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The most ambitious map in history | 0:00:02 | 0:00:05 | |
is taking shape before our eyes. | 0:00:05 | 0:00:07 | |
And scientists are heading for the edge. | 0:00:11 | 0:00:14 | |
It may be the strangest map you'll ever see. | 0:00:18 | 0:00:21 | |
And it's bigger than you can believe. | 0:00:22 | 0:00:26 | |
It's a map of the entire universe. | 0:00:26 | 0:00:31 | |
There's this whole pattern to the universe we're starting to map out. | 0:00:32 | 0:00:37 | |
Seeing it really brought home the way the universe actually behaved, | 0:00:37 | 0:00:40 | |
in a way that all the numbers and equations never quite could. | 0:00:40 | 0:00:44 | |
Cosmologists are making sense of startling discoveries. | 0:00:46 | 0:00:50 | |
Medieval maps would say, "Here be monsters." | 0:00:51 | 0:00:55 | |
They weren't entirely wrong. | 0:00:55 | 0:00:57 | |
They're even building pictures of the invisible. | 0:00:58 | 0:01:01 | |
How do you map something that you can't even see? | 0:01:03 | 0:01:06 | |
Our brains build maps even where our telescopes cannot reach. | 0:01:08 | 0:01:11 | |
This is a map of everything we know. | 0:01:13 | 0:01:16 | |
And it's getting bigger every day. | 0:01:18 | 0:01:21 | |
It kind of hits you, how magnificent it is. | 0:01:23 | 0:01:26 | |
It's bigger than we can actually really even imagine. | 0:01:26 | 0:01:29 | |
The universe is so big, | 0:01:31 | 0:01:33 | |
we may never find the edge. | 0:01:33 | 0:01:35 | |
Mapping the universe is a job for pioneers. | 0:01:49 | 0:01:53 | |
Nick Risinger is blazing a trail through the American south west. | 0:02:02 | 0:02:07 | |
You have to be pretty persistent. | 0:02:12 | 0:02:14 | |
No stopping. | 0:02:14 | 0:02:16 | |
You've got to keep going. | 0:02:16 | 0:02:18 | |
Nick wants to put our entire galaxy on the map. | 0:02:19 | 0:02:23 | |
He's on a single-handed mission, to photograph the Milky Way. | 0:02:26 | 0:02:30 | |
New Mexico is a great place to take photos. | 0:02:32 | 0:02:35 | |
It's dry, it's high, | 0:02:35 | 0:02:38 | |
and there's not a whole lot of city around here. | 0:02:38 | 0:02:41 | |
There's a break in the weather, | 0:02:41 | 0:02:43 | |
and you get a full, almost a full night in. | 0:02:43 | 0:02:46 | |
Other times, you only get, you know, 10% of the night. | 0:02:46 | 0:02:49 | |
But it's all luck of the draw. | 0:02:49 | 0:02:51 | |
It's looking pretty good over there, actually. | 0:02:53 | 0:02:56 | |
In the modern world, | 0:03:03 | 0:03:05 | |
few of us have skies dark enough to see the Milky Way. | 0:03:05 | 0:03:08 | |
But Nick plans to show us our home galaxy | 0:03:11 | 0:03:14 | |
like we've never seen it before. | 0:03:14 | 0:03:17 | |
I'm trying to give people that broad, big-picture understanding | 0:03:19 | 0:03:23 | |
of the entire night sky, and where they fit into that. | 0:03:23 | 0:03:27 | |
Our galaxy has nearly half a trillion stars. | 0:03:28 | 0:03:32 | |
Most of them are too dim and distant to see. | 0:03:35 | 0:03:38 | |
But Nick's cameras | 0:03:41 | 0:03:42 | |
are more than 2,000 times more sensitive than the naked eye. | 0:03:42 | 0:03:47 | |
If I had known how much work it would be going into it, | 0:03:47 | 0:03:50 | |
I probably wouldn't have even started. | 0:03:50 | 0:03:53 | |
But my personality is, once you start something, you finish it. | 0:03:53 | 0:03:57 | |
After two years, he's photographed 20 million stars... | 0:04:00 | 0:04:04 | |
..by stitching together more than 37,000 separate images. | 0:04:09 | 0:04:13 | |
Some people might be driven crazy | 0:04:18 | 0:04:20 | |
by hearing shutters clack all night long. | 0:04:20 | 0:04:22 | |
But it's actually music to my ears, because it means they're working. | 0:04:22 | 0:04:27 | |
By combining data from six different cameras, he's captured | 0:04:28 | 0:04:31 | |
something that would tax even the world's most powerful telescopes. | 0:04:31 | 0:04:35 | |
His final image is the highest definition, true colour map | 0:04:38 | 0:04:43 | |
ever made of the Milky Way. | 0:04:43 | 0:04:44 | |
But he hasn't just mapped it... | 0:04:50 | 0:04:52 | |
..he's made a hand-held guide to the galaxy. | 0:04:55 | 0:04:58 | |
This is like a window to the sky. | 0:05:10 | 0:05:13 | |
And you can point it in any direction | 0:05:13 | 0:05:15 | |
and be shown exactly what you're looking at. | 0:05:15 | 0:05:18 | |
So here, we're looking at the centre of our galaxy. | 0:05:24 | 0:05:27 | |
This is our Milky Way. | 0:05:27 | 0:05:28 | |
You can see this bright cluster of many small stars. | 0:05:28 | 0:05:32 | |
The map reveals more features with every level of detail. | 0:05:35 | 0:05:39 | |
As we zoom in here to the centre of the galaxy, | 0:05:44 | 0:05:48 | |
I'll point out this dark patch here, this is the Pipe Nebula, | 0:05:48 | 0:05:50 | |
and it's one of my favourite landmarks to help me orient myself. | 0:05:50 | 0:05:55 | |
But it's the sheer size of the image that reveals its true ambition. | 0:05:59 | 0:06:03 | |
From one side to the other, it's 100,000 light years. | 0:06:13 | 0:06:17 | |
This image is such a big subject, and it makes you feel so small. | 0:06:25 | 0:06:30 | |
100,000 light years! | 0:06:30 | 0:06:32 | |
It boggles the mind just trying to comprehend just how vast that is. | 0:06:33 | 0:06:38 | |
But the fact is, the map of the universe has barely begun. | 0:06:42 | 0:06:46 | |
Anthony Aguirre, from the University of California in Santa Cruz, | 0:06:59 | 0:07:03 | |
is a theoretical cosmologist. | 0:07:03 | 0:07:06 | |
So he's used to thinking big. | 0:07:07 | 0:07:10 | |
Now to say that we're going to go out and make a map of the universe, | 0:07:10 | 0:07:13 | |
it almost sounds crazy. It sounds like real hubris, right? | 0:07:13 | 0:07:17 | |
"We're going to go and map the universe!" | 0:07:17 | 0:07:19 | |
And yet the universe, as it turns out, is really amenable to mapping. | 0:07:19 | 0:07:24 | |
But you have to think big, and clever. | 0:07:26 | 0:07:29 | |
And that's where the balloons come in. | 0:07:29 | 0:07:32 | |
Because the map of the universe isn't like other maps. | 0:07:33 | 0:07:38 | |
We have to think in a different way, | 0:07:38 | 0:07:40 | |
we can't just go out and look at the universe and draw things on paper | 0:07:40 | 0:07:44 | |
and say, "There's our map of the universe." | 0:07:44 | 0:07:46 | |
The universe is so big | 0:07:46 | 0:07:48 | |
that the laws of physics say we can't see all of it. | 0:07:48 | 0:07:52 | |
It's as if we're at the centre of a giant balloon, and we can't see out. | 0:07:55 | 0:08:00 | |
We can only see light. And light moves at a certain speed. | 0:08:02 | 0:08:06 | |
And so, as we look farther and farther away, | 0:08:06 | 0:08:10 | |
we're looking farther and farther back in time | 0:08:10 | 0:08:12 | |
because we're seeing light coming to us from long ago. | 0:08:12 | 0:08:16 | |
But there's only so far we can go back in time. | 0:08:16 | 0:08:21 | |
So there's only so far we can see. | 0:08:21 | 0:08:24 | |
It's called the "observable universe". | 0:08:28 | 0:08:31 | |
We can only map what's inside, | 0:08:31 | 0:08:33 | |
because the universe is only 13.7 billion years old. | 0:08:33 | 0:08:38 | |
There may well be a lot more universe outside, | 0:08:39 | 0:08:42 | |
but the light hasn't had time to reach us yet. | 0:08:42 | 0:08:45 | |
In the last 20 years, we've seen this tremendous expansion, | 0:08:48 | 0:08:52 | |
both in the amount and in the precision of knowledge that we have | 0:08:52 | 0:08:55 | |
about the observable universe. | 0:08:55 | 0:08:57 | |
This has allowed cosmologists to make a map of unbelievable scale. | 0:09:00 | 0:09:05 | |
The Milky Way could fit inside 10 million million million times. | 0:09:08 | 0:09:16 | |
Our entire galaxy's just a dot on the landscape. | 0:09:19 | 0:09:22 | |
In the observable universe, | 0:09:25 | 0:09:27 | |
there are 170 billion galaxies just like it. | 0:09:27 | 0:09:31 | |
Janna Levin is a professor of theoretical astrophysics. | 0:09:34 | 0:09:38 | |
She'd like to put every single galaxy we can see on the map. | 0:09:40 | 0:09:45 | |
But, before she can do that, it's vital to account for | 0:09:45 | 0:09:48 | |
one of the most surprising features of the universe. | 0:09:48 | 0:09:52 | |
Making a map of the whole universe | 0:09:55 | 0:09:57 | |
is not like mapping a map of the United States. | 0:09:57 | 0:10:00 | |
It's an observational fact that, if you look at the galaxies around us, | 0:10:00 | 0:10:05 | |
and the most distant galaxies that we can see, | 0:10:05 | 0:10:08 | |
they all appear to be moving away from us. | 0:10:08 | 0:10:10 | |
And, the further away they are, the faster they're moving away from us. | 0:10:10 | 0:10:13 | |
The galaxies aren't like landmarks on normal maps. | 0:10:14 | 0:10:18 | |
They don't stand still. | 0:10:19 | 0:10:21 | |
Everywhere we look, the most distant galaxies are moving away from us. | 0:10:23 | 0:10:27 | |
This a strange universe, | 0:10:29 | 0:10:32 | |
and the explanation is even stranger. | 0:10:32 | 0:10:34 | |
People want to imagine a central point | 0:10:36 | 0:10:38 | |
with everything exploding out from that point, | 0:10:38 | 0:10:41 | |
moving away only from that one central location. | 0:10:41 | 0:10:45 | |
That's really the wrong picture here. | 0:10:45 | 0:10:47 | |
That makes it sound like we're in a special place, | 0:10:47 | 0:10:49 | |
like somehow we're at the centre, and everything is moving away from us. | 0:10:49 | 0:10:52 | |
But actually it's not like that. | 0:10:52 | 0:10:54 | |
There's nothing special about our place in the universe. | 0:10:56 | 0:10:59 | |
If we went to another galaxy, we'd see exactly the same thing. | 0:11:00 | 0:11:06 | |
If you went to a distant galaxy, | 0:11:06 | 0:11:07 | |
they would have the same perspective. | 0:11:07 | 0:11:10 | |
They would look at all the galaxies around them | 0:11:10 | 0:11:12 | |
and see that they were moving away. | 0:11:12 | 0:11:14 | |
You really have to try to imagine | 0:11:14 | 0:11:16 | |
that every single point is moving away from every other point. | 0:11:16 | 0:11:19 | |
So no point is special. | 0:11:19 | 0:11:21 | |
No matter where you're standing in the universe, | 0:11:21 | 0:11:23 | |
if you look out, you will see galaxies moving away from you. | 0:11:23 | 0:11:26 | |
Think of it like cities on the map of America. | 0:11:28 | 0:11:31 | |
If you were standing in California, | 0:11:33 | 0:11:35 | |
you would see New York moving away from you. | 0:11:35 | 0:11:38 | |
But, from the perspective of New York, | 0:11:38 | 0:11:40 | |
you would see Boston move away. | 0:11:40 | 0:11:42 | |
And if you were standing in Chicago, | 0:11:42 | 0:11:44 | |
you would see New York and California moving away from you. | 0:11:44 | 0:11:48 | |
So, no matter where you're standing, | 0:11:48 | 0:11:50 | |
you see everything else moving away from you. | 0:11:50 | 0:11:52 | |
In the observable universe, | 0:11:54 | 0:11:55 | |
the galaxies are doing exactly the same thing. | 0:11:55 | 0:11:58 | |
The only explanation for that is that the space itself is stretching, | 0:12:01 | 0:12:06 | |
that the universe itself is getting bigger, | 0:12:06 | 0:12:08 | |
not that the galaxies are moving on the space, | 0:12:08 | 0:12:10 | |
but that the space is getting bigger. | 0:12:10 | 0:12:13 | |
It's as if the whole of America was getting bigger and bigger every day. | 0:12:14 | 0:12:19 | |
You'd think it would be impossible to keep the map up to date. | 0:12:20 | 0:12:24 | |
But cosmologists take everything into account, | 0:12:26 | 0:12:28 | |
by using careful measurements of the expansion rate. | 0:12:28 | 0:12:32 | |
It works like the scale factor on any road map. | 0:12:34 | 0:12:37 | |
Imagine the United States is doubling every day. | 0:12:41 | 0:12:44 | |
You wouldn't want to make a new map every day, | 0:12:44 | 0:12:46 | |
you wouldn't draw a new map. | 0:12:46 | 0:12:48 | |
All you would have to do really is change the legend. | 0:12:48 | 0:12:52 | |
Instead of one mile between tick marks, | 0:12:52 | 0:12:54 | |
the next day would be two miles, the next day would be four miles. | 0:12:54 | 0:12:57 | |
And that scale, changing on the side in your legend, | 0:12:57 | 0:13:00 | |
would completely account for the fact that the States kept doubling. | 0:13:00 | 0:13:04 | |
And so you could keep your originally drawn map. | 0:13:04 | 0:13:07 | |
The map of the observable universe doesn't change | 0:13:11 | 0:13:14 | |
except for the scale factor. | 0:13:14 | 0:13:16 | |
Right now, it's 46 billion light years to the edge. | 0:13:17 | 0:13:21 | |
But it's growing all the time. | 0:13:23 | 0:13:25 | |
So, while, at first, this is a little confusing, | 0:13:29 | 0:13:31 | |
trying to imagine something like a universe expanding, | 0:13:31 | 0:13:34 | |
we realise that, by drawing a simple map | 0:13:34 | 0:13:37 | |
and, by changing the scale on that map, | 0:13:37 | 0:13:39 | |
that we can handle the expansion actually quite simply. | 0:13:39 | 0:13:42 | |
For cosmologists, the expansion of the universe is not a problem. | 0:13:46 | 0:13:52 | |
In fact, it's a gift. | 0:13:52 | 0:13:53 | |
If space is stretching, | 0:13:55 | 0:13:56 | |
then the wavelength of light from the galaxies is stretching too. | 0:13:56 | 0:14:00 | |
The greater the distance, the redder the light. | 0:14:02 | 0:14:05 | |
This red shift effect | 0:14:06 | 0:14:08 | |
is the mapmaker's vital tool for measuring distance. | 0:14:08 | 0:14:12 | |
And red shift was the key to the next vital stage | 0:14:16 | 0:14:19 | |
in mapping the universe. | 0:14:19 | 0:14:21 | |
A survey to pinpoint the exact location of galaxies, | 0:14:23 | 0:14:26 | |
stretching 5.5 billion light years from Earth. | 0:14:26 | 0:14:30 | |
It started here, in one of the more unusual towns in America. | 0:14:40 | 0:14:45 | |
Welcome to Cloudcroft, New Mexico. | 0:14:49 | 0:14:53 | |
A place where you don't have to be an astronomer to map the universe. | 0:14:57 | 0:15:01 | |
Everyone in town can have a piece of the action. | 0:15:04 | 0:15:07 | |
To us, it's wonderful - I mean, it's just part of our everyday life. | 0:15:12 | 0:15:17 | |
On a clear night, my husband will say, | 0:15:17 | 0:15:19 | |
"Well, you're going to be busy tomorrow!" | 0:15:19 | 0:15:22 | |
Frances Cope has been working here for two-and-a-half years. | 0:15:22 | 0:15:26 | |
The last count, she'd mapped a quarter of a million galaxies. | 0:15:29 | 0:15:31 | |
It can be very therapeutic but mostly it's, to me personally, | 0:15:34 | 0:15:40 | |
it's a sense of fulfilment. | 0:15:40 | 0:15:42 | |
Tracey Naugle trained as a mechanic, | 0:15:42 | 0:15:45 | |
then retrained in galactic exploration. | 0:15:45 | 0:15:48 | |
It's neat that you are a part of discovering new galaxies, | 0:15:51 | 0:15:56 | |
it's kind of a good feeling. | 0:15:56 | 0:15:58 | |
Kristina Huehnerhoff is a freelance writer. | 0:15:58 | 0:16:01 | |
Mapping the universe helps her wind down. | 0:16:02 | 0:16:05 | |
It's very Zen, I think, because you're, you know, | 0:16:07 | 0:16:11 | |
you're putting things where they're supposed to be. | 0:16:11 | 0:16:15 | |
They all work with this man. | 0:16:15 | 0:16:17 | |
David Schlegel is a cosmologist | 0:16:19 | 0:16:21 | |
from the University of California at Berkeley. | 0:16:21 | 0:16:25 | |
When he first came to town, | 0:16:25 | 0:16:27 | |
the map of the universe was almost empty. | 0:16:27 | 0:16:30 | |
The only pictures we had of the full sky were on photographic plates, | 0:16:30 | 0:16:34 | |
images taken by Palomar Sky Survey in the 1950s. | 0:16:34 | 0:16:39 | |
And actually we were still using that in the 1990s, | 0:16:39 | 0:16:43 | |
that was the best picture that we had of the full sky. | 0:16:43 | 0:16:45 | |
The Palomar Survey was practically a museum piece - | 0:16:47 | 0:16:50 | |
photographed on fragile glass negatives. | 0:16:50 | 0:16:55 | |
Even by 1998, | 0:16:55 | 0:16:56 | |
only 30,000 galaxies had been placed on the map of the universe. | 0:16:56 | 0:17:01 | |
That's when David joined the Sloan Digital Sky Survey | 0:17:05 | 0:17:09 | |
at the nearby Apache Point Observatory. | 0:17:09 | 0:17:12 | |
We had the sense that it was going to be this great thing | 0:17:16 | 0:17:18 | |
that was starting, but it hadn't actually started yet. | 0:17:18 | 0:17:22 | |
What we wanted to do was something much more ambitious | 0:17:22 | 0:17:25 | |
and actually get a map of the million brightest galaxies on the sky. | 0:17:25 | 0:17:29 | |
The task required measuring the distance, and therefore red shift, | 0:17:30 | 0:17:34 | |
for every single one of these galaxies. | 0:17:34 | 0:17:38 | |
Obviously you need to look at more than one galaxy at a time, | 0:17:39 | 0:17:42 | |
so that's the trick. | 0:17:42 | 0:17:44 | |
If you were a futurist you'd say, | 0:17:44 | 0:17:48 | |
"Well, it's the 1990s, we have computers and we have robots." | 0:17:48 | 0:17:52 | |
The folks designing the Sloan, though, | 0:17:52 | 0:17:55 | |
decided to take the pragmatic approach | 0:17:55 | 0:17:57 | |
and say, well, we actually want this thing to work. | 0:17:57 | 0:18:01 | |
Instead of robots, the ingenious system they came up with | 0:18:03 | 0:18:07 | |
required a far more human touch. | 0:18:07 | 0:18:10 | |
And they would have to go round the universe | 0:18:12 | 0:18:15 | |
not once, but twice. | 0:18:15 | 0:18:17 | |
It's really doing two maps of the sky. | 0:18:21 | 0:18:25 | |
The first time round, they didn't measure any red shifts. | 0:18:25 | 0:18:29 | |
The telescope simply took photographs... | 0:18:31 | 0:18:34 | |
A map of the sky, but in two dimensions only. | 0:18:34 | 0:18:38 | |
It doesn't give the distance to each galaxy - yet. | 0:18:40 | 0:18:44 | |
We actually have from those images not very much idea | 0:18:44 | 0:18:48 | |
of where these things are in three dimensional space. | 0:18:48 | 0:18:50 | |
So at some level, it's just a pretty picture. | 0:18:50 | 0:18:54 | |
But the next stage was the trick. | 0:18:54 | 0:18:56 | |
They printed the pretty pictures in metal. | 0:18:58 | 0:19:02 | |
Each of these holes corresponds to our two dimensional location | 0:19:02 | 0:19:06 | |
of a galaxy on the sky, where if I look at this hole, | 0:19:06 | 0:19:10 | |
we have the longitude on this coordinate, | 0:19:10 | 0:19:13 | |
the latitude in this coordinate, and so the whole design | 0:19:13 | 0:19:16 | |
of this system is to as efficiently as possible get the light | 0:19:16 | 0:19:20 | |
from that one galaxy into that specific hole. | 0:19:20 | 0:19:25 | |
The plugging team from town connected every galaxy | 0:19:25 | 0:19:29 | |
with a fibre optic cable... | 0:19:29 | 0:19:30 | |
..then fitted the plate back over the telescope. | 0:19:32 | 0:19:36 | |
Second time around, the telescope measures the red shifts | 0:19:38 | 0:19:42 | |
for these specific galaxies alone. | 0:19:42 | 0:19:44 | |
1,000 galaxies on a plate, | 0:19:48 | 0:19:51 | |
nine plates a night | 0:19:51 | 0:19:53 | |
and one million galaxies in total | 0:19:53 | 0:19:56 | |
on a map crafted by human hands. | 0:19:56 | 0:20:00 | |
It's hard to wrap my head around the idea that we're looking at... | 0:20:00 | 0:20:05 | |
you know, with 1,000 fibres, we're looking at 1,000 galaxies, | 0:20:05 | 0:20:09 | |
and it's... I have a hard time wrapping my head around | 0:20:09 | 0:20:12 | |
that the universe is that big. | 0:20:12 | 0:20:13 | |
The Sloan Survey is one of the great achievements of Precision Cosmology. | 0:20:16 | 0:20:21 | |
Red shift measures the distance - | 0:20:26 | 0:20:28 | |
the third and final co-ordinate for every galaxy... | 0:20:28 | 0:20:31 | |
..to make a 3D Movie on a colossal scale. | 0:20:33 | 0:20:37 | |
Maybe you've seen things like this in the opening of Star Trek | 0:20:41 | 0:20:45 | |
or Star Wars or whatever, and that all looks great, | 0:20:45 | 0:20:48 | |
but it's not real. | 0:20:48 | 0:20:49 | |
This movie - it is the real Universe. | 0:20:49 | 0:20:52 | |
Every point of light on the map is a galaxy like the Milky Way. | 0:20:54 | 0:20:58 | |
Cosmologists can now see at a glance | 0:21:01 | 0:21:04 | |
how the galaxies are arranged in space. | 0:21:04 | 0:21:07 | |
What these maps let us do, | 0:21:12 | 0:21:13 | |
is it really allows us to test all the forces of nature we know about. | 0:21:13 | 0:21:18 | |
There is structure, really, on all scales. | 0:21:20 | 0:21:24 | |
The galaxies are not just placed at random - | 0:21:24 | 0:21:27 | |
they're bound together by gravity, in a vast cosmic web. | 0:21:27 | 0:21:32 | |
This goes on and on, and in fact up to the largest scales | 0:21:35 | 0:21:39 | |
that we can see. You can still trace these structures of galaxies. | 0:21:39 | 0:21:42 | |
But the most surprising discovery is what can't be seen. | 0:21:44 | 0:21:47 | |
Most of the universe is missing. | 0:21:49 | 0:21:52 | |
The gravity, due to the stuff that we see, due to say the galaxies | 0:21:54 | 0:21:57 | |
and stars, can't do the job. | 0:21:57 | 0:21:59 | |
It's simply not enough stuff to arrange things into the patterns | 0:22:02 | 0:22:06 | |
that we see, have galaxies spinning in the way that they do. | 0:22:06 | 0:22:09 | |
There's something else there. There's something beyond | 0:22:09 | 0:22:13 | |
the galaxies that we see, the visible matter. | 0:22:13 | 0:22:15 | |
There's some sort of Dark Matter out there. | 0:22:15 | 0:22:18 | |
Modern cosmology needs a new kind of map maker. | 0:22:20 | 0:22:24 | |
Because most of the universe is hiding in the dark. | 0:22:31 | 0:22:34 | |
We don't know what Dark Matter is | 0:22:39 | 0:22:41 | |
because it's never been detected on Earth. | 0:22:41 | 0:22:44 | |
We know it must be out there, | 0:22:47 | 0:22:49 | |
because its gravity is holding the cosmic web of galaxies together. | 0:22:49 | 0:22:53 | |
But we can't see it, because it doesn't give off light. | 0:22:55 | 0:22:58 | |
Someone has to find it and put it on the map. | 0:23:00 | 0:23:04 | |
British astronomer Richard Massey is a master of the invisible. | 0:23:09 | 0:23:13 | |
He's a member of a team hunting for Dark Matter, | 0:23:21 | 0:23:23 | |
based at the California Institute of Technology. | 0:23:23 | 0:23:27 | |
So, he's a frequent flyer to the city of Los Angeles. | 0:23:27 | 0:23:32 | |
When you're flying over America at night, | 0:23:33 | 0:23:35 | |
you see these criss-crossing lanes of street lights | 0:23:35 | 0:23:38 | |
spread out across the continent. | 0:23:38 | 0:23:40 | |
There's obviously some interesting stories going on down there, | 0:23:44 | 0:23:47 | |
in between these roads. | 0:23:47 | 0:23:49 | |
In fact, most of the story of what's going on in America | 0:23:53 | 0:23:56 | |
is actually happening in those empty spaces that you can't see. | 0:23:56 | 0:24:00 | |
Richard's task is like mapping those apparently empty spaces. | 0:24:00 | 0:24:05 | |
It's as if whole cities were hiding in the dark. | 0:24:07 | 0:24:10 | |
If we're driving across America, and trying to map out a new frontier, | 0:24:12 | 0:24:16 | |
we can see mountains and valleys | 0:24:16 | 0:24:18 | |
and streams and we can draw them all on a map. | 0:24:18 | 0:24:20 | |
But when we're trying to map out the universe, | 0:24:20 | 0:24:23 | |
most of its contents are invisible. | 0:24:23 | 0:24:26 | |
It takes imagination to find your way in a Dark Universe. | 0:24:29 | 0:24:33 | |
You have to dream up new ways to detect what can't be seen. | 0:24:35 | 0:24:39 | |
One possibility is that if Dark Matter doesn't give off light | 0:24:42 | 0:24:46 | |
maybe it absorbs light. | 0:24:46 | 0:24:49 | |
Ordinary matter, the stuff that we're made out of, casts a shadow - | 0:24:51 | 0:24:55 | |
because it absorbs light. | 0:24:55 | 0:24:57 | |
So we can see the ordinary matter in silhouette. | 0:25:00 | 0:25:02 | |
Unfortunately, Dark Matter doesn't give itself away that easily. | 0:25:04 | 0:25:09 | |
Light just goes straight through it. | 0:25:11 | 0:25:15 | |
Dark Matter doesn't interact with light in any way, | 0:25:15 | 0:25:17 | |
so we can't look for its silhouette to map out where it is. | 0:25:17 | 0:25:23 | |
We have to be a bit more ingenious about it. | 0:25:23 | 0:25:26 | |
The solution depends on a very simple idea. | 0:25:33 | 0:25:36 | |
It's like looking at lights in a swimming pool. | 0:25:39 | 0:25:42 | |
The secret to mapping Dark Matter that you can't see, | 0:25:45 | 0:25:49 | |
is to look at the light that you can see. | 0:25:49 | 0:25:51 | |
Everything that has mass, including Dark Matter, | 0:25:53 | 0:25:56 | |
actually bends the fabric of space and time that we're that we live in. | 0:25:56 | 0:26:01 | |
And if space is warped, then everything in it is distorted. | 0:26:01 | 0:26:05 | |
Even the paths of light rays. | 0:26:05 | 0:26:07 | |
The only way that Dark Matter might reveal itself is through gravity. | 0:26:09 | 0:26:13 | |
According to Einstein's Theory of Relativity, | 0:26:15 | 0:26:18 | |
all matter distorts space causing light to change direction. | 0:26:18 | 0:26:22 | |
The idea of General Relativity bending space and time | 0:26:24 | 0:26:27 | |
and deflecting rays of light sounds complicated. | 0:26:27 | 0:26:29 | |
But actually you see light rays bending all the time. | 0:26:29 | 0:26:32 | |
Look into a swimming pool and see your legs aren't in the right shape, | 0:26:32 | 0:26:36 | |
you know that there must be some water in the way. | 0:26:36 | 0:26:40 | |
The distortion of the lights depends on water ripples in the pool. | 0:26:40 | 0:26:46 | |
which in turn depend on where the swimmers are at any one moment. | 0:26:46 | 0:26:49 | |
Ah! | 0:26:52 | 0:26:53 | |
This is great, we're seeing these distorted images of lights | 0:26:56 | 0:27:00 | |
under the pool and by looking at the shapes of these, we can work out | 0:27:00 | 0:27:03 | |
what the ripples in the water are doing. | 0:27:03 | 0:27:07 | |
The survey team went looking for Dark Matter in exactly | 0:27:07 | 0:27:10 | |
the same way... | 0:27:10 | 0:27:13 | |
..with 1,000 hours of observations on the Hubble Space Telescope. | 0:27:14 | 0:27:18 | |
By looking at distant galaxies halfway across the universe, | 0:27:20 | 0:27:23 | |
by looking at their shapes | 0:27:23 | 0:27:24 | |
and the distorted images that we see of those, | 0:27:24 | 0:27:27 | |
we can work out what ripples there are in space between them and us. | 0:27:27 | 0:27:31 | |
And those ripples in space are caused by the Dark Matter. | 0:27:31 | 0:27:35 | |
The search zone was a thin column of the universe, | 0:27:41 | 0:27:45 | |
stretching eight billion light years from Earth. | 0:27:45 | 0:27:47 | |
The team were on the look-out | 0:27:49 | 0:27:51 | |
for distortions in the most distant galaxies. | 0:27:51 | 0:27:53 | |
Whenever you see galaxies | 0:27:55 | 0:27:57 | |
distorted into these strange uncharacteristic shapes, | 0:27:57 | 0:28:00 | |
you know that there must be something in between them and you, | 0:28:00 | 0:28:03 | |
something really massive, and even if it's invisible, | 0:28:03 | 0:28:06 | |
you can still map out where it is by the way it warps that space time. | 0:28:06 | 0:28:11 | |
The mapping technique revealed a ghostly, hidden universe. | 0:28:11 | 0:28:17 | |
The light from visible galaxies was recast in new and beautiful forms. | 0:28:17 | 0:28:23 | |
They've become these full rings, | 0:28:24 | 0:28:26 | |
distorted just like what are known as Einstein Rings, | 0:28:26 | 0:28:30 | |
whenever there's a big lump of Dark Matter in front of them. | 0:28:30 | 0:28:33 | |
The lumps become contours on a map of the invisible. | 0:28:33 | 0:28:37 | |
They reveal Dark Matter as the hidden iceberg | 0:28:39 | 0:28:42 | |
beneath the surface of the cosmic ocean. | 0:28:42 | 0:28:45 | |
What we're finding out there in the universe is really weird. | 0:28:48 | 0:28:51 | |
It's equivalent to the idea that only one out of six cities in America | 0:28:51 | 0:28:54 | |
actually has any people living in it. | 0:28:54 | 0:28:56 | |
The other five sixths of the population | 0:28:56 | 0:28:59 | |
are these invisible ghosts that we just can't see. | 0:28:59 | 0:29:01 | |
The survey has transformed the map of the universe. | 0:29:03 | 0:29:06 | |
It suggests that normal, visible matter | 0:29:10 | 0:29:12 | |
is just a fraction of what's out there. | 0:29:12 | 0:29:15 | |
In the search zone, Dark Matter outweighs it by six to one. | 0:29:17 | 0:29:21 | |
This is the stuff the universe is really made of. | 0:29:24 | 0:29:27 | |
For cosmologists, the road ahead has become a lot less certain. | 0:29:34 | 0:29:38 | |
Right now, we know the universe is expanding. | 0:29:41 | 0:29:45 | |
But given enough Dark Matter, it could have a different, | 0:29:45 | 0:29:48 | |
and very dark future. | 0:29:48 | 0:29:51 | |
It's sensible to conclude, | 0:29:52 | 0:29:54 | |
when we look at how that stuff affects the shape of space, | 0:29:54 | 0:29:57 | |
that the universe should be expanding but that it should be slowing down. | 0:29:57 | 0:30:01 | |
Dark Matter puts a very heavy foot on the brakes. | 0:30:03 | 0:30:07 | |
Because the more matter there is, the more gravity there is. | 0:30:08 | 0:30:13 | |
Gravity attracts. And so the cosmic expansion should be slowed down | 0:30:16 | 0:30:20 | |
by all that attraction. | 0:30:20 | 0:30:22 | |
If there's enough Dark Matter, | 0:30:26 | 0:30:28 | |
the universe will eventually stop expanding altogether... | 0:30:28 | 0:30:31 | |
..and go into reverse. | 0:30:31 | 0:30:33 | |
Gravity will bring everything back together, | 0:30:36 | 0:30:38 | |
in a final, cataclysmic big crunch. | 0:30:38 | 0:30:41 | |
The question is - when? | 0:30:49 | 0:30:53 | |
The search for the answer began here | 0:30:55 | 0:30:57 | |
on the Berkeley Campus of the University of California. | 0:30:57 | 0:31:00 | |
It's a distinctive outpost in the landscape of science | 0:31:04 | 0:31:09 | |
signposted with some of its greatest names. | 0:31:09 | 0:31:14 | |
There's even a car park reserved for Nobel Laureates. | 0:31:17 | 0:31:21 | |
Nine prize winners in a row - with five in Physics alone. | 0:31:24 | 0:31:29 | |
And it was here, in 1988, that Saul Perlmutter set out | 0:31:31 | 0:31:36 | |
to map the deceleration of the universe. | 0:31:36 | 0:31:39 | |
There's nothing you like more than a really good mystery. | 0:31:51 | 0:31:54 | |
I wondered if you could actually measure, | 0:31:55 | 0:31:58 | |
how much the universe was slowing down. | 0:31:58 | 0:32:01 | |
I thought it was a very exciting possibility that you could, | 0:32:01 | 0:32:03 | |
make a measurement, and find out what the fate of the universe was. | 0:32:03 | 0:32:08 | |
Saul was the leading light | 0:32:08 | 0:32:10 | |
behind an international team of physicists and astronomers. | 0:32:10 | 0:32:13 | |
Under his guidance, they embarked on a ten year voyage of exploration | 0:32:17 | 0:32:22 | |
far across the observable universe. | 0:32:22 | 0:32:25 | |
The key was to measure how fast the universe was expanding | 0:32:33 | 0:32:36 | |
in the past, compared to now. They planned to map ancient galaxies - | 0:32:36 | 0:32:42 | |
10.8 billion light years from Earth. | 0:32:42 | 0:32:44 | |
But it would take a whole decade to find and analyse | 0:32:47 | 0:32:50 | |
what they were looking for. | 0:32:50 | 0:32:52 | |
A candle. | 0:32:53 | 0:32:55 | |
If you want to measure distances across the universe | 0:32:57 | 0:33:00 | |
you would like to be able to use an object that's of known brightness. | 0:33:00 | 0:33:06 | |
We call anything that we know the brightness of a Standard Candle. | 0:33:06 | 0:33:10 | |
A Standard Candle always has the same brightness - | 0:33:11 | 0:33:14 | |
so you can use it to measure distance very precisely. | 0:33:14 | 0:33:19 | |
The further away it is, | 0:33:19 | 0:33:20 | |
the dimmer it will appear in our telescopes. | 0:33:20 | 0:33:24 | |
But candles are elusive objects. | 0:33:24 | 0:33:26 | |
We hunt, for what astronomical object could you possibly use, | 0:33:26 | 0:33:31 | |
that will behave in this very regular way, | 0:33:31 | 0:33:34 | |
so that you can actually compare the distances. | 0:33:34 | 0:33:36 | |
The galaxies themselves are no good. | 0:33:38 | 0:33:40 | |
They come in many different shapes and sizes | 0:33:40 | 0:33:44 | |
and at this distance, they're so dim we can barely see them. | 0:33:44 | 0:33:47 | |
We're talking about distances that are even more vast than usual | 0:33:50 | 0:33:53 | |
for astronomy. Now we need to look at some of the most distant objects | 0:33:53 | 0:33:56 | |
in the universe so these had to be very bright objects. | 0:33:56 | 0:33:59 | |
Saul had a very bright idea. | 0:33:59 | 0:34:02 | |
He would find his way by the light of a dying star. | 0:34:06 | 0:34:09 | |
A supernova. | 0:34:11 | 0:34:12 | |
When one of these supernovas explode, | 0:34:14 | 0:34:16 | |
that one star can be as bright as the entire galaxy | 0:34:16 | 0:34:20 | |
of a hundred billion other stars. | 0:34:20 | 0:34:23 | |
So this is a remarkably bright, single event. | 0:34:26 | 0:34:29 | |
Saul had a special kind of supernova in mind. | 0:34:31 | 0:34:34 | |
A Type 1A is triggered | 0:34:39 | 0:34:40 | |
when a dying star draws in mass from its neighbour. | 0:34:40 | 0:34:44 | |
Just at the point where there's a critical mass, | 0:34:48 | 0:34:51 | |
there will be a runaway thermonuclear explosion. | 0:34:51 | 0:34:55 | |
So that means that it's triggered at the same mass every time. | 0:34:59 | 0:35:02 | |
Same mass every time means same brightness every time. | 0:35:05 | 0:35:09 | |
They're perfect standard candles. | 0:35:09 | 0:35:13 | |
But Saul had to find them first. | 0:35:13 | 0:35:15 | |
If you could work with anything else in the world | 0:35:18 | 0:35:21 | |
besides a supernova to do your research you would. | 0:35:21 | 0:35:24 | |
They're just a real pain in the neck to work with. | 0:35:24 | 0:35:26 | |
They're rare, they're random and they're rapid. | 0:35:31 | 0:35:33 | |
A supernova only burns brightly for three weeks. | 0:35:33 | 0:35:37 | |
And in any given galaxy, they explode without warning | 0:35:37 | 0:35:42 | |
roughly once every 300 years. | 0:35:42 | 0:35:46 | |
With those odds, you can't book valuable time | 0:35:46 | 0:35:49 | |
on the world's best telescopes. | 0:35:49 | 0:35:50 | |
It makes a terrible proposal, if you were to say that, | 0:35:52 | 0:35:55 | |
"Sometime in the next several hundred years, | 0:35:55 | 0:35:57 | |
"a Type 1a supernova, might explode, somewhere in this galaxy. | 0:35:57 | 0:36:00 | |
"I would like the night of March the 3rd, just in case." | 0:36:00 | 0:36:03 | |
But Saul had a plan to get the odds working in his favour. | 0:36:05 | 0:36:10 | |
With billions of galaxies in the observable universe - | 0:36:10 | 0:36:14 | |
there are dozens of supernovae every night. | 0:36:14 | 0:36:17 | |
Saul's team spent six years | 0:36:21 | 0:36:23 | |
perfecting a new system for supernovae on demand. | 0:36:23 | 0:36:26 | |
They took snapshots of thousands of galaxies at once, | 0:36:28 | 0:36:33 | |
then repeated them two and a half weeks later. | 0:36:33 | 0:36:36 | |
First you don't see a supernova. | 0:36:36 | 0:36:41 | |
Now you do. | 0:36:41 | 0:36:43 | |
That's very important, that two and a half weeks, | 0:36:45 | 0:36:48 | |
because that guarantees, that everything you find, that's brighter, | 0:36:48 | 0:36:51 | |
on the second night than the first, is on the way up. | 0:36:51 | 0:36:54 | |
We can now guarantee that there would not just be one | 0:37:01 | 0:37:04 | |
Type 1A supernova, but there would be a half dozen. | 0:37:04 | 0:37:07 | |
Saul now knew exactly where to point | 0:37:11 | 0:37:15 | |
one of the world's most powerful telescopes - | 0:37:15 | 0:37:17 | |
the Keck Observatory in Hawaii. | 0:37:17 | 0:37:20 | |
He was finally ready to measure the deceleration of the universe. | 0:37:22 | 0:37:28 | |
But by late in 1997, | 0:37:29 | 0:37:31 | |
the team was getting some very weird results. | 0:37:31 | 0:37:34 | |
The points were not showing up where you would expect. | 0:37:38 | 0:37:43 | |
This was exciting. | 0:37:43 | 0:37:45 | |
The supernovae distance measurements | 0:37:45 | 0:37:48 | |
didn't match the predicted deceleration. | 0:37:48 | 0:37:52 | |
We were then faced with the question, | 0:37:55 | 0:37:57 | |
"OK, what else could be going wrong?" | 0:37:57 | 0:37:59 | |
Saul and his team spent five more anxious months, | 0:37:59 | 0:38:03 | |
eliminating all possible sources of error. | 0:38:03 | 0:38:05 | |
But by January 1998 they were finally ready to go public. | 0:38:05 | 0:38:09 | |
The more we checked, the more we, | 0:38:12 | 0:38:14 | |
fine tuned every little step of the calibration, | 0:38:14 | 0:38:18 | |
the more the weird result didn't go away. | 0:38:18 | 0:38:21 | |
The weird result has reverberated through | 0:38:21 | 0:38:24 | |
the world of science ever since. | 0:38:24 | 0:38:25 | |
In January 2012, | 0:38:28 | 0:38:29 | |
Saul Perlmutter won the Nobel Prize for Physics | 0:38:29 | 0:38:33 | |
and booked a parking space for life. | 0:38:33 | 0:38:37 | |
At the end, we concluded that actually, the universe really isn't slowing down, | 0:38:38 | 0:38:43 | |
it's actually speeding up in its expansion. | 0:38:43 | 0:38:45 | |
And that was a big shock. | 0:38:45 | 0:38:48 | |
It's been described as one of the biggest shocks in modern cosmology. | 0:38:51 | 0:38:56 | |
This is a Runaway Universe | 0:39:02 | 0:39:04 | |
and everyone's on board - | 0:39:04 | 0:39:07 | |
whether we like it or not. | 0:39:07 | 0:39:09 | |
We find out that the universe is not just expanding, | 0:39:12 | 0:39:14 | |
but that it's getting faster and faster. | 0:39:14 | 0:39:18 | |
The cosmological community, when this result came out, | 0:39:18 | 0:39:21 | |
was completely incredulous. | 0:39:21 | 0:39:22 | |
I didn't believe it when I first heard about it. | 0:39:22 | 0:39:25 | |
I don't even think I paid very much attention to it at the time. | 0:39:25 | 0:39:28 | |
We know the universe doesn't look like this. | 0:39:28 | 0:39:32 | |
There had to be something wrong with these observations. | 0:39:32 | 0:39:34 | |
I thought they would go away, I really did. | 0:39:34 | 0:39:36 | |
Of course, I was wrong. | 0:39:39 | 0:39:41 | |
It's sometimes really fun to be wrong. | 0:39:44 | 0:39:47 | |
Welcome to a very new picture of the universe. | 0:39:52 | 0:39:55 | |
But even the experts can hardly believe it's real. | 0:39:58 | 0:40:01 | |
The most famous force in physics has met its match - | 0:40:03 | 0:40:09 | |
because the entire universe is defying gravity. | 0:40:09 | 0:40:13 | |
This was saying that there was something | 0:40:16 | 0:40:19 | |
that fills the universe, and causes an anti-gravity force. | 0:40:19 | 0:40:22 | |
Something that was causing everything to push everything else apart, | 0:40:22 | 0:40:26 | |
and to make the universe bigger and bigger | 0:40:26 | 0:40:28 | |
in an accelerated way. | 0:40:28 | 0:40:29 | |
Gravity acts as a brake - | 0:40:29 | 0:40:32 | |
pulling back on the expansion of the universe. | 0:40:32 | 0:40:35 | |
But we now know there's another, more mysterious force - | 0:40:35 | 0:40:39 | |
with its foot on the gas. | 0:40:39 | 0:40:43 | |
What's doing the pushing? What's that force that's forcing everything apart? | 0:40:43 | 0:40:46 | |
Well, we don't know, but we did work out what to call it. | 0:40:46 | 0:40:49 | |
We have a name for it. We call it dark energy. | 0:40:49 | 0:40:51 | |
Cosmologists don't know what dark energy is. | 0:40:53 | 0:40:56 | |
They only know what it does. | 0:40:58 | 0:41:01 | |
Where gravity pulls - | 0:41:01 | 0:41:05 | |
dark energy pushes. | 0:41:05 | 0:41:09 | |
You don't see this stuff. | 0:41:10 | 0:41:13 | |
You don't see it doing anything, directly. | 0:41:13 | 0:41:15 | |
Basically, it's sort of this one hit wonder, | 0:41:15 | 0:41:17 | |
that just does one thing, it causes an anti-gravity force. | 0:41:17 | 0:41:20 | |
We don't have any other handle on it. | 0:41:20 | 0:41:24 | |
Dark energy is dark matter's dark adversary. | 0:41:24 | 0:41:27 | |
A shadow on the entire universe. | 0:41:29 | 0:41:32 | |
There's dark energy in the galaxy. | 0:41:35 | 0:41:37 | |
There's dark energy, here on Earth. | 0:41:37 | 0:41:38 | |
There's dark energy passing through us right now. We're filled with this dark energy. | 0:41:38 | 0:41:42 | |
We don't see it - we don't feel it. | 0:41:42 | 0:41:44 | |
But it's everywhere. | 0:41:44 | 0:41:46 | |
It's kind of just a uniform colouration to our map. | 0:41:46 | 0:41:49 | |
73% of the universe is dark energy, | 0:41:49 | 0:41:53 | |
but you'd never know. | 0:41:53 | 0:41:54 | |
In everyday life, this stuff is just hard to detect. | 0:41:56 | 0:41:59 | |
Now, it's true that between my two fingers, | 0:41:59 | 0:42:01 | |
there's an anti-gravity force, right now. | 0:42:01 | 0:42:03 | |
But that anti-gravity force is so incredibly minuscule, | 0:42:03 | 0:42:06 | |
that I'll never ever notice it. | 0:42:06 | 0:42:07 | |
It's only when you get to really large scales, | 0:42:07 | 0:42:09 | |
that you really see the affect of this stuff. | 0:42:09 | 0:42:12 | |
If I could move my fingers, all the way across the universe, | 0:42:12 | 0:42:15 | |
then they'd feel this tremendous push apart, due to this dark energy. | 0:42:15 | 0:42:19 | |
In the really big scheme of things, | 0:42:22 | 0:42:24 | |
dark matter is fighting a losing battle... | 0:42:24 | 0:42:27 | |
..because there's only so much of it to go round. | 0:42:29 | 0:42:32 | |
If you add more space, | 0:42:35 | 0:42:37 | |
if you give more place for those little pieces of matter to be, | 0:42:37 | 0:42:41 | |
then, the density of them goes down. | 0:42:41 | 0:42:43 | |
You just see less of it - it gets diluted. | 0:42:43 | 0:42:46 | |
As the universe expands, dark matter thins out | 0:42:46 | 0:42:49 | |
until it can no longer compete with dark energy. | 0:42:49 | 0:42:53 | |
The really crucial thing about how this dark energy behaves, | 0:42:55 | 0:42:57 | |
is that it doesn't dilute. | 0:42:57 | 0:42:59 | |
When the universe doubles in size, | 0:42:59 | 0:43:01 | |
you've got twice as much dark energy. | 0:43:01 | 0:43:04 | |
You make it four times as big, you've just got four times as much dark energy. | 0:43:04 | 0:43:08 | |
Once you get to this cosmological scale, | 0:43:08 | 0:43:10 | |
the biggest possible scale, it becomes the biggest game in town. | 0:43:10 | 0:43:13 | |
It becomes the prime player. | 0:43:13 | 0:43:17 | |
Dark energy is on the map. | 0:43:17 | 0:43:20 | |
But cosmologists can't explain it. | 0:43:21 | 0:43:23 | |
Depressing, or exciting? I think it's exciting. | 0:43:25 | 0:43:28 | |
As a map maker, this is a strange thing. | 0:43:28 | 0:43:31 | |
We go out, we make this map, we discover this land, | 0:43:31 | 0:43:36 | |
we've mapped it out, and we still don't know what it is. | 0:43:36 | 0:43:38 | |
I love that. | 0:43:38 | 0:43:41 | |
The entire observable universe is saturated in dark energy. | 0:43:49 | 0:43:53 | |
But there's one final set of clues to be found - on its furthest edge. | 0:43:57 | 0:44:02 | |
And it may contain the secrets to the universe beyond. | 0:44:06 | 0:44:10 | |
We're heading off the map into impossible territory. | 0:44:20 | 0:44:24 | |
The edge of the observable universe | 0:44:27 | 0:44:31 | |
is the furthest horizon our telescopes can see. | 0:44:31 | 0:44:35 | |
But for cosmologists like Sean Carroll, that's not enough. | 0:44:35 | 0:44:39 | |
He wants to know the size of the whole universe. | 0:44:39 | 0:44:44 | |
I definitely think it's OK to think about parts of the universe that we can't observe and can never observe. | 0:44:44 | 0:44:50 | |
We've done a very good job at understanding | 0:44:50 | 0:44:53 | |
what the universe looks like in that visible portion. | 0:44:53 | 0:44:56 | |
So now when our imaginations roam, | 0:44:56 | 0:44:58 | |
they often sneak outside the visible portion to ask what might | 0:44:58 | 0:45:01 | |
the universe look like beyond our visible horizon. | 0:45:01 | 0:45:04 | |
The universe that we can't see - | 0:45:04 | 0:45:06 | |
that's the playground for theorists now. | 0:45:06 | 0:45:09 | |
But if we can't see the rest of the universe, | 0:45:11 | 0:45:14 | |
how can we figure out how big it is? | 0:45:14 | 0:45:16 | |
For Janna Levin, it's a similar task to working out the shape | 0:45:18 | 0:45:21 | |
and size of the earth. | 0:45:21 | 0:45:24 | |
But there's a catch. | 0:45:24 | 0:45:26 | |
We know we could step far from the Earth, as an astronaut has. | 0:45:28 | 0:45:32 | |
We can look down on it | 0:45:32 | 0:45:34 | |
and see from the outside that it was a sphere and it was curved. | 0:45:34 | 0:45:39 | |
You can't step outside of the universe. | 0:45:39 | 0:45:41 | |
You have to do everything from inside of space. | 0:45:41 | 0:45:46 | |
Without leaving the earth, how do you know it's round, | 0:45:46 | 0:45:48 | |
and therefore has finite size? | 0:45:48 | 0:45:51 | |
It could be completely flat, | 0:45:53 | 0:45:55 | |
and stretch to infinity in all directions. | 0:45:55 | 0:45:58 | |
One way is to use a simple piece of mathematics. | 0:46:00 | 0:46:03 | |
All you have to do is draw a triangle. | 0:46:08 | 0:46:11 | |
If you're drawing a small enough triangle on the beach, | 0:46:18 | 0:46:22 | |
you won't notice the curvature of the earth. | 0:46:22 | 0:46:24 | |
It will look like a normal triangle, you'll be able to draw the lines pretty straight | 0:46:24 | 0:46:28 | |
and the interior angles will look like they add up to 180 degrees, | 0:46:28 | 0:46:31 | |
it will look like the triangle you draw on a flat sheet of paper. | 0:46:31 | 0:46:34 | |
But this isn't a normal triangle, | 0:46:35 | 0:46:38 | |
because the earth's surface is curved. | 0:46:38 | 0:46:42 | |
It's just so subtle, | 0:46:42 | 0:46:44 | |
that the sides of the triangles still look straight. | 0:46:44 | 0:46:46 | |
It would probably be a challenge on the beach to draw it big enough | 0:46:46 | 0:46:51 | |
that you would be able to notice the curvature of the earth. | 0:46:51 | 0:46:55 | |
The key is to make the curvature more obvious - | 0:46:55 | 0:46:57 | |
by drawing the biggest triangle you can. | 0:46:57 | 0:47:00 | |
If I draw a triangle big enough that it comes from the North Pole | 0:47:03 | 0:47:07 | |
and it wraps all the way around North America, | 0:47:07 | 0:47:11 | |
now it's very obvious that those angles are bigger than 180 degrees | 0:47:11 | 0:47:16 | |
and that the sides of the triangle are not straight lines. | 0:47:16 | 0:47:19 | |
So, we can show the earth is curved | 0:47:22 | 0:47:25 | |
and therefore has finite size without leaving it. | 0:47:25 | 0:47:29 | |
And we can find out the shape and size of the universe | 0:47:29 | 0:47:32 | |
in exactly the same way - | 0:47:32 | 0:47:36 | |
by looking for triangles of light. | 0:47:36 | 0:47:40 | |
Light will travel in a straight line if the space is flat, | 0:47:42 | 0:47:45 | |
and light itself will travel in an arc if the space is curved. | 0:47:45 | 0:47:48 | |
These curves are going to be so subtle, | 0:47:50 | 0:47:53 | |
more subtle than the curvature of the earth. | 0:47:53 | 0:47:55 | |
We really have to look back | 0:47:57 | 0:47:59 | |
as far as we possibly can. | 0:47:59 | 0:48:01 | |
And that means the oldest relic we have in the universe. | 0:48:01 | 0:48:03 | |
So that means looking at things | 0:48:03 | 0:48:05 | |
like the light left over from the Big Bang. | 0:48:05 | 0:48:08 | |
The early universe was a hot, dense fireball. | 0:48:18 | 0:48:22 | |
When it cooled, a pattern of light emerged | 0:48:24 | 0:48:27 | |
at what is now the edge of the observable universe. | 0:48:27 | 0:48:30 | |
This is the cosmic microwave background. | 0:48:30 | 0:48:34 | |
The CMB was discovered in the 1960s. | 0:48:40 | 0:48:43 | |
But throughout his career, Sean Carroll | 0:48:43 | 0:48:46 | |
has been able to explore it in greater and greater detail - | 0:48:46 | 0:48:51 | |
waiting for triangles to emerge. | 0:48:51 | 0:48:54 | |
It takes good technology to do it, | 0:48:58 | 0:48:59 | |
you need better and better receivers, | 0:48:59 | 0:49:02 | |
less and less noise in your detector, | 0:49:02 | 0:49:05 | |
and ultimately you need satellites | 0:49:05 | 0:49:07 | |
to get a really good 360 degree view | 0:49:07 | 0:49:09 | |
of the whole cosmic microwave background. | 0:49:09 | 0:49:12 | |
It was NASA's WMAP mission in 2003 | 0:49:17 | 0:49:21 | |
that brought the most vital contours into sharp focus. | 0:49:21 | 0:49:25 | |
WMAP for the first time had that resolution | 0:49:29 | 0:49:31 | |
so when WMAP came out, we could really use those features | 0:49:31 | 0:49:35 | |
to make a big triangle and measure the geometry of space. | 0:49:35 | 0:49:37 | |
Continents begin to appear, smaller islands, | 0:49:39 | 0:49:42 | |
you get a finer resolution of the coastlines and so forth. | 0:49:42 | 0:49:47 | |
The islands are miniscule temperature variations | 0:49:47 | 0:49:50 | |
in the early universe - less than 100,000th of a degree... | 0:49:50 | 0:49:55 | |
..a distinctive feature for making triangles. | 0:49:57 | 0:50:01 | |
These splotches we see in the microwave background appear at all different sizes | 0:50:11 | 0:50:16 | |
but there is a best size for them to be, | 0:50:16 | 0:50:18 | |
there's a size at which the fluctuations are the strongest. | 0:50:18 | 0:50:23 | |
We know how big they are, we know how far away they are, | 0:50:23 | 0:50:27 | |
so between us and the size of a feature in the CMB, | 0:50:27 | 0:50:31 | |
we can measure a triangle and use that to infer the geometry of space. | 0:50:31 | 0:50:35 | |
The earth, plus the opposite sides of the island, | 0:50:38 | 0:50:42 | |
form the three points of a very long, thin triangle - | 0:50:42 | 0:50:46 | |
The key to measuring whether the universe is flat or curved. | 0:50:46 | 0:50:50 | |
If the universe were positively curved, | 0:50:53 | 0:50:55 | |
if the angles inside the triangle added up to greater | 0:50:55 | 0:50:58 | |
than 180 degrees, then it would be finite in size. | 0:50:58 | 0:51:02 | |
If the spatial geometry is flat, | 0:51:02 | 0:51:04 | |
if the angles inside the triangle add up to 180, | 0:51:04 | 0:51:07 | |
then it could go on for ever. | 0:51:07 | 0:51:10 | |
The result is one of the greatest triumphs of modern cosmology. | 0:51:13 | 0:51:19 | |
A miracle of precision map making | 0:51:19 | 0:51:21 | |
that measures the angles of the triangle to the third decimal place. | 0:51:21 | 0:51:26 | |
And it says that the universe is infinite. | 0:51:28 | 0:51:33 | |
The answer is that Euclid was right, | 0:51:33 | 0:51:36 | |
space seems to us to be flat as far as we can measure it. | 0:51:36 | 0:51:38 | |
That means that the simplest picture of the universe, | 0:51:41 | 0:51:44 | |
is a universe that's infinite. | 0:51:44 | 0:51:45 | |
We really could live in a universe where, | 0:51:45 | 0:51:48 | |
there's galaxy after galaxy after galaxy, in every direction. | 0:51:48 | 0:51:52 | |
Up, down, sideways. And, it never stops. | 0:51:52 | 0:51:55 | |
Cosmologists have found a way | 0:51:55 | 0:51:58 | |
to picture the universe in its entirety - | 0:51:58 | 0:52:02 | |
confirmation of the tremendous power of making maps. | 0:52:02 | 0:52:06 | |
It will never cease to amaze me - | 0:52:06 | 0:52:09 | |
we human beings here on this tiny little rock are able to reach out | 0:52:09 | 0:52:12 | |
with our instruments and our brains | 0:52:12 | 0:52:15 | |
to understand the whole shebang. | 0:52:15 | 0:52:18 | |
And if an infinite universe isn't big enough for you - | 0:52:18 | 0:52:22 | |
then Saul Perlmutter has proved it's still growing. | 0:52:22 | 0:52:26 | |
All the distances are getting bigger, every day. | 0:52:28 | 0:52:30 | |
So, it's still infinite, all the same galaxies are there, | 0:52:30 | 0:52:33 | |
it's just that we have pumped more space | 0:52:33 | 0:52:35 | |
between every point in this infinite universe. | 0:52:35 | 0:52:37 | |
That's really mind boggling. | 0:52:39 | 0:52:41 | |
But even this isn't the end of the story. | 0:52:44 | 0:52:48 | |
There may be one final, bizarre twist in the road. | 0:52:56 | 0:53:00 | |
Because Anthony Aguirre thinks our universe may not be alone. | 0:53:05 | 0:53:10 | |
Sometimes when I'm headed down the highway and I'm driving, | 0:53:16 | 0:53:19 | |
you know, my wife will say, | 0:53:19 | 0:53:21 | |
"Anthony, you're going 40 on the highway." | 0:53:21 | 0:53:23 | |
And then she knows that I'm thinking about other universes. | 0:53:23 | 0:53:26 | |
He thinks there may be other universes | 0:53:28 | 0:53:31 | |
because of the process that created our own. | 0:53:31 | 0:53:34 | |
It's called inflation. | 0:53:34 | 0:53:38 | |
It describes an exponential expansion | 0:53:38 | 0:53:41 | |
in the moments after the Big Bang, | 0:53:41 | 0:53:45 | |
at a speed the universe would never repeat again. | 0:53:45 | 0:53:50 | |
Inflation has been a very successful theory in predicting | 0:53:52 | 0:53:55 | |
observed properties of our universe | 0:53:55 | 0:53:58 | |
and how our observed universe came into being. | 0:53:58 | 0:54:01 | |
Inflation may have started out as a mathematical theory... | 0:54:03 | 0:54:07 | |
..but it has gained acceptance after successful testing | 0:54:11 | 0:54:14 | |
against the evidence from the cosmic microwave background. | 0:54:14 | 0:54:18 | |
I was amazed when I saw the results come in from those satellites | 0:54:18 | 0:54:24 | |
that reproduced all the bumps and wiggles | 0:54:24 | 0:54:26 | |
and all the detailed properties of that microwave background | 0:54:26 | 0:54:29 | |
that inflation had predicted. | 0:54:29 | 0:54:31 | |
Inflation explains how the observable universe developed. | 0:54:31 | 0:54:38 | |
It was doubling in size over and over again in a tiny fraction of a second, | 0:54:38 | 0:54:41 | |
going from something like a billionth of the size of a proton | 0:54:41 | 0:54:44 | |
to something maybe the size of a bubble, a soap bubble. | 0:54:44 | 0:54:48 | |
But inflation didn't stop with our own universe. | 0:54:52 | 0:54:56 | |
Anthony believes it may have happened over and over again. | 0:54:56 | 0:55:00 | |
This is really a side effect. | 0:55:04 | 0:55:06 | |
It's a huge side effect, it's an amazing side effect, | 0:55:06 | 0:55:09 | |
but it's a side effect of something we invented already for a different purpose. | 0:55:09 | 0:55:15 | |
It's a process called eternal inflation. | 0:55:17 | 0:55:21 | |
There could be as many as we can imagine. | 0:55:25 | 0:55:28 | |
Anthony's vision - of an infinite number of infinite universes - | 0:55:31 | 0:55:35 | |
may sound far-fetched. | 0:55:35 | 0:55:37 | |
But the search is on to find evidence to support it. | 0:55:39 | 0:55:43 | |
Evidence from the oldest part of our map. | 0:55:46 | 0:55:49 | |
Every once in a while we could have sort of a cosmic collision | 0:55:51 | 0:55:54 | |
with another bubble. | 0:55:54 | 0:55:55 | |
It would leave an impact, it would leave a bruise, | 0:56:00 | 0:56:03 | |
a disc in the sky | 0:56:03 | 0:56:04 | |
on the microwave background radiation that we could look for. | 0:56:04 | 0:56:08 | |
Anthony and his colleagues have simulated | 0:56:11 | 0:56:14 | |
what a collision of universes would look like. | 0:56:14 | 0:56:18 | |
A dark bruise, superimposed on the cosmic microwave background. | 0:56:20 | 0:56:26 | |
He doesn't yet have enough data to test it, | 0:56:26 | 0:56:30 | |
but it's a tantalising glimpse of what the map could reveal | 0:56:30 | 0:56:34 | |
with the next generation of satellites. | 0:56:34 | 0:56:37 | |
In principle I think this scenario with all these bubbles | 0:56:39 | 0:56:43 | |
is testable, we can actually go out and look for them. | 0:56:43 | 0:56:46 | |
This may be the ultimate map of the universe. | 0:56:46 | 0:56:52 | |
We're talking about understanding and testing and theorising | 0:56:56 | 0:56:59 | |
in a scientific way about an infinite number of universes. | 0:56:59 | 0:57:04 | |
It's simultaneously so mind-boggling | 0:57:04 | 0:57:07 | |
and yet it's still rigorous science - | 0:57:07 | 0:57:09 | |
we can do mathematics, we can do experiments, we can really test it. | 0:57:09 | 0:57:14 | |
Some day we'll understand the universe so well | 0:57:20 | 0:57:23 | |
that we can literally take that map, put it on a little compact disc | 0:57:23 | 0:57:26 | |
and put it in our pockets and take it home. | 0:57:26 | 0:57:28 | |
Subtitles by Red Bee Media Ltd | 0:57:43 | 0:57:48 |