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I'm Richard Parks, former Welsh rugby international | 0:00:03 | 0:00:06 | |
turned professional endurance athlete. | 0:00:06 | 0:00:09 | |
And I push my body to the limit | 0:00:09 | 0:00:11 | |
in some of the world's most extreme and remote environments, | 0:00:11 | 0:00:15 | |
yet one thing I've learnt | 0:00:15 | 0:00:18 | |
is that some of the best adventures can be had right here in Wales, | 0:00:18 | 0:00:21 | |
on my doorstep. | 0:00:21 | 0:00:22 | |
Or should I say... underneath my doorstep. | 0:00:24 | 0:00:26 | |
Welcome to my big Welsh adventure. | 0:00:30 | 0:00:33 | |
2016 is the Welsh Year Of Adventure, and to celebrate it | 0:00:35 | 0:00:39 | |
I've set myself three very different adventure challenges. | 0:00:39 | 0:00:42 | |
Cycling south to north through the glorious Welsh mountains, | 0:00:44 | 0:00:48 | |
creating a new cycle route, the highest in Wales. | 0:00:48 | 0:00:51 | |
I'm following the River Teifi from source to sea, | 0:00:52 | 0:00:55 | |
running and kayaking on one of the longest rivers in the country. | 0:00:55 | 0:00:59 | |
This time I'm going underground, | 0:01:00 | 0:01:02 | |
caving in the Brecon Beacons on a mega mission that will | 0:01:02 | 0:01:05 | |
take me to the deepest point of the deepest cave system in the UK. | 0:01:05 | 0:01:09 | |
BLEEP | 0:01:13 | 0:01:15 | |
What lies underground is of huge significance to Wales | 0:01:25 | 0:01:29 | |
and its people. | 0:01:29 | 0:01:30 | |
This is Cwm Du, an open cast limestone quarry | 0:01:30 | 0:01:33 | |
in the Brecon Beacons National Park. | 0:01:33 | 0:01:36 | |
It was mined for hundreds of years. | 0:01:36 | 0:01:38 | |
At the industry's peak, 14.5 million tonnes of limestone per year | 0:01:38 | 0:01:43 | |
was extracted and exported from quarries like this one. | 0:01:43 | 0:01:47 | |
Vast scars on the landscape tell the story of how | 0:01:48 | 0:01:51 | |
Welsh people once depended on this, their country's mineral wealth. | 0:01:51 | 0:01:55 | |
Today the industry here is a thing of the past, but thanks to | 0:01:56 | 0:02:00 | |
its remarkable geology, these rocks are still very much in use. | 0:02:00 | 0:02:04 | |
Beneath me is an incredible system of limestone caves. | 0:02:04 | 0:02:08 | |
Their creation began 300 million years ago | 0:02:08 | 0:02:11 | |
when all this was a tropical seabed thousands of miles south of here. | 0:02:11 | 0:02:15 | |
As the tectonic plates collided, | 0:02:15 | 0:02:17 | |
these ancient seabeds were shunted north. | 0:02:17 | 0:02:20 | |
Huge pressures buckled the rock, thrusting it to the surface, | 0:02:20 | 0:02:24 | |
creating the Welsh landscape we see today. | 0:02:24 | 0:02:26 | |
All around me are telltale signs of the limestone world | 0:02:27 | 0:02:31 | |
I'm about to enter, home to caves | 0:02:31 | 0:02:33 | |
but also to rare and beautiful alkaline-loving plants | 0:02:33 | 0:02:37 | |
like this, Riddelsdell's hawkweed. | 0:02:37 | 0:02:40 | |
It may look like a common-or-garden dandelion, | 0:02:40 | 0:02:43 | |
but this species is one of the special ones. | 0:02:43 | 0:02:45 | |
According to Natural Resources Wales, who manage this reserve, | 0:02:46 | 0:02:51 | |
there are some species of hawkweed, like that little fella up there, | 0:02:51 | 0:02:54 | |
that are so rare, they are only found here in this quarry. | 0:02:54 | 0:02:58 | |
But the ground beneath this quarry | 0:02:59 | 0:03:02 | |
is where I'm heading for the next two days. | 0:03:02 | 0:03:04 | |
I'm not going to lie, I'm a little nervous about this challenge. | 0:03:04 | 0:03:08 | |
I'd much rather be climbing a mountain | 0:03:08 | 0:03:10 | |
than going deep underground. | 0:03:10 | 0:03:12 | |
There are over 1000 caving sites in Wales | 0:03:15 | 0:03:18 | |
and this is an exceptional example. | 0:03:18 | 0:03:20 | |
The Ogof Ffynnon Ddu cave system, or OFD for short, is the deepest cave, | 0:03:20 | 0:03:25 | |
not only in Wales but in the UK. | 0:03:25 | 0:03:28 | |
It runs through the mountains in the west of the Brecon Beacons. | 0:03:28 | 0:03:31 | |
This is a two-day adventure. | 0:03:31 | 0:03:33 | |
Day one - I'll explore the top section of the cave, | 0:03:33 | 0:03:36 | |
a maze of tunnels and passages with spectacular rock formations. | 0:03:36 | 0:03:40 | |
Day two - I'm on a 15-hour mission starting at the cave's top entrance | 0:03:40 | 0:03:45 | |
and dropping over 900ft to the lowest point in the system. | 0:03:45 | 0:03:49 | |
I'm meeting Gary Evans from the South Wales Caving Club | 0:03:49 | 0:03:52 | |
and Mid Wales Cave Rescue Team, | 0:03:52 | 0:03:54 | |
who's going to be with me as I explore underground. | 0:03:54 | 0:03:57 | |
Richard. Hi, Gary. How are you doing? Good to meet you. | 0:04:00 | 0:04:02 | |
Really good, thanks. How are you? Good, thank you. | 0:04:02 | 0:04:05 | |
Looking forward to this? | 0:04:05 | 0:04:06 | |
HE LAUGHS | 0:04:06 | 0:04:07 | |
I've got mixed feelings about it if I'm being honest! Yeah? | 0:04:07 | 0:04:10 | |
I'm a little apprehensive about it. | 0:04:10 | 0:04:11 | |
I'm not a massive fan of confined spaces. OK. I'd say I'm... | 0:04:11 | 0:04:15 | |
..60% excited, 40% nervous. | 0:04:16 | 0:04:19 | |
Well, I think you'll be pleasantly surprised. It's real big in here. | 0:04:19 | 0:04:22 | |
It's a bit deceiving, isn't it? It is, it looks quite ominous. | 0:04:22 | 0:04:25 | |
Yeah, so it's got a gate on it | 0:04:25 | 0:04:26 | |
and that's really for a couple of reasons. | 0:04:26 | 0:04:28 | |
It conserves the caves and also, from a safety point of view, | 0:04:28 | 0:04:31 | |
it means you haven't got people wandering around in there, getting lost, | 0:04:31 | 0:04:35 | |
so it's a small entrance protecting over 60km of passage. | 0:04:35 | 0:04:37 | |
'Gary's kitting me out with essential safety gear, | 0:04:37 | 0:04:40 | |
'a caving belt used as a harness and a helmet.' | 0:04:40 | 0:04:43 | |
I feel like it accentuates my hips as well! | 0:04:43 | 0:04:46 | |
'As I feared, it's not going to be a walk in the park.' | 0:04:46 | 0:04:50 | |
We've got our baggage as well. Yeah. | 0:04:50 | 0:04:52 | |
So we've got some safety gear and some other bits of equipment. | 0:04:52 | 0:04:55 | |
I guess we could make our way underground when you're ready. | 0:04:55 | 0:04:58 | |
OK, Richard. | 0:05:00 | 0:05:01 | |
'Within just a few seconds we are plunged from bright sunlight | 0:05:03 | 0:05:06 | |
'into total darkness. | 0:05:06 | 0:05:08 | |
'All I can hear is the distant drips through an eerie silence. | 0:05:08 | 0:05:12 | |
'You'd expect it to be cold in here but it's not. | 0:05:14 | 0:05:17 | |
'In fact, this cave has a year-round ambient temperature | 0:05:17 | 0:05:20 | |
'of 12 degrees Celsius.' | 0:05:20 | 0:05:22 | |
We're just going to have a little sit down just here. | 0:05:22 | 0:05:25 | |
Have a seat there. | 0:05:25 | 0:05:27 | |
So we're in the cave, so we're just going to turn our lights off | 0:05:29 | 0:05:32 | |
for a few moments, let our eyes adjust, | 0:05:32 | 0:05:34 | |
and we'll sit here in the dark for a couple of minutes. | 0:05:34 | 0:05:37 | |
Wow. So that's pitch-black. | 0:05:38 | 0:05:40 | |
It's a very primal darkness, isn't it? | 0:05:42 | 0:05:45 | |
Yeah. It's darkness unlike... | 0:05:45 | 0:05:48 | |
you know, you'd experience in the normal world | 0:05:48 | 0:05:51 | |
cos there's always light pollution of some sort. | 0:05:51 | 0:05:53 | |
I'm looking at you but I have no idea if you're looking at me. | 0:05:53 | 0:05:56 | |
Are you looking at me? Are you still there? I am, yeah! | 0:05:56 | 0:05:58 | |
I can hear your voice. I feel I should look that way, | 0:05:58 | 0:06:01 | |
but you're right, it's pitch-black | 0:06:01 | 0:06:02 | |
and because there's no light, our eyes just can't adjust to it, | 0:06:02 | 0:06:05 | |
so what's happening is our pupils are dilating, | 0:06:05 | 0:06:08 | |
trying to find light so by turning our lights off, | 0:06:08 | 0:06:10 | |
it allows our pupils to dilate, | 0:06:10 | 0:06:12 | |
looking for whatever light they can find, | 0:06:12 | 0:06:14 | |
which means we're going to see much better | 0:06:14 | 0:06:16 | |
when we turn our lights on again in a moment. Sure. | 0:06:16 | 0:06:19 | |
So if you're ready... Yeah. | 0:06:19 | 0:06:20 | |
..we can pop our lights on and make some progress. | 0:06:20 | 0:06:24 | |
All set? | 0:06:24 | 0:06:25 | |
You still there? | 0:06:25 | 0:06:26 | |
THEY LAUGH | 0:06:26 | 0:06:27 | |
Come on, then. | 0:06:27 | 0:06:29 | |
'It's incredibly hazardous going, | 0:06:29 | 0:06:31 | |
'which I'm used to as an experienced mountaineer, | 0:06:31 | 0:06:34 | |
'but this is all new for me. I've never been caving before. | 0:06:34 | 0:06:37 | |
'Normally I can see where I'm stepping.' | 0:06:37 | 0:06:39 | |
Just take your time, watch where you're putting your feet. | 0:06:39 | 0:06:42 | |
Gary, I can hear the drips. Yeah. | 0:06:42 | 0:06:44 | |
Is it water that created these caves? Yeah, it was. | 0:06:46 | 0:06:49 | |
It's amazing to think, isn't it, | 0:06:49 | 0:06:51 | |
all these huge passageways formed just by water action? | 0:06:51 | 0:06:54 | |
It rains and that rain falls through the air, picks up carbon dioxide, | 0:06:54 | 0:06:57 | |
picks up more carbon dioxide in the soil, | 0:06:57 | 0:07:00 | |
which forms a weak acid called carbonic acid, | 0:07:00 | 0:07:02 | |
and when that comes into contact with the limestone, it dissolves it | 0:07:02 | 0:07:06 | |
and it's that that starts to form the passageways. | 0:07:06 | 0:07:08 | |
If you look at into the roof, | 0:07:08 | 0:07:10 | |
you can see right up there is where the passages first formed. | 0:07:10 | 0:07:13 | |
What surprises people is that the oldest part is the highest part | 0:07:13 | 0:07:16 | |
and we're in the newest part. That's fascinating, fascinating. | 0:07:16 | 0:07:20 | |
Shall we crack on? Yeah, great. Yeah. | 0:07:20 | 0:07:22 | |
'One of the first rules of caving is never enter a cave alone, | 0:07:24 | 0:07:28 | |
'and I'm just beginning to see why.' | 0:07:28 | 0:07:30 | |
It's like a labyrinth in here. | 0:07:30 | 0:07:32 | |
I can imagine it's pretty easy to get disorientated and even lost | 0:07:32 | 0:07:38 | |
so, just like above ground, I'd use a map to navigate, | 0:07:38 | 0:07:42 | |
I've got a map here, but cavers refer to them as surveys. | 0:07:42 | 0:07:45 | |
Gary wants to see how I'd cope if he were injured | 0:07:47 | 0:07:50 | |
or if I found myself alone. | 0:07:50 | 0:07:52 | |
In an exercise experienced cavers practise, he's asked me to navigate | 0:07:52 | 0:07:56 | |
through a maze of tunnels towards a chamber called Gnome Passage. | 0:07:56 | 0:08:01 | |
So where we're standing, there's seven ways on from here. | 0:08:01 | 0:08:04 | |
There's a couple of ways behind, there's a way up here... Yeah. | 0:08:04 | 0:08:09 | |
There's a way going that way... | 0:08:09 | 0:08:11 | |
Yeah. And then there's three more below us, | 0:08:11 | 0:08:13 | |
so you need to make a choice now and get us on track. | 0:08:13 | 0:08:17 | |
'Even with my survey, | 0:08:17 | 0:08:18 | |
'this is totally different from navigating above ground. | 0:08:18 | 0:08:21 | |
'This is an alien world and I'm not used to reading the rocks, | 0:08:21 | 0:08:25 | |
'so to me every option looks pretty much the same.' | 0:08:25 | 0:08:28 | |
I would say we go ahead and take the left passage over there. | 0:08:28 | 0:08:33 | |
OK. You confident? | 0:08:33 | 0:08:34 | |
Always. Come on, then. Let's have a look. | 0:08:34 | 0:08:36 | |
'As we head off, we find more passages with different route options. | 0:08:41 | 0:08:44 | |
'I soon realise how easily you can become disorientated in here.' | 0:08:45 | 0:08:51 | |
OK. I think... | 0:08:51 | 0:08:53 | |
..that we're there. Which means that... | 0:08:55 | 0:08:57 | |
..it's straight on and to the left. | 0:08:59 | 0:09:01 | |
You must have some stories of people getting lost down here. | 0:09:01 | 0:09:04 | |
A couple of years ago we had a, I think, 12-15-hour search. | 0:09:04 | 0:09:07 | |
We just didn't know where they were in the system, | 0:09:07 | 0:09:09 | |
so we had to put a number of search teams in. | 0:09:09 | 0:09:12 | |
Now's not the time for horror stories, I guess. | 0:09:12 | 0:09:14 | |
Well, you're doing really well so far, so let's just keep that going. | 0:09:14 | 0:09:17 | |
Cheers, mate. All right. | 0:09:17 | 0:09:18 | |
'We're only 200ft horizontally into the cave. | 0:09:20 | 0:09:24 | |
'I'm navigating in this pitch-black labyrinth with only | 0:09:24 | 0:09:27 | |
'our head torches to light the way.' | 0:09:27 | 0:09:29 | |
On the right is a little side passage we didn't take. Don't tell me, don't tell me. | 0:09:30 | 0:09:34 | |
GARY WHISTLES | 0:09:38 | 0:09:39 | |
Have I gone the wrong way? You have. Ah. | 0:09:39 | 0:09:43 | |
Ah, well. That's a really common junction for mistakes there. | 0:09:43 | 0:09:46 | |
People take the wrong turning. | 0:09:46 | 0:09:48 | |
'Gary takes control of the navigation again, but this exercise | 0:09:48 | 0:09:52 | |
'has certainly given me confidence if we were to be separated. | 0:09:52 | 0:09:55 | |
'I'm now able to focus on the raw beauty of the environment around me.' | 0:09:55 | 0:10:00 | |
Tell the story behind some of the colours that we can see. | 0:10:02 | 0:10:05 | |
It's quite interesting. It's complex, really. | 0:10:05 | 0:10:07 | |
We're seeing a lot of different things. | 0:10:07 | 0:10:09 | |
Some of it is the calcite on the walls, | 0:10:09 | 0:10:11 | |
that's that white you're seeing on the wall there, and also all | 0:10:11 | 0:10:14 | |
the mud colour, the sandy colour, that's caused by glaciation, really. | 0:10:14 | 0:10:18 | |
All of the material they dragged across the surface | 0:10:18 | 0:10:20 | |
has come in with the meltwater and flooded into the cave | 0:10:20 | 0:10:23 | |
and that's all the mud on the floor and on the walls that we're seeing. | 0:10:23 | 0:10:26 | |
'This cave was first discovered in 1946 | 0:10:26 | 0:10:28 | |
'and there are still parts of this system | 0:10:28 | 0:10:31 | |
'where fewer people have stood than on the surface of the moon. | 0:10:31 | 0:10:35 | |
'In fact, caves are the only places | 0:10:35 | 0:10:38 | |
'left in the UK where genuine new exploration still occurs. | 0:10:38 | 0:10:42 | |
'The OFD is a Site of Special Scientific Interest and | 0:10:42 | 0:10:45 | |
'its contents are closely guarded. | 0:10:45 | 0:10:47 | |
'I've arranged to meet Alan Bowring, | 0:10:47 | 0:10:49 | |
'a geologist from the Brecon Beacons National Park Authority, | 0:10:49 | 0:10:53 | |
'and Claire Vivian, a cave warden with a special interest in conservation, | 0:10:53 | 0:10:57 | |
'who are going to tell me more about their work.' | 0:10:57 | 0:11:00 | |
I've learned from Gary that there are sections of this cave | 0:11:00 | 0:11:04 | |
that, you know, are like time capsules from millions of years ago. | 0:11:04 | 0:11:07 | |
Yes, definitely. That's very true. | 0:11:07 | 0:11:09 | |
There are a lot of very fragile formations here as well. | 0:11:09 | 0:11:13 | |
You know, one careless boot in the wrong place could | 0:11:13 | 0:11:16 | |
destroy something that has been busy growing for thousands of years. | 0:11:16 | 0:11:20 | |
'They are conserving calcite pools created by puddles of water | 0:11:20 | 0:11:24 | |
'which have filled and drained over hundreds of thousands of years.' | 0:11:24 | 0:11:28 | |
All of this rock is made of calcite | 0:11:28 | 0:11:30 | |
but we're seeing it in a crystalline form here, | 0:11:30 | 0:11:32 | |
all of which are slightly different. | 0:11:32 | 0:11:35 | |
There are some wonderful ones further down Gnome Passage. | 0:11:35 | 0:11:37 | |
'We're actually very close to the entrance of Gnome Passage. | 0:11:37 | 0:11:40 | |
'It's one of the cave's most impressive features | 0:11:40 | 0:11:43 | |
'and Alan tells me | 0:11:43 | 0:11:44 | |
'I need something more powerful than a few head torches to see it.' | 0:11:44 | 0:11:48 | |
Wow. | 0:11:49 | 0:11:51 | |
It's quite something, isn't it? | 0:11:51 | 0:11:53 | |
The famous Gnome Passage. | 0:11:53 | 0:11:56 | |
HE LAUGHS | 0:11:56 | 0:11:57 | |
That's massive! | 0:11:57 | 0:11:58 | |
I wasn't expecting it to be that big. | 0:12:00 | 0:12:02 | |
It's hard to articulate but you could easily fit the body of | 0:12:02 | 0:12:05 | |
a jumbo jet in there. Oh, you could use the whole plane. Yeah. | 0:12:05 | 0:12:10 | |
'This magnificent chamber is at points 30ft wide, | 0:12:10 | 0:12:14 | |
'30ft high and an incredible 260ft long.' | 0:12:14 | 0:12:18 | |
Alan, I can see why it's called Gnome Passage now! | 0:12:19 | 0:12:23 | |
'Before my eyes, hundreds of stalagmites. | 0:12:24 | 0:12:27 | |
'Huddled together, the cave version of lonely garden gnomes.' | 0:12:30 | 0:12:34 | |
That's... | 0:12:36 | 0:12:38 | |
That's an incredible feature. | 0:12:38 | 0:12:40 | |
It looks like wax, doesn't it? | 0:12:40 | 0:12:41 | |
Dripped over the rock. That's exactly what it looks like, yeah. | 0:12:41 | 0:12:45 | |
How does water actually create that? | 0:12:45 | 0:12:47 | |
The water picks up carbon dioxide. | 0:12:47 | 0:12:49 | |
It becomes a very weak acid and what that can do is dissolve limestone, | 0:12:49 | 0:12:54 | |
so it carries the limestone in solution and | 0:12:54 | 0:12:57 | |
when it gets to a place like this, | 0:12:57 | 0:12:58 | |
it releases a little bit of that calcium carbonate as calcite | 0:12:58 | 0:13:02 | |
but if you've got drip after drip after drip over a long, long period, | 0:13:02 | 0:13:07 | |
that's what you end up with. | 0:13:07 | 0:13:08 | |
How many years are we talking here? Like, roughly, I mean... | 0:13:08 | 0:13:12 | |
Well, if you can imagine a millimetre of this material | 0:13:12 | 0:13:15 | |
being added every ten years... OK. | 0:13:15 | 0:13:19 | |
It's a long, long time. Thousands, hundreds of thousands of years. | 0:13:19 | 0:13:23 | |
We could stand here for our whole lifetimes | 0:13:23 | 0:13:25 | |
and we wouldn't see much change. | 0:13:25 | 0:13:27 | |
'There's plenty to see on the floor of the cave, | 0:13:27 | 0:13:30 | |
'but when I look up there are equally stunning stalactites.' | 0:13:30 | 0:13:35 | |
It's so cool to be so close to them | 0:13:35 | 0:13:39 | |
and to be able to see the detail so clearly. | 0:13:39 | 0:13:41 | |
It looks like fabric flowing, doesn't it? Yeah, or streaky bacon. | 0:13:41 | 0:13:45 | |
RICHARD LAUGHS | 0:13:45 | 0:13:47 | |
I like... Can you see that? I can, I can. | 0:13:47 | 0:13:49 | |
And this tiny stalactite there, | 0:13:49 | 0:13:52 | |
it goes from sort of an amber into a dark brown | 0:13:52 | 0:13:55 | |
into a white and the tip is clear. | 0:13:55 | 0:13:59 | |
The clear tip is pretty much pure calcite and the darker colours, | 0:13:59 | 0:14:04 | |
those rich oranges, ambers, you say, or brown, that's iron. | 0:14:04 | 0:14:10 | |
'My eyes have been truly opened to this subterranean world. | 0:14:10 | 0:14:14 | |
'Natural beauty slowly forming here | 0:14:14 | 0:14:17 | |
'in the darkness for hundreds of thousands of years. | 0:14:17 | 0:14:20 | |
'I've been exploring underground for nine hours now. | 0:14:22 | 0:14:25 | |
'This cave is a conservation area, so no camping. | 0:14:25 | 0:14:28 | |
'We have no choice but to retrace our steps back to the entrance. | 0:14:28 | 0:14:32 | |
'It's day two and I'm still caving with Gary and Claire. | 0:14:36 | 0:14:39 | |
'Today I'm dropping over 900ft from the top entrance | 0:14:40 | 0:14:44 | |
'to the deepest point of the cave. | 0:14:44 | 0:14:46 | |
'Once in the system, there's no way to communicate with the surface, | 0:14:46 | 0:14:50 | |
'so we have to put a time limit on the trip. | 0:14:50 | 0:14:53 | |
'Experienced cavers take five hours | 0:14:53 | 0:14:55 | |
'to complete this demanding challenge. | 0:14:55 | 0:14:57 | |
'With a film crew and kit in tow, it will take us considerably longer. | 0:14:57 | 0:15:02 | |
'Within 15 hours we must re-emerge and call in to avoid a rescue. | 0:15:02 | 0:15:06 | |
On my way, I'll have to twist through the Corkscrew, | 0:15:08 | 0:15:11 | |
belay down Maypole Inlet | 0:15:11 | 0:15:14 | |
and travel through the streamways. | 0:15:14 | 0:15:16 | |
I'll have to climb the Diver's Pitch | 0:15:16 | 0:15:18 | |
then crawl through the Letterbox, | 0:15:18 | 0:15:20 | |
finally arriving at the bottom of Gothic Passage, | 0:15:20 | 0:15:23 | |
the end of my journey. | 0:15:23 | 0:15:25 | |
Let's do this. | 0:15:25 | 0:15:27 | |
'This giant hole was formed by an ancient river | 0:15:29 | 0:15:32 | |
'that once filled this chamber. | 0:15:32 | 0:15:35 | |
'As the water cut through the rock, it left this huge crevasse.' | 0:15:35 | 0:15:38 | |
Hi, Claire. Hi, Richard. | 0:15:43 | 0:15:46 | |
'Very quickly, we reach the first of many narrow sections. | 0:15:46 | 0:15:50 | |
'This one is known as the Corkscrew.' | 0:15:50 | 0:15:52 | |
You might be laughing now, being so small... Oh, I know, I know. | 0:15:52 | 0:15:56 | |
But I'm sure my long legs are going to come in handy at some point. | 0:15:56 | 0:15:59 | |
I can see why this is called the Corkscrew now. | 0:16:06 | 0:16:08 | |
There's just not a bottle of wine at the end of it! | 0:16:10 | 0:16:13 | |
'I'm 6'2", so I'm having to twist and contort my body | 0:16:15 | 0:16:18 | |
'in order to push myself through these tiny gaps.' | 0:16:18 | 0:16:21 | |
This seemed like a good idea at the time. | 0:16:23 | 0:16:25 | |
CLAIRE LAUGHS | 0:16:25 | 0:16:26 | |
Famous last words. | 0:16:26 | 0:16:27 | |
'I've literally popped out of The Corkscrew and can stand up again. | 0:16:38 | 0:16:42 | |
'I soon realise that the nature of the cave has changed dramatically. | 0:16:42 | 0:16:46 | |
'We have transitioned from dry to wet caving.' | 0:16:46 | 0:16:49 | |
WATER FLOWS | 0:16:49 | 0:16:51 | |
You know, we've come into a really different part of the cave now, | 0:16:51 | 0:16:55 | |
haven't we? It feels really different. I can hear the water. | 0:16:55 | 0:16:58 | |
We've got something interesting to show you just here on the right. | 0:16:58 | 0:17:02 | |
This is a gastropod. | 0:17:02 | 0:17:04 | |
To think that that would have been | 0:17:04 | 0:17:06 | |
living on the seabed around 330 million years ago is incredible. | 0:17:06 | 0:17:11 | |
'In fact, these limestone caves are almost completely made of | 0:17:13 | 0:17:17 | |
'crushed sea creatures and corals.' | 0:17:17 | 0:17:19 | |
That's really cool. Yeah. | 0:17:21 | 0:17:22 | |
Fossils and all. Loads of fossils. | 0:17:22 | 0:17:26 | |
Is that why you love this place so much, why you love caving so much? | 0:17:26 | 0:17:29 | |
For me, it's a big adventure, but it's also incredibly pretty, | 0:17:29 | 0:17:33 | |
incredibly beautiful, and the sights you see here, few people will see. | 0:17:33 | 0:17:38 | |
It's a bit like, you know, when I'm on an expedition | 0:17:38 | 0:17:41 | |
or when I'm climbing, you forget to take it in | 0:17:41 | 0:17:43 | |
and just, there's so much going on in here, isn't there? | 0:17:43 | 0:17:46 | |
Oh, yes, it's absolutely amazing. | 0:17:46 | 0:17:48 | |
If you just stomp through quickly, you miss a lot of what's going on. | 0:17:48 | 0:17:52 | |
Oh, yeah. So just taking a moment to pause, have a look up, | 0:17:52 | 0:17:55 | |
have a look around you, get the whole experience, is well worth it. | 0:17:55 | 0:17:59 | |
'Wales is equally amazing underground as it is above ground. | 0:18:00 | 0:18:04 | |
'There's a myriad of changing landscapes and each one comes | 0:18:04 | 0:18:08 | |
'with different physical challenges. Caving is a total body workout.' | 0:18:08 | 0:18:12 | |
RICHARD LAUGHS | 0:18:43 | 0:18:45 | |
I'm laughing because... | 0:18:45 | 0:18:48 | |
I guess it's either laugh or, uh... | 0:18:48 | 0:18:50 | |
..or start to freak out because I actually can't turn my head around. | 0:18:51 | 0:18:55 | |
My... Yeah. | 0:18:59 | 0:19:01 | |
'This is Maypole Inlet. | 0:19:03 | 0:19:05 | |
'It's a narrow gully | 0:19:05 | 0:19:07 | |
'that spirals and drops 36ft to a small stream | 0:19:07 | 0:19:10 | |
'that eventually joins the main streamway.' | 0:19:10 | 0:19:13 | |
Now, this is what I imagined caving would be like. | 0:19:13 | 0:19:16 | |
'It's a technical beast and hard to climb down. | 0:19:19 | 0:19:22 | |
'I can't stop thinking that it would be even harder to climb back up. | 0:19:22 | 0:19:26 | |
'I have the feeling that from here there's no turning back.' | 0:19:28 | 0:19:31 | |
'Right now I'm glad that Gary's on the end of my belay.' | 0:19:43 | 0:19:46 | |
Can I get a small slack, please, Gary? | 0:19:48 | 0:19:50 | |
Thank you. | 0:19:55 | 0:19:57 | |
'We've now travelled nearly 300ft on the vertical range | 0:19:57 | 0:20:01 | |
'down from the entrance.' | 0:20:01 | 0:20:03 | |
Well, I've... | 0:20:03 | 0:20:06 | |
I've never been this far underground. | 0:20:06 | 0:20:08 | |
This is a really significant adventure. | 0:20:08 | 0:20:11 | |
I didn't know what to expect. I... | 0:20:11 | 0:20:14 | |
I'm not a massive fan of confined spaces but the challenge is... | 0:20:14 | 0:20:19 | |
..sort of controlling the inner dialogue in your mind. | 0:20:21 | 0:20:24 | |
When you really think that... | 0:20:26 | 0:20:28 | |
..you know, we're deep underground here and we're going deeper, | 0:20:30 | 0:20:36 | |
the boy in me is just thinking, | 0:20:36 | 0:20:39 | |
what monster's going to be round the next corner? | 0:20:39 | 0:20:42 | |
And that monster is called the lower streamway. | 0:20:42 | 0:20:45 | |
This starts with a climb down a waterfall | 0:20:45 | 0:20:48 | |
followed by a long traverse dropping ever deeper, | 0:20:48 | 0:20:51 | |
all along an underground river. | 0:20:51 | 0:20:52 | |
'I'm roped up on this climb. Being so far underground, | 0:20:59 | 0:21:02 | |
'if I was to fall, it would be almost impossible to get me out.' | 0:21:02 | 0:21:06 | |
OK! | 0:21:16 | 0:21:18 | |
'If the water is dangerously high when we get to the river | 0:21:21 | 0:21:24 | |
'at the bottom, we won't be able to pass through it, | 0:21:24 | 0:21:27 | |
'halting our mission to climb down to the deepest part of the cave. | 0:21:27 | 0:21:31 | |
'Gary will make the final decision.' | 0:21:31 | 0:21:33 | |
Feet down and step into here, mate. Yeah. | 0:21:33 | 0:21:35 | |
This is a really key part of our adventure as we've dropped | 0:21:39 | 0:21:43 | |
into the lowest waterway. | 0:21:43 | 0:21:44 | |
And as you can imagine, if water levels were high, | 0:21:44 | 0:21:46 | |
this would be a really dangerous part. | 0:21:46 | 0:21:48 | |
We'd have had to turn around and climb all the way back up that | 0:21:48 | 0:21:51 | |
and out that way, but I'm in good hands, | 0:21:51 | 0:21:53 | |
Gary's happy with the water levels, | 0:21:53 | 0:21:55 | |
we've been blessed with a few good days of weather above ground. | 0:21:55 | 0:21:58 | |
We can keep going anyway, that's the good bit. | 0:21:58 | 0:22:01 | |
'There's a lot of water around me. | 0:22:01 | 0:22:04 | |
'If the level is above your boots, that means that further downstream | 0:22:04 | 0:22:07 | |
'the passage is flooded and too dangerous to navigate. | 0:22:07 | 0:22:11 | |
'This is a bigger and more visceral adventure than I ever imagined. | 0:22:11 | 0:22:15 | |
'The noise is deafening. | 0:22:16 | 0:22:18 | |
'We're all soaking wet and fatigue is taking hold. | 0:22:18 | 0:22:21 | |
'We now really are at the mercy of what's going on above ground. | 0:22:23 | 0:22:27 | |
'Welsh weather can change in an instant.' | 0:22:27 | 0:22:29 | |
That's water from an inlet being fed from the surface and | 0:22:35 | 0:22:39 | |
it's one of the few connections that we have with the world above us, | 0:22:39 | 0:22:43 | |
and the fact that that's flowing so heavily | 0:22:43 | 0:22:46 | |
means that it's almost definitely raining above ground now. | 0:22:46 | 0:22:49 | |
'As we move further into the streamway, | 0:23:02 | 0:23:04 | |
'I'm met by swirling pools of chest-deep, fast-flowing water. | 0:23:04 | 0:23:08 | |
'I have to do some serious clambering over the wet rock. | 0:23:08 | 0:23:12 | |
'But it's the water flowing over this rock that is responsible for | 0:23:12 | 0:23:15 | |
'the fantastic spectacle ahead.' | 0:23:15 | 0:23:17 | |
I feel like we're in another really distinctive part of the cave now. | 0:23:18 | 0:23:23 | |
You're right. This is called Marble Showers, all of this, | 0:23:23 | 0:23:26 | |
and here's the showers. Yeah! | 0:23:26 | 0:23:28 | |
And here's the marble effect. Yeah. | 0:23:28 | 0:23:30 | |
And this, the white striations we're seeing, that's the same calcite | 0:23:30 | 0:23:35 | |
as in the stalagmites and stalactites. | 0:23:35 | 0:23:37 | |
Formed in a slightly different way because all of the calcite | 0:23:37 | 0:23:40 | |
we're seeing is populating what were cracks. OK. | 0:23:40 | 0:23:45 | |
So what you had were cracks that had been formed | 0:23:45 | 0:23:47 | |
by some kind of stress fracture. | 0:23:47 | 0:23:49 | |
The calcite has crystallised into the cracks | 0:23:49 | 0:23:53 | |
and we're seeing the cracks now full of calcite. They're beautiful. | 0:23:53 | 0:23:57 | |
They really are, aren't they? | 0:23:57 | 0:23:59 | |
'I've been wet for the best part of five hours now. | 0:23:59 | 0:24:03 | |
'Luckily, I'm heading towards a drier part of the cave.' | 0:24:03 | 0:24:07 | |
We've just climbed out of the main streamway and now into | 0:24:10 | 0:24:16 | |
the dry section of the caves. | 0:24:16 | 0:24:19 | |
Having been wet for the last few hours, it's... | 0:24:22 | 0:24:25 | |
it's good to get in the dry part, | 0:24:25 | 0:24:27 | |
but the next section is called Diver's Pitch and... | 0:24:27 | 0:24:30 | |
..it's quite an infamous part of this route. | 0:24:33 | 0:24:37 | |
It's going to be a tight squeeze. | 0:24:37 | 0:24:39 | |
'However, the rainfall above means that it doesn't stay dry for long, | 0:24:41 | 0:24:45 | |
'and within minutes once again I'm drenched.' | 0:24:45 | 0:24:49 | |
Climbing! | 0:24:53 | 0:24:54 | |
'This is Diver's Pitch, | 0:24:57 | 0:24:59 | |
'a waterfall that cascades off a 40ft sheer cliff face. | 0:24:59 | 0:25:03 | |
'I'm used to climbing but I'm going to have to concentrate on this one.' | 0:25:03 | 0:25:07 | |
I thought this was supposed to be a dry part of the cave. | 0:25:21 | 0:25:24 | |
HE LAUGHS | 0:25:24 | 0:25:27 | |
'This is full-on. | 0:25:29 | 0:25:30 | |
'After my climb, I go straight into | 0:25:34 | 0:25:37 | |
'what cavers technically call a squeeze - and now I know why.' | 0:25:37 | 0:25:41 | |
Mate, do I get rid of this BLEEP bag? | 0:25:41 | 0:25:43 | |
Let me see if I can put it behind me. | 0:25:44 | 0:25:46 | |
Uh... | 0:25:47 | 0:25:49 | |
Oh, BLEEP! | 0:25:49 | 0:25:51 | |
'And as I've mentioned before, | 0:25:51 | 0:25:53 | |
'I'm not the biggest fan of tight spaces.' | 0:25:53 | 0:25:55 | |
BLEEP | 0:25:56 | 0:25:59 | |
'It's tough going. Really exhausting work.' | 0:26:00 | 0:26:02 | |
BLEEP | 0:26:04 | 0:26:05 | |
'And I'm constantly battling to control my growing anxiety.' | 0:26:05 | 0:26:08 | |
BLEEP I've got to get out of that BLEEP. | 0:26:19 | 0:26:21 | |
'Thankfully, I'm nearly at the end of this crawl. | 0:26:23 | 0:26:26 | |
'One final push and I'm through.' | 0:26:26 | 0:26:27 | |
Oh, my God, I can't believe I came through that. | 0:26:27 | 0:26:30 | |
Put your feet right... Wow. | 0:26:32 | 0:26:35 | |
This is actually pretty cool. Yeah. | 0:26:35 | 0:26:38 | |
You wouldn't want to come out here and have a fall, though, would you? | 0:26:39 | 0:26:42 | |
Oh, no. It's a long way down. It's definitely a tricky one. | 0:26:42 | 0:26:46 | |
OK. Thanks, mate. | 0:26:46 | 0:26:48 | |
Thank you. From the top they can get flaky. | 0:26:49 | 0:26:52 | |
They look a bit dodgy, don't they? Yeah. | 0:26:52 | 0:26:54 | |
'The journey from here continues to get tougher.' | 0:26:58 | 0:27:01 | |
Still ahead are a series of climbs, squeezes, | 0:27:01 | 0:27:04 | |
waterways and passages descending the final 200ft. | 0:27:04 | 0:27:09 | |
We have to push on. | 0:27:09 | 0:27:11 | |
We only have four hours to exit the cave and call in | 0:27:11 | 0:27:14 | |
before the rescue team are dispatched. | 0:27:14 | 0:27:16 | |
Yeah, I'm not giving up. | 0:27:42 | 0:27:43 | |
I'm going to fight it till the end. | 0:27:46 | 0:27:48 | |
Well, this is it, the deepest point in this cave system. | 0:27:52 | 0:27:56 | |
I've never spent this long underground and I never realised | 0:27:56 | 0:28:00 | |
that there's such a magical world down there. | 0:28:00 | 0:28:03 | |
It's been an awesome day and an awesome adventure. | 0:28:03 | 0:28:06 | |
'Nearly 15 hours underground, and a vertical descent of over 900ft... | 0:28:06 | 0:28:11 | |
'..past amazingly beautiful cave formations... | 0:28:13 | 0:28:16 | |
'..evidence of ancient creatures... | 0:28:18 | 0:28:20 | |
'..and through some seriously technical challenges.' | 0:28:22 | 0:28:25 | |
It was a lovely day when we went in there. | 0:28:27 | 0:28:29 | |
Hello, I'm Sima Kotecha with your 90 second update. | 0:29:07 | 0:29:11 | |
A man's been arrested after the bomb attacks in New York. | 0:29:11 | 0:29:15 |