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Imagine what life was like before we could make anything cold. | 0:00:04 | 0:00:09 | |
Just a few generations ago, we had no idea how to keep food fresh, | 0:00:09 | 0:00:14 | |
and hot places like Arizona or Dubai | 0:00:14 | 0:00:18 | |
were basically uninhabitable. | 0:00:18 | 0:00:20 | |
And forget about ice cream. | 0:00:20 | 0:00:22 | |
So, how did we get to today's refrigerated world? | 0:00:23 | 0:00:27 | |
200 years ago, there would have been no way to escape the heat. | 0:00:27 | 0:00:30 | |
'Well, it took people like the college dropout, | 0:00:32 | 0:00:35 | |
'who first decided to ship ice around the world...' | 0:00:35 | 0:00:39 | |
Everywhere he goes, | 0:00:39 | 0:00:41 | |
the ice melts, | 0:00:41 | 0:00:42 | |
but he doesn't give up. | 0:00:42 | 0:00:44 | |
'..and a guy trying to feed his family in the Arctic...' | 0:00:44 | 0:00:48 | |
Imagine trying to live the entire winter on, like, moose jerky(!) | 0:00:48 | 0:00:52 | |
'..who winds up changing the way we eat | 0:00:52 | 0:00:55 | |
'for ever.' | 0:00:55 | 0:00:56 | |
Ice fisherman! | 0:00:56 | 0:00:57 | |
These are classic examples of the kind of people who actually | 0:00:57 | 0:01:01 | |
made the modern world, | 0:01:01 | 0:01:03 | |
people you've probably never heard of. | 0:01:03 | 0:01:05 | |
'They are the hobbyists, | 0:01:08 | 0:01:09 | |
'garage inventors | 0:01:09 | 0:01:10 | |
'and obsessive tinkerers, | 0:01:10 | 0:01:12 | |
'ordinary people doing extraordinary things.' | 0:01:12 | 0:01:15 | |
The thing about these pioneers is | 0:01:17 | 0:01:19 | |
that they didn't just make our world a cooler place, | 0:01:19 | 0:01:22 | |
but they also set in motion | 0:01:22 | 0:01:24 | |
an amazing chain reaction of ideas. | 0:01:24 | 0:01:27 | |
'From the places we live, | 0:01:31 | 0:01:32 | |
'to the food on our plates. | 0:01:32 | 0:01:34 | |
'From politics to Hollywood, | 0:01:34 | 0:01:37 | |
'to mass migrations, | 0:01:37 | 0:01:39 | |
'I want to show how these seemingly unconnected worlds | 0:01:39 | 0:01:42 | |
'are linked by the unsung heroes of cold.' | 0:01:42 | 0:01:45 | |
In all my career, | 0:01:48 | 0:01:49 | |
I've been fascinated by ideas and innovation, | 0:01:49 | 0:01:52 | |
from writing books about the great British innovators | 0:01:52 | 0:01:55 | |
of the Enlightenment or the Industrial Revolution, | 0:01:55 | 0:01:58 | |
to my work with Silicon Valley start-ups. | 0:01:58 | 0:02:01 | |
And what I've learned about innovation | 0:02:01 | 0:02:03 | |
is that the experiences of the past | 0:02:03 | 0:02:05 | |
are still the best road map for our future, | 0:02:05 | 0:02:08 | |
and that's why I want to tell you the story | 0:02:08 | 0:02:12 | |
of How We Got To Now. | 0:02:12 | 0:02:13 | |
Fire, | 0:02:26 | 0:02:27 | |
man's original innovation. | 0:02:27 | 0:02:29 | |
We've been tinkering with that for over 100,000 years. | 0:02:30 | 0:02:33 | |
But what about the opposite of fire? | 0:02:35 | 0:02:39 | |
What about our relationship with cold? | 0:02:39 | 0:02:41 | |
I don't actually normally sleep like this in my ski gear, | 0:02:46 | 0:02:49 | |
but I'm actually in one of the most extraordinary rooms | 0:02:49 | 0:02:53 | |
I've ever been in. I'm in Quebec, | 0:02:53 | 0:02:55 | |
in a hotel made entirely out of ice. | 0:02:55 | 0:02:58 | |
I mean, not just the structure, but look around me, | 0:02:58 | 0:03:00 | |
everything - this bed is made of ice, that table is made of ice, | 0:03:00 | 0:03:03 | |
this object, I don't even know what that is, but it's made of ice. | 0:03:03 | 0:03:06 | |
I mean, normally when you check in to your room | 0:03:06 | 0:03:08 | |
and it's ten below freezing, | 0:03:08 | 0:03:10 | |
you're, like, calling the front desk to complain, | 0:03:10 | 0:03:12 | |
but people come from all over the world to stay at this hotel. | 0:03:12 | 0:03:15 | |
Apart from an average temperature below freezing | 0:03:18 | 0:03:21 | |
and the fact that it all melts every spring, | 0:03:21 | 0:03:23 | |
this is just like a normal hotel - | 0:03:23 | 0:03:26 | |
dozens of rooms, | 0:03:26 | 0:03:28 | |
a front desk, | 0:03:28 | 0:03:29 | |
a grand lobby. | 0:03:29 | 0:03:31 | |
It's even got a chapel. | 0:03:31 | 0:03:33 | |
And, of course, a bar. | 0:03:33 | 0:03:36 | |
The refrigerators are there actually to keep the drinks warm, | 0:03:36 | 0:03:39 | |
because it's actually warmer in the fridge than it is in the ambient | 0:03:39 | 0:03:43 | |
temperature of the hotel. Otherwise, all the drinks would freeze. | 0:03:43 | 0:03:46 | |
The really cool thing about this place, though, | 0:03:48 | 0:03:50 | |
is how its 15,000-tonne snow structure is put together. | 0:03:50 | 0:03:54 | |
Remember when you were a kid and you had like a competition with | 0:03:58 | 0:04:01 | |
the neighbours over who could build the biggest snow fort? | 0:04:01 | 0:04:04 | |
These guys are going to win that competition. | 0:04:05 | 0:04:07 | |
I mean, look at all this gear, they're blowing all this | 0:04:07 | 0:04:10 | |
snow on top of these metal moulds that form | 0:04:10 | 0:04:13 | |
the shape of the roof of the new hotel rooms that they're building. | 0:04:13 | 0:04:17 | |
And then they basically... All of that snow, | 0:04:17 | 0:04:19 | |
they let it compact and then they just pull the mould out. | 0:04:19 | 0:04:21 | |
It's like, physically like making a cake, | 0:04:21 | 0:04:24 | |
only the cake is a 40-room hotel. | 0:04:24 | 0:04:26 | |
For Jacques Desbois, the man who created this palace of ice, | 0:04:30 | 0:04:34 | |
it is a symbol of how far the French-Canadian settlers | 0:04:34 | 0:04:37 | |
of Quebec have come in their relationship with cold. | 0:04:37 | 0:04:40 | |
Snow and ice, it's just kind of like an inconvenience, you know, | 0:04:43 | 0:04:46 | |
it's getting your car stuck in it or something like that, | 0:04:46 | 0:04:48 | |
but there's so much creativity and innovation here, | 0:04:48 | 0:04:51 | |
in this space. | 0:04:51 | 0:04:53 | |
You know, we... | 0:04:53 | 0:04:54 | |
Well, in a way, this is an igloo. | 0:04:54 | 0:04:57 | |
-Mm-hm. -It's a huge igloo. -Right, right. | 0:04:57 | 0:04:59 | |
And we're at a point that, | 0:04:59 | 0:05:02 | |
that snow shelter, | 0:05:02 | 0:05:04 | |
which was used for survival | 0:05:04 | 0:05:06 | |
centuries and centuries ago, | 0:05:06 | 0:05:08 | |
now exists for our own pleasure, | 0:05:08 | 0:05:12 | |
for our own amazement. | 0:05:12 | 0:05:15 | |
And in Quebec Province, here, | 0:05:15 | 0:05:17 | |
our ancestors were Mediterranean people | 0:05:17 | 0:05:21 | |
that have lost their way. | 0:05:21 | 0:05:23 | |
-Right. -They were thinking... | 0:05:23 | 0:05:24 | |
They were looking for tropical places in Asia, | 0:05:24 | 0:05:28 | |
but more and more, we are becoming real Northern people. | 0:05:28 | 0:05:32 | |
Right, embracing winter... | 0:05:32 | 0:05:34 | |
Yeah, sure, and it's a way | 0:05:34 | 0:05:37 | |
to make people realise that snow, | 0:05:37 | 0:05:40 | |
it's not only an inconvenience, but we can take advantage of it. | 0:05:40 | 0:05:43 | |
People have been doing imaginative things with ice | 0:05:51 | 0:05:54 | |
in frozen parts of the world for ever. | 0:05:54 | 0:05:57 | |
But just 200 years ago, | 0:05:57 | 0:05:59 | |
eons after we first mastered fire, | 0:05:59 | 0:06:02 | |
something profound changed. | 0:06:02 | 0:06:04 | |
We began to realise that we could use ice and cold as tools | 0:06:04 | 0:06:08 | |
to make life better in warmer climates. | 0:06:08 | 0:06:11 | |
And that revolution began with a simple idea, | 0:06:11 | 0:06:15 | |
one of those little pleasures of modern life | 0:06:15 | 0:06:17 | |
that we take for granted - | 0:06:17 | 0:06:20 | |
an ice cold drink on a hot summer's day. | 0:06:20 | 0:06:23 | |
Meet Frederic Tudor, | 0:06:28 | 0:06:31 | |
a wealthy young Bostonian. | 0:06:31 | 0:06:33 | |
In 1805, | 0:06:37 | 0:06:39 | |
aged just 21, | 0:06:39 | 0:06:40 | |
Tudor visits the fine state of South Carolina... | 0:06:40 | 0:06:44 | |
..the perfect environment for the fashionable elite. | 0:06:45 | 0:06:49 | |
Or at least, it would be the perfect environment | 0:06:52 | 0:06:55 | |
if it weren't so insanely hot! | 0:06:55 | 0:06:58 | |
I mean, it is really humid, and look at me, | 0:06:58 | 0:07:00 | |
I've got like seven layers on. | 0:07:00 | 0:07:02 | |
I mean, it looks good, but, you know, | 0:07:02 | 0:07:04 | |
until you die of heat stroke in the middle of the afternoon. | 0:07:04 | 0:07:07 | |
But 200 years ago, there would have been no way to escape | 0:07:07 | 0:07:10 | |
the heat of these long summer months in the South, | 0:07:10 | 0:07:13 | |
and Frederic Tudor found it unbearable. | 0:07:13 | 0:07:17 | |
'Back then, living in a hot place, | 0:07:17 | 0:07:20 | |
'you would never experience anything cold. | 0:07:20 | 0:07:23 | |
'I mean, warm lemonade, anyone?' | 0:07:23 | 0:07:26 | |
And this gets him thinking about home, | 0:07:26 | 0:07:29 | |
about the cold of the North. | 0:07:29 | 0:07:32 | |
And it inspires him to start taking notes in a journal. | 0:07:32 | 0:07:36 | |
He calls it the Ice House Diary. | 0:07:36 | 0:07:39 | |
In New England, there's a resource that's free | 0:07:40 | 0:07:43 | |
and abundant during winter... | 0:07:43 | 0:07:45 | |
..ice. | 0:07:46 | 0:07:48 | |
Upper class families store it for the summer | 0:07:48 | 0:07:51 | |
and use it to make ice cream, | 0:07:51 | 0:07:52 | |
chill drinks and preserve food. | 0:07:52 | 0:07:54 | |
Tudor thinks, "What if I could cut ice from frozen lakes | 0:07:56 | 0:08:00 | |
"and ship it to people in hot places?" | 0:08:00 | 0:08:02 | |
He writes about, | 0:08:04 | 0:08:05 | |
"The transporting of ice to popular climes." | 0:08:05 | 0:08:08 | |
Tudor thinks that ice is going to make him rich. | 0:08:18 | 0:08:22 | |
But the reality is, | 0:08:22 | 0:08:23 | |
in 1805, | 0:08:23 | 0:08:25 | |
moving ice long distances is impossible. | 0:08:25 | 0:08:29 | |
And even if you could get it to some far away, hot location, | 0:08:29 | 0:08:33 | |
there's no way it would last. | 0:08:33 | 0:08:36 | |
'In one of his first attempts, | 0:08:36 | 0:08:37 | |
'Tudor sends a ship full of ice 3,200 kilometres | 0:08:37 | 0:08:42 | |
'from Boston to the Caribbean island of Martinique. | 0:08:42 | 0:08:45 | |
'It almost all melts | 0:08:46 | 0:08:47 | |
'and his attempts to transport ice | 0:08:47 | 0:08:49 | |
'lose Tudor the modern equivalent of nearly 1 million.' | 0:08:49 | 0:08:53 | |
Tudor's attempts to bring ice to the South | 0:08:55 | 0:08:58 | |
end up landing him in a debtors' prison. | 0:08:58 | 0:09:01 | |
He loses his friends and his family fortune. | 0:09:01 | 0:09:05 | |
He ultimately has a nervous breakdown. | 0:09:05 | 0:09:08 | |
'His basic problem is simple - | 0:09:08 | 0:09:10 | |
'back then, no-one knows how to keep frozen water frozen. | 0:09:10 | 0:09:14 | |
'And everyone thinks his idea is nuts.' | 0:09:16 | 0:09:20 | |
OK, so, the way I see it is... Tudor's problem is | 0:09:23 | 0:09:26 | |
that his idea is really only half-baked, | 0:09:26 | 0:09:29 | |
and if you think about it, it's just a fragment of an idea, really, | 0:09:29 | 0:09:32 | |
and it's going to take him decades to get all the pieces together. | 0:09:32 | 0:09:37 | |
It's what I call the "slow hunch". | 0:09:37 | 0:09:39 | |
'If you want to understand how big ideas truly change the world, | 0:09:41 | 0:09:45 | |
'you need to get rid of the myth of the eureka moment. | 0:09:45 | 0:09:49 | |
'The truth is, there's no such thing as | 0:09:51 | 0:09:53 | |
'a light-bulb going off in the mind of a lone genius.' | 0:09:53 | 0:09:57 | |
Our best ideas start as something else, | 0:09:57 | 0:10:01 | |
a vague sense of possibility, | 0:10:01 | 0:10:03 | |
a hint of something bigger... | 0:10:03 | 0:10:04 | |
'Trying to turn his hunch into a viable business, | 0:10:07 | 0:10:10 | |
'Tudor endures more than a decade of disaster. | 0:10:10 | 0:10:14 | |
'At one point, he even writes to himself...' | 0:10:14 | 0:10:17 | |
'All the signs suggest that Tudor's dream | 0:10:26 | 0:10:28 | |
'is going to come to nothing.' | 0:10:28 | 0:10:30 | |
So, what does he do next? | 0:10:33 | 0:10:35 | |
He packs up a ship filled with ice and heads south. | 0:10:35 | 0:10:39 | |
Tudor's perseverance might seem crazy to us now, | 0:10:39 | 0:10:42 | |
but the thing is, he's sensing that his slow hunch | 0:10:42 | 0:10:45 | |
is finally going to pay off. | 0:10:45 | 0:10:47 | |
Let me show you why. | 0:10:47 | 0:10:49 | |
Tudor's problem is, how do you move ice around without it melting? | 0:10:49 | 0:10:53 | |
But now he has his light-bulb moment, | 0:10:53 | 0:10:56 | |
except that it's not really a light-bulb moment, | 0:10:56 | 0:10:59 | |
because it takes him ten years. | 0:10:59 | 0:11:00 | |
But he realises that, thanks to the lumber trade, | 0:11:00 | 0:11:04 | |
New England is filled with another abundant | 0:11:04 | 0:11:06 | |
and free resource that will solve his problem... | 0:11:06 | 0:11:09 | |
..sawdust. | 0:11:11 | 0:11:13 | |
So, let me show you how he would do it. | 0:11:13 | 0:11:15 | |
I feel like I'm actually doing a cooking show here, | 0:11:15 | 0:11:17 | |
but basically he would take these ships | 0:11:17 | 0:11:19 | |
and line them entirely with sawdust, | 0:11:19 | 0:11:21 | |
and he would fill the space | 0:11:21 | 0:11:23 | |
between all the blocks of ice. | 0:11:23 | 0:11:25 | |
And then he would put another layer of ice on top of the sawdust. | 0:11:25 | 0:11:28 | |
And when he did this, he found that sawdust | 0:11:28 | 0:11:30 | |
was the perfect insulator. | 0:11:30 | 0:11:32 | |
The ice wouldn't melt. | 0:11:32 | 0:11:34 | |
It was beautifully simple. | 0:11:34 | 0:11:35 | |
'Tudor's bigger challenge, though, | 0:11:38 | 0:11:40 | |
'is how to store ice once it arrives in sunnier climes. | 0:11:40 | 0:11:44 | |
'But he has a plan.' | 0:11:51 | 0:11:53 | |
I'm in the low country of South Carolina. | 0:11:55 | 0:11:58 | |
It's late July | 0:11:58 | 0:12:00 | |
and it's pretty humid. | 0:12:00 | 0:12:03 | |
But imagine what it would have been like 150 years ago. | 0:12:03 | 0:12:07 | |
It's sweltering like this for months on end | 0:12:07 | 0:12:09 | |
and there's literally no way to escape the heat. | 0:12:09 | 0:12:12 | |
There's no air conditioning, there's no refrigeration, | 0:12:12 | 0:12:16 | |
and then you walk into a space like this. | 0:12:16 | 0:12:18 | |
This may look like an ordinary 19th century barn, | 0:12:18 | 0:12:21 | |
but if I open up this hatch, | 0:12:21 | 0:12:23 | |
you find something miraculous. | 0:12:23 | 0:12:27 | |
It's a giant frozen chunk of Massachusetts. | 0:12:27 | 0:12:32 | |
It may seem like I'm just in a hole in the bottom of a barn here, | 0:12:32 | 0:12:35 | |
but actually, this was state-of-the-art technology | 0:12:35 | 0:12:39 | |
in the middle of the 19th century. | 0:12:39 | 0:12:40 | |
In fact, you can really feel how effective it is. | 0:12:40 | 0:12:43 | |
I mean, my upper body is still really quite warm and humid, | 0:12:43 | 0:12:47 | |
but my pants are starting to freeze. | 0:12:47 | 0:12:49 | |
And the key thing here is... | 0:12:49 | 0:12:50 | |
is this cavity on the side of the structure, | 0:12:50 | 0:12:53 | |
this is double-shelled insulation, | 0:12:53 | 0:12:55 | |
and this was the major breakthrough that helped him | 0:12:55 | 0:12:58 | |
take these giant blocks of ice that you see | 0:12:58 | 0:13:01 | |
and keep them cold for long periods of time. | 0:13:01 | 0:13:03 | |
And it was so efficient, | 0:13:03 | 0:13:05 | |
that a large block of ice like this | 0:13:05 | 0:13:07 | |
would actually last for four to six months | 0:13:07 | 0:13:10 | |
through the hottest time of the year. | 0:13:10 | 0:13:11 | |
'Tudor can now move and store ice. | 0:13:13 | 0:13:16 | |
'But next, he has to sell it. | 0:13:16 | 0:13:18 | |
'The thing is, in the early 19th century, | 0:13:22 | 0:13:24 | |
'most people in hot places | 0:13:24 | 0:13:26 | |
'have never seen or thought about ice. | 0:13:26 | 0:13:28 | |
'They have no idea what to do with it, | 0:13:31 | 0:13:34 | |
'and Tudor might as well be selling smartphones. | 0:13:34 | 0:13:37 | |
'So, to generate demand, | 0:13:37 | 0:13:39 | |
'he gives away free samples... | 0:13:39 | 0:13:41 | |
'..and a huge new industry is born.' | 0:13:43 | 0:13:45 | |
POLAR BEAR GROWLS | 0:13:47 | 0:13:49 | |
Ice cream, | 0:13:52 | 0:13:53 | |
cocktails, | 0:13:53 | 0:13:55 | |
chilled food... | 0:13:55 | 0:13:56 | |
America gets hooked. | 0:13:58 | 0:14:00 | |
Soon, hundreds of thousands of people work the Ice Harvest. | 0:14:01 | 0:14:05 | |
In New York, the iceman cometh... | 0:14:08 | 0:14:10 | |
Nearly half the city's population keeps ice at home. | 0:14:12 | 0:14:16 | |
Reports of mild winters create panic | 0:14:16 | 0:14:19 | |
and something extraordinary happens. | 0:14:19 | 0:14:22 | |
Previously, Americans had only eaten fresh food | 0:14:24 | 0:14:27 | |
produced on their doorstep. | 0:14:27 | 0:14:29 | |
Now, trains chilled with ice | 0:14:32 | 0:14:34 | |
create a food network. | 0:14:34 | 0:14:36 | |
Produce from the South and West | 0:14:38 | 0:14:40 | |
become staples of Northern meals. | 0:14:40 | 0:14:42 | |
'When you realise that about 1,000 food trains bring perishable food | 0:14:44 | 0:14:48 | |
'to New York every week, you'll understand that ice for refrigeration | 0:14:48 | 0:14:51 | |
'is something of the first water.' | 0:14:51 | 0:14:54 | |
We become much healthier and better nourished... | 0:14:54 | 0:14:57 | |
..while our cities, | 0:14:58 | 0:14:59 | |
freed from the limits of their surrounding resources, | 0:14:59 | 0:15:02 | |
experience rapid growth | 0:15:02 | 0:15:04 | |
and a rise in new businesses. | 0:15:04 | 0:15:07 | |
Cold is shaping a new America. | 0:15:07 | 0:15:11 | |
In 1912 in New York City, | 0:15:12 | 0:15:14 | |
the Armato family set up their own ice delivery company | 0:15:14 | 0:15:18 | |
to meet the demands of the ice craze. | 0:15:18 | 0:15:20 | |
It was founded by Salvatore Armato, | 0:15:21 | 0:15:24 | |
passed on to Anthony, | 0:15:24 | 0:15:26 | |
and on to Joe, | 0:15:26 | 0:15:27 | |
and today it belongs to Salvatore's great-grandchildren, | 0:15:27 | 0:15:30 | |
Bennie, Tony and Chris. | 0:15:30 | 0:15:32 | |
Let's go deliver some ice. | 0:15:32 | 0:15:34 | |
Put it right across your shoulder, Steven. | 0:15:36 | 0:15:38 | |
OK, let's see if I can lift it. Oh, my God! | 0:15:38 | 0:15:41 | |
This routine of delivering ice hasn't changed much | 0:15:41 | 0:15:45 | |
since the days thousands of icemen worked the streets | 0:15:45 | 0:15:48 | |
of New York to keep on top of restaurants' daily demands. | 0:15:48 | 0:15:51 | |
So, you guys now have like a fork-lift | 0:15:54 | 0:15:57 | |
to move these giant blocks of ice around, | 0:15:57 | 0:15:59 | |
but back in the day, you know, | 0:15:59 | 0:16:00 | |
your grandfather's time, what... | 0:16:00 | 0:16:03 | |
How would they move these huge blocks around? | 0:16:03 | 0:16:05 | |
These are the ice tongs, these are the tools that the icemen | 0:16:05 | 0:16:08 | |
used in the older days. | 0:16:08 | 0:16:10 | |
Basically, they would manoeuvre the blocks, | 0:16:10 | 0:16:12 | |
take it, drop it, | 0:16:12 | 0:16:15 | |
spin it, put it up and down, | 0:16:15 | 0:16:17 | |
they would be able to put it on their shoulder... | 0:16:17 | 0:16:20 | |
Oh, that's... Yes. | 0:16:20 | 0:16:22 | |
You know, go up a flight of stairs, which I'm not going to do. | 0:16:22 | 0:16:25 | |
-Oh, come on! Can I try? -Of course. | 0:16:25 | 0:16:27 | |
Cos I'm thinking that this may be a backup career for me | 0:16:27 | 0:16:29 | |
if this television stuff doesn't work out. | 0:16:29 | 0:16:31 | |
Here we go, ready? | 0:16:31 | 0:16:33 | |
Oh, my God, it's really heavy, | 0:16:33 | 0:16:35 | |
but I got it... Over an inch above the ground, | 0:16:35 | 0:16:37 | |
did you see that? | 0:16:37 | 0:16:38 | |
All right, this is not my profession, I think, | 0:16:38 | 0:16:41 | |
but incredibly cool. | 0:16:41 | 0:16:43 | |
'It's amazing to think that the New York City ice trade | 0:16:43 | 0:16:46 | |
'can be traced back to Frederic Tudor's insane idea | 0:16:46 | 0:16:49 | |
'of transporting ice across land and oceans. | 0:16:49 | 0:16:52 | |
'Back in the 19th century, | 0:16:53 | 0:16:55 | |
'ice had become America's second biggest export, after cotton. | 0:16:55 | 0:16:59 | |
'India, the Caribbean, | 0:17:01 | 0:17:02 | |
'even Queen Victoria has New England ice served with dinner.' | 0:17:02 | 0:17:07 | |
But what I find incredible is how primitive our ideas | 0:17:09 | 0:17:12 | |
about cold are at this point. | 0:17:12 | 0:17:14 | |
I mean, this is the middle of the 19th century, right, | 0:17:14 | 0:17:17 | |
it's an era of coal-powered factories and railroads, | 0:17:17 | 0:17:20 | |
and telegraph wires connecting cities. | 0:17:20 | 0:17:23 | |
And yet, the state-of-the-art in cold technology | 0:17:23 | 0:17:26 | |
is cutting chunks of frozen water out of a lake! | 0:17:26 | 0:17:29 | |
'But Tudor hasn't just created a global appetite for ice... | 0:17:36 | 0:17:40 | |
'..he's also created a platform for ideas about cold... | 0:17:42 | 0:17:45 | |
'..which will soon trigger a chain of events | 0:17:46 | 0:17:49 | |
'not even Tudor could have imagined.' | 0:17:49 | 0:17:51 | |
I read this article the other week about scientists who | 0:17:52 | 0:17:56 | |
discovered this primitive ski in a Swedish bog, | 0:17:56 | 0:18:00 | |
and when they dated it, it turned out that it was 4,000 years old. | 0:18:00 | 0:18:03 | |
And I thought, | 0:18:04 | 0:18:06 | |
skiing is really a microcosm of our whole | 0:18:06 | 0:18:08 | |
relationship to cold. | 0:18:08 | 0:18:10 | |
We've literally spent eons taking the natural cold of snow and ice | 0:18:12 | 0:18:18 | |
and figuring out fun ways to do things with it. | 0:18:18 | 0:18:20 | |
But then cold got so fun | 0:18:22 | 0:18:24 | |
that everybody wanted a piece of the action, | 0:18:24 | 0:18:27 | |
and so we started tinkering with making artificial cold. | 0:18:27 | 0:18:31 | |
And that's when things started to get really weird. | 0:18:34 | 0:18:37 | |
'OK, enough television trickery. | 0:18:40 | 0:18:42 | |
'I'm not really in the mountains. | 0:18:42 | 0:18:44 | |
'This is one of the world's biggest indoor ski resorts.' | 0:18:44 | 0:18:48 | |
But it gets even crazier. | 0:18:51 | 0:18:53 | |
Come on, you got to check this out. | 0:18:53 | 0:18:55 | |
The modern world of cold does not get any weirder than this. | 0:19:05 | 0:19:08 | |
I'm standing above the city of Dubai. | 0:19:16 | 0:19:19 | |
We're in the middle of the Arabian Desert, | 0:19:19 | 0:19:21 | |
it's about 100 degrees out, it's 8am in the morning, | 0:19:21 | 0:19:24 | |
which means I have to take my ski gear off, | 0:19:24 | 0:19:27 | |
cos it's insane to be out here wearing this. Er... | 0:19:27 | 0:19:31 | |
and here we are in this vast city in the desert | 0:19:31 | 0:19:34 | |
and yet, beneath me... | 0:19:34 | 0:19:36 | |
'..are skiers, ski lifts, real snow, | 0:19:38 | 0:19:41 | |
'a toboggan run | 0:19:41 | 0:19:43 | |
'and, get this, penguins.' | 0:19:43 | 0:19:46 | |
Now, Ski Dubai might look like some sort of futuristic spacecraft | 0:19:49 | 0:19:54 | |
that has crashed into a parking garage. | 0:19:54 | 0:19:56 | |
'But in fact, some of the technology keeping this place cold | 0:19:56 | 0:20:00 | |
'is 200 years old.' | 0:20:00 | 0:20:02 | |
I'm here in the space between the ceiling of the indoor ski slope | 0:20:04 | 0:20:08 | |
and the roof of the overall structure and it's really strange, | 0:20:08 | 0:20:13 | |
a little bit creepy space, they call it the void. | 0:20:13 | 0:20:16 | |
And it's an extraordinary space because basically, | 0:20:16 | 0:20:18 | |
this is the primary means of insulation they're using here, | 0:20:18 | 0:20:21 | |
it's just the gas or the air that's keeping the temperature | 0:20:21 | 0:20:25 | |
28 degrees Fahrenheit below me and 110 right above me | 0:20:25 | 0:20:30 | |
and what I love about this is that the principle | 0:20:30 | 0:20:32 | |
of using the air in this void | 0:20:32 | 0:20:35 | |
to keep the ski slope cool is something Frederic Tudor would've recognised in a heartbeat, | 0:20:35 | 0:20:39 | |
it's basically the same design that he used in his ice house. | 0:20:39 | 0:20:43 | |
'And down below, on the slopes, | 0:20:49 | 0:20:51 | |
'there's another 19th century innovation | 0:20:51 | 0:20:53 | |
'making the snow and maintaining a temperature just below freezing.' | 0:20:53 | 0:20:57 | |
Artificial cold. | 0:20:59 | 0:21:00 | |
So there's an entire winter wonderland on the other side of that wall, | 0:21:02 | 0:21:07 | |
and yet we are in the middle of the desert, | 0:21:07 | 0:21:09 | |
it's 110 degrees outside, how do you pull this off? | 0:21:09 | 0:21:13 | |
There what you need is a really, really big fridge. | 0:21:13 | 0:21:15 | |
It's the same principle as a fridge that I've got in my house? | 0:21:15 | 0:21:19 | |
Absolutely, the refrigeration is very much the same | 0:21:19 | 0:21:22 | |
as the fridge in your house | 0:21:22 | 0:21:23 | |
and even the way the building is constructed and designed | 0:21:23 | 0:21:26 | |
-is very similar to a fridge. -Do you worry | 0:21:26 | 0:21:28 | |
about the cold escaping when people are coming in and out? | 0:21:28 | 0:21:31 | |
I mean, is that a big concern? | 0:21:31 | 0:21:33 | |
Yeah, think of your fridge at home, right? | 0:21:33 | 0:21:36 | |
Every time you get an orange juice out, you open the door | 0:21:36 | 0:21:38 | |
and all the cold air rushes out. | 0:21:38 | 0:21:40 | |
If you look at your fridge again and you mimic Ski Dubai, your fridge, | 0:21:40 | 0:21:45 | |
your big American fridge would have a door the size of my thumb. | 0:21:45 | 0:21:48 | |
-Really? -We only have three doors leading into ski Dubai from outside, | 0:21:48 | 0:21:51 | |
so we can control that air flow in and out very, very well. | 0:21:51 | 0:21:56 | |
'This place and the fact that I'm hanging out in the middle | 0:22:03 | 0:22:06 | |
'of the Arabian desert with a bunch of penguins | 0:22:06 | 0:22:09 | |
'is proof of just how sophisticated | 0:22:09 | 0:22:11 | |
'the modern use of artificial cold has become.' | 0:22:11 | 0:22:14 | |
'But the beginnings of man-made refrigeration | 0:22:20 | 0:22:23 | |
'were far from being fun.' | 0:22:23 | 0:22:25 | |
It's an innovation born of suffering and war. | 0:22:29 | 0:22:33 | |
MOSQUITOES BUZZING | 0:22:33 | 0:22:34 | |
Like much of the South, | 0:22:34 | 0:22:36 | |
Florida has a sub-tropical climate. | 0:22:36 | 0:22:39 | |
That means mosquitoes. | 0:22:39 | 0:22:42 | |
And in the 1840s, | 0:22:44 | 0:22:45 | |
mosquitoes mean diseases like malaria are rife. | 0:22:45 | 0:22:49 | |
In 1841, an outbreak of yellow fever | 0:22:52 | 0:22:55 | |
decimates the population of northern Florida. | 0:22:55 | 0:22:58 | |
In the middle of all this death and misery | 0:23:02 | 0:23:06 | |
there's this guy, Dr John Gorrie, | 0:23:06 | 0:23:11 | |
who is about to start working on an idea | 0:23:11 | 0:23:13 | |
that is so big it will ultimately transform all of our lives. | 0:23:13 | 0:23:18 | |
But the thing about it is, today he's completely unknown | 0:23:18 | 0:23:22 | |
and what I find fascinating about Gorrie's life | 0:23:22 | 0:23:24 | |
is it's a great reminder of one the most important things about innovation, | 0:23:24 | 0:23:28 | |
which is that timing is everything. | 0:23:28 | 0:23:30 | |
MOSQUITOES BUZZING | 0:23:30 | 0:23:32 | |
Gorrie's hospital is filled with patients burning up with fever. | 0:23:38 | 0:23:43 | |
I mean, just imagine what a hospital would've been like | 0:23:43 | 0:23:46 | |
in the American South in 1842. | 0:23:46 | 0:23:49 | |
You take all the advanced technology of a modern hospital out | 0:23:49 | 0:23:53 | |
and you're left basically just with beds | 0:23:53 | 0:23:55 | |
and patients dying in the sweltering heat. | 0:23:55 | 0:23:58 | |
But Gorrie thinks that if he can cool the air | 0:24:01 | 0:24:03 | |
around his feverish patients, he can both ease their suffering | 0:24:03 | 0:24:08 | |
and stop the spread of disease. | 0:24:08 | 0:24:10 | |
So he sets out to build a contraption to do just that. | 0:24:10 | 0:24:14 | |
This is how Gorrie's design would've worked. | 0:24:19 | 0:24:22 | |
He's got a chimney bringing in air from above the hospital | 0:24:22 | 0:24:25 | |
that flows down over this giant basin | 0:24:25 | 0:24:28 | |
and he would take these huge blocks of ice and put them in the basin | 0:24:28 | 0:24:35 | |
and the result would be... | 0:24:35 | 0:24:36 | |
perfectly chilled air flows over the patients in their beds, | 0:24:36 | 0:24:41 | |
reducing their fevers, potentially saving their lives. | 0:24:41 | 0:24:44 | |
It's a brilliant idea | 0:24:44 | 0:24:46 | |
and it's all in the service of Gorrie being a better physician. | 0:24:46 | 0:24:50 | |
THUNDERCLAP | 0:24:52 | 0:24:54 | |
But Florida isn't done with Gorrie yet. | 0:24:56 | 0:24:59 | |
Shipwrecks along Hurricane Alley | 0:24:59 | 0:25:01 | |
mean delayed ice shipments from Frederic Tudor's New England. | 0:25:01 | 0:25:05 | |
So one day, Gorrie's supply runs dry. | 0:25:05 | 0:25:09 | |
Now, Gorrie has the crazy idea to make his own ice. | 0:25:10 | 0:25:15 | |
But how? | 0:25:15 | 0:25:17 | |
Luckily, Gorrie is living at the perfect time to have this idea. | 0:25:17 | 0:25:22 | |
For all of human history | 0:25:22 | 0:25:24 | |
you couldn't even conceive of making artificial cold, | 0:25:24 | 0:25:28 | |
but then, somehow, | 0:25:28 | 0:25:30 | |
in the middle of the 19th century, | 0:25:30 | 0:25:32 | |
the idea becomes imaginable. | 0:25:32 | 0:25:34 | |
So how do we explain this kind of breakthrough? | 0:25:34 | 0:25:37 | |
I mean, it's not like there's some kind of solitary genius | 0:25:37 | 0:25:40 | |
who's so much more brilliant than everybody else, | 0:25:40 | 0:25:42 | |
they come up with the idea on their own. | 0:25:42 | 0:25:45 | |
And that's because ideas are fundamentally networks | 0:25:45 | 0:25:49 | |
of other ideas. | 0:25:49 | 0:25:50 | |
'We take the tools, | 0:25:55 | 0:25:57 | |
'concepts and scientific understanding of our time | 0:25:57 | 0:26:00 | |
'and then remix them into something new. | 0:26:00 | 0:26:04 | |
'But if you don't have the right building blocks, | 0:26:04 | 0:26:07 | |
'you can't make the breakthrough, | 0:26:07 | 0:26:09 | |
'however brilliant you might be. | 0:26:09 | 0:26:11 | |
'The smartest mind in the world | 0:26:11 | 0:26:13 | |
'couldn't invent a refrigerator in the middle of the 17th century. | 0:26:13 | 0:26:17 | |
'But by 1850, the pieces had come together.' | 0:26:17 | 0:26:20 | |
The first thing that had to happen seems almost comical to us now, | 0:26:20 | 0:26:24 | |
we had to discover that air was actually made of something, | 0:26:24 | 0:26:28 | |
that it wasn't just empty space between objects. | 0:26:28 | 0:26:32 | |
That happened in the 1600s, | 0:26:34 | 0:26:37 | |
when scientists used a pump to suck air from a jar | 0:26:37 | 0:26:41 | |
and discovered the vacuum... | 0:26:41 | 0:26:44 | |
proving that air was made from some mysterious, invisible elements. | 0:26:44 | 0:26:49 | |
We then found that when air, or other gases, | 0:26:50 | 0:26:53 | |
are squashed together, they heat up | 0:26:53 | 0:26:56 | |
and when they are stretched out, they cool down. | 0:26:56 | 0:27:00 | |
The thermometer comes along, | 0:27:00 | 0:27:02 | |
followed by a universal scale or two, | 0:27:02 | 0:27:04 | |
allowing us to measure temperature. | 0:27:04 | 0:27:06 | |
Now, amazing machines can be built | 0:27:08 | 0:27:10 | |
that convert the heat from gases into a usable energy. | 0:27:10 | 0:27:14 | |
Gorrie brings all these ideas together and builds | 0:27:16 | 0:27:20 | |
America's first mechanical refrigerator. | 0:27:20 | 0:27:24 | |
A machine that makes ice. | 0:27:24 | 0:27:26 | |
And then Gorrie applies for a patent for his invention, | 0:27:28 | 0:27:31 | |
and listen to the language he uses to describe this thing. | 0:27:31 | 0:27:34 | |
"Artificial cold might better serve mankind. | 0:27:34 | 0:27:38 | |
"Fruits and vegetables, and meat | 0:27:38 | 0:27:40 | |
"will be preserved in transit by my refrigeration system | 0:27:40 | 0:27:44 | |
"and thereby enjoyed by all." | 0:27:44 | 0:27:46 | |
He completely nails the modern world of artificial cold. | 0:27:46 | 0:27:51 | |
The rural doctor has created a technology | 0:27:52 | 0:27:55 | |
that's now as ubiquitous as the light bulb. | 0:27:55 | 0:27:58 | |
So why isn't John Gorrie as famous as Thomas Edison? | 0:27:58 | 0:28:03 | |
So he's got a magical, artificial ice-making machine in the South | 0:28:03 | 0:28:08 | |
and one would think that would be a huge financial success. | 0:28:08 | 0:28:11 | |
There's a proven market for ice, | 0:28:11 | 0:28:13 | |
there's a machine that will do it artificially... | 0:28:13 | 0:28:15 | |
That's true, but the problem is that there was a lot | 0:28:15 | 0:28:18 | |
that had to be done to perfect the equipment. | 0:28:18 | 0:28:21 | |
John Gorrie had a basic idea, he had a vision, | 0:28:21 | 0:28:24 | |
he had a machine that rudimentally did it but it had to be perfected | 0:28:24 | 0:28:28 | |
and it had to be brought into a point | 0:28:28 | 0:28:31 | |
where you could afford to use the machine to make ice. | 0:28:31 | 0:28:34 | |
Like any new technological innovation, | 0:28:38 | 0:28:40 | |
Gorrie's working prototype needs development. | 0:28:40 | 0:28:43 | |
The problem is, his man-made ice invention hasn't exactly | 0:28:43 | 0:28:47 | |
come along at a great time, | 0:28:47 | 0:28:49 | |
because this is an era dominated by the now very powerful | 0:28:49 | 0:28:53 | |
and ruthless natural ice baron, Frederic Tudor. | 0:28:53 | 0:28:57 | |
People who were in the business of harvesting so-called natural ice | 0:28:57 | 0:29:01 | |
from rivers and lakes, | 0:29:01 | 0:29:03 | |
they saw a threat to their business by a machine that could actually | 0:29:03 | 0:29:07 | |
make the ice and of course they were the ones who came up with | 0:29:07 | 0:29:10 | |
the term "artificial ice" - in other words, fake ice. It's not real ice. | 0:29:10 | 0:29:14 | |
And the thing that's interesting about it was that | 0:29:14 | 0:29:16 | |
the natural ice people said that, | 0:29:16 | 0:29:18 | |
"Well, this artificial ice could make you sick | 0:29:18 | 0:29:21 | |
"or it could cause disease," and things like that. | 0:29:21 | 0:29:24 | |
And on the other hand, their natural ice was becoming progressively | 0:29:24 | 0:29:27 | |
more from polluted sources and that was causing people to get sick. | 0:29:27 | 0:29:31 | |
I would... Drinking pond water from, like, a swampy pond in New England, | 0:29:31 | 0:29:34 | |
that's not something... | 0:29:34 | 0:29:36 | |
I would much rather have a nice, you know, artificial ice! | 0:29:36 | 0:29:39 | |
Unable to find backers, | 0:29:39 | 0:29:41 | |
John Gorrie dies penniless without selling a single machine. | 0:29:41 | 0:29:46 | |
But his vision of man-made refrigeration is about to inspire | 0:29:47 | 0:29:52 | |
a new generation of inventors. | 0:29:52 | 0:29:54 | |
It was an idea whose time had come. | 0:29:54 | 0:29:56 | |
It just needed a trigger to launch it on to the public consciousness. | 0:29:56 | 0:30:00 | |
That comes in the shape of the Civil War. | 0:30:04 | 0:30:08 | |
The Union blockades the South to cripple the Confederate economy. | 0:30:08 | 0:30:13 | |
Suddenly, the Southern States have no ice. | 0:30:13 | 0:30:16 | |
Vital supplies were smuggled | 0:30:20 | 0:30:22 | |
past the blockade into the Southern States. | 0:30:22 | 0:30:26 | |
Blockade-runners used to hide out in creeks like this one, | 0:30:26 | 0:30:29 | |
slipping out into the open ocean at night. | 0:30:29 | 0:30:32 | |
But they weren't just smuggling weapons or gunpowder. | 0:30:33 | 0:30:37 | |
Sometimes they had an equally precious cargo... | 0:30:37 | 0:30:40 | |
..ice making machines. | 0:30:42 | 0:30:44 | |
Check this out. | 0:30:44 | 0:30:46 | |
This is one of the first ice making machines ever built. | 0:30:46 | 0:30:48 | |
It's designed by the Frenchman Ferdinand Carre. | 0:30:48 | 0:30:51 | |
It can output about 400lbs of ice in an hour. | 0:30:51 | 0:30:55 | |
This thing is one of the world's first refrigerators | 0:30:55 | 0:30:58 | |
and it was smuggled all the way to the American South from France. | 0:30:58 | 0:31:02 | |
In the decades after the Civil War, | 0:31:06 | 0:31:08 | |
artificial refrigeration patents explode, | 0:31:08 | 0:31:11 | |
as a network of innovators adapt and improve on Gorrie's ideas. | 0:31:11 | 0:31:15 | |
In the 20 years following Gorrie's invention, | 0:31:17 | 0:31:19 | |
there are 54 separate refrigeration patents filed. | 0:31:19 | 0:31:23 | |
From now on, the slow decline of the ice trade is inevitable. | 0:31:23 | 0:31:28 | |
Refrigeration becomes a huge industry, and I do mean huge, | 0:31:30 | 0:31:34 | |
with steam-powered monster machines soon changing | 0:31:34 | 0:31:37 | |
the urban landscape of America, | 0:31:37 | 0:31:40 | |
turning areas like New York's Tribeca neighbourhood | 0:31:40 | 0:31:44 | |
into a hub of artificial cold. | 0:31:44 | 0:31:47 | |
This building, for instance, behind me... | 0:31:47 | 0:31:49 | |
Today it's a fancy condo, | 0:31:49 | 0:31:50 | |
it's filled with your Robert De Niros and your supermodels. | 0:31:50 | 0:31:53 | |
But 100 years ago, it was filled with eggs and milk and produce, | 0:31:53 | 0:31:58 | |
feeding a growing city. | 0:31:58 | 0:32:00 | |
It was a giant high-rise refrigerator. | 0:32:00 | 0:32:03 | |
But as with much new technology, | 0:32:04 | 0:32:06 | |
the machinery of man-made cold is destined to get smaller, | 0:32:06 | 0:32:10 | |
as the idea of a once-ridiculed amateur inventor | 0:32:10 | 0:32:14 | |
becomes an essential part of the modern home. | 0:32:14 | 0:32:18 | |
'Here she comes, | 0:32:18 | 0:32:19 | |
'the lucky woman who owns a new refrigerator!' | 0:32:19 | 0:32:22 | |
Between 1945 and 1949, | 0:32:24 | 0:32:27 | |
Americans purchase 20 million of these revolutionary machines. | 0:32:27 | 0:32:31 | |
Now, ideas about how to fill these new refrigerators | 0:32:33 | 0:32:37 | |
will have an even greater impact on our lives. | 0:32:37 | 0:32:40 | |
Clarence Birdseye... | 0:32:48 | 0:32:50 | |
Yes, he was a real person. | 0:32:50 | 0:32:52 | |
..grew up in Brooklyn, New York. | 0:32:52 | 0:32:54 | |
But the story of his big idea doesn't start here. | 0:32:54 | 0:32:58 | |
In fact, he couldn't wait to get away from this place. | 0:32:59 | 0:33:03 | |
Birdseye had displayed an insatiable scientific curiosity, | 0:33:03 | 0:33:07 | |
a streak of eccentricity and a longing for adventure. | 0:33:07 | 0:33:11 | |
At 21 years old, | 0:33:13 | 0:33:14 | |
he becomes a naturalist with the US Biological Survey, | 0:33:14 | 0:33:17 | |
studying animal populations on the American frontier. | 0:33:17 | 0:33:21 | |
He keeps a journal during this period | 0:33:21 | 0:33:23 | |
and it's clear if you read it now that he's not just interested | 0:33:23 | 0:33:27 | |
in scientifically assessing these critters, | 0:33:27 | 0:33:30 | |
he's also obsessed with eating them, as well. | 0:33:30 | 0:33:35 | |
And the weirder, the better. | 0:33:35 | 0:33:36 | |
I mean, listen to this passage. | 0:33:36 | 0:33:38 | |
"For Sunday dinner, we had horned owl. | 0:33:38 | 0:33:41 | |
"Does that sound good? | 0:33:41 | 0:33:43 | |
"Well, it was good, no matter how it sounds!" | 0:33:43 | 0:33:45 | |
And he goes on to eat, over the course of his adventures, | 0:33:45 | 0:33:49 | |
a beaver, a hawk, mice, gopher, | 0:33:49 | 0:33:53 | |
rattlesnake, porcupine, | 0:33:53 | 0:33:56 | |
chipmunk, even skunk... | 0:33:56 | 0:34:00 | |
although apparently only the front half. | 0:34:00 | 0:34:02 | |
And it all leads up to what he calls, "The piece de resistance, | 0:34:02 | 0:34:06 | |
"one of the most scrumptious meals I ever ate." | 0:34:06 | 0:34:09 | |
Which was a dish of sherry marinated lynx. | 0:34:09 | 0:34:12 | |
Birdseye's diet may sound crazy, | 0:34:17 | 0:34:19 | |
but this is common sense eating | 0:34:19 | 0:34:22 | |
and valuable training for the ultimate survival challenge to come. | 0:34:22 | 0:34:26 | |
In 1916, Birdseye brings his wife and newborn son to Labrador, | 0:34:32 | 0:34:37 | |
a remote, frozen wilderness in Canada's sub-arctic north. | 0:34:37 | 0:34:41 | |
It must have been quite a shock. | 0:34:42 | 0:34:44 | |
I mean, besides having to be dragged through the snow | 0:34:44 | 0:34:47 | |
by, like, a pack of maniacal dogs, Birdseye had moved his family | 0:34:47 | 0:34:51 | |
to one of the most extreme environments on the planet. | 0:34:51 | 0:34:54 | |
But this is an adventure that will change Birdseye's life, | 0:34:58 | 0:35:02 | |
and ours, for ever. | 0:35:02 | 0:35:04 | |
We have this cliche about innovation, | 0:35:09 | 0:35:11 | |
that it just happens in Silicon Valley garages | 0:35:11 | 0:35:14 | |
and corporate research development labs, | 0:35:14 | 0:35:16 | |
not in an environment like this. | 0:35:16 | 0:35:19 | |
I mean, I've got, like, 30mph winds blowing, | 0:35:19 | 0:35:21 | |
ice pellets hitting me in the face. | 0:35:21 | 0:35:23 | |
It's hard enough just to stand upright and talk, | 0:35:23 | 0:35:25 | |
much less, like, have a brilliant idea. | 0:35:25 | 0:35:28 | |
But in a way, it's the severity of this landscape that's kind of the point, | 0:35:28 | 0:35:32 | |
because it's here in the frozen Canadian winter | 0:35:32 | 0:35:36 | |
that Clarence Birdseye will have the beginning of an idea | 0:35:36 | 0:35:39 | |
that will turn out to be one of the most transformative ones | 0:35:39 | 0:35:42 | |
of the 20th century. | 0:35:42 | 0:35:44 | |
And as always with Birdseye, this new idea will revolve around food. | 0:35:44 | 0:35:49 | |
Birdseye is among a handful of settlers | 0:35:54 | 0:35:57 | |
in a region the size of Britain that has no modern food network, | 0:35:57 | 0:36:01 | |
no stores, no livestock and which, during the winter, | 0:36:01 | 0:36:04 | |
is effectively cut off from the rest of the world. | 0:36:04 | 0:36:08 | |
Everything people ate during the winter was preserved | 0:36:08 | 0:36:12 | |
and cured and stockpiled. | 0:36:12 | 0:36:13 | |
There was nothing fresh. | 0:36:13 | 0:36:15 | |
I mean, imagine trying to live the entire winter on, like, moose jerky. | 0:36:15 | 0:36:18 | |
Right? But like Dr John Gorrie before him, Birdseye is motivated | 0:36:18 | 0:36:23 | |
by basic human concerns. | 0:36:23 | 0:36:25 | |
He's just trying to feed good, healthy, fresh food to his family. | 0:36:25 | 0:36:30 | |
But Birdseye is about to get some culinary inspiration | 0:36:35 | 0:36:39 | |
from Labrador's indigenous Inuit. | 0:36:39 | 0:36:42 | |
I'm standing out here on top of a frozen fjord. | 0:36:42 | 0:36:46 | |
I've got 600ft of water beneath me. | 0:36:46 | 0:36:49 | |
We've got white-out conditions, I can't feel my toes any more. | 0:36:49 | 0:36:53 | |
Apparently the water beneath this layer of ice | 0:36:53 | 0:36:56 | |
is actually shark-infested, I'm told. | 0:36:56 | 0:36:59 | |
So all in all, it's a perfect day for fishing. | 0:36:59 | 0:37:02 | |
And Jerri Thresher, an Inuit from Canada's Northwest Territories, | 0:37:04 | 0:37:08 | |
is going to show me how... | 0:37:08 | 0:37:09 | |
..once we've dug a hole through the ice. | 0:37:11 | 0:37:14 | |
-Would you like to try? -Yeah, give me a chance at this. | 0:37:14 | 0:37:17 | |
-OK, so I just kind of hack around the side? -Yeah. | 0:37:17 | 0:37:19 | |
You want to hit the ice a little hard so, | 0:37:19 | 0:37:21 | |
the harder you hit, the bigger the chunks | 0:37:21 | 0:37:24 | |
and the less time it will take to make your fishing hole. | 0:37:24 | 0:37:26 | |
So if this ice is three feet thick, I think it will probably take us | 0:37:26 | 0:37:29 | |
-about three days to cut through this. -It would take YOU three days! | 0:37:29 | 0:37:33 | |
-HE LAUGHS -It would take me three days, really? | 0:37:33 | 0:37:36 | |
Spending time fishing with the Inuit, | 0:37:36 | 0:37:39 | |
Birdseye notices that they use the extreme weather to their advantage. | 0:37:39 | 0:37:43 | |
They freeze their fish in the open air so they can store it. | 0:37:43 | 0:37:47 | |
So how important is ice fishing to Inuit culture? | 0:37:47 | 0:37:52 | |
Fresh meats and fresh fish are very important. | 0:37:52 | 0:37:56 | |
Right. | 0:37:56 | 0:37:57 | |
Fish coming out of the water in -20 or -30, | 0:37:57 | 0:38:01 | |
you can lay the fish on the side and within the hour, | 0:38:01 | 0:38:05 | |
it'll be completely frozen. | 0:38:05 | 0:38:06 | |
They would dig, like, caches under the ground, | 0:38:06 | 0:38:08 | |
in the permafrost where it would stay cold during the entire winter, | 0:38:08 | 0:38:12 | |
and there they would... | 0:38:12 | 0:38:14 | |
they would store their winter supply of fish and meat. | 0:38:14 | 0:38:18 | |
That's amazing. So, basically, for thousands of years | 0:38:18 | 0:38:20 | |
there's frozen food | 0:38:20 | 0:38:22 | |
that the Inuit culture has kind of figured out how to do. | 0:38:22 | 0:38:25 | |
For Birdseye, this is a revelation. | 0:38:32 | 0:38:35 | |
Freshly caught fish frozen in the arctic air | 0:38:37 | 0:38:39 | |
could be kept for weeks or even months, | 0:38:39 | 0:38:43 | |
and once thawed and eaten it would still taste delicious. | 0:38:43 | 0:38:47 | |
He wonders if freezing can help other types of food | 0:38:52 | 0:38:55 | |
stay fresh for longer, so he experiments with vegetables. | 0:38:55 | 0:38:59 | |
He began to notice a pattern. | 0:39:00 | 0:39:03 | |
Food frozen in the coldest depths of mid-winter | 0:39:03 | 0:39:06 | |
tastes better when it's thawed | 0:39:06 | 0:39:08 | |
than food frozen earlier or later in the season. | 0:39:08 | 0:39:11 | |
And that's because slower freezing creates larger ice crystals, | 0:39:13 | 0:39:17 | |
which damage the cellular structure of the food. | 0:39:17 | 0:39:20 | |
Birdseye realised something that | 0:39:22 | 0:39:24 | |
the Inuits had almost instinctively understood for thousands of years - | 0:39:24 | 0:39:28 | |
that if you wanted to have really fresh frozen food, | 0:39:28 | 0:39:32 | |
you had to have the smallest possible ice crystals, | 0:39:32 | 0:39:35 | |
and for that you needed the fastest possible freezing time. | 0:39:35 | 0:39:39 | |
This is the point where you might expect me to say, | 0:39:40 | 0:39:43 | |
"And now Birdseye has an idea that changes the world, | 0:39:43 | 0:39:47 | |
"and introduces the universe of frozen convenience | 0:39:47 | 0:39:51 | |
"that all of us enjoy today." | 0:39:51 | 0:39:52 | |
But actually, that's not what happened at all. | 0:39:52 | 0:39:55 | |
Because, you see, like Frederic Tudor, | 0:39:55 | 0:39:58 | |
Birdseye's hunch will take decades to finally pay off, | 0:39:58 | 0:40:02 | |
but, unlike Tudor, | 0:40:02 | 0:40:04 | |
Birdseye basically just forgets about his hunch. | 0:40:04 | 0:40:07 | |
In 1917, Birdseye moves his family back to the United States | 0:40:12 | 0:40:17 | |
and basically stops thinking about frozen food altogether. | 0:40:17 | 0:40:21 | |
Back in the city he's got all the fresh produce he could possibly eat. | 0:40:21 | 0:40:25 | |
For the next few years, Birdseye searches for a new career direction, | 0:40:27 | 0:40:31 | |
and he ends up at the US Fisheries Association. | 0:40:31 | 0:40:34 | |
Here he studies the fishing industry. | 0:40:36 | 0:40:39 | |
He watches how produce makes its way from the docks to the consumer | 0:40:39 | 0:40:42 | |
and notices that too many fish get spoiled | 0:40:42 | 0:40:45 | |
and lose their value on the way to market. | 0:40:45 | 0:40:48 | |
So Birdseye wonders, "What's the best way to get fish | 0:40:51 | 0:40:55 | |
"to the kitchen in the freshest way possible?" | 0:40:55 | 0:40:59 | |
And this is where, finally, his slow hunch resurfaces, | 0:40:59 | 0:41:03 | |
and Birdseye decides that flash freezing is the key. | 0:41:03 | 0:41:08 | |
Birdseye develops a practical process for fast-freezing food | 0:41:08 | 0:41:12 | |
quickly on a commercial scale. | 0:41:12 | 0:41:15 | |
It's called multi-plate flash freezing, | 0:41:15 | 0:41:18 | |
an idea upon which an entire industry will be founded. | 0:41:18 | 0:41:23 | |
But, of course, no matter how brilliant Birdseye's idea, | 0:41:23 | 0:41:26 | |
he can't change the world all on his own. | 0:41:26 | 0:41:29 | |
Ideas don't really work that way. | 0:41:31 | 0:41:34 | |
For frozen food to reach today's ubiquity, | 0:41:34 | 0:41:37 | |
it will take a convergence of other ideas about cold. | 0:41:37 | 0:41:40 | |
And that is where we meet Frederick McKinley Jones. | 0:41:44 | 0:41:49 | |
Jones was born in 1893, | 0:41:49 | 0:41:51 | |
and he was orphaned at the age of nine. | 0:41:51 | 0:41:54 | |
By the time he was 11, he had his first full-time job, | 0:41:54 | 0:41:57 | |
and by the time he was 16 he was working in an auto repair shop. | 0:41:57 | 0:42:02 | |
He didn't come from the world of privilege like Frederic Tudor | 0:42:02 | 0:42:05 | |
and he didn't have the advanced degrees of Dr John Gorrie, | 0:42:05 | 0:42:10 | |
but he was destined to change the world every bit as much | 0:42:10 | 0:42:14 | |
as those other pioneers in the story of cold. | 0:42:14 | 0:42:17 | |
Jones was a natural tinkerer with a gift for innovative ideas. | 0:42:18 | 0:42:23 | |
This ability would lead him | 0:42:23 | 0:42:25 | |
to tackle the thorny problem of food transportation. | 0:42:25 | 0:42:29 | |
Back in the 1930s, despite the Depression, | 0:42:29 | 0:42:32 | |
America is changing. | 0:42:32 | 0:42:34 | |
It's a convergence of ideas and technologies. | 0:42:34 | 0:42:38 | |
Electricity has reached our homes and our stores, | 0:42:38 | 0:42:42 | |
airplanes are becoming a common sight overhead, | 0:42:42 | 0:42:45 | |
cars and trucks are beginning to populate our roads. | 0:42:45 | 0:42:48 | |
But the way we deliver food long distances, | 0:42:48 | 0:42:52 | |
that hasn't changed for 50 years. | 0:42:52 | 0:42:55 | |
Ice-chilled food delivery had changed the world, | 0:42:57 | 0:42:59 | |
but it was far from perfect. | 0:42:59 | 0:43:02 | |
It was always a race against time. | 0:43:02 | 0:43:06 | |
Freight trains had to stop at regular intervals | 0:43:06 | 0:43:09 | |
to replace ice from track-side ice houses. | 0:43:09 | 0:43:11 | |
It wasn't a perfect system, and it was even tougher in a truck, | 0:43:13 | 0:43:17 | |
because any delays meant melted ice and a spoiled cargo. | 0:43:17 | 0:43:23 | |
So, like Birdseye before him, Jones began to wonder | 0:43:23 | 0:43:26 | |
if there was a better way. | 0:43:26 | 0:43:28 | |
Jones designed a small, durable refrigerated unit | 0:43:30 | 0:43:34 | |
that mounted on a truck to keep its contents chilled. | 0:43:34 | 0:43:37 | |
Although he lived at a time when African-American inventors | 0:43:37 | 0:43:41 | |
were rarely recognised or given opportunities, | 0:43:41 | 0:43:43 | |
he managed to convince his white boss to pay for its development. | 0:43:43 | 0:43:47 | |
It was a success. | 0:43:50 | 0:43:52 | |
After World War II, he developed refrigerated containers | 0:43:52 | 0:43:55 | |
that could be moved from train to ship to truck, | 0:43:55 | 0:43:58 | |
perfecting America's food distribution network. | 0:43:58 | 0:44:01 | |
For nearly a century, our food networks had relied | 0:44:02 | 0:44:06 | |
on these two parallel systems - | 0:44:06 | 0:44:09 | |
the older system of natural ice, | 0:44:09 | 0:44:12 | |
and the new technology of artificial refrigeration. | 0:44:12 | 0:44:17 | |
But Fred Jones's mobile refrigerated truck marked a turning point. | 0:44:17 | 0:44:23 | |
It was the end of Frederic Tudor's ice trade. | 0:44:23 | 0:44:26 | |
New ideas and inventions for making things cold come together | 0:44:29 | 0:44:33 | |
and begin to transform the way we eat. | 0:44:33 | 0:44:36 | |
Freezer trucks, refrigerated warehouses, | 0:44:37 | 0:44:40 | |
supermarkets with freezer units, | 0:44:40 | 0:44:42 | |
an electrical grid powering new suburban homes, | 0:44:42 | 0:44:45 | |
with electric refrigerators in every kitchen. | 0:44:45 | 0:44:48 | |
By 1944, 300,000 tonnes of frozen food are being sold | 0:44:49 | 0:44:54 | |
in America in a single year. | 0:44:54 | 0:44:57 | |
By the time of his death, | 0:44:57 | 0:44:59 | |
the company founded by Jones - Thermo King - | 0:44:59 | 0:45:01 | |
is worth the modern equivalent of a quarter of a billion dollars. | 0:45:01 | 0:45:05 | |
His maverick invention not only makes him | 0:45:06 | 0:45:10 | |
one of the richest black men in the country, | 0:45:10 | 0:45:12 | |
it also enables frozen foods to become a part of all our lives. | 0:45:12 | 0:45:17 | |
Now, flash freezing is just the beginning of the story... | 0:45:19 | 0:45:23 | |
..because once they get into circulation, | 0:45:25 | 0:45:27 | |
good ideas like this have a way of opening up new doors of possibility. | 0:45:27 | 0:45:31 | |
And today, fast and flash freezing is shaping our world | 0:45:34 | 0:45:39 | |
in profound ways that even a visionary like Birdseye | 0:45:39 | 0:45:42 | |
could never have expected. | 0:45:42 | 0:45:44 | |
We freeze sperm, eggs and embryos, | 0:45:44 | 0:45:47 | |
creating millions of new human lives. | 0:45:47 | 0:45:50 | |
So this is Eamon. Tell me the story of how this guy | 0:45:51 | 0:45:55 | |
came into the world. | 0:45:55 | 0:45:57 | |
Sure, well, we were lucky enough to use IVF. | 0:45:57 | 0:46:00 | |
-Uh-huh. -We have a five-year-old at home | 0:46:00 | 0:46:02 | |
who was conceived that day and was never frozen, | 0:46:02 | 0:46:05 | |
and then we were lucky enough to freeze the extra embryos. | 0:46:05 | 0:46:07 | |
Um, hopefully we'll come back and... | 0:46:07 | 0:46:09 | |
So, to store them, you have to freeze them? | 0:46:09 | 0:46:11 | |
Freeze them... Two days later they froze them and, you know, | 0:46:11 | 0:46:15 | |
then they thawed them out and said, | 0:46:15 | 0:46:16 | |
"All right, they're still good." And, like, "Great." | 0:46:16 | 0:46:19 | |
And we were able to have him implanted, | 0:46:19 | 0:46:21 | |
and here he is, 18 months old! | 0:46:21 | 0:46:24 | |
Cos it's extraordinary to think... | 0:46:24 | 0:46:26 | |
I mean, there's so many different scientific breakthroughs, | 0:46:26 | 0:46:28 | |
technological breakthroughs that make IVF possible, | 0:46:28 | 0:46:31 | |
but if you think about it, Eamon, without artificial cold, | 0:46:31 | 0:46:34 | |
without the ability to kind of flash-freeze something, | 0:46:34 | 0:46:37 | |
he wouldn't be here! | 0:46:37 | 0:46:38 | |
-He wouldn't exist. -It's an extraordinary...extraordinary thing. | 0:46:38 | 0:46:41 | |
We'd be a smaller family. | 0:46:41 | 0:46:43 | |
We're so glad it worked out. | 0:46:43 | 0:46:45 | |
-We're blessed. -We are very lucky. | 0:46:45 | 0:46:47 | |
From the idea that ice could cool a drink on a summer's day | 0:46:48 | 0:46:52 | |
to Clarence Birdseye's innovation, | 0:46:52 | 0:46:55 | |
the journey of cold helps shape how we live now. | 0:46:55 | 0:46:58 | |
But perhaps the biggest impact of all would come | 0:47:01 | 0:47:04 | |
as ideas about cold start to define not just HOW we live, | 0:47:04 | 0:47:09 | |
but WHERE. | 0:47:09 | 0:47:10 | |
In the summer of 1925, | 0:47:20 | 0:47:23 | |
a man with a big idea takes his seat in a packed New York movie theatre. | 0:47:23 | 0:47:28 | |
It's the first golden age of Hollywood, | 0:47:33 | 0:47:36 | |
but the crowds that are there that day are not there | 0:47:36 | 0:47:38 | |
for the usual movie escapism. | 0:47:38 | 0:47:40 | |
The man with a big idea has just invented something that will | 0:47:40 | 0:47:44 | |
revolutionise the movies. | 0:47:44 | 0:47:46 | |
The roots of this story go back to 1902 | 0:47:49 | 0:47:52 | |
when, on a roasting hot summer's day, the same man, | 0:47:52 | 0:47:55 | |
a young engineer called Willis Carrier, | 0:47:55 | 0:47:58 | |
is called out to a Brooklyn printworks with a big problem. | 0:47:58 | 0:48:01 | |
The humid air inside the building | 0:48:03 | 0:48:06 | |
is causing the ink to smear on their prints. | 0:48:06 | 0:48:09 | |
So they need, somehow, a way to make the air consistently dry. | 0:48:11 | 0:48:16 | |
Carrier starts trying to solve the humidity problem | 0:48:21 | 0:48:24 | |
by taking notes in this actual journal. | 0:48:24 | 0:48:27 | |
Check this out. It's filled with all these physics equations, | 0:48:27 | 0:48:31 | |
so I literally have no idea what it means, | 0:48:31 | 0:48:33 | |
but, I mean, it's just amazingly detailed. | 0:48:33 | 0:48:35 | |
He's doing this before computers. This is a guy who clearly needed a spreadsheet. | 0:48:35 | 0:48:39 | |
But out of all this amazing work, | 0:48:39 | 0:48:42 | |
he comes up with a new invention, | 0:48:42 | 0:48:45 | |
and he calls it, "An apparatus for treating air." | 0:48:45 | 0:48:49 | |
It's basically a giant dehumidifier. | 0:48:51 | 0:48:54 | |
Air goes into a refrigerated chamber, | 0:48:54 | 0:48:57 | |
moisture condenses over metal coils, | 0:48:57 | 0:49:00 | |
and dry cool air comes out the other end, | 0:49:00 | 0:49:03 | |
which is then pumped into the print rooms. | 0:49:03 | 0:49:06 | |
It stops the ink from smearing. | 0:49:06 | 0:49:08 | |
But Carrier notices something interesting - | 0:49:08 | 0:49:11 | |
people enjoy the cool air-conditioned air, too. | 0:49:11 | 0:49:16 | |
And that's how, a few years later, | 0:49:16 | 0:49:18 | |
Willis Carrier came to be sitting nervously | 0:49:18 | 0:49:21 | |
in a movie theatre in New York City. | 0:49:21 | 0:49:23 | |
You see, Hollywood had a problem. | 0:49:23 | 0:49:26 | |
Nobody in their right mind would go see a movie in the summer. | 0:49:26 | 0:49:30 | |
It was just too hot. | 0:49:30 | 0:49:33 | |
But Carrier hoped that was about to change, | 0:49:35 | 0:49:37 | |
thanks to a prototype AC system he'd installed in the theatre's basement - | 0:49:37 | 0:49:42 | |
a monster machine similar to the one sitting in the basement | 0:49:42 | 0:49:46 | |
of this Jersey City cinema, built in 1929, | 0:49:46 | 0:49:49 | |
to bring a new world of "comfort cooling" to the audience sitting above. | 0:49:49 | 0:49:53 | |
So, now we are in front of this massive structure. | 0:49:56 | 0:49:59 | |
What is this part? | 0:49:59 | 0:50:01 | |
Well, this is the big blower that pulls air in off the street | 0:50:01 | 0:50:04 | |
to be conditioned and then ventilates it out the building. | 0:50:04 | 0:50:06 | |
And that huge fan over there is kind of powering the whole thing? | 0:50:06 | 0:50:09 | |
-That's it, yeah. -It's amazing. Well, what do you think, | 0:50:09 | 0:50:12 | |
shall we try and actually turn it on? | 0:50:12 | 0:50:14 | |
There's a little switch here. | 0:50:14 | 0:50:15 | |
If you want... I'm just going to hide behind this pillar over here | 0:50:15 | 0:50:18 | |
-cos it seems very scary. -You ready? -OK, duck and cover, here we go. | 0:50:18 | 0:50:22 | |
-MACHINE WHIRS -Oh, my God! | 0:50:22 | 0:50:23 | |
WHOOSHING | 0:50:26 | 0:50:27 | |
-Wow. -It works. -That's extraordinary. | 0:50:29 | 0:50:33 | |
I feel like a jet is about to take off. | 0:50:33 | 0:50:36 | |
This is from 1929. This is the original. | 0:50:36 | 0:50:39 | |
And it's still working. | 0:50:39 | 0:50:41 | |
But right now, upstairs in that giant auditorium, | 0:50:41 | 0:50:44 | |
people are beginning to feel cool. | 0:50:44 | 0:50:46 | |
I'M beginning to feel a little cool. | 0:50:46 | 0:50:49 | |
It's kind of incredible when you have a machine that's, you know, | 0:50:49 | 0:50:52 | |
almost 100 years old and it's still working. | 0:50:52 | 0:50:54 | |
Once the AC unit starts up, cool air is transported around the building | 0:50:58 | 0:51:02 | |
via a series of enormous ducts... | 0:51:02 | 0:51:05 | |
..reaching the customers via these beautifully camouflaged grilles... | 0:51:09 | 0:51:13 | |
You can really... I mean, the air is really circulating here. | 0:51:15 | 0:51:18 | |
It's just pouring in through this doorway. | 0:51:18 | 0:51:20 | |
I think this is why they call it a house fan. | 0:51:20 | 0:51:22 | |
It really ventilates the entire house. | 0:51:22 | 0:51:24 | |
It's amazing. I've got dust in my eye from, like, | 0:51:24 | 0:51:27 | |
the Roosevelt administration! | 0:51:27 | 0:51:28 | |
Carrier's idea - AC in a cinema - is revolutionary, | 0:51:31 | 0:51:35 | |
but what would the cinema-goers think? | 0:51:35 | 0:51:37 | |
Carrier takes a massive risk on this one demonstration, | 0:51:39 | 0:51:42 | |
even inviting Paramount Pictures' chief Adolph Zukor, | 0:51:42 | 0:51:46 | |
one of Hollywood's most powerful men. | 0:51:46 | 0:51:49 | |
Carrier stayed up all the night before | 0:51:49 | 0:51:52 | |
trying to get the equipment ready. | 0:51:52 | 0:51:54 | |
Now it was time to crank up the AC. | 0:51:54 | 0:51:57 | |
He wrote later about what happened... | 0:51:57 | 0:51:59 | |
"Final adjustments delayed us | 0:52:01 | 0:52:03 | |
"in starting up the air conditioning system. | 0:52:03 | 0:52:05 | |
"From the wings we watched in dismay as 2,000 fans fluttered." | 0:52:05 | 0:52:10 | |
"But, gradually, the fans dropped into laps | 0:52:10 | 0:52:14 | |
"as the effects of the air conditioning became evident." | 0:52:14 | 0:52:18 | |
'We had stopped them cold | 0:52:18 | 0:52:20 | |
"and breathed a great sigh of relief." | 0:52:20 | 0:52:23 | |
"Afterwards, when Mr Zukor saw us, he said tersely, | 0:52:23 | 0:52:27 | |
"'Yes, the people are going to like it.'" | 0:52:27 | 0:52:30 | |
And that was the understatement of the century. | 0:52:39 | 0:52:42 | |
Basically, you start air-conditioning theatres | 0:52:45 | 0:52:49 | |
and what happens to the kind of American love of cinema? | 0:52:49 | 0:52:53 | |
If you had stopped the average person in the street in, say, | 0:52:53 | 0:52:56 | |
1900 or 1910 and said, | 0:52:56 | 0:52:58 | |
"I have a system where if you push a button you'll get cool air," | 0:52:58 | 0:53:01 | |
they would have thought you were joking - it would have been science fiction. | 0:53:01 | 0:53:05 | |
So for people to actually enter a movie theatre in the 1920s | 0:53:05 | 0:53:08 | |
and experience "comfort cool" for the first time, | 0:53:08 | 0:53:10 | |
changed the way they thought about their environment. | 0:53:10 | 0:53:12 | |
All of a sudden now, with modern air conditioning, | 0:53:12 | 0:53:15 | |
on the hottest days of the year people are starting to come to the movies. | 0:53:15 | 0:53:18 | |
In 1930, 80 million Americans go to the movies every week. | 0:53:18 | 0:53:23 | |
That's 65% of the entire population. | 0:53:23 | 0:53:25 | |
So you would say every 12 days on average | 0:53:25 | 0:53:28 | |
the entire country goes to the movies. | 0:53:28 | 0:53:30 | |
You can't pick a better venue | 0:53:30 | 0:53:31 | |
to expose a great new innovation like this than the movies. | 0:53:31 | 0:53:34 | |
So air conditioning actually ends up inventing the summer blockbuster? | 0:53:34 | 0:53:38 | |
Air conditioning and movies go hand in hand throughout their entire history. | 0:53:38 | 0:53:42 | |
Willis Carrier's invention - | 0:53:43 | 0:53:45 | |
a machine for cooling air in a print shop - | 0:53:45 | 0:53:48 | |
has changed Hollywood. | 0:53:48 | 0:53:49 | |
But the idea of air conditioning proves irresistible, | 0:53:50 | 0:53:54 | |
and soon it will trigger chain reactions more dramatic | 0:53:54 | 0:53:58 | |
than any other innovation in the story of cold. | 0:53:58 | 0:54:01 | |
AC is about to re-draw the map of the world. | 0:54:01 | 0:54:04 | |
OK, so take a look at a map of the United States | 0:54:06 | 0:54:09 | |
at the beginning of the 20th century. | 0:54:09 | 0:54:11 | |
Everyone lives in the growing and prosperous cities | 0:54:11 | 0:54:14 | |
of the North. | 0:54:14 | 0:54:16 | |
The South and West, meanwhile, | 0:54:16 | 0:54:19 | |
are economic backwaters. | 0:54:19 | 0:54:21 | |
Towns like Phoenix and Miami are tiny. | 0:54:22 | 0:54:25 | |
Las Vegas in 1910 has just 937 inhabitants. | 0:54:27 | 0:54:32 | |
Why? | 0:54:32 | 0:54:34 | |
Because this is the sunbelt. | 0:54:34 | 0:54:35 | |
It's too hot and no-one wants to live here. | 0:54:35 | 0:54:39 | |
In 1951, | 0:54:39 | 0:54:41 | |
Carrier's company introduces an air conditioning unit | 0:54:41 | 0:54:43 | |
that is miniaturised and affordable for a mass market, | 0:54:43 | 0:54:48 | |
and that's when AC starts to go crazy. | 0:54:48 | 0:54:51 | |
Between the 1950s and the 1980s, | 0:54:57 | 0:55:00 | |
AC becomes ubiquitous in people's homes and cars across America. | 0:55:00 | 0:55:04 | |
And just see what that does to where people are living. | 0:55:06 | 0:55:09 | |
Tucson, Arizona, grows 400% | 0:55:09 | 0:55:12 | |
in ten years. | 0:55:12 | 0:55:14 | |
Phoenix - 300%. | 0:55:14 | 0:55:16 | |
Tampa, Dallas, Houston and Atlanta - | 0:55:16 | 0:55:19 | |
populations double, triple. | 0:55:19 | 0:55:21 | |
And it's the same story everywhere you look. | 0:55:21 | 0:55:23 | |
ARCHIVE: 'By 1960, 30,000 people will live in Broomfield Heights, | 0:55:25 | 0:55:29 | |
'making it the fifth largest city...' | 0:55:29 | 0:55:32 | |
Carrier's invention is circulating people as well as air, | 0:55:32 | 0:55:37 | |
changing lives, changing America. | 0:55:37 | 0:55:39 | |
But then something even more interesting happens. | 0:55:44 | 0:55:47 | |
You see, people moving to the hot states are older | 0:55:47 | 0:55:51 | |
and tend to vote Republican, | 0:55:51 | 0:55:53 | |
and the growing population in the conservative South | 0:55:53 | 0:55:57 | |
means more electoral college votes there. | 0:55:57 | 0:56:00 | |
So check out what happens to the political map of America. | 0:56:00 | 0:56:03 | |
Between 1940 and 1980, | 0:56:08 | 0:56:10 | |
northern states lose an incredible 31 electoral college votes, | 0:56:10 | 0:56:15 | |
while the southern states gain 29, | 0:56:15 | 0:56:19 | |
doubling the number in California, Arizona and Florida - | 0:56:19 | 0:56:24 | |
the vast majority voting Republican. | 0:56:24 | 0:56:27 | |
This is long-zoom history. | 0:56:28 | 0:56:32 | |
Less than a century after Willis Carrier started to tinker with | 0:56:32 | 0:56:36 | |
stopping the ink from smearing on a page in Brooklyn, | 0:56:36 | 0:56:39 | |
our mastery of molecules of air and moisture | 0:56:39 | 0:56:43 | |
have helped put Ronald Reagan into the White House. | 0:56:43 | 0:56:46 | |
Today, many of the world's fastest-growing cities, like Dubai, | 0:56:52 | 0:56:57 | |
are in hot countries. | 0:56:57 | 0:56:58 | |
It's the first mass migration in human history | 0:57:00 | 0:57:03 | |
to be made possible by a home appliance. | 0:57:03 | 0:57:06 | |
And all this started with a half-baked idea, | 0:57:07 | 0:57:11 | |
a hunch in the mind of a maverick dreamer. | 0:57:11 | 0:57:14 | |
When you think about inventions, | 0:57:19 | 0:57:21 | |
we tend to be constrained by the scale of the original idea. | 0:57:21 | 0:57:25 | |
So, we assume that if we invent artificial cold, | 0:57:25 | 0:57:28 | |
our rooms will be cooler | 0:57:28 | 0:57:30 | |
and we'll have ice cubes in our drinks on a hot summer day. | 0:57:30 | 0:57:33 | |
But if you tell the story of cold that way, | 0:57:33 | 0:57:36 | |
you miss the majesty of it. | 0:57:36 | 0:57:39 | |
We make our ideas, and they make us in return. | 0:57:39 | 0:57:43 | |
And when you look at the story from that angle, | 0:57:43 | 0:57:46 | |
you can't help feel that cold isn't done with us yet. | 0:57:46 | 0:57:50 |