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It must be right first time. | 0:00:03 | 0:00:05 | |
You can't service it or bring it back | 0:00:05 | 0:00:07 | |
or complain to the manufacturer that it doesn't work. | 0:00:07 | 0:00:09 | |
Failure in space is not an option. If something goes wrong, | 0:00:13 | 0:00:17 | |
customers are not happy and they don't come back to you again. | 0:00:17 | 0:00:21 | |
So what we've got here | 0:00:25 | 0:00:27 | |
is the startings of a telecommunications satellite. | 0:00:27 | 0:00:30 | |
We've got seven smaller thrusters and we have a main engine, | 0:00:30 | 0:00:34 | |
which is fitted inside the cone. | 0:00:34 | 0:00:36 | |
If we sent a spacecraft up into space with no insulation, | 0:00:44 | 0:00:47 | |
the distortions caused by the very temperature differences | 0:00:47 | 0:00:51 | |
would buckle the structure and destroy it. | 0:00:51 | 0:00:53 | |
If the heart stops, the patient dies. | 0:01:03 | 0:01:07 | |
If the quartz crystal stops oscillating, the satellite will die. | 0:01:07 | 0:01:10 | |
If I say I work on satellites... | 0:01:14 | 0:01:16 | |
"What, you put the dishes on the walls, do you?" | 0:01:16 | 0:01:18 | |
They just don't... They don't understand | 0:01:18 | 0:01:22 | |
that there's something up there as well, in space. | 0:01:22 | 0:01:24 | |
The moments leading up to the firing of that main engine is very tense. | 0:01:24 | 0:01:30 | |
It's the nearest we get to science fiction. | 0:01:37 | 0:01:39 | |
It's just something people dream of. We sort of live a little bit of that dream. | 0:01:39 | 0:01:43 | |
Space is incredibly special. What we do is quite exceptional here. | 0:01:50 | 0:01:55 | |
After almost two years of precision engineering | 0:02:21 | 0:02:24 | |
and costing over £100 million, | 0:02:24 | 0:02:27 | |
a six-tonne telecommunications satellite | 0:02:27 | 0:02:30 | |
is sitting on top of this rocket. | 0:02:30 | 0:02:33 | |
In terms of the satellite, | 0:02:33 | 0:02:34 | |
the risk here of course is that it's now about to be shaken | 0:02:34 | 0:02:39 | |
from the rocket motors. | 0:02:39 | 0:02:40 | |
It's also going to get a fantastic thrust load on it. | 0:02:43 | 0:02:46 | |
And now it's just one day away from being fired into orbit. | 0:02:49 | 0:02:53 | |
The amount of testing that we do to verify it effectively | 0:02:58 | 0:03:01 | |
never guarantees you 100% but it guarantees you that you've got | 0:03:01 | 0:03:06 | |
a very, very high probability of success and that's what we go for. | 0:03:06 | 0:03:10 | |
The violence of the launch is the most dangerous moment | 0:03:12 | 0:03:15 | |
of a satellite's life. | 0:03:15 | 0:03:16 | |
We have to make sure it survives this phase | 0:03:16 | 0:03:19 | |
and then it can go into operation. | 0:03:19 | 0:03:21 | |
This is the bit where we all get that, er... | 0:03:21 | 0:03:24 | |
A little bit of butterflies in the stomach. | 0:03:24 | 0:03:28 | |
And although it's being launched in faraway French Guiana, | 0:03:28 | 0:03:31 | |
most of it was designed and built in Britain. | 0:03:31 | 0:03:34 | |
We're on the A1 heading south at the moment. | 0:03:50 | 0:03:53 | |
It's about quarter to eight in the morning. | 0:03:53 | 0:03:56 | |
I've done this trip for the last 30 years. | 0:03:56 | 0:04:00 | |
Bob Graham is a site director at Astrium, | 0:04:01 | 0:04:04 | |
one of the biggest spacecraft manufacturers in the world. | 0:04:04 | 0:04:08 | |
If people say, "Who do you work for?" | 0:04:10 | 0:04:11 | |
and I mention the name of the company | 0:04:11 | 0:04:14 | |
there's often a slightly quizzical look on their face. | 0:04:14 | 0:04:17 | |
Then it becomes quite a surprise when you say, | 0:04:17 | 0:04:19 | |
"Well, I work in the space industry." | 0:04:19 | 0:04:22 | |
When the Space Race was at its height in the 1960s, | 0:04:23 | 0:04:26 | |
the United Kingdom had virtually no space industry. | 0:04:26 | 0:04:29 | |
Today, British engineers lead the world in satellite design | 0:04:33 | 0:04:36 | |
and manufacture. | 0:04:36 | 0:04:38 | |
Working in space is always something different | 0:04:38 | 0:04:40 | |
and there's not many people in the industry. | 0:04:40 | 0:04:44 | |
So in the pub when someone says, "What do you do for a living?" | 0:04:44 | 0:04:47 | |
You say, "I work in the space industry," | 0:04:47 | 0:04:49 | |
they do give you a funny look. | 0:04:49 | 0:04:51 | |
We watched the moon landings | 0:04:56 | 0:04:58 | |
and everything that NASA did was quite incredible. | 0:04:58 | 0:05:00 | |
For me, I can't quite believe I'm being able to do this. | 0:05:00 | 0:05:04 | |
Yeah, we've known each other a long time. | 0:05:18 | 0:05:22 | |
26 years? Haven't we? | 0:05:22 | 0:05:24 | |
Is it that long? | 0:05:24 | 0:05:25 | |
-I think so. -God. -Yeah. -Oh, dear. | 0:05:25 | 0:05:27 | |
We don't look that old either, do we? | 0:05:29 | 0:05:32 | |
What's Mr Cross up to? You visitors are all the same! | 0:05:35 | 0:05:38 | |
Astrium have factories all across Europe | 0:05:40 | 0:05:42 | |
but employ around 3,500 people in the UK. | 0:05:42 | 0:05:46 | |
Every satellite the company builds starts life here | 0:05:47 | 0:05:51 | |
just outside London on their site in Stevenage. | 0:05:51 | 0:05:54 | |
I've worked here for nearly 30 years. | 0:05:55 | 0:05:57 | |
I came to Stevenage in 1982 for what was sold to me | 0:05:57 | 0:06:01 | |
as a 12-18 month position and I've been here ever since. | 0:06:01 | 0:06:05 | |
It gets into your blood. | 0:06:05 | 0:06:07 | |
It's a really, really good job to have. | 0:06:08 | 0:06:11 | |
There's not many areas within in the country | 0:06:11 | 0:06:14 | |
where you can actually work on spacecraft. | 0:06:14 | 0:06:17 | |
Telecommunication satellites are an integral part of the modern world. | 0:06:17 | 0:06:22 | |
They allow us to send television pictures and communicate | 0:06:27 | 0:06:30 | |
over vast distances using all of today's modern technology. | 0:06:30 | 0:06:34 | |
But because they operate in deep space, | 0:06:36 | 0:06:38 | |
they have to incorporate some extremely complex engineering. | 0:06:38 | 0:06:42 | |
A modern communications satellite needs to be capable of surviving | 0:06:43 | 0:06:47 | |
the possible impact of debris | 0:06:47 | 0:06:49 | |
travelling at thousands of metres per second. | 0:06:49 | 0:06:52 | |
And they need to be able to operate in temperatures that fluctuate | 0:06:52 | 0:06:55 | |
between minus 200 degrees Centigrade | 0:06:55 | 0:06:58 | |
to a blistering 150 degrees Centigrade. | 0:06:58 | 0:07:01 | |
And yet, the satellite has to continuously operate | 0:07:03 | 0:07:06 | |
for a guaranteed 15 years, because out in space, | 0:07:06 | 0:07:11 | |
there's absolutely no prospect of repair. | 0:07:11 | 0:07:14 | |
I think people do take it for granted. | 0:07:18 | 0:07:20 | |
So if you pick up your mobile phone to make a phone call | 0:07:20 | 0:07:23 | |
you don't realise it's bouncing off a satellite. Or you turn on your TV. | 0:07:23 | 0:07:26 | |
It's just stuff you do everyday without thinking about it. | 0:07:26 | 0:07:29 | |
-The upper quadrant, section five... -Yeah? -..looked fine. | 0:07:29 | 0:07:35 | |
A modern telecommunications satellite | 0:07:41 | 0:07:43 | |
can be over five metres high and three metres wide. | 0:07:43 | 0:07:47 | |
Although astonishingly complicated, | 0:07:49 | 0:07:51 | |
there are basically two distinct parts forming its main body. | 0:07:51 | 0:07:56 | |
The mechanics... | 0:07:57 | 0:07:59 | |
and the electronics. | 0:08:00 | 0:08:02 | |
The mechanics make up what's called the service module. | 0:08:05 | 0:08:08 | |
And the electronics make up the communications module. | 0:08:09 | 0:08:12 | |
The satellite's central skeleton is built around a carbon fibre cylinder | 0:08:19 | 0:08:23 | |
connected to aluminium panels which hold four fuel tanks, | 0:08:23 | 0:08:28 | |
a main engine, thrusters and batteries. | 0:08:28 | 0:08:32 | |
This is the service module. | 0:08:33 | 0:08:36 | |
On top of it sits the communications module | 0:08:36 | 0:08:39 | |
which carries the satellite's complex electronic payload. | 0:08:39 | 0:08:43 | |
Also added are solar arrays. | 0:08:43 | 0:08:45 | |
Attached to the main body, they capture sunlight | 0:08:45 | 0:08:48 | |
which is converted into electric power, and antenna dishes | 0:08:48 | 0:08:52 | |
that will transmit and receive signals from Earth. | 0:08:52 | 0:08:54 | |
And by looking at different stages of the build | 0:08:57 | 0:09:00 | |
it's possible to understand how they're put together. | 0:09:00 | 0:09:03 | |
From the manufacturing viewpoint | 0:09:03 | 0:09:05 | |
this is the beginning of the process. | 0:09:05 | 0:09:07 | |
The build begins with a central core, the skeleton of the satellite. | 0:09:07 | 0:09:11 | |
Strands of carbon fibre coated with resin | 0:09:11 | 0:09:15 | |
are wound into a complex pattern to make the cylinder | 0:09:15 | 0:09:18 | |
as strong and light as possible. | 0:09:18 | 0:09:20 | |
When it's finished and vertical it weighs just 20kg | 0:09:24 | 0:09:28 | |
and is ready for the next stage of construction. | 0:09:28 | 0:09:30 | |
In here is where we produce our panels, our honeycomb panels. | 0:09:32 | 0:09:36 | |
Aluminium skins. Very, very thin skins, very lightweight. | 0:09:36 | 0:09:40 | |
Low mass is key in terms of space | 0:09:40 | 0:09:42 | |
and we use aluminium because it's good structurally. | 0:09:42 | 0:09:45 | |
The aluminium panels are attached to the central cylinder | 0:09:47 | 0:09:50 | |
forming more of the basic structure. | 0:09:50 | 0:09:52 | |
John Richards has been building these | 0:09:56 | 0:09:59 | |
for almost his whole working life. | 0:09:59 | 0:10:02 | |
We're just putting the flight bolts into the SM floor | 0:10:02 | 0:10:06 | |
and that attaches the floors to the central structure. | 0:10:06 | 0:10:12 | |
I'm not sure how many bolts, probably about 20 in each quadrant. | 0:10:12 | 0:10:16 | |
I don't suppose, really, people just think of satellites | 0:10:18 | 0:10:22 | |
as something that's up in space orbiting round. | 0:10:22 | 0:10:25 | |
I don't suppose they think of actually what goes into building them. | 0:10:25 | 0:10:29 | |
You take your time, because as you're probably aware | 0:10:29 | 0:10:32 | |
that these things are worth a lot of money. | 0:10:32 | 0:10:34 | |
And it only takes us to make one slight mistake | 0:10:34 | 0:10:37 | |
and it could end up costing millions of pounds. | 0:10:37 | 0:10:39 | |
Best thing about working here is the people like John and people that have been here years, | 0:10:39 | 0:10:43 | |
always willing to pass on experience and to help you out. | 0:10:43 | 0:10:47 | |
After the basic structure is finished | 0:10:47 | 0:10:51 | |
the rest of the systems can be added. | 0:10:51 | 0:10:54 | |
Once I've gone through my final testing we have a big clean down, | 0:10:54 | 0:10:58 | |
make sure it's particle free, ready to be accepted | 0:10:58 | 0:11:01 | |
into Mick's area and I'll give him a shout and usually that's it. | 0:11:01 | 0:11:06 | |
I mean it's very casual, it's just, "When you going to be ready?" | 0:11:06 | 0:11:11 | |
"Tomorrow", whatever, and just hand it over to him. | 0:11:11 | 0:11:14 | |
Satellites have to be built in extremely clean environments | 0:11:14 | 0:11:19 | |
because any dirt inside the moving parts can have devastating effects | 0:11:19 | 0:11:23 | |
once they're in space. | 0:11:23 | 0:11:26 | |
In fact there are special areas of the factory that actually have fewer | 0:11:26 | 0:11:30 | |
dust particles than you'd find in a typical hospital operating theatre. | 0:11:30 | 0:11:34 | |
And in here, engineer Graham Viney and team leader Mick Atkinson | 0:11:34 | 0:11:39 | |
have the tricky task of managing the assembly and integration | 0:11:39 | 0:11:43 | |
of the fuel tanks, the pipe work and the engines of the service module. | 0:11:43 | 0:11:47 | |
We do get problems now and again because when it's designed, | 0:11:47 | 0:11:51 | |
it's all done on a model and then when it comes down to us | 0:11:51 | 0:11:54 | |
it is quite a bit different in the real life, putting it together. | 0:11:54 | 0:11:59 | |
There's certain things that we know we can't do in the design | 0:12:01 | 0:12:05 | |
because it just won't be able to be done on the shop floor. | 0:12:05 | 0:12:09 | |
So what we've got here is the overall service module | 0:12:09 | 0:12:13 | |
or the startings of the service module of the telecommunications satellite. | 0:12:13 | 0:12:17 | |
What you can see are two tanks of an eventual four tank propellant system. | 0:12:17 | 0:12:23 | |
On the outside, in several locations, we've got seven smaller thrusters | 0:12:23 | 0:12:28 | |
and we have a main engine, a liquid apogee engine, | 0:12:28 | 0:12:30 | |
which is fitted inside the cone. | 0:12:30 | 0:12:32 | |
The service module carries four fuel tanks, | 0:12:35 | 0:12:38 | |
all placed around the central core. | 0:12:38 | 0:12:40 | |
Each fuel tank can withstand an internal pressure equal | 0:12:40 | 0:12:44 | |
to being over 200 metres underwater. | 0:12:44 | 0:12:47 | |
The fuel is used for the satellite's engines. | 0:12:50 | 0:12:52 | |
The main engine fires the satellite out into orbit after it's launched | 0:12:54 | 0:12:59 | |
and then, for the rest of its lifespan, the other seven pairs | 0:12:59 | 0:13:02 | |
of smaller thrusters will keep the satellite in its orbit. | 0:13:02 | 0:13:07 | |
The fuel for all of these engines is delivered | 0:13:07 | 0:13:10 | |
by one of the most explosive mixtures known to man - | 0:13:10 | 0:13:13 | |
Nitrogen Tetroxide and Monomethyl Hydrozene, or NTO and MMH. | 0:13:13 | 0:13:20 | |
As you can guess from the names, these aren't particularly | 0:13:20 | 0:13:24 | |
pleasant liquids, so extremely toxic and extremely hazardous. | 0:13:24 | 0:13:28 | |
If you take in any of the NTO or the MMH, | 0:13:28 | 0:13:33 | |
basically you will suffer from burns, internal burning | 0:13:33 | 0:13:38 | |
and then eventually it leads to death. They are lethal. | 0:13:38 | 0:13:42 | |
The reason for choosing these dangerous fuels is simple - | 0:13:43 | 0:13:47 | |
their explosive quality. | 0:13:47 | 0:13:49 | |
The more explosive the mixture, the bigger the thrust, | 0:13:49 | 0:13:52 | |
and the less fuel you need. | 0:13:52 | 0:13:54 | |
But at three tonnes, this volatile mixture is still half the satellite's launch weight. | 0:13:54 | 0:14:00 | |
And with such an explosive power, the tanks need to be tested to destruction | 0:14:00 | 0:14:03 | |
to ensure they'll survive the trip into space. | 0:14:03 | 0:14:07 | |
Part of the testing of the propellant tanks | 0:14:09 | 0:14:12 | |
is to take it to an actual burst pressure. | 0:14:12 | 0:14:15 | |
We don't test it with gas, we tend to test it with water. | 0:14:15 | 0:14:19 | |
We increase the pressure and we get up towards 49 bar | 0:14:19 | 0:14:24 | |
and the tank will split. | 0:14:24 | 0:14:26 | |
Although the tanks won't be filled with fuel | 0:14:47 | 0:14:49 | |
until just before the launch, it's still delicate work fitting them. | 0:14:49 | 0:14:54 | |
We're just about to install the third propellant tank | 0:14:56 | 0:14:59 | |
into the structure. | 0:14:59 | 0:15:01 | |
Two are already installed, this is the third one. | 0:15:01 | 0:15:04 | |
It is quite tricky, yeah. And it's worth a lot of money, | 0:15:08 | 0:15:11 | |
of course, as well. About the price of a good house, actually, yeah. | 0:15:11 | 0:15:16 | |
The propellant tanks are built from titanium | 0:15:18 | 0:15:21 | |
because the metal doesn't react with the fuel in any way. | 0:15:21 | 0:15:25 | |
And they are machined to be wafer thin. | 0:15:28 | 0:15:31 | |
'We've got to be so careful that no damage occurs | 0:15:35 | 0:15:38 | |
'during this process, so it's quite delicate. | 0:15:38 | 0:15:43 | |
'It never goes wrong. It can't. It can't go wrong.' | 0:15:45 | 0:15:48 | |
LAUGHS | 0:15:48 | 0:15:49 | |
'Yeah, it's quite a big operation in the tasks that we perform' | 0:15:53 | 0:15:57 | |
so it's good to get it out of the way. | 0:15:57 | 0:16:00 | |
We've got it off to a T now. | 0:16:00 | 0:16:02 | |
Hopefully, tomorrow we'll be putting the other tank in. | 0:16:02 | 0:16:06 | |
It's the end of a successful day, and so, with the tanks fitted, | 0:16:09 | 0:16:12 | |
the next stage of the build will be adding the engines. | 0:16:12 | 0:16:17 | |
So when I tell people I work in the space industry, | 0:16:29 | 0:16:31 | |
it either sparks conversation and genuine interest | 0:16:31 | 0:16:36 | |
or is a complete conversation killer. | 0:16:36 | 0:16:38 | |
The concept of satellites came from Arthur C Clarke back in 1945. | 0:16:39 | 0:16:44 | |
He thought, "How can we transmit data from one side of the Earth | 0:16:44 | 0:16:49 | |
"to the other side of the Earth?" | 0:16:49 | 0:16:50 | |
These things will make possible a world in which | 0:16:50 | 0:16:53 | |
we can be in instant contact with each other, wherever we may be. | 0:16:53 | 0:16:57 | |
'Men will no longer commute, they will communicate.' | 0:17:00 | 0:17:05 | |
With the launch of Telstar in 1962, transmitting sound and vision | 0:17:12 | 0:17:16 | |
across continents and oceans became a reality. | 0:17:16 | 0:17:20 | |
'We have acquired the Telstar, Captain Booth puts his thumb up. | 0:17:20 | 0:17:24 | |
'And there is the picture direct from Telstar. | 0:17:24 | 0:17:27 | |
'This is the sort of image | 0:17:27 | 0:17:29 | |
'and the sort of sound on which, in fact, the future | 0:17:29 | 0:17:33 | |
'of inter-continental telecommunications | 0:17:33 | 0:17:36 | |
'via space vehicles is built.' | 0:17:36 | 0:17:39 | |
If you threw something at the horizon | 0:17:41 | 0:17:44 | |
it would just fall and drop. | 0:17:44 | 0:17:47 | |
If you threw it hard enough, you could probably throw it | 0:17:47 | 0:17:51 | |
past the horizon, and where would it drop to? | 0:17:51 | 0:17:55 | |
Well, it would continuously drop. | 0:17:55 | 0:17:59 | |
And that's what we're talking about. When you have enough energy | 0:17:59 | 0:18:03 | |
to throw a rock or whatever it is to the horizon | 0:18:03 | 0:18:07 | |
but you throw it hard enough that it then continuously falls, | 0:18:07 | 0:18:11 | |
then you're in orbit. | 0:18:11 | 0:18:12 | |
For a satellite to stay in the same place in the sky | 0:18:12 | 0:18:15 | |
it has to travel at the same rate as the Earth spins - | 0:18:15 | 0:18:18 | |
once every 24 hours. | 0:18:18 | 0:18:21 | |
This is called geostationary orbit | 0:18:21 | 0:18:24 | |
and it can only be achieved at 35,786km above the equator. | 0:18:24 | 0:18:31 | |
Any closer to the Earth and the satellite orbits too fast. | 0:18:31 | 0:18:35 | |
Any further away and it's too slow. | 0:18:35 | 0:18:38 | |
And that's why, in the UK, | 0:18:38 | 0:18:39 | |
all TV dishes point at 29 degrees above the horizon. | 0:18:39 | 0:18:44 | |
They are all receiving a signal from one particular satellite | 0:18:44 | 0:18:48 | |
that never moves in relation to our homes. | 0:18:48 | 0:18:52 | |
Microwaves won't work round the curvature of the Earth. | 0:18:52 | 0:18:55 | |
You need to be able to see the point | 0:18:55 | 0:18:56 | |
that you're transmitting to or receiving from. | 0:18:56 | 0:18:59 | |
The satellite receives and transmits signals through large antenna dishes | 0:19:01 | 0:19:05 | |
that fold out from its main body. | 0:19:05 | 0:19:07 | |
But they're very different from the dishes we see outside our homes. | 0:19:11 | 0:19:15 | |
They have carbon fibre skins bonded onto a Kevlar honeycomb core, | 0:19:16 | 0:19:21 | |
but there's another, more important difference - | 0:19:21 | 0:19:24 | |
they don't have a smooth surface. | 0:19:24 | 0:19:27 | |
The customers will specify a coverage. That coverage will be | 0:19:28 | 0:19:34 | |
to maximise access to the population and the service area. | 0:19:34 | 0:19:39 | |
So for the one we're looking at here, | 0:19:39 | 0:19:41 | |
which is over Europe, we're looking at the landmass of Europe, | 0:19:41 | 0:19:45 | |
so the more we can do to suppress the unwanted power over the sea, | 0:19:45 | 0:19:49 | |
the more we can put it where they're going to get their revenue from. | 0:19:49 | 0:19:52 | |
What we see in the top-right corner is what we're actually doing to the reflector. | 0:19:52 | 0:19:56 | |
We're slowly manipulating the reflector surface, very subtly - | 0:19:56 | 0:20:00 | |
in tens of millimetres - to actually produce a highly-concentrated area over Europe. | 0:20:00 | 0:20:06 | |
Shaping the reflectors in this way focuses the signal better, | 0:20:06 | 0:20:11 | |
and this is critical, | 0:20:11 | 0:20:13 | |
because the power they transmit back to Earth is astonishingly small. | 0:20:13 | 0:20:17 | |
The power that we're transmitting for each channel | 0:20:18 | 0:20:21 | |
is equivalent to a 100-watt light bulb, and that 100-watt light bulb | 0:20:21 | 0:20:24 | |
is 22,000 miles away from the surface of the Earth. | 0:20:24 | 0:20:29 | |
This is quite amazing technology, really. | 0:20:29 | 0:20:31 | |
The satellite is kept in its correct orbit | 0:20:36 | 0:20:38 | |
with a series of different-sized engines, | 0:20:38 | 0:20:41 | |
but given it weighs around six tonnes, it doesn't need the engines you may think. | 0:20:41 | 0:20:46 | |
If you were to fit this engine to your car, you'd have trouble | 0:20:46 | 0:20:50 | |
fitting in the three tonnes of propellant, | 0:20:50 | 0:20:53 | |
but you may move it very, very slowly. It's not going to take off. | 0:20:53 | 0:20:59 | |
But we're in space, | 0:20:59 | 0:21:01 | |
so we can use this engine on a six-tonne satellite and move it | 0:21:01 | 0:21:06 | |
through space because there's no friction, so it's relatively easy to do. | 0:21:06 | 0:21:11 | |
Once in geostationary orbit, the smaller thrusters will take over | 0:21:13 | 0:21:17 | |
from the main engine to keep the satellite in position. | 0:21:17 | 0:21:21 | |
We have thrusters dotted around so that we can control | 0:21:21 | 0:21:25 | |
the attitude of the satellite, to keep the antennas pointed, to keep the data flowing. | 0:21:25 | 0:21:30 | |
We've got influences from the Earth, which is not a perfect sphere, | 0:21:30 | 0:21:33 | |
so gravity will have an effect, and solar radiation from the sun. | 0:21:33 | 0:21:37 | |
We have large solar arrays that will pick up from the solar radiation | 0:21:37 | 0:21:42 | |
and slowly change the attitude of the satellite | 0:21:42 | 0:21:45 | |
and we need to fire a thruster to bring it back. | 0:21:45 | 0:21:48 | |
These manoeuvres happen regularly, | 0:21:52 | 0:21:55 | |
just to keep the satellite in its correct position. | 0:21:55 | 0:21:58 | |
But at the end of its life, these small thrusters will use | 0:21:58 | 0:22:02 | |
the last of the fuel to blast it even further away from the Earth | 0:22:02 | 0:22:06 | |
and into a graveyard orbit, which will be its final resting place. | 0:22:06 | 0:22:11 | |
Whilst all the structural components for the satellite are built in Stevenage, | 0:22:17 | 0:22:21 | |
the communications module is built in the company's other UK site at Portsmouth. | 0:22:21 | 0:22:26 | |
Portsmouth's history is well-known, | 0:22:28 | 0:22:30 | |
of course, for the maritime aspects of Portsmouth, but actually, | 0:22:30 | 0:22:35 | |
for a long time, maybe associated with that | 0:22:35 | 0:22:38 | |
there's been a capability | 0:22:38 | 0:22:40 | |
in defence electronics. | 0:22:40 | 0:22:43 | |
More than 50 years this site has been here, and over the last 20 years | 0:22:45 | 0:22:50 | |
we've seen this shift from defence electronics to space. | 0:22:50 | 0:22:54 | |
It's here that the electronic components | 0:22:57 | 0:23:00 | |
that form the communications module are made and fitted. | 0:23:00 | 0:23:03 | |
I don't think we talk about the space activities very much here. | 0:23:05 | 0:23:10 | |
I don't know whether it was because it started off | 0:23:10 | 0:23:12 | |
being defence-oriented and therefore quite secret, | 0:23:12 | 0:23:15 | |
and whether that's sort of part of the culture. | 0:23:15 | 0:23:18 | |
But nevertheless, people in this area don't normally associate it - | 0:23:18 | 0:23:22 | |
even the ones that live here - don't know that we make sophisticated satellites. | 0:23:22 | 0:23:27 | |
Over 12 months, thousands of individual electronic components | 0:23:27 | 0:23:30 | |
will be designed, built and fitted to the structure. | 0:23:30 | 0:23:34 | |
And their reliability is critical. | 0:23:36 | 0:23:39 | |
Failure in space is not an option. | 0:23:39 | 0:23:41 | |
Customers spend 150 million buying a satellite and if something | 0:23:41 | 0:23:48 | |
goes wrong they are not happy and they don't come back to you again. | 0:23:48 | 0:23:52 | |
This communication module is also known as the "payload". | 0:23:59 | 0:24:03 | |
On a spacecraft there are many parts, | 0:24:03 | 0:24:05 | |
but essentially it comes down to the payload - | 0:24:05 | 0:24:08 | |
the reason for it being there, | 0:24:08 | 0:24:09 | |
what it wishes to receive and what it wishes to transmit. | 0:24:09 | 0:24:13 | |
Each satellite is guaranteed by the company | 0:24:13 | 0:24:16 | |
to work for at least 15 years. | 0:24:16 | 0:24:18 | |
If it doesn't, they don't get paid, so attention to detail is critical. | 0:24:18 | 0:24:24 | |
The main driver for what we do here is reliability, | 0:24:24 | 0:24:27 | |
so on the site here we have 3,000 engineers - no service engineers. | 0:24:27 | 0:24:30 | |
Once the equipment on the spacecraft goes into service it has to operate | 0:24:30 | 0:24:35 | |
for 15 years without any reduction in its quality of service. | 0:24:35 | 0:24:39 | |
During that time, it gets hot and cold | 0:24:39 | 0:24:41 | |
so the heat on board the spacecraft makes the electronics grow old. | 0:24:41 | 0:24:47 | |
The radiation gives it sunburn, | 0:24:47 | 0:24:49 | |
so it has to survive through all those things. | 0:24:49 | 0:24:52 | |
At the heart of the communications module | 0:24:52 | 0:24:54 | |
are micro-electronic circuits called "hybrids". | 0:24:54 | 0:24:57 | |
These are computer processors, like silicon chips, | 0:24:57 | 0:25:01 | |
but are built for space. | 0:25:01 | 0:25:03 | |
The circuits are printed onto gallium arsenide, | 0:25:08 | 0:25:11 | |
a semiconductor, and bonded onto a ceramic tile. | 0:25:11 | 0:25:15 | |
Then they're connected with gold wire. | 0:25:18 | 0:25:20 | |
I'm placing a one-thou gold wire onto a substrate | 0:25:23 | 0:25:29 | |
using a combination of heat, pressure and vibration. | 0:25:29 | 0:25:32 | |
Each satellite is made up of around 20kg of pure gold. | 0:25:34 | 0:25:39 | |
It's 99.9% pure gold, | 0:25:39 | 0:25:42 | |
so, yeah, it's good stuff! | 0:25:42 | 0:25:45 | |
Only the best! | 0:25:46 | 0:25:48 | |
Pure gold is stable, doesn't degrade | 0:25:50 | 0:25:53 | |
and is an excellent conductor of both heat and electricity. | 0:25:53 | 0:25:57 | |
I was only 18 when I first did wire bonding | 0:25:57 | 0:26:01 | |
so I suppose I was quite adaptable to it. | 0:26:01 | 0:26:03 | |
Even though I've got chubby fingers, I like doing delicate work. | 0:26:03 | 0:26:06 | |
I haven't tried embroidery yet, though! | 0:26:09 | 0:26:11 | |
Once complete, the chips are incorporated into bigger electronic units. | 0:26:22 | 0:26:27 | |
I've been working on this for the best part of four years, | 0:26:28 | 0:26:32 | |
to actually get it from the early design, | 0:26:32 | 0:26:35 | |
right through to actually realising some of the hardware. | 0:26:35 | 0:26:39 | |
Decoding commands - | 0:26:39 | 0:26:40 | |
it's a bit like you sort of pick up your telephone and dial a number. | 0:26:40 | 0:26:45 | |
This particular unit, crudely, it's doing the same sort of function. | 0:26:45 | 0:26:50 | |
Then the components are tested again and again and again. | 0:26:54 | 0:27:00 | |
We've got about 8,000 test steps on this particular unit on its own, | 0:27:00 | 0:27:06 | |
so end to end, it's probably something like around two to three months, I would think. | 0:27:06 | 0:27:12 | |
But certainly on the design side, you know, you're very conscious | 0:27:12 | 0:27:16 | |
that this, actually, is going to be up there for 15 years. | 0:27:16 | 0:27:19 | |
That's quite at the fore of your mind in terms of everything you do. | 0:27:19 | 0:27:24 | |
It certainly is in my mind, anyway! | 0:27:24 | 0:27:27 | |
But not all the components inside the satellite rely on modern technology. | 0:27:31 | 0:27:36 | |
I've worked in this building for about 12 years, | 0:27:40 | 0:27:44 | |
but I've been engaged on crystal growth for the last 42 years. | 0:27:44 | 0:27:49 | |
-Morning, Mike. -Morning. -A huge problem for satellite communication is interference. | 0:27:49 | 0:27:54 | |
This happens when the outgoing signal is confused with the incoming signal. | 0:27:54 | 0:28:00 | |
This problem can be prevented by quartz crystals | 0:28:00 | 0:28:03 | |
built into devices called "resonators". | 0:28:03 | 0:28:07 | |
You can look on the quartz resonator as the beating heart. | 0:28:08 | 0:28:12 | |
If the heart stops, the patient dies, | 0:28:12 | 0:28:18 | |
and similarly, with a satellite, | 0:28:18 | 0:28:20 | |
if the quartz crystal stops oscillating, the satellite will die. | 0:28:20 | 0:28:26 | |
Oscillating crystals are used to control all the frequencies the satellite transmits. | 0:28:28 | 0:28:34 | |
And the quality of the crystal is critical | 0:28:36 | 0:28:38 | |
because if there's any impurity, they won't work. | 0:28:38 | 0:28:42 | |
This is a block of natural quartz that we purchased from a small company | 0:28:42 | 0:28:46 | |
that uses quartz for crystal balls. | 0:28:46 | 0:28:50 | |
Something like that would set you back somewhere between £10,000-£20,000. | 0:28:50 | 0:28:55 | |
-OK, Mike, bring in the crane. -Because Derek needs to ensure the crystal quality and supply, | 0:28:58 | 0:29:03 | |
he originally used purchased crystals | 0:29:03 | 0:29:06 | |
to provide seeds from which he grows his own. | 0:29:06 | 0:29:09 | |
What we're trying to do here is to replicate the way | 0:29:14 | 0:29:17 | |
natural quartz grows in nature. | 0:29:17 | 0:29:19 | |
Natural quartz will grow deep in the Earth's crust. The difference | 0:29:19 | 0:29:23 | |
is we're trying to speed up the process so we can complete | 0:29:23 | 0:29:27 | |
the growth in, essentially, a few months rather than a few thousand years. | 0:29:27 | 0:29:31 | |
Over the next three months, under a high temperature | 0:29:33 | 0:29:36 | |
and enormous pressure, crystals slowly form in a solution of caustic soda. | 0:29:36 | 0:29:41 | |
We've been producing them for 25 years or so, | 0:29:41 | 0:29:44 | |
and so far nobody has beaten them. | 0:29:44 | 0:29:46 | |
Once they're formed, the pure crystals are first sliced... | 0:29:51 | 0:29:54 | |
..then shaped... | 0:29:57 | 0:29:58 | |
..and finally polished | 0:30:00 | 0:30:03 | |
until they are little bigger than a contact lens | 0:30:03 | 0:30:05 | |
before being incorporated into the satellite's electronics. | 0:30:05 | 0:30:09 | |
Our crystals are the purest in the world. | 0:30:09 | 0:30:11 | |
I can say that with absolute certainty. | 0:30:11 | 0:30:13 | |
Once all the electronic sections have been made, | 0:30:23 | 0:30:27 | |
they need to undergo a series of tests before being attached | 0:30:27 | 0:30:30 | |
to the communications module. | 0:30:30 | 0:30:32 | |
My name's Gary Stancombe. I've worked in vibration tests | 0:30:32 | 0:30:35 | |
and mechanical tests at Astrium for 15 years now. | 0:30:35 | 0:30:39 | |
I'm going to do some taping down to tidy it up and then we'll be ready. | 0:30:39 | 0:30:43 | |
OK. | 0:30:43 | 0:30:45 | |
This test is to check they will survive the extreme physical impact of the satellite's launch. | 0:30:48 | 0:30:54 | |
What we're doing today is we're going to subject this unit | 0:30:54 | 0:30:58 | |
to a sequence of vibration tests to simulate the launch environment | 0:30:58 | 0:31:02 | |
when the rocket lifts off and those eight minutes which will take it into space. | 0:31:02 | 0:31:07 | |
It does get a fair old shake. Today, we're going to subject it to a 20G vibration test - | 0:31:09 | 0:31:17 | |
20 times gravity. So anything in there will feel 20 times heavier. | 0:31:17 | 0:31:23 | |
Every electronic component is tested in this way, | 0:31:24 | 0:31:27 | |
sometimes to breaking point. | 0:31:27 | 0:31:30 | |
It is a hard test, yeah. It's a thorough test. | 0:31:30 | 0:31:33 | |
It has to be. We have to ensure that everything | 0:31:35 | 0:31:38 | |
is going to still be working once the unit gets into space. | 0:31:38 | 0:31:43 | |
We do see failures, but not too often. | 0:31:43 | 0:31:46 | |
But it's not just the vibration of the launch that each component has to cope with. | 0:31:49 | 0:31:53 | |
There are also massive shock waves. | 0:31:53 | 0:31:56 | |
These happen as explosive charges decouple each stage of the rocket. | 0:31:56 | 0:32:01 | |
From the solid boosters, the satellite housing | 0:32:01 | 0:32:04 | |
and main engine, through to the deployment of the satellite itself. | 0:32:04 | 0:32:09 | |
These are quite substantial shock waves so they need to be tested. | 0:32:09 | 0:32:13 | |
OK, and that's the shock test! | 0:32:19 | 0:32:21 | |
Once the electronics have survived all these tests | 0:32:24 | 0:32:28 | |
they can be fitted into the communications module. | 0:32:28 | 0:32:31 | |
Ian Kilby started work as a technician over a decade ago, | 0:32:34 | 0:32:39 | |
but he's now in charge of ensuring everything is connected correctly. | 0:32:39 | 0:32:44 | |
When I moved up from technician to engineer, at that point | 0:32:44 | 0:32:48 | |
you're no longer allowed to fit any equipment to the payload. | 0:32:48 | 0:32:51 | |
I do miss the hands-on side of things. | 0:32:51 | 0:32:55 | |
I used to enjoy the challenges that wave-guide | 0:32:55 | 0:32:58 | |
and co-ax present to the fitters, | 0:32:58 | 0:33:00 | |
and yeah, | 0:33:00 | 0:33:02 | |
sometimes I do wish, on particularly bad days, I wish I was back down there | 0:33:02 | 0:33:07 | |
on the tools and could not worry so much about things. | 0:33:07 | 0:33:11 | |
At the moment, the communications module is in two pieces | 0:33:13 | 0:33:16 | |
and Ian has a brave attempt at explaining how it all fits together. | 0:33:16 | 0:33:21 | |
Basically the signal, when it's received from Earth - | 0:33:21 | 0:33:25 | |
when the whole satellite's coupled - | 0:33:25 | 0:33:27 | |
there'll be an antenna, a receiver antenna on the top floor. | 0:33:27 | 0:33:32 | |
The signal will come in. It goes through the equipment on the top floor. | 0:33:32 | 0:33:35 | |
They amplify it, clean up the signal, | 0:33:35 | 0:33:38 | |
get the part of the signal we require. | 0:33:38 | 0:33:42 | |
It then travels down, down through the payload and there will be | 0:33:42 | 0:33:46 | |
some equipment called MPMs which are not installed yet. | 0:33:46 | 0:33:49 | |
It travels up through the switch network, goes up through the OMUX, | 0:33:49 | 0:33:53 | |
it's amplified again and harmonised a little bit more, the signal is cleaned | 0:33:53 | 0:33:59 | |
a little bit more again at the OMUX level, and then basically, it comes back | 0:33:59 | 0:34:03 | |
to the top floor, to a feed-horn, to the reflector and then back to Earth. | 0:34:03 | 0:34:08 | |
Ian's idiots' guide to a payload! | 0:34:10 | 0:34:13 | |
Modern telecom satellites can now transmit over 300 digital channels simultaneously. | 0:34:13 | 0:34:19 | |
But just 20 years ago, they could only cope with ten analogue TV channels. | 0:34:21 | 0:34:25 | |
And their speed of transmission, or lack of it, | 0:34:27 | 0:34:29 | |
was apparent to everyone. | 0:34:29 | 0:34:31 | |
THEME MUSIC | 0:34:31 | 0:34:34 | |
If you think back to Terry Wogan's show, when he used to have one on BBC One... | 0:34:37 | 0:34:42 | |
..the very first sort of satellite links, London to New York, | 0:34:45 | 0:34:49 | |
it was almost painful to watch. | 0:34:49 | 0:34:51 | |
She called me, did she? | 0:34:51 | 0:34:54 | |
# I hear you calling me. # | 0:34:54 | 0:34:57 | |
-Am I speaking to Linda Gray? -HIS WORDS ECHO: -..Linda Gray. | 0:34:57 | 0:35:00 | |
-Yes. -Well, that's established that it's not working. | 0:35:00 | 0:35:03 | |
SHE LAUGHS | 0:35:03 | 0:35:05 | |
With the amount of lag, you had to wait for the signal to go, | 0:35:05 | 0:35:09 | |
or Terry's voice to reach the USA, and then the response time back. | 0:35:09 | 0:35:13 | |
It was an eternity. I'm sure people remember that. | 0:35:13 | 0:35:16 | |
It just took forever. | 0:35:16 | 0:35:18 | |
When we talk on satellite like this, you know, the miracle of sound, | 0:35:18 | 0:35:21 | |
there's just a little second or two delay. | 0:35:21 | 0:35:24 | |
So it's not that Barry's hearing has gone. | 0:35:24 | 0:35:27 | |
It's merely it's a long way to Los Angeles. | 0:35:27 | 0:35:29 | |
But now with the speed, the processing power and the speed | 0:35:29 | 0:35:33 | |
of modern satellites, it's barely noticeable. It's, like I say, within a second. | 0:35:33 | 0:35:38 | |
Once all the electronic equipment is fixed, the side panels | 0:35:43 | 0:35:47 | |
and the central structure are joined together to form the complete communications module. | 0:35:47 | 0:35:51 | |
These are some of the most delicate parts of the satellite. | 0:35:51 | 0:35:56 | |
And to safeguard them in the extreme environment of deep space, they need special protection. | 0:35:58 | 0:36:03 | |
My name's Katy Smith. | 0:36:06 | 0:36:08 | |
I'm the thermal architect here | 0:36:08 | 0:36:09 | |
and I've been working here for about six years. | 0:36:09 | 0:36:12 | |
My job is the thermal design, the build, the test of the spacecraft. | 0:36:14 | 0:36:19 | |
Deep-space environment's incredibly hostile. | 0:36:22 | 0:36:24 | |
It's incredibly cold - minus-270 degrees C - | 0:36:24 | 0:36:27 | |
whereas the sun-pointing surface could be in the region of 150, if not more. | 0:36:27 | 0:36:32 | |
And on top of that, you're in a vacuum so there's no convective environment, | 0:36:32 | 0:36:36 | |
you can't reject heat like you would. | 0:36:36 | 0:36:38 | |
For example, your cup of tea, when you blow on it, it removes the heat. It doesn't exist. | 0:36:38 | 0:36:42 | |
And the satellite needs to be able to operate within these massive temperature differences. | 0:36:42 | 0:36:48 | |
If we sent a spacecraft up into space with no insulation, | 0:36:48 | 0:36:52 | |
it wouldn't work. | 0:36:52 | 0:36:54 | |
You'd have one side with severe damage to the structure because of the sun's influence. | 0:36:54 | 0:36:58 | |
You'd have panels dropping off. So the distortions caused by the temperature differences | 0:36:58 | 0:37:03 | |
would buckle the structure and destroy it. | 0:37:03 | 0:37:06 | |
And the heat isn't just a problem on the outside of the satellite | 0:37:06 | 0:37:10 | |
because these extremes of temperature could be | 0:37:10 | 0:37:12 | |
disastrous for all the on-board electronics inside. | 0:37:12 | 0:37:16 | |
They can only operate between a cold minus-10 degrees | 0:37:16 | 0:37:20 | |
to a warm 40 degrees. | 0:37:20 | 0:37:22 | |
So to keep the internal temperature within this range, | 0:37:23 | 0:37:26 | |
-the satellite is wrapped in material called Kapton. -Kapton is a high-temperature layer. | 0:37:26 | 0:37:32 | |
It's very robust. You can use it in an environment from minus-250 degrees C, | 0:37:32 | 0:37:36 | |
up to a continuous operating temperature of about 290 degrees C. | 0:37:36 | 0:37:40 | |
I think the best way of describing it as a home product would be a Quality Street wrapper. | 0:37:40 | 0:37:45 | |
It's difficult to tear, incredibly light, | 0:37:45 | 0:37:48 | |
so for a space environment, it's hugely applicable. | 0:37:48 | 0:37:51 | |
But Kapton can't protect the satellite on its own. | 0:37:51 | 0:37:56 | |
What you're actually seeing here is a very thin deposition of aluminium. | 0:37:56 | 0:38:00 | |
So here, when you can see the gold outer layer, it's not actually gold. | 0:38:00 | 0:38:05 | |
What you're seeing is the vacuum-deposited aluminium | 0:38:05 | 0:38:08 | |
behind the Kapton, like that, giving it an amber or gold effect. | 0:38:08 | 0:38:13 | |
The aluminium-backed Kapton forms a blanket, insulating the satellite | 0:38:16 | 0:38:21 | |
and preventing heat being lost to deep space, while at the same time | 0:38:21 | 0:38:25 | |
stopping the sun overheating the electronics inside. | 0:38:25 | 0:38:29 | |
I know it seems kind of counterintuitive | 0:38:32 | 0:38:34 | |
because you've got large amounts of energy coming in from the sun, | 0:38:34 | 0:38:37 | |
but to balance it out and find a happy medium, | 0:38:37 | 0:38:40 | |
you have to block some of the sun, dump some of the heat | 0:38:40 | 0:38:43 | |
and supply some heat internally. It's a really complicated juggling act. | 0:38:43 | 0:38:48 | |
The Kapton blanket is the first line of defence at keeping | 0:38:49 | 0:38:53 | |
the satellite at a reasonably constant temperature. | 0:38:53 | 0:38:56 | |
But the electronics inside also create their own heat, | 0:38:56 | 0:39:00 | |
and this, too, needs to be dissipated. | 0:39:00 | 0:39:02 | |
To do this, some very clever engineering | 0:39:04 | 0:39:07 | |
is also incorporated into the two large structural panels | 0:39:07 | 0:39:10 | |
on the outside of the service module. | 0:39:10 | 0:39:12 | |
A complex matrix of pipes act as massive radiators, dumping heat generated by the electronics | 0:39:17 | 0:39:23 | |
and keeping the internal temperature constant. | 0:39:23 | 0:39:26 | |
A heat pipe is a very, very effective method of moving heat from one local region to another. | 0:39:27 | 0:39:33 | |
There's no working parts, no electricity required, | 0:39:33 | 0:39:36 | |
so power-wise, it's good. | 0:39:36 | 0:39:38 | |
But unlike household radiators, these pipes contain ammonia, | 0:39:39 | 0:39:44 | |
because it boils and vaporises at just the right temperature - | 0:39:44 | 0:39:48 | |
33 degrees centigrade. | 0:39:48 | 0:39:50 | |
So what happens, is at one end, | 0:39:52 | 0:39:55 | |
in the hot, high power dissipation region, | 0:39:55 | 0:39:57 | |
what will be a liquid at that stage evaporates. | 0:39:57 | 0:40:00 | |
The vapour then travels up the tube, up the centre of the tube | 0:40:00 | 0:40:03 | |
to the cold region and at this region it condenses. | 0:40:03 | 0:40:06 | |
It dumps the heat and then travels back down | 0:40:06 | 0:40:08 | |
to start the whole cycle again in the form of a liquid. | 0:40:08 | 0:40:11 | |
There is one final line of defence, | 0:40:16 | 0:40:19 | |
which is also crucial in reflecting heat away from the satellite. | 0:40:19 | 0:40:22 | |
And it's all down to this team. | 0:40:24 | 0:40:27 | |
I know it sounds very cheesy, | 0:40:29 | 0:40:31 | |
but it's the satisfaction of knowing | 0:40:31 | 0:40:33 | |
that you're actually contributing to mankind. | 0:40:33 | 0:40:36 | |
You see that panel that comes in with no mirrors on it. | 0:40:36 | 0:40:39 | |
And then, when it goes out, it looks beautiful, all polished up. | 0:40:39 | 0:40:42 | |
And you know it's serving a purpose up there to protect the spacecraft. | 0:40:42 | 0:40:46 | |
You stand back and look at it and go, "Wow, we did that." | 0:40:46 | 0:40:49 | |
A thin silver surface of mirrors will reflect the sun's rays | 0:40:51 | 0:40:56 | |
away from the satellite and is its last form of heat defence. | 0:40:56 | 0:41:00 | |
These are 100 microns thick. | 0:41:02 | 0:41:04 | |
So they are very thin, it's about as thick as a human hair. | 0:41:04 | 0:41:06 | |
We have sheets of 198 mirrors at a time, so they're very fragile. | 0:41:06 | 0:41:11 | |
The glass the mirrors are made of also helps to emit heat | 0:41:12 | 0:41:15 | |
away from its core. | 0:41:15 | 0:41:17 | |
Just want to feather that in. | 0:41:17 | 0:41:19 | |
Well, we've put the activator in and we've only got 30 minutes | 0:41:19 | 0:41:23 | |
to apply the adhesive, put the mirrors on and get it under vacuum, | 0:41:23 | 0:41:29 | |
So, it is a bit of a rush. | 0:41:29 | 0:41:30 | |
It's eight hours of prep for 30 minutes of organised chaos! | 0:41:31 | 0:41:38 | |
The surface that you can see is 99% silver, | 0:41:38 | 0:41:42 | |
it's pure silver. | 0:41:42 | 0:41:44 | |
And the back surface, the darker side, is nickel and chrome, | 0:41:44 | 0:41:48 | |
which is called nichrome | 0:41:48 | 0:41:50 | |
and that is there purely to stop the silver from oxidising. | 0:41:50 | 0:41:53 | |
I you remember, if you can think back | 0:41:53 | 0:41:56 | |
to your grandmother's silver dinner service when it goes black. | 0:41:56 | 0:41:59 | |
These will go black and they then, they don't become reflective. | 0:41:59 | 0:42:02 | |
That's it. We're done. | 0:42:06 | 0:42:08 | |
In Portsmouth, Ian Kilby is putting the communications module | 0:42:12 | 0:42:16 | |
through its final checks | 0:42:16 | 0:42:17 | |
in a special room called an anechoic chamber. | 0:42:17 | 0:42:20 | |
We're firing some microwaves at the payload | 0:42:21 | 0:42:23 | |
to see if there are any leaks in any of our co-axial connections. | 0:42:23 | 0:42:27 | |
So, if you imagine the same signal is inside the payload, | 0:42:27 | 0:42:31 | |
it's leaked around and it's coming out of a hole, | 0:42:31 | 0:42:34 | |
it could, in turn, effect the input into the satellite | 0:42:34 | 0:42:38 | |
and the output going out. | 0:42:38 | 0:42:40 | |
So, it could blind itself, in effect, | 0:42:40 | 0:42:42 | |
with its own loop of RF signal. | 0:42:42 | 0:42:44 | |
It's been quite catastrophic in the past to have EMC leaks | 0:42:46 | 0:42:49 | |
because it actually interferes with the transmission | 0:42:49 | 0:42:52 | |
that's coming from the comms module back to Earth. | 0:42:52 | 0:42:54 | |
The chamber is designed to block out any radio signals | 0:42:54 | 0:42:58 | |
from getting in or out. | 0:42:58 | 0:43:00 | |
It's almost like taking a telephone towards a radio | 0:43:00 | 0:43:03 | |
when you're phoning the radio station. | 0:43:03 | 0:43:06 | |
You get that a big screaming squeal, in an effect not a screaming squeal, | 0:43:06 | 0:43:11 | |
but obviously it has a similar effect on a telecoms payload. | 0:43:11 | 0:43:15 | |
With the final testing complete, | 0:43:16 | 0:43:18 | |
it's time to box up the communications module | 0:43:18 | 0:43:21 | |
ready for shipping. | 0:43:21 | 0:43:22 | |
It's always a nerve-wracking moment to pick up something of this value. | 0:43:22 | 0:43:26 | |
It's all the fruits of our labours over the last few months. | 0:43:26 | 0:43:30 | |
Lots of things potentially could go wrong. | 0:43:30 | 0:43:32 | |
You know, we're picking it up with a crane. | 0:43:32 | 0:43:35 | |
Failure with the crane or something catastrophic could happen. | 0:43:35 | 0:43:38 | |
Even when it's turning into the box, it's quite a nerve wracking moment, | 0:43:38 | 0:43:41 | |
it's quite a large mass. | 0:43:41 | 0:43:46 | |
After over two years of intense and complicated engineering, | 0:43:46 | 0:43:49 | |
most of the work that takes place in the UK is done | 0:43:49 | 0:43:52 | |
and the modules are shipped to Toulouse in the south of France. | 0:43:52 | 0:43:57 | |
It's always quite pleasing when you see another delivery going out of the door. | 0:43:57 | 0:44:02 | |
It's in this facility where the final assembly happens. | 0:44:02 | 0:44:07 | |
It's a complicated and delicate process. | 0:44:07 | 0:44:11 | |
First, the service module made in Stevenage | 0:44:11 | 0:44:14 | |
and the communications module from Portsmouth will be joined together. | 0:44:14 | 0:44:18 | |
Then, the solar arrays are added. | 0:44:18 | 0:44:21 | |
Finally, the antenna will be attached. | 0:44:21 | 0:44:24 | |
Graham Viney has escorted the service module to Toulouse | 0:44:31 | 0:44:34 | |
but luckily for him it's his French colleague, | 0:44:34 | 0:44:37 | |
Pascal Gaudin, who's in charge. | 0:44:37 | 0:44:40 | |
This phase is key for Pascal, | 0:44:40 | 0:44:41 | |
he's responsible for the integration here. | 0:44:41 | 0:44:44 | |
For me, you can probably tell I'm a little more relaxed, | 0:44:44 | 0:44:50 | |
but I understand what Pascal is going through, but it's not me. | 0:44:50 | 0:44:56 | |
Here, at that point, | 0:44:56 | 0:44:57 | |
we have a few millimetres, really, tolerance, that's all. | 0:44:57 | 0:45:02 | |
We are all feeling a bit nervous about this | 0:45:03 | 0:45:07 | |
because we have to look at all the proximities | 0:45:07 | 0:45:11 | |
between the two structures | 0:45:11 | 0:45:13 | |
and spacecraft is never the same, so each time there are surprises, | 0:45:13 | 0:45:18 | |
so, we have to be very careful about this operation. | 0:45:18 | 0:45:22 | |
After six hours careful work, the two British built modules are successfully coupled | 0:45:24 | 0:45:28 | |
and the main body of the satellite is complete. | 0:45:28 | 0:45:33 | |
I think more relaxed, | 0:45:33 | 0:45:34 | |
we passed the most critical phase of this operation. | 0:45:34 | 0:45:37 | |
Now we still have to fit all together the different interfaces, | 0:45:37 | 0:45:41 | |
which are on different levels | 0:45:41 | 0:45:45 | |
but so far it's a success, | 0:45:45 | 0:45:48 | |
yes, this coupling is a success. | 0:45:48 | 0:45:51 | |
Completing the satellite in Toulouse will take another seven months | 0:45:54 | 0:45:58 | |
of dedicated work. | 0:45:58 | 0:45:59 | |
Although all satellites carry fuel for the engines | 0:46:04 | 0:46:07 | |
they are actually solar powered. | 0:46:07 | 0:46:09 | |
My name is Ludwig Grandl, | 0:46:15 | 0:46:17 | |
I am the manager for the Centre Of Competence of Astrium Solar Arrays, | 0:46:17 | 0:46:24 | |
here in Germany. | 0:46:24 | 0:46:25 | |
For the last 40 years, the main centre for solar array production | 0:46:27 | 0:46:31 | |
in Europe has been this factory. | 0:46:31 | 0:46:33 | |
The satellite will have over 20,000 individual solar cells, | 0:46:37 | 0:46:41 | |
each helping to generate the electricity needed | 0:46:41 | 0:46:45 | |
to power the electronic systems. | 0:46:45 | 0:46:47 | |
What you can see here, that's a typical solar array | 0:46:51 | 0:46:54 | |
for our Euro star programmes. | 0:46:54 | 0:46:57 | |
One wing as we see it here completed with the mechanism | 0:46:57 | 0:47:01 | |
is around 130kg. | 0:47:01 | 0:47:03 | |
Though, on a satellite we have two of them. | 0:47:05 | 0:47:08 | |
Each array is 20 metres long and yet their combined total weight | 0:47:09 | 0:47:14 | |
is the equivalent of just three average sized men. | 0:47:14 | 0:47:17 | |
The arrays are folded | 0:47:20 | 0:47:21 | |
against the satellite's structure for the launch, | 0:47:21 | 0:47:24 | |
but once in space, they gently unfold, | 0:47:24 | 0:47:26 | |
using a system of springs and wires. | 0:47:26 | 0:47:29 | |
Let me say, we are extreme reliable in this way | 0:47:31 | 0:47:35 | |
and we never lost function of one of our solar arrays | 0:47:35 | 0:47:41 | |
for whatever reasons. | 0:47:41 | 0:47:42 | |
The solar arrays are dependent on a drive mechanism. | 0:47:44 | 0:47:47 | |
This allows them to move and always face the sun | 0:47:49 | 0:47:53 | |
and this machine has been designed and built back in the UK | 0:47:53 | 0:47:58 | |
by Bob and his team. | 0:47:58 | 0:48:00 | |
This is one of the key critical elements in the spacecraft, | 0:48:00 | 0:48:03 | |
so it has to operate every day for 15 years. | 0:48:03 | 0:48:07 | |
If we lose this, we lose power into the spacecraft, | 0:48:07 | 0:48:10 | |
that causes the mission failure. | 0:48:10 | 0:48:12 | |
This mechanism is one of the most critical components | 0:48:12 | 0:48:16 | |
of the whole satellite. | 0:48:16 | 0:48:18 | |
It has to move the solar arrays to face the sun every second | 0:48:18 | 0:48:21 | |
of every day for its entire 15 year lifetime. | 0:48:21 | 0:48:26 | |
Because if it doesn't, the satellite will loose power. | 0:48:26 | 0:48:30 | |
This provides two functions. | 0:48:30 | 0:48:31 | |
It provides the power transfer from the arrays | 0:48:31 | 0:48:34 | |
and then it also enables the arrays to track the sun | 0:48:34 | 0:48:36 | |
by rotating at one cycle per day. | 0:48:36 | 0:48:38 | |
This is the spacecraft. These are the arrays. | 0:48:38 | 0:48:41 | |
So, they sit in here holding the arrays | 0:48:41 | 0:48:44 | |
and if you imagine my fist as the Earth | 0:48:44 | 0:48:47 | |
and the camera perhaps as the sun, | 0:48:47 | 0:48:50 | |
then as the Earth rotates and the spacecraft rotates, | 0:48:50 | 0:48:53 | |
you'll see that if you don't rotate the array to track the sun, | 0:48:53 | 0:48:59 | |
then you don't get the power. | 0:48:59 | 0:49:01 | |
So we have to rotate, as this space craft sits | 0:49:01 | 0:49:04 | |
in geostationary orbit above the equator, moving round the Earth, | 0:49:04 | 0:49:08 | |
we have to rotate these so they are always facing the sun. | 0:49:08 | 0:49:11 | |
There is a very, very high pleasure in engineering | 0:49:14 | 0:49:17 | |
in getting something right. | 0:49:17 | 0:49:19 | |
The fact that you can see something which was, | 0:49:19 | 0:49:21 | |
in effect, something in somebody's imagination turn into reality | 0:49:21 | 0:49:25 | |
and for it then to be successful, is a tremendous kick, it really is. | 0:49:25 | 0:49:30 | |
With everything fitted and tested the satellite is carefully packed | 0:49:37 | 0:49:41 | |
into a hi-tech crate and sent by plane to the launch site... | 0:49:41 | 0:49:44 | |
..Where it's prepared for its final journey. | 0:49:49 | 0:49:52 | |
It's a tense time for the whole team. | 0:49:57 | 0:50:00 | |
We're in the satellite control centre and this control centre | 0:50:05 | 0:50:09 | |
takes over control of the satellite | 0:50:09 | 0:50:12 | |
after it's separated from the launcher. | 0:50:12 | 0:50:14 | |
It is critical, it is a crucial phase. | 0:50:14 | 0:50:16 | |
Good line pressure to fire the thrusters. | 0:50:16 | 0:50:20 | |
At the moment, this team here is running through a rehearsal. | 0:50:23 | 0:50:27 | |
There is a computer simulating everything the satellite does, | 0:50:27 | 0:50:31 | |
we can send commands as we would and it responds like a satellite, | 0:50:31 | 0:50:35 | |
and it's really testing, testing the team. | 0:50:35 | 0:50:38 | |
As the satellite is being prepared for launch | 0:50:39 | 0:50:42 | |
on the other side of the world, these rehearsals are critical | 0:50:42 | 0:50:46 | |
because when it leaves the rocket that gets it into space | 0:50:46 | 0:50:49 | |
its orbit will be elliptical. | 0:50:49 | 0:50:51 | |
The moments leading up to the firing of that main engine is very tense, | 0:50:53 | 0:50:58 | |
a lot of pressure, | 0:50:58 | 0:50:59 | |
and if it doesn't happen we have a lot of people looking at us. | 0:50:59 | 0:51:03 | |
Graham and his team will then have to fly it into the correct geostationary orbit | 0:51:04 | 0:51:09 | |
by remotely operating its main engine and thrusters. | 0:51:09 | 0:51:13 | |
Each burn will take up to 90 minutes, but overall | 0:51:15 | 0:51:19 | |
the procedure will take two weeks and use half of the available fuel. | 0:51:19 | 0:51:24 | |
Every time we circularise the orbit of a satellite, there's something | 0:51:24 | 0:51:28 | |
about those two weeks where something will challenge us. | 0:51:28 | 0:51:33 | |
The launch day is fast approaching. | 0:51:40 | 0:51:43 | |
And over 4,000 miles from Stevenage, | 0:51:43 | 0:51:45 | |
Bob Graham is following the satellite's journey. | 0:51:45 | 0:51:48 | |
We're in French Guiana, which is in South America | 0:51:48 | 0:51:51 | |
and very close to the equator. | 0:51:51 | 0:51:53 | |
Green, lots of green trees. | 0:51:55 | 0:51:58 | |
Very, very hot, about 37 degrees today. | 0:51:58 | 0:52:01 | |
One of the reasons we launch from the equator, or very close to the equator, | 0:52:02 | 0:52:06 | |
is because the earth spins | 0:52:06 | 0:52:10 | |
and there's a faster rotational speed actually on the equator. | 0:52:10 | 0:52:14 | |
It makes business sense to fire a rocket into space from the equator | 0:52:17 | 0:52:21 | |
as it's cheaper to launch. | 0:52:21 | 0:52:23 | |
Which means less fuel, means a lower cost launch | 0:52:23 | 0:52:26 | |
and from the spacecraft's perspective | 0:52:26 | 0:52:29 | |
it's actually being placed closer to its end orbital position | 0:52:29 | 0:52:33 | |
so, again, it uses less fuel on the spacecraft. | 0:52:33 | 0:52:36 | |
The satellite will be lifted into orbit by an Ariane 5 rocket. | 0:52:39 | 0:52:44 | |
At over 50 metres and almost 800 tonnes fully fuelled, | 0:52:44 | 0:52:49 | |
this is the workhorse of European space exploration. | 0:52:49 | 0:52:52 | |
Our satellite is right at the top of the launch vehicle | 0:52:59 | 0:53:03 | |
you can see the fairing at the top the curved part | 0:53:03 | 0:53:05 | |
is literally sitting right inside there. | 0:53:05 | 0:53:10 | |
Watching the launch has a special resonance for Bob. | 0:53:10 | 0:53:13 | |
I've worked in the space industry for nearly 30 years, | 0:53:13 | 0:53:17 | |
never seen a launch in my whole career, never. | 0:53:17 | 0:53:21 | |
To be so close is a really incredible and moving moment | 0:53:22 | 0:53:27 | |
because a lot of people do not actually get to witness this. | 0:53:27 | 0:53:32 | |
I feel terribly privileged that I'm here | 0:53:32 | 0:53:34 | |
and I would see myself as a representative of the people | 0:53:34 | 0:53:37 | |
who've actually contributed to the delivery and the success of this spacecraft. | 0:53:37 | 0:53:42 | |
You're talking about 30 million horsepower at launch. | 0:53:43 | 0:53:48 | |
So, the thrust when this vehicle takes off | 0:53:48 | 0:53:51 | |
is about the equivalent of 12 A380 airbuses taking off. | 0:53:51 | 0:53:55 | |
This is a pretty rough ride for the satellite | 0:53:55 | 0:53:57 | |
and that's what all the design and everything is about. | 0:53:57 | 0:54:00 | |
We have to make sure it survives this phase | 0:54:00 | 0:54:03 | |
and then it can go into operation. | 0:54:03 | 0:54:05 | |
So, it's, er, yes, | 0:54:05 | 0:54:07 | |
this is the bit where we all get that...little bit of butterflies in the stomach, | 0:54:07 | 0:54:11 | |
which is saying, "I hope this goes all right." | 0:54:11 | 0:54:14 | |
Maybe even some sweaty palms, let's wait and see. | 0:54:14 | 0:54:17 | |
Later that day, | 0:54:22 | 0:54:23 | |
the rocket is carefully rolled out to the launch pad. | 0:54:23 | 0:54:27 | |
It's taken over two years, in excess of £100 million | 0:54:27 | 0:54:31 | |
and some exceptional engineering to get this far. | 0:54:31 | 0:54:35 | |
And now, there's nothing Bob can do. | 0:54:36 | 0:54:39 | |
Except wait. | 0:54:39 | 0:54:40 | |
Launch day. | 0:54:52 | 0:54:54 | |
And on schedule, the automatic countdown commences. | 0:54:54 | 0:54:57 | |
At first, everything goes smoothly. | 0:55:03 | 0:55:07 | |
But at just 1 minute and 47 seconds before ignition, | 0:55:12 | 0:55:18 | |
the countdown stops. | 0:55:18 | 0:55:19 | |
The window has opened and there's a hold. | 0:55:22 | 0:55:25 | |
There's some problem somewhere which they're checking. | 0:55:25 | 0:55:28 | |
They'll restart the seven-minute countdown. | 0:55:28 | 0:55:30 | |
So we will see how it goes from here. | 0:55:30 | 0:55:32 | |
Little butterflies. Is it going to go? Is it going to go? | 0:55:34 | 0:55:38 | |
And is it going to be... | 0:55:38 | 0:55:41 | |
..as they say it is in terms of the light, the noise | 0:55:42 | 0:55:46 | |
and, er...yeah. | 0:55:46 | 0:55:48 | |
So let's see. | 0:55:48 | 0:55:50 | |
As night falls, it's apparent that the technical issues | 0:55:50 | 0:55:53 | |
are more serious than first thought. | 0:55:53 | 0:55:56 | |
And after an hour of waiting, the launch is cancelled. | 0:55:57 | 0:56:02 | |
The next morning, an initial investigation suggests | 0:56:13 | 0:56:16 | |
a faulty fuel valve in the rocket caused the postponement. | 0:56:16 | 0:56:20 | |
Here we are in Mission Control Jupiter, the morning after. | 0:56:23 | 0:56:27 | |
This is the place where that final decision was made last night | 0:56:28 | 0:56:32 | |
to postpone it. | 0:56:32 | 0:56:33 | |
As an engineer, I know this is the right decision. | 0:56:37 | 0:56:40 | |
The decision made last night was the right one. But... | 0:56:40 | 0:56:44 | |
..as a man, as a person, as a representative of a team, | 0:56:45 | 0:56:48 | |
yes, there's an element of disappointment that it didn't happen. | 0:56:48 | 0:56:52 | |
Space is difficult. It is about risk. | 0:56:54 | 0:56:57 | |
It is about showing that our products are good, | 0:56:57 | 0:57:00 | |
but we can't afford to take the risks. But it will happen again. | 0:57:00 | 0:57:04 | |
Maybe I won't see it, but others will and I guess that's life. | 0:57:04 | 0:57:08 | |
And finally, the satellite was successfully launched. | 0:57:21 | 0:57:25 | |
Today, 35,786 kilometres above us, | 0:57:47 | 0:57:53 | |
the brand-new communications satellite | 0:57:53 | 0:57:56 | |
is now being prepared to broadcast pictures directly into your home. | 0:57:56 | 0:58:01 | |
So keep watching the skies. | 0:58:02 | 0:58:04 | |
From sketch to structure, see how designs come to life by visiting: | 0:58:08 | 0:58:12 | |
And follow the links to the Open University. | 0:58:16 | 0:58:19 | |
Subtitles by Red Bee Media Ltd | 0:58:44 | 0:58:48 | |
Email [email protected] | 0:58:48 | 0:58:51 |