land. | 0:06:19 | 0:06:21 | |
But who'd want more land when you can wake up to 10,000 acres | 0:06:23 | 0:06:28 | |
of stunning harbour at the bottom of your garden? | 0:06:28 | 0:06:31 | |
This looks pretty sophisticated. | 0:06:31 | 0:06:33 | |
-It's all on electronic ramps, so you can actually pull up and open the gates and... -Right. | 0:06:33 | 0:06:39 | |
It's an electronic garage door for the sea. | 0:06:39 | 0:06:43 | |
Absolutely, yeah. | 0:06:43 | 0:06:45 | |
This is what a house like this is really about, isn't it? | 0:06:45 | 0:06:47 | |
It's access to all of... that. | 0:06:47 | 0:06:51 | |
It's a different kind of life, isn't it? It's a different world. | 0:06:52 | 0:06:55 | |
It's a beautiful place and there are people out there prepared to pay the money for this location. | 0:06:55 | 0:07:02 | |
-Do you want it? -Do I want it? | 0:07:02 | 0:07:05 | |
Nah... | 0:07:07 | 0:07:10 | |
What, you've only got one boat? | 0:07:10 | 0:07:12 | |
Yeah! | 0:07:12 | 0:07:14 | |
I can think of other things to do with £10 million is the truth of it. | 0:07:14 | 0:07:18 | |
The people who live along this shore | 0:07:18 | 0:07:20 | |
have the second largest natural harbour in the world as their | 0:07:20 | 0:07:23 | |
playground, but they haven't got it all to themselves. | 0:07:23 | 0:07:27 | |
Sharing it are the thrill seekers... | 0:07:27 | 0:07:31 | |
the ferries and cargo ships... | 0:07:31 | 0:07:33 | |
..and those who just want to have fun on the water. | 0:07:35 | 0:07:38 | |
The mammoth task of co-ordinating so much traffic falls to Poole Harbour Commissioner Peter Burt. | 0:07:40 | 0:07:47 | |
To be right at the centre of such a | 0:07:47 | 0:07:50 | |
property phenomenon, it's a remarkably peaceful, quiet place. | 0:07:50 | 0:07:55 | |
That's really the secret of the harbour. | 0:07:55 | 0:07:57 | |
What you've seen in the property world there behind us is a very, very | 0:07:57 | 0:08:03 | |
small part of what really goes on. | 0:08:03 | 0:08:06 | |
What we have here is the start of the 100 miles | 0:08:06 | 0:08:10 | |
of coastline inside the entrance. | 0:08:10 | 0:08:13 | |
-100 miles? -100 miles. | 0:08:13 | 0:08:15 | |
It appears to be deep and there are indeed deep channels but we only have | 0:08:15 | 0:08:21 | |
a roughly two metre rise and fall in the tide | 0:08:21 | 0:08:24 | |
and the water is just circulating without moving very far. | 0:08:24 | 0:08:29 | |
-Right. -And because if all this huge basin it absorbs the water in through | 0:08:29 | 0:08:34 | |
all the deep-water channels and then fills some of the shallows. | 0:08:34 | 0:08:37 | |
How shallow is it? | 0:08:37 | 0:08:39 | |
A good idea would be for you to find out really rather directly. | 0:08:39 | 0:08:44 | |
This doesn't seem right. This is in the middle of a harbour. I can see ferries... | 0:08:44 | 0:08:48 | |
Yes, a ferry going up there. | 0:08:48 | 0:08:51 | |
That's not right, surely! | 0:08:54 | 0:08:56 | |
This is a harbour! | 0:08:56 | 0:08:58 | |
We're three-quarters of a mile from land and you're able to walk about. | 0:08:58 | 0:09:01 | |
Well, it's a strange harbour you've got here, Peter. | 0:09:01 | 0:09:05 | |
-It is a curious harbour. -It's a strange one. -It's all part of the fascination. | 0:09:05 | 0:09:09 | |
It's not Poole harbour, it's Poole puddle! | 0:09:09 | 0:09:11 | |
Poole's shallow harbour means the huge ferries have to negotiate | 0:09:14 | 0:09:19 | |
specially dredged channels. | 0:09:19 | 0:09:21 | |
But the sheer scale of the harbour leaves plenty of room for everybody. | 0:09:21 | 0:09:25 | |
Poole might be one of the finest harbours in Britain, | 0:09:31 | 0:09:33 | |
but why pay £10 million for a house on Sandbanks... | 0:09:33 | 0:09:37 | |
when a £4.50 bus ticket lets you take in the delights of Studland beach over there? | 0:09:37 | 0:09:43 | |
Much of the sand that makes up the three-mile stretch of Studland beach | 0:09:52 | 0:09:56 | |
was washed down the coast from Sandbanks and Bournemouth. | 0:09:56 | 0:09:59 | |
Suddenly the beach runs out and the cliffs take over. | 0:10:02 | 0:10:05 | |
And what cliffs! | 0:10:05 | 0:10:07 | |
Old Harry Rocks marks the start of the Jurassic coast, | 0:10:09 | 0:10:13 | |
a magnet for sightseers and ramblers, | 0:10:13 | 0:10:15 | |
but some parts of this craggy coastline also appeal | 0:10:15 | 0:10:19 | |
to those seeking something a little more adventurous. | 0:10:19 | 0:10:22 | |
My name's Mike Weeks, I am a rock climber and I deep water solo. | 0:10:22 | 0:10:27 | |
Deep water soloing at its simplest is just climbing rope free with no | 0:10:27 | 0:10:32 | |
hindrance from equipment above the sea and the sea is your safety net. | 0:10:32 | 0:10:35 | |
It's just you, the rock, nature, fighting against gravity and if gravity wins, | 0:10:35 | 0:10:40 | |
obviously you're just going to go for a swim. | 0:10:40 | 0:10:42 | |
This particular stretch of coastline here is one of the best | 0:10:44 | 0:10:49 | |
deep water soloing venues in Britain. | 0:10:49 | 0:10:51 | |
The rock here lends itself to quite an overhanging nature, | 0:10:51 | 0:10:55 | |
so if you fall you're not going to hit anything on the way down. | 0:10:55 | 0:10:58 | |
Also, the sea is very deep here. | 0:10:58 | 0:11:02 | |
There's never a time when I'm pushing myself on the rock | 0:11:02 | 0:11:07 | |
when I'm not at least a little bit scared and if I didn't actually feel fear I probably wouldn't do it. | 0:11:07 | 0:11:12 | |
Equally as important as being able to climb is being able to fall. | 0:11:12 | 0:11:15 | |
People on their first few attempts will often fall so | 0:11:15 | 0:11:19 | |
badly, with arms out, legs spread, | 0:11:19 | 0:11:21 | |
and I've seen people get salt water enemas from landing badly | 0:11:21 | 0:11:24 | |
and having water forced into places they would rather not have them. | 0:11:24 | 0:11:28 | |
For the people who actually want to try it, they have to learn how | 0:11:28 | 0:11:31 | |
to climb properly first with ropes and with safety equipment. | 0:11:31 | 0:11:35 | |
It's just such a real buzz, the feeling and the satisfaction of | 0:11:35 | 0:11:41 | |
what you've just overcome is just so immense and usually you actually just turn around and jump in to celebrate. | 0:11:41 | 0:11:47 | |
The awe-inspiring Jurassic coast is one of the best places in the world | 0:11:57 | 0:12:01 | |
to see 250 million years of the earth's geological history laid bare. | 0:12:01 | 0:12:06 | |
And nowhere is this more apparent | 0:12:08 | 0:12:10 | |
than at the perfectly formed shell-shaped inlet of Lulworth Cove. | 0:12:10 | 0:12:16 | |
And just when you think nothing can match its beauty, | 0:12:24 | 0:12:27 | |
take a short walk around the corner | 0:12:27 | 0:12:30 | |
and you're face to face with another of nature's wonders... | 0:12:30 | 0:12:33 | |
Durdle Door. | 0:12:33 | 0:12:35 | |
It's no surprise these areas of natural beauty are protected from development. | 0:12:53 | 0:12:59 | |
But if it's building plots you're looking for, | 0:13:00 | 0:13:03 | |
there are thousands of places along the coast where properties are built and demolished every day. | 0:13:03 | 0:13:08 | |
Alice Roberts is in Weymouth to uncover the secret of building the perfect sand castle. | 0:13:09 | 0:13:16 | |
Look on any sandy beach on a sunny day, and you can guarantee | 0:13:16 | 0:13:20 | |
that there will be dozens of aspiring architects at work. | 0:13:20 | 0:13:24 | |
As with any other property | 0:13:24 | 0:13:26 | |
the key to its success is its location. | 0:13:26 | 0:13:28 | |
Many resorts would have you believe that their sand is the best for building sand castles. | 0:13:28 | 0:13:33 | |
So along our journey we've chosen three great holiday spots to put that to the test. | 0:13:33 | 0:13:38 | |
Here in Weymouth, then Lyme Regis and finally Torquay. | 0:13:38 | 0:13:44 | |
With the help of Professor Matthew Bennett of Bournemouth University, | 0:13:44 | 0:13:48 | |
we're going to put the sand from each resort through a series of experiments | 0:13:48 | 0:13:52 | |
to reveal which beach has the best chance of making the ultimate sand castle. | 0:13:52 | 0:13:57 | |
What's the most important thing to look for when you're looking for the perfect sand to make a sand castle? | 0:13:57 | 0:14:02 | |
OK, I think it's probably water, because the water, the right mix of sand and water, | 0:14:02 | 0:14:07 | |
is the thing that's gonna make it stand up or fall down. | 0:14:07 | 0:14:10 | |
So kind of stick the sand together. | 0:14:10 | 0:14:12 | |
Right, so it's this property of cohesion is the posh word | 0:14:12 | 0:14:15 | |
for that stickiness of the water, because it binds the grains together. | 0:14:15 | 0:14:19 | |
Now by lots of experimentation we reckon that the best | 0:14:19 | 0:14:23 | |
ratio of water to sand is eight parts sand to one part water. | 0:14:23 | 0:14:28 | |
-So you've sat there in your lab... -That's right! | 0:14:28 | 0:14:31 | |
-..mixing different ratios of sand and water and you've come up with the ideal... -Ratio, that's right. | 0:14:31 | 0:14:36 | |
First we're going to mix up a sample of the Weymouth sand using Matthews's eight to one formula. | 0:14:36 | 0:14:42 | |
Then test it using this strange looking contraption | 0:14:42 | 0:14:46 | |
called a cone penetrometer. | 0:14:46 | 0:14:48 | |
What it does is it drops this little cone with a known weight into the pot | 0:14:48 | 0:14:53 | |
and the further it drops in the weaker it is. | 0:14:53 | 0:14:56 | |
We've put just dry sand in there, focusing now on the cone. | 0:14:56 | 0:15:00 | |
-We press the button and it falls a long way in. -Yes. | 0:15:00 | 0:15:04 | |
-So now we're going to try with our... -Magic mix. | 0:15:04 | 0:15:07 | |
..eight parts sand, one part water. | 0:15:07 | 0:15:09 | |
Just keep it there and you can press the button... | 0:15:09 | 0:15:13 | |
That didn't go anywhere near as far. | 0:15:13 | 0:15:15 | |
-Just about 130 mm compared with over 200 for the dry sand. -That's right. | 0:15:15 | 0:15:20 | |
This is a scientific way of doing it, but if you're wanting to build | 0:15:20 | 0:15:23 | |
sand castles on the beach you need to know where to look. | 0:15:23 | 0:15:27 | |
-Do you think you can actually spot this consistency on the beach then? -Yeah. | 0:15:27 | 0:15:31 | |
So where shall we start? | 0:15:31 | 0:15:34 | |
Try down with the water first of all. | 0:15:34 | 0:15:35 | |
We'll just demonstrate that if you get it too wet... | 0:15:35 | 0:15:40 | |
You know, it's too wet. | 0:15:42 | 0:15:43 | |
It's not going to work. | 0:15:43 | 0:15:45 | |
There's too much water in it. | 0:15:45 | 0:15:47 | |
I could have told you that! | 0:15:47 | 0:15:49 | |
Try somewhere in the middle. Just a little bit further I think. | 0:15:49 | 0:15:52 | |
-Yeah. -Try and make a sand castle here and see what happens. | 0:15:52 | 0:15:55 | |
This is feeling a lot more like your eight to one mix. | 0:15:55 | 0:16:00 | |
OK. | 0:16:00 | 0:16:01 | |
-That's fantastic. -The key thing is the smoothness of the sides. | 0:16:06 | 0:16:09 | |
It's lovely and smooth. | 0:16:09 | 0:16:11 | |
-Just right there. -Now if I hadn't met you and I didn't know about | 0:16:11 | 0:16:15 | |
the science of sand, I'd have gone much closer to the sea and got some wetter stuff. | 0:16:15 | 0:16:19 | |
The temptation is to be near the sea, cos you get the water in | 0:16:19 | 0:16:22 | |
the moat, but you want to be a bit further and bring your water in. | 0:16:22 | 0:16:26 | |
So the first thing we've learnt about building sand castles is that | 0:16:26 | 0:16:30 | |
the ratio of eight parts sand to one part water is absolutely crucial. | 0:16:30 | 0:16:34 | |
We've got our perfect formula and we've tested the sand at Weymouth. | 0:16:34 | 0:16:38 | |
Now we're off to Lyme Regis and Torquay in our quest to find | 0:16:38 | 0:16:42 | |
the perfect sand castle sand. | 0:16:42 | 0:16:44 | |
Around the corner from Weymouth is a completely different kind of beach... | 0:16:53 | 0:16:57 | |
Chesil Beach. | 0:16:57 | 0:16:59 | |
At 17 miles tip to toe, it's the longest shingle beach in Britain. | 0:16:59 | 0:17:05 | |
This is one of those places that makes you feel like a puny human in the face of nature. | 0:17:05 | 0:17:11 | |
The shingle bank is constantly on the move. | 0:17:12 | 0:17:16 | |
The waves and currents sort the pebbles according to their size. | 0:17:16 | 0:17:20 | |
The largest end up near Portland and the smallest at the Western end. | 0:17:20 | 0:17:25 | |
Nestling up to the end of Chesil Beach | 0:17:29 | 0:17:31 | |
is the pretty resort of Lyme Regis. | 0:17:31 | 0:17:34 | |
But there's sometimes a price to pay for a sea view. | 0:17:34 | 0:17:38 | |
Here the power of the waves threatens the town's very existence, as Nick Crane is discovering. | 0:17:38 | 0:17:44 | |
Lyme Regis's most famous landmark is the striking harbour wall known as the Cobb. | 0:17:45 | 0:17:52 | |
It inspired writers like Jane Austen and was the setting for the classic | 0:17:52 | 0:17:55 | |
opening scene of The French Lieutenant's Woman. | 0:17:55 | 0:17:58 | |
But this wall has a far more important practical function. | 0:17:58 | 0:18:04 | |
For the last 700 years it's stopped the sea from literally sweeping Lyme Regis away. | 0:18:04 | 0:18:09 | |
The town sits on top of one of the most unstable stretches of coastline in the country. | 0:18:11 | 0:18:17 | |
The sea and the insecure ground underneath the town conspire to create huge landslides. | 0:18:17 | 0:18:24 | |
The residents of Lyme Regis are well aware of the town's fragile foundations. | 0:18:24 | 0:18:30 | |
Over the centuries many buildings have been lost to land slides, | 0:18:30 | 0:18:33 | |
including the family home of Harry May back in 1962. | 0:18:33 | 0:18:38 | |
-And what was this from here? -This was down two steps and into the dining room. | 0:18:38 | 0:18:44 | |
-All meals here. -Yeah. There's not much left of it now? | 0:18:44 | 0:18:48 | |
-No, there isn't. -What did it look like then? | 0:18:48 | 0:18:50 | |
I have a picture of it here. | 0:18:50 | 0:18:52 | |
-Which is your house? -This one here. | 0:18:52 | 0:18:54 | |
Good heavens. It's absolutely beautiful, isn't it? With a balcony. | 0:18:54 | 0:18:58 | |
Yes. | 0:18:58 | 0:18:59 | |
Huge pagoda-style roof, looking over the bay and the Cobb. | 0:18:59 | 0:19:03 | |
So what happened to your beautiful house? | 0:19:03 | 0:19:05 | |
On February the 18th 1962, I came back from school | 0:19:05 | 0:19:10 | |
and the whole house was creaking and groaning and wood was splitting. | 0:19:10 | 0:19:15 | |
I left and went to the pictures. And when I came back, Cobb Road was shut, | 0:19:15 | 0:19:19 | |
the fire brigade at the top of the hill and our place moved five inches and that was enough to destroy it. | 0:19:19 | 0:19:25 | |
The building stayed upright, but in a terrible mess. | 0:19:25 | 0:19:27 | |
So where did you live? You'd got no home. | 0:19:27 | 0:19:30 | |
Where did your parents take you? | 0:19:30 | 0:19:31 | |
We couldn't move from this place. | 0:19:31 | 0:19:35 | |
We have 180 degrees of sea view. It's the most spectacular place to live. | 0:19:35 | 0:19:39 | |
My parents put up a mobile home in the back garden here and then a caravan and so it went from there. | 0:19:39 | 0:19:46 | |
Gradually built things up again. | 0:19:46 | 0:19:48 | |
How long have you been living in temporary accommodation yourself? | 0:19:48 | 0:19:51 | |
Since 1962, always on this site. | 0:19:51 | 0:19:55 | |
That's over 40 years! | 0:19:55 | 0:19:56 | |
Yes, yes. | 0:19:56 | 0:19:58 | |
Yes. It is. | 0:19:58 | 0:20:00 | |
For 44 years, Harry has dreamed of rebuilding his house, | 0:20:01 | 0:20:06 | |
but the land is simply too unstable. | 0:20:06 | 0:20:09 | |
What is it that causes so many landslips in this area? | 0:20:11 | 0:20:16 | |
Some answers, it seems, can be found at nearby Charmouth Beach. | 0:20:16 | 0:20:20 | |
I'm meeting earth scientist Richard Edmonds | 0:20:20 | 0:20:23 | |
who's been studying this coastline's subterranean secrets. | 0:20:23 | 0:20:27 | |
This is the Black Ven landslide, the largest coastal landslide in Europe. | 0:20:27 | 0:20:31 | |
It happened in 1958-1959. | 0:20:31 | 0:20:34 | |
-This great tongue of vegetation reaching out into the channel. -Yes. | 0:20:34 | 0:20:37 | |
What is it that Lyme Regis, is at such risk, Richard? | 0:20:37 | 0:20:42 | |
It's built on this stuff. Its Lower Jurassic clay. | 0:20:42 | 0:20:44 | |
It dates back from about 195 million years ago and it's very soft. | 0:20:44 | 0:20:50 | |
Even worse is that the hilltops are capped with a sandstone. The sandstone is porous. | 0:20:50 | 0:20:55 | |
The rainwater can soak down through it, but once it reaches these dark clays, it ponds up at the junction | 0:20:55 | 0:21:01 | |
between the two rock types, lubricates the clay surface and | 0:21:01 | 0:21:05 | |
great big chunks of clifftop break off and slide down the cliff face. | 0:21:05 | 0:21:09 | |
Once it gets into the soft mud, | 0:21:09 | 0:21:11 | |
there are a whole series of terraces made by these hard bands of stone. | 0:21:11 | 0:21:15 | |
It works just like a giant penny falls. | 0:21:15 | 0:21:17 | |
The sandstone comes down the back, shunts everything forward over one terrace, the next terrace, | 0:21:17 | 0:21:22 | |
until it arrives on the beach. | 0:21:22 | 0:21:24 | |
These rocks are quite solid once they're in under the ground. | 0:21:24 | 0:21:27 | |
It's here the sea is working away all the time. | 0:21:27 | 0:21:30 | |
If the sea wasn't here, the land would reach a stable angle. | 0:21:30 | 0:21:33 | |
The sea's always taking it away, so more is always coming down. | 0:21:33 | 0:21:36 | |
So, it's a combination of the sea eroding and a peculiar local geology that has threatened Lyme. | 0:21:36 | 0:21:42 | |
That's right, yes. | 0:21:42 | 0:21:44 | |
It wasn't until the late 1990s, that technology became available | 0:21:46 | 0:21:51 | |
to offer Lyme Regis some long-term security. | 0:21:51 | 0:21:54 | |
The town is now in the middle of a £24 million defence scheme - the first of its kind in the world. | 0:21:54 | 0:22:01 | |
There are two elements. There's this massive new beach | 0:22:01 | 0:22:05 | |
and then there's work in the actual hill behind the sea wall, which is prone to landslides to stabilise it. | 0:22:05 | 0:22:11 | |
There are 75,000 tonnes of gravel that have been put onto this beach. | 0:22:11 | 0:22:14 | |
It's really aiming to absorb the wave energy, so the waves, rather than smash against the sea wall, | 0:22:14 | 0:22:20 | |
the wave energy'll be focussed onto the beach. | 0:22:20 | 0:22:22 | |
There's a second really important element which is it's adding weight to the tow | 0:22:22 | 0:22:27 | |
of the landslides behind here, so the landslides are being propped up by this massive weight of shingle. | 0:22:27 | 0:22:33 | |
We're onto the building site now. This is all part of an ancient landslide. | 0:22:35 | 0:22:40 | |
There are a whole series of slip plains running through this slope. | 0:22:40 | 0:22:44 | |
What's happening is the engineers have drilled down | 0:22:44 | 0:22:47 | |
through the split plains and piled them with steel and concrete piles. | 0:22:47 | 0:22:51 | |
They've also added huge amounts of drainage to take the water away. | 0:22:51 | 0:22:55 | |
How long will this last for? | 0:22:55 | 0:22:57 | |
The design life is 50-60 years, so only time will tell. | 0:22:57 | 0:23:02 | |
40 years after Harry May saw his house collapse, | 0:23:02 | 0:23:05 | |
the land has been stabilised. | 0:23:05 | 0:23:07 | |
Harry is now close to realising his dream of finally rebuilding his family home. | 0:23:07 | 0:23:13 | |
What do you think you'll feel when you walk through the front door for the first time? | 0:23:13 | 0:23:17 | |
Oh... Wonderful! | 0:23:17 | 0:23:22 | |
Mmm, wonderful. Really will be. | 0:23:22 | 0:23:26 | |
Very emotional. Mmm. Very. Yeah. | 0:23:26 | 0:23:32 | |
The shingle shipped into help tackle the landslide problem | 0:23:42 | 0:23:45 | |
is not the only material imported into Lyme Regis. | 0:23:45 | 0:23:49 | |
The golden beach that adorns the sea front is not quite what it seems. | 0:23:49 | 0:23:54 | |
Over the last few months, 30,000 tonnes of sand have been shipped in from a quarry in Normandy. | 0:23:54 | 0:24:01 | |
But how will the French sand stand up to the English stuff in Alice's battle of the sand castles? | 0:24:01 | 0:24:07 | |
Lyme Regis Council put a lot of effort into researching different types of sand for their new beach. | 0:24:13 | 0:24:19 | |
They believe they've found the perfect complement to their sea front, | 0:24:19 | 0:24:22 | |
but is it any good for sand castles? | 0:24:22 | 0:24:25 | |
A bit of French sand. | 0:24:25 | 0:24:27 | |
We'll examine the quality of the French sand grains | 0:24:27 | 0:24:30 | |
to see how it compares to the Weymouth sand we tested earlier. | 0:24:30 | 0:24:33 | |
The first thing that's obvious is that the Weymouth sand is much more homogenous. | 0:24:33 | 0:24:37 | |
-That's right. -It's similar grains throughout, very fine. | 0:24:37 | 0:24:41 | |
I'll just compare it now with the French sand here at Lyme Regis. | 0:24:41 | 0:24:45 | |
It's got a range of sizes - quite angular. | 0:24:45 | 0:24:48 | |
This helps the French sand bind together a little bit more. | 0:24:48 | 0:24:52 | |
All the different shapes interlock. | 0:24:52 | 0:24:54 | |
Think of a crowd of people. | 0:24:54 | 0:24:56 | |
-If they've got all their arms sticking out, it's like the spikes on the grains. -Yep. | 0:24:56 | 0:25:01 | |
They lock together with their neighbours and it's strong cos it's locking together. | 0:25:01 | 0:25:05 | |
If they had no spikes on the grains, they're all in like this, they can move past one another. | 0:25:05 | 0:25:10 | |
To make a great sand castle, the ability of dry grains of sand locked together is really important. | 0:25:10 | 0:25:16 | |
One way of testing this is by measuring the angle of internal friction - | 0:25:16 | 0:25:21 | |
the higher the angle, the better. | 0:25:21 | 0:25:23 | |
We need to compare this with the results from the test at Weymouth. | 0:25:23 | 0:25:27 | |
-That's it. -We need to use this protractor. | 0:25:27 | 0:25:29 | |
If you just move it carefully down, line it up on the pile of sand, | 0:25:29 | 0:25:34 | |
that will give us the angle of internal friction | 0:25:34 | 0:25:37 | |
or the angle or repose and it's 33 degrees. | 0:25:37 | 0:25:40 | |
That's not as good as Weymouth. At Weymouth, it was steeper, it was 40 degrees. | 0:25:40 | 0:25:44 | |
That's interesting. | 0:25:44 | 0:25:47 | |
I think that's probably because Weymouth sand is so much finer, it's helping it stand up more, | 0:25:47 | 0:25:52 | |
Which is interesting cos I thought angular grains would've locked it together. | 0:25:52 | 0:25:56 | |
-There are lots of factors at play. -Until you do the experiments, you don't know what the results are. | 0:25:56 | 0:26:01 | |
The science points to Weymouth sand having the edge, but what do the people | 0:26:01 | 0:26:06 | |
whose opinion really counts think about the new look Lyme Regis sand? | 0:26:06 | 0:26:10 | |
-It's quite grainy, it's quite sharp. -It holds together well. | 0:26:10 | 0:26:13 | |
Does it? | 0:26:13 | 0:26:14 | |
You can see you've got nice smooth sides to your sand castles there. | 0:26:14 | 0:26:19 | |
-Any hot tips then for building sand castles? -Pour water over it. | 0:26:19 | 0:26:23 | |
-Pour water over it? -Yeah, first, so it gets quite sticky. | 0:26:23 | 0:26:28 | |
So, you've added to the mix. You haven't just used the natural | 0:26:28 | 0:26:31 | |
-stuff, you've added a little bit of water as you go along? -Yeah, so it keeps it stronger. | 0:26:31 | 0:26:36 | |
Add a bit to the base as well, makes it solid to stick the castles on. | 0:26:36 | 0:26:40 | |
-Right, so you've got to have solid foundations. -Absolutely. | 0:26:40 | 0:26:44 | |
So, two beaches down, | 0:26:44 | 0:26:46 | |
just Torquay left, where we'll test all our sand castles to destruction. | 0:26:46 | 0:26:51 | |
Lyme Regis marks the end of our journey along the Dorset coastline | 0:26:59 | 0:27:03 | |
as the white Jurassic rocks give way to the distinctive red Triassic cliffs of Devon. | 0:27:03 | 0:27:08 | |
The quaint, unspoilt town of Sidmouth | 0:27:10 | 0:27:14 | |
has retained its old world charm | 0:27:14 | 0:27:16 | |
by carefully regulating property development on its sea front. | 0:27:16 | 0:27:20 | |
Many of the regency houses are home to growing numbers of people retiring in the town. | 0:27:20 | 0:27:25 | |
More than half the population are over retirement age. | 0:27:25 | 0:27:29 | |
But for some of Sidmouth's older residents, it's not just a question | 0:27:29 | 0:27:33 | |
of retiring to the coast, they've spent their whole lives working on it. | 0:27:33 | 0:27:38 | |
Tucked behind the town but still within sight of the sea | 0:27:40 | 0:27:43 | |
is the home of the largest donkey sanctuary in the world. | 0:27:43 | 0:27:46 | |
Donkeys from all over Britain come to spend their twilight years being pampered. | 0:27:48 | 0:27:53 | |
Their welfare's in the capable hands of Annie Hamer. | 0:27:55 | 0:27:58 | |
Where do donkeys originally come from? | 0:27:58 | 0:28:01 | |
Originally from Asia and Africa. They came over into Europe | 0:28:01 | 0:28:06 | |
on the Silk Route, transporting goods. | 0:28:06 | 0:28:09 | |
-They were the pack animals. -How many donkeys have you got on this farm? | 0:28:09 | 0:28:13 | |
-On this farm, nearly 400. -That's amazing. It's quite surreal. | 0:28:13 | 0:28:17 | |
I've never seen so many donkeys in one place. | 0:28:17 | 0:28:19 | |
It's nice they can still see the sea. | 0:28:19 | 0:28:22 | |
-Yes. -If a lot of these are retired beach donkeys. | 0:28:22 | 0:28:24 | |
Yes, we've got 100 donkeys have retired from the beaches and come into the donkey sanctuary. | 0:28:24 | 0:28:30 | |
At the moment, there's nearly 900 donkeys working on beaches in Britain. | 0:28:30 | 0:28:35 | |
What do you think about donkey rides? Are you happy about the idea or is it cruel? | 0:28:35 | 0:28:39 | |
Some of the healthiest working donkeys are the ones working on the beach, | 0:28:39 | 0:28:43 | |
cos the sand is really good for their feet. | 0:28:43 | 0:28:46 | |
It's equivalent to their natural environment, where they were originated from, on the desert. | 0:28:46 | 0:28:52 | |
The sand works like a natural emery board and helps to keep their feet in a nice shape. | 0:28:52 | 0:28:57 | |
When a donkey comes here, does it stay here for the rest of its natural life? | 0:28:57 | 0:29:02 | |
Yeah, we never turn a donkey away. | 0:29:02 | 0:29:05 | |
Usually they come to us in their late twenties or early thirties | 0:29:05 | 0:29:10 | |
and then some of the donkeys we've got are in their early fifties. | 0:29:10 | 0:29:14 | |
They can live another 20 years after that. | 0:29:14 | 0:29:16 | |
Gosh! | 0:29:16 | 0:29:18 | |
-A little donkey paradise. -Definitely. | 0:29:18 | 0:29:22 | |
Around six million of the UK population live within one kilometre of the coast. | 0:29:29 | 0:29:34 | |
But not every coastal property is made of bricks and mortar, | 0:29:34 | 0:29:38 | |
just as popular are homes of a more mobile nature. | 0:29:38 | 0:29:42 | |
Some of the best views of this coastline are found | 0:29:44 | 0:29:47 | |
on this magnificent stretch of The Great Western Railway as it slinks along the seafront towards Dawlish. | 0:29:47 | 0:29:54 | |
Today, only a handful of coastal railways are left in Britain. | 0:29:56 | 0:30:00 | |
This one flirts a little too dangerously with the sea at times. | 0:30:00 | 0:30:05 | |
Now its existence is under real threat. | 0:30:05 | 0:30:09 | |
Mark Horton is exploring the troubled life of this historic railway. | 0:30:09 | 0:30:14 | |
The train line that connects Exeter to Plymouth is a vital commuter lifeline, | 0:30:15 | 0:30:21 | |
but for a few weekends a year, there's a chance to experience the majestic views in style. | 0:30:21 | 0:30:27 | |
A smoky rise, the smell of the steam. | 0:30:40 | 0:30:44 | |
This must be one of the most glorious railways journeys in the world. | 0:30:44 | 0:30:48 | |
It was the first glimpse holidaymakers have of the sea as they go to the West Country. | 0:30:48 | 0:30:54 | |
This wonderful view of the south coast. | 0:30:54 | 0:30:57 | |
The genius behind this route was Isambard Kingdom Brunel | 0:30:57 | 0:31:01 | |
who, in 1843, was commissioned to build an extension to the Great Western Railway, | 0:31:01 | 0:31:07 | |
down along the South Devon coast to Plymouth. | 0:31:07 | 0:31:10 | |
On the face of it, this is a ridiculous place to build a railway line. | 0:31:13 | 0:31:18 | |
Even on a calm day like today, | 0:31:18 | 0:31:21 | |
passing trains are at risk of a soaking from waves, crashing onto the sea wall. | 0:31:21 | 0:31:26 | |
So, what made Brunel build his line here? | 0:31:26 | 0:31:29 | |
To find out, I'm meeting railway historian Peter Kay. | 0:31:29 | 0:31:34 | |
It's impossible to have a direct route because of the range of hills. | 0:31:34 | 0:31:38 | |
He had to choose between either coming right along the coast | 0:31:38 | 0:31:42 | |
as he did or having a route right behind Dawlish and Tynmouth through very long tunnels. | 0:31:42 | 0:31:46 | |
Surely, to build a railway here was an incredibly risky operation. | 0:31:46 | 0:31:51 | |
The storms would have come in and smashed over his railway. | 0:31:51 | 0:31:54 | |
I think the local people tried to point that out to him. | 0:31:54 | 0:31:57 | |
There were several petitions to Parliament | 0:31:57 | 0:32:00 | |
and the Exeter Corporation said the line would be a danger | 0:32:00 | 0:32:04 | |
to Her Majesty's subjects, because of the risk from sudden storms. | 0:32:04 | 0:32:08 | |
Brunel was convinced there would be no problems caused | 0:32:08 | 0:32:12 | |
by the sea to his railway, because he was such a confident engineer. | 0:32:12 | 0:32:17 | |
Brunel's original route was several yards further out. | 0:32:19 | 0:32:22 | |
He wanted to go round this headland on the outside without a tunnel here. | 0:32:22 | 0:32:26 | |
Of course, had the line been built further out, | 0:32:26 | 0:32:28 | |
it would have been even more exposed to the ravages of the sea. | 0:32:28 | 0:32:33 | |
Fortunately, he was opposed by the local people who did not want to lose their beach. | 0:32:33 | 0:32:37 | |
This was the gentlemen's bathing beach | 0:32:37 | 0:32:39 | |
and would have been lost entirely had Brunel got his original route. | 0:32:39 | 0:32:43 | |
So, he had to build a system of tunnels through the cliffs. | 0:32:43 | 0:32:45 | |
Yes, there was only one tunnel intended originally and he ended up with five. | 0:32:45 | 0:32:51 | |
It wasn't just the tunnels. | 0:32:51 | 0:32:52 | |
We seem to have this huge sea wall for about four miles, from one headland to the other. | 0:32:52 | 0:32:57 | |
That was quite a substantial construction job. | 0:32:57 | 0:33:01 | |
The stone came from Torbay by ship, was landed on the beaches. | 0:33:01 | 0:33:05 | |
This is a period of the great heroic era of Victorian engineering, | 0:33:05 | 0:33:09 | |
in which they thought they could go anywhere. | 0:33:09 | 0:33:13 | |
One of Brunel's famous quotes was, "Nothing is impossible for an engineer." | 0:33:13 | 0:33:16 | |
But Brunel's engineering bravado didn't always guarantee success. | 0:33:16 | 0:33:22 | |
When the line opened in 1847, Brunel had taken the bold decision | 0:33:22 | 0:33:28 | |
to use a new means of propulsion called the "atmospheric system". | 0:33:28 | 0:33:32 | |
Huge pumping houses like this one at Starcross were constructed to create | 0:33:32 | 0:33:37 | |
a vacuum in a pipe laid between the rails which sucked the trains along. | 0:33:37 | 0:33:43 | |
Although the system worked, it was too expensive to maintain | 0:33:43 | 0:33:48 | |
so steam locomotives took over after just 12 months. | 0:33:48 | 0:33:53 | |
So, how has the railway fared since Brunel's time? | 0:33:53 | 0:33:56 | |
Well, I'm afraid the pessimists were quickly proved right. | 0:33:56 | 0:33:59 | |
This section we're walking on now was rebuilt totally in the 1860s. | 0:33:59 | 0:34:04 | |
The real ongoing problem was that the sea wall often got undermined by the weight. | 0:34:04 | 0:34:08 | |
So, it's not just the storm smashing against the wall, | 0:34:08 | 0:34:11 | |
but the continual erosion at the base that's the problem. | 0:34:11 | 0:34:14 | |
The base of the wall is the normal problem. | 0:34:14 | 0:34:16 | |
The bedrock underneath the foundations is very poor stuff. | 0:34:16 | 0:34:21 | |
The waves break it up and suck out the infill behind, | 0:34:21 | 0:34:26 | |
make a hole in the bottom of the wall and then the line collapses. | 0:34:26 | 0:34:29 | |
Now we've got global warming and sea level rises, | 0:34:29 | 0:34:33 | |
are we going to lose the line for good in the next 50 years? | 0:34:33 | 0:34:36 | |
Well, who knows? | 0:34:36 | 0:34:39 | |
Who knows indeed?! | 0:34:39 | 0:34:40 | |
When Brunel built this line, he insisted that it would be | 0:34:40 | 0:34:43 | |
no more expensive to maintain than any other stretch of railway. | 0:34:43 | 0:34:49 | |
£9 million has been spent since 2004 trying to shore up the line, | 0:34:49 | 0:34:55 | |
prompting calls for a replacement to be built inland. | 0:34:55 | 0:35:00 | |
But such a line could never compete with the amazing coastal scenery | 0:35:00 | 0:35:05 | |
that makes this one of Britain's most stunning railway journeys. | 0:35:05 | 0:35:10 | |
Many of the towns along this coast might never have developed into | 0:35:15 | 0:35:19 | |
the flourishing seaside resorts they are today without Brunel's railway. | 0:35:19 | 0:35:23 | |
One of its biggest benefactors was the town which calls itself The English Rivera - Torquay. | 0:35:25 | 0:35:31 | |
Most of the beautiful white villas and terraces overlooking Torbay | 0:35:33 | 0:35:37 | |
date back to Victorian times, | 0:35:37 | 0:35:39 | |
when the gentry flocked to Torquay | 0:35:39 | 0:35:41 | |
to enjoy its remarkably mild climate. | 0:35:41 | 0:35:44 | |
It's also the birthplace of Agatha Christie. | 0:35:44 | 0:35:47 | |
The very modern Miss Marple, Alice Roberts, | 0:35:47 | 0:35:50 | |
is still on the trail of the Secret of the Perfect Sand Castle. | 0:35:50 | 0:35:54 | |
-It's a completely different colour sand here. -That's the red Triassic sandstone. | 0:35:54 | 0:35:58 | |
'Torquay recently boasted that it had the best sand castle sand in Britain. | 0:35:58 | 0:36:02 | |
'It's a claim we're going to put to the test in the final stage of our sand castle quest. | 0:36:02 | 0:36:07 | |
'After putting Torquay's sand through the same experiments as Lyme Regis and Weymouth, | 0:36:07 | 0:36:12 | |
'we have discovered that Torquay and Weymouth are | 0:36:12 | 0:36:15 | |
'neck and neck in terms of grain size and the angle of internal friction, | 0:36:15 | 0:36:18 | |
'but Lyme Regis is not far behind. | 0:36:18 | 0:36:20 | |
'To find a winner, we need to commence the final experiment - the strength test.' | 0:36:20 | 0:36:27 | |
-A bit more sand in there I think. -'Using samples from all our test beaches, we're making three | 0:36:27 | 0:36:32 | |
'perfect sand castle mixtures using Matthew's magic eight parts sand to one part water formula.' | 0:36:32 | 0:36:39 | |
Weymouth was the finest of our sands. It's had a high angle of internal friction. | 0:36:39 | 0:36:44 | |
It's got lots of fine grains in there. Make a good sand castle. | 0:36:44 | 0:36:47 | |
Right, come on Weymouth! Ah! | 0:36:49 | 0:36:52 | |
-That is a good one. -That is perfect. | 0:36:52 | 0:36:55 | |
'Weymouth's fine grains makes it Matthew's favourite to win. | 0:36:55 | 0:36:59 | |
'Lyme Regis looks good, but I don't know, I really like the texture of Torquay. | 0:36:59 | 0:37:04 | |
'It's the one I'm putting my money on. | 0:37:04 | 0:37:06 | |
'Now for the ultimate battle of strength. | 0:37:06 | 0:37:10 | |
'We're using measured amounts of water to increase the weight on top of our sand castles. | 0:37:10 | 0:37:14 | |
'Which one will crumble first? The last castle standing will be the winner.' | 0:37:14 | 0:37:20 | |
They're all doing ever so well. | 0:37:20 | 0:37:21 | |
This is amazing! | 0:37:21 | 0:37:24 | |
It's the perfect mix. | 0:37:24 | 0:37:26 | |
This is the third kilo. | 0:37:26 | 0:37:28 | |
There's definitely a crack there. | 0:37:31 | 0:37:34 | |
This is going to be the fourth kilo. | 0:37:34 | 0:37:36 | |
Yes! | 0:37:36 | 0:37:38 | |
-I told you. -Lyme Regis, look at that! | 0:37:41 | 0:37:45 | |
'The French and Lyme Regis have been knocked out already. | 0:37:45 | 0:37:48 | |
'With only my Torquay and Matthew's Weymouth sand castles left, | 0:37:48 | 0:37:51 | |
'it's down to a straight shootout between the two of us.' | 0:37:51 | 0:37:54 | |
-Mmmm... Aaaaah! -Yes! -SHE LAUGHS | 0:37:54 | 0:37:59 | |
-Torquay! -Yeah. | 0:37:59 | 0:38:01 | |
Let's see how many more Torquay can take. | 0:38:01 | 0:38:07 | |
-Wow! -Seven kilos! | 0:38:07 | 0:38:10 | |
-Whay! -Yes! | 0:38:15 | 0:38:17 | |
Eight kilos. Torquay is the out and out winner. | 0:38:17 | 0:38:20 | |
It took eight kilos. | 0:38:20 | 0:38:22 | |
Eight kilos. Well, I was wrong. | 0:38:22 | 0:38:24 | |
It doesn't matter what beach you're on as long as you get the ratio right. | 0:38:24 | 0:38:28 | |
That's right, you can have fun with a bucket and spade. | 0:38:28 | 0:38:30 | |
-You can build a good sand castle. -That's right. -What a mess! | 0:38:30 | 0:38:34 | |
Standing over Torbay is Berry Head. | 0:38:54 | 0:38:58 | |
Today, it's a national nature reserve, but 200 years ago, | 0:38:58 | 0:39:02 | |
it was used to defend British Naval ships from potential French attack. | 0:39:02 | 0:39:06 | |
Remnants from past hostilities are a reminder that Britain's coast | 0:39:08 | 0:39:12 | |
has always been our first line of defence against potential invaders. | 0:39:12 | 0:39:17 | |
During the Second World War, | 0:39:23 | 0:39:25 | |
people all over Britain were evacuated and displaced. | 0:39:25 | 0:39:29 | |
But around Slapton Sands, | 0:39:29 | 0:39:30 | |
entire communities were suddenly forced to leave their homes. | 0:39:30 | 0:39:34 | |
Unearthing the full story of these mass evictions | 0:39:34 | 0:39:37 | |
has taken over 50 years as Dick Strawbridge is finding out. | 0:39:37 | 0:39:41 | |
By 1943 the civilian population of Britain were well accustomed to sacrifice. | 0:39:41 | 0:39:47 | |
The inhabitants around Slapton Sands were about | 0:39:47 | 0:39:50 | |
to pay the price for living near this stretch of coastline. | 0:39:50 | 0:39:55 | |
In November 1943, the tranquil atmosphere of villages surrounding Slapton Sands was shattered. | 0:39:55 | 0:40:01 | |
3,000 residents received official notification that their homes | 0:40:01 | 0:40:05 | |
were to be requisitioned for 'military purposes'. | 0:40:05 | 0:40:08 | |
They were given just six weeks to pack up and move out. | 0:40:08 | 0:40:11 | |
There were no exceptions. | 0:40:11 | 0:40:14 | |
John Hannaford was only 17 at the time. | 0:40:17 | 0:40:19 | |
His family have owned and run the local butchers near Slapton Sands for four generations. | 0:40:19 | 0:40:24 | |
He can remember that before the evacuation announcement | 0:40:24 | 0:40:27 | |
there was a feeling something strange was going on. | 0:40:27 | 0:40:30 | |
Well there were these odd rumours going around... | 0:40:30 | 0:40:34 | |
but when you're a teenager it's over your head. | 0:40:34 | 0:40:37 | |
You don't think about these things, | 0:40:37 | 0:40:39 | |
-it's never going to happen to you! -Yeah. | 0:40:39 | 0:40:41 | |
Then they got more serious, that they were going to commandeer this area | 0:40:41 | 0:40:46 | |
and people weren't very happy, it was such a big upheaval for them. | 0:40:46 | 0:40:51 | |
You see, an awful lot of them, | 0:40:51 | 0:40:53 | |
I suppose they'd never been away from their home, you know? | 0:40:53 | 0:40:57 | |
-It was a situation, there was a war on. -Yeah. | 0:40:57 | 0:41:02 | |
That was the back of everybody's mind, you know? There was a war on. | 0:41:02 | 0:41:05 | |
You had to do these things. | 0:41:05 | 0:41:07 | |
Everybody living in an area covering 46 square miles, | 0:41:07 | 0:41:11 | |
and including 180 farms, had to leave their properties | 0:41:11 | 0:41:14 | |
taking whatever they could manage, | 0:41:14 | 0:41:17 | |
not knowing when, if ever, they would be able to return. | 0:41:17 | 0:41:20 | |
Did you actually know what was going to happen here? | 0:41:21 | 0:41:24 | |
Did you have a feeling for what was happening? | 0:41:24 | 0:41:26 | |
Well of course you had an idea what was going on, we knew it was a battle training area. | 0:41:26 | 0:41:33 | |
We knew what it was going to be. | 0:41:33 | 0:41:35 | |
You prepared yourself for the worst. | 0:41:38 | 0:41:41 | |
Would it be here when you came back or would it be here for you to come back to? | 0:41:43 | 0:41:48 | |
What kind of battle training could possibly justify evacuating such an enormous area? | 0:41:48 | 0:41:53 | |
What the residents didn't know was that for months the military | 0:41:55 | 0:41:58 | |
had been planning the most important offensive of the Second World War, | 0:41:58 | 0:42:02 | |
the landing on the beaches of Normandy | 0:42:02 | 0:42:04 | |
to begin the long awaited liberation of Europe. | 0:42:04 | 0:42:08 | |
D-Day. | 0:42:08 | 0:42:10 | |
If the allied forces were to be successful, | 0:42:10 | 0:42:12 | |
it was crucial they found somewhere suitable to practise. | 0:42:12 | 0:42:16 | |
The allies had spent a long time planning for D-Day. | 0:42:18 | 0:42:21 | |
One of the main beaches to be assaulted was Utah. | 0:42:21 | 0:42:24 | |
At Utah you've got the sea, | 0:42:24 | 0:42:26 | |
you've got the beach, and dunes with the coastal road on it and inland of that, | 0:42:26 | 0:42:30 | |
in the hinterland, the Germans had flooded that area as an obstacle | 0:42:30 | 0:42:34 | |
which meant that the infantry in vehicles would have a real problem. | 0:42:34 | 0:42:38 | |
If I turn this around, | 0:42:38 | 0:42:40 | |
we've got the sea, we've got sand, | 0:42:40 | 0:42:42 | |
we've got dunes, a coastal road and inland here we've got Slapton Lee | 0:42:42 | 0:42:48 | |
which is a flooded marshy area which would allow people to train in exactly the same conditions. | 0:42:48 | 0:42:54 | |
The War Office had found the perfect spot. | 0:42:54 | 0:42:57 | |
All they had to do now was turn into a little bit of Normandy. | 0:42:57 | 0:43:00 | |
By Christmas 1943, the last of the residents had left their homes. | 0:43:03 | 0:43:08 | |
With the streets deserted, | 0:43:11 | 0:43:12 | |
the American forces, who would be attacking Utah beach, | 0:43:12 | 0:43:16 | |
moved in to start training for the impending invasion. | 0:43:16 | 0:43:19 | |
On Slapton Sands, the training exercises were deadly serious. | 0:43:21 | 0:43:25 | |
In an attempt to re-create the intense hostility of a battlefield, | 0:43:25 | 0:43:29 | |
live ammunition was used. | 0:43:29 | 0:43:31 | |
Today, a rusted Sherman tank stands as a memorial to one particular | 0:43:36 | 0:43:40 | |
exercise that went disastrously wrong and cost hundreds of lives. | 0:43:40 | 0:43:44 | |
One of the few survivors of the tragedy is Steve Sadlon. | 0:43:48 | 0:43:52 | |
In 1944 he was a 19-year-old radio operator in the US Navy. | 0:43:52 | 0:43:58 | |
On the 23rd of April 1944, | 0:43:58 | 0:44:01 | |
Steve was one of the 23,000 allied troops | 0:44:01 | 0:44:04 | |
involved in the biggest practice exercise to date, | 0:44:04 | 0:44:07 | |
a full scale simulation of the D-Day landings, codenamed Exercise Tiger. | 0:44:07 | 0:44:13 | |
Out in the English Channel, | 0:44:13 | 0:44:15 | |
Steve's assault craft was making its way towards Slapton Sands. | 0:44:15 | 0:44:19 | |
This was a dry run. | 0:44:19 | 0:44:21 | |
Exercise Tiger was just like the real thing. | 0:44:21 | 0:44:25 | |
When we were going towards Slapton Sands, | 0:44:25 | 0:44:28 | |
I heard a scrape underneath the ship. | 0:44:28 | 0:44:31 | |
And the next thing you know, I heard GQ | 0:44:32 | 0:44:37 | |
and I thought to myself, my gosh, they're making things pretty real. | 0:44:37 | 0:44:42 | |
The next thing you know, I got hit. | 0:44:42 | 0:44:46 | |
I got torpedoed. | 0:44:46 | 0:44:48 | |
Auxiliary engine room, that's right below me. | 0:44:48 | 0:44:52 | |
Suddenly, it was no longer an exercise. | 0:44:52 | 0:44:55 | |
Steve's ship was at war, under attack by German torpedo boats. | 0:44:55 | 0:45:00 | |
The enemy boats had been spotted by the British fleet, | 0:45:00 | 0:45:03 | |
but due to a simple administrative error | 0:45:03 | 0:45:05 | |
the radio warnings never made it to the convoy. | 0:45:05 | 0:45:08 | |
We were on a wrong frequency. | 0:45:08 | 0:45:12 | |
They knew that these E-boats were approaching us | 0:45:12 | 0:45:17 | |
and they never let us know | 0:45:17 | 0:45:20 | |
that we were in danger. | 0:45:20 | 0:45:22 | |
I staggered into the wheelhouse | 0:45:24 | 0:45:27 | |
and here the fire was already approaching the wheelhouse. | 0:45:27 | 0:45:32 | |
The skipper was still there. He was... | 0:45:32 | 0:45:35 | |
he said, "Well, we can't do anything so we'd better abandon ship." | 0:45:35 | 0:45:40 | |
I jumped in there, it was cold. | 0:45:40 | 0:45:43 | |
And the signal man says, "Steve, | 0:45:46 | 0:45:49 | |
"I'm not going in that water. | 0:45:49 | 0:45:51 | |
"It's too cold." | 0:45:51 | 0:45:53 | |
So I said to him, "OK, take your choice." | 0:45:53 | 0:45:58 | |
So I pointed to the water. I said, "Are you going to freeze to death?" | 0:45:58 | 0:46:01 | |
and I pointed at the fire, and I said, "You're going to burn to death." | 0:46:01 | 0:46:06 | |
He burned to death. | 0:46:06 | 0:46:08 | |
He took that choice. | 0:46:08 | 0:46:10 | |
Before I passed out, | 0:46:12 | 0:46:14 | |
I just remembered my mother cradling me in my arms. | 0:46:16 | 0:46:22 | |
I had this care and everything else... | 0:46:24 | 0:46:27 | |
and then I thought about the green grass... | 0:46:27 | 0:46:30 | |
of home. | 0:46:30 | 0:46:32 | |
I said, "If I ever get there," I said "I'm going to kiss that grass, | 0:46:32 | 0:46:37 | |
"and I'm going to hug my mother." I said, "Boy, this is..." | 0:46:37 | 0:46:43 | |
That's the last I remember. | 0:46:43 | 0:46:46 | |
I passed out, | 0:46:46 | 0:46:48 | |
you know. | 0:46:48 | 0:46:50 | |
The rest of the convoy were immediately ordered back to port, | 0:46:52 | 0:46:56 | |
but the captain of one of the ships disobeyed the order | 0:46:56 | 0:46:59 | |
and returned to pick up 132 survivors including Steve, | 0:46:59 | 0:47:03 | |
who'd been in the freezing sea for over four hours. | 0:47:03 | 0:47:07 | |
When I woke up, a sailor, he was... | 0:47:07 | 0:47:11 | |
shaking me, waking me up and he says, "You know, | 0:47:11 | 0:47:16 | |
"you're a lucky person." | 0:47:16 | 0:47:18 | |
He said, | 0:47:18 | 0:47:20 | |
"You were piled with the dead." | 0:47:20 | 0:47:22 | |
He said, "You were frothing at the mouth and we took you off the pile and we worked on you." | 0:47:22 | 0:47:27 | |
The official death toll for 28th April 1944 was 749, | 0:47:31 | 0:47:38 | |
but despite the loss of life, the training at Slapton continued | 0:47:38 | 0:47:42 | |
and the disaster was kept secret | 0:47:42 | 0:47:44 | |
until after the successful D-Day invasions. | 0:47:44 | 0:47:47 | |
In spite of his horrific experience, Steve still took part in the landings on Utah beach. | 0:47:48 | 0:47:53 | |
Ironically, more soldiers were killed during Exercise Tiger | 0:47:53 | 0:47:57 | |
than died on D-Day attacking the very beach they'd trained for. | 0:47:57 | 0:48:02 | |
It was 43 years before this memorial was built on Slapton Sands | 0:48:02 | 0:48:06 | |
to commemorate the US servicemen who lost their lives that night on Exercise Tiger. | 0:48:06 | 0:48:11 | |
Further down the beach the Americans left their own memorial, | 0:48:14 | 0:48:18 | |
dedicated to the 3000 evacuees like John Hannaford, | 0:48:18 | 0:48:22 | |
who were finally allowed back home after 12 months away. | 0:48:22 | 0:48:26 | |
John feels that the hardship he suffered was a small price to pay, | 0:48:26 | 0:48:30 | |
especially in comparison to the tragic loss of life that took place on Exercise Tiger. | 0:48:30 | 0:48:34 | |
The sad truth is that without the sacrifices of the people | 0:48:34 | 0:48:37 | |
who lived and trained around Slapton Sands, | 0:48:37 | 0:48:40 | |
the casualties at D-Day may have been far higher. | 0:48:40 | 0:48:43 | |
Devon's most southerly town is the holiday resort of Salcombe. | 0:48:57 | 0:49:01 | |
The town's wealth was originally founded on shipbuilding, | 0:49:01 | 0:49:05 | |
but today it's a haven for second homes. | 0:49:05 | 0:49:07 | |
Half of Salcombe's properties are owned by people who don't live here full-time. | 0:49:07 | 0:49:13 | |
An even more exclusive location lies just around the coast, | 0:49:16 | 0:49:20 | |
the 26 rocky acres of Burgh Island. | 0:49:20 | 0:49:24 | |
At times, calling this an island can be misleading, | 0:49:30 | 0:49:33 | |
but for six hours each day the holidaymakers | 0:49:33 | 0:49:35 | |
on the neighbouring beach are rudely interrupted | 0:49:35 | 0:49:39 | |
as the tide returns to restore Burgh Island's independence. | 0:49:39 | 0:49:42 | |
This is one of the charms that's attracted distinguished guests | 0:49:42 | 0:49:46 | |
to the curious hotel on the island for decades. | 0:49:46 | 0:49:51 | |
This bizarre and incredibly noisy contraption is a sea tractor | 0:49:51 | 0:49:55 | |
and it's reputed to be the only one of its kind in the whole world. | 0:49:55 | 0:49:59 | |
It takes guests over to Burgh Island at high tide. | 0:49:59 | 0:50:03 | |
Now, BBC budgets being what they are, I don't think I'll be staying the night, | 0:50:03 | 0:50:07 | |
but I should be OK for a good nosey round. | 0:50:07 | 0:50:10 | |
The hotel dates back to 1929, when the flamboyant industrialist | 0:50:11 | 0:50:16 | |
Archie Nettlefold built a sumptuous retreat to entertain his friends. | 0:50:16 | 0:50:21 | |
Approaching the art deco entrance, | 0:50:24 | 0:50:26 | |
I feel a bit like Hercule Poirot on the trail of a murder mystery. | 0:50:26 | 0:50:30 | |
While Monsieur Poirot was fictitious, his creator Agatha Christie | 0:50:32 | 0:50:36 | |
was a frequent visitor here, along other celebrities of the '30s | 0:50:36 | 0:50:41 | |
such as Edward and Mrs Simpson, Noel Coward and Amy Johnson, | 0:50:41 | 0:50:46 | |
who would all come here to escape the public gaze and enjoy complete privacy. | 0:50:46 | 0:50:51 | |
Burgh Island soon became a haven for the rich, the famous and the slightly disreputable. | 0:50:54 | 0:51:01 | |
Hidden away from the prying paparazzi of the day, | 0:51:04 | 0:51:07 | |
here they could be as decadent as they wished. | 0:51:07 | 0:51:10 | |
It's said that Noel Coward wrote some of his most lovely songs here | 0:51:13 | 0:51:18 | |
over cocktails... and winks at the waiters. | 0:51:18 | 0:51:20 | |
Whatever went on, Burgh Island's seclusion meant that the outside world seemed a million miles away. | 0:51:22 | 0:51:28 | |
Constructing a property on an island with only limited access to | 0:51:34 | 0:51:37 | |
the mainland would present builders with a few headaches even today. | 0:51:37 | 0:51:41 | |
But imagine trying to build a house 14 miles out at sea 300 years ago. | 0:51:43 | 0:51:49 | |
A house that would be responsible for saving thousands of lives. | 0:51:49 | 0:51:54 | |
I love lighthouses. | 0:51:54 | 0:51:57 | |
In fact I'm an honorary member of the Association of Lighthouse Keepers. | 0:51:57 | 0:52:01 | |
And get this. I'm now on my way to visit the location of the world's first offshore lighthouse. | 0:52:01 | 0:52:08 | |
We've only got a very short weather window. | 0:52:08 | 0:52:10 | |
It's going to be pretty tricky to get out there. | 0:52:10 | 0:52:13 | |
That is fantastic! | 0:52:16 | 0:52:18 | |
Right on the horizon there, there's the faintest grey line just sticking up a few millimetres as it were. | 0:52:18 | 0:52:23 | |
That is the Eddystone lighthouse. | 0:52:23 | 0:52:25 | |
It's all very well from our 21st century perspective. | 0:52:25 | 0:52:29 | |
We know you can build lighthouses on rocks. | 0:52:29 | 0:52:31 | |
But put yourself in the shoes of people 300 years ago | 0:52:31 | 0:52:34 | |
when that idea was as outlandish as building a tower on the moon. | 0:52:34 | 0:52:38 | |
When this lighthouse was opened in 1882 it was hailed as a miracle of engineering, and so it was. | 0:52:47 | 0:52:54 | |
But believe it or not it's not that lighthouse I've come to see. | 0:52:54 | 0:52:58 | |
It's the ones that were here before it. | 0:52:58 | 0:53:00 | |
For centuries these rocks have sunk countless ships bound for Plymouth. | 0:53:02 | 0:53:07 | |
With the great interest in maritime trade in the late 17th century, | 0:53:07 | 0:53:12 | |
a way had to be found to protect ships from these foreboding rocks. | 0:53:12 | 0:53:16 | |
Today, the strong south-easterly winds are making the approach to the lighthouse a wee bit tricky. | 0:53:23 | 0:53:28 | |
But imagine having the nerve to build a lighthouse out here | 0:53:28 | 0:53:33 | |
300 years ago with only flimsy wooden rowing boats | 0:53:33 | 0:53:36 | |
to transport tonnes of material and teams of builders. | 0:53:36 | 0:53:39 | |
The man who did have the nerve to try this was one Henry Winstanley. | 0:53:41 | 0:53:46 | |
He started building in 1696 and by 1699 he had completed his masterpiece. | 0:53:46 | 0:53:52 | |
It had a stone foundation but it was mostly a wooden structure. | 0:53:52 | 0:53:55 | |
Imagine a wooden tower out here in the face of these gales! | 0:53:55 | 0:54:00 | |
After three years of struggle and one failure, | 0:54:01 | 0:54:05 | |
in 1699 Winstanley was finally happy with his design. | 0:54:05 | 0:54:08 | |
It was an amazing spectacle. | 0:54:08 | 0:54:11 | |
The 120 foot structure was finished with ornate engravings | 0:54:11 | 0:54:15 | |
and extravagant wrought iron details. | 0:54:15 | 0:54:18 | |
Many people questioned the lighthouse's sturdiness. | 0:54:23 | 0:54:26 | |
Would it be able to stand up to the unrelenting gales and ferocious seas? | 0:54:26 | 0:54:32 | |
Winstanley's confidence in his tower was unshakeable. | 0:54:33 | 0:54:36 | |
He boasted, "I only wish that I may be in the lighthouse | 0:54:36 | 0:54:40 | |
"in circumstances that will test its strength to the utmost." | 0:54:40 | 0:54:45 | |
On the 26th November 1703, Winstanley's wish came true. | 0:54:45 | 0:54:49 | |
That night, the biggest recorded storm to hit Britain | 0:54:49 | 0:54:54 | |
devastated the entire country claiming at least 8,000 lives. | 0:54:54 | 0:54:59 | |
When people came out to this rock to see how he had fared, there was not a trace. | 0:54:59 | 0:55:04 | |
Not of Winstanley, not of the lighthouse crew and not of the lighthouse. | 0:55:04 | 0:55:09 | |
All they found was some twisted metal. | 0:55:09 | 0:55:11 | |
Winstanley was gone. | 0:55:11 | 0:55:13 | |
His light had kept sailors safe for over four years, | 0:55:13 | 0:55:16 | |
but just two days after the lighthouse collapsed | 0:55:16 | 0:55:20 | |
a ship struck the rock and sank with the loss of all hands. | 0:55:20 | 0:55:25 | |
Another lighthouse was built, but it burnt down. | 0:55:25 | 0:55:28 | |
So, the maritime authorities commissioned Yorkshireman | 0:55:28 | 0:55:31 | |
John Smeaton to build a structure that would stand the test of time. | 0:55:31 | 0:55:35 | |
And its stump still remains here. | 0:55:35 | 0:55:38 | |
Now this was a huge step forward in lighthouse design. | 0:55:38 | 0:55:42 | |
These blocks of granite are dovetailed together. | 0:55:42 | 0:55:45 | |
They are like three dimensional jigsaw pieces that all lock together. | 0:55:45 | 0:55:49 | |
Smeaton had used the shape of an English oak tree as inspiration for his lighthouse. | 0:55:50 | 0:55:56 | |
He wanted it to be sturdy, but also flexible enough to sway slightly in the wind. | 0:55:56 | 0:56:02 | |
It entered service in October 1759. | 0:56:04 | 0:56:08 | |
So effective was Smeaton's innovative design that it became the standard for lighthouses world wide, | 0:56:08 | 0:56:14 | |
and is still a template for today's lighthouse builders. | 0:56:14 | 0:56:18 | |
Smeaton's lighthouse stood for 120 years before cracks appeared. | 0:56:18 | 0:56:23 | |
Not in the tower, but on the rock below it. | 0:56:23 | 0:56:27 | |
The lighthouse had proved to be tougher than the very rock it stood on. | 0:56:27 | 0:56:31 | |
That is the best day at work I've ever had! | 0:56:48 | 0:56:52 | |
Diving into the sea off lighthouses doesn't get any better. Fantastic! | 0:56:52 | 0:56:57 | |
Such was the significance of Smeaton's lighthouse | 0:56:59 | 0:57:02 | |
that the people of Plymouth paid for it | 0:57:02 | 0:57:04 | |
to be taken down block by block and rebuilt on Plymouth Hoe as a memorial to its designer. | 0:57:04 | 0:57:10 | |
It stands there today as Plymouth's most famous landmark, | 0:57:12 | 0:57:16 | |
a testament not only to Smeaton | 0:57:16 | 0:57:18 | |
but to all of the pioneering lighthouse builders | 0:57:18 | 0:57:21 | |
who gave their lives to save the lives of others. | 0:57:21 | 0:57:24 | |
I've travelled around 120 miles along this property coast and I've seen all kinds of places. | 0:57:28 | 0:57:34 | |
I've seen luxury. I've seen opulence. I've even see decadence, but you know, | 0:57:34 | 0:57:39 | |
you can't help but be reminded that this landscape and these views are free and also priceless. | 0:57:39 | 0:57:47 | |
Subtitles by Red Bee Media Ltd | 0:58:05 | 0:58:08 | |
E-mail [email protected] | 0:58:08 | 0:58:10 |