Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
I'm Michael Smiley - | 0:00:06 | 0:00:07 | |
comedian, actor, North Down hallion. | 0:00:07 | 0:00:09 | |
I've done stand-up, I've done drama, I've done film and TV. | 0:00:09 | 0:00:12 | |
I've done all right for myself. But my true love is cycling. | 0:00:12 | 0:00:16 | |
And 30 years after leaving home, | 0:00:16 | 0:00:17 | |
I'm back for a pedal around Northern Ireland. | 0:00:17 | 0:00:19 | |
This could turn out to be the ride of my life. | 0:00:19 | 0:00:22 | |
Look at that. Huh? These are the roads you dream about. | 0:00:34 | 0:00:39 | |
You know, just you on the bike, out on your own. | 0:00:39 | 0:00:41 | |
Just completely empty, feeling you're on top of the world. | 0:00:41 | 0:00:45 | |
I recognise this part. | 0:00:45 | 0:00:47 | |
I cycled over here about... | 0:00:47 | 0:00:51 | |
20 years ago, | 0:00:51 | 0:00:52 | |
when I was just getting into stand-up. | 0:00:52 | 0:00:54 | |
I needed to make a decision in my life, which way I was going to go. | 0:00:54 | 0:00:58 | |
To get my head clear, I decided to come home | 0:00:58 | 0:01:00 | |
because I thought home would give me the answers. | 0:01:00 | 0:01:02 | |
So I cycled from Dublin to Donegal, | 0:01:02 | 0:01:04 | |
and across the border... | 0:01:04 | 0:01:06 | |
I was expecting a proper frontier-type border, you know? | 0:01:06 | 0:01:10 | |
You know, like a gate coming down, | 0:01:11 | 0:01:14 | |
and people standing with submachine guns, | 0:01:14 | 0:01:16 | |
and asking you for identification. | 0:01:16 | 0:01:19 | |
And I go across to the Southern Irish part of the border, | 0:01:19 | 0:01:21 | |
and there's an old beat-up Portakabin | 0:01:21 | 0:01:24 | |
with a guard, with a peaked cap down over his head, | 0:01:24 | 0:01:27 | |
sleeping with his feet up. I cycle past him. | 0:01:27 | 0:01:30 | |
And then beside it, down the road... | 0:01:30 | 0:01:32 | |
was the British border. | 0:01:32 | 0:01:35 | |
It was completely derelict. | 0:01:35 | 0:01:37 | |
I'm laughing my head off, thinking, | 0:01:37 | 0:01:39 | |
everybody's going on about the security situation | 0:01:39 | 0:01:41 | |
in Northern Ireland. I'm laughing so much that when I turn round, | 0:01:41 | 0:01:44 | |
the bushes come out into the middle of the road | 0:01:44 | 0:01:46 | |
and ask me for my identification. It's a whole army foot patrol. | 0:01:46 | 0:01:49 | |
Twigs coming out of their heads, their faces all painted up. | 0:01:49 | 0:01:52 | |
Hello, there, how are you doing? | 0:01:52 | 0:01:55 | |
And I realised, I didn't have a passport on me. | 0:01:55 | 0:01:58 | |
And I'd brought with me the only identification that would be | 0:01:58 | 0:02:01 | |
good enough, because my passport was out of date. | 0:02:01 | 0:02:03 | |
The only identification I had on me... | 0:02:03 | 0:02:06 | |
was my gun licence. | 0:02:06 | 0:02:07 | |
HE CHUCKLES | 0:02:07 | 0:02:09 | |
IN ENGLISH ACCENT: They laughed. I laughed. I'll tell you, | 0:02:09 | 0:02:11 | |
it was a right old laugh, up on that side road! Ha-ha-ha-ha! | 0:02:11 | 0:02:15 | |
Yeah. They didn't laugh much, though. | 0:02:15 | 0:02:18 | |
'Later, I'll be in the Maiden City for a ride around the walls | 0:02:18 | 0:02:21 | |
'with a not-so-fair maiden.' | 0:02:21 | 0:02:22 | |
Last time I was on one of these, my da was holding the back of the seat. | 0:02:22 | 0:02:26 | |
When was that? A couple of weeks ago? | 0:02:26 | 0:02:27 | |
High up in the Sperrin Mountains, I'll get a reality check | 0:02:27 | 0:02:30 | |
with Harps Cycling Club, and Jim Eastwood from The Apprentice. | 0:02:30 | 0:02:34 | |
I'm going to speak too soon, but this is lovely. | 0:02:34 | 0:02:36 | |
It's long. Brutal, isn't it? | 0:02:36 | 0:02:39 | |
'And back in Belfast, I'll try out roller racing - | 0:02:39 | 0:02:41 | |
'cycling for people who don't want to leave the pub. | 0:02:41 | 0:02:45 | |
'Cycling requires a bit of road-safety awareness, | 0:02:45 | 0:02:47 | |
'and it's good to start young. | 0:02:47 | 0:02:50 | |
'I went to Enniskillen Integrated Primary School | 0:02:50 | 0:02:52 | |
'to brush up on my skills, with some pupils. | 0:02:52 | 0:02:54 | |
'This place is well used to film crews, | 0:02:54 | 0:02:56 | |
'having received a visit from Barack Obama and David Cameron.' | 0:02:56 | 0:02:59 | |
He came in with Obama as well, before me. | 0:02:59 | 0:03:01 | |
Turned up before me, tried to turn these people's heads. | 0:03:01 | 0:03:04 | |
I have to say, though, they were better looking than you are. | 0:03:04 | 0:03:09 | |
This can be cut out. SHE LAUGHS | 0:03:09 | 0:03:11 | |
So tell me about your school. It's an integrated school, | 0:03:11 | 0:03:13 | |
is it one of the first in Northern Ireland? | 0:03:13 | 0:03:15 | |
We're not the first, but one of the earliest. | 0:03:15 | 0:03:19 | |
And we arrived from a sad story. The Enniskillen bomb. Right. | 0:03:19 | 0:03:24 | |
Out of it, Enniskillen Together was a group that was formed, | 0:03:24 | 0:03:27 | |
and they decided they wanted to establish an integrated school | 0:03:27 | 0:03:30 | |
from the aftermath of the bomb. | 0:03:30 | 0:03:32 | |
And we opened our doors in 1989, on this site, to 64 pupils. | 0:03:32 | 0:03:37 | |
In second-hand, third-hand mobiles. Lovely. | 0:03:37 | 0:03:41 | |
And here we are, brand-new school building. | 0:03:41 | 0:03:43 | |
And we can't take any more children. | 0:03:43 | 0:03:45 | |
All right, now, on my signal, | 0:03:45 | 0:03:47 | |
you're going to practise your moving off safely... | 0:03:47 | 0:03:49 | |
I remember doing the Cycling Proficiency Test. | 0:03:49 | 0:03:52 | |
Have you got your test? Well... I did pass it. Are you sure? Yeah. | 0:03:52 | 0:03:55 | |
Have you got your certificate? I've got a badge, a Tufty badge as well. | 0:03:55 | 0:03:59 | |
Oh, but it's changed. Has it? Yeah. | 0:03:59 | 0:04:01 | |
It's much more difficult. Obviously, with the increase in traffic | 0:04:01 | 0:04:04 | |
since you would have done it all those years ago... | 0:04:04 | 0:04:07 | |
She gives, she takes away! | 0:04:07 | 0:04:10 | |
The increase in traffic and the changes. | 0:04:10 | 0:04:12 | |
There's a lot more to the Cycling Proficiency | 0:04:12 | 0:04:14 | |
when you and I did it with Tufty. | 0:04:14 | 0:04:19 | |
He did. And he looked like that too. | 0:04:19 | 0:04:21 | |
Tufty doesn't come in any more, which is a shame. | 0:04:21 | 0:04:25 | |
This would be like the introductory that we do to it, | 0:04:25 | 0:04:27 | |
where the teachers get a feel for | 0:04:27 | 0:04:32 | |
It's amazing. Children have different levels. | 0:04:32 | 0:04:34 | |
You think everybody can ride a bike, then you suddenly put them on | 0:04:34 | 0:04:41 | |
OK, away you go. | 0:04:41 | 0:04:44 | |
We set it up with cars parked, | 0:04:44 | 0:04:50 | |
I've noticed a lot more traffic in Northern Ireland. | 0:04:50 | 0:04:52 | |
And towns like Enniskillen... | 0:04:52 | 0:04:54 | |
or Holywood, we were in, | 0:04:54 | 0:04:56 | |
11 o'clock, it's tailgates. It's chock-a. So you're seeing people | 0:04:56 | 0:05:00 | |
really bored, "I want to go here!" They'll pull left without looking. | 0:05:00 | 0:05:06 | |
Good lad. | 0:05:06 | 0:05:07 | |
I notice that children cycling to and from school | 0:05:07 | 0:05:09 | |
is becoming less and less. | 0:05:09 | 0:05:13 | |
Did you have a Penny Farthing, or...? | 0:05:13 | 0:05:17 | |
one of those ones that you did that along the street with. | 0:05:17 | 0:05:20 | |
Hence, the plus-fours. The plus-fours, yeah. | 0:05:20 | 0:05:22 | |
I had sideburns when I was a kid, as well. | 0:05:22 | 0:05:34 | |
Left and right. All clear? All clear. So let's go. | 0:05:34 | 0:05:39 | |
And then, push off. There you go. | 0:05:39 | 0:05:42 | |
Pull out. Do we stop and give way? | 0:05:42 | 0:05:47 | |
And we're going right again. Are we going right again, so we indicate? | 0:05:47 | 0:05:50 | |
You need to signal. Ah-ha. And turn. And turn. | 0:05:50 | 0:05:53 | |
There's no oncoming traffic. | 0:05:53 | 0:05:54 | |
You can lift your hand and wave. | 0:05:54 | 0:05:56 | |
Wave to everyone. Hello, everyone. Hi. | 0:05:56 | 0:05:58 | |
IN POSH ACCENT: We're in the countryside, having a lovely day. | 0:05:58 | 0:06:01 | |
There's no traffic, the sun's shining. | 0:06:01 | 0:06:03 | |
Smile at the sky. It's a beautiful day. | 0:06:03 | 0:06:05 | |
Where are we going to go from here? We're going round. Going round. | 0:06:05 | 0:06:08 | |
And you can lift your hand off and wave again. | 0:06:08 | 0:06:10 | |
Can we wave? Hello, children. Hello, children. | 0:06:10 | 0:06:13 | |
This is your Principal, Mrs Kerr. Isn't she lovely? | 0:06:13 | 0:06:16 | |
Come on, Smiley, speed up! | 0:06:16 | 0:06:17 | |
Now, brake slowly, to stop. And...stop. | 0:06:18 | 0:06:22 | |
CHILDREN CHEER | 0:06:22 | 0:06:24 | |
Isn't she great? You did very well. | 0:06:26 | 0:06:29 | |
Good control. | 0:06:29 | 0:06:30 | |
You've been on a bike before today, I suspect. I have. | 0:06:30 | 0:06:34 | |
Do I get a certificate? | 0:06:34 | 0:06:35 | |
I have one prepared for you here. You've done very well today. | 0:06:35 | 0:06:38 | |
Give him a round of applause, children. Well done. | 0:06:38 | 0:06:42 | |
THEY CHEER AND APPLAUD Thank you so much. | 0:06:42 | 0:06:45 | |
It's great when you go to a school | 0:06:48 | 0:06:49 | |
and you see the connection between the teacher and the pupils | 0:06:49 | 0:06:53 | |
are a lot more than just teacher and pupil. | 0:06:53 | 0:06:56 | |
They really care about each other. | 0:06:56 | 0:06:57 | |
Lovely blurred line in all the right ways. | 0:06:57 | 0:07:00 | |
It wasn't the same when I was a kid. I'm a lot older now, obviously. | 0:07:00 | 0:07:04 | |
When I was a kid, it was very much 'spare the rod, spoil the child'. | 0:07:04 | 0:07:07 | |
You'd get strapped, get beaten with a cane. | 0:07:07 | 0:07:11 | |
I know for a fact if I'd told my ma and da | 0:07:11 | 0:07:13 | |
that I'd got strapped or beat, | 0:07:13 | 0:07:15 | |
they'd want to know why, and what I'd done to deserve it. | 0:07:15 | 0:07:19 | |
We had a Dean Of Discipline. Yeah. | 0:07:19 | 0:07:22 | |
And his job was to deal out discipline. And he was great at it. | 0:07:22 | 0:07:26 | |
He used to just manifest. Just...pooft! He was there. | 0:07:26 | 0:07:30 | |
I don't know how he did it. | 0:07:30 | 0:07:31 | |
Amazing psychology, he could be in the right place at the right time. | 0:07:31 | 0:07:35 | |
Or, for us, the wrong place at the wrong time. | 0:07:35 | 0:07:37 | |
One of the most sinister people I've ever come across in my life. | 0:07:37 | 0:07:40 | |
But with a lot of charm and charisma as well. | 0:07:40 | 0:07:42 | |
You'd stand in front of him like that. | 0:07:42 | 0:07:45 | |
Phwar! Pah, pah, pah. | 0:07:45 | 0:07:48 | |
"Thank you, Father." Walk off. | 0:07:48 | 0:07:50 | |
Yeah, I left school with six O-Levels and a high pain threshold. | 0:07:50 | 0:07:53 | |
What kind of man would I be | 0:07:55 | 0:07:56 | |
if I didn't put that threshold | 0:07:56 | 0:07:58 | |
to the test every now and then? | 0:07:58 | 0:07:59 | |
Up in the stunning Sperrins, | 0:07:59 | 0:08:02 | |
I joined my favourite Northern Irish Apprentice contestant | 0:08:02 | 0:08:05 | |
Jedi Jim Eastwood, for an afternoon of cross-country mountain biking, | 0:08:05 | 0:08:08 | |
with his Harps Cycling Club colleagues. | 0:08:08 | 0:08:10 | |
We're halfway up the green mile, | 0:08:10 | 0:08:11 | |
and we'll maybe take you down | 0:08:11 | 0:08:13 | |
kamikaze at some stage too. | 0:08:13 | 0:08:15 | |
OK. You know, it's that thing when somebody from Belfast | 0:08:15 | 0:08:18 | |
comes down into the countryside. | 0:08:18 | 0:08:20 | |
You just feel, I'm going to be stretched out somewhere | 0:08:20 | 0:08:24 | |
against my will. I can feel it in my water. | 0:08:24 | 0:08:26 | |
HE CHUCKLES | 0:08:26 | 0:08:27 | |
So, Kerry-Ann, how did you get into it, and when did you get into it? | 0:08:27 | 0:08:30 | |
I got into it a few years back. | 0:08:30 | 0:08:32 | |
I've always liked being outdoors. | 0:08:32 | 0:08:34 | |
I enjoy that you get to see so much, | 0:08:34 | 0:08:36 | |
and the sport as well, the camaraderie. | 0:08:36 | 0:08:38 | |
Do you compete? Yes, I do. | 0:08:38 | 0:08:41 | |
Mostly mountain biking, but I prefer the endurance events, | 0:08:41 | 0:08:43 | |
the likes of Da Cooley Thriller. | 0:08:43 | 0:08:45 | |
I'm just back from the Isle Of Man. That's off-road or on-road? | 0:08:45 | 0:08:48 | |
It's off-road, so this is the best training ground for it here. | 0:08:48 | 0:08:51 | |
Jim, people will recognise you from The Apprentice. | 0:08:51 | 0:08:54 | |
How's that changed your life? | 0:08:54 | 0:08:56 | |
Lord Sugar, or Shugs, as I call him... Shugs! | 0:08:56 | 0:08:59 | |
..didn't hire me. That was massively disappointing. | 0:08:59 | 0:09:02 | |
But I suppose I can say this two years down the line, | 0:09:02 | 0:09:05 | |
but it allowed me to fast-track some other things I wanted to do. | 0:09:05 | 0:09:08 | |
Work for a big company, and do a bit of charity work, | 0:09:08 | 0:09:12 | |
and get out on my bike every now and again. | 0:09:12 | 0:09:14 | |
I think I chipped away at him a bit. | 0:09:14 | 0:09:16 | |
I found his weak spot. He's a cyclist, would you believe? | 0:09:16 | 0:09:18 | |
Ah, Sugar's a cyclist. Yeah, we were talking cycling. | 0:09:18 | 0:09:21 | |
You can get him over here. Yeah. In the Sperrins. | 0:09:21 | 0:09:23 | |
I wouldn't dream of telling Lord Sugar to do anything. | 0:09:23 | 0:09:27 | |
What have I got ahead of me today? Lots of climbing. | 0:09:27 | 0:09:30 | |
Thanks! You're welcome. SHE CHUCKLES | 0:09:30 | 0:09:33 | |
Beware for Kerry-Ann and Paul saying to you, | 0:09:40 | 0:09:43 | |
"Oh, it's just up round this corner, we're nearly there." That's a myth. | 0:09:43 | 0:09:47 | |
They're country miles. I don't listen to country miles. | 0:09:47 | 0:09:49 | |
Don't believe in country miles. "Och, it's just round the corner." | 0:09:49 | 0:09:52 | |
It IS round the corner. Yeah, you're talking about Mexico, to be fair! | 0:09:52 | 0:09:56 | |
I'm going to speak too soon, but this is lovely. | 0:09:56 | 0:09:58 | |
You will hate it, but get an incredible sense of achievement | 0:09:58 | 0:10:01 | |
when you get to the top. Are you trying to point out | 0:10:01 | 0:10:03 | |
this is probably the closest I'll come to childbirth? Yeah. | 0:10:03 | 0:10:06 | |
How long has Harps CC been going? | 0:10:06 | 0:10:09 | |
Probably 25, 28 years, I think, now. OK. | 0:10:09 | 0:10:13 | |
How many members do you have? | 0:10:13 | 0:10:15 | |
We've about 70. 70 members? Yeah. That's a big club. | 0:10:15 | 0:10:17 | |
We have a good split between road and off-road. | 0:10:17 | 0:10:19 | |
What about the dangers, how dangerous is it? | 0:10:19 | 0:10:22 | |
On a scale of one to ten? Aye. Four. | 0:10:22 | 0:10:24 | |
Four? But a country four sounds like a city seven. | 0:10:24 | 0:10:28 | |
Seven-and-a-half. A city seven! | 0:10:28 | 0:10:31 | |
THEY LAUGH | 0:10:31 | 0:10:32 | |
It'll be one of those shows at the end where, you know, | 0:10:35 | 0:10:37 | |
like one of the true stories where it says what the person's doing now. | 0:10:37 | 0:10:41 | |
It'll say, Smiley never returned to Northern Ireland after filming. | 0:10:41 | 0:10:45 | |
Actually, we don't know where he went! | 0:10:45 | 0:10:48 | |
You're rocking the socks, anyway. Socking rocking! | 0:10:48 | 0:10:52 | |
It's the last wee bit. Is that it done? | 0:10:53 | 0:10:55 | |
No, you go up to that mast. But as I say, | 0:10:55 | 0:10:58 | |
it's just across here, and then it's road, so it's a lot easier terrain. | 0:10:58 | 0:11:02 | |
HE PANTS That was... | 0:11:09 | 0:11:11 | |
Well done, sir. That was fun(!) | 0:11:11 | 0:11:14 | |
You're not at the top yet. | 0:11:14 | 0:11:16 | |
This is fun(!) This is fun(!) | 0:11:16 | 0:11:19 | |
I'll race you. | 0:11:19 | 0:11:21 | |
THEY LAUGH | 0:11:22 | 0:11:24 | |
You were going to leave me for dead, you know you were! | 0:11:24 | 0:11:26 | |
That was great. Wow. | 0:11:27 | 0:11:30 | |
Not when I was doing it, I didn't think it was great. | 0:11:30 | 0:11:32 | |
But that's the part of cycling I enjoy. | 0:11:32 | 0:11:35 | |
I always seem to enjoy it in retrospect. | 0:11:35 | 0:11:37 | |
A sense of achievement when you've finished it. Yeah. | 0:11:37 | 0:11:40 | |
I felt my kneecaps really hurting going up there. But it was good | 0:11:40 | 0:11:43 | |
because you were amongst everybody. I was taking the cajoling, | 0:11:43 | 0:11:46 | |
and we were getting up. You didn't have time to think about | 0:11:46 | 0:11:49 | |
how much pain you were in, really. It was hard, you done great. | 0:11:49 | 0:11:51 | |
Thank you, Kerry-Ann. You made it to the top. | 0:11:51 | 0:11:53 | |
I thought you'd be my worst critic. I was expecting to get | 0:11:53 | 0:11:55 | |
monstered by you, by the time I came up here. You manned up. | 0:11:55 | 0:11:58 | |
SHE LAUGHS | 0:11:58 | 0:12:00 | |
Don't do that. I bruise like a Savanna peach. | 0:12:00 | 0:12:03 | |
Are we racing to this mast? | 0:12:03 | 0:12:04 | |
Because you guys have suddenly upped the pace. No, no. | 0:12:04 | 0:12:07 | |
It's Kerry-Ann. She's doing that thing that women do. | 0:12:07 | 0:12:10 | |
Raising the bar? No, making us look stupid and ugly. | 0:12:10 | 0:12:14 | |
That last wee bit's a dinger, isn't it? It is. Well done. Aye, lad. | 0:12:14 | 0:12:19 | |
Did you enjoy it? I really did, I really did. | 0:12:19 | 0:12:22 | |
Kerry-Ann, you've been slabbering on about how much you like my socks... | 0:12:22 | 0:12:25 | |
so you can have these and wash them. Oh, thank you! | 0:12:25 | 0:12:28 | |
Take them home with my love. SHE LAUGHS | 0:12:28 | 0:12:30 | |
There you go. I've only had them on for the whole ride. | 0:12:30 | 0:12:33 | |
You can have them. Thank you so much! | 0:12:33 | 0:12:35 | |
I've very cleverly had a brand-new pair for myself. | 0:12:35 | 0:12:38 | |
So you can have my old ones, I can have the box-fresh new ones. | 0:12:38 | 0:12:41 | |
SHE LAUGHS | 0:12:41 | 0:12:44 | |
Oh, they're sweaty! Aren't they? Yeah. Hot and sweaty. | 0:12:44 | 0:12:47 | |
They take their socks off and they have six toes! | 0:12:47 | 0:12:50 | |
Well, the views were worth it, but it really took it out of me. | 0:12:51 | 0:12:54 | |
A few years back, I wouldn't have been able for it, though. | 0:12:54 | 0:12:57 | |
I've always been a cyclist, so it's a level of fitness. | 0:13:00 | 0:13:04 | |
But I stopped drinking. | 0:13:04 | 0:13:07 | |
Coming up to three years, stopped drinking. | 0:13:07 | 0:13:10 | |
And one thing I don't have any more, and I'm grateful for, | 0:13:10 | 0:13:15 | |
is that I can get up in the morning and I don't have the hangover. | 0:13:15 | 0:13:20 | |
God, I do not miss hangovers, oh-ho! No way, no way, boy. | 0:13:20 | 0:13:26 | |
I used to get them bad, that's why I gave it up. It crippled me for days. | 0:13:26 | 0:13:31 | |
I'd be lying on the sofa like Nosferatu. Welded to the sofa. | 0:13:31 | 0:13:37 | |
You had to get me off with a pizza shovel, | 0:13:37 | 0:13:40 | |
and lots of baby lotion. | 0:13:40 | 0:13:42 | |
I've got to be honest with you, I don't miss the drink either. | 0:13:42 | 0:13:46 | |
I tell you why I don't miss it... | 0:13:46 | 0:13:48 | |
A few times, you go into the pub, | 0:13:48 | 0:13:51 | |
and your mates, man! | 0:13:51 | 0:13:54 | |
God, people don't half talk a lot of rubbish | 0:13:54 | 0:13:56 | |
when they've had a drink on them. | 0:13:56 | 0:13:58 | |
And they repeat themselves. | 0:13:58 | 0:14:01 | |
"All right? Did I tell you about that time...?" "Yeah, you did." | 0:14:01 | 0:14:04 | |
"No, no, there was a time when... I'm sure I haven't told you..." | 0:14:04 | 0:14:07 | |
"Yeah, you have told me." "No, I haven't. Why do you keep...?" | 0:14:07 | 0:14:10 | |
"Well, you've only got four subjects, mate! | 0:14:10 | 0:14:12 | |
"And you've told me them over and over again. | 0:14:12 | 0:14:16 | |
"So either pick another subject, or talk to somebody else." | 0:14:16 | 0:14:18 | |
"Tell you what, you've become very intolerant | 0:14:18 | 0:14:21 | |
"since you stopped drinking." "Have I?" | 0:14:21 | 0:14:23 | |
'What's this, Smiley, what's that you're saying? | 0:14:23 | 0:14:26 | |
'After all this giving up drinks spiel, | 0:14:26 | 0:14:27 | |
'and you're stopping at a boozer? | 0:14:27 | 0:14:29 | |
'Out the back is | 0:14:29 | 0:14:30 | |
'The Shepherd's Rest campsite and my digs for the night, | 0:14:30 | 0:14:32 | |
'so less of your slabbering, all right? | 0:14:32 | 0:14:34 | |
'It's an ideal spot for two-wheeled enthusiasts of all stripes.' | 0:14:34 | 0:14:37 | |
All right, there? THE BIKER GREETS HIM | 0:14:37 | 0:14:40 | |
Uh-huh... | 0:14:40 | 0:14:42 | |
For those about to ride, we salute you. | 0:14:42 | 0:14:45 | |
I'm in love. | 0:14:45 | 0:14:46 | |
There's a bottle of Buckfast lashed | 0:14:46 | 0:14:48 | |
to the back of that, so there is. | 0:14:48 | 0:14:50 | |
They're gorgeous. | 0:14:50 | 0:14:52 | |
Scare the life out of me, like, but they're gorgeous. | 0:14:52 | 0:14:55 | |
It's like a golf course, so it is. | 0:14:55 | 0:14:56 | |
Small, levelled areas for tents here. | 0:14:56 | 0:14:59 | |
And cyclists, cyclists use them for jump-offs. | 0:14:59 | 0:15:01 | |
A wee practice before they go to the Davagh mountain bike track. | 0:15:01 | 0:15:04 | |
Oh, do they? So they come down and have a wee run at it. | 0:15:04 | 0:15:06 | |
Kids use these wee heights for run-offs. Run their bikes off. | 0:15:06 | 0:15:10 | |
And how does this wee fella like being on the back of a bike? | 0:15:10 | 0:15:13 | |
He loves it. He usually falls asleep. | 0:15:13 | 0:15:15 | |
We'd two runs... We bought a seat for the back of it, | 0:15:15 | 0:15:19 | |
and the first one we bought was an upright, | 0:15:19 | 0:15:21 | |
and he hated it, because he loves to sleep. | 0:15:21 | 0:15:24 | |
So we bought that one which reclines. BABY CRIES | 0:15:24 | 0:15:26 | |
He sleeps, and he's happy out. Oh, look. | 0:15:26 | 0:15:29 | |
BABY GRIZZLES | 0:15:29 | 0:15:31 | |
Oh, dear, we're talking about you, not to you! | 0:15:31 | 0:15:34 | |
One of the things I love about camping, | 0:15:34 | 0:15:36 | |
and I've always wanted to do, was try it in a camper van. | 0:15:36 | 0:15:39 | |
And that, my loves, is the Bongo. | 0:15:42 | 0:15:45 | |
Let me have a wee look. | 0:15:45 | 0:15:46 | |
Lift up, you've got your cooker and wash hand basin there. | 0:15:46 | 0:15:49 | |
This pops up into a bed. This pulls it into a bed. | 0:15:49 | 0:15:52 | |
Japanese. It's brilliant, isn't it? It's like, inside, a bit of origami. | 0:15:52 | 0:15:56 | |
IN COCKNEY ACCENT: I tell you what we'll do, right? | 0:15:56 | 0:15:58 | |
I'm looking for a monkey for it. If you give me a bull's-eye, | 0:15:58 | 0:16:01 | |
and we'll have the rest on the trip, know what I'm saying, all right? | 0:16:01 | 0:16:04 | |
Be nice, it's a family do. HE SNIGGERS | 0:16:04 | 0:16:07 | |
HE SIGHS | 0:16:13 | 0:16:15 | |
Right, these things are great. | 0:16:20 | 0:16:23 | |
One round the neck. | 0:16:23 | 0:16:24 | |
You can pull it up to here. Keep your face warm. | 0:16:24 | 0:16:26 | |
Australian headband. | 0:16:26 | 0:16:28 | |
Look at me, I'm a pirate. | 0:16:28 | 0:16:30 | |
IN EXAGGERATED IRISH ACCENT: Old Irish lady! | 0:16:30 | 0:16:33 | |
You get off the land or, I swear to God, I'll put the dogs on you! | 0:16:33 | 0:16:37 | |
OLD MAN'S VOICE: I'll beat you with a stick if you come out here again! | 0:16:37 | 0:16:40 | |
I've got to go now. I'm going to make some buttermilk. | 0:16:40 | 0:16:43 | |
HE CHANTS | 0:16:48 | 0:16:50 | |
I'm a Catholic Buddhist. | 0:16:50 | 0:16:52 | |
I've got all the guilt, but I rise above it. | 0:16:52 | 0:16:55 | |
This morning takes me to Stroke City, | 0:16:58 | 0:17:00 | |
where Northern Ireland's newest Maritime Museum | 0:17:00 | 0:17:03 | |
is being developed at Ebrington Barracks. | 0:17:03 | 0:17:05 | |
My late-father was a submariner after World War II. | 0:17:05 | 0:17:07 | |
And as I've recently acted in a movie about U-boats, with Jude Law, | 0:17:07 | 0:17:10 | |
I was eager to chat to Peter Campbell, former Commander of | 0:17:10 | 0:17:13 | |
the NATO Anti-Submarine School, | 0:17:13 | 0:17:15 | |
and Margaret Edwards. | 0:17:15 | 0:17:16 | |
You were famous for... was it anti-submarine training? | 0:17:16 | 0:17:21 | |
After the war, we set up this joint anti-submarine school | 0:17:21 | 0:17:26 | |
here in Londonderry. | 0:17:26 | 0:17:28 | |
And we trained NATO ships | 0:17:28 | 0:17:32 | |
and, sitting outside, the Russians kept a monitoring brief. | 0:17:32 | 0:17:37 | |
So like a forerunner to The Hunt For Red October? | 0:17:37 | 0:17:40 | |
Very similar to that. Indeed. Great stuff. | 0:17:40 | 0:17:43 | |
Towards the end of the Second World War, | 0:17:43 | 0:17:45 | |
almost 60 submarines, German U-boats, were surrendered here | 0:17:45 | 0:17:48 | |
to signify that Germans now were on their last legs. | 0:17:48 | 0:17:53 | |
So the city was very important because | 0:17:53 | 0:17:55 | |
Commander...or Admiral Horton actually came here | 0:17:55 | 0:17:59 | |
to officially receive the surrender of | 0:17:59 | 0:18:01 | |
that number of U-boats. | 0:18:01 | 0:18:02 | |
So it was quite significant. | 0:18:02 | 0:18:03 | |
I've just done a film set on a submarine. | 0:18:03 | 0:18:07 | |
It's called Black Sea. | 0:18:07 | 0:18:09 | |
And it was especially poignant for me | 0:18:09 | 0:18:12 | |
because my father, who's passed on, was a submariner. | 0:18:12 | 0:18:15 | |
It was a period of his life that I have a bit of a blank about | 0:18:15 | 0:18:20 | |
because he went and joined the Navy. | 0:18:20 | 0:18:23 | |
I always assumed that it was his National Service, | 0:18:23 | 0:18:25 | |
but there was no National Service here. So he was a volunteer. | 0:18:25 | 0:18:29 | |
He was in a boat that was called the Totem. | 0:18:29 | 0:18:33 | |
Does that ring any bells with you? Very much. | 0:18:33 | 0:18:35 | |
What was he, a torpedo man, sleeping on the torpedoes? | 0:18:35 | 0:18:40 | |
Yeah. He said he slept by the torpedoes. | 0:18:40 | 0:18:41 | |
So he would have been a torpedo man, then, do you think? | 0:18:41 | 0:18:44 | |
He would have been. They were the guys | 0:18:44 | 0:18:46 | |
who had to prepare and maintain, | 0:18:46 | 0:18:48 | |
and there was an awful lot of maintenance had to go into them. | 0:18:48 | 0:18:51 | |
And then the big moment came when you fired the torpedoes, | 0:18:51 | 0:18:55 | |
and you then had space... Of course, you had all those torpedoes | 0:18:55 | 0:19:00 | |
taking up the room, so when you blasted them off, | 0:19:00 | 0:19:02 | |
you've a bit more space. Yes. Much more room. | 0:19:02 | 0:19:05 | |
And you could tell a submariner ten paces away by the atmosphere | 0:19:05 | 0:19:09 | |
of diesel that he carried around, particularly in his shoes. | 0:19:09 | 0:19:12 | |
The smell of diesel off his shoes? The smell of everything around them. | 0:19:12 | 0:19:17 | |
It took them a long time to get everything cleaned up | 0:19:17 | 0:19:20 | |
and returned to normal again. | 0:19:20 | 0:19:22 | |
So it's not unsurprising that my ma was from the markets area, | 0:19:22 | 0:19:25 | |
so she would have been used to the smell of offal and fish, | 0:19:25 | 0:19:29 | |
rotten vegetables. My da must have been like a breath of fresh air! | 0:19:29 | 0:19:32 | |
Of diesel air! THEY LAUGH | 0:19:32 | 0:19:34 | |
I love Derry. I had some great gigs here in the Delacroix. | 0:19:36 | 0:19:39 | |
I used to come up here on a Wednesday. | 0:19:39 | 0:19:41 | |
Tuesday was The Empire, in Belfast. | 0:19:41 | 0:19:43 | |
The Empire people used to shout at you, and you had to fight them | 0:19:43 | 0:19:46 | |
to get them to shut up so you could do your stuff. | 0:19:46 | 0:19:48 | |
Derry people used to sit in silence with their arms folded, | 0:19:48 | 0:19:51 | |
going, "Entertain me." | 0:19:51 | 0:19:52 | |
When I come to Derry, I come back home again, | 0:19:52 | 0:19:54 | |
I remember how beautiful it was, | 0:19:54 | 0:19:57 | |
and the coincidence that I got into doing stand-up. | 0:19:57 | 0:20:00 | |
I met a man, Stuart. He talked me into being a stand-up. | 0:20:00 | 0:20:03 | |
I knew I was funny, but I never thought I'd make a living out of it. | 0:20:03 | 0:20:07 | |
"You should ring up comedy clubs and get open spots," | 0:20:07 | 0:20:10 | |
which is unpaid two to three minutes. | 0:20:10 | 0:20:12 | |
There was a club called the VD Clinic, | 0:20:12 | 0:20:15 | |
in Belsize Park in London. | 0:20:15 | 0:20:16 | |
It was on a Sunday night. It was especially for newcomers. | 0:20:16 | 0:20:20 | |
And the guy said, "We're fully booked this week, | 0:20:20 | 0:20:23 | |
"but why don't you come down anyway? | 0:20:23 | 0:20:25 | |
"Just get a lie of the land and see what it's like." | 0:20:25 | 0:20:27 | |
So I went down with Stuart. | 0:20:27 | 0:20:29 | |
He came up to me anyway, and he said, | 0:20:29 | 0:20:31 | |
"What did you say your name was again?" I said, "Smiley." | 0:20:31 | 0:20:33 | |
He said, "What did I say to you?" | 0:20:33 | 0:20:35 | |
"You said you were full this week, but come and get a lay of the land, | 0:20:35 | 0:20:38 | |
"maybe we can book you in for future gigs." | 0:20:38 | 0:20:40 | |
And he went, "Give me a second." | 0:20:40 | 0:20:42 | |
He came back and said, | 0:20:42 | 0:20:43 | |
"You're on first after the break, somebody's dropped out." | 0:20:43 | 0:20:46 | |
Oh, my days! A certain part of my anatomy was playing the clarinet. | 0:20:46 | 0:20:52 | |
About four beers and 20 cigarettes later, I'm up on stage. | 0:20:52 | 0:20:56 | |
I'd never been on stage before. | 0:20:56 | 0:20:57 | |
I could see the spotlight in front of me. | 0:20:57 | 0:21:00 | |
So I played it like Roy Walker | 0:21:00 | 0:21:01 | |
and said what I'd seen. I said to the audience, "I'm from Belfast. | 0:21:01 | 0:21:04 | |
"These spotlights are making me feel homesick!" | 0:21:04 | 0:21:06 | |
I got a roar of laughter. | 0:21:06 | 0:21:08 | |
That encouraged me to say some more funny stuff. | 0:21:08 | 0:21:10 | |
I came off stage, couldn't sleep that night. | 0:21:10 | 0:21:12 | |
Just thought, this is the best feeling in the world, | 0:21:12 | 0:21:14 | |
the most frightening, exciting feeling in the world, | 0:21:14 | 0:21:17 | |
I want more of it. So, I kept going. | 0:21:17 | 0:21:19 | |
I realised this is what I wanted to do for the rest of my life. | 0:21:19 | 0:21:22 | |
I started doing open spots all over the place, | 0:21:22 | 0:21:25 | |
getting as many gigs in as I could. | 0:21:25 | 0:21:26 | |
I went to a competition called So You Think You're Funny? | 0:21:26 | 0:21:29 | |
A split decision between me and Dylan Moran. | 0:21:29 | 0:21:32 | |
Dylan won it. | 0:21:32 | 0:21:35 | |
And that was it, I was on my way. | 0:21:35 | 0:21:37 | |
Another comic who's very much on his way is this man, Micky Bartlett, | 0:21:37 | 0:21:41 | |
a brilliant young comedian who knows his way around the comedy clubs | 0:21:41 | 0:21:44 | |
in this city. | 0:21:44 | 0:21:45 | |
Derry, have you got fond memories as a stand-up in Derry? | 0:21:45 | 0:21:50 | |
Yeah, I started here. I was at university in Derry. | 0:21:50 | 0:21:52 | |
That's when I first started my stand-up career. | 0:21:52 | 0:21:55 | |
It is quite an arty city. | 0:21:55 | 0:21:57 | |
Because it's away from everywhere else, it's very self-contained. | 0:21:57 | 0:22:01 | |
So when I started here, I found it easy to start doing stand-up. | 0:22:01 | 0:22:04 | |
You know yourself when you tell someone you want to be a comedian, | 0:22:04 | 0:22:06 | |
like your ma and da hit you, "You'll be a welder like your father." | 0:22:06 | 0:22:15 | |
or are you happy here? I've thought about it, | 0:22:15 | 0:22:21 | |
I've heard that, but I don't know how to work those. | 0:22:21 | 0:22:24 | |
No, I have thought about it, | 0:22:24 | 0:22:25 | |
but I think I am a home bird. I do like it here. Yeah. | 0:22:25 | 0:22:28 | |
People... I don't have to slow down when I'm speaking. Yes. | 0:22:28 | 0:22:32 | |
In your career, you always visit everywhere twice. | 0:22:32 | 0:22:35 | |
Once on the way up, once on the way down. | 0:22:35 | 0:22:37 | |
So it's good to be back. MICKY LAUGHS | 0:22:37 | 0:22:39 | |
What comedian wouldn't want to follow in the footsteps | 0:22:39 | 0:22:41 | |
of Will Ferrell? | 0:22:41 | 0:22:43 | |
Well, today, Micky and I get our chance... Sort of. | 0:22:43 | 0:22:45 | |
Probably the wealthiest of the lot would be Will Ferrell. Anchorman. | 0:22:48 | 0:22:51 | |
He turned up for my tour one day, | 0:22:51 | 0:22:53 | |
he spent quite a long time with me. | 0:22:53 | 0:22:57 | |
and it's about time myself and the Bartlett learned more | 0:22:57 | 0:23:00 | |
about the town we know so well. | 0:23:00 | 0:23:06 | |
I haven't been on one of these since I was a childer... | 0:23:06 | 0:23:10 | |
I do. I'm terrified, to be honest. | 0:23:10 | 0:23:12 | |
But you're excited, at the same time. I am. Exactly. | 0:23:12 | 0:23:15 | |
Last time I was on one of these, my da was holding the back of my seat. | 0:23:15 | 0:23:18 | |
When was that, a couple of weeks ago?! | 0:23:18 | 0:23:20 | |
That's it, boys, it's all ankles. | 0:23:20 | 0:23:22 | |
Spin those ankles, tap it out. | 0:23:22 | 0:23:26 | |
This is where the Londoners built their first Town Hall. | 0:23:26 | 0:23:29 | |
This is the first planned city in Ireland. | 0:23:29 | 0:23:31 | |
They built the first Town Hall exactly where we're standing | 0:23:31 | 0:23:34 | |
because, from here, they could see the four gates into the city. | 0:23:34 | 0:23:37 | |
The gate at the bottom of that street. | 0:23:37 | 0:23:40 | |
The gate at the top of the street. | 0:23:40 | 0:23:42 | |
And the gate at the bottom of the street. | 0:23:42 | 0:23:44 | |
I like the, er, shops. They just call it like it is, as well. | 0:23:46 | 0:23:50 | |
The Sandwich Company. Meat in a bap! | 0:23:50 | 0:23:52 | |
Aye. We sell spiders! MICHAEL LAUGHS | 0:23:52 | 0:23:56 | |
"How do you know?" "There's a few in your window!" | 0:23:56 | 0:23:59 | |
THEY LAUGH | 0:23:59 | 0:24:00 | |
See, we're still within Derry's walls. | 0:24:02 | 0:24:05 | |
Do you know, I've lived here for four years and I've never been up here. | 0:24:05 | 0:24:08 | |
Why not? I was too drunk. HE LAUGHS | 0:24:08 | 0:24:11 | |
This section behind me is where the name "catwalk" originated from. | 0:24:12 | 0:24:16 | |
Oh, right. Catwalk originated from this part of the walls | 0:24:16 | 0:24:18 | |
because all the better-off people of the city | 0:24:18 | 0:24:21 | |
used to parade around here in their finery. | 0:24:21 | 0:24:23 | |
So became the name the Catwalk. | 0:24:23 | 0:24:25 | |
It's a cat going up the steps... Oh, it's a catwalk. It was a cat. | 0:24:25 | 0:24:29 | |
That was a cat, that. | 0:24:29 | 0:24:32 | |
What was interesting, when I started doing these tours 20 years ago, | 0:24:32 | 0:24:35 | |
I used to describe the wall that we're standing on today as a noose. | 0:24:35 | 0:24:38 | |
Today, I call it a necklace. | 0:24:38 | 0:24:40 | |
Because around these walls, the whole way around the walls, | 0:24:40 | 0:24:43 | |
on the top of these walls, there used to be 16 ugly-looking gates. | 0:24:43 | 0:24:47 | |
There's only three sets of them left now. | 0:24:47 | 0:24:49 | |
They used to be always locked, and only open for special occasions, | 0:24:49 | 0:24:52 | |
which was marching. | 0:24:52 | 0:24:53 | |
In my younger years, I called the walls of the city a noose. | 0:24:53 | 0:24:56 | |
But today, I call them a necklace. | 0:24:56 | 0:24:57 | |
'Spending time with Martin, | 0:24:57 | 0:24:59 | |
'I discovered we had something in common. | 0:24:59 | 0:25:01 | |
'We both got married 30 years ago. | 0:25:01 | 0:25:03 | |
'Not only that, but both marriages were mixed. | 0:25:03 | 0:25:06 | |
'I left the country, and Martin stayed.' | 0:25:06 | 0:25:09 | |
I wouldn't say I chose to stay. I couldn't afford to go. Right. | 0:25:09 | 0:25:12 | |
And times were very difficult when we got married. | 0:25:12 | 0:25:14 | |
Did you want to leave? Of course I did. Who wouldn't have | 0:25:14 | 0:25:17 | |
wanted to leave here 30 years ago? | 0:25:17 | 0:25:19 | |
Religion has never been mentioned in our household. | 0:25:19 | 0:25:21 | |
I have to say, I'd be annoyed when people arrive to the city | 0:25:21 | 0:25:24 | |
and they think all the Catholics hated all the Protestants | 0:25:24 | 0:25:26 | |
and all the Protestants hated the Catholics. | 0:25:26 | 0:25:28 | |
As you know, that certainly hasn't been the case. | 0:25:28 | 0:25:30 | |
It's only been a very small minority of people | 0:25:30 | 0:25:32 | |
have been opposed to anything. For me, when I left Northern Ireland, | 0:25:32 | 0:25:36 | |
I left because I didn't want to be part of this narrow-minded, | 0:25:36 | 0:25:39 | |
small-town attitude. | 0:25:39 | 0:25:41 | |
I wanted to go and see the big, bad world. | 0:25:41 | 0:25:43 | |
Anybody who stayed behind, to me, were sad and parochial, | 0:25:43 | 0:25:46 | |
and they could keep it. | 0:25:46 | 0:25:48 | |
I had a very... I looked down upon people who stayed behind. | 0:25:48 | 0:25:52 | |
But actually, to go to a new city | 0:25:52 | 0:25:54 | |
and start a new life, and start off... | 0:25:54 | 0:25:57 | |
I was homeless, with a child, | 0:25:57 | 0:25:58 | |
and we built it up to having the life that I have now, | 0:25:58 | 0:26:00 | |
which is a blessed life. I realise how hard it is to live your life. | 0:26:00 | 0:26:04 | |
So I can go back on those words and take those words back, | 0:26:04 | 0:26:08 | |
and say to the people who stayed... | 0:26:08 | 0:26:10 | |
and led a good life, and led a decent life, | 0:26:10 | 0:26:12 | |
and brought up their children to lead a decent life, | 0:26:12 | 0:26:15 | |
and pushed on through hard times, | 0:26:15 | 0:26:17 | |
to get a good job and keep their houses clean | 0:26:17 | 0:26:20 | |
and go about their lives as normal, human people, normal citizens. | 0:26:20 | 0:26:24 | |
They're the ones, for me, who are the heroes as well. | 0:26:24 | 0:26:27 | |
Right... So that was Derry. | 0:26:34 | 0:26:38 | |
Now the last leg to Belfast. | 0:26:38 | 0:26:40 | |
HE PANTS This is The Glenshane Pass. | 0:26:40 | 0:26:42 | |
If you think I'm cycling it, you've got another think coming. | 0:26:42 | 0:26:46 | |
What we need now... | 0:26:48 | 0:26:49 | |
is a montage. | 0:26:49 | 0:26:51 | |
# And until the leaves of summer turn to shades of brown | 0:26:55 | 0:27:00 | |
# I try and I try | 0:27:01 | 0:27:05 | |
# But, baby, you know that I... # | 0:27:05 | 0:27:08 | |
'I'm back in Belfast, and tired of being buffeted by the elements. | 0:27:10 | 0:27:13 | |
'But I just can't stop pedalling. | 0:27:13 | 0:27:15 | |
'This is White's Tavern, home of Joe Henry's roller-racing nights.' | 0:27:15 | 0:27:18 | |
I like this. I've never tried it before, | 0:27:18 | 0:27:19 | |
so I'm a bit apprehensive about it. | 0:27:19 | 0:27:22 | |
It lends itself to public houses. | 0:27:22 | 0:27:24 | |
The more people get a few liquors into them, | 0:27:24 | 0:27:26 | |
the more they want to try it out. Exactly. | 0:27:26 | 0:27:28 | |
And then there are people sitting at the back, | 0:27:28 | 0:27:31 | |
not wanting to have a go. | 0:27:31 | 0:27:33 | |
Suddenly, they've had five or six pints, | 0:27:33 | 0:27:35 | |
they're up there giving it loads. | 0:27:35 | 0:27:37 | |
It's fairly basic. You get a couple of sets of rollers. | 0:27:37 | 0:27:40 | |
You get some sensors that hook into some software on the laptop... | 0:27:40 | 0:27:44 | |
and project it on the wall, and that's it. | 0:27:44 | 0:27:46 | |
The thing is, you hit 10, 11 seconds at full pelt, | 0:27:46 | 0:27:50 | |
you start to hurt anyway. | 0:27:50 | 0:27:52 | |
So 20 seconds is what you've got to beat, to not be on the bottom. OK. | 0:27:52 | 0:27:55 | |
So, after...three programmes of me cycling all over Northern Ireland, | 0:27:55 | 0:28:00 | |
sleeping in a Bongo, climbing mountains, | 0:28:00 | 0:28:03 | |
cycling around with women's cycling clubs, | 0:28:03 | 0:28:05 | |
I end up, as ever, upstairs in a pub in Belfast, | 0:28:05 | 0:28:09 | |
with a young buck who's going to teach me a lesson. | 0:28:09 | 0:28:12 | |
Three, two, one. | 0:28:12 | 0:28:14 | |
CROWD CHEERS THEM ON | 0:28:14 | 0:28:16 | |
APPLAUSE | 0:28:31 | 0:28:33 | |
'Well, you can't win them all, but I'll get him next time round. | 0:28:34 | 0:28:37 | |
'Sure, life's cyclical.' | 0:28:37 | 0:28:39 |