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I'm in a secure room deep underground, | 0:00:02 | 0:00:05 | |
surrounded by the most valuable shipwreck treasure in history. | 0:00:05 | 0:00:10 | |
There are 551 of these plastic containers in here, | 0:00:12 | 0:00:16 | |
each of them are full of silver and gold coins. | 0:00:16 | 0:00:20 | |
These aren't just any old silver coins, | 0:00:21 | 0:00:24 | |
these are pieces of eight, | 0:00:24 | 0:00:26 | |
which is a currency that everybody's heard of. | 0:00:26 | 0:00:28 | |
Look at that! And this would have been worth eight reales, | 0:00:28 | 0:00:33 | |
hence the name "pieces of eight". | 0:00:33 | 0:00:35 | |
Today all these gold and silver coins are worth | 0:00:37 | 0:00:40 | |
more than 500 million. | 0:00:40 | 0:00:44 | |
'Amazing tales of buried treasure don't just exist in story books | 0:00:46 | 0:00:50 | |
'or our imagination.' | 0:00:50 | 0:00:53 | |
Our planet is full of treasure, | 0:00:53 | 0:00:55 | |
from precious metals like these to dazzling jewels. | 0:00:55 | 0:00:58 | |
'All you need to know is where to look.' | 0:00:59 | 0:01:02 | |
Come with us on the world's biggest treasure hunt. | 0:01:02 | 0:01:05 | |
'Scratch the surface of our planet | 0:01:07 | 0:01:09 | |
'and you'll discover a world of natural wonders.' | 0:01:09 | 0:01:12 | |
Oh, my word! | 0:01:12 | 0:01:14 | |
'Our ingenuity has transformed them into priceless riches.' | 0:01:14 | 0:01:17 | |
This is the one I still can't believe, | 0:01:17 | 0:01:19 | |
I can't believe how enormous that is. | 0:01:19 | 0:01:21 | |
'We'll reveal where shipwreck hauls | 0:01:22 | 0:01:25 | |
'are lying on the bottom of the ocean...' | 0:01:25 | 0:01:27 | |
Just as shiny as the day it sank. | 0:01:27 | 0:01:29 | |
'Investigate how we've created dazzling masterpieces | 0:01:29 | 0:01:32 | |
'from the raw materials of our planet...' | 0:01:32 | 0:01:35 | |
-It's going to be 800,000 to a million dollars. -Ooh! | 0:01:35 | 0:01:39 | |
'And uncover extraordinary man-made wonders.' | 0:01:42 | 0:01:46 | |
This whole place just seems to glow. | 0:01:46 | 0:01:49 | |
'We're going around the globe to reveal the incredible stories | 0:01:51 | 0:01:56 | |
'behind the planet's greatest treasures.' | 0:01:56 | 0:01:58 | |
'Perhaps the most intriguing treasures | 0:02:13 | 0:02:15 | |
'are those that have been lost.' | 0:02:15 | 0:02:17 | |
'Storms, wars and misadventure have left millions, maybe billions, | 0:02:19 | 0:02:24 | |
'of pounds' worth lying at the bottom of the ocean.' | 0:02:24 | 0:02:27 | |
'So, where do you go to find it?' | 0:02:29 | 0:02:31 | |
There we go. | 0:02:31 | 0:02:32 | |
Shipwrecks can be found everywhere, of course, | 0:02:33 | 0:02:36 | |
but I've come to the Florida Keys | 0:02:36 | 0:02:38 | |
for a very special reason. | 0:02:38 | 0:02:40 | |
One of interesting things about this area, of course, is that | 0:02:42 | 0:02:44 | |
there's a lot of hurricanes and consequently, the whole sea bed | 0:02:44 | 0:02:48 | |
is littered with shipwrecks, which is bad news if you're the captain | 0:02:48 | 0:02:52 | |
of one of those ships, but very good news if you're a treasure hunter. | 0:02:52 | 0:02:56 | |
I'm going diving for treasure | 0:03:04 | 0:03:06 | |
on one of the richest wrecks ever discovered. | 0:03:06 | 0:03:09 | |
You have to cast your minds back, if you will, to 1622, | 0:03:11 | 0:03:16 | |
the Spanish galleon, the Atocha, | 0:03:16 | 0:03:18 | |
was sailing from South America back to Spain via Cuba, | 0:03:18 | 0:03:22 | |
completely loaded with treasure, | 0:03:22 | 0:03:25 | |
and about 90 miles off the Cuban coast, right where we are now, | 0:03:25 | 0:03:28 | |
she got hit by a hurricane and was sunk. | 0:03:28 | 0:03:31 | |
What's left of the Atocha was rediscovered in 1985. | 0:03:34 | 0:03:39 | |
The galleon has been destroyed by the ocean | 0:03:39 | 0:03:41 | |
but around 400 million dollars' worth of booty has been discovered, | 0:03:41 | 0:03:46 | |
strewn for miles across the sea floor. | 0:03:46 | 0:03:48 | |
So that's the salvage boat that we're going to be diving from | 0:03:50 | 0:03:53 | |
and it's just crazy to think that right under where we are now | 0:03:53 | 0:03:57 | |
could be treasure, more treasure, emeralds, gold, silver. | 0:03:57 | 0:04:01 | |
'The Fisher family are professional salvage hunters. | 0:04:05 | 0:04:09 | |
'They spent 16 years looking for the Atocha before they struck gold.' | 0:04:09 | 0:04:14 | |
'Kim Fisher and I are about to search for more.' | 0:04:16 | 0:04:19 | |
You've been diving here for a while, are we going to find something today | 0:04:22 | 0:04:25 | |
or is this just a bit of a wild-goose chase? | 0:04:25 | 0:04:29 | |
No, we're in a really good spot here, it's virgin territory, | 0:04:29 | 0:04:32 | |
it hasn't been worked before, and we've just started | 0:04:32 | 0:04:35 | |
working this area and we've been finding stuff every haul. | 0:04:35 | 0:04:38 | |
Is it actually hard to spot treasure? | 0:04:38 | 0:04:40 | |
Yes. The artefacts get all encrusted | 0:04:40 | 0:04:44 | |
and they kind of blend in, they look just like a rock. | 0:04:44 | 0:04:46 | |
-Right. -So you have to have a trained eye to see it | 0:04:46 | 0:04:50 | |
or use this metal detector. | 0:04:50 | 0:04:52 | |
You've got to look out for the current, | 0:04:52 | 0:04:54 | |
there's a really strong current here, so, you know, | 0:04:54 | 0:04:57 | |
just follow the dive line down right to the bottom. | 0:04:57 | 0:05:00 | |
Oh, God. The current is so strong. | 0:05:06 | 0:05:09 | |
'And that's another reason working a wreck like this is so tough. | 0:05:12 | 0:05:16 | |
'The combination of the current and storms means there's nothing | 0:05:16 | 0:05:20 | |
'recognisable as a boat on the bedrock.' | 0:05:20 | 0:05:22 | |
OK, let's see what we can find. | 0:05:26 | 0:05:28 | |
'The trail of artefacts is spread out over nine miles and Kim's team are | 0:05:29 | 0:05:34 | |
'still finding things nearly 30 years after the first discovery of gold.' | 0:05:34 | 0:05:39 | |
I keep seeing things that might be something, and then you have | 0:05:44 | 0:05:47 | |
a little closer look and it's just a bit of shell or a piece of rock. | 0:05:47 | 0:05:52 | |
This looks like a piece of timber or something from a ship. | 0:05:56 | 0:05:58 | |
'I'm having no luck relying on my eyes, | 0:06:02 | 0:06:05 | |
'so it's time to try using the underwater metal detector.' | 0:06:05 | 0:06:08 | |
BEEPING | 0:06:08 | 0:06:10 | |
OK, I think I have something. | 0:06:14 | 0:06:16 | |
I'm getting lots of beeping noises here. | 0:06:18 | 0:06:20 | |
Oh, look! | 0:06:20 | 0:06:22 | |
Wow, look at that, that is a real musket ball | 0:06:25 | 0:06:29 | |
and I'm the first person to touch this for 400 years. | 0:06:29 | 0:06:32 | |
This is a real piece of treasure. | 0:06:32 | 0:06:34 | |
Oh, until you pick something up like this, it is such a thrill, | 0:06:35 | 0:06:39 | |
you get such a buzz. | 0:06:39 | 0:06:40 | |
There's another musket ball, look. | 0:06:41 | 0:06:43 | |
Holy cow, look at that, that's huge. | 0:06:45 | 0:06:47 | |
Oh, God, there's loads of them. | 0:06:47 | 0:06:50 | |
Here's another one here. | 0:06:50 | 0:06:52 | |
'The presence of all this ammunition suggests | 0:06:58 | 0:07:00 | |
'we're hunting in the right area. | 0:07:00 | 0:07:03 | |
'The Spanish galleon was armed to the teeth to protect her precious cargo.' | 0:07:03 | 0:07:08 | |
The sea bed throughout the world is just rich with treasures | 0:07:08 | 0:07:11 | |
and it's estimated that there's three million shipwrecks | 0:07:11 | 0:07:15 | |
and their cargo lying on the sea bottom, | 0:07:15 | 0:07:19 | |
but it's more than just that, it's the history itself. | 0:07:19 | 0:07:21 | |
We learn so much about what life was like on the actual ships. | 0:07:21 | 0:07:25 | |
And it's so exciting to think that any stone I might turn over, | 0:07:25 | 0:07:30 | |
or any shell I might pick up, underneath it could be gold | 0:07:30 | 0:07:32 | |
or silver. You've just got to keep looking. | 0:07:32 | 0:07:36 | |
And that's what treasure is all about, | 0:07:36 | 0:07:38 | |
it's all about the idea of discovery. | 0:07:38 | 0:07:40 | |
'Frustratingly, I'm out of air before we find anything else | 0:07:42 | 0:07:45 | |
'and have to head back to the surface.' | 0:07:45 | 0:07:47 | |
-All right. -That was amazing. | 0:07:52 | 0:07:54 | |
That was unbelievable. | 0:07:56 | 0:07:58 | |
Have a look at this. | 0:07:59 | 0:08:01 | |
They're into their musket balls. | 0:08:01 | 0:08:03 | |
That's treasure. That counts as treasure. Sadly, no gold. | 0:08:03 | 0:08:07 | |
Even so, the fact that this was made by somebody | 0:08:07 | 0:08:11 | |
and was on board that ship... | 0:08:11 | 0:08:13 | |
that in itself is exciting. | 0:08:13 | 0:08:15 | |
That's what's wonderful about shipwrecks - | 0:08:16 | 0:08:19 | |
they're a snap shot of a single moment in history. | 0:08:19 | 0:08:22 | |
In 1662, the Atocha sailed from Havana to Spain | 0:08:22 | 0:08:27 | |
with wealth taken from across the New World. | 0:08:27 | 0:08:30 | |
So far, they've recovered over 5,000 emeralds, | 0:08:40 | 0:08:44 | |
so many that a section of the wreck has been nicknamed Emerald City. | 0:08:44 | 0:08:49 | |
As well as endless gold ingots, gold bars and gold chains. | 0:08:52 | 0:08:58 | |
OK, hold out your hand, I'm going to give you gold fever. | 0:08:58 | 0:09:02 | |
When we find the gold, it comes up just as shiny as the day it sank. | 0:09:02 | 0:09:05 | |
-It doesn't tarnish, it doesn't rust, it just shines for ever. -Solid gold. | 0:09:05 | 0:09:11 | |
Yes, that's a money chain and each link weighs the same. | 0:09:11 | 0:09:14 | |
When you went shopping, you'd just twist a link off | 0:09:14 | 0:09:16 | |
and use it for money. | 0:09:16 | 0:09:17 | |
So you're swimming along, you see a little bit of this poking out... | 0:09:17 | 0:09:20 | |
-Yes. -That's got to get the adrenaline going. -Oh, yeah, it does. | 0:09:20 | 0:09:23 | |
-Can I touch some of this gold? -Yes, please. | 0:09:23 | 0:09:27 | |
Oh, my God, that's... that's ridiculously heavy, | 0:09:27 | 0:09:30 | |
that's a couple of kilos. | 0:09:30 | 0:09:32 | |
Yeah, very deceptive. | 0:09:32 | 0:09:34 | |
That's a 360,000 gold disc right there | 0:09:34 | 0:09:38 | |
but the best thing is these emeralds. | 0:09:38 | 0:09:40 | |
They're beautiful when the light comes through. | 0:09:40 | 0:09:42 | |
They are incredible, aren't they? | 0:09:42 | 0:09:44 | |
They're about 27,000 a carat. This big one here is 27 carats, | 0:09:44 | 0:09:49 | |
so that's about three-quarters of a million. | 0:09:49 | 0:09:51 | |
And these were just lying on the bottom of the ocean? | 0:09:51 | 0:09:54 | |
Well, yeah, they were buried in the sand | 0:09:54 | 0:09:56 | |
and I saw a clump of emeralds just going up the pipe like that | 0:09:56 | 0:09:59 | |
and I shut it down and the emeralds came falling down, | 0:09:59 | 0:10:03 | |
and I spent the rest of my dive just swimming around picking up emeralds. | 0:10:03 | 0:10:07 | |
I've got to ask, I mean...is there more of this stuff down there? | 0:10:07 | 0:10:10 | |
Yeah, we know for sure. We have one letter where a fellow | 0:10:10 | 0:10:14 | |
shipped his brother 70 pounds in one box. | 0:10:14 | 0:10:18 | |
Now, so far we've found two stashes of emeralds | 0:10:18 | 0:10:22 | |
and neither of them come close to 70 pounds. | 0:10:22 | 0:10:25 | |
Somewhere out there there's one box with 70 pounds | 0:10:25 | 0:10:29 | |
and that box could be worth, you know, a billion dollars. | 0:10:29 | 0:10:32 | |
I mean, it could be worth more than everything we've found already, | 0:10:32 | 0:10:36 | |
just in that one little box. | 0:10:36 | 0:10:37 | |
In 1984, the US Supreme Court decided that in this case | 0:10:42 | 0:10:46 | |
it's finders keepers - the Fishers get to keep it all. | 0:10:46 | 0:10:50 | |
And we're prepared to pay more than the going rate | 0:10:53 | 0:10:56 | |
for the Atocha's haul. | 0:10:56 | 0:10:58 | |
Our insatiable desire for the rarest treasures, | 0:10:58 | 0:11:01 | |
coupled with our love of tales of the high seas and shipwrecks, | 0:11:01 | 0:11:05 | |
means its value has been inflated by its extraordinary history. | 0:11:05 | 0:11:10 | |
Thousands of miles away, | 0:11:21 | 0:11:23 | |
I'm on the trail of a lost treasure whose story is even more intriguing. | 0:11:23 | 0:11:28 | |
And it begins here in a Russian outpost with a humble forest. | 0:11:29 | 0:11:35 | |
35 to 50 million years ago, | 0:11:38 | 0:11:41 | |
ancient evergreen forests oozed resin from their bark | 0:11:41 | 0:11:44 | |
as a defence mechanism, sealing and sterilising any damage. | 0:11:44 | 0:11:49 | |
Normally, this resin gets broken down by the erosive effects of wind | 0:11:50 | 0:11:55 | |
and rain, but not always. | 0:11:55 | 0:11:57 | |
If it gets covered by a layer of earth, it's protected | 0:11:57 | 0:12:00 | |
from the weather. Add to it the weight of many layers of sediment, | 0:12:00 | 0:12:05 | |
and the pressure over the centuries | 0:12:05 | 0:12:08 | |
turns it from THIS into amber. | 0:12:08 | 0:12:11 | |
One of nature's most beautiful gems, | 0:12:15 | 0:12:17 | |
90% of the world's amber is extracted here in the Baltic. | 0:12:17 | 0:12:22 | |
In winter storms, the sea tears it off the sea bed | 0:12:25 | 0:12:29 | |
and sends it bobbing to the surface, | 0:12:29 | 0:12:32 | |
and then occasionally, it'll get thrown out on to the beach. | 0:12:32 | 0:12:35 | |
And because of this incredible distinctive hue, | 0:12:35 | 0:12:38 | |
it's known as Baltic gold. | 0:12:38 | 0:12:41 | |
And it's the starting point for one of the strangest stories | 0:12:41 | 0:12:45 | |
in the history of treasure. | 0:12:45 | 0:12:47 | |
This is St Catherine's Palace. | 0:12:57 | 0:13:00 | |
Completed in 1756 for Empress Elizabeth, | 0:13:04 | 0:13:07 | |
this grand building is THE place to come | 0:13:07 | 0:13:10 | |
if you want to experience the ultimate in opulent treasure. | 0:13:10 | 0:13:13 | |
This is what we've come here to see. THIS... | 0:13:19 | 0:13:23 | |
is the Amber Room. | 0:13:23 | 0:13:25 | |
Oh, my word! | 0:13:25 | 0:13:27 | |
SHE LAUGHS | 0:13:27 | 0:13:30 | |
Wow! | 0:13:30 | 0:13:31 | |
This is decadent. | 0:13:31 | 0:13:35 | |
Imagine throwing a party in here. | 0:13:46 | 0:13:49 | |
You'd be terrified of the red wine. | 0:13:49 | 0:13:52 | |
A masterpiece of baroque design, | 0:13:54 | 0:13:57 | |
this is the most bejewelled room ever created. | 0:13:57 | 0:14:01 | |
They've made art out of it - the detail! | 0:14:02 | 0:14:04 | |
Oh, my word, look at the detail. | 0:14:04 | 0:14:06 | |
This room was used by the Russian tsars to entertain foreign guests | 0:14:15 | 0:14:20 | |
and dignitaries. Every surface of every wall is covered in individual | 0:14:20 | 0:14:25 | |
amber pieces, all ornately put together, so it's a real statement | 0:14:25 | 0:14:30 | |
of wealth and beauty. It was known as the Eighth Wonder of the World. | 0:14:30 | 0:14:35 | |
The reason this room is a lost treasure, despite appearances, | 0:14:43 | 0:14:47 | |
is that what we're looking at HERE is not the original, | 0:14:47 | 0:14:51 | |
it's a modern replica. | 0:14:51 | 0:14:53 | |
And that's where the story gets very Indiana Jones. | 0:14:53 | 0:14:56 | |
The original was finished in the 1750s | 0:15:02 | 0:15:05 | |
and was made up of 100,000 pieces of intricately carved amber. | 0:15:05 | 0:15:10 | |
But nearly 200 years later, tragedy struck. | 0:15:12 | 0:15:15 | |
Just imagine - it's 1941 and the Nazis are invading Russia. | 0:15:17 | 0:15:22 | |
They're advancing fast, so all the treasures in the palace | 0:15:22 | 0:15:25 | |
need to be removed at great speed. | 0:15:25 | 0:15:27 | |
But the trouble was, these amber panels were incredibly fragile, | 0:15:27 | 0:15:31 | |
so the decision was made to hide them instead. They were papered over | 0:15:31 | 0:15:35 | |
and covered in gauze and cotton wool and finally they were boarded up. | 0:15:35 | 0:15:40 | |
But the gamble failed and the Nazis found it. | 0:15:48 | 0:15:52 | |
It took them just 36 hours to dismantle the entire room. | 0:15:52 | 0:15:57 | |
They crated it up and took it to Konigsberg Castle in Prussia. | 0:15:57 | 0:16:01 | |
Nobody knows for sure what happened to it - soon after, it disappeared. | 0:16:01 | 0:16:06 | |
In 1979, the Russians started to recreate | 0:16:09 | 0:16:12 | |
the Amber Room from scratch. | 0:16:12 | 0:16:14 | |
This labour of love cost over 11 million | 0:16:14 | 0:16:19 | |
and required six tonnes of amber. | 0:16:19 | 0:16:21 | |
And when you need that much, | 0:16:25 | 0:16:26 | |
you can't rely on it washing up on a beach. | 0:16:26 | 0:16:29 | |
We're driving down on a bumpy, very muddy, wet track | 0:16:43 | 0:16:49 | |
and it's really rare that anybody's allowed down here, | 0:16:49 | 0:16:52 | |
so it's an incredible honour to be able to do this. | 0:16:52 | 0:16:55 | |
This is the world's largest open-cast amber mine. | 0:17:01 | 0:17:04 | |
Wow. | 0:17:06 | 0:17:07 | |
This place is really big, much bigger than I had envisaged. | 0:17:09 | 0:17:14 | |
Just looking at the cabin of that digger over there, | 0:17:14 | 0:17:16 | |
that's about the size of a standard three-bedroom house. | 0:17:16 | 0:17:20 | |
The amber is in a layer of grey clay known as blue earth, or glauconite. | 0:17:30 | 0:17:35 | |
Here it sits at 50m below ground level, | 0:17:35 | 0:17:38 | |
so that takes a very particular type of mining to extract it, | 0:17:38 | 0:17:42 | |
using these water cannons. | 0:17:42 | 0:17:45 | |
Once the blue-grey layer is piled up by the extractor, | 0:17:56 | 0:17:59 | |
the miners blast the clay with high-pressure, saltwater jets. | 0:17:59 | 0:18:04 | |
The amber is washed out into the open | 0:18:08 | 0:18:11 | |
and the bigger the piece, the more valuable it is. | 0:18:11 | 0:18:14 | |
Wow! | 0:18:15 | 0:18:17 | |
Look at this! What a whopper. | 0:18:20 | 0:18:23 | |
This mine produced over a million pounds' worth of amber last year. | 0:18:30 | 0:18:35 | |
To turn this into a jewellery box of a room is still a Herculean task | 0:18:35 | 0:18:41 | |
and it took Russian craftsmen 24 years. | 0:18:41 | 0:18:44 | |
To recreate the Amber Room, they didn't have a huge amount to go on, | 0:18:45 | 0:18:49 | |
just a few old photos like this, | 0:18:49 | 0:18:51 | |
which were black and white and pretty grainy. | 0:18:51 | 0:18:55 | |
Not much of a blueprint, really, to recreate a masterpiece. | 0:18:55 | 0:18:59 | |
But the big question is - what happened to the original? | 0:19:02 | 0:19:06 | |
The intrigue has massively increased its value. | 0:19:06 | 0:19:10 | |
It's been speculated that if it were found, | 0:19:10 | 0:19:12 | |
it might be worth £300 million. | 0:19:12 | 0:19:16 | |
But it hasn't been seen since the Second World War, | 0:19:19 | 0:19:22 | |
when the Nazis took the looted room | 0:19:22 | 0:19:24 | |
over 500 miles to the town of Konigsberg. | 0:19:24 | 0:19:28 | |
This may not look like much | 0:19:34 | 0:19:36 | |
but it's the ruins of the castle where the Amber Room was last seen. | 0:19:36 | 0:19:40 | |
People are still looking for it. | 0:19:41 | 0:19:44 | |
There were some archaeologists searching down in these | 0:19:44 | 0:19:47 | |
flooded tunnels recently and they found...absolutely nothing. | 0:19:47 | 0:19:52 | |
Perhaps it's hidden in another part of the tunnel network. | 0:19:54 | 0:19:58 | |
Was it destroyed in the fire that followed the battle of Konigsberg, | 0:20:01 | 0:20:04 | |
or could it be that it was stolen again | 0:20:04 | 0:20:07 | |
right under the nose of the Nazis? | 0:20:07 | 0:20:09 | |
One thing is certain, by 1944, when the Germans retreated, | 0:20:09 | 0:20:14 | |
the Amber Room had disappeared | 0:20:14 | 0:20:16 | |
and became the Holy Grail for treasure hunters across Europe. | 0:20:16 | 0:20:22 | |
Of course, not all treasures are lost. | 0:20:33 | 0:20:36 | |
Some are hidden, so valuable they spend most of their time | 0:20:36 | 0:20:40 | |
locked away from public view. | 0:20:40 | 0:20:43 | |
Such is their rarity that their coming onto the market | 0:20:45 | 0:20:49 | |
creates a sensation. | 0:20:49 | 0:20:51 | |
This is the largest flawless diamond ever to be brought to auction. | 0:20:52 | 0:20:57 | |
So, there's nothing... nothing like this on the planet? | 0:20:58 | 0:21:01 | |
-No. -This is the premium diamond. | 0:21:01 | 0:21:03 | |
No. I mean, it is a spectacular diamond, as we can see, | 0:21:03 | 0:21:06 | |
and to get that sort of size, that purity, that colour today, | 0:21:06 | 0:21:11 | |
it's quite amazing. | 0:21:11 | 0:21:12 | |
In terms of the world treasure, where does it rate? | 0:21:12 | 0:21:15 | |
In terms of these flawless diamonds, other than your Crown Jewels, | 0:21:15 | 0:21:19 | |
they would rank as the top ten easily, easily. | 0:21:19 | 0:21:23 | |
At 118 carats, this one white diamond sold for over £30 million. | 0:21:23 | 0:21:31 | |
What is it about diamonds historically? | 0:21:31 | 0:21:34 | |
Why are we so fascinated by diamonds particularly? | 0:21:34 | 0:21:36 | |
I think, first of all, I think diamonds are such a rare treasure | 0:21:36 | 0:21:39 | |
from the earth. | 0:21:39 | 0:21:40 | |
But it really takes man's artistry, | 0:21:40 | 0:21:43 | |
the masterstrokes of polishing that up to being what it is. | 0:21:43 | 0:21:47 | |
It's really, for me, man and nature together, | 0:21:47 | 0:21:50 | |
creating a beautiful gem that is really, really of great mystery. | 0:21:50 | 0:21:54 | |
How DO you reveal the potential value | 0:21:58 | 0:22:00 | |
of the most sought-after rock on earth? | 0:22:00 | 0:22:03 | |
I've come to Belgium to find out | 0:22:04 | 0:22:07 | |
how the magic happens. | 0:22:07 | 0:22:09 | |
Antwerp's diamond district is one of the biggest in the world, | 0:22:09 | 0:22:13 | |
with more than 1,500 diamond companies | 0:22:13 | 0:22:16 | |
and four diamond exchanges | 0:22:16 | 0:22:18 | |
all within an area of less than a square mile. | 0:22:18 | 0:22:21 | |
Everyone here is trying to create the biggest, best-looking diamond. | 0:22:21 | 0:22:26 | |
It's a notoriously secretive operation | 0:22:33 | 0:22:36 | |
but I've been allowed to step inside the world of the people | 0:22:36 | 0:22:39 | |
who turn a raw treasure into a man-made one. | 0:22:39 | 0:22:43 | |
It's here that they turn this rough diamond, | 0:22:43 | 0:22:46 | |
this rather dreary-looking piece of rock, | 0:22:46 | 0:22:49 | |
into this dazzling diamond, | 0:22:49 | 0:22:52 | |
worth in excess of £300,000, by cutting it. | 0:22:52 | 0:22:57 | |
And they can't afford to get that bit wrong. | 0:22:57 | 0:23:00 | |
Meet Yan. Every day thousands of pounds' worth of diamond | 0:23:03 | 0:23:08 | |
are sculpted by these hands. | 0:23:08 | 0:23:10 | |
His life revolves around precision, | 0:23:10 | 0:23:13 | |
skill and nerves of steel. | 0:23:13 | 0:23:16 | |
-Yan, how are you doing? -Hey! | 0:23:18 | 0:23:19 | |
You're working on a really big diamond there. | 0:23:19 | 0:23:21 | |
Yeah, it's a very big diamond here, it's 37 carats. | 0:23:21 | 0:23:24 | |
-ELLIE GASPS -So, what are you doing on this one then? | 0:23:24 | 0:23:27 | |
-You see? Have a look. -Yeah, I'll have a look there, yeah. -OK. | 0:23:27 | 0:23:30 | |
You have to see the small facets on top of it. | 0:23:30 | 0:23:33 | |
'Each facet is cut by hand. | 0:23:35 | 0:23:37 | |
'The wheel turns at 3,000rpm | 0:23:37 | 0:23:40 | |
'and is coated with olive oil and diamond dust.' | 0:23:40 | 0:23:43 | |
So, you put it on here so that it sort of grinds it down a bit | 0:23:44 | 0:23:47 | |
and then you look at it in between? | 0:23:47 | 0:23:49 | |
-You look and see the small facets lighting up now. -Yeah. | 0:23:49 | 0:23:53 | |
So, this one's worth how much? | 0:23:53 | 0:23:54 | |
-It's going to be 800,000 to a million dollars. -Ooh! | 0:23:54 | 0:23:58 | |
So, that's a lot of pressure that you carry. | 0:23:58 | 0:24:00 | |
Let's say something does go wrong, I mean, what can go wrong? | 0:24:00 | 0:24:02 | |
Maybe we push too hard or we don't concentrate, | 0:24:02 | 0:24:06 | |
it can explode inside the stone. | 0:24:06 | 0:24:09 | |
And how do you feel if that happens? | 0:24:09 | 0:24:11 | |
Oh, terrible, terrible. You get tears in your eyes, | 0:24:11 | 0:24:13 | |
you're feeling bad, it's...yeah, then we go take a walk outside | 0:24:13 | 0:24:18 | |
and calm down and then OK, the next day we go back to it. | 0:24:18 | 0:24:22 | |
That doesn't happen very often, but even before the first cut is made | 0:24:23 | 0:24:27 | |
there are some very tough decisions to be taken. | 0:24:27 | 0:24:31 | |
And for very large diamonds, these choices can take months. | 0:24:31 | 0:24:35 | |
The rough diamond is placed here in the scanner, | 0:24:35 | 0:24:38 | |
and there are any number of possibilities | 0:24:38 | 0:24:40 | |
for which diamonds can be cut out of it, | 0:24:40 | 0:24:42 | |
and that's what this incredible piece of kit can tell them. | 0:24:42 | 0:24:45 | |
The machine maps all the different options onto the stone | 0:24:47 | 0:24:50 | |
like a 3D jigsaw puzzle. | 0:24:50 | 0:24:53 | |
This reveals the finished diamonds that could be made from the rough. | 0:24:53 | 0:24:57 | |
So, with our rough diamond, they've identified five diamonds | 0:24:58 | 0:25:01 | |
that they can take out from it, | 0:25:01 | 0:25:02 | |
all marked in different colours here on the screen, | 0:25:02 | 0:25:05 | |
and the red dots represent flaws that they need to avoid. | 0:25:05 | 0:25:10 | |
It was here they cut the largest rough diamond this century. | 0:25:10 | 0:25:14 | |
This is a replica of the Lesotho Promise. | 0:25:14 | 0:25:18 | |
It was bought for 12.4 million | 0:25:18 | 0:25:21 | |
and Yves was part of the team that did the deal. | 0:25:21 | 0:25:24 | |
What did you turn this diamond into? | 0:25:24 | 0:25:26 | |
It's 26 diamonds, D flawless diamonds. | 0:25:26 | 0:25:30 | |
That's incredible. It's so hard to imagine that all of these | 0:25:30 | 0:25:33 | |
-came from what looks like a small piece of rock. -Yep. | 0:25:33 | 0:25:36 | |
And still bear in mind that the total weight of these diamonds | 0:25:36 | 0:25:39 | |
is about a third of the total weight of this diamond. | 0:25:39 | 0:25:44 | |
So this is 225 carats finished | 0:25:44 | 0:25:46 | |
and this is 600 carats in the rough. | 0:25:46 | 0:25:49 | |
So much goes to waste. | 0:25:49 | 0:25:51 | |
Just to dust. | 0:25:51 | 0:25:53 | |
And how much could the finished stones sell for? | 0:25:55 | 0:25:59 | |
Well, that remains a secret they won't reveal. | 0:25:59 | 0:26:02 | |
Treasure can come to obsess us. | 0:26:14 | 0:26:17 | |
The thrill of the hunt becomes all-consuming | 0:26:17 | 0:26:20 | |
and there's no better place to experience that than here. | 0:26:20 | 0:26:24 | |
I'm in America where a man named Forrest Fenn has deliberately hidden | 0:26:24 | 0:26:29 | |
a multi-million dollar treasure chest | 0:26:29 | 0:26:31 | |
somewhere in the Rocky Mountains. | 0:26:31 | 0:26:33 | |
The treasure's meant to be worth anything from a million | 0:26:39 | 0:26:42 | |
to three million dollars and it contains diamonds, emeralds | 0:26:42 | 0:26:46 | |
and rubies. But if I want to find it, | 0:26:46 | 0:26:48 | |
I'm going to have to decipher nine clues | 0:26:48 | 0:26:51 | |
that are hidden within a poem. | 0:26:51 | 0:26:53 | |
I'll be searching in an area that's home to some pretty feisty wildlife, | 0:26:57 | 0:27:01 | |
so I need to be prepared. | 0:27:01 | 0:27:03 | |
You'll want to have a backpack, some bear spray. | 0:27:03 | 0:27:06 | |
See, now this is... OK, let's just pause with the bear spray. | 0:27:06 | 0:27:08 | |
You have a sign outside that says "bear spray". I mean, insect spray, | 0:27:08 | 0:27:11 | |
mosquito spray I'm familiar with, but bear spray? | 0:27:11 | 0:27:14 | |
-I've got it right over here if you'd like to look at it? -Great. | 0:27:14 | 0:27:17 | |
This is the most common size. | 0:27:17 | 0:27:19 | |
And as you can see, it works on all bear species. | 0:27:19 | 0:27:22 | |
This is my favourite bit. Works on all bears. | 0:27:22 | 0:27:25 | |
Works on all bears. Black. Grizz is what we have | 0:27:25 | 0:27:27 | |
around here in Yellowstone. | 0:27:27 | 0:27:29 | |
I love this. We've got sun, mosquito and bear. | 0:27:29 | 0:27:32 | |
-Right. Right. -We've got it all. | 0:27:32 | 0:27:34 | |
'To improve my chances of finding Forrest Fenn's hidden treasure, | 0:27:41 | 0:27:45 | |
'I'm teaming up with Dal Neitzel.' | 0:27:45 | 0:27:47 | |
There you go. | 0:27:47 | 0:27:49 | |
'He's crossed America 40 times in the past three years | 0:27:49 | 0:27:53 | |
'to hunt for it.' | 0:27:53 | 0:27:54 | |
So, how long did it take you to get here today? | 0:27:54 | 0:27:56 | |
I'm about 900 miles from here, so it takes me a day and a half... | 0:27:56 | 0:27:59 | |
-to drive. -Yeah. So, that's more than just a passing interest. | 0:27:59 | 0:28:03 | |
How much time are you spending on this? | 0:28:03 | 0:28:05 | |
Every bloody minute that I'm not working. | 0:28:05 | 0:28:08 | |
I mean, is it the adventure? Is it the puzzle solving? | 0:28:08 | 0:28:11 | |
Is it the sense of anticipation, expectation? | 0:28:11 | 0:28:15 | |
Who doesn't love a good treasure story? This is wonderful stuff | 0:28:15 | 0:28:18 | |
and to get involved in it yourself... | 0:28:18 | 0:28:21 | |
'There is no treasure map for this secret stash, | 0:28:21 | 0:28:24 | |
'instead the clues are hidden in a poem written by Forrest Fenn.' | 0:28:24 | 0:28:29 | |
"Begin it where warm waters halt And take it in the canyon down, | 0:28:29 | 0:28:32 | |
"Not far, but too far to walk." | 0:28:32 | 0:28:34 | |
So, what is it about this area for you that is ticking this box? | 0:28:34 | 0:28:37 | |
"Begin it where warm waters halt." | 0:28:37 | 0:28:39 | |
Forrest spent all of his childhood summers | 0:28:39 | 0:28:42 | |
in Yellowstone National Park. He was brought up here. | 0:28:42 | 0:28:44 | |
His favourite bathing place was on the Firehole River, | 0:28:44 | 0:28:49 | |
a river that runs so warm because of the hot springs and geysers | 0:28:49 | 0:28:53 | |
that are around it. | 0:28:53 | 0:28:54 | |
-So we should start at the beginning. -Let's go. -Let's go. | 0:28:54 | 0:28:57 | |
Each clue is a riddle that must be solved to work out where to go next. | 0:29:03 | 0:29:08 | |
I think right here we're at "no place for the meek" | 0:29:08 | 0:29:11 | |
because this is grizzly bear territory. | 0:29:11 | 0:29:14 | |
I've got my spray so, er, we'll be OK, hopefully. | 0:29:14 | 0:29:16 | |
You have a 40% chance with the spray of stopping a grizzly bear, | 0:29:16 | 0:29:19 | |
I've got a 60% chance over here, so... | 0:29:19 | 0:29:22 | |
OK. You win. I like those odds. | 0:29:22 | 0:29:25 | |
There is only one man that knows for sure where the treasure is | 0:29:30 | 0:29:34 | |
and that's the man who hid it, Forrest Fenn. | 0:29:34 | 0:29:37 | |
I was nine-years-old when I found this with my father in Texas, | 0:29:38 | 0:29:42 | |
started me on a long adventure of discovery - my very first arrowhead. | 0:29:42 | 0:29:47 | |
It had been laying on the ground there for 600 years, | 0:29:47 | 0:29:50 | |
waiting for me to come along and pick it up. | 0:29:50 | 0:29:52 | |
The thrill of seeing it, wondering about its history, | 0:29:52 | 0:29:56 | |
it's the thrill of the chase. | 0:29:56 | 0:29:57 | |
As Forrest's obsession with treasure grew, he became a collector. | 0:30:04 | 0:30:09 | |
In 2010, having been told he had cancer, | 0:30:10 | 0:30:13 | |
he decided to hide a treasure chest. | 0:30:13 | 0:30:16 | |
Well, you're looking for a beautiful little cast-bronze box, | 0:30:16 | 0:30:20 | |
ten inches by ten inches and five inches deep, | 0:30:20 | 0:30:23 | |
that weights 42 lbs... | 0:30:23 | 0:30:25 | |
..and is full of 265 big gold coins, | 0:30:26 | 0:30:30 | |
hundreds and hundreds of gold nuggets, | 0:30:30 | 0:30:33 | |
and emeralds, and diamonds, and rubies, and sapphires. | 0:30:33 | 0:30:37 | |
When you open that chest and look at it, | 0:30:37 | 0:30:39 | |
your heart's going to stop, it's going to be so beautiful. | 0:30:39 | 0:30:42 | |
Four years on, and there are now thousands of people hunting for it. | 0:30:44 | 0:30:48 | |
So far, no-one's been able to solve the clues | 0:30:48 | 0:30:51 | |
and find the chest, but I'm hoping today Dal can help me do it. | 0:30:51 | 0:30:56 | |
-We're looking for the blaze right now. -For the blaze. "If you've been wise and found the blaze". | 0:30:56 | 0:31:00 | |
So, what does he mean by "blaze"? Blaze, blazing a trail? | 0:31:00 | 0:31:03 | |
-Blazing a trail. -We're on a trail. This is a trail. | 0:31:03 | 0:31:05 | |
Conjures up images of fire, of something burnt perhaps. | 0:31:05 | 0:31:08 | |
Horses that have white spots on their forehead, | 0:31:08 | 0:31:11 | |
they call them Blaze, they name them Blaze. | 0:31:11 | 0:31:13 | |
So, I think a white spot, a white mark, | 0:31:13 | 0:31:15 | |
like a waterfall, for instance. | 0:31:15 | 0:31:17 | |
Blaze, blaze, blaze, blaze. | 0:31:17 | 0:31:19 | |
DAL LAUGHS | 0:31:19 | 0:31:21 | |
'After wrestling with the clues for several hours, | 0:31:22 | 0:31:25 | |
'it suddenly feels like we're onto something.' | 0:31:25 | 0:31:27 | |
-Could this be a blaze? -I don't see why not. That works for me. | 0:31:27 | 0:31:31 | |
"The end is ever drawing nigh; | 0:31:31 | 0:31:33 | |
"There'll be no paddle up your creek." Here we are. | 0:31:33 | 0:31:35 | |
-Here's a creek. You certainly couldn't paddle up it. -No, I couldn't. | 0:31:35 | 0:31:38 | |
Be careful. | 0:31:38 | 0:31:40 | |
-Hey, Dallas! -Yeah? | 0:31:44 | 0:31:45 | |
Look at this, man. | 0:31:45 | 0:31:47 | |
This is good. | 0:31:47 | 0:31:49 | |
There's caves in here. | 0:31:49 | 0:31:50 | |
I think we need to look in there. | 0:31:50 | 0:31:53 | |
Interesting, there's a whole bunch of stones. | 0:31:53 | 0:31:56 | |
What about in here? Look at how deep this one is. | 0:31:56 | 0:31:59 | |
I can't see it behind the water. | 0:31:59 | 0:32:01 | |
There is a big opening in there. | 0:32:01 | 0:32:03 | |
-If I can get this one out... -There you go, prise it up, that's it. | 0:32:03 | 0:32:06 | |
Hang on, let me pull it out. I've got it. | 0:32:09 | 0:32:12 | |
Can you reach down and see if you can put your hand in there | 0:32:13 | 0:32:15 | |
and see if you can feel anything? | 0:32:15 | 0:32:17 | |
I can feel there's a bag. | 0:32:17 | 0:32:18 | |
Empty. | 0:32:19 | 0:32:21 | |
It's not here. | 0:32:21 | 0:32:22 | |
This is the problem. You're right, it's addictive. | 0:32:24 | 0:32:26 | |
Every time you don't find it, you've got to... | 0:32:26 | 0:32:29 | |
-You've got to keep looking. -You've got to go a little further. | 0:32:29 | 0:32:32 | |
There have been a few people within 500ft, I think. | 0:32:36 | 0:32:39 | |
There have been people within a couple of hundred feet. | 0:32:39 | 0:32:42 | |
They figure the first two clues, but they don't get the third | 0:32:42 | 0:32:45 | |
and the fourth and they go right past the treasure chest. | 0:32:45 | 0:32:48 | |
But you don't know. That's the whole thing. You make the trek, | 0:32:50 | 0:32:53 | |
you get to the spot and you say, | 0:32:53 | 0:32:56 | |
"OK, it's not here. Where else could it be?" | 0:32:56 | 0:32:59 | |
This is my 40th time. I know 40 places where it isn't. | 0:33:00 | 0:33:05 | |
But you don't have to go to remote or hard-to-reach places | 0:33:10 | 0:33:13 | |
to get your hands on treasure. | 0:33:13 | 0:33:15 | |
Some of the greatest finds are much closer to home. | 0:33:15 | 0:33:19 | |
For centuries, a huge hoard lay undisturbed | 0:33:21 | 0:33:24 | |
under one of London's busiest streets. | 0:33:24 | 0:33:26 | |
In 1912, a group of workmen were taking down a building | 0:33:28 | 0:33:31 | |
just below my feet, down there at number 32 Cheapside. | 0:33:31 | 0:33:35 | |
They were using pickaxes to open up the cellar floor, | 0:33:35 | 0:33:39 | |
when suddenly, one of them came across something truly spectacular. | 0:33:39 | 0:33:44 | |
Buried in the cellar floor was a stunning hoard | 0:33:48 | 0:33:50 | |
of all kinds of treasure, | 0:33:50 | 0:33:53 | |
from jewels to uncut stones, | 0:33:53 | 0:33:55 | |
elaborate chains and pendants. | 0:33:55 | 0:33:58 | |
Nearly 500 objects, but nothing to say who owned it all. | 0:33:58 | 0:34:02 | |
I mean, look at this amazing watch embedded inside | 0:34:06 | 0:34:09 | |
an incredible emerald. | 0:34:09 | 0:34:11 | |
And this salamander brooch is made with emeralds | 0:34:11 | 0:34:15 | |
and diamonds, and even the little toes have been cut out. | 0:34:15 | 0:34:18 | |
So, who would have buried it in the ground | 0:34:18 | 0:34:20 | |
and why would they have done it? | 0:34:20 | 0:34:22 | |
It is a genuine mystery, | 0:34:22 | 0:34:24 | |
and to solve it we need to learn more about the treasure itself. | 0:34:24 | 0:34:28 | |
The hoard has jewels from across the globe. | 0:34:31 | 0:34:34 | |
Emeralds from Colombia, | 0:34:34 | 0:34:36 | |
topaz from Brazil, | 0:34:36 | 0:34:38 | |
rubies and diamonds from India, | 0:34:38 | 0:34:40 | |
opals from Europe and even pearls from Scotland. | 0:34:40 | 0:34:44 | |
So they started to think the hoard | 0:34:48 | 0:34:49 | |
belonged to someone who traded in gems. | 0:34:49 | 0:34:52 | |
The next question was - when did they bury it? | 0:34:52 | 0:34:56 | |
Hazel Forsyth has been trying to piece the truth together. | 0:34:58 | 0:35:02 | |
This piece here really helps the dating. What we're looking at, | 0:35:02 | 0:35:06 | |
really, is a very sophisticated watch, a sort of iPad of its day. | 0:35:06 | 0:35:10 | |
From the evidence we have, I think this watch was probably cut | 0:35:10 | 0:35:14 | |
and made in around 1610, 1620. | 0:35:14 | 0:35:19 | |
And is this the newest piece in the hoard, 1610? | 0:35:19 | 0:35:22 | |
The newest piece is really this, | 0:35:22 | 0:35:25 | |
a seal of Lord Stafford, who was created Viscount Stafford in 1640. | 0:35:25 | 0:35:30 | |
1640. So, the hoard will have been buried some time after that, | 0:35:30 | 0:35:35 | |
-if that's the newest piece? -Absolutely. -After 1640. | 0:35:35 | 0:35:38 | |
So the clues point to the owner of the hoard being someone | 0:35:39 | 0:35:42 | |
who traded in gems and buried it after 1640. | 0:35:42 | 0:35:46 | |
But if it was stashed by a jeweller, | 0:35:48 | 0:35:51 | |
why didn't they come back and reclaim it? | 0:35:51 | 0:35:53 | |
Could it be that they died in the Great Fire of London, | 0:35:53 | 0:35:57 | |
or possibly a dose of the plague, or even something more sinister? | 0:35:57 | 0:36:02 | |
When the Museum of London tested the gems, they uncovered a secret. | 0:36:05 | 0:36:10 | |
Some of them, like this gem, weren't quite what they seemed. | 0:36:10 | 0:36:15 | |
Three were fake. | 0:36:16 | 0:36:19 | |
This would have looked just like a ruby, | 0:36:19 | 0:36:21 | |
but unlike the genuine article, the colour has faded. | 0:36:21 | 0:36:25 | |
In the 17th century, how would you go about creating a fake ruby? | 0:36:26 | 0:36:31 | |
I've come to University College London to find out. | 0:36:31 | 0:36:35 | |
Andrea Sella is a professor of chemistry. | 0:36:41 | 0:36:44 | |
Together, we're going to try and make our own fake jewels. | 0:36:44 | 0:36:47 | |
So, Andrea, I've got the goods right here. Quartz crystal. | 0:36:52 | 0:36:56 | |
So these are just pieces of quartz. They're actually very, very nice, | 0:36:56 | 0:36:59 | |
very, very clear. | 0:36:59 | 0:37:01 | |
-So, what we'll do is we'll take this... -Yeah. | 0:37:01 | 0:37:04 | |
..and put it into the flame. | 0:37:04 | 0:37:07 | |
And try and heat it up. | 0:37:07 | 0:37:08 | |
So this is worth 50p, but the equivalent size ruby | 0:37:08 | 0:37:12 | |
-is worth 70,000, so it's a good business model. -Absolutely. | 0:37:12 | 0:37:17 | |
'So, that's why someone would be tempted to fake a ruby, | 0:37:17 | 0:37:21 | |
'but how would they have done it?' | 0:37:21 | 0:37:23 | |
We're getting this nice and hot and what we're going to do now is | 0:37:23 | 0:37:26 | |
we're actually going to drop it very quickly into a beaker | 0:37:26 | 0:37:29 | |
of water and dye. It's going to cool the quartz down | 0:37:29 | 0:37:32 | |
and as it does so, it's going to crack. | 0:37:32 | 0:37:34 | |
-Whoa! -OK. So we've clearly got it very hot this time. | 0:37:36 | 0:37:39 | |
'That's water-soluble fabric dye. There's nothing special about it, | 0:37:40 | 0:37:44 | |
'it's just a bit more concentrated than you'd use to dye your clothes.' | 0:37:44 | 0:37:48 | |
So let's just see if we can fish this guy out. | 0:37:48 | 0:37:51 | |
Wow. That's definitely changed colour. | 0:37:51 | 0:37:53 | |
You can see that there's loads and loads of little cracks in there. | 0:37:53 | 0:37:56 | |
The pink colour is associated with particular cracks. | 0:37:56 | 0:38:00 | |
Ah, yes. Running through them. | 0:38:00 | 0:38:02 | |
We've simply sucked the dye into little imperfections. | 0:38:02 | 0:38:06 | |
We'd need to repeat this process over and over again | 0:38:06 | 0:38:10 | |
for the stone to take on the famous ruby-red hue. | 0:38:10 | 0:38:14 | |
Really, this is a total cheat. | 0:38:14 | 0:38:16 | |
It might have worked in the 17th century, | 0:38:16 | 0:38:19 | |
but in the 20th century, | 0:38:19 | 0:38:20 | |
microscopes will immediately reveal that cracking. | 0:38:20 | 0:38:23 | |
We wouldn't get away with it today, would we? | 0:38:23 | 0:38:25 | |
Voila! One fake ruby and perhaps another reason why our jeweller | 0:38:25 | 0:38:31 | |
didn't return to his hidden hoard. | 0:38:31 | 0:38:34 | |
Could it be that he went after the person who sold him the fakes? | 0:38:34 | 0:38:38 | |
Or maybe he came face to face with a less than satisfied customer. | 0:38:38 | 0:38:43 | |
That might be what happened, | 0:38:48 | 0:38:51 | |
but, thankfully, the rest of the Cheapside hoard is very real. | 0:38:51 | 0:38:55 | |
Of the 480 pieces, only three gems were fakes, | 0:38:55 | 0:38:59 | |
the rest is worth millions. | 0:38:59 | 0:39:02 | |
The Cheapside hoard is my ultimate childhood fantasy treasure trove. | 0:39:02 | 0:39:08 | |
Every single item is slightly different from the last | 0:39:08 | 0:39:11 | |
and every single item sparkles. | 0:39:11 | 0:39:14 | |
Of course, treasure is being created all the time. | 0:39:23 | 0:39:26 | |
And it's not just sparkly stuff like diamonds or gold. | 0:39:28 | 0:39:33 | |
So could a car, for instance, ever qualify as treasure? | 0:39:36 | 0:39:41 | |
Well, there is one piece of automotive history | 0:39:41 | 0:39:44 | |
that is worth a look. | 0:39:44 | 0:39:45 | |
This is a 1936 Bugatti type 57 SC Atlantic, | 0:39:49 | 0:39:54 | |
and this is considered by many people to be the world's | 0:39:54 | 0:39:57 | |
first supercar. There were only three production models built. | 0:39:57 | 0:40:01 | |
One was hit by a train, one is owned by Ralph Lauren, the fashion | 0:40:01 | 0:40:05 | |
designer, and then there's this one, the one I'm sitting in. | 0:40:05 | 0:40:08 | |
Now, I'm not a particular car enthusiast, | 0:40:08 | 0:40:12 | |
but this goes way beyond just being a car. It is absolutely exquisite. | 0:40:12 | 0:40:18 | |
It is beautiful - it really is a work of art. | 0:40:18 | 0:40:20 | |
When it sold in May 2010, it was believed to be the most | 0:40:25 | 0:40:30 | |
expensive car in the world. It was a private sale so we can't know | 0:40:30 | 0:40:34 | |
for sure, but word is she went | 0:40:34 | 0:40:37 | |
for between 30 million and 40 million. | 0:40:37 | 0:40:40 | |
But that is small fry when it comes to the value of our | 0:40:49 | 0:40:53 | |
next treasure. It's an epic achievement of human ingenuity | 0:40:53 | 0:40:56 | |
and, unlike our previous wonders, this one had been totally forgotten. | 0:40:56 | 0:41:03 | |
To uncover this truly unexpected treasure, | 0:41:05 | 0:41:08 | |
I've come halfway across the world. | 0:41:08 | 0:41:10 | |
China, where change is god and the new is almost worshipped. | 0:41:15 | 0:41:19 | |
But it's a land of contradictions, | 0:41:23 | 0:41:25 | |
where ancient traditions are held in equal esteem | 0:41:25 | 0:41:28 | |
and one of our most incredible treasures is one of the oldest. | 0:41:28 | 0:41:32 | |
This is Xian, so Beijing | 0:41:36 | 0:41:39 | |
is about 700 miles that direction, | 0:41:39 | 0:41:42 | |
and prior to 1974, this whole area would | 0:41:42 | 0:41:45 | |
have been completely rural - so that city you can see down there | 0:41:45 | 0:41:48 | |
just wouldn't have existed - and then everything changed when they made | 0:41:48 | 0:41:53 | |
arguably the greatest archaeological discovery of the 20th century. | 0:41:53 | 0:41:57 | |
And it was found entirely by accident. | 0:41:59 | 0:42:02 | |
One day, some local farmers were digging a well looking for water | 0:42:04 | 0:42:08 | |
when they found something completely unexpected | 0:42:08 | 0:42:12 | |
and something which, at the time, terrified them. They actually | 0:42:12 | 0:42:16 | |
unearthed the life-sized heads of ancient terracotta warriors. | 0:42:16 | 0:42:21 | |
These few heads were just the tip of the iceberg. In the 40 years | 0:42:25 | 0:42:30 | |
since they first came to light, the site has grown and grown. | 0:42:30 | 0:42:33 | |
Excavations revealed entire warriors in their tens, | 0:42:50 | 0:42:53 | |
then hundreds, then thousands. | 0:42:53 | 0:42:56 | |
There's nothing comparable in scale anywhere in the world. | 0:42:57 | 0:43:00 | |
Now, what an amazing sight that is, it's extraordinary. | 0:43:02 | 0:43:06 | |
Such a huge, huge space - | 0:43:06 | 0:43:08 | |
the whole place is the size of St Pancras railway station - | 0:43:08 | 0:43:12 | |
and as far as the eye can see, | 0:43:12 | 0:43:13 | |
you have these rows and rows of terracotta soldiers. | 0:43:13 | 0:43:18 | |
Over 1,000 ceramic warriors in battle formation have been | 0:43:19 | 0:43:23 | |
uncovered so far but it's believed there's more than 8,000 of them. | 0:43:23 | 0:43:27 | |
These soldiers all marching towards you, it's quite foreboding, actually. | 0:43:30 | 0:43:35 | |
These warriors of the ancient world are over 2,000 years old | 0:43:37 | 0:43:42 | |
but it's more than their antiquity that makes them a treasure. | 0:43:42 | 0:43:45 | |
Now, this is as close as you're allowed to get | 0:43:48 | 0:43:50 | |
to the terracotta warriors when you're actually here, | 0:43:50 | 0:43:53 | |
so we're very, very lucky today. We've actually got a little bit | 0:43:53 | 0:43:56 | |
of privileged access. | 0:43:56 | 0:43:58 | |
Come with me, because we're going to be allowed to wander amongst | 0:43:58 | 0:44:01 | |
the figurines themselves. | 0:44:01 | 0:44:03 | |
They are amazing, aren't they? | 0:44:25 | 0:44:27 | |
When you're close up like this, | 0:44:27 | 0:44:29 | |
and actually standing in front of them, and actually face to face | 0:44:29 | 0:44:32 | |
with their expressions, it's quite creepy, quite eerie. | 0:44:32 | 0:44:34 | |
Gosh, just these wonderful faces | 0:44:38 | 0:44:42 | |
and they're all completely different - | 0:44:42 | 0:44:44 | |
every face is completely different. | 0:44:44 | 0:44:46 | |
Each one is a handcrafted masterpiece. | 0:44:48 | 0:44:51 | |
The detail is amazing. | 0:44:52 | 0:44:54 | |
In the hair you can see all these tiny little lines where they've put | 0:44:54 | 0:44:57 | |
in the hair detail and round the ear and round the moustache here. God! | 0:44:57 | 0:45:02 | |
You can actually feel their fingerprints at work. | 0:45:02 | 0:45:06 | |
You can feel the worker's hand just looking at it. | 0:45:06 | 0:45:09 | |
The warriors were found close to the tomb of the first | 0:45:14 | 0:45:17 | |
emperor of China, Qin Shi Huang, the man that unified the country | 0:45:17 | 0:45:22 | |
and started the Great Wall. | 0:45:22 | 0:45:25 | |
There's something really intimidating, actually, | 0:45:25 | 0:45:27 | |
about standing face to face with these terracotta soldiers. | 0:45:27 | 0:45:32 | |
Because, of course, they're almost exactly the same height as I am | 0:45:32 | 0:45:35 | |
so the people who built these would have been a little bit shorter. | 0:45:35 | 0:45:38 | |
So if you go down a couple of inches | 0:45:38 | 0:45:39 | |
and suddenly you have this great figure towering above you. | 0:45:39 | 0:45:44 | |
You understand why they were built - they were built to protect | 0:45:44 | 0:45:48 | |
the emperor in the afterlife | 0:45:48 | 0:45:50 | |
and they're doing a pretty good job, I reckon. | 0:45:50 | 0:45:53 | |
The emperor ruled for over 30 years, | 0:45:56 | 0:45:59 | |
but even if his workforce started on day one, | 0:45:59 | 0:46:02 | |
imagine the manpower required to build this army in that time. | 0:46:02 | 0:46:07 | |
Lead archaeologist Jianwei Zhong has been trying to uncover | 0:46:10 | 0:46:14 | |
the warriors' secrets. | 0:46:14 | 0:46:15 | |
They're obviously hugely important culturally for China | 0:46:15 | 0:46:19 | |
but do they have any monetary value, I wonder? If I knocked one over | 0:46:19 | 0:46:22 | |
by mistake, would you... how much would the bill be? | 0:46:22 | 0:46:25 | |
TRANSLATION: | 0:46:25 | 0:46:27 | |
So if you were interested, they are not for sale. | 0:46:43 | 0:46:47 | |
But we can learn more about who created them. | 0:46:47 | 0:46:50 | |
It's amazing to think that these are over 2,000 years old. | 0:46:50 | 0:46:53 | |
We can read the names of the people, the people who made them. | 0:46:53 | 0:46:58 | |
Oh, look at that. | 0:47:00 | 0:47:01 | |
They're so clear as well, the marks. | 0:47:03 | 0:47:05 | |
The archaeologists have identified 87 different managers' signatures | 0:47:16 | 0:47:20 | |
so far, and each one could be the top man in the team of up to ten people. | 0:47:20 | 0:47:26 | |
So to make the 8,000 warriors would have taken an enormous workforce. | 0:47:26 | 0:47:31 | |
But impressive as it is, the terracotta army may not be | 0:47:32 | 0:47:36 | |
the greatest treasure of Emperor Huang. | 0:47:36 | 0:47:38 | |
For me, the most exciting part of his burial site is the one place | 0:47:43 | 0:47:47 | |
that's never been excavated. | 0:47:47 | 0:47:49 | |
This giant soil pyramid is covering the tomb | 0:47:53 | 0:47:56 | |
of the first emperor himself. | 0:47:56 | 0:47:58 | |
Scientists have been using technology | 0:47:58 | 0:48:00 | |
like ground-penetrating radar to have a closer look. | 0:48:00 | 0:48:05 | |
I've got some artist's impressions here and you can see some of | 0:48:05 | 0:48:09 | |
the structure almost resembles that of the Egyptian pyramids. You can | 0:48:09 | 0:48:14 | |
see the actual tomb at the bottom and the structure towering above. | 0:48:14 | 0:48:17 | |
Chinese history books speak of rooms full of rarities | 0:48:20 | 0:48:25 | |
and precious stones. | 0:48:25 | 0:48:26 | |
It's believed this could be a giant treasure chest | 0:48:26 | 0:48:29 | |
just waiting to be opened. | 0:48:29 | 0:48:32 | |
The Terracotta Army was forgotten about for centuries | 0:48:32 | 0:48:36 | |
and there are still thousands of priceless figures here | 0:48:36 | 0:48:39 | |
waiting to be uncovered. But what I can't help thinking is that | 0:48:39 | 0:48:43 | |
that army was designed to protect the emperor and his wealth | 0:48:43 | 0:48:47 | |
in the afterlife, that are currently residing in that hill behind me. | 0:48:47 | 0:48:51 | |
For the moment, there are no plans to enter the final resting place | 0:48:53 | 0:48:56 | |
of the first emperor. | 0:48:56 | 0:48:58 | |
But I can't wait for the day we discover the secrets within. | 0:48:58 | 0:49:02 | |
We've seen some amazing creations. | 0:49:08 | 0:49:11 | |
From shipwrecked treasure... | 0:49:13 | 0:49:14 | |
When we find the gold it comes up just as shiny as the day it sank. | 0:49:14 | 0:49:19 | |
..to riches stolen by the Nazis. | 0:49:19 | 0:49:22 | |
Wow! | 0:49:22 | 0:49:24 | |
Even jewels buried under a busy London street. | 0:49:24 | 0:49:28 | |
But to reveal perhaps the most famous treasure on earth | 0:49:30 | 0:49:34 | |
I've come to North Africa. | 0:49:34 | 0:49:35 | |
I'm here in Egypt to witness the power of treasure | 0:49:40 | 0:49:43 | |
to transform a person into a legend. | 0:49:43 | 0:49:45 | |
This is the Valley of the Kings. | 0:49:55 | 0:49:58 | |
For 500 years from the 16th century BC, | 0:49:58 | 0:50:01 | |
tombs were built here for the pharaohs | 0:50:01 | 0:50:03 | |
and powerful nobles of ancient Egypt. | 0:50:03 | 0:50:06 | |
Just to the south is El-Asasif, | 0:50:10 | 0:50:12 | |
where tombs are still being excavated. | 0:50:12 | 0:50:14 | |
Hundreds of tombs have been excavated already | 0:50:19 | 0:50:23 | |
in this whole area and they're searching for new ones all the time. | 0:50:23 | 0:50:28 | |
This is an active dig, the tomb of a pharaoh's right-hand man. | 0:50:28 | 0:50:33 | |
Dr Martin Valentin | 0:50:39 | 0:50:40 | |
and his team have been working on this site since 2008. | 0:50:40 | 0:50:44 | |
What a fabulous place. | 0:50:52 | 0:50:53 | |
Wow. So, Dr Martin, what have you found here? | 0:50:54 | 0:50:59 | |
We have parts of coffins, mummies, and pottery, a lot of pottery, | 0:50:59 | 0:51:03 | |
and bundles of linen for the mummies. | 0:51:03 | 0:51:07 | |
And do you think any of the tombs were robbed in the past | 0:51:07 | 0:51:10 | |
or did you find them intact? | 0:51:10 | 0:51:12 | |
Er, the most part of were robbed, were robbed really. | 0:51:12 | 0:51:17 | |
And we have this, this example. | 0:51:17 | 0:51:19 | |
So far, they've found human bones, bandages, religious objects | 0:51:24 | 0:51:29 | |
and a limestone relief that tells us that Amenhotep was here. | 0:51:29 | 0:51:32 | |
But it's likely that it would have originally contained jewellery, | 0:51:32 | 0:51:36 | |
furniture and other valuables. | 0:51:36 | 0:51:39 | |
Everything of value has gone | 0:51:42 | 0:51:44 | |
and that's because this tomb, like almost all of the others | 0:51:44 | 0:51:47 | |
excavated in this area, has already been opened and robbed. | 0:51:47 | 0:51:52 | |
Over the centuries, the lure of treasure | 0:51:53 | 0:51:55 | |
has proven to be too great a temptation. | 0:51:55 | 0:51:58 | |
There is only one tomb that has ever been uncovered intact and it's | 0:52:08 | 0:52:13 | |
revealed the most extraordinary treasure cache ever discovered. | 0:52:13 | 0:52:18 | |
Egyptologist Howard Carter had been looking for the tomb | 0:52:22 | 0:52:25 | |
of a pharaoh for seven years - of a little known boy king. | 0:52:25 | 0:52:30 | |
And he found the entrance under some ancient workers' huts | 0:52:35 | 0:52:38 | |
at the base of the tomb of Ramesses VI. | 0:52:38 | 0:52:41 | |
In November 1922, Carter discovered a step that had been cut | 0:52:45 | 0:52:49 | |
into the rock on the valley floor. | 0:52:49 | 0:52:52 | |
It was the beginning of this stairway right underneath my feet | 0:52:52 | 0:52:55 | |
and it led here, to a blocked-up doorway. | 0:52:55 | 0:53:00 | |
On it were the seals of royalty | 0:53:00 | 0:53:02 | |
and, incredibly, it seemed as though the tomb was intact. | 0:53:02 | 0:53:06 | |
The chamber had lain almost undisturbed for over 3,000 years. | 0:53:13 | 0:53:18 | |
And what lay within astounded the world. | 0:53:18 | 0:53:21 | |
It was the resting place of Tutankhamen. | 0:53:26 | 0:53:29 | |
For the first time ever they'd found a tomb | 0:53:29 | 0:53:32 | |
that was complete with all its contents. | 0:53:32 | 0:53:35 | |
It was a time capsule offering an incredible insight | 0:53:35 | 0:53:38 | |
into the opulence of the pharaohs. | 0:53:38 | 0:53:41 | |
The whole place just seems to glow. | 0:53:51 | 0:53:53 | |
There's gold all the way round the walls | 0:53:53 | 0:53:55 | |
and an extraordinary amount of gold in that coffin. | 0:53:55 | 0:53:59 | |
Tutankhamen inherited the throne when he was just eight or nine | 0:54:04 | 0:54:08 | |
and died in his late teens. | 0:54:08 | 0:54:09 | |
Tutankhamen could have remained a little known king, were it | 0:54:12 | 0:54:16 | |
not for his treasures. The sheer scale of the riches that were | 0:54:16 | 0:54:21 | |
buried with him transformed him into | 0:54:21 | 0:54:23 | |
the most famous pharaoh in history. | 0:54:23 | 0:54:26 | |
Tutankhamen is still resting here, unwrapped from his mummification | 0:54:31 | 0:54:36 | |
bandages and preserved in a temperature-controlled glass box. | 0:54:36 | 0:54:40 | |
It took a decade to excavate his tomb and remove the contents. | 0:54:45 | 0:54:49 | |
To see the boy king's gold I have to travel over 400 miles to Cairo. | 0:54:52 | 0:54:57 | |
The gold of Tutankhamen is now kept here at the Egyptian Museum. | 0:54:58 | 0:55:03 | |
The ancient Egyptians were drawn to gold | 0:55:14 | 0:55:16 | |
because it was the same colour as the sun, | 0:55:16 | 0:55:18 | |
and because it didn't tarnish they thought it to be indestructible. | 0:55:18 | 0:55:23 | |
They even believed that the flesh of the gods themselves would be gold. | 0:55:27 | 0:55:31 | |
When Tutankhamen's body was laid to rest in his tomb, | 0:55:37 | 0:55:40 | |
he was wearing this ornate headdress. | 0:55:40 | 0:55:43 | |
It was placed on top of his head inside his famous death mask. | 0:55:43 | 0:55:48 | |
Tutankhamen was buried in three coffins, | 0:55:56 | 0:55:59 | |
one inside the other like a Russian doll. | 0:55:59 | 0:56:02 | |
But for me, there is only one treasure | 0:56:05 | 0:56:08 | |
that can lay claim to being the most iconic image | 0:56:08 | 0:56:11 | |
on earth and it's this, the death mask of Tutankhamen. | 0:56:11 | 0:56:16 | |
Placed over the head and shoulders of the mummy, | 0:56:28 | 0:56:31 | |
the face is thought to be a likeness of the young king. | 0:56:31 | 0:56:35 | |
The mask is made from pure gold and weighs 11 kilos | 0:56:39 | 0:56:44 | |
and to buy the raw materials today would cost you about £300,000, | 0:56:44 | 0:56:50 | |
but that really misses the point | 0:56:50 | 0:56:51 | |
because you can't simply work out the price of this treasure - | 0:56:51 | 0:56:54 | |
or any treasure - by adding up the sum of its parts. | 0:56:54 | 0:56:59 | |
Its true value is priceless. | 0:56:59 | 0:57:01 | |
At the back of the mask are ten lines of hieroglyphics. | 0:57:11 | 0:57:15 | |
The inscription is a spell from the Book Of The Dead and is | 0:57:15 | 0:57:18 | |
for the protection of the pharaoh on his journey into the afterlife. | 0:57:18 | 0:57:22 | |
To me it is simply the most incredible wonder | 0:57:25 | 0:57:30 | |
we've ever created from the raw materials on our planet. | 0:57:30 | 0:57:33 | |
We have travelled the globe in search of buried treasure | 0:57:44 | 0:57:48 | |
and priceless riches lost and found. | 0:57:48 | 0:57:50 | |
We've journeyed deep beneath the surface to wrestle | 0:57:53 | 0:57:56 | |
gold from the earth... | 0:57:56 | 0:57:58 | |
Wow. | 0:57:58 | 0:58:00 | |
..found ever more ingenuous ways to get hold of diamonds... | 0:58:00 | 0:58:04 | |
Oh, my word. | 0:58:04 | 0:58:05 | |
..and used the power of nature to create pearls. | 0:58:07 | 0:58:11 | |
That is amazing. Oh, look at that. | 0:58:11 | 0:58:13 | |
Oh, my word. | 0:58:13 | 0:58:16 | |
But however much treasure we find, there is something | 0:58:16 | 0:58:19 | |
in our nature that makes us search for more. | 0:58:19 | 0:58:23 | |
They are amazing, aren't they? | 0:58:23 | 0:58:26 | |
We all know that it's out there if we just know where to look. | 0:58:26 | 0:58:30 |