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Think of African elephants and most of us will picture open savannah | 0:00:14 | 0:00:20 | |
where the largest land mammal mingles with lions, giraffes and gazelles. | 0:00:20 | 0:00:25 | |
In fact, a third of Africa's elephants live here... | 0:00:34 | 0:00:38 | |
in dense, dark rainforests. | 0:00:38 | 0:00:40 | |
Forest elephants stand just two metres at the shoulder, are more | 0:00:45 | 0:00:49 | |
slightly built and have pinker tusks than those on the savannah. | 0:00:49 | 0:00:53 | |
Little else was known about them until one remarkable woman began eavesdropping on their lives. | 0:00:54 | 0:01:00 | |
Andrea Turkalo is no ordinary scientist. | 0:01:00 | 0:01:06 | |
By living alone in remote jungle, she's learnt more about these hidden giants than anyone else on earth. | 0:01:06 | 0:01:12 | |
This has placed a huge burden on her shoulders. | 0:01:18 | 0:01:21 | |
Forest elephants are now under greater threat than their savannah cousins. | 0:01:21 | 0:01:27 | |
But Andrea could be in a unique position to help them. | 0:01:27 | 0:01:31 | |
She's learnt their language and understands what they're thinking. | 0:01:31 | 0:01:36 | |
She can even hear when they're in trouble. | 0:01:36 | 0:01:39 | |
Incredibly, she believes that, if we listen carefully enough, they might tell us what they need to survive. | 0:01:41 | 0:01:49 | |
The only thing most scientists see of forest elephants is what they leave behind. | 0:02:00 | 0:02:05 | |
Counting dung piles has been the crude way of guessing how many there are. | 0:02:10 | 0:02:14 | |
Their real secrets are hidden away in the vast rainforest that stretches over the Congo Basin. | 0:02:20 | 0:02:27 | |
But, in a small corner of the Central African Republic, there is a window into their lives. | 0:02:36 | 0:02:42 | |
This is Dzanga Bai. | 0:02:49 | 0:02:51 | |
A vast natural clearing... | 0:02:53 | 0:02:55 | |
and a Mecca for forest elephants. | 0:02:55 | 0:02:58 | |
The forest provides all the food they need, | 0:03:09 | 0:03:13 | |
so what is it that draws them out of the shadows? | 0:03:13 | 0:03:16 | |
The clearing contains a vital ingredient that's lacking in their diet. | 0:03:23 | 0:03:28 | |
Volcanic rocks lie close to the surface, and the salts they contain | 0:03:34 | 0:03:39 | |
neutralise toxins ingested with rainforest leaves and bark. | 0:03:39 | 0:03:44 | |
Generations of elephants have come here to prospect for these minerals and settle their stomachs. | 0:03:50 | 0:03:57 | |
Blowing down, they churn up the mud, then take a mouthful of the mineral-enriched waters. | 0:04:19 | 0:04:27 | |
As soon as they've mastered their trunks, they're hooked. | 0:04:42 | 0:04:46 | |
It may be that these mineral salts are also vital for the elephants' growth and fertility, | 0:04:49 | 0:04:54 | |
which is why as many as three thousand elephants visit Dzanga each year. | 0:04:56 | 0:05:00 | |
They'll try any tactic to control the best areas of the Bai. | 0:05:03 | 0:05:07 | |
Dzanga Bai is not the only clearing where they can get these salts, | 0:05:27 | 0:05:31 | |
but it's certainly one of the biggest and most frequented. | 0:05:31 | 0:05:35 | |
When Andrea Turkalo first came here, she had an instinct that this place | 0:05:40 | 0:05:45 | |
could help her unlock the secret lives of forest elephants. | 0:05:45 | 0:05:49 | |
I knew immediately that this was an extraordinary place, because to | 0:05:54 | 0:05:59 | |
see wildlife in the open in the forest is literally impossible. | 0:05:59 | 0:06:01 | |
I went there first in 1987 just to see the place and actually slept there. | 0:06:01 | 0:06:06 | |
And all night there were these extraordinary elephant sounds | 0:06:06 | 0:06:09 | |
because elephants don't sleep like we do. | 0:06:09 | 0:06:11 | |
There was just this symphony of elephants. | 0:06:11 | 0:06:15 | |
And in the morning they were still there and it was obvious that this | 0:06:15 | 0:06:19 | |
was probably one of the most special places for them in the Congo Basin. | 0:06:19 | 0:06:23 | |
Andrea now understands what the symphony means. | 0:06:30 | 0:06:32 | |
She can even hear an individual elephant's voice. | 0:06:32 | 0:06:36 | |
But back then, she was faced with a huge problem. | 0:06:39 | 0:06:43 | |
Each elephant visits for just a few hours - at best, a few days - so Andrea only had snapshots to go on. | 0:06:45 | 0:06:53 | |
She might not see them again for months or years. | 0:07:14 | 0:07:18 | |
From this constantly changing cast of characters, how could Andrea work out the big picture? | 0:07:18 | 0:07:25 | |
There was another challenge. | 0:07:56 | 0:07:59 | |
Andrea wasn't a trained scientist, | 0:07:59 | 0:08:03 | |
but she had been a teacher in the Bronx, one of New York's toughest neighbourhoods, | 0:08:03 | 0:08:08 | |
and she was single-minded enough to commit herself long term. | 0:08:08 | 0:08:12 | |
She left her family and friends and set herself up in the middle of nowhere. | 0:08:24 | 0:08:29 | |
At the beginning, I can honestly say there were a lot of things I was afraid of. | 0:08:35 | 0:08:39 | |
I wasn't really comfortable in the dark. | 0:08:39 | 0:08:42 | |
You're always in contact with insects and that was something I didn't like, but if you're | 0:08:42 | 0:08:46 | |
going to stay here, you have to get used to that and deal with it. | 0:08:46 | 0:08:49 | |
Andrea's had to turn her hand to everything, building a camp | 0:08:54 | 0:08:59 | |
from scratch and surviving on minimal creature comforts. | 0:08:59 | 0:09:03 | |
She's also had to place her trust in the local BaAka pygmies. | 0:09:12 | 0:09:17 | |
They come from an ancient tribe who have always lived in this forest. | 0:09:17 | 0:09:21 | |
They have helped her to adapt. | 0:09:21 | 0:09:24 | |
All my employees come from the local BaAka tribe. | 0:09:31 | 0:09:35 | |
They have great forest skills, they keep me out of harm's way | 0:09:35 | 0:09:38 | |
and they see things long before I am aware of them. | 0:09:38 | 0:09:44 | |
Every day, Andrea sets off with her loyal helpers on the 45-minute walk to the Bai. | 0:09:51 | 0:09:57 | |
It's a routine she's stuck to for 20 years. | 0:10:00 | 0:10:04 | |
Today, like any other day, she has no idea who, or what, she might see. | 0:10:22 | 0:10:29 | |
ANDREA: Oh my God, it's Gookie. | 0:10:29 | 0:10:31 | |
I can't believe she's come back. | 0:10:31 | 0:10:33 | |
I haven't seen her in about six months and she's still able to keep up with her group. | 0:10:37 | 0:10:42 | |
And she's still walking. | 0:10:42 | 0:10:44 | |
It's not uncommon for calves to be born with disabilities. | 0:10:48 | 0:10:51 | |
What's unusual is that Gookie has survived for so long. | 0:10:53 | 0:10:57 | |
Unlike on the savannah, there are no large predators here, which might explain why. | 0:11:02 | 0:11:08 | |
But life in the forest for a disabled calf is by no means easy. | 0:11:09 | 0:11:14 | |
What really amazes me about this individual is, if you think about walking in the forest, | 0:11:16 | 0:11:20 | |
the mother must come to obstacles like fallen trees, | 0:11:20 | 0:11:23 | |
so she's evidently accommodating the female with the handicap | 0:11:23 | 0:11:29 | |
because she's keeping up with the group. | 0:11:29 | 0:11:30 | |
Otherwise she would just get lost in the forest, left. | 0:11:30 | 0:11:33 | |
This place never ceases to amaze me... the things you see. | 0:11:43 | 0:11:47 | |
Even though Andrea sees individuals only rarely, she's been able to piece together their life stories. | 0:11:52 | 0:11:58 | |
She couldn't have reached this extraordinary position | 0:12:05 | 0:12:08 | |
without first learning how to pick out faces from the crowd. | 0:12:08 | 0:12:12 | |
By mid-afternoon, the crowd can be 140 strong. | 0:12:16 | 0:12:22 | |
To keep track of so many individuals, Andrea drew pictures of their ears, | 0:12:22 | 0:12:27 | |
which get ripped and torn in distinctive ways as they move through the jungle. | 0:12:27 | 0:12:31 | |
She had over 4,000 identity cards | 0:12:38 | 0:12:41 | |
before she realised her phenomenal memory was taking over. | 0:12:41 | 0:12:47 | |
I think the big breakthrough was when you realised you knew the elephants, you felt empowered. | 0:12:55 | 0:13:00 | |
You could just go out there and look and you knew them, | 0:13:00 | 0:13:03 | |
like you would see someone on the street in your hometown and recognise them. | 0:13:03 | 0:13:07 | |
Now, her encyclopaedic mind holds details of countless unfolding family sagas. | 0:13:11 | 0:13:18 | |
During the hours she spends at the Bai, she notes all the arrivals, and crucially, who greets whom. | 0:13:23 | 0:13:32 | |
It's late afternoon, and Andrea has noticed | 0:13:35 | 0:13:38 | |
two related elephants who've arrived from different parts of the forest. | 0:13:38 | 0:13:43 | |
ANDREA: This is Mimi One, who's the matriarch of this group. | 0:13:43 | 0:13:48 | |
Mimi One knows that Mimi Two is there. | 0:13:48 | 0:13:50 | |
Yeah, they're heading right towards each other. | 0:13:50 | 0:13:54 | |
Here we go, there's a nice greeting going on right now. | 0:13:54 | 0:13:58 | |
Some very low frequency, yeah, now they're trunking each other. | 0:13:58 | 0:14:03 | |
Yeah, yep, that's a mother and daughter. | 0:14:03 | 0:14:07 | |
So some of these greetings are very subtle and if you know the | 0:14:07 | 0:14:10 | |
individuals then you can predict them. | 0:14:10 | 0:14:12 | |
By understanding these relationships, Andrea's made an important discovery. | 0:14:15 | 0:14:20 | |
In the forest beyond the Bai, it's rare to see more than one elephant at a time. | 0:14:23 | 0:14:28 | |
People assumed they lead solitary, independent lives. | 0:14:28 | 0:14:32 | |
Andrea believes that, even though relatives might not stay together in | 0:14:35 | 0:14:39 | |
the forest, they do appear to know each other's whereabouts. | 0:14:39 | 0:14:42 | |
I think there was a general misconception about forest elephants only having small family groups. | 0:14:47 | 0:14:54 | |
But they do have extensive networks and they should because, | 0:14:54 | 0:14:58 | |
we know that about savannah elephants, | 0:14:58 | 0:15:00 | |
why shouldn't forest elephants still maintain these social groups? | 0:15:00 | 0:15:04 | |
Dzanga Bai, as well as offering medicinal salts, | 0:15:04 | 0:15:09 | |
appears to be an important venue for elephant family reunions. | 0:15:09 | 0:15:14 | |
Andrea is beginning to understand why the BaAka call this place 'The Village of Elephants'. | 0:15:16 | 0:15:23 | |
But even the BaAka don't understand how the elephants appear to second guess each other's movements... | 0:15:26 | 0:15:32 | |
how they know when other family members will be at the Bai. | 0:15:32 | 0:15:36 | |
To get to the bottom of this, | 0:15:43 | 0:15:44 | |
Andrea has had to start thinking like an elephant... | 0:15:44 | 0:15:48 | |
..tuning in to this forest world as they do. | 0:15:52 | 0:15:56 | |
A heavy storm prevents Andrea being at the Bai, | 0:16:21 | 0:16:24 | |
but even from her office, she can hear the elephants calling. | 0:16:24 | 0:16:28 | |
For two decades, she's spent more time with elephants than with her friends and family. | 0:16:30 | 0:16:35 | |
But even so, she's only witnessed a fraction of what they do. | 0:16:35 | 0:16:39 | |
Forest elephants spend only 5% of their lives at the Bai - | 0:16:44 | 0:16:48 | |
mostly at night when Andrea's not there. | 0:16:48 | 0:16:51 | |
THUNDER | 0:16:57 | 0:17:00 | |
It's at night, when they're visible only by starlight, | 0:17:10 | 0:17:14 | |
that the elephants are at their most sociable... | 0:17:14 | 0:17:18 | |
and most vocal. | 0:17:18 | 0:17:20 | |
It's also when Andrea is most worried for them. | 0:17:24 | 0:17:27 | |
Huge reunions out in the open place forest elephants in grave danger. | 0:17:29 | 0:17:36 | |
Every year, one in ten of Dzanga's elephants is taken by poachers. | 0:17:36 | 0:17:41 | |
Andrea's no longer here just to study them... | 0:18:02 | 0:18:06 | |
she feels a growing duty to protect them. | 0:18:06 | 0:18:09 | |
She believes their conversations are rich in meaning, | 0:18:22 | 0:18:26 | |
and that one way to help is to listen to what they're saying. | 0:18:26 | 0:18:30 | |
Today, she's adding to her vocabulary. | 0:18:32 | 0:18:36 | |
And to get a better view of the clearing, she's working from a viewing platform. | 0:18:36 | 0:18:41 | |
We're up pretty high, I think we're up about maybe seven metres | 0:18:42 | 0:18:47 | |
and you can see one end of the Bai from the other. | 0:18:47 | 0:18:50 | |
And you see all the entrances to the Bai, so I'm able to keep track of all the individuals that come in. | 0:18:52 | 0:18:57 | |
From up here, she can compile a kind of elephant phrase book | 0:18:59 | 0:19:03 | |
which links particular behaviour to the calls they make. | 0:19:03 | 0:19:08 | |
What I'm doing is I'm trying to capture vocal sequences between elephants in the clearing | 0:19:08 | 0:19:15 | |
in order to build up an elephant lexicon, | 0:19:15 | 0:19:18 | |
what these vocalisations mean. | 0:19:18 | 0:19:21 | |
Because I know the individuals, I can also anticipate these vocal events. | 0:19:21 | 0:19:26 | |
Someone's lost. | 0:19:33 | 0:19:36 | |
It's probably a juvenile lost its family. | 0:19:36 | 0:19:38 | |
An elephant's hearing is phenomenal. | 0:19:46 | 0:19:49 | |
They can hear much deeper sounds than we can. | 0:19:49 | 0:19:52 | |
Technology is helping Andrea to record these very low frequency calls | 0:19:55 | 0:19:58 | |
that are normally inaudible to humans. | 0:19:58 | 0:20:01 | |
Yeah, Milo's checking out this female. | 0:20:05 | 0:20:07 | |
She's doing a very nice rumble. | 0:20:11 | 0:20:13 | |
Elephants often do that while the female's being checked out by a male, they do this real low rumble. | 0:20:17 | 0:20:24 | |
Andrea can now identify ten different types of call. | 0:20:24 | 0:20:27 | |
She's even discovered that each family has a distinctive voice. | 0:20:30 | 0:20:36 | |
BABY ELEPHANT CRIES | 0:20:36 | 0:20:39 | |
Oh, separated from its mother. | 0:20:39 | 0:20:42 | |
Oh, the mother is coming, here comes the mother - | 0:20:47 | 0:20:49 | |
the mother hears the baby crying. | 0:20:49 | 0:20:51 | |
Here she is, she's vocalising. | 0:20:51 | 0:20:54 | |
There's a lot of low frequency going on now, reassuring the calf. | 0:20:54 | 0:20:59 | |
And probably the calf is learning the family's | 0:20:59 | 0:21:03 | |
specific calls. | 0:21:03 | 0:21:04 | |
Back in camp, Andrea can analyse the recordings and start to see the pattern of each elephant call. | 0:21:12 | 0:21:18 | |
This is a clip that I've pulled off. | 0:21:21 | 0:21:23 | |
It's to illustrate the distress call in a young calf. | 0:21:23 | 0:21:27 | |
And it's crying, | 0:21:27 | 0:21:29 | |
and it makes this sort of very low, mournful sound and what you'll see | 0:21:29 | 0:21:33 | |
next in the tape is the response of two young sub-adult females. | 0:21:33 | 0:21:38 | |
They approach the calf and then they discover each other and this | 0:21:38 | 0:21:41 | |
looks like a small greeting, but then they go back and follow | 0:21:41 | 0:21:44 | |
the calf, who's probably heard from its mother in the meantime and is approaching its mother. | 0:21:44 | 0:21:49 | |
Each sound recording gets turned into a spectrogram, giving Andrea a detailed picture of the call. | 0:21:53 | 0:21:59 | |
This is the calf's call and then you have these very low | 0:21:59 | 0:22:03 | |
frequency calls here. | 0:22:03 | 0:22:05 | |
I mean, you definitely see the calf calling, you see the mouth open, | 0:22:05 | 0:22:10 | |
but to know who's making those low frequency calls is difficult. | 0:22:10 | 0:22:12 | |
But, because the calf turned around and went in the other direction, I would assume it's the mother | 0:22:12 | 0:22:18 | |
and it recognised its mother's voice and now it's approaching its mother. | 0:22:18 | 0:22:22 | |
If you collected enough of these distress calls of calves of a certain age, | 0:22:22 | 0:22:26 | |
you could compare them to see if this is your typical distress call. | 0:22:26 | 0:22:32 | |
Andrea has developed an amazing skill. | 0:22:32 | 0:22:35 | |
By learning their language, she can interpret what they're doing. | 0:22:37 | 0:22:42 | |
This is a greeting between three members of the same family. | 0:22:45 | 0:22:50 | |
They're all vocalising. | 0:22:55 | 0:22:57 | |
They've all recognised each other and they've all grouped together and you see their ears are flapping | 0:22:59 | 0:23:04 | |
and they're trunking each other and they're very excited to be together again. | 0:23:04 | 0:23:08 | |
So I assume that they were separated for a bit of time because of | 0:23:08 | 0:23:13 | |
the energy involved in their vocalisations. | 0:23:13 | 0:23:18 | |
Their rumbles can travel over a mile through dense vegetation. | 0:23:18 | 0:23:22 | |
Even though family members are spread out, they can hear an invitation to meet up. | 0:23:22 | 0:23:28 | |
Part of the call is inaudible to our ears, it's infrasonic, | 0:23:31 | 0:23:35 | |
but a lot of it is audible and that's what we're hearing. | 0:23:35 | 0:23:38 | |
But these low frequencies are the ones that travel the farthest through the forest. | 0:23:38 | 0:23:43 | |
If they're having this greeting and there are individuals related to | 0:23:43 | 0:23:46 | |
them in the nearby forest, they're going to hear it. | 0:23:46 | 0:23:48 | |
And a lot of times you see other members of their family show up. | 0:23:48 | 0:23:52 | |
If their social networking is this powerful, they might even be able to warn each other of danger. | 0:23:54 | 0:24:00 | |
The following morning, the Bai is eerily quiet. | 0:24:17 | 0:24:21 | |
THEY CONVERSE IN LOCAL DIALECT | 0:24:23 | 0:24:29 | |
He's saying that | 0:24:29 | 0:24:31 | |
he's found blood on the trail and there's a lot of elephant tracks. | 0:24:31 | 0:24:36 | |
Days like this remind Andrea how vulnerable these elephants are. | 0:24:36 | 0:24:42 | |
I can see blood right here. | 0:24:42 | 0:24:45 | |
He ran here but we can see tracks all around here... there's more here... | 0:24:45 | 0:24:49 | |
more here... | 0:24:53 | 0:24:55 | |
So you can actually see where the elephant has trampled the earth. | 0:24:57 | 0:25:00 | |
He's probably panicking. | 0:25:00 | 0:25:01 | |
-And he looks pretty big... -SPEAKS LOCAL DIALECT | 0:25:01 | 0:25:04 | |
You can see a track right here. | 0:25:05 | 0:25:08 | |
Pretty big male, that's the track of the front leg. | 0:25:08 | 0:25:12 | |
Most forest elephants have tusks. | 0:25:12 | 0:25:15 | |
The biggest adults carry the most ivory. | 0:25:15 | 0:25:18 | |
OK, This is a big patch of coagulated blood, it's pretty fresh so it's from this night. | 0:25:21 | 0:25:28 | |
And there's also a track... Now they're saying it might be a female. | 0:25:28 | 0:25:31 | |
Where we are now is only about probably 30 metres from the Bai. | 0:25:31 | 0:25:35 | |
But we suspect the elephant was probably shot on the other side and ran because we didn't hear any | 0:25:35 | 0:25:39 | |
gunshot in the night and, generally, somebody will hear a gun if it goes off. | 0:25:39 | 0:25:43 | |
Dzanga Bai is within a National Park, so all Andrea can do is report the incident to forest guards. | 0:25:47 | 0:25:53 | |
It's a hard place to police, but Andrea's very presence in the | 0:26:02 | 0:26:06 | |
area does make events like this less frequent than they'd otherwise be. | 0:26:06 | 0:26:10 | |
Andrea wants local people to understand the value of elephants, | 0:26:15 | 0:26:19 | |
not just as intelligent, interesting animals, | 0:26:19 | 0:26:22 | |
but because, in their secret wanderings, | 0:26:22 | 0:26:24 | |
elephants influence the shape and richness of the forest itself. | 0:26:24 | 0:26:29 | |
The richer they make the forest, the more food there is for everyone. | 0:26:41 | 0:26:46 | |
The most obvious way they do this is by engineering pathways through the tangle of vegetation. | 0:26:47 | 0:26:53 | |
Over time, elephant feet have created wide trails, highways that run for | 0:26:56 | 0:27:03 | |
hundreds of miles through the forest, and which link key resources. | 0:27:03 | 0:27:08 | |
We're walking along a pretty well-worn elephant track and occasionally | 0:27:13 | 0:27:18 | |
the areas open up like this because of the existence of this tree. | 0:27:18 | 0:27:22 | |
This is a particularly favoured tree of elephants, it's Duboskia. | 0:27:22 | 0:27:28 | |
And generally the forest opens up here because elephants come here and they eat the fruits. | 0:27:28 | 0:27:33 | |
It's a very fibrous fruit and we find it | 0:27:33 | 0:27:35 | |
in about 90% of the elephant dung throughout the year. | 0:27:35 | 0:27:38 | |
So there's always a Duboskia tree fruiting | 0:27:38 | 0:27:42 | |
but they also tend to scrape the bark off and eat that. | 0:27:42 | 0:27:46 | |
Their trails are used by many other animals. | 0:27:56 | 0:27:58 | |
Western Lowland gorillas eat the same kinds of fruit as elephants, | 0:28:01 | 0:28:07 | |
so elephant paths are like signposts to food. | 0:28:07 | 0:28:11 | |
But there's one type of fruit that only the elephants can get to. | 0:28:30 | 0:28:34 | |
Omphalocarpum fruits are encased in a tough shell, making them virtually impossible to crack. | 0:28:38 | 0:28:44 | |
Elephants have the perfect tool for the job. | 0:28:52 | 0:28:55 | |
They may devour everything, but the seeds of all the fruits they eat pass unharmed through the gut. | 0:29:09 | 0:29:16 | |
As they travel, the elephants replant the seeds, creating avenues of their favourite fruit trees. | 0:29:20 | 0:29:29 | |
Where there's a lot of elephant activity, areas open up and sedges and grasses can take hold. | 0:29:31 | 0:29:39 | |
They are fundamental to the gorillas' diet. | 0:29:50 | 0:29:53 | |
These great apes would find life much harder without the elephants. | 0:29:53 | 0:29:59 | |
But the relationship isn't an amicable one. | 0:30:02 | 0:30:05 | |
Elephants don't like other animals sharing the clearings they created. | 0:30:18 | 0:30:22 | |
As they dig for minerals, they actually maintain and expand these Bais. | 0:30:28 | 0:30:34 | |
Over centuries, elephants have made hundreds of small | 0:30:34 | 0:30:38 | |
clearings in the forest, but none compares to the importance of Dzanga. | 0:30:38 | 0:30:43 | |
It's now the dry season, one of the busiest. | 0:30:48 | 0:30:51 | |
And for Andrea one of the most fascinating times at the Bai. | 0:30:51 | 0:30:55 | |
It's when most of the big bulls show up. | 0:31:00 | 0:31:03 | |
This is Triple Bite. | 0:31:11 | 0:31:14 | |
Over the years, Andrea has watched him grow from an adolescent | 0:31:14 | 0:31:19 | |
into one of the most dominant bulls in the clearing. | 0:31:19 | 0:31:21 | |
But he hasn't been here for nearly a year. | 0:31:26 | 0:31:28 | |
He has travelled hundreds of miles to reach Dzanga, where he knows he can find females. | 0:31:31 | 0:31:37 | |
It's not just the females that sense the tension rippling across the Bai when the big males arrive. | 0:31:44 | 0:31:51 | |
That's Gonya Five chasing Sitatunga. | 0:31:51 | 0:31:56 | |
For the younger bulls especially, this can be a very exciting time. | 0:31:58 | 0:32:04 | |
The young elephants they come and they're very feisty | 0:32:04 | 0:32:07 | |
and they'll just run around in the Bai for the entire afternoon. | 0:32:07 | 0:32:11 | |
He's like a young male in puberty so he's learning how to be a man. | 0:32:11 | 0:32:15 | |
Unlike on the savannah, elephants rarely see each other in the forest. | 0:32:25 | 0:32:30 | |
This clearing offers rare moments of contact, time for the bulls to get to know each other | 0:32:35 | 0:32:41 | |
and learn each other's strengths. | 0:32:41 | 0:32:43 | |
And everything they do is copied by the youngsters. | 0:32:56 | 0:33:00 | |
A lot of learning going on here, | 0:33:14 | 0:33:16 | |
sort of like a schoolyard. | 0:33:19 | 0:33:20 | |
Elephants are so much like humans. | 0:33:23 | 0:33:26 | |
We learn to be human, we end up being socialised, and elephants undergo the same process. | 0:33:26 | 0:33:33 | |
Andrea calls this "Bull School", | 0:33:34 | 0:33:38 | |
a time and place to learn their position in elephant society. | 0:33:38 | 0:33:42 | |
When I started this study I had no idea about how conscious they were | 0:33:45 | 0:33:49 | |
and yes, they do have good memories and they have personalities. | 0:33:49 | 0:33:52 | |
And watching an elephant grow from childhood to adulthood has been astonishing to see the changes | 0:33:52 | 0:33:58 | |
and how much they really have to learn to become an elephant. | 0:33:58 | 0:34:01 | |
Andrea has revealed something even more significant about Dzanga Bai. | 0:34:07 | 0:34:11 | |
This clearing is the place where elephant culture is passed on. | 0:34:15 | 0:34:20 | |
Understanding the central importance of Dzanga Bai places an even bigger burden on Andrea's shoulders. | 0:35:20 | 0:35:26 | |
Her presence here is not just preventing elephant deaths, | 0:35:28 | 0:35:32 | |
but the possible disruption of their entire way of life. | 0:35:32 | 0:35:36 | |
She wants to protect the elephants, but she has to work | 0:35:43 | 0:35:46 | |
within a culture that has very different attitudes and priorities to her own. | 0:35:46 | 0:35:51 | |
For centuries the local BaAka | 0:35:54 | 0:35:56 | |
have hunted forest wildlife for food and Andrea is pragmatic about that. | 0:35:56 | 0:36:01 | |
Traditionally, the forest for them has been | 0:36:07 | 0:36:10 | |
their life source, where they find everything they need. | 0:36:10 | 0:36:12 | |
You know, they eat elephant meat. That's not a mystery to me. | 0:36:12 | 0:36:17 | |
Andrea steers a difficult course between her feelings | 0:36:20 | 0:36:24 | |
for the elephants and respect for the BaAka's traditions and needs. | 0:36:24 | 0:36:28 | |
A lot of them will go into the forest for two or three months | 0:36:31 | 0:36:33 | |
of the year where they'll gather honey and certain seeds that they eat. | 0:36:33 | 0:36:38 | |
I've made their work schedule very flexible because if they want to go | 0:36:38 | 0:36:42 | |
into the forest they can tell me, and I'll say fine. | 0:36:42 | 0:36:47 | |
That's a very important part of their culture, | 0:36:47 | 0:36:50 | |
and they need to teach that to their children because ultimately it may be the only way they'll survive. | 0:36:50 | 0:36:55 | |
Not many employers would be this flexible, but she believes it's the only way. | 0:36:59 | 0:37:06 | |
You have to be there for them when they really need you | 0:37:08 | 0:37:11 | |
because otherwise they won't be there for you when you need them. | 0:37:11 | 0:37:14 | |
And I think that's really sustained me here in many ways, that connectedness to people here. | 0:37:14 | 0:37:19 | |
Andrea treats her BaAka workers like family, | 0:37:24 | 0:37:27 | |
making regular trips to buy them supplies. | 0:37:27 | 0:37:30 | |
The local village is only eight miles from Andrea's camp, | 0:37:48 | 0:37:51 | |
but the round trip on rough, dirt tracks takes a whole day. | 0:37:51 | 0:37:56 | |
It's impossible to grow anything in camp because elephants raid the crops at night. | 0:38:17 | 0:38:21 | |
The heat and humidity means that nothing stays fresh for long. | 0:38:21 | 0:38:25 | |
This is smoked fish and if you buy it smoked you can keep it up to two weeks in camp without refrigeration. | 0:38:30 | 0:38:36 | |
I don't eat smoked fish. | 0:38:36 | 0:38:38 | |
I mean it's an acquired taste. | 0:38:38 | 0:38:41 | |
Protein is difficult to come by. | 0:38:44 | 0:38:48 | |
What there is tends to come from the forest. | 0:38:48 | 0:38:51 | |
Local people are allowed to hunt outside the national park, | 0:38:53 | 0:38:56 | |
but laws control which animals can be taken as bush meat, and how many. | 0:38:56 | 0:39:00 | |
Even so, Andrea knows there's elephant meat under the counter. | 0:39:03 | 0:39:08 | |
The guards that patrol the forest do their best to contain this black market. | 0:39:20 | 0:39:25 | |
More commonly, they pick up people who have taken too many animals | 0:39:27 | 0:39:31 | |
or who have the wrong licences for their weapons. | 0:39:31 | 0:39:34 | |
Most people are just trying to feed their families. | 0:39:39 | 0:39:42 | |
Elephant meat is a delicacy, but it's rarely on the menu. | 0:39:47 | 0:39:52 | |
They are hard to kill with a normal shotgun. | 0:39:52 | 0:39:55 | |
And Andrea's work is making a difference. | 0:39:58 | 0:40:01 | |
When I first started working with the BaAka, I think we all had this vision that they know the wildlife. | 0:40:03 | 0:40:09 | |
But they didn't know elephants in the way that they've gotten to know them with me. | 0:40:09 | 0:40:13 | |
But because now they've spent many years observing elephants first hand their ideas have totally changed. | 0:40:13 | 0:40:18 | |
In fact one of them said to me one day, "Madame, these aren't elephants, these are people," | 0:40:18 | 0:40:23 | |
and it was very touching to me to hear that. | 0:40:23 | 0:40:26 | |
Sadly, local opinions are increasingly affected by bigger changes sweeping across the region. | 0:40:32 | 0:40:40 | |
Andrea's seeing more and more elephants entering the Bai. | 0:40:45 | 0:40:48 | |
She thinks they're being pushed into Dzanga, | 0:40:50 | 0:40:53 | |
as commercial logging disrupts their extensive network of paths. | 0:40:53 | 0:40:57 | |
What's more, ivory is back in demand. | 0:41:04 | 0:41:09 | |
And the tusks of forest elephants are most sought after. | 0:41:09 | 0:41:14 | |
They are pinker and much denser than those of savannah elephants, resulting in a "rose ivory" | 0:41:15 | 0:41:22 | |
that's highly prized for carving. | 0:41:22 | 0:41:26 | |
Its value is astronomical. | 0:41:26 | 0:41:29 | |
A pair of tusks raises 90,000 on the black market. | 0:41:29 | 0:41:34 | |
It's no wonder some local people get drawn into poaching. | 0:41:39 | 0:41:42 | |
Human conflict in neighbouring countries floods the area with weapons. | 0:41:49 | 0:41:53 | |
The guards confiscate many of them, but there are plenty more and they're largely pointing at Dzanga. | 0:41:58 | 0:42:06 | |
It's the easiest place to find and kill forest elephants, unless, of course, Andrea is there. | 0:42:16 | 0:42:23 | |
I will react immediately to any threat. | 0:42:25 | 0:42:28 | |
I can be out at the clearing having a nice afternoon and then I hear gunshot and I'm gone, | 0:42:28 | 0:42:32 | |
I'm back to camp, on the radio trying to get guards motivated. | 0:42:32 | 0:42:37 | |
In many ways, Andrea is the only person standing between the elephants and mass slaughter. | 0:42:37 | 0:42:43 | |
After years of wanting to be here, she now dare not leave. | 0:42:46 | 0:42:51 | |
Even trips to the local town could endanger the elephants, because she's under surveillance too. | 0:42:55 | 0:43:02 | |
Her absence from the Bai never seems to go unnoticed. | 0:43:04 | 0:43:08 | |
The poachers are very localised, I mean, they live in the village, I know them, they know me. | 0:43:13 | 0:43:18 | |
So when I'm driving out of town they see me. | 0:43:18 | 0:43:21 | |
People are going "Andrea" by the side of the road, | 0:43:21 | 0:43:23 | |
so they know I'm leaving and that's a worry because there | 0:43:23 | 0:43:26 | |
have been incidences where there is poaching when I've been gone. | 0:43:26 | 0:43:30 | |
This video was taken when I wasn't at the Bai. | 0:43:45 | 0:43:47 | |
It was taken by one of the assistants and he told me about this bull. | 0:43:47 | 0:43:51 | |
This is an elephant Andrea knows well. | 0:43:51 | 0:43:54 | |
But he now has a line of wounds across his flank. | 0:43:54 | 0:43:58 | |
He's a young bull, he's about 35 to 40, his name is Hezy. | 0:43:58 | 0:44:03 | |
The wounds are definitely bothering him. You see this often in elephants when they've been wounded. | 0:44:05 | 0:44:10 | |
They'll spend a lot of time either | 0:44:10 | 0:44:12 | |
throwing water on themselves or mud. | 0:44:12 | 0:44:14 | |
Cos those wounds are pretty deep, I mean they | 0:44:16 | 0:44:20 | |
pierce the epidermis, which is about half an inch thick. | 0:44:20 | 0:44:25 | |
Andrea can tell from the pattern of wounds this was not the result of a fight. | 0:44:25 | 0:44:29 | |
That many wounds, I'd say a Kalashnikov. | 0:44:32 | 0:44:34 | |
Hezy has returned to the likely scene of the crime, | 0:44:37 | 0:44:41 | |
perhaps because it's also the best place to treat his wounds. | 0:44:41 | 0:44:46 | |
But since this video was taken on May 13th we haven't seen him, | 0:44:46 | 0:44:50 | |
so, he might have even died, might have developed an infection from the wounds he sustained. | 0:44:50 | 0:44:56 | |
With the stakes becoming higher, even Andrea cannot live in such remote forest without protection. | 0:45:06 | 0:45:13 | |
She needs to share the weight of responsibility, | 0:45:19 | 0:45:23 | |
and a chance has come. | 0:45:23 | 0:45:25 | |
She's been asked to help with a pioneering study at the other end of the elephants' range. | 0:45:32 | 0:45:40 | |
It means, for a few weeks, she will have to leave the elephants at Dzanga Bai. | 0:45:40 | 0:45:46 | |
Forest elephants inhabit a huge area stretching over two million square miles. | 0:45:51 | 0:45:58 | |
But there could be fewer than 125,000 left. | 0:45:58 | 0:46:02 | |
This is Gabon... | 0:46:14 | 0:46:17 | |
..where the African rain forest meets the ocean. | 0:46:21 | 0:46:24 | |
It's considered to be one of the last safe havens for forest elephants. | 0:46:27 | 0:46:31 | |
It couldn't look more different from Dzanga. | 0:46:31 | 0:46:38 | |
Beyond the endless beaches there's a mosaic of savannah, forest and swamp. | 0:46:43 | 0:46:50 | |
It's a new experience for Andrea. | 0:46:54 | 0:46:57 | |
She's used to seeing groups of over 100 elephants together. | 0:47:01 | 0:47:05 | |
Here, just seeing one is a challenge. | 0:47:06 | 0:47:11 | |
You don't see many, but when you do see them they're doing extraordinary | 0:47:11 | 0:47:15 | |
things that I've never seen before in my life. | 0:47:15 | 0:47:18 | |
Elephants have adapted to this diverse range of habitats, | 0:47:38 | 0:47:42 | |
even snorkelling across flooded channels and swamps. | 0:47:42 | 0:47:46 | |
This place gives me a lot of hope in terms of | 0:47:50 | 0:47:53 | |
elephant conservation, just because the elephants aren't accessible. | 0:47:53 | 0:47:57 | |
People can't hunt in these swamps and so that is a refuge for them. | 0:47:58 | 0:48:03 | |
However, there's no clearing like Dzanga to see elephants and monitor what they do. | 0:48:05 | 0:48:11 | |
Researchers have had to find a different way to tune into their lives. | 0:48:14 | 0:48:18 | |
Andrea's joined Peter Wrege, from the Elephant Listening Project at Cornell University. | 0:48:27 | 0:48:33 | |
He's an expert in acoustic research, something he hopes will reveal more about forest elephants. | 0:48:33 | 0:48:39 | |
So, this is the hard drive to store the data and then this is | 0:48:39 | 0:48:43 | |
the computer, microcomputer, that's actually processing the sound. | 0:48:43 | 0:48:49 | |
He's putting up remote listening devices to eavesdrop on them. | 0:48:49 | 0:48:55 | |
But he needs Andrea's help because only she can translate their calls. | 0:48:55 | 0:49:00 | |
We're still in kindergarten in learning exactly what their vocalisations mean and the social | 0:49:01 | 0:49:08 | |
context in which they occur, and this is where Andrea is so vital to what we're doing | 0:49:08 | 0:49:14 | |
now, is that she knows the behaviour of the elephants very, very well. | 0:49:14 | 0:49:18 | |
These recording units contain state of the art microphones, | 0:49:20 | 0:49:23 | |
specially designed to pick up low frequency calls. | 0:49:23 | 0:49:27 | |
They can be left running for three months, 24 hours a day. | 0:49:31 | 0:49:36 | |
Each one records rumbles from over a square mile of jungle. | 0:49:39 | 0:49:43 | |
-It's better than CCTV. -That's OK. | 0:49:43 | 0:49:47 | |
So, we're finished, ready to go. It's absolutely a kind of spying on elephants, listening in | 0:49:47 | 0:49:53 | |
on their conversations in order to understand what they're doing, how many there are, where they're going. | 0:49:53 | 0:50:00 | |
Peter already has 33 of these bugging devices deployed in the rain forests of Central Africa. | 0:50:05 | 0:50:12 | |
Now, he needs Andrea's help to decode the latest recordings. | 0:50:12 | 0:50:18 | |
ELEPHANTS RUMBLE | 0:50:21 | 0:50:24 | |
-It's pretty deep. -Hmm. -The different rumbles tell | 0:50:28 | 0:50:31 | |
Andrea how many elephants are present and what they're doing. | 0:50:31 | 0:50:35 | |
OK, that for me, this first call | 0:50:38 | 0:50:41 | |
may be an adult female | 0:50:41 | 0:50:44 | |
and this might be a response to that call. | 0:50:44 | 0:50:47 | |
Let's try this one then. | 0:50:50 | 0:50:51 | |
-This is a young animal again. -Young animal. | 0:50:59 | 0:51:02 | |
Just by listening, she can tell which members of the family may be vocalising and why. | 0:51:02 | 0:51:07 | |
Would you call those all protest calls, or you said also sometimes they just get separated... | 0:51:08 | 0:51:13 | |
No, I think they're lost calls, I think they're separated. | 0:51:13 | 0:51:15 | |
So you can, you're actually hearing a difference between a protest and a lost? | 0:51:15 | 0:51:20 | |
Yes, those sound like to me lost calls. | 0:51:20 | 0:51:22 | |
It starts low and it goes up. The structure looks | 0:51:22 | 0:51:27 | |
-the same. -Yeah, well that's one of the problems. | 0:51:27 | 0:51:29 | |
I need to know more from your ear what do I need to be looking for to make that distinction. | 0:51:29 | 0:51:35 | |
Andrea's knowledge will help Peter create a visual record of specific elephant calls. | 0:51:40 | 0:51:47 | |
He can then refer to this library and learn even more about elephant life here. | 0:51:48 | 0:51:53 | |
You don't have anything before that, do you, recorded? | 0:51:57 | 0:52:00 | |
Oh, I'm sure I do. | 0:52:02 | 0:52:04 | |
This is clipped out. | 0:52:04 | 0:52:06 | |
-It almost sounds like mating. -Really? | 0:52:06 | 0:52:08 | |
Yeah, because you've got a lot of these high pitched things going in. | 0:52:08 | 0:52:12 | |
Without even seeing elephants, it's possible to translate | 0:52:13 | 0:52:18 | |
their rumbles into information about breeding success. | 0:52:18 | 0:52:21 | |
They've also revealed the dangers elephants face. | 0:52:26 | 0:52:30 | |
Before his study began, Peter was told there was no poaching in the area. | 0:52:34 | 0:52:40 | |
That's not the case. | 0:52:41 | 0:52:44 | |
These, I'm pretty sure are high powered rifle shots. | 0:52:44 | 0:52:48 | |
So, these devices also spy on the poachers. | 0:52:53 | 0:52:56 | |
By pinpointing hotspots of illegal hunting, guards could target areas more strategically and efficiently. | 0:52:58 | 0:53:05 | |
Lot of frogs. | 0:53:05 | 0:53:07 | |
Yeah, those are definitely guns. | 0:53:07 | 0:53:10 | |
And again, this is a bit strange because the intensity changes. | 0:53:10 | 0:53:16 | |
CRACKING SOUND ON TAPE | 0:53:20 | 0:53:23 | |
-That's a tree. -Really? | 0:53:27 | 0:53:29 | |
That's a tree. This first thing right here, this | 0:53:29 | 0:53:32 | |
first sound you hear, it's the crack and then it's the ki ki ki ki. | 0:53:32 | 0:53:36 | |
I don't know, Andrea. | 0:53:38 | 0:53:39 | |
No, I'd put money on that one. | 0:53:39 | 0:53:42 | |
CRACKING SOUND | 0:53:42 | 0:53:44 | |
Hear that? | 0:53:44 | 0:53:46 | |
CRACKING SOUND CONTINUES | 0:53:46 | 0:53:49 | |
And that's the whole thing going down. | 0:53:49 | 0:53:51 | |
It might get hung up on something. | 0:53:51 | 0:53:53 | |
True, a lot of trees out there. | 0:53:53 | 0:53:55 | |
Yeah, it's very complicated, tree fall. | 0:53:55 | 0:53:59 | |
20 years in the forest has taught Andrea what to listen out for. | 0:53:59 | 0:54:04 | |
And Peter knows the value of her extensive memory bank. | 0:54:04 | 0:54:09 | |
I'm very concerned actually about | 0:54:09 | 0:54:12 | |
the huge knowledge that Andrea has about these elephants. | 0:54:12 | 0:54:17 | |
I find it phenomenal what she remembers. | 0:54:17 | 0:54:22 | |
No-one else comes anywhere close to what she has, so I think it is critical that we basically | 0:54:22 | 0:54:30 | |
kind of extract this information from her brain. | 0:54:30 | 0:54:33 | |
This experience has shown Andrea how her knowledge could help elephants across their whole range. | 0:54:34 | 0:54:41 | |
But she will always feel a strong connection to the individuals | 0:54:43 | 0:54:45 | |
back at Dzanga that have been her life for so long. | 0:54:45 | 0:54:50 | |
I probably think about these elephants during my waking hours about 90% of the time. | 0:54:55 | 0:55:01 | |
I'm very concerned about them. I mean I feel it's my moral responsibility to be there. | 0:55:01 | 0:55:05 | |
Hopefully when I get back, you know, the numbers will be the numbers I'm expecting to see. | 0:55:08 | 0:55:13 | |
When Andrea returns to Dzanga there's depressing news. | 0:55:22 | 0:55:26 | |
More poaching has been reported in the area. | 0:55:28 | 0:55:31 | |
The demand for ivory is now threatening the very existence of forest elephants. | 0:55:33 | 0:55:39 | |
Recent data has shown we've maybe lost between | 0:55:47 | 0:55:49 | |
40 and 50% of the population in the Central Africa area. | 0:55:49 | 0:55:54 | |
So there's increasing pressure on this area where there are still animals left over. | 0:55:56 | 0:56:00 | |
Dzanga Bai continues to be a magnet for forest elephants, | 0:56:02 | 0:56:06 | |
and a privileged window into their lives. | 0:56:06 | 0:56:09 | |
That's Marnie. | 0:56:15 | 0:56:17 | |
Oh, there's a new calf. | 0:56:17 | 0:56:19 | |
For the next 60 years, this calf could return time after time to take | 0:56:24 | 0:56:29 | |
the salts, meet up with family and to find a mate. | 0:56:29 | 0:56:34 | |
That's nice. That's a new baby for today. | 0:56:40 | 0:56:43 | |
He's trying to figure out what to do with his trunk. | 0:56:44 | 0:56:47 | |
But if Andrea were to leave, who knows what upheavals he and his family would face? | 0:56:54 | 0:56:59 | |
I'm not an optimist about the future for animals here. | 0:57:17 | 0:57:20 | |
So I mean, I get a little bit emotional about it, | 0:57:20 | 0:57:24 | |
but the reality is, these animals if they're not protected they're going to be poached. | 0:57:24 | 0:57:31 | |
For two decades, she has carried this responsibility on her shoulders. | 0:57:35 | 0:57:41 | |
But she cannot stay here for ever. | 0:57:42 | 0:57:45 | |
I've been here for 20 years and I'm beginning to feel my age. | 0:57:48 | 0:57:51 | |
I think I'll stay here as long as I can walk and I can get support to do what I do because I love this place. | 0:57:51 | 0:57:58 | |
There's a lot of downsides to my job, but coming here every day | 0:57:58 | 0:58:01 | |
is what makes it all worthwhile and just seeing them right here. | 0:58:01 | 0:58:06 | |
Maybe the pioneering study in Gabon will eventually take the pressure off her. | 0:58:09 | 0:58:16 | |
And the remote listening devices will become her ears in the forest, | 0:58:16 | 0:58:22 | |
allowing elephants to tell us of the dangers they face, | 0:58:22 | 0:58:27 | |
as they continue their conversations through the jungle. | 0:58:27 | 0:58:32 | |
Subtitles by Red Bee Media Ltd | 0:58:46 | 0:58:50 | |
E-mail us at [email protected] | 0:58:50 | 0:58:54 |