Browse content similar to Sophisticated Serpents. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Whatever your feelings about snakes, | 0:00:35 | 0:00:37 | |
you can't deny that they have an extraordinary beauty. | 0:00:37 | 0:00:42 | |
Their lack of limbs compels them to deal with life's problems in ways that are utterly different from ours. | 0:00:46 | 0:00:53 | |
But nonetheless, the techniques they've developed | 0:01:01 | 0:01:04 | |
are spectacularly successful. | 0:01:04 | 0:01:06 | |
Snakes have one of the simplest of body shapes, | 0:01:21 | 0:01:23 | |
essentially just a long, thin tube, | 0:01:23 | 0:01:27 | |
but they have some remarkably effective ways of getting around. | 0:01:27 | 0:01:31 | |
They can climb a tree simply by embracing its trunk. | 0:01:33 | 0:01:38 | |
Some can flatten their bodies | 0:01:42 | 0:01:45 | |
so that they catch the air beneath them and glide. | 0:01:45 | 0:01:50 | |
By hitching up their undersides, | 0:01:53 | 0:01:56 | |
they can inch themselves forward in a straight line. | 0:01:56 | 0:02:00 | |
A sinuous wriggle enables them to skate across loose sand. | 0:02:01 | 0:02:05 | |
And the same action works equally well in water. | 0:02:10 | 0:02:14 | |
There, some swim close to the surface. | 0:02:16 | 0:02:20 | |
Others explore the depths and can stay underwater for hours on end. | 0:02:20 | 0:02:26 | |
One, believe it or not, can jump. | 0:02:29 | 0:02:32 | |
So, leglessness hardly seems such a handicap, | 0:02:52 | 0:02:56 | |
but how did snakes get that way? | 0:02:56 | 0:02:59 | |
Well, their remote ancestors 100 million years ago, | 0:02:59 | 0:03:02 | |
at the time of the dinosaurs, did have legs, | 0:03:02 | 0:03:06 | |
rather like today's lizards. | 0:03:06 | 0:03:08 | |
Doubtless they were very effective runners, | 0:03:14 | 0:03:18 | |
but some also started to burrow in search of prey. | 0:03:18 | 0:03:24 | |
Below ground, legs are a hindrance, | 0:03:25 | 0:03:28 | |
and over generations, they became smaller. | 0:03:28 | 0:03:30 | |
Today, burrowing lizards such as skinks | 0:03:31 | 0:03:34 | |
seem to be going through the same process. | 0:03:34 | 0:03:37 | |
Many have tiny but recognisable legs. | 0:03:37 | 0:03:40 | |
In others, the limbs have become nothing more than functionless flaps. | 0:03:40 | 0:03:45 | |
In this burrowing lizard, the process has gone even further. | 0:03:48 | 0:03:52 | |
The animal still has the face of a lizard... | 0:03:52 | 0:03:55 | |
but its legs have disappeared totally. | 0:03:55 | 0:03:58 | |
It seems that the ancestral snakes went through just such a process | 0:04:03 | 0:04:07 | |
way back in geological history, some 95 million years ago. | 0:04:07 | 0:04:12 | |
So, what did these very first snakes look like? | 0:04:14 | 0:04:17 | |
Well, the answer can be found in Asian jungles, | 0:04:17 | 0:04:20 | |
in American woodlands and gardens, | 0:04:20 | 0:04:23 | |
and even in flowerpots like this. | 0:04:23 | 0:04:26 | |
It may look like an earthworm, but actually it's a flowerpot snake, | 0:04:31 | 0:04:36 | |
and it's completely blind. | 0:04:38 | 0:04:40 | |
It doesn't need to see because it spends all its life underground. | 0:04:40 | 0:04:45 | |
I'll put it back in its flowerpot, | 0:04:45 | 0:04:50 | |
put a flower on top and it will live perfectly happily there | 0:04:50 | 0:04:54 | |
in this flowerpot, all by itself, providing it has enough food. | 0:04:54 | 0:04:57 | |
And there's a surprising amount for a small snake to eat underground. | 0:04:59 | 0:05:03 | |
Ant larvae, for example. | 0:05:03 | 0:05:06 | |
These early legless reptiles | 0:05:18 | 0:05:20 | |
flourished and remained underground for a long time. | 0:05:20 | 0:05:24 | |
Then, around 50 million years ago, some of them returned to the surface. | 0:05:24 | 0:05:30 | |
Why? Well, by this time the dinosaurs had disappeared | 0:05:35 | 0:05:38 | |
and the early mammals had arrived. | 0:05:38 | 0:05:41 | |
They were more nutritious than beetles and worms, | 0:05:41 | 0:05:44 | |
so the snakes began to catch them instead, | 0:05:44 | 0:05:47 | |
and became so good at doing so that today, | 0:05:47 | 0:05:50 | |
they are among the most skilful hunters on earth. | 0:05:50 | 0:05:52 | |
Here in North America, there's a snake | 0:05:54 | 0:05:57 | |
that combines its great speed and extraordinary senses | 0:05:57 | 0:06:01 | |
in a remarkable hunting strategy | 0:06:01 | 0:06:03 | |
we are only just beginning to understand. | 0:06:03 | 0:06:06 | |
A timber rattlesnake. | 0:06:10 | 0:06:11 | |
The morning sun has warmed its body, | 0:06:14 | 0:06:16 | |
giving it energy, and it starts to move. | 0:06:16 | 0:06:19 | |
It's searching for a place where it can conceal itself, | 0:06:29 | 0:06:33 | |
and wait for prey to come within striking distance. | 0:06:33 | 0:06:35 | |
A little chipmunk. It's in no danger yet. | 0:06:40 | 0:06:42 | |
The rattlesnake can't move fast enough to chase and catch it. | 0:06:42 | 0:06:47 | |
But small mammals tend to use the same paths | 0:06:50 | 0:06:52 | |
as they run over the forest floor, | 0:06:52 | 0:06:54 | |
and they leave behind a faint trail of scent. | 0:06:54 | 0:06:58 | |
The rattlesnake can detect that scent with its tongue. | 0:06:58 | 0:07:02 | |
It can also locate the warm-blooded chipmunk if it's nearby, | 0:07:10 | 0:07:15 | |
with heat detectors in a pair of pits beneath its eyes. | 0:07:15 | 0:07:19 | |
As it moves, it carefully holds its rattle above the ground | 0:07:21 | 0:07:25 | |
so it makes no noise. | 0:07:25 | 0:07:27 | |
It's chosen the place to wait at the bottom of this tree stump. | 0:07:33 | 0:07:38 | |
Its colouration matches the ground so closely | 0:07:38 | 0:07:41 | |
it needs no further concealment. | 0:07:41 | 0:07:44 | |
Now, it's just a matter of time. | 0:07:44 | 0:07:47 | |
Seeing a rattlesnake actually catching its prey | 0:07:48 | 0:07:52 | |
is a very, very difficult thing to observe. | 0:07:52 | 0:07:55 | |
In fact, some scientists have watched rattlesnakes for years | 0:07:55 | 0:07:58 | |
without seeing that particular crucial moment. | 0:07:58 | 0:08:02 | |
But we have a chance, partly because rattlesnakes are ambush hunters | 0:08:02 | 0:08:07 | |
so we know exactly where to put up our gear, | 0:08:07 | 0:08:10 | |
and partly because in that gear, | 0:08:10 | 0:08:12 | |
we've got the very latest in surveillance equipment. | 0:08:12 | 0:08:17 | |
There are remotely controlled cameras, | 0:08:17 | 0:08:21 | |
and infra-red lights on stands. | 0:08:21 | 0:08:23 | |
And there are motion detectors | 0:08:25 | 0:08:29 | |
that will switch on the cameras if anything moves. | 0:08:29 | 0:08:32 | |
So I needn't wait alongside. | 0:08:32 | 0:08:34 | |
If anything happens, the cameras will switch on automatically. | 0:08:34 | 0:08:39 | |
Later, I check the replay. | 0:08:41 | 0:08:43 | |
There's a mouse, | 0:08:51 | 0:08:52 | |
just along that log. | 0:08:52 | 0:08:54 | |
That obviously came to nothing, | 0:09:05 | 0:09:07 | |
but the cameras have started recording again | 0:09:07 | 0:09:09 | |
and the snake is moving. | 0:09:09 | 0:09:10 | |
He's checking out the trail with his tongue. | 0:09:10 | 0:09:13 | |
See, that's exactly where that mouse was running. | 0:09:18 | 0:09:21 | |
It's pitch dark and the mouse clearly has no idea that the snake is there. | 0:09:27 | 0:09:31 | |
But the snake is well aware of the mouse, | 0:09:33 | 0:09:35 | |
thanks, no doubt, to those heat-detecting pits. | 0:09:35 | 0:09:38 | |
The snake strikes by suddenly straightening the curve in its neck, | 0:09:43 | 0:09:46 | |
but at the moment, the mouse is not within range. | 0:09:46 | 0:09:49 | |
He's worked out that that is the path | 0:10:01 | 0:10:04 | |
along which the mice run. | 0:10:04 | 0:10:07 | |
And he's getting himself properly adjusted | 0:10:09 | 0:10:12 | |
so he can strike when he next gets a chance. | 0:10:12 | 0:10:16 | |
Now once again, waiting. | 0:10:29 | 0:10:32 | |
That's what snakes are so good at. | 0:10:32 | 0:10:35 | |
Oh, my goodness! | 0:10:58 | 0:11:00 | |
That's a dead mouse, all right. | 0:11:06 | 0:11:08 | |
Slow down that shot, | 0:11:11 | 0:11:12 | |
and you can see that the snake stabs the mouse just once. | 0:11:12 | 0:11:16 | |
After three convulsive kicks, the mouse is dead. | 0:11:19 | 0:11:22 | |
Snake is moving again. | 0:11:29 | 0:11:31 | |
He's going back now | 0:11:33 | 0:11:34 | |
to look for the one that he knows is dead back there. | 0:11:34 | 0:11:40 | |
Where is it? | 0:11:42 | 0:11:43 | |
Ah, now it looks as though he's really got it. | 0:11:46 | 0:11:49 | |
That's his dinner, | 0:11:54 | 0:11:55 | |
and that can last him | 0:11:55 | 0:11:57 | |
for...three weeks, | 0:11:57 | 0:12:01 | |
four weeks if necessary. | 0:12:01 | 0:12:04 | |
Rattlesnakes are among the least obtrusive inhabitants | 0:12:12 | 0:12:16 | |
of the forests of North America, | 0:12:16 | 0:12:18 | |
and they're probably far more numerous than many people realise. | 0:12:18 | 0:12:22 | |
Like many other animals, snakes use their nostrils to detect smells, | 0:12:24 | 0:12:29 | |
but the most sensitive and accurate information | 0:12:29 | 0:12:32 | |
about the world around them | 0:12:32 | 0:12:33 | |
comes from that constantly flickering tongue. | 0:12:33 | 0:12:37 | |
With this, a snake gathers molecules from the air | 0:12:46 | 0:12:50 | |
and carries them back for evaluation | 0:12:50 | 0:12:53 | |
to a pair of extremely sensitive organs in the roof of its mouth. | 0:12:53 | 0:12:58 | |
To see just how important scent can be to a snake, | 0:12:58 | 0:13:01 | |
I've come here to Carnac Island, just off the coast of Western Australia. | 0:13:01 | 0:13:06 | |
It's home to a large population of highly venomous tiger snakes. | 0:13:06 | 0:13:13 | |
Snakes have been established here for many years, | 0:13:15 | 0:13:18 | |
but there's something odd about this particular population. | 0:13:18 | 0:13:22 | |
Many of them have damaged heads, and some of them are actually blind, | 0:13:23 | 0:13:28 | |
like this one. | 0:13:28 | 0:13:29 | |
And yet, puzzlingly, in spite of the fact that they're blind, | 0:13:29 | 0:13:35 | |
they all appear to be very well fed. | 0:13:35 | 0:13:39 | |
So how do their heads get damaged, | 0:13:39 | 0:13:41 | |
and how, in that condition when they can't see anything, | 0:13:41 | 0:13:44 | |
can they catch all the prey they need? | 0:13:44 | 0:13:47 | |
The snakes, of course, are not the only inhabitants of the island. | 0:13:52 | 0:13:56 | |
It's also home for a large colony of silver gulls. | 0:13:56 | 0:14:00 | |
The gulls breed throughout the year, | 0:14:02 | 0:14:05 | |
so their chicks are a source of food for the snakes that never ends. | 0:14:05 | 0:14:10 | |
In fact, the snakes eat pretty well nothing else. | 0:14:13 | 0:14:16 | |
But the snakes don't get it all their own way. | 0:14:21 | 0:14:24 | |
The gulls are valiant defenders of their nests and their chicks. | 0:14:24 | 0:14:27 | |
Their stabbing beaks are powerful, | 0:14:33 | 0:14:35 | |
sharp and strong, and the gulls always go for the snake's head. | 0:14:35 | 0:14:41 | |
One in ten of the snakes are totally blinded. | 0:15:05 | 0:15:08 | |
Tiger snakes don't have those heat-sensitive pits | 0:15:09 | 0:15:12 | |
that rattlesnakes have, | 0:15:12 | 0:15:14 | |
so these blinded hunters are guided entirely by their forked tongue. | 0:15:14 | 0:15:18 | |
It's a superb direction-finding device. | 0:15:19 | 0:15:23 | |
The snake can measure the strength of the smell separately | 0:15:23 | 0:15:27 | |
on each of the two forks of its tongue. | 0:15:27 | 0:15:30 | |
And if it wishes to follow up a smell, then it simply detects the one | 0:15:30 | 0:15:35 | |
which has the stronger smell, and goes in that direction. | 0:15:35 | 0:15:38 | |
Gull chicks are an ideal prey for a blinded snake, | 0:15:42 | 0:15:46 | |
because they are programmed to stay on their nests. | 0:15:46 | 0:15:50 | |
Once a snake has located it, a chick is doomed. | 0:16:06 | 0:16:11 | |
Snakes, it must be admitted, have had a bad reputation | 0:16:17 | 0:16:20 | |
ever since one appeared in the Garden of Eden. | 0:16:20 | 0:16:23 | |
But in reality, even the most aggressive venomous snake | 0:16:23 | 0:16:28 | |
will avoid biting a human being if it can. | 0:16:28 | 0:16:31 | |
Why waste venom and risk a violent retribution | 0:16:31 | 0:16:35 | |
by biting something you're not going to eat? | 0:16:35 | 0:16:37 | |
To prevent misunderstanding, | 0:16:39 | 0:16:40 | |
most venomous snakes warn other animals, including human beings, | 0:16:40 | 0:16:44 | |
to keep out of their way. | 0:16:44 | 0:16:46 | |
RATTLING | 0:16:46 | 0:16:50 | |
Some snakes do that with sound. | 0:16:50 | 0:16:52 | |
HISS! | 0:16:59 | 0:17:02 | |
Others, such as cobras, give a visual signal, | 0:17:04 | 0:17:07 | |
by expanding the skin around their heads to form a conspicuous hood. | 0:17:07 | 0:17:12 | |
The threat of a bite | 0:17:14 | 0:17:16 | |
is far better defence for a snake than the bite itself. | 0:17:16 | 0:17:20 | |
However, there are some snakes | 0:17:22 | 0:17:25 | |
that not only use their venom to kill their prey, | 0:17:25 | 0:17:28 | |
but have also found a way of using it | 0:17:28 | 0:17:33 | |
to deter their enemies without even biting them. | 0:17:33 | 0:17:37 | |
This Mozambique cobra has a very special way of doing that. | 0:17:39 | 0:17:44 | |
To demonstrate this with some degree of safety, | 0:17:47 | 0:17:50 | |
I'm going to wear this visor which has been coated with a substance | 0:17:50 | 0:17:53 | |
that turns pink in contact with venom. | 0:17:53 | 0:17:57 | |
See what happens. | 0:17:57 | 0:17:59 | |
It's watching me, waiting to see if I get too close for its liking. | 0:18:02 | 0:18:07 | |
Venom spurts from its fangs. | 0:18:15 | 0:18:19 | |
As it spits, it turns its head from side to side | 0:18:19 | 0:18:23 | |
so that the jets have the best chance of hitting my eyes. | 0:18:23 | 0:18:27 | |
Well, I was well and truly sprayed. | 0:18:33 | 0:18:36 | |
Every one of those pink dots is a bead of venom, | 0:18:36 | 0:18:40 | |
and if any one of them had gone in my eye, | 0:18:40 | 0:18:42 | |
I would be now blind and in extreme pain. | 0:18:42 | 0:18:45 | |
So it's a fair warning from that snake to me not to get any closer, | 0:18:45 | 0:18:50 | |
and I daresay if I did | 0:18:50 | 0:18:52 | |
I would deserve what I would get, which would be a bite. | 0:18:52 | 0:18:57 | |
I have no intention of doing that. | 0:18:57 | 0:19:00 | |
On the other hand, some snakes which may appear to be venomous | 0:19:00 | 0:19:05 | |
are in reality quite harmless. | 0:19:05 | 0:19:08 | |
These two snakes look very, very similar, and they both occur here | 0:19:10 | 0:19:16 | |
in the southern United States, | 0:19:16 | 0:19:18 | |
so you are quite likely to meet one or the other here. | 0:19:18 | 0:19:21 | |
One of them, however, is harmless. It's called a king snake. | 0:19:21 | 0:19:26 | |
The other one is a coral snake and highly venomous. | 0:19:26 | 0:19:29 | |
One bite, certain death. | 0:19:29 | 0:19:32 | |
The question is, which is which? | 0:19:32 | 0:19:35 | |
Well, the key lies in the order of the colour rings. | 0:19:35 | 0:19:40 | |
People here have a local saying - "Red and black, venom lack. | 0:19:40 | 0:19:47 | |
"Red and yellow can kill a fellow." | 0:19:47 | 0:19:51 | |
This one has red and black, | 0:19:51 | 0:19:57 | |
so I guess that's a king snake. | 0:19:57 | 0:20:02 | |
We'll see. | 0:20:02 | 0:20:04 | |
So far, so good. | 0:20:09 | 0:20:11 | |
Yeah, this is a king snake. | 0:20:11 | 0:20:13 | |
And what a beautiful snake it is. | 0:20:13 | 0:20:18 | |
A really lovely reptile. | 0:20:21 | 0:20:22 | |
The king snake pretends to be venomous when it's not, | 0:20:29 | 0:20:32 | |
and there's another snake that pretends to be dead when it isn't. | 0:20:32 | 0:20:38 | |
Snakes, being cold-blooded, seem to relish the warmth of sun-baked roads | 0:20:42 | 0:20:47 | |
and often bask on them, and as a result, of course, many get run over. | 0:20:47 | 0:20:52 | |
But things aren't always exactly what they seem. | 0:20:57 | 0:21:00 | |
He looks fairly dead. | 0:21:05 | 0:21:08 | |
But in fact, this hog-nosed snake is perfectly all right. | 0:21:11 | 0:21:16 | |
He was just feigning death | 0:21:19 | 0:21:23 | |
so that things that might have been | 0:21:23 | 0:21:26 | |
interested in a living snake | 0:21:26 | 0:21:29 | |
are not, and what's more, | 0:21:29 | 0:21:31 | |
he's produced rather a remarkable smell. | 0:21:31 | 0:21:35 | |
In fact the smell, as it were, | 0:21:35 | 0:21:38 | |
of rotting flesh. | 0:21:38 | 0:21:41 | |
Maybe he was pretending, too, that he was not only dead but decomposing. | 0:21:41 | 0:21:46 | |
Very convincing. Off you go. | 0:21:46 | 0:21:50 | |
The lack of limbs that might seem to us to be such a huge handicap | 0:21:56 | 0:21:59 | |
has not stopped snakes from getting around in all kinds of ways, | 0:21:59 | 0:22:03 | |
and neither does it prevent them from tackling all kinds of meals. | 0:22:03 | 0:22:07 | |
This South African snake | 0:22:09 | 0:22:11 | |
has become a specialist in swallowing a particularly awkward mouthful. | 0:22:11 | 0:22:15 | |
It's as accomplished a tree-climber as you'll find among snakes. | 0:22:20 | 0:22:24 | |
The trees it frequents | 0:22:37 | 0:22:38 | |
also hold colonies of masked weaver birds, | 0:22:38 | 0:22:41 | |
that suspend their nests from the very tip of the branches. | 0:22:41 | 0:22:45 | |
But the snake is a skilled enough climber to reach them. | 0:22:45 | 0:22:50 | |
The weaver birds know it well and recognise it as a threat. | 0:22:50 | 0:22:54 | |
BIRDS TWITTER | 0:23:00 | 0:23:02 | |
It's well accustomed to these attacks. | 0:23:05 | 0:23:07 | |
These defenders, however, are just too determined, and it retreats. | 0:23:28 | 0:23:35 | |
But it doesn't give up altogether. | 0:23:38 | 0:23:42 | |
This nest is unguarded. | 0:23:56 | 0:24:00 | |
And this is what the snake is after, the eggs. | 0:24:04 | 0:24:08 | |
Each is several times bigger than the snake's head | 0:24:08 | 0:24:11 | |
but its jaws are linked by ligaments that are amazingly elastic. | 0:24:11 | 0:24:16 | |
Once the egg is engulfed by the snake's jaws, | 0:24:22 | 0:24:25 | |
powerful throat muscles push it down its gullet. | 0:24:25 | 0:24:28 | |
Moving X-rays enable us to see exactly what's happening. | 0:24:35 | 0:24:40 | |
Soon, the egg reaches a part of the backbone | 0:24:43 | 0:24:46 | |
that has downward-pointing spines on it. | 0:24:46 | 0:24:49 | |
The snake arches its backbone and then squeezes. | 0:24:51 | 0:24:55 | |
The shell cracks and the spines on the backbone slit the membrane. | 0:24:59 | 0:25:04 | |
The shell is crushed | 0:25:08 | 0:25:09 | |
and rich, nutritious yolk flows into the snake's gut. | 0:25:09 | 0:25:13 | |
Then, what's left of the shell is regurgitated. | 0:25:27 | 0:25:31 | |
But that, of course, was a small meal. | 0:25:33 | 0:25:36 | |
Some snakes can tackle much bigger meals than that. | 0:25:36 | 0:25:40 | |
An African rock python - one of the biggest of all snakes, | 0:25:42 | 0:25:47 | |
that can grow over seven metres, 20 feet long. | 0:25:47 | 0:25:50 | |
And it is eating an antelope. | 0:25:50 | 0:25:54 | |
It too has an elastic ligament connecting its jaws. | 0:25:54 | 0:25:58 | |
It killed the antelope not with venom, | 0:26:01 | 0:26:04 | |
but by squeezing it so tightly that it was unable to breathe. | 0:26:04 | 0:26:08 | |
A python's teeth can't cut or rip. | 0:26:12 | 0:26:15 | |
It has to swallow its prey whole, or not at all. | 0:26:15 | 0:26:19 | |
And that may take a day or more. | 0:26:19 | 0:26:23 | |
Without limbs, the python can't push the antelope down its throat. | 0:26:23 | 0:26:28 | |
Instead, it hitches its jaws diagonally back and forth | 0:26:28 | 0:26:33 | |
so that they, as it were, walk over the prey. | 0:26:33 | 0:26:37 | |
Its tube-like body has to stretch so extremely | 0:26:37 | 0:26:41 | |
to accommodate such a gigantic meal | 0:26:41 | 0:26:44 | |
that its flanks have torn, but such injuries heal very quickly. | 0:26:44 | 0:26:48 | |
The last of the antelope, its hooves, are about to disappear. | 0:26:53 | 0:26:57 | |
Gone. | 0:27:06 | 0:27:08 | |
The python will now hide itself away | 0:27:13 | 0:27:16 | |
and begin the long process of digestion. | 0:27:16 | 0:27:19 | |
Everything will be dissolved - skin, hair, hooves, even horns. | 0:27:19 | 0:27:25 | |
This python will not need to eat again for a year or more. | 0:27:33 | 0:27:38 | |
Wherever it's warm and there are animals of some kind, | 0:27:43 | 0:27:46 | |
there will be snakes to hunt them, | 0:27:46 | 0:27:48 | |
no matter how difficult the conditions | 0:27:48 | 0:27:51 | |
and how awkward the mouthful. | 0:27:51 | 0:27:52 | |
Crabs are in plentiful supply in this mangrove swamp. | 0:27:55 | 0:27:58 | |
There must be 50 on any one of these trees around me. | 0:27:58 | 0:28:02 | |
They're all up there waiting for the tide to go out | 0:28:02 | 0:28:06 | |
so that they can feed in the mud below. | 0:28:06 | 0:28:08 | |
So, there is a meal for a snake here, but crabs are not easy to tackle. | 0:28:08 | 0:28:14 | |
They're strong, armour-plated and covered in spines. | 0:28:14 | 0:28:19 | |
For a snake to tackle one of these | 0:28:19 | 0:28:21 | |
would be like me trying to eat a lobster twice the size of my head | 0:28:21 | 0:28:26 | |
with my hands tied behind my back. | 0:28:26 | 0:28:29 | |
But there is a snake that knows how to do so. | 0:28:29 | 0:28:32 | |
The crabs cling to the arching struts of the mangroves | 0:28:33 | 0:28:37 | |
to keep out of the way of predatory fish, | 0:28:37 | 0:28:39 | |
but as the tide retreats, it becomes safe for them to climb down | 0:28:39 | 0:28:43 | |
and start looking for such edible bits | 0:28:43 | 0:28:46 | |
as the tide has left behind on the mud. | 0:28:46 | 0:28:48 | |
For the moment they're safe, but soon the sun will set. | 0:28:56 | 0:29:01 | |
Then the snakes will come out of their burrows. | 0:29:01 | 0:29:04 | |
They hunt in the darkness, | 0:29:04 | 0:29:06 | |
but we'll be able to follow them with our infra-red cameras. | 0:29:06 | 0:29:10 | |
It's now very dark indeed | 0:29:19 | 0:29:21 | |
and the snake has to find its way around entirely by touch and smell. | 0:29:21 | 0:29:27 | |
Finding crabs is not difficult. | 0:29:36 | 0:29:38 | |
They swarm all over the mud | 0:29:38 | 0:29:41 | |
and the snake is almost bound to encounter one | 0:29:41 | 0:29:44 | |
sooner rather than later. | 0:29:44 | 0:29:46 | |
The snake is armed with venom, | 0:29:54 | 0:29:56 | |
and has short, strong fangs which can pierce a crab's shell and stun it. | 0:29:56 | 0:30:00 | |
But that's only half the problem. | 0:30:00 | 0:30:03 | |
It's what it does after it's caught its crab | 0:30:03 | 0:30:06 | |
that sets it apart from all other snakes. | 0:30:06 | 0:30:08 | |
It has it. | 0:30:34 | 0:30:36 | |
Now what? | 0:30:36 | 0:30:38 | |
The crab is so large that the snake can't swallow it whole. | 0:30:38 | 0:30:43 | |
Slowly and deliberately, the snake dismembers the crab. | 0:30:43 | 0:30:47 | |
Each leg contains nutritious muscle. | 0:30:51 | 0:30:55 | |
But the crab's armoured body is simply discarded. | 0:31:03 | 0:31:08 | |
Too difficult. | 0:31:08 | 0:31:10 | |
There are hard-shelled creatures in fresh waters, as well as in salt. | 0:31:13 | 0:31:18 | |
Not nearly as many, | 0:31:18 | 0:31:19 | |
but sufficient number for some snakes to specialise in eating them. | 0:31:19 | 0:31:23 | |
And in the eastern United States, many rivers contain crayfish. | 0:31:25 | 0:31:30 | |
Like crabs, they have a hard protective shell, | 0:31:34 | 0:31:38 | |
and they have particularly powerful pincers as well. | 0:31:38 | 0:31:41 | |
The queen snake, however, eats crayfish and nothing else. | 0:31:48 | 0:31:54 | |
But not just any crayfish. | 0:32:13 | 0:32:16 | |
It's very selective. | 0:32:20 | 0:32:24 | |
Crayfish, as they grow, shed their armour. | 0:32:24 | 0:32:28 | |
Every three to four weeks, a split appears across the back of its shell. | 0:32:31 | 0:32:36 | |
The old shell hinges away | 0:32:39 | 0:32:41 | |
and the crayfish hauls itself out and expands its body, which is soft. | 0:32:41 | 0:32:46 | |
It's now that the snake has its chance. | 0:32:48 | 0:32:51 | |
A newly moulted crayfish looks much the same, | 0:33:02 | 0:33:06 | |
but it gives off different chemicals | 0:33:06 | 0:33:08 | |
that the snake can detect in the water with its tongue, | 0:33:08 | 0:33:12 | |
and from some distance away. | 0:33:12 | 0:33:14 | |
It can swallow this crayfish because, since it's newly moulted, | 0:33:31 | 0:33:37 | |
it's as soft as a boiled egg. | 0:33:37 | 0:33:39 | |
On occasion, snakes have to grapple not only with their prey | 0:34:03 | 0:34:08 | |
but with one another, in disputes over mates and territory. | 0:34:08 | 0:34:12 | |
This is one of the most formidable, the king cobra. | 0:34:14 | 0:34:17 | |
Highly venomous and about four metres, 14 feet long. | 0:34:17 | 0:34:23 | |
Disputes between rival male king cobras | 0:34:24 | 0:34:28 | |
are potentially very dangerous indeed, for this species specialises | 0:34:28 | 0:34:33 | |
in eating other kinds of snakes. | 0:34:33 | 0:34:35 | |
So they observe strict rules in their fights, | 0:34:37 | 0:34:40 | |
which prohibit the use of their lethal bite. | 0:34:40 | 0:34:44 | |
Slowed down, it's a performance full of grace, as each contestant strives | 0:34:47 | 0:34:53 | |
not to kill his opponent but simply to slam him to the ground. | 0:34:53 | 0:34:57 | |
The defeated male leaves the arena and no harm has been done. | 0:35:54 | 0:35:59 | |
Snakes must also find a way | 0:36:07 | 0:36:09 | |
of preventing their courtship from becoming lethal. | 0:36:09 | 0:36:13 | |
This is a Californian king snake, a male. | 0:36:13 | 0:36:17 | |
He has detected the scent of a female ready to mate. | 0:36:21 | 0:36:24 | |
Like all snakes, his eyesight is not good | 0:36:28 | 0:36:32 | |
but he can tell from the taste of the air that she's close by. | 0:36:32 | 0:36:37 | |
In fact, she is within inches. | 0:36:41 | 0:36:45 | |
For some time, the two follow one another, nose to tail. | 0:37:08 | 0:37:14 | |
The male begins to caress her, | 0:37:19 | 0:37:21 | |
sensually jerking and rocking his body as he holds her close. | 0:37:21 | 0:37:26 | |
He has a pair of sexual organs, | 0:37:31 | 0:37:33 | |
one of which can project to the left and the other to the right. | 0:37:33 | 0:37:38 | |
So, no matter which side of him she happens to lie, he can reach her. | 0:37:38 | 0:37:42 | |
At last, union is achieved. | 0:37:45 | 0:37:48 | |
They may remain together for several hours. | 0:38:06 | 0:38:09 | |
In a few weeks' time, the female will lay a clutch of eggs. | 0:38:26 | 0:38:31 | |
It may take six or seven weeks for them to hatch, | 0:38:31 | 0:38:34 | |
but the regions where most snakes live are warm enough | 0:38:34 | 0:38:37 | |
for them to develop without any help from the parents. | 0:38:37 | 0:38:40 | |
Cobras lay them on the ground in the leaf litter. | 0:38:43 | 0:38:48 | |
Their soft, parchment-like shell is easily split when pushed from within. | 0:38:55 | 0:39:02 | |
The front end of a cobra hatchling is quite capable of giving a bite, | 0:39:09 | 0:39:14 | |
even while the back end is still within the shell. | 0:39:14 | 0:39:17 | |
Their fangs may be small, | 0:39:33 | 0:39:35 | |
but since it only takes a tiny drop of cobra venom to kill an animal, | 0:39:35 | 0:39:40 | |
these youngsters can be as lethal as their parents. | 0:39:40 | 0:39:44 | |
They already have that characteristic warning signal, the hood. | 0:40:08 | 0:40:13 | |
Not all snakes lay their eggs. | 0:40:16 | 0:40:19 | |
In some species, the female retains them within her body | 0:40:19 | 0:40:23 | |
until they're ready to hatch, so she gives birth to live young. | 0:40:23 | 0:40:28 | |
The marshes of Northern Argentina... | 0:40:31 | 0:40:33 | |
home to one of the largest of live-bearing snakes, the anaconda. | 0:40:33 | 0:40:38 | |
This is a female and she's heavily pregnant. | 0:40:44 | 0:40:49 | |
It's morning, and she's chilly, | 0:40:56 | 0:40:59 | |
so she moves out of the water | 0:40:59 | 0:41:01 | |
and on to the swamp to warm herself in the sun. | 0:41:01 | 0:41:04 | |
Slowly, the day begins to warm up. | 0:41:18 | 0:41:22 | |
Now it's getting a little too hot for her, so she moves back | 0:41:33 | 0:41:39 | |
to the water to cool off. | 0:41:39 | 0:41:41 | |
In this way, she manages to keep her body close to 29 degrees C, | 0:41:44 | 0:41:49 | |
perfect for the babies developing within her. | 0:41:49 | 0:41:52 | |
But she won't give birth here and now. | 0:41:59 | 0:42:03 | |
There are caiman around. | 0:42:03 | 0:42:04 | |
At last, she finds the quiet pool that she needs, | 0:42:11 | 0:42:14 | |
and her contractions start. | 0:42:16 | 0:42:19 | |
The first of her babies has arrived. | 0:42:46 | 0:42:50 | |
Up it goes to the surface to take its first breath of air. | 0:42:54 | 0:42:57 | |
But there are more babies to come. | 0:43:06 | 0:43:08 | |
Eventually, she produces 15. | 0:43:26 | 0:43:29 | |
In fact, that's quite modest for an anaconda. | 0:43:29 | 0:43:32 | |
They can produce up to 40. | 0:43:32 | 0:43:36 | |
Right from the beginning of their lives they're totally independent, | 0:43:36 | 0:43:40 | |
and get no care or protection from their mother. | 0:43:40 | 0:43:43 | |
The anaconda spends so much of its time in water, and is such | 0:43:46 | 0:43:49 | |
a powerful swimmer, that it can be properly considered aquatic. | 0:43:49 | 0:43:53 | |
Snakes have become adapted to almost every environment, | 0:43:58 | 0:44:03 | |
including even the sea, as this one has. | 0:44:03 | 0:44:07 | |
It doesn't often bite, but it does have an extremely powerful venom | 0:44:07 | 0:44:11 | |
so I'm not going to handle it. | 0:44:11 | 0:44:13 | |
But I will help it a little with this stick. | 0:44:13 | 0:44:17 | |
As you can see, it has a very flattened... | 0:44:17 | 0:44:20 | |
paddle at the end of its tail, | 0:44:20 | 0:44:23 | |
but on land, it's pretty helpless. | 0:44:23 | 0:44:26 | |
However, if I assist it... | 0:44:28 | 0:44:30 | |
in getting into the sea... | 0:44:30 | 0:44:33 | |
And now it's in its element. | 0:44:38 | 0:44:41 | |
Sea snakes have had to modify many of the features | 0:44:44 | 0:44:48 | |
that enabled their far distant ancestors to colonise the land. | 0:44:48 | 0:44:52 | |
They still have a lung with which to breathe air like other snakes, | 0:44:52 | 0:44:56 | |
but they can also absorb oxygen from sea water through their skin. | 0:44:56 | 0:45:01 | |
Salt inevitably gets into a sea snake's body, but the snake manages | 0:45:08 | 0:45:13 | |
to get rid of that by excreting it from a gland under its tongue. | 0:45:13 | 0:45:18 | |
It also needs to drink fresh water, so in calm seas, | 0:45:18 | 0:45:22 | |
it waits at the surface for rain. | 0:45:22 | 0:45:25 | |
Sea snakes really are truly marine creatures. | 0:45:25 | 0:45:31 | |
They can live out here in the open ocean, | 0:45:31 | 0:45:34 | |
and the only clue you have to their link with the land is that | 0:45:34 | 0:45:39 | |
they have to come up every quarter of an hour or so for a gulp of air. | 0:45:39 | 0:45:43 | |
Most sea snakes, like this bar-bellied species, hunt fish. | 0:45:54 | 0:45:59 | |
They have one of the most lethal venoms known, | 0:45:59 | 0:46:02 | |
which kills almost instantaneously. | 0:46:02 | 0:46:04 | |
And that is a very important quality | 0:46:04 | 0:46:07 | |
if you hunt fast-swimming ocean-going prey. | 0:46:07 | 0:46:11 | |
But paradoxically, the most highly specialised sea snake of all | 0:46:11 | 0:46:16 | |
has abandoned venom altogether. | 0:46:16 | 0:46:18 | |
It has a beak like a turtle and a wholly different way of feeding. | 0:46:20 | 0:46:25 | |
Reef fish don't like to have it around. | 0:46:40 | 0:46:42 | |
They mob it. | 0:46:42 | 0:46:44 | |
It doesn't even retaliate. | 0:46:55 | 0:46:57 | |
It's not interested in them. | 0:46:57 | 0:46:59 | |
It's after their eggs. | 0:47:06 | 0:47:08 | |
These, the fish have stuck to the stony branches of the coral. | 0:47:08 | 0:47:12 | |
The snake's hardened, turtle-like top lip enables it to scrape them off. | 0:47:17 | 0:47:23 | |
It's such a slow-moving browser | 0:47:31 | 0:47:33 | |
that algae and other small organisms grow on its skin, | 0:47:33 | 0:47:38 | |
as they do on the bottom of a boat. | 0:47:38 | 0:47:41 | |
The loss of limbs could seem to be a handicap, | 0:47:45 | 0:47:49 | |
and certainly makes a snake seem alien creatures to us. | 0:47:49 | 0:47:54 | |
But it is that very loss | 0:47:54 | 0:47:56 | |
that has enabled the snakes to colonise every environment, | 0:47:56 | 0:48:01 | |
from below to the ground to above the ground, | 0:48:01 | 0:48:04 | |
from bushes to trees, to the air and even to the sea. | 0:48:04 | 0:48:07 | |
And it is that absence of limbs, too, | 0:48:07 | 0:48:10 | |
which has enabled them to do it with such elegance and grace. | 0:48:10 | 0:48:16 | |
Filming venomous snakes | 0:48:25 | 0:48:27 | |
presented a lot of special problems to the Life In Cold Blood team. | 0:48:27 | 0:48:32 | |
But the toughest was trying to film the rattlesnake hunting in the wild. | 0:48:32 | 0:48:37 | |
A rattlesnake making a kill has rarely even been seen, | 0:48:37 | 0:48:41 | |
and never before filmed, and for several reasons. | 0:48:41 | 0:48:44 | |
For one thing, rattlesnakes are so well camouflaged | 0:48:44 | 0:48:47 | |
they're very difficult to find. | 0:48:47 | 0:48:49 | |
We enlisted the help of snake expert Harry Greene and his team. | 0:48:49 | 0:48:53 | |
They've been studying a group of timber rattlesnakes | 0:48:53 | 0:48:56 | |
using radio telemetry, which enables them to find their rattlesnakes | 0:48:56 | 0:49:01 | |
at any time of day or night. | 0:49:01 | 0:49:03 | |
Most of us would never find them. And they're superbly camouflaged. | 0:49:03 | 0:49:07 | |
Exactly, | 0:49:07 | 0:49:08 | |
but that's one of the wonderful things about radio telemetry, | 0:49:08 | 0:49:12 | |
we can have an animal that we can dial up. | 0:49:12 | 0:49:14 | |
To have any chance of success, | 0:49:14 | 0:49:16 | |
the crew had to be able to find the rattlesnakes on their own. | 0:49:16 | 0:49:19 | |
So producer James Brickell had to take a course | 0:49:19 | 0:49:22 | |
in telemetry techniques himself. | 0:49:22 | 0:49:24 | |
Point it a little bit more over this way. | 0:49:24 | 0:49:27 | |
Each snake has been implanted with a tiny transmitter. | 0:49:27 | 0:49:31 | |
If you dial its frequency, you can pick up a beeping sound, | 0:49:31 | 0:49:34 | |
and that gets louder the nearer you get to the snake. | 0:49:34 | 0:49:37 | |
RHYTHMIC BEEPING | 0:49:38 | 0:49:41 | |
It's just like trying to find your favourite rock'n'roll station, | 0:49:43 | 0:49:47 | |
but now we're going to find our favourite rattlesnake. | 0:49:47 | 0:49:50 | |
So you just punch in its number and it's on the air. | 0:49:50 | 0:49:52 | |
It sounds simple in theory, but there's a snag. | 0:49:52 | 0:49:56 | |
It's here somewhere. | 0:49:59 | 0:50:02 | |
Just be really careful, guys. | 0:50:02 | 0:50:04 | |
In a forest, the signal can bounce off trees | 0:50:04 | 0:50:07 | |
and give you a false reading, | 0:50:07 | 0:50:09 | |
so that it can seem that the snake is everywhere, | 0:50:09 | 0:50:12 | |
and you don't want to think a reading is false | 0:50:12 | 0:50:14 | |
and then tread on your snake by mistake. | 0:50:14 | 0:50:16 | |
...And you'll find he's up there somewhere. | 0:50:16 | 0:50:19 | |
Let's find him. | 0:50:19 | 0:50:21 | |
James, it's starting to get dark. | 0:50:21 | 0:50:23 | |
He's in there. I reckon he's hunting. | 0:50:23 | 0:50:25 | |
James, be careful where you're going. | 0:50:25 | 0:50:26 | |
And it isn't just the one snake you're tracking. | 0:50:26 | 0:50:28 | |
There are dozens of others in the area that aren't tagged. | 0:50:28 | 0:50:31 | |
Follow my hand, there he is. | 0:50:34 | 0:50:37 | |
About 20 feet. | 0:50:37 | 0:50:38 | |
Six metres. | 0:50:38 | 0:50:41 | |
And so at last, the crew meet a very special snake called Hank. | 0:50:41 | 0:50:46 | |
Hank is in a perfect position for his ambush. | 0:50:50 | 0:50:53 | |
To film the action without disturbing him or his prey, | 0:50:53 | 0:50:58 | |
cameraman Mark MacEwen has fitted his camera with motion detectors, | 0:50:58 | 0:51:02 | |
from a burglar alarm. | 0:51:02 | 0:51:04 | |
They will turn on the camera without anyone having to be there. | 0:51:04 | 0:51:07 | |
So, for the first time, they set up their gear in front of a live snake. | 0:51:08 | 0:51:14 | |
They can now leave Hank and track another of Harry's snakes. | 0:51:14 | 0:51:20 | |
So that means you know individual snakes over a long period of time. | 0:51:20 | 0:51:23 | |
Do they differ very much? | 0:51:23 | 0:51:25 | |
Absolutely, absolutely. | 0:51:25 | 0:51:27 | |
Now there are species differences, | 0:51:27 | 0:51:29 | |
so certain rattlesnakes species are more nasty-tempered than others, | 0:51:29 | 0:51:33 | |
but even among a...within a population you'll have one | 0:51:33 | 0:51:36 | |
that just never gets riled up | 0:51:36 | 0:51:37 | |
and one you know you just can't get too close to | 0:51:37 | 0:51:40 | |
without it getting upset. | 0:51:40 | 0:51:42 | |
With one camera set up on Hank, James decides to track another snake, | 0:51:42 | 0:51:46 | |
and to do so in the dark, which is when most rattlesnakes hunt. | 0:51:46 | 0:51:50 | |
But in the pitch blackness, there was a distinct possibility that | 0:51:50 | 0:51:54 | |
James would accidentally get so close to the snake he was looking for, | 0:51:54 | 0:51:57 | |
he would step within striking distance. | 0:51:57 | 0:52:00 | |
Quite unnerving if you haven't done it before. | 0:52:00 | 0:52:04 | |
It's actually pretty dangerous | 0:52:08 | 0:52:10 | |
walking around in the middle of the night | 0:52:10 | 0:52:11 | |
trying to find a rattlesnake in these conditions. | 0:52:11 | 0:52:14 | |
It's really close. It's stronger here, over near these logs. | 0:52:21 | 0:52:24 | |
I think the snake's about probably five, 10 metres away. | 0:52:24 | 0:52:28 | |
It would be easier to find a needle in a haystack, | 0:52:28 | 0:52:30 | |
than to find a reptile that looks | 0:52:32 | 0:52:34 | |
like a load of dead leaves in a huge pile of dead leaves. | 0:52:34 | 0:52:38 | |
Have you found him, fellas? | 0:52:38 | 0:52:41 | |
Negative, Mark, we've got to a huge pile of logs and wood. | 0:52:41 | 0:52:46 | |
The team decide to abandon tracking the second snake | 0:52:46 | 0:52:49 | |
and instead check on the camera they'd left on Hank in the afternoon. | 0:52:49 | 0:52:54 | |
I think it's too dangerous to go poking around in there, | 0:52:54 | 0:52:57 | |
and you wouldn't get the lights and the camera in, | 0:52:57 | 0:53:00 | |
so we're going to come back. | 0:53:00 | 0:53:01 | |
We've seen things on your videos we've never seen before, | 0:53:01 | 0:53:04 | |
which is kind of surprising. | 0:53:04 | 0:53:06 | |
I mean, we've watched snakes a lot, all the rattlesnake biologists, | 0:53:06 | 0:53:10 | |
and we've seen things on your videos we haven't seen before. | 0:53:10 | 0:53:14 | |
So its actually kind of exciting to think about how this kind of | 0:53:14 | 0:53:18 | |
collaboration might really be a feedback | 0:53:18 | 0:53:20 | |
between the media and the public and science and so forth. | 0:53:20 | 0:53:23 | |
And something very surprising had happened. | 0:53:23 | 0:53:26 | |
At our very first attempt and in broad daylight, | 0:53:26 | 0:53:29 | |
a chipmunk had tripped the motion detectors and Hank makes a kill | 0:53:29 | 0:53:34 | |
right in front of the cameras. | 0:53:34 | 0:53:36 | |
We've got a strike already, we've got it. | 0:53:43 | 0:53:46 | |
-I thought you were winding me up. -I said, "James, something's happened." | 0:53:46 | 0:53:50 | |
I thought, "That's a classic wind-up." First night, to get that. | 0:53:50 | 0:53:55 | |
We hadn't got the eating shot, but it's a start. | 0:53:55 | 0:53:58 | |
And then the camera is set off again | 0:53:58 | 0:54:00 | |
by a second chipmunk behaving very strangely. | 0:54:00 | 0:54:03 | |
We showed the recording to Harry, and he was fascinated. | 0:54:03 | 0:54:07 | |
Now what was that chipmunk doing? | 0:54:07 | 0:54:09 | |
Was it perceiving something that the other chipmunk left | 0:54:09 | 0:54:11 | |
as some kind of alarm odour or something? | 0:54:11 | 0:54:14 | |
Was it perceiving the odour of the rattlesnake, | 0:54:14 | 0:54:16 | |
or was it something I can't even imagine yet? | 0:54:16 | 0:54:19 | |
But something was going on there that I didn't know to expect anyway, | 0:54:19 | 0:54:23 | |
and it's in your film. | 0:54:23 | 0:54:24 | |
Hank could clearly be the star of the show, | 0:54:24 | 0:54:27 | |
so the crew decide to concentrate all their efforts on him | 0:54:27 | 0:54:30 | |
and to track him for two weeks around the clock. | 0:54:30 | 0:54:33 | |
They quickly learn that | 0:54:33 | 0:54:35 | |
despite his ability to hurt one of them very seriously, | 0:54:35 | 0:54:38 | |
he seems pretty unconcerned. | 0:54:38 | 0:54:40 | |
In fact, he never even rattles a warning at them. | 0:54:40 | 0:54:43 | |
The more they get to know him, | 0:54:43 | 0:54:46 | |
the more they think they've got a good chance of filming another hunt. | 0:54:46 | 0:54:49 | |
But then there is a serious problem. | 0:54:49 | 0:54:52 | |
It's just been raining here non-stop for the past three days, | 0:54:52 | 0:54:55 | |
and they say that Tuesday afternoon's hard rain storm was... | 0:54:55 | 0:54:59 | |
Just as things are looking so promising, New York State has its | 0:54:59 | 0:55:04 | |
worst floods for a decade and all filming comes to a standstill. | 0:55:04 | 0:55:08 | |
As you can see, the weather's awful. | 0:55:10 | 0:55:12 | |
Won't affect the rattlesnake at all, he's perfectly happy. | 0:55:12 | 0:55:15 | |
He'll be sat down in here just waiting. | 0:55:15 | 0:55:17 | |
But it does affect the mammals. | 0:55:17 | 0:55:19 | |
The chipmunks and the mice, they'll just be hunkered down somewhere, | 0:55:19 | 0:55:22 | |
not doing anything very much, and it affects us, but he'll be fine. | 0:55:22 | 0:55:26 | |
We can't film anything, so it's just a matter of waiting now. | 0:55:26 | 0:55:31 | |
After tracking him in the rain for ten days, | 0:55:31 | 0:55:34 | |
there's a break in the weather and Hank starts hunting again. | 0:55:34 | 0:55:39 | |
He chooses a position for an ambush in a very accessible spot. | 0:55:39 | 0:55:43 | |
The team has another chance to use their remote cameras, | 0:55:43 | 0:55:46 | |
this time operating in night vision. | 0:55:46 | 0:55:49 | |
James, just be careful where you come in. Don't go that way. | 0:55:49 | 0:55:52 | |
I think that's the direction he's headed in. | 0:55:52 | 0:55:54 | |
You've got something, have you? | 0:55:54 | 0:55:57 | |
We've got him hitting a mouse in the middle of frame and swallowing it. | 0:55:57 | 0:56:02 | |
This time they get more than the strike. | 0:56:02 | 0:56:05 | |
This time, Hank decides to eat his dinner, very obligingly, | 0:56:05 | 0:56:10 | |
right in front of the camera. | 0:56:10 | 0:56:12 | |
Mate, that is the most incredible piece of behaviour | 0:56:12 | 0:56:15 | |
you have ever seen. | 0:56:15 | 0:56:16 | |
So, after two weeks and a lot of effort, they succeed in capturing | 0:56:16 | 0:56:22 | |
a crucial and intimate moment in the life of this very special snake. | 0:56:22 | 0:56:27 | |
People don't automatically love snakes, most of them don't. | 0:56:27 | 0:56:31 | |
And yet, if you can show them things about the lives of these animals | 0:56:31 | 0:56:34 | |
that impress them with the fact these are animals | 0:56:34 | 0:56:37 | |
with complex daily activities. | 0:56:37 | 0:56:39 | |
These aren't waiting around for an opportunity to kill people. | 0:56:39 | 0:56:41 | |
When you tell people things like that, they get drawn in. | 0:56:41 | 0:56:46 | |
And hopefully when we show them your films, they'll be drawn in. | 0:56:46 | 0:56:49 | |
-Well, you've drawn me in. Thank you very much. -Pleasure. | 0:56:49 | 0:56:53 | |
And when I get to see the footage, it's fair to say | 0:56:53 | 0:56:57 | |
that I'm just as knocked sideways as the crew had been. | 0:56:57 | 0:57:01 | |
There's the mouse. | 0:57:01 | 0:57:03 | |
Oh, my goodness! | 0:57:05 | 0:57:08 | |
Yes. | 0:57:09 | 0:57:12 | |
That's a dead mouse all right. | 0:57:12 | 0:57:14 | |
Next week, join me for the story of the armoured giants - | 0:57:16 | 0:57:20 | |
the tortoises, turtles and crocodiles. | 0:57:20 | 0:57:24 | |
Subtitles by Red Bee Media Ltd | 0:57:29 | 0:57:31 |