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In 1871, three Egyptian brothers, Mohammed, Ahmed and Hussein El Rasul | 0:00:11 | 0:00:19 | |
were scrambling up a steep cliff path in the Western Desert | 0:00:19 | 0:00:23 | |
when they came across a secret that had remained hidden for 3,000 years. | 0:00:23 | 0:00:28 | |
Several boulders had shifted to reveal a narrow cleft | 0:00:32 | 0:00:36 | |
in the base of the rocks. | 0:00:36 | 0:00:39 | |
Clambering inside, they discovered a shaft 12 metres deep. | 0:00:42 | 0:00:47 | |
But at the bottom, a tiny man-made passageway. | 0:00:49 | 0:00:54 | |
The brothers crawled into the blackness | 0:00:55 | 0:00:57 | |
and uncovered something they would never forget. | 0:00:57 | 0:01:00 | |
Dozens of mummified bodies. | 0:01:10 | 0:01:13 | |
One of them was discovered to be a high priestess | 0:01:14 | 0:01:17 | |
and daughter of a pharaoh. | 0:01:17 | 0:01:20 | |
Her name was Maatkare. | 0:01:20 | 0:01:22 | |
But Maatkare was not buried alone. | 0:01:25 | 0:01:28 | |
At her feet was an infant-sized bundle. | 0:01:30 | 0:01:33 | |
For over 100 years, it was presumed Maatkare had died in childbirth, | 0:01:33 | 0:01:39 | |
her baby buried with her. | 0:01:39 | 0:01:41 | |
But modern medical techniques revealed the bundle to be | 0:01:41 | 0:01:44 | |
something very different. | 0:01:44 | 0:01:47 | |
We had always thought it was a child | 0:01:49 | 0:01:50 | |
but the X-ray showed that in fact it contains a green monkey, a vervet. | 0:01:50 | 0:01:56 | |
And not her baby at all. | 0:01:56 | 0:01:58 | |
This monkey was found with Maatkare, | 0:01:58 | 0:02:00 | |
sort of cradled against her body, | 0:02:00 | 0:02:03 | |
so I think it must have been a beloved pet. | 0:02:03 | 0:02:06 | |
The brothers' discovery was yet another episode | 0:02:08 | 0:02:10 | |
in centuries of interest in Egyptian mummies. | 0:02:10 | 0:02:14 | |
Both human and animal. | 0:02:15 | 0:02:17 | |
19th-century collectors removed thousands of them | 0:02:19 | 0:02:23 | |
and many have ended up in museums across the world. | 0:02:23 | 0:02:26 | |
Now, experts are applying 21st-century science and technology | 0:02:28 | 0:02:33 | |
to look inside these animal mummies. | 0:02:33 | 0:02:36 | |
Revealing fascinating new details about religion and belief | 0:02:36 | 0:02:40 | |
in ancient Egypt. | 0:02:40 | 0:02:42 | |
These mummies give an insight into understanding | 0:02:43 | 0:02:47 | |
the relationship between human beings and animals. | 0:02:47 | 0:02:51 | |
Animals were magical creatures who could in fact speak to the gods. | 0:02:51 | 0:02:56 | |
And new techniques are helping archaeologists to expose | 0:02:56 | 0:02:59 | |
the shocking reality at the heart of this ancient ritual. | 0:02:59 | 0:03:05 | |
In the dead of night, | 0:03:35 | 0:03:38 | |
at the Royal Manchester Children's Hospital, | 0:03:38 | 0:03:42 | |
medical experts are at work. | 0:03:42 | 0:03:45 | |
Not on the living, but on the ancient dead. | 0:03:45 | 0:03:48 | |
Radiographers and Egyptologists working here are collecting | 0:03:50 | 0:03:54 | |
information on hundreds of animal mummies. | 0:03:54 | 0:03:57 | |
The biggest survey of its kind in history. | 0:03:59 | 0:04:02 | |
The team are using the latest medical imaging technology | 0:04:08 | 0:04:12 | |
when it is not needed for human patients | 0:04:12 | 0:04:15 | |
so they can see inside the mummies without damaging them. | 0:04:15 | 0:04:18 | |
First on the X-ray table is a small bundle | 0:04:20 | 0:04:24 | |
that is usually on display at Manchester Museum. | 0:04:24 | 0:04:27 | |
It was made in southern Egypt between 664 and 332 BC. | 0:04:29 | 0:04:35 | |
Next, a CT scanner takes hundreds of X-ray images, or slices, | 0:04:40 | 0:04:45 | |
from 360 degrees around the mummy. | 0:04:45 | 0:04:48 | |
These images are combined to create a three-dimensional model. | 0:04:51 | 0:04:55 | |
It brings up nice definition of the wrappings, doesn't it? | 0:04:56 | 0:04:59 | |
-The CT. -Yeah. | 0:04:59 | 0:05:00 | |
And before your very eyes... | 0:05:01 | 0:05:04 | |
-Oh! -There we are. -A little rodent. | 0:05:05 | 0:05:09 | |
Who's got very, very prominent incisors. | 0:05:09 | 0:05:11 | |
And then he has got a space until you reach the molars. | 0:05:11 | 0:05:14 | |
-It couldn't be a shrew, could he? -Possibly. | 0:05:14 | 0:05:19 | |
To be able to look at the inside of something that was wrapped | 0:05:19 | 0:05:22 | |
possibly 2,500 years ago in the deserts of ancient Egypt, | 0:05:22 | 0:05:27 | |
is absolutely astounding. | 0:05:27 | 0:05:29 | |
It never, ever fails to amaze me, what we find | 0:05:29 | 0:05:32 | |
when we have scanning sessions at the hospital. | 0:05:32 | 0:05:35 | |
There is always something that is a little bit surprising. | 0:05:35 | 0:05:38 | |
And that is what makes every mummy different. | 0:05:38 | 0:05:40 | |
Egyptologists have long been fascinated by the bizarre practice | 0:05:49 | 0:05:53 | |
of animal mummification. | 0:05:53 | 0:05:55 | |
During the 19th and 20th centuries, | 0:05:59 | 0:06:02 | |
hundreds of such mummies were unwrapped, | 0:06:02 | 0:06:04 | |
including at least two for a 1970s BBC documentary. | 0:06:04 | 0:06:09 | |
The wrappings contained dozens of creatures, including cats, | 0:06:11 | 0:06:15 | |
crocodiles, hawks and wading birds, | 0:06:15 | 0:06:18 | |
snakes, shrews and even fish. | 0:06:18 | 0:06:21 | |
But unwrapping the mummies in this way completely destroyed them | 0:06:21 | 0:06:25 | |
and much of the information they contained was lost. | 0:06:25 | 0:06:28 | |
Every mummy is unique. | 0:06:32 | 0:06:34 | |
And it is impossible to know what's in it until it has been scanned. | 0:06:34 | 0:06:38 | |
This mummified rodent has been made in two parts. | 0:06:38 | 0:06:42 | |
So we have got the main mummy bundle here and then on its back | 0:06:42 | 0:06:46 | |
we have got the secondary package which is sort of fixed to the top. | 0:06:46 | 0:06:50 | |
So if we scroll through, we should see if there is anything... | 0:06:50 | 0:06:52 | |
-Is there anything in it? -No, it just goes... | 0:06:52 | 0:06:55 | |
HE GROANS | 0:06:55 | 0:06:56 | |
It could be constructed just of linen. | 0:06:57 | 0:06:59 | |
But why would you put an empty linen bundle onto a mummy of a tiny shrew? | 0:07:01 | 0:07:06 | |
Because we did think that would contain something. | 0:07:08 | 0:07:11 | |
Basically looking for anything that could be grain, which is | 0:07:11 | 0:07:15 | |
what it is always been presumed that the little package contained, | 0:07:15 | 0:07:19 | |
a food offering for the rodent in the afterlife. | 0:07:19 | 0:07:24 | |
Um... | 0:07:24 | 0:07:25 | |
But we certainly can't see anything on this scan. | 0:07:25 | 0:07:29 | |
With or without grain, the backpack was there | 0:07:30 | 0:07:33 | |
to help this little animal's journey into the afterlife. | 0:07:33 | 0:07:37 | |
The ancient Egyptians believed that animals, like humans, | 0:07:42 | 0:07:46 | |
had a soul that survived death. | 0:07:46 | 0:07:49 | |
Professor Joann Fletcher is an expert on ancient Egyptian beliefs. | 0:07:50 | 0:07:55 | |
It is quite clear that for the ancient Egyptians, | 0:07:55 | 0:07:58 | |
death was simply a transition into another world | 0:07:58 | 0:08:01 | |
that replicated life on Earth. | 0:08:01 | 0:08:02 | |
For instance, the bases of some coffins have maps of the afterlife, | 0:08:02 | 0:08:07 | |
so the deceased would know just where to go | 0:08:07 | 0:08:10 | |
to find their way through into the next world. | 0:08:10 | 0:08:12 | |
Whether human or animal, by mummifying a body, | 0:08:14 | 0:08:17 | |
the ancient Egyptians believed they were providing the soul | 0:08:17 | 0:08:20 | |
with a physical vessel for its journey to the afterlife. | 0:08:20 | 0:08:24 | |
Mummification is very important for animals, | 0:08:26 | 0:08:28 | |
just as it is for humans, because that is the act | 0:08:28 | 0:08:31 | |
which makes sure | 0:08:31 | 0:08:32 | |
that they can make it from this life to the next and live for ever. | 0:08:32 | 0:08:36 | |
Nice and gentle. | 0:08:36 | 0:08:37 | |
There we go. | 0:08:39 | 0:08:41 | |
Oh... That's lovely. | 0:08:41 | 0:08:43 | |
Back at the hospital, the team are scanning a crocodile mummy. | 0:08:44 | 0:08:48 | |
He is a lovely one, I like him. | 0:08:48 | 0:08:50 | |
He has a very unnatural shape, though, because he is quite short. | 0:08:50 | 0:08:53 | |
-Yes. -Do the scan now. | 0:08:53 | 0:08:55 | |
And in we go. | 0:08:55 | 0:08:57 | |
Continuing the Victorian obsession of mummy-collecting, | 0:09:00 | 0:09:04 | |
this specimen found its way into the Manchester Museum | 0:09:04 | 0:09:08 | |
via German collector Maximilian Robinow, | 0:09:08 | 0:09:12 | |
who visited Egypt in 1896. | 0:09:12 | 0:09:14 | |
Its exact contents have remained a secret for thousands of years. | 0:09:14 | 0:09:19 | |
Until now. | 0:09:19 | 0:09:21 | |
-Well! -Ooh. -Didn't expect that, did we? -No. | 0:09:21 | 0:09:25 | |
So we had what looked like a complete crocodile mummy bundle, | 0:09:25 | 0:09:29 | |
so we were expecting one crocodile. | 0:09:29 | 0:09:32 | |
And we have got four skulls in a line. | 0:09:32 | 0:09:36 | |
It is picking something up here. | 0:09:37 | 0:09:40 | |
-Oh, what's... -And there. | 0:09:41 | 0:09:43 | |
-What's that? -So there is something else in there as well. | 0:09:44 | 0:09:47 | |
-Ooh! There we go! -There you go, there is little crocodile. -Oh, wow! | 0:09:48 | 0:09:53 | |
Oh, look, complete, a complete crocodile. | 0:09:53 | 0:09:55 | |
-A complete crocodile and just look. -There is one there. -Oh, wow. | 0:09:55 | 0:10:00 | |
-So that is one, two, three... -So how many in total do you think? | 0:10:00 | 0:10:05 | |
-Four skulls and four babies? -Yes, four skulls and four baby crocs. | 0:10:05 | 0:10:08 | |
So eight all in one. | 0:10:08 | 0:10:10 | |
But the question is, | 0:10:10 | 0:10:12 | |
why on earth would you have eight individual crocodiles | 0:10:12 | 0:10:14 | |
represented in one quite small mummy? | 0:10:14 | 0:10:18 | |
Each mummy should have one animal. | 0:10:18 | 0:10:19 | |
They have got crocodile mummies | 0:10:19 | 0:10:22 | |
-where they have buried babies with an adult one, haven't they? -Oh. | 0:10:22 | 0:10:26 | |
But, I mean, these are not adult sized, are they? | 0:10:26 | 0:10:30 | |
They are quite small. And there's hatchling ones. | 0:10:30 | 0:10:34 | |
That is interesting. | 0:10:34 | 0:10:35 | |
The scan reveals more. | 0:10:37 | 0:10:39 | |
There is evidence of tricks of the embalmer's trade. | 0:10:39 | 0:10:43 | |
Oh... | 0:10:43 | 0:10:45 | |
-So they have used a stick or reed... -It is like a stick, oh... | 0:10:46 | 0:10:50 | |
..to create the shape. | 0:10:50 | 0:10:51 | |
Of course, you have not got the complete skeleton to provide | 0:10:51 | 0:10:54 | |
shape and rigidity and obviously a great amount of time and effort | 0:10:54 | 0:10:57 | |
has gone into producing what looks like a complete crocodile... | 0:10:57 | 0:11:00 | |
-Yeah, the package. -..from bits and pieces, essentially. | 0:11:00 | 0:11:04 | |
Whoever mummified these eight crocodiles did so with considerable | 0:11:05 | 0:11:09 | |
care and attention to ensure their souls made it to the afterlife. | 0:11:09 | 0:11:14 | |
And we know that for very important animals, | 0:11:20 | 0:11:23 | |
like Maatkare's monkey, the process of mummification | 0:11:23 | 0:11:26 | |
could be as involved and complex as it was for humans. | 0:11:26 | 0:11:30 | |
These ancient techniques are being studied by Dr Stephen Buckley | 0:11:32 | 0:11:36 | |
at the University of York with hands-on experimental archaeology. | 0:11:36 | 0:11:41 | |
What the experimental archaeology does is, | 0:11:42 | 0:11:45 | |
it allows you to get your hands dirty | 0:11:45 | 0:11:47 | |
and in that way allows a far better understanding of the processes, | 0:11:47 | 0:11:51 | |
the methods, the materials they must have used. | 0:11:51 | 0:11:54 | |
Like all the animals he uses, | 0:11:56 | 0:11:58 | |
the piglet Stephen is mummifying today died of natural causes. | 0:11:58 | 0:12:02 | |
Every animal the ancient Egyptians mummified was treated | 0:12:04 | 0:12:07 | |
with the utmost respect and the embalmer's first job was | 0:12:07 | 0:12:11 | |
to remove the internal organs to stop the body from decaying. | 0:12:11 | 0:12:15 | |
Here I have the stomach. | 0:12:20 | 0:12:22 | |
That is the liver. | 0:12:24 | 0:12:26 | |
And I have... | 0:12:28 | 0:12:30 | |
one of the lungs. | 0:12:30 | 0:12:31 | |
In very special cases, the embalmers even placed the internal organs | 0:12:33 | 0:12:38 | |
in their own sacred jars to be buried alongside the animal. | 0:12:38 | 0:12:42 | |
Just feeling the heart. | 0:12:44 | 0:12:46 | |
The idea certainly was to try to leave the heart in | 0:12:46 | 0:12:49 | |
because it was the seat of the soul. | 0:12:49 | 0:12:51 | |
And so the heart was important to leave in | 0:12:51 | 0:12:54 | |
so that it would be there for Judgment Day, really. | 0:12:54 | 0:12:58 | |
So seen as a vital organ in the context of the afterlife. | 0:12:58 | 0:13:02 | |
With the internal organs removed, | 0:13:04 | 0:13:07 | |
the cavity could be sterilised with alcohol. | 0:13:07 | 0:13:09 | |
Embalming was a highly, highly technical and skilled practice | 0:13:14 | 0:13:19 | |
and there were groups of people who were specialised in it. | 0:13:19 | 0:13:23 | |
So it was not something that, "Oh, I will do it myself," | 0:13:23 | 0:13:26 | |
and then take it off and give it to the god. | 0:13:26 | 0:13:28 | |
You had to go to the temple | 0:13:28 | 0:13:30 | |
and someone else would do the whole thing for you. | 0:13:30 | 0:13:33 | |
The embalmers then filled the cavity with linen bags containing | 0:13:34 | 0:13:38 | |
rare spices such as cinnamon and myrrh. | 0:13:38 | 0:13:43 | |
Myrrh came from possibly Somalia, | 0:13:43 | 0:13:46 | |
possibly the other side of the Red Sea as well, Yemen. | 0:13:46 | 0:13:48 | |
An expensive ingredient. | 0:13:48 | 0:13:51 | |
And also cinnamon of course coming from India, coming some distance. | 0:13:51 | 0:13:55 | |
And all these ingredients have antibacterial components. | 0:13:55 | 0:13:58 | |
So not only did these packages retain the original shape, | 0:13:58 | 0:14:03 | |
but they also protect it. | 0:14:03 | 0:14:05 | |
With the body packed out, | 0:14:07 | 0:14:09 | |
the embalmers could begin the ritual of covering it with a special resin. | 0:14:09 | 0:14:13 | |
The recipes are for these sacred resins remained a mystery | 0:14:16 | 0:14:19 | |
for thousands of years | 0:14:19 | 0:14:22 | |
but Stephen has been able to isolate the exact ingredients. | 0:14:22 | 0:14:25 | |
This recipe is made up of sesame oil, pine resin and beeswax. | 0:14:26 | 0:14:32 | |
The mixture sets so that it would seal the body | 0:14:33 | 0:14:37 | |
and so... | 0:14:37 | 0:14:39 | |
provide a complete protective barrier to insects that might want to get in. | 0:14:41 | 0:14:46 | |
But also killed bacteria. | 0:14:46 | 0:14:48 | |
The key to successful mummification was to dry out the body completely. | 0:14:50 | 0:14:56 | |
So the embalmers used a naturally occurring salt called natron | 0:14:56 | 0:15:01 | |
mined from two hidden locations in the north and south of Egypt. | 0:15:01 | 0:15:06 | |
What the natron does is, | 0:15:06 | 0:15:07 | |
is to effectively suck the water out from the body | 0:15:07 | 0:15:10 | |
but also the alkaline content | 0:15:10 | 0:15:13 | |
helps inhibit the bacteria and enzymes that cause decay. | 0:15:13 | 0:15:17 | |
The largest animals were packed in natron for up to 40 days | 0:15:18 | 0:15:22 | |
before the ceremonial wrapping of linen bandages could begin. | 0:15:22 | 0:15:26 | |
The final hallowed act | 0:15:49 | 0:15:51 | |
was to coat the bandages in the sacred resin | 0:15:51 | 0:15:54 | |
before the animal was finally ready | 0:15:54 | 0:15:56 | |
to embark on its long journey to the afterlife. | 0:15:56 | 0:16:00 | |
Ancient Egyptian mummification was actually involved and costly | 0:16:00 | 0:16:03 | |
because some of these ingredients were coming from quite some distance. | 0:16:03 | 0:16:06 | |
They clearly went to great effort to mummify some animals | 0:16:06 | 0:16:10 | |
in a similar way that they did with humans. | 0:16:10 | 0:16:13 | |
The care, attention and expense lavished on an animal to help it | 0:16:21 | 0:16:25 | |
on its journey to the afterlife may seem extreme. | 0:16:25 | 0:16:28 | |
But there was one creature whose treatment overshadowed all others. | 0:16:30 | 0:16:34 | |
A few kilometres south of Cairo | 0:16:40 | 0:16:42 | |
is one of the most important sites in ancient Egypt, Saqqara. | 0:16:42 | 0:16:47 | |
Overlooking the ancient city of Memphis, | 0:16:59 | 0:17:01 | |
Saqqara was a sacred place 5km square. | 0:17:01 | 0:17:05 | |
And it was the final resting place | 0:17:09 | 0:17:11 | |
of the most important animal in ancient Egypt. | 0:17:11 | 0:17:15 | |
A beast so strong, so powerful, so virile, | 0:17:23 | 0:17:28 | |
it could symbolise the very moment of creation itself. | 0:17:28 | 0:17:32 | |
It was called the Apis Bull, an animal venerated | 0:17:34 | 0:17:37 | |
since the dawn of ancient Egypt, as far back as 3,000 BC. | 0:17:37 | 0:17:43 | |
Dr Aidan Dodson of Bristol University has been studying | 0:17:52 | 0:17:56 | |
this bull cult for over 20 years. | 0:17:56 | 0:18:00 | |
The bull was very much a pampered individual. | 0:18:00 | 0:18:04 | |
It would be massaged, it would be adorned with flowers. | 0:18:04 | 0:18:08 | |
Certainly a life far above the farmyard. | 0:18:08 | 0:18:12 | |
Only one sacred Apis Bull could exist at anyone time. | 0:18:14 | 0:18:18 | |
And when it came to the end of its natural life, | 0:18:18 | 0:18:21 | |
it was given the equivalent of a state funeral. | 0:18:21 | 0:18:25 | |
In many ways, the death of one of these sacred bulls | 0:18:26 | 0:18:29 | |
was almost like the death of the King. | 0:18:29 | 0:18:31 | |
After taking over two months to mummify, | 0:18:33 | 0:18:36 | |
the bull was then interred in its own huge sarcophagus | 0:18:36 | 0:18:40 | |
alongside the Apis Bulls that had lived before it. | 0:18:40 | 0:18:43 | |
They are perhaps two metres high, three or four metres long, | 0:18:44 | 0:18:49 | |
absolutely vast things. | 0:18:49 | 0:18:51 | |
The burial of a sacred bull like the Apis clearly involved | 0:18:58 | 0:19:03 | |
a vast amount of human effort. | 0:19:03 | 0:19:05 | |
The people who were quarrying the tomb, those who were making | 0:19:05 | 0:19:08 | |
the sarcophagus for it, those who were doing the embalming process... | 0:19:08 | 0:19:12 | |
There is also going to be all kinds of ceremonial around there, | 0:19:12 | 0:19:17 | |
there is probably feasting around it as well. | 0:19:17 | 0:19:20 | |
So there is a huge amount of resource being put into this. | 0:19:20 | 0:19:24 | |
More than 50 Apis Bulls were buried at Saqqara. | 0:19:26 | 0:19:30 | |
None of their remains survive | 0:19:32 | 0:19:34 | |
as they were either stolen or destroyed centuries ago. | 0:19:34 | 0:19:38 | |
But experts do know an extraordinary amount of care and effort | 0:19:40 | 0:19:44 | |
went into mummifying and burying every one of these great beasts. | 0:19:44 | 0:19:48 | |
Making the cult of the Apis Bull one of the greatest examples | 0:19:49 | 0:19:52 | |
of devotion to animals in human history. | 0:19:52 | 0:19:56 | |
But these bulls were not the only creatures | 0:20:09 | 0:20:11 | |
the ancient Egyptians venerated. | 0:20:11 | 0:20:14 | |
The fertile plains of the Nile valley once teamed with animals | 0:20:16 | 0:20:20 | |
and the people who live there were fascinated | 0:20:20 | 0:20:22 | |
by their seemingly superhuman abilities. | 0:20:22 | 0:20:26 | |
JOANNE FLETCHER: Each type of animal embodying certain powers | 0:20:33 | 0:20:36 | |
that humans didn't have. So this made them special. | 0:20:36 | 0:20:39 | |
It almost seemed as if the animals did have these magic qualities. | 0:20:41 | 0:20:45 | |
Cats, for instance, that can see in the dark. | 0:20:45 | 0:20:47 | |
What a brilliant skill to have. So they had great respect for animals. | 0:20:47 | 0:20:52 | |
This is because animals had a supernatural sense | 0:20:52 | 0:20:56 | |
of how nature worked. | 0:20:56 | 0:20:58 | |
The ancient Egyptians observed that crocodiles could predict | 0:20:59 | 0:21:03 | |
the levels of the Nile's yearly flood. | 0:21:03 | 0:21:06 | |
Crocodiles build their nests just above where the flood will come. | 0:21:06 | 0:21:11 | |
And they do this long in advance of any of the water rising. | 0:21:11 | 0:21:15 | |
So, by looking at where the crocodiles had made their nests, | 0:21:15 | 0:21:18 | |
the Egyptians could help predict the height of the flood. | 0:21:18 | 0:21:21 | |
These seemingly supernatural powers linked animals to their gods. | 0:21:23 | 0:21:28 | |
Animals were able to do things simple humans couldn't. | 0:21:28 | 0:21:32 | |
They would see a falcon, the black outline against the sun, | 0:21:32 | 0:21:36 | |
flying at great heights which to them appear to almost touch the sun. | 0:21:36 | 0:21:40 | |
So what better creature to embody, to exemplify the great sun god Ra, | 0:21:40 | 0:21:45 | |
than this wonderful falcon? | 0:21:45 | 0:21:47 | |
Baboons are associated with the sun god because in the morning, | 0:21:57 | 0:22:01 | |
just before sunrise, they turn towards where the sun rises, | 0:22:01 | 0:22:05 | |
stretch up their arms and make a terrible racket. | 0:22:05 | 0:22:08 | |
So the Egyptians thought the baboons are singing to the sun | 0:22:13 | 0:22:17 | |
and helping the sun rise and protecting the sun from his enemies. | 0:22:17 | 0:22:21 | |
Animals were magical creatures who could in fact speak to the gods. | 0:22:23 | 0:22:27 | |
Of course, not all of them were sacred, | 0:22:29 | 0:22:31 | |
otherwise they wouldn't eat them or use them to plough the fields. | 0:22:31 | 0:22:34 | |
So it is only special animals that were regarded as sacred. | 0:22:34 | 0:22:38 | |
It was believed one of the creatures that could communicate | 0:22:54 | 0:22:57 | |
with the gods was also one of the most common birds in ancient Egypt. | 0:22:57 | 0:23:02 | |
It was called the sacred ibis. | 0:23:02 | 0:23:04 | |
So we can see that its skeleton is in the central part of the bundle. | 0:23:06 | 0:23:11 | |
In Manchester, the team are scanning an ibis mummy which, | 0:23:12 | 0:23:15 | |
it is thought, was buried at a site in Middle Egypt called Abydos. | 0:23:15 | 0:23:20 | |
This is a mummy bundle, presumed to be that of an Ibis | 0:23:21 | 0:23:24 | |
from the external appearance. | 0:23:24 | 0:23:26 | |
-Ah, there we go, you see? -Mm. | 0:23:28 | 0:23:30 | |
The sacred ibis bird has been extinct in Egypt | 0:23:32 | 0:23:34 | |
since the 19th century. | 0:23:34 | 0:23:36 | |
But similar species can still be found in Africa. | 0:23:37 | 0:23:40 | |
So there, we can see the complete skeleton there. | 0:23:40 | 0:23:45 | |
So it has been positioned with the limbs folded in, the wings folded in, | 0:23:45 | 0:23:49 | |
and then the neck bent all the way back round the top of the spine. | 0:23:49 | 0:23:53 | |
So it is essentially upside-down? | 0:23:53 | 0:23:55 | |
Yes, the head is down towards the feet. | 0:23:57 | 0:24:00 | |
2,500 years ago, huge flocks of ibis would migrate | 0:24:03 | 0:24:07 | |
to the wetlands of the Nile Valley when it flooded. | 0:24:07 | 0:24:11 | |
The birds are associated with the Egyptian god of wisdom, Thoth, | 0:24:11 | 0:24:16 | |
because their long beaks evoked the crescent moon. | 0:24:16 | 0:24:19 | |
Artefacts found buried with sacred ibis birds provide clues | 0:24:25 | 0:24:29 | |
to why the ancient Egyptians mummified them. | 0:24:29 | 0:24:31 | |
MAN SPEAKS ANCIENT LANGUAGE | 0:24:35 | 0:24:38 | |
Written in ancient demotic script, it is thought these scraps | 0:24:43 | 0:24:47 | |
of papyrus date from between the second and first centuries BC. | 0:24:47 | 0:24:52 | |
Experts think they were buried to the south of Saqqara, | 0:25:00 | 0:25:03 | |
at another religious site called Tuna El-Gebel. | 0:25:03 | 0:25:06 | |
Now the papyri are held in the storerooms of the British Museum. | 0:25:12 | 0:25:16 | |
Cary Martin is an expert in ancient languages | 0:25:19 | 0:25:22 | |
and can translate this demotic text. | 0:25:22 | 0:25:24 | |
It is a plea from a son | 0:25:26 | 0:25:27 | |
whose father is desperately ill | 0:25:27 | 0:25:29 | |
and the son is worried that his father is about to die | 0:25:29 | 0:25:33 | |
and he says to the gods, | 0:25:33 | 0:25:34 | |
he is praying to the gods. He says, "If my father recovers, | 0:25:34 | 0:25:39 | |
"if he does not die of the illness that he is currently suffering in, | 0:25:39 | 0:25:42 | |
"I will make an offering for the burial of the sacred ibis. | 0:25:42 | 0:25:46 | |
"I will provide money for this and I will provide it on a regular basis. | 0:25:46 | 0:25:51 | |
"If my father lives, I will help you, I will honour you, O God." | 0:25:51 | 0:25:57 | |
So he is desperate, his father is dangerously ill. | 0:25:57 | 0:26:00 | |
He doesn't know what else to do, he is appealing to the gods for help. | 0:26:00 | 0:26:04 | |
Pleas to the gods like this one would have been placed | 0:26:08 | 0:26:11 | |
with the animal mummy before burial. | 0:26:11 | 0:26:13 | |
An animal mummy was more potent than anything else | 0:26:14 | 0:26:17 | |
to get your message to the God because of course, | 0:26:17 | 0:26:19 | |
once the animal died and was mummified, | 0:26:19 | 0:26:22 | |
its spirit immediately moved into the land of the gods. | 0:26:22 | 0:26:25 | |
So there, it had direct access to the gods | 0:26:25 | 0:26:28 | |
and could take your request to them and constantly be there, | 0:26:28 | 0:26:32 | |
saying, "Hello, God, so-and-so wants such-and-such." | 0:26:32 | 0:26:35 | |
And constantly be there, reminding the god of your request. | 0:26:35 | 0:26:39 | |
The divine was an integral part of day-to-day life. | 0:26:39 | 0:26:43 | |
It was totally and completely tied up in their normal existence. | 0:26:43 | 0:26:50 | |
And the Egyptians must have had so much faith in what this mummy | 0:26:50 | 0:26:55 | |
would do for them in terms of the gods granting them their wishes. | 0:26:55 | 0:26:59 | |
The ancient Egyptians were using animal mummies | 0:27:01 | 0:27:04 | |
as what are termed votive offerings. | 0:27:04 | 0:27:06 | |
Vessels to carry their pleas to the gods. | 0:27:06 | 0:27:10 | |
Votive offerings are not just something you see in ancient Egypt. | 0:27:10 | 0:27:13 | |
This practice continues today | 0:27:13 | 0:27:15 | |
because votive candles, which are the same as a votive mummy, really, | 0:27:15 | 0:27:19 | |
are burnt in churches | 0:27:19 | 0:27:20 | |
and the smoke is supposed to take your prayer to God. | 0:27:20 | 0:27:23 | |
So you can see how organised religion today | 0:27:23 | 0:27:26 | |
still uses the same trope that ancient Egyptians did. | 0:27:26 | 0:27:30 | |
Different animals were mummified to carry pleas to different gods. | 0:27:43 | 0:27:47 | |
Just how extensive this practice was | 0:27:50 | 0:27:52 | |
can be revealed at the sacred site of Saqqara. | 0:27:52 | 0:27:56 | |
A few hundred metres from the catacomb of the Apis Bulls | 0:28:09 | 0:28:13 | |
are another set of underground tombs. | 0:28:13 | 0:28:16 | |
Buried by shifting desert sands, | 0:28:20 | 0:28:22 | |
they were lost for nearly two millennia. | 0:28:22 | 0:28:25 | |
Professor Paul Nicholson has been excavating | 0:28:33 | 0:28:36 | |
and mapping the Saqqara site for over 20 years. | 0:28:36 | 0:28:40 | |
He first entered this tomb in 1995. | 0:28:44 | 0:28:47 | |
Now he has returned to explain what he found. | 0:28:49 | 0:28:52 | |
We have masses and masses of dog mummy. | 0:29:05 | 0:29:09 | |
You can see it piled here to a depth of over one metre. | 0:29:09 | 0:29:13 | |
Some thousands of them, | 0:29:13 | 0:29:14 | |
running back 20 or so metres to the end of the burial gallery. | 0:29:14 | 0:29:20 | |
Originally, we can imagine that most of them | 0:29:20 | 0:29:23 | |
would have been nicely stacked one on top of the other in layers. | 0:29:23 | 0:29:28 | |
They would have been well wrapped and soaked in resin. | 0:29:28 | 0:29:31 | |
But what has now happened is that that resin has broken down, | 0:29:31 | 0:29:35 | |
the bandages have gone to powder. | 0:29:35 | 0:29:39 | |
They have been turned over by robbers | 0:29:40 | 0:29:42 | |
so that we are left with only a few complete examples | 0:29:42 | 0:29:46 | |
sitting on the surface of the pile. | 0:29:46 | 0:29:48 | |
And this is only one of over 40 galleries in the catacomb itself. | 0:29:50 | 0:29:55 | |
Our estimate is that | 0:29:57 | 0:29:58 | |
there were somewhere between seven and eight million animals | 0:29:58 | 0:30:02 | |
originally placed in the dog catacomb. | 0:30:02 | 0:30:04 | |
It is likely the dog catacombs were in use for around 500 years. | 0:30:07 | 0:30:12 | |
Meaning to 16,000 dogs were mummified | 0:30:12 | 0:30:15 | |
and buried here every year. | 0:30:15 | 0:30:18 | |
The dog catacombs are huge. | 0:30:22 | 0:30:24 | |
The main corridor is around 170 metres long, | 0:30:26 | 0:30:29 | |
with galleries leading off it every few metres. | 0:30:29 | 0:30:33 | |
Originally, each gallery was 1.5 metres deep in dog mummies. | 0:30:33 | 0:30:39 | |
But this catacomb is only one of at least eight | 0:30:39 | 0:30:43 | |
underground animal tombs at Saqqara, | 0:30:43 | 0:30:45 | |
filled with up to 15 million animal mummies of different types. | 0:30:45 | 0:30:50 | |
And Saqqara is not the only site. | 0:30:50 | 0:30:53 | |
30 more have been found right across Egypt that may have held | 0:30:54 | 0:30:59 | |
up to 70,000,000 mummified animals. | 0:30:59 | 0:31:02 | |
Most experts believe the vast majority of these animal mummies | 0:31:10 | 0:31:14 | |
were votive offerings. | 0:31:14 | 0:31:15 | |
These millions of votive mummies that we have, | 0:31:18 | 0:31:21 | |
each one is the prayer of an individual. | 0:31:21 | 0:31:25 | |
So they don't just represent a prayer, | 0:31:25 | 0:31:27 | |
but they represent millions and millions of believers who actually | 0:31:27 | 0:31:31 | |
went to the temple, made this dedication and believed in that God. | 0:31:31 | 0:31:35 | |
When animal mummies were given, it was a very formalised system. | 0:31:37 | 0:31:41 | |
The person who wanted to give the gift would go to the temple, | 0:31:41 | 0:31:45 | |
talk to a priest and then purchase - | 0:31:45 | 0:31:47 | |
from the priest, because the temples were not foolish! - | 0:31:47 | 0:31:50 | |
one kind of animal mummied, | 0:31:50 | 0:31:52 | |
and then the priest would be in charge of dedicating it formally | 0:31:52 | 0:31:55 | |
to the god after of course the person had paid the temple. | 0:31:55 | 0:31:59 | |
Depends on how much one could afford. | 0:32:01 | 0:32:03 | |
Of course, if you were elite and noble, you could easily go | 0:32:03 | 0:32:06 | |
and get lots of animal mummies. | 0:32:06 | 0:32:08 | |
Or else, entire families might club together | 0:32:08 | 0:32:11 | |
so that one mummy could be dedicated but with the name of lots of people. | 0:32:11 | 0:32:16 | |
From 500 BC, the demand for animal mummification increased massively. | 0:32:17 | 0:32:23 | |
More and more people were drawn towards it | 0:32:23 | 0:32:26 | |
as Egypt's political fortunes changed. | 0:32:26 | 0:32:29 | |
It seems there was a never-ending series of waves of foreign invasion | 0:32:29 | 0:32:34 | |
which really threatened their very way of life. | 0:32:34 | 0:32:37 | |
And so they sought ways in which they could best express themselves as a nation | 0:32:38 | 0:32:43 | |
and what typified the Egyptians above all other nations | 0:32:43 | 0:32:47 | |
was their ability to mummify, to preserve their dead. | 0:32:47 | 0:32:51 | |
The Egyptians turned to their religion, | 0:32:51 | 0:32:54 | |
turned to animal mummification as a means of demonstrating that | 0:32:54 | 0:32:58 | |
to all these foreigners that were coming in. | 0:32:58 | 0:33:00 | |
This was a way for them to find themselves, feel more secure | 0:33:02 | 0:33:06 | |
and establish their identity. | 0:33:06 | 0:33:08 | |
MUEZZIN CHANTS | 0:33:08 | 0:33:14 | |
To account for the millions of animal mummies found at Saqqara, | 0:33:17 | 0:33:21 | |
experts think that large religious festivals must have been held there, | 0:33:21 | 0:33:26 | |
attracting pilgrims from across the country. | 0:33:26 | 0:33:29 | |
Thousands and thousands of people would probably flock there | 0:33:29 | 0:33:32 | |
for the big celebrations. | 0:33:32 | 0:33:34 | |
So you would have lots of people there, | 0:33:36 | 0:33:38 | |
you would have lots of people buying things, selling things, food, drink. | 0:33:38 | 0:33:43 | |
So it would be densely populated, very lively, noisy, smelly. | 0:33:43 | 0:33:48 | |
And it would be really a mass festival, | 0:33:48 | 0:33:51 | |
the same way you have at important shrines nowadays. | 0:33:51 | 0:33:55 | |
Early writers suggest hundreds of thousands of pilgrims | 0:33:58 | 0:34:01 | |
were visiting Saqqara, spending huge amounts on votive offerings. | 0:34:01 | 0:34:06 | |
The personal ritual of offering an animal mummy to a god | 0:34:08 | 0:34:12 | |
had become big business. | 0:34:12 | 0:34:14 | |
When one looks at the number of sites where animal mummies | 0:34:15 | 0:34:19 | |
occur throughout Egypt, you can tell that this was a massive industry. | 0:34:19 | 0:34:24 | |
Because you had to have people all over the country | 0:34:24 | 0:34:26 | |
who are rearing different kinds of animals, | 0:34:26 | 0:34:29 | |
you have to feed them, you have to look after them. | 0:34:29 | 0:34:31 | |
Then there are people who are going to mummify them. | 0:34:31 | 0:34:34 | |
So you need all the materials that were used for mummification | 0:34:34 | 0:34:37 | |
as well as all the personnel. | 0:34:37 | 0:34:39 | |
People were expending huge amounts of money on bandages and paint, | 0:34:41 | 0:34:46 | |
plaster, gilding, maybe even glass eyes. | 0:34:46 | 0:34:51 | |
All kinds of stuff in order to produce these animal mummies. | 0:34:51 | 0:34:55 | |
And this had a huge impact on the economy of Egypt. | 0:34:55 | 0:34:59 | |
In using animal mummies to carry their pleas to the gods, | 0:35:05 | 0:35:08 | |
the Ancient Egyptians transformed the rare and special act | 0:35:08 | 0:35:12 | |
into a mass industry. | 0:35:12 | 0:35:13 | |
Latest imaging techniques have given archaeologists | 0:35:20 | 0:35:23 | |
more insight into why. | 0:35:23 | 0:35:25 | |
But now, medical and forensic science is also revealing how | 0:35:36 | 0:35:40 | |
this huge industry actually worked. | 0:35:40 | 0:35:43 | |
At Swansea University, materials scientist Dr Richard Johnston | 0:35:47 | 0:35:52 | |
is using the latest industrial technology to study a mummified cat. | 0:35:52 | 0:35:57 | |
Little is known about its origins | 0:36:02 | 0:36:04 | |
but the style of its wrappings suggests it died around 600 BC. | 0:36:04 | 0:36:09 | |
The micro-CT scanner produces images with 100 times | 0:36:15 | 0:36:20 | |
the resolution of normal CT scans. | 0:36:20 | 0:36:22 | |
Zoo archaeologist Dr Richard Thomas from the University of Leicester | 0:36:24 | 0:36:28 | |
can use them to determine how this cat may have lived and died. | 0:36:28 | 0:36:32 | |
And then if we remove the wrappings completely... | 0:36:33 | 0:36:36 | |
..so we can just see the bones then. | 0:36:37 | 0:36:40 | |
Fantastic. It's amazingly clear. | 0:36:40 | 0:36:42 | |
The scans are so detailed they allow a 3-D printer to create | 0:36:46 | 0:36:50 | |
an exact replica of the skull. | 0:36:50 | 0:36:53 | |
For the first time, Richard can actually feel the bones for himself. | 0:37:06 | 0:37:10 | |
-This is around two and a half times the size of the original skull. -OK. | 0:37:10 | 0:37:14 | |
It's amazing, the level of detail. It's incredible. | 0:37:14 | 0:37:18 | |
There may be evidence this cat didn't die naturally. | 0:37:18 | 0:37:22 | |
One of the things that's strikingly obvious is that | 0:37:22 | 0:37:25 | |
you've got a real big piece of skull missing. | 0:37:25 | 0:37:27 | |
-So where on earth did those bits of skull go? -OK. | 0:37:29 | 0:37:32 | |
If that damage occurred before mummification, | 0:37:32 | 0:37:35 | |
then we wouldn't expect to find any evidence for those | 0:37:35 | 0:37:38 | |
bits of skull, they would tended to have fallen away from the skull. | 0:37:38 | 0:37:41 | |
Can you show me an image that might help see | 0:37:41 | 0:37:44 | |
-if we've got any parts of that skull actually within the brain case? -Yes. | 0:37:44 | 0:37:49 | |
If we look at this image, this is a slice or plane through the skull. | 0:37:49 | 0:37:54 | |
This is a really helpful image in fact, actually. | 0:37:54 | 0:37:57 | |
You can see where the missing portions of the skull are, | 0:37:57 | 0:38:00 | |
that have broken away and fallen into the brain casing. | 0:38:00 | 0:38:03 | |
So what that tells us immediately is that this damage | 0:38:03 | 0:38:05 | |
must have happened after mummification. | 0:38:05 | 0:38:09 | |
So clearly this cat mummy has not been well | 0:38:09 | 0:38:11 | |
treated following mummification. | 0:38:11 | 0:38:13 | |
But is there anything within this that suggests that we might | 0:38:13 | 0:38:17 | |
come up with a theory for how it was killed? | 0:38:17 | 0:38:20 | |
-Well, can we have another look? That might give us some useful clues. -OK. | 0:38:20 | 0:38:24 | |
-Erm, so, can have a look at the teeth? -Yeah. | 0:38:25 | 0:38:29 | |
So, the first thing that I can tell is that this cat has a full | 0:38:29 | 0:38:33 | |
adult set of teeth. So this cat must have been older than six months. | 0:38:33 | 0:38:38 | |
And if we take a really close look at the mandible... | 0:38:38 | 0:38:41 | |
we can see that there's no signs of gum disease, there's no tooth loss. | 0:38:41 | 0:38:47 | |
This happened during the course of the life of this animal, | 0:38:47 | 0:38:50 | |
which is the kind of thing we would expect if it was a very old cat. | 0:38:50 | 0:38:53 | |
So, what else can we see? | 0:38:53 | 0:38:54 | |
Here you've got the vertebrae of the neck | 0:38:54 | 0:38:56 | |
and you see how tightly packed and close together they are, | 0:38:56 | 0:38:58 | |
whereas in between these two vertebrae, | 0:38:58 | 0:39:00 | |
you've got this separation - | 0:39:00 | 0:39:02 | |
there's this kind of big gap that shouldn't be there, effectively. | 0:39:02 | 0:39:06 | |
In all mammals, the atlas | 0:39:06 | 0:39:08 | |
and axis are the top two vertebrae of the neck. | 0:39:08 | 0:39:12 | |
In a cat this size, they should only be a few millimetres apart. | 0:39:12 | 0:39:15 | |
Now, one possibility is that that kind of displacement | 0:39:17 | 0:39:22 | |
of the cervical vertebrae can occur through strangulation | 0:39:22 | 0:39:27 | |
or the breaking of the neck of an animal. | 0:39:27 | 0:39:29 | |
That would be a fairly instantaneous cause of death | 0:39:29 | 0:39:33 | |
and the strongest possible clue we have | 0:39:33 | 0:39:36 | |
-to how this animal may have died. -OK. | 0:39:36 | 0:39:38 | |
But this cat isn't the only animal mummy which shows | 0:39:45 | 0:39:48 | |
signs of being deliberately killed. | 0:39:48 | 0:39:51 | |
So, this is the upper part of the skull and actually, | 0:39:55 | 0:39:58 | |
there looks to be a defect there. | 0:39:58 | 0:39:59 | |
Can you see on the skull, on the top of the skull? | 0:39:59 | 0:40:02 | |
So there is a bit of bone actually missing there. | 0:40:02 | 0:40:05 | |
The Manchester team are grappling with their largest mummy, | 0:40:05 | 0:40:09 | |
-a Nile crocodile. -Get ready to catch him. | 0:40:09 | 0:40:12 | |
-He's actually quite heavy. -It's all that resin, I think. | 0:40:12 | 0:40:16 | |
Just move him back in there now. That's it. Nice and slowly. | 0:40:16 | 0:40:19 | |
Make sure he doesn't come a cropper. | 0:40:21 | 0:40:23 | |
That's brilliant, okey doke. | 0:40:25 | 0:40:26 | |
At nearly two metres long, | 0:40:26 | 0:40:28 | |
the team estimate it must have been around five years old when it died. | 0:40:28 | 0:40:32 | |
The fracture pattern to the crocodile's skull suggests | 0:40:34 | 0:40:37 | |
this was a fatal blow delivered before it was mummified. | 0:40:37 | 0:40:40 | |
But the scans reveal more. | 0:40:42 | 0:40:44 | |
Something has happened here. | 0:40:44 | 0:40:46 | |
The ancient embalmer who mummified this crocodile didn't use | 0:40:47 | 0:40:51 | |
the most thorough techniques. | 0:40:51 | 0:40:53 | |
So, can we scroll through? | 0:40:54 | 0:40:55 | |
So, these little opacities here are most probably gastroliths | 0:40:58 | 0:41:02 | |
which crocodiles swallow. So they ingest food in big chunks, | 0:41:02 | 0:41:07 | |
often whole, and then they use stones which they have ingested | 0:41:07 | 0:41:11 | |
to break up the food. | 0:41:11 | 0:41:14 | |
But of course, that does prove that it's still got its internal organs, | 0:41:14 | 0:41:17 | |
-because they are still in the abdomen. -They've not been... | 0:41:17 | 0:41:20 | |
It's not been eviscerated. | 0:41:20 | 0:41:21 | |
The reason that votive animal mummies are probably not as carefully | 0:41:23 | 0:41:27 | |
made as other kinds of animal mummies is because they were mass produced. | 0:41:27 | 0:41:31 | |
Because when you had pilgrims come, you need thousands | 0:41:31 | 0:41:34 | |
and thousands of these things | 0:41:34 | 0:41:36 | |
and so if you want to have a quick production line, | 0:41:36 | 0:41:39 | |
you can't expend the same amount of time, effort, | 0:41:39 | 0:41:42 | |
energy and quality of materials as you would for a pet or a human being. | 0:41:42 | 0:41:47 | |
These less sophisticated mummification techniques enabled | 0:41:50 | 0:41:54 | |
the embalmers to produce animal mummies more quickly and cheaply. | 0:41:54 | 0:41:58 | |
But that couldn't solve the most serious problem they faced - | 0:42:03 | 0:42:07 | |
how to ensure they had a steady supply of animals to meet | 0:42:07 | 0:42:11 | |
the demand of visiting pilgrims. | 0:42:11 | 0:42:13 | |
Lost for over 2,000 years, this ibis bird catacomb at Saqqara | 0:42:32 | 0:42:38 | |
was rediscovered by archaeologists in the 1960s. | 0:42:38 | 0:42:42 | |
THEY SPEAK OWN LANGUAGE | 0:42:42 | 0:42:44 | |
It's been sealed for 20 years. | 0:42:45 | 0:42:47 | |
Now, molecular biologist Sally Wasef is going to re-enter the tomb. | 0:42:49 | 0:42:53 | |
Over two million mummified ibis birds are buried in this catacomb. | 0:43:16 | 0:43:20 | |
Sally is hoping to understand how they were supplied | 0:43:22 | 0:43:25 | |
for mummification by comparing samples of their DNA. | 0:43:25 | 0:43:28 | |
The DNA is usually not in a very good condition because inside a catacomb, | 0:43:30 | 0:43:35 | |
it's really hot and humid | 0:43:35 | 0:43:37 | |
and that helps degradation to be faster for the DNA. | 0:43:37 | 0:43:41 | |
But Ancient Egyptians helped us by mummifying the birds which | 0:43:41 | 0:43:45 | |
slowed the degradation process, | 0:43:45 | 0:43:48 | |
so it helped to preserve some of the DNA. | 0:43:48 | 0:43:50 | |
Unlike the mummy collectors of the 19th century, Sally works | 0:43:52 | 0:43:56 | |
to strict rules on which bones she can take away as samples. | 0:43:56 | 0:44:00 | |
Such a mummy, I'm not allowed to open it or take samples from | 0:44:01 | 0:44:06 | |
because it's fully wrapped and inside the jar. | 0:44:06 | 0:44:10 | |
So I usually sample from those broken stuff | 0:44:10 | 0:44:14 | |
where you can see the bones loose, | 0:44:14 | 0:44:17 | |
and such a bone is nice. | 0:44:17 | 0:44:19 | |
Still have the skin intact, | 0:44:19 | 0:44:22 | |
the feathers and everything which give me more indications | 0:44:22 | 0:44:26 | |
that most likely I'll be ending up with good DNA quality from this bone. | 0:44:26 | 0:44:30 | |
Back in the lab, Sally will be able to reconstruct the DNA of this | 0:44:33 | 0:44:37 | |
mummified bird from the fragment still contained in its bones. | 0:44:37 | 0:44:41 | |
She can then compare it to other birds in the catacomb | 0:44:44 | 0:44:47 | |
to determine how closely they were related to each other. | 0:44:47 | 0:44:50 | |
Once we have that DNA picture completed, what we do | 0:44:52 | 0:44:56 | |
is that we look at how those are different from each other. | 0:44:56 | 0:45:00 | |
Are they close together? | 0:45:00 | 0:45:02 | |
If we find a lot of similarity between a large number of birds, | 0:45:02 | 0:45:07 | |
we can say, "OK, those birds were raised together, | 0:45:07 | 0:45:11 | |
"they were farmed," or if you have too many variations, | 0:45:11 | 0:45:15 | |
actually they are caught from the wild or migrating from outside Egypt. | 0:45:15 | 0:45:19 | |
Sally's research is ongoing. | 0:45:22 | 0:45:24 | |
But so far, results have suggested there is a low genetic | 0:45:26 | 0:45:29 | |
variance between the mummified ibis birds at Saqqara. | 0:45:29 | 0:45:32 | |
If proven, it's evidence the birds were being farmed to satisfy | 0:45:34 | 0:45:39 | |
the increasing demand for animal mummies. | 0:45:39 | 0:45:42 | |
700 metres away in Saqqara's dog catacomb, | 0:45:48 | 0:45:52 | |
the remains of eight million dog mummies suggest a mass breeding | 0:45:52 | 0:45:56 | |
programme for dogs as well as ibis birds must have been in place. | 0:45:56 | 0:46:01 | |
Professor Ikram has been studying the piles of bones. | 0:46:04 | 0:46:08 | |
She has found more evidence of how this animal production line | 0:46:08 | 0:46:12 | |
could have worked. | 0:46:12 | 0:46:13 | |
One of the things we found is that there are really diverse ages | 0:46:15 | 0:46:19 | |
and you can tell this from the jawbones, | 0:46:19 | 0:46:21 | |
because you get these, sort of, teeny-weeny little jaws | 0:46:21 | 0:46:24 | |
and then you have huge things. And then they would have taken | 0:46:24 | 0:46:28 | |
the puppies away when they were, well, very young, | 0:46:28 | 0:46:32 | |
either drowned them or just removed them | 0:46:32 | 0:46:35 | |
from their mother's care so they would have died quite quickly | 0:46:35 | 0:46:38 | |
and could have been mummified. | 0:46:38 | 0:46:39 | |
And then, of course, their mothers would have whelped again | 0:46:39 | 0:46:42 | |
and so you would have forced the breeding to, instead of once | 0:46:42 | 0:46:45 | |
or twice a year, to twice or three times a year, which kept this | 0:46:45 | 0:46:48 | |
puppy farm going and gave us the eight million dogs that we have here. | 0:46:48 | 0:46:52 | |
Now these bones can reveal more. | 0:46:54 | 0:46:56 | |
There is evidence of how the dogs at Saqqara were treated. | 0:46:57 | 0:47:00 | |
We have evidence for a lot of sick animals, | 0:47:02 | 0:47:04 | |
for example something like this where there are holes. | 0:47:04 | 0:47:08 | |
You can see where the bone has grown over, | 0:47:10 | 0:47:13 | |
so this has been a diseased animal that would have been limping | 0:47:13 | 0:47:16 | |
on its foreleg and it died when it was quite young. | 0:47:16 | 0:47:20 | |
Here's another one which has some sort of horrible growth | 0:47:22 | 0:47:26 | |
coming out from an infection. | 0:47:26 | 0:47:28 | |
Often you see this kind of extreme disease on zoo animals, | 0:47:28 | 0:47:32 | |
where they have been kept in confined spaces, so this is why | 0:47:32 | 0:47:36 | |
we think that quite possibly the dogs were kept in enclosures, | 0:47:36 | 0:47:40 | |
they weren't always allowed to move freely if they got infected | 0:47:40 | 0:47:43 | |
because the people who were looking after them | 0:47:43 | 0:47:45 | |
knew that they'd be dead soon enough. | 0:47:45 | 0:47:47 | |
They didn't really bother to take care of them. | 0:47:47 | 0:47:49 | |
It's very likely that many of the dogs that ultimately | 0:47:51 | 0:47:54 | |
find their way into the dog catacomb would have been bred | 0:47:54 | 0:47:58 | |
in and around ancient Memphis, | 0:47:58 | 0:48:00 | |
probably in a series of puppy farms breeding perhaps | 0:48:00 | 0:48:05 | |
dozens of animals at a time for mummification. | 0:48:05 | 0:48:08 | |
The whole question of the killing of animals is quite a difficult one, | 0:48:10 | 0:48:15 | |
quite an emotive one for us from a 21st century perspective. | 0:48:15 | 0:48:20 | |
However, what we have to bear in mind is that what | 0:48:20 | 0:48:23 | |
they were doing was providing for the eternity of that animal, | 0:48:23 | 0:48:28 | |
providing a suitable burial for a representative of a God. | 0:48:28 | 0:48:33 | |
So what they were doing was a sacred act. | 0:48:33 | 0:48:35 | |
By the end of the fifth century BC, | 0:48:37 | 0:48:40 | |
these private rituals had grown into a national obsession. | 0:48:40 | 0:48:43 | |
Animals were being bred, killed and mummified at sites right across | 0:48:45 | 0:48:49 | |
the country, employing thousands of workers and generating huge profits. | 0:48:49 | 0:48:55 | |
And then, 200 years later, | 0:49:03 | 0:49:06 | |
another huge political upheaval shook Ancient Egypt - | 0:49:06 | 0:49:10 | |
the ruling Persians were replaced by Greeks | 0:49:10 | 0:49:13 | |
who poured money into animal cults. | 0:49:13 | 0:49:17 | |
It became a massive, massive growth industry, even more than before. | 0:49:17 | 0:49:21 | |
They were spending the equivalent of millions today on maintaining cults | 0:49:21 | 0:49:25 | |
that were for the Egyptians crucial to the continuation of this culture. | 0:49:25 | 0:49:30 | |
Animal mummification had become a tool of state control. | 0:49:32 | 0:49:35 | |
Religion is a very unifying force | 0:49:37 | 0:49:39 | |
and politically... It's every politician's dream. | 0:49:39 | 0:49:42 | |
If you have got this idea of mass control over millions of people | 0:49:42 | 0:49:47 | |
through a form of religion you ultimately fund and sustain, | 0:49:47 | 0:49:51 | |
it's brilliant, because you have control of those people. | 0:49:51 | 0:49:54 | |
Dozens of new temples were built, encouraging more and more | 0:50:00 | 0:50:04 | |
pilgrims to visit sites like Saqqara and purchase animal mummies. | 0:50:04 | 0:50:08 | |
But cracks were beginning to appear in the burgeoning industry. | 0:50:11 | 0:50:15 | |
It seems the embalmers had problems keeping up with the demand. | 0:50:15 | 0:50:18 | |
-There's the tissue paper. Oh! -Aw, that's cute. -Lovely. | 0:50:21 | 0:50:26 | |
-He's got a nice face. -Nice face, nice ears. | 0:50:26 | 0:50:28 | |
-Shall we move him in, then? -OK. | 0:50:28 | 0:50:30 | |
It's thought this beautiful cat mummy was buried at a site | 0:50:33 | 0:50:36 | |
called Beni Hasan in Middle Egypt. | 0:50:36 | 0:50:38 | |
But this mummy is not all it seems to be. | 0:50:40 | 0:50:44 | |
It's got the nice modelled face with a little roll of linen | 0:50:44 | 0:50:47 | |
for the nose and then two eyes. | 0:50:47 | 0:50:49 | |
It's very cylindrical, it's quite typical of a cat mummy. | 0:50:52 | 0:50:55 | |
Have a look what's inside. | 0:50:56 | 0:50:58 | |
What's inside? | 0:50:59 | 0:51:01 | |
-Oh. -Mmm. | 0:51:01 | 0:51:03 | |
-Oh. -Not an awful lot, is the answer to that. -Oh, yeah. | 0:51:03 | 0:51:08 | |
-Would you say that's bone? -It's got the density of bone. | 0:51:08 | 0:51:11 | |
-Would you agree? -There's not limbs or anything like that. | 0:51:11 | 0:51:15 | |
You can't see long bits of, you know, limbs or anything like that. | 0:51:15 | 0:51:19 | |
-Oh, vertebrae. -That's about the most substantial, isn't it, really? | 0:51:19 | 0:51:24 | |
Certainly not the complete cat skeleton we were imagining | 0:51:24 | 0:51:28 | |
we would see. | 0:51:28 | 0:51:29 | |
What you see on the outside is not always what you see on the inside. | 0:51:29 | 0:51:34 | |
If they are skeletal remains, they are in that area there. | 0:51:34 | 0:51:37 | |
So they've made a kind of core, if you like, from bits | 0:51:37 | 0:51:41 | |
and pieces that were lying around and then they've made it quite | 0:51:41 | 0:51:44 | |
-deliberately elongated and made into a much bigger bundle. -Artificially. | 0:51:44 | 0:51:48 | |
It's been very decoratively wrapped | 0:51:48 | 0:51:50 | |
and then given this wonderful modelled face. | 0:51:50 | 0:51:52 | |
In fact, these incomplete or partial animal mummies have been | 0:51:55 | 0:51:59 | |
a common feature of Lidija's study, | 0:51:59 | 0:52:02 | |
their contents hidden from pilgrims | 0:52:02 | 0:52:04 | |
and museum curators for thousands of years. | 0:52:04 | 0:52:07 | |
We found that in about two thirds of the cases, | 0:52:08 | 0:52:11 | |
we have got some animal skeletal material, but then | 0:52:11 | 0:52:15 | |
only in about half of those do we have a complete animal skeleton. | 0:52:15 | 0:52:19 | |
So somewhere between a third and a half of all the mummies | 0:52:19 | 0:52:22 | |
we have looked at have a complete animal inside. | 0:52:22 | 0:52:24 | |
Most 19th and 20th century Egyptologists thought this | 0:52:26 | 0:52:30 | |
was evidence the embalmers, either struggling to keep up with | 0:52:30 | 0:52:34 | |
the demand for animals or just keen to make some easy cash, | 0:52:34 | 0:52:37 | |
were swindling pilgrims by selling them | 0:52:37 | 0:52:39 | |
fake mummies without their knowledge. | 0:52:39 | 0:52:42 | |
But by analysing the wrappings and resin | 0:52:44 | 0:52:46 | |
used in the mummification process, | 0:52:46 | 0:52:49 | |
scientists like Stephen Buckley are challenging this assumption. | 0:52:49 | 0:52:53 | |
What's interesting is that we are seeing a recipe... | 0:52:53 | 0:52:57 | |
Different recipes for different animals. | 0:52:57 | 0:53:00 | |
We found with cat mummies, for example, | 0:53:00 | 0:53:03 | |
pistachio resin from the north-east Mediterranean. | 0:53:03 | 0:53:05 | |
And yet, the crocodile mummy, we found sandarac, | 0:53:07 | 0:53:11 | |
a resin from north-west Africa from the Atlas Mountains. | 0:53:11 | 0:53:15 | |
The molecular fingerprint, if you like, is showing us that they | 0:53:15 | 0:53:18 | |
were using exotic, expensive ingredients from far and wide, | 0:53:18 | 0:53:23 | |
so quite a lot of care and expense. | 0:53:23 | 0:53:25 | |
Crucially, Stephen has found traces of expensive resins not only | 0:53:27 | 0:53:31 | |
on the complete animal mummies but on the partial ones as well. | 0:53:31 | 0:53:35 | |
With these so-called fakes, | 0:53:36 | 0:53:39 | |
the embalming agents, where they're using costly imported ingredients, | 0:53:39 | 0:53:44 | |
the recipes are the same as those used on those mummies | 0:53:44 | 0:53:49 | |
where the full animal is there. | 0:53:49 | 0:53:52 | |
So the fake mummies are actually, | 0:53:52 | 0:53:54 | |
as far as the embalming agents were concerned, treated with | 0:53:54 | 0:53:57 | |
the same amount of effort and care and expense, | 0:53:57 | 0:54:00 | |
and it seems to be that with that, whether it was just a bone or | 0:54:00 | 0:54:04 | |
the real animal, as long as the recipe was there, | 0:54:04 | 0:54:07 | |
as long as it looked right, that was good enough for the gods. | 0:54:07 | 0:54:11 | |
It's scientific proof of the embalmer's intentions. | 0:54:13 | 0:54:16 | |
To the Ancient Egyptians, even the tiniest fragment of bone | 0:54:16 | 0:54:20 | |
must have been deemed sacred and worthy of mummification. | 0:54:20 | 0:54:25 | |
You've got to remember these things were presumably made to be sold, | 0:54:25 | 0:54:29 | |
sold to pilgrims, so you want your product to be attractive | 0:54:29 | 0:54:33 | |
and maybe it's sufficient to have the sweepings from the workshop. | 0:54:33 | 0:54:36 | |
That's got enough magical, religious power | 0:54:36 | 0:54:40 | |
to satisfy your plea to the gods. | 0:54:40 | 0:54:43 | |
It's suitable for the goddess Bastet, presumably, the cat goddess, | 0:54:43 | 0:54:47 | |
and that's, you know, the job's a good 'un. | 0:54:47 | 0:54:50 | |
700 years after high priestess Maatkare had been buried | 0:54:59 | 0:55:03 | |
with her pet monkey, Ancient Egyptian animal mummification had | 0:55:03 | 0:55:08 | |
grown from a few elite to pets and sacred animals into a vast religious | 0:55:08 | 0:55:14 | |
cult and an industry ingrained in the fabric of society | 0:55:14 | 0:55:19 | |
where animals were not only killed to be mummified | 0:55:19 | 0:55:22 | |
but were intensively bred in their millions to satisfy | 0:55:22 | 0:55:26 | |
a national obsession with animal mummification. | 0:55:26 | 0:55:29 | |
These mummies give one an insight, | 0:55:31 | 0:55:34 | |
a way into understanding Egyptian history - the culture, the religion, | 0:55:34 | 0:55:39 | |
the technology and the way people might have felt, | 0:55:39 | 0:55:43 | |
believed and thought - | 0:55:43 | 0:55:45 | |
and also the relationship between human beings and animals, | 0:55:45 | 0:55:49 | |
so it really is an astonishing way in to understanding | 0:55:49 | 0:55:53 | |
a vast number of things about the Ancient Egyptians. | 0:55:53 | 0:55:57 | |
But the ritual of animal mummification wasn't to last. | 0:56:00 | 0:56:04 | |
In 380 AD, the Romans, who had conquered Egypt nearly four | 0:56:12 | 0:56:17 | |
centuries before, officially converted to Christianity - | 0:56:17 | 0:56:21 | |
a new religion that fiercely opposed all forms | 0:56:21 | 0:56:24 | |
of mummification and animal cults. | 0:56:24 | 0:56:27 | |
All Egyptian temples were closed down. | 0:56:29 | 0:56:32 | |
Not only did this prevent worship continuing, but each temple | 0:56:32 | 0:56:37 | |
functioned as a kind of town hall for every settlement throughout Egypt. | 0:56:37 | 0:56:41 | |
So by closing the temple, | 0:56:41 | 0:56:42 | |
you not only put an end to the pagan practices of worship, | 0:56:42 | 0:56:45 | |
but also the transmission of ideas, | 0:56:45 | 0:56:48 | |
the mummification of humans and animals. | 0:56:48 | 0:56:51 | |
The demise of animal mummification didn't only signal | 0:56:53 | 0:56:56 | |
the end of its religion, but the entire Egyptian civilisation. | 0:56:56 | 0:57:01 | |
The early Christians did everything they could to distance themselves | 0:57:03 | 0:57:06 | |
from these pagan practices and that's when you see a great divide. | 0:57:06 | 0:57:09 | |
And of course, we in the modern West have gone with the Christian notions, | 0:57:09 | 0:57:13 | |
the Ancient Egyptians are left over there, | 0:57:13 | 0:57:15 | |
and that's why today we see their practices, their beliefs as quite | 0:57:15 | 0:57:20 | |
strange, different to ours, and they can be quite difficult to understand. | 0:57:20 | 0:57:23 | |
And I think this is nowhere better exemplified | 0:57:23 | 0:57:25 | |
than in their practice of animal mummification. | 0:57:25 | 0:57:28 | |
The great era of Ancient Egypt had ended. | 0:57:34 | 0:57:38 | |
The immense pyramids and imposing temples | 0:57:39 | 0:57:42 | |
would stand for thousands more years, | 0:57:42 | 0:57:46 | |
but the rituals of animal mummification | 0:57:46 | 0:57:49 | |
became a distant memory. | 0:57:49 | 0:57:50 | |
The desert sands gradually covered the catacombs | 0:57:52 | 0:57:55 | |
and locked away their secrets. | 0:57:55 | 0:57:57 | |
Now, modern scientific techniques are allowing these sacred | 0:57:58 | 0:58:02 | |
animals finally to tell their story. | 0:58:02 | 0:58:05 | |
One last message carried from the afterlife. | 0:58:07 | 0:58:11 |