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This programme contains some strong language | 0:00:02 | 0:00:08 | |
This week, I'm back in America looking at some of the people | 0:00:08 | 0:00:11 | |
and stories that were part of Whicker's World. | 0:00:11 | 0:00:13 | |
I suppose it's a sort of land of make-believe | 0:00:13 | 0:00:15 | |
in which you can be anything you like if you can pay for it. | 0:00:15 | 0:00:18 | |
Americans, articulate, open and generous, make for great television. | 0:00:18 | 0:00:23 | |
I'm told you can get someone killed around here for 500. | 0:00:25 | 0:00:29 | |
Oh, yes. Any number of ways. | 0:00:29 | 0:00:31 | |
And Whicker's World has covered their continent from coast to coast during more than half a century. | 0:00:33 | 0:00:40 | |
Look right at the bottom of the can. | 0:00:40 | 0:00:42 | |
-I did it. I did it. -You were great. | 0:00:42 | 0:00:45 | |
It's a place you can go anywhere and ask anything... as long as you're polite. | 0:00:45 | 0:00:50 | |
That's about a pound on each side, isn't it, you're carrying around? | 0:00:50 | 0:00:54 | |
No, not quite a pound. I don't know for sure what it is. | 0:00:54 | 0:00:57 | |
-Do you know how much you've got there? -No. I couldn't weigh them. | 0:00:57 | 0:01:00 | |
Our first programme on cosmetic surgery in the US went out in '73, | 0:01:24 | 0:01:29 | |
when even here in California it was not something you boasted about. | 0:01:29 | 0:01:34 | |
Then Harley Street, which had seen it as piffling and unserious surgery, began to change its attitude. | 0:01:34 | 0:01:41 | |
In Beverley Hills, the surgeon Kurt Wagner set the tone and we filmed him in action. | 0:01:42 | 0:01:48 | |
Here in Hollywood, one sees a lot of women of a certain age who've | 0:01:50 | 0:01:54 | |
obviously had a face job and one does detect there's a sort of grin where your skin is drawn back. | 0:01:54 | 0:02:01 | |
It's poor workmanship. | 0:02:01 | 0:02:03 | |
And as there is a Michelangelo and a Leonardo da Vinci, | 0:02:03 | 0:02:07 | |
there are different individuals doing plastic surgery | 0:02:07 | 0:02:11 | |
and I like to think that my patients don't have those tell-tell signs of cosmetic surgery. | 0:02:11 | 0:02:17 | |
Don't you sometimes feel a bit like Dr Frankenstein? | 0:02:17 | 0:02:21 | |
I like to think that I feel a little bit more like closer to God than that. | 0:02:21 | 0:02:27 | |
I like that analogy a lot better. | 0:02:27 | 0:02:29 | |
I don't like Dr Frankenstein, at all. | 0:02:30 | 0:02:33 | |
Dr Wagner's most enthusiastic patient was his wife, Kathy. | 0:02:33 | 0:02:38 | |
He decided that he would fix my chin. | 0:02:39 | 0:02:42 | |
He would just add a little tiny silicone insert in there that went in through the mouth, | 0:02:42 | 0:02:46 | |
just a tiny little snip in there and it would go right in. | 0:02:46 | 0:02:49 | |
It would make the chin come out a little, | 0:02:49 | 0:02:51 | |
make the cheek bones look better | 0:02:51 | 0:02:53 | |
and then he'd pin back the ears and for doing that, I was able to have this done... | 0:02:53 | 0:02:57 | |
-The breast. -..which is my favourite. Yes. This is my very favourite. | 0:02:57 | 0:03:01 | |
The sizes are small, petite, medium, large and extra large. | 0:03:01 | 0:03:06 | |
I have the mediums | 0:03:06 | 0:03:07 | |
and I think that they're plenty large enough. | 0:03:07 | 0:03:10 | |
I love them very much. | 0:03:10 | 0:03:11 | |
The point is, you see, when you had the wrong eyes, | 0:03:11 | 0:03:13 | |
the wrong ears, the wrong chin and the wrong breasts, you got your husband. | 0:03:13 | 0:03:18 | |
Well, I was lucky, I guess. | 0:03:18 | 0:03:20 | |
Maybe when he looked at me, he figured that, after he married me, | 0:03:20 | 0:03:23 | |
he could make these slight adjustments and I would look better. | 0:03:23 | 0:03:26 | |
First of all, what he always says is that he'll never have to divorce me because he can change me. | 0:03:26 | 0:03:31 | |
He can change me every year. | 0:03:31 | 0:03:33 | |
Kurt was so pleased with our report | 0:03:34 | 0:03:37 | |
that he offered operations to all my crew, to tidy us up a bit, you understand. | 0:03:37 | 0:03:42 | |
There was plenty to be done. | 0:03:42 | 0:03:44 | |
My researcher's protruding ears, the producer's weird nose and | 0:03:44 | 0:03:49 | |
because they're not making mirrors the way they used to, | 0:03:49 | 0:03:53 | |
I needed so much adjustment that Kurt didn't know where to stop. | 0:03:53 | 0:03:58 | |
In truth, we were all scared of the size of his scalpels and knives, of course. | 0:03:58 | 0:04:03 | |
So, missed the opportunity of becoming unbelievably gorgeous... | 0:04:03 | 0:04:08 | |
for free. | 0:04:08 | 0:04:10 | |
If I have it in my power... | 0:04:10 | 0:04:13 | |
I received an enormous postbag after that 1973 programme. | 0:04:13 | 0:04:17 | |
Most viewers wanting Kurt's address. | 0:04:17 | 0:04:20 | |
Others suggesting that the only operation Kathy really needed was a brain transplant. | 0:04:20 | 0:04:26 | |
Next will be my hips because they're very, very large for my frame. | 0:04:26 | 0:04:30 | |
I've really tried to lose weight. I still have to lose more weight. | 0:04:30 | 0:04:33 | |
For years afterwards, I was receiving letters | 0:04:33 | 0:04:36 | |
from all corners of the globe, from viewers transfixed by the pair. | 0:04:36 | 0:04:40 | |
Seven years later, I was back on the West Coast, where two out of every three marriages ended in divorce. | 0:04:43 | 0:04:49 | |
Any union lasting ten years or more was for the record books. | 0:04:49 | 0:04:53 | |
To my surprise, Kurt and Kathy were still together after 13 years. | 0:04:59 | 0:05:03 | |
And Kathy was a walking, talking advertisement for her husband's scalpel. | 0:05:04 | 0:05:09 | |
So, I thought it might be interesting to take a close-up look | 0:05:09 | 0:05:12 | |
at marriage through the eyes of this unusual couple. | 0:05:12 | 0:05:15 | |
What emerged was honest and revealing | 0:05:15 | 0:05:18 | |
and, to a British audience unused to confessional television, quite startling. | 0:05:18 | 0:05:24 | |
My second film about their thoroughly modern marriage | 0:05:24 | 0:05:27 | |
was watched by a staggering 18 million viewers. | 0:05:27 | 0:05:31 | |
A friend of mine says she finds it impossible to stay happily married in Beverly Hills | 0:05:31 | 0:05:37 | |
because there's so much movement of beautiful and available people. | 0:05:37 | 0:05:42 | |
Women no longer want to be subservient. | 0:05:42 | 0:05:45 | |
They're looking for equality. | 0:05:45 | 0:05:47 | |
They're right up there saying, "I want what's mine," | 0:05:48 | 0:05:53 | |
and of course, in California, it's very well defined. | 0:05:53 | 0:05:56 | |
Half is hers. | 0:05:57 | 0:05:59 | |
If you tell your husband how wonderful he is and how good he looks | 0:05:59 | 0:06:02 | |
and how you're so pleased that he's helping to make your life better | 0:06:02 | 0:06:07 | |
for you and your children and your animals and your homes and things, | 0:06:07 | 0:06:11 | |
and if you keep yourself a nice, pretty cosy kind of person to be around, | 0:06:11 | 0:06:15 | |
I think he can still look at all those other beautiful ladies that are about, | 0:06:15 | 0:06:20 | |
but they don't always have such great things to talk about, either. | 0:06:20 | 0:06:24 | |
30 years on, I wondered what had become of Kurt and Kathy. | 0:06:24 | 0:06:28 | |
I left California to meet them in Florida, | 0:06:29 | 0:06:32 | |
where Kurt, in his 50th year as a surgeon, | 0:06:32 | 0:06:35 | |
is still at the cutting edge of his profession, | 0:06:35 | 0:06:38 | |
still anxious to help me face the nation. | 0:06:38 | 0:06:42 | |
My dear chap... | 0:06:43 | 0:06:46 | |
you haven't changed a bit, except you're a bit younger. | 0:06:46 | 0:06:49 | |
You look well and you're a bit... Well, I'd recognise you. | 0:06:49 | 0:06:52 | |
-Yes, yes, yes. Well... -I've changed a little but not much. | 0:06:52 | 0:06:57 | |
Not much. No. Wow. Wow. | 0:06:57 | 0:06:58 | |
-So, how are you? -I'm fine. All the better for staying here. -Well, that's wonderful. | 0:06:58 | 0:07:03 | |
This is a great establishment. | 0:07:03 | 0:07:05 | |
Well, this is the spa. | 0:07:05 | 0:07:07 | |
-This is the newest part of our establishment. -Yeah. | 0:07:07 | 0:07:12 | |
We haven't seen one another for how many years? 1979? So it's almost 30 years, isn't it? | 0:07:12 | 0:07:19 | |
Time passes even if you're not having fun. | 0:07:19 | 0:07:22 | |
-Right? But it happens and, you know, I'm still alive. -And looking great. | 0:07:22 | 0:07:27 | |
My arms and legs work and I know it's Monday and I can still dance. | 0:07:27 | 0:07:32 | |
My teeth are still my own. | 0:07:32 | 0:07:34 | |
-Excellent. -And some of my hair is my own. | 0:07:34 | 0:07:36 | |
-And what about herself? -You'll see the queen. | 0:07:36 | 0:07:39 | |
The queen looks better than I but she has an advantage. | 0:07:39 | 0:07:42 | |
She has a good plastic surgeon. | 0:07:42 | 0:07:44 | |
He'll never have to divorce me. | 0:07:44 | 0:07:46 | |
He can just change me every year or every few years. | 0:07:46 | 0:07:49 | |
Wait a minute. Come on in. | 0:07:49 | 0:07:51 | |
-Ah-h! -Hello! | 0:07:51 | 0:07:53 | |
-My goodness sake. -Excuse me. -You still look fucking great. | 0:07:53 | 0:07:57 | |
Don't have that B on! | 0:07:57 | 0:07:59 | |
When we first met, you told me, | 0:08:01 | 0:08:03 | |
-"He'll never have to divorce me, he can always change me." -Exactly. | 0:08:03 | 0:08:09 | |
-It still works? -It's still working. | 0:08:09 | 0:08:11 | |
He'd done your eyes, your chin, your face and your breasts. | 0:08:11 | 0:08:15 | |
-And he'd pinned back the ears. -What was there left to do? | 0:08:15 | 0:08:18 | |
I decided that I needed | 0:08:18 | 0:08:20 | |
the entire face, the eyes, the body, the everything done. | 0:08:20 | 0:08:24 | |
When I got down to a size eight, it was the most beautiful I'd ever been in my entire life. | 0:08:24 | 0:08:30 | |
When we came into the parties, I felt like a true princess. | 0:08:30 | 0:08:35 | |
The prettiest girl I had been ever in my whole life. | 0:08:35 | 0:08:38 | |
What would you have done if you hadn't married your own surgeon? | 0:08:38 | 0:08:41 | |
Hmm... | 0:08:41 | 0:08:43 | |
I still would have wanted to have things done. | 0:08:43 | 0:08:46 | |
It just wouldn't have been quite as much. | 0:08:46 | 0:08:48 | |
All right. Here we go. | 0:08:48 | 0:08:51 | |
Some of Kurt's machines reveal more than his unsuspecting patients expect to see. | 0:08:51 | 0:08:56 | |
My wrinkles are better than they should be for my age | 0:08:56 | 0:09:00 | |
but I've also had a facelift and I've had some work, | 0:09:00 | 0:09:03 | |
but you can see that there's some skin changes here | 0:09:03 | 0:09:07 | |
that ultimately will necessitate some kind of aggressive treatment. | 0:09:07 | 0:09:13 | |
What is your definition of middle age now? | 0:09:13 | 0:09:16 | |
Who is middle aged? | 0:09:16 | 0:09:18 | |
-Anybody who's about five years older than me. -OK. | 0:09:18 | 0:09:23 | |
A good answer. A good answer. | 0:09:24 | 0:09:26 | |
By the time I say goodbye and you say goodbye, | 0:09:26 | 0:09:30 | |
a middle-aged person will probably be 80, so there we go. | 0:09:30 | 0:09:35 | |
-He tried to make me have a facelift, I remember, when I was there. -Well, would it be bad? | 0:09:35 | 0:09:39 | |
That was the only promising thing that you said to me and that you'd come and look after me if I had it. | 0:09:39 | 0:09:45 | |
-I nearly did. -OK. | 0:09:45 | 0:09:46 | |
Well, it could still happen. | 0:09:46 | 0:09:48 | |
Any time you want. | 0:09:48 | 0:09:51 | |
-I'm absolutely fascinated by what I could do to you in about three or four hours. -Really? | 0:09:51 | 0:09:57 | |
-Absolutely. -Give me a quick rundown. | 0:09:57 | 0:09:59 | |
A quick rundown. Your eyes. | 0:09:59 | 0:10:01 | |
-Incidentally, you probably would see better if your upper lids were fixed a little bit. -Yes. | 0:10:01 | 0:10:06 | |
And, of course, I don't have as much, but of course I've cheated before. | 0:10:06 | 0:10:10 | |
But you're doing terrifically well. It gives me hope for the future. | 0:10:10 | 0:10:14 | |
What a relief. It gives me hope for the future. Like next week! | 0:10:14 | 0:10:18 | |
Next week? Well, you know something, you know where I am. | 0:10:18 | 0:10:21 | |
You can see I've had two facelifts. | 0:10:21 | 0:10:23 | |
Almost three, I guess, including the laser one in my lifetime now. | 0:10:23 | 0:10:27 | |
I don't have that tight-tight look. | 0:10:27 | 0:10:30 | |
I've a natural look. | 0:10:30 | 0:10:31 | |
That's what you want. I'll keep on having surgery until my 90s. | 0:10:31 | 0:10:37 | |
I think I'll live till way in my 100s. | 0:10:37 | 0:10:40 | |
I've done something with Kathy that I think is truly difficult to do. | 0:10:40 | 0:10:44 | |
And that is I took a woman who was very pretty and I made her beautiful. | 0:10:44 | 0:10:49 | |
Can you be unfaithful to Kathy and would you worry if she was unfaithful to you? | 0:10:49 | 0:10:53 | |
I'm sure I could do practically anything that I wanted to do. | 0:10:53 | 0:10:57 | |
OK. Maybe your husband wants to leave for a while, | 0:10:57 | 0:11:00 | |
or wants to go away, or has to know what other ladies are like, | 0:11:00 | 0:11:04 | |
or has to feel other things, that's all right. | 0:11:04 | 0:11:07 | |
How would you fare without Kathy? | 0:11:07 | 0:11:09 | |
I must tell you that I feel that I'm relatively self-sufficient. | 0:11:11 | 0:11:15 | |
And the trouble with my life, until recently, was I was always | 0:11:15 | 0:11:19 | |
looking for my good friend outside of me, but my good friend is me. | 0:11:19 | 0:11:24 | |
I'm my own best friend. | 0:11:24 | 0:11:26 | |
And you want to know something, that makes my life worthwhile. | 0:11:26 | 0:11:30 | |
-This has got something to do with self-satisfaction. -I would think so. | 0:11:30 | 0:11:34 | |
If I could say what's real, I'd be getting a divorce tomorrow | 0:11:34 | 0:11:37 | |
because I hate this BLEEP man that I'm living with. | 0:11:37 | 0:11:40 | |
Godammit, he's a BLEEP goddamn pain in the ass, who thinks he's Dr God. | 0:11:40 | 0:11:45 | |
On our last interview, when I was getting a little drunk there | 0:11:45 | 0:11:48 | |
as you were helping me... | 0:11:48 | 0:11:49 | |
It was my fault too. I thought I could keep up with you, but... | 0:11:49 | 0:11:53 | |
..I just... It's better now. | 0:11:53 | 0:11:56 | |
I have a new respect, a new love for him since we came here. There's been a magic kind of existence. | 0:11:56 | 0:12:02 | |
How long have you been married now? | 0:12:02 | 0:12:04 | |
-41 years. -Now that must be a record. | 0:12:04 | 0:12:07 | |
It almost is. We have met a few people around | 0:12:07 | 0:12:10 | |
who've had their 50th anniversaries, but not so many back in LA any more because it's a different world. | 0:12:10 | 0:12:16 | |
Last time you left us, we were a lot younger, but we still looked good, | 0:12:16 | 0:12:21 | |
thanks to plastic surgery for both of us | 0:12:21 | 0:12:24 | |
and feeling good about each other and our lives. | 0:12:24 | 0:12:27 | |
Well, I like her. I like her. | 0:12:27 | 0:12:29 | |
She's good. She's a nice person. | 0:12:29 | 0:12:31 | |
-I love you. You're lucky to have me. -Yes. I'm lucky to have you. | 0:12:31 | 0:12:36 | |
-That's for sure. -I tell everybody how lucky I am to have you. | 0:12:36 | 0:12:39 | |
-And I tell them how lucky I am to be with you, too. -So I guess we're both lucky. -Yeah. | 0:12:39 | 0:12:43 | |
-I believe that. -OK. -Love you. -Know that's true. | 0:12:43 | 0:12:48 | |
God, that's quite enough of that. | 0:12:48 | 0:12:49 | |
Oh. Sorry. | 0:12:49 | 0:12:51 | |
LAUGHTER | 0:12:51 | 0:12:52 | |
I just thought that would be... HER VOICE TRAILS OFF | 0:12:52 | 0:12:55 | |
Thank you, both. That was very, very... | 0:12:55 | 0:12:58 | |
-sickening. -Oh. | 0:12:58 | 0:13:00 | |
Any time. | 0:13:00 | 0:13:02 | |
After filming with them during 30 years, Kurt and Kathy are as entertaining and candid as ever. | 0:13:02 | 0:13:08 | |
A true American story. | 0:13:08 | 0:13:10 | |
My first major tour of the United States was in 1961, | 0:13:11 | 0:13:17 | |
with a director, a cameraman, a recordist, with camera gear, | 0:13:17 | 0:13:21 | |
film stock and luggage, we squeezed into one station wagon and | 0:13:21 | 0:13:25 | |
set off from Houston to film our way through Texas, New Mexico, Arizona and into California. | 0:13:25 | 0:13:32 | |
In ten weeks, we drove 7,274 miles... | 0:13:33 | 0:13:38 | |
..and at least earned an approving smile from the car rental office. | 0:13:39 | 0:13:43 | |
Could we have done a tour like this today, in a world where accountants | 0:13:43 | 0:13:47 | |
rule and unavoidable permissions must be sought? | 0:13:47 | 0:13:51 | |
Probably not. | 0:13:51 | 0:13:53 | |
We met the scientist responsible for the first nuclear bomb at Los Alamos | 0:13:53 | 0:13:58 | |
and penetrated a murder trial in Texas. | 0:13:58 | 0:14:02 | |
This is Houston in Texas. | 0:14:02 | 0:14:05 | |
The murder capital of the United States, it's been called, | 0:14:05 | 0:14:08 | |
where, among a population of just over a million, | 0:14:08 | 0:14:11 | |
there are as many murders each year | 0:14:11 | 0:14:13 | |
as there are in the whole of Britain, with a population of 53 million. | 0:14:13 | 0:14:18 | |
Here, the law is regarded with a casual nonchalance and life is cheap. | 0:14:18 | 0:14:24 | |
In a few moments, a man will be sitting there, | 0:14:24 | 0:14:27 | |
waiting to learn whether he shall live or go to the electric chair. | 0:14:27 | 0:14:31 | |
The most sensational Houston police case of the year followed an unusually brutal murder | 0:14:38 | 0:14:42 | |
in the office of an suburban estate agency. | 0:14:42 | 0:14:45 | |
Two young killers shot the middle-aged owner Fred Tones to death, set fire to his body | 0:14:45 | 0:14:50 | |
and left it burning in a roadside ditch as they escaped in his car. | 0:14:50 | 0:14:55 | |
And the first lead for the police came with the discovery of the missing car in New York. | 0:14:55 | 0:15:00 | |
Carolyn, would you describe for us what happened in Tones' office? | 0:15:00 | 0:15:03 | |
-Oh, no. -Was there a fight there? -Yes. | 0:15:03 | 0:15:07 | |
And how many shots were fired, do you know? | 0:15:07 | 0:15:09 | |
Well, the newspaper said six. | 0:15:09 | 0:15:11 | |
Were you firing the shots? | 0:15:11 | 0:15:13 | |
I fired five of them. | 0:15:13 | 0:15:15 | |
-Who fired the first one? -I did it, accidentally. | 0:15:15 | 0:15:18 | |
And then what happened after the shots were fired? | 0:15:18 | 0:15:22 | |
Well, he was dead. | 0:15:22 | 0:15:23 | |
The trial of Carolyn Lima, a teenage prostitute, | 0:15:23 | 0:15:27 | |
and Leslie Douglas Ashley, a female impersonator, was a bizarre drama. | 0:15:27 | 0:15:32 | |
At the outset, the judge set a time limit. | 0:15:34 | 0:15:37 | |
The trial must last no longer than three hours. | 0:15:37 | 0:15:42 | |
The air conditioning whips away the judge's cigar smoke. | 0:15:42 | 0:15:47 | |
The iced water machine gurgles and throbs. | 0:15:47 | 0:15:51 | |
The attorneys posture and persuade and plead before their chosen 12. | 0:15:51 | 0:15:56 | |
Proceedings in the Houston courtroom were as dramatic as any Hollywood film. | 0:15:56 | 0:16:01 | |
This real life-and-death drama was unfolding, not just in front of us, but in front of millions of viewers. | 0:16:01 | 0:16:08 | |
By then, what was Douglas doing? | 0:16:09 | 0:16:12 | |
-After he already fell down? -Yes. | 0:16:12 | 0:16:14 | |
Douglas was in panic and everything else, as I was. | 0:16:14 | 0:16:17 | |
We both got real scared and I went and checked him to see if he was dead. | 0:16:17 | 0:16:21 | |
Right on cue, the jury, all men you'll notice, came back with their verdict. | 0:16:21 | 0:16:27 | |
-Chairman of the jury, have you reached a verdict in this case? -We have. | 0:16:27 | 0:16:31 | |
Stand up, please. | 0:16:31 | 0:16:33 | |
We, the jury, find the defendant Leslie Douglas Ashley guilty of murder with malice aforethought | 0:16:34 | 0:16:39 | |
and set his punishment at death. | 0:16:39 | 0:16:41 | |
Both were sentenced to death. | 0:16:41 | 0:16:44 | |
In a subsequent retrial, Lima entered a plea bargain and received a reduced sentence. | 0:16:45 | 0:16:51 | |
As for Ashley, he was sent to a mental institution, but was later pardoned. | 0:16:51 | 0:16:57 | |
On release, he underwent a full sex change and became a gay rights activist. | 0:16:57 | 0:17:04 | |
..absolutely no demonstration... | 0:17:04 | 0:17:06 | |
Gun culture reigned supreme in Texas and I wanted to find out what ordinary people felt | 0:17:06 | 0:17:13 | |
about this throwback to the wild days of Wyatt Earp. | 0:17:13 | 0:17:17 | |
I took my camera into the Houston streets one morning | 0:17:20 | 0:17:24 | |
and stopped passers-by at random to ask whether they owned a handgun. | 0:17:24 | 0:17:29 | |
Every one of them did, including a newspaper seller who had a dozen, | 0:17:30 | 0:17:35 | |
a priest who wouldn't leave home without his automatic | 0:17:35 | 0:17:39 | |
and a couple of nuns who carried theirs in the glove box of the convent car. | 0:17:39 | 0:17:45 | |
Sadly, this footage has disappeared into a black hole in the BBC archives. | 0:17:46 | 0:17:52 | |
Revisiting Houston in colour in 1974, | 0:17:56 | 0:17:59 | |
it still had the same frontier flavour. | 0:17:59 | 0:18:01 | |
Riding into town at high noon, across a prairie, deep in the heart of Texas. | 0:18:03 | 0:18:09 | |
From here on the range, the Wild West seems tame enough, yet it's earned its frontier reputation. | 0:18:09 | 0:18:15 | |
We're heading for one of the best places in America to get yourself murdered. | 0:18:15 | 0:18:20 | |
Rich and eager and going places, Houston has grabbed all those Texan superlatives. | 0:18:20 | 0:18:26 | |
America's fastest growing city, | 0:18:26 | 0:18:28 | |
the most air-conditioned, richest, the energy capital, the city of tomorrow. | 0:18:28 | 0:18:32 | |
Despite its 21st century air, this is still a "whiskey and trombone town", | 0:18:32 | 0:18:37 | |
cherishing old saddle-sores. | 0:18:37 | 0:18:39 | |
HE PLAYS HOEDOWN TUNE | 0:18:39 | 0:18:41 | |
A chilli cook-off. | 0:18:50 | 0:18:52 | |
Texas, after all, has a common frontier with Mexico. | 0:18:52 | 0:18:56 | |
This traditional dish is served by 76 cowboy cooks | 0:18:56 | 0:18:59 | |
in a variety of Wild West ways, under a variety of titles, | 0:18:59 | 0:19:03 | |
some of them, highly resistible. | 0:19:03 | 0:19:06 | |
GUNSHOT | 0:19:15 | 0:19:16 | |
The fastest guns in the West leap out of Joe Bowman's metal-lined holsters. | 0:19:16 | 0:19:21 | |
He's probably the last American hero to make an honest living out of gunslinging. | 0:19:24 | 0:19:29 | |
Now watch this very carefully because this is gonna happen so fast, you won't even see it, | 0:19:31 | 0:19:36 | |
but it'll be three shots, it'll sound like one. There you go. | 0:19:36 | 0:19:40 | |
Joe, you're fantastic. | 0:19:40 | 0:19:41 | |
The American gun lobby's strongest in Texas where bumper stickers warn, | 0:19:44 | 0:19:49 | |
"If guns are outlawed, only outlaws will have guns." | 0:19:49 | 0:19:53 | |
Many respectable Houstonians would sooner leave home without their trousers than their revolvers. | 0:19:54 | 0:19:59 | |
Stand yourself over. | 0:19:59 | 0:20:01 | |
-Hey, how about that? -I did it! I did it! | 0:20:02 | 0:20:05 | |
You were great. | 0:20:05 | 0:20:06 | |
Having filmed one of the last of the Texan gunslingers, we drove | 0:20:08 | 0:20:11 | |
a couple of miles uptown to discover a disturbing new American phenomena, | 0:20:11 | 0:20:16 | |
the serial killer, | 0:20:16 | 0:20:18 | |
years before that chilling phrase became part of our language. | 0:20:18 | 0:20:22 | |
A youth called Wayne Henley lived in this suburb | 0:20:23 | 0:20:26 | |
and set out upon a most terrible endeavour from this house. | 0:20:26 | 0:20:31 | |
The space-age, city of tomorrow character of Houston can change rapidly. | 0:20:31 | 0:20:36 | |
Here, I'm only two or three miles from the elegant high-rises downtown, | 0:20:36 | 0:20:41 | |
in a small clapboard house area known as Houston Heights. | 0:20:41 | 0:20:46 | |
The Heights, as it's called, boasts the largest gathering of churches in the city, | 0:20:47 | 0:20:54 | |
but today it also holds another record. | 0:20:54 | 0:20:58 | |
Along these streets, | 0:20:58 | 0:21:00 | |
lived the young victims of America's biggest and most lurid mass murder... | 0:21:00 | 0:21:06 | |
..a horror story even more dreadful perhaps than Britain's Moors murders. | 0:21:08 | 0:21:13 | |
Just before dawn, on the scorching morning of August 8th, 1973, | 0:21:14 | 0:21:20 | |
a young ex-pupil of that school, | 0:21:20 | 0:21:23 | |
The Helms Elementary School, between 21st and 22nd Street, | 0:21:23 | 0:21:28 | |
this young 17-year-old drop-out shot and killed Dean Corll. | 0:21:28 | 0:21:34 | |
Corll was 33 and homosexual. | 0:21:35 | 0:21:37 | |
He was also a sadist and a murderer... | 0:21:37 | 0:21:40 | |
..and that killing revealed the deaths of 27 Texas teenagers. | 0:21:41 | 0:21:48 | |
In a confession, afterwards retracted, Henley told a chill tale | 0:21:48 | 0:21:53 | |
of two years of homosexual orgies and torture acts, | 0:21:53 | 0:21:58 | |
of strangulations and shootings, | 0:21:58 | 0:22:01 | |
of burials. | 0:22:01 | 0:22:03 | |
And the boys who were killed, these youngsters, were not | 0:22:03 | 0:22:07 | |
the riff-raff and the runaways, as at first reported. | 0:22:07 | 0:22:11 | |
They were youngsters aged only 13 and 14. | 0:22:11 | 0:22:15 | |
At least 17 of them were Henley's ex-school mates. | 0:22:15 | 0:22:20 | |
They were his neighbours. | 0:22:20 | 0:22:22 | |
They died a horrible death and they were all the boys next door. | 0:22:22 | 0:22:26 | |
The remains of many of them were dug up along this beach. | 0:22:29 | 0:22:33 | |
A few hours after he'd shot Dean Corll, | 0:22:35 | 0:22:37 | |
using a car telephone to tell his mother what he'd done, Wayne Henley confessed to murder. | 0:22:37 | 0:22:43 | |
Is Momma there? | 0:22:43 | 0:22:45 | |
-Who? -Mom. | 0:22:45 | 0:22:47 | |
-Who's this? -This is Wayne. | 0:22:47 | 0:22:49 | |
-Yes, this is Momma. -Mom? -Yes. | 0:22:49 | 0:22:53 | |
-I killed Dean. -Oh, God. | 0:22:53 | 0:22:56 | |
Where are you? | 0:22:56 | 0:22:58 | |
I'm with the police, Momma. | 0:22:58 | 0:23:01 | |
After that confession of murder, Wayne Henley went on trial in San Antonio. | 0:23:01 | 0:23:06 | |
He's just been found guilty of six murders and received a typically Texan sentence... | 0:23:06 | 0:23:12 | |
594 years. | 0:23:12 | 0:23:14 | |
It is no surprise Wayne Henley remains in a Texas jail to this day. | 0:23:16 | 0:23:21 | |
In 1977, we took a look at American cities. | 0:23:24 | 0:23:28 | |
Charleston, South Carolina, for its history. | 0:23:29 | 0:23:33 | |
Anchorage, Alaska, for its pioneering spirit | 0:23:33 | 0:23:36 | |
and Salt Lake City for its Mormon roots. | 0:23:36 | 0:23:40 | |
A couple of hundred miles south of Salt Lake City, I was | 0:23:42 | 0:23:45 | |
entertained by a remarkable woman with a life straight out of legend, | 0:23:45 | 0:23:50 | |
a direct link to the old Wild West. | 0:23:50 | 0:23:52 | |
This log cabin at Circleville was the birthplace of Lula Parker Betenson and her brother, | 0:23:53 | 0:23:59 | |
Butch Cassidy, | 0:23:59 | 0:24:00 | |
both children of a good Mormon family, from Preston in Lancashire. | 0:24:00 | 0:24:05 | |
When we met, she was 94 and sharp as a pin. | 0:24:05 | 0:24:09 | |
She knew that her brother didn't die with Sundance | 0:24:09 | 0:24:12 | |
in the South American shootout, made famous by that superb film. | 0:24:12 | 0:24:17 | |
I mean, his reputation is that he liked children, he loved his mother, | 0:24:17 | 0:24:22 | |
he robbed banks to help the poor. | 0:24:22 | 0:24:24 | |
Banks and railroads, he was death on them, I'll say that. | 0:24:24 | 0:24:28 | |
But he helped people that needed it, with what money he ever got. | 0:24:30 | 0:24:35 | |
-He enjoyed doing it. -At least he never killed anyone, did he? | 0:24:35 | 0:24:39 | |
Oh, no. He said there was better ways than killing people. | 0:24:39 | 0:24:44 | |
America, United States, | 0:24:44 | 0:24:45 | |
-got too hot for him and he had to go to South America. -Yes. | 0:24:45 | 0:24:49 | |
And they decided to go straight. | 0:24:49 | 0:24:52 | |
That's what they went for. | 0:24:53 | 0:24:56 | |
They made their last big haul and they left and they intended to go straight. | 0:24:56 | 0:25:01 | |
Now, 16 years after that, he came here in 1925. | 0:25:01 | 0:25:06 | |
What sort of a man was he? You'd never seen him before, had you? | 0:25:06 | 0:25:10 | |
No. Never seen him before. | 0:25:10 | 0:25:12 | |
Oh... | 0:25:12 | 0:25:13 | |
I don't know. He was so... | 0:25:13 | 0:25:16 | |
We were so happy to have him | 0:25:16 | 0:25:18 | |
and father said, "I'll bet Lula that she don't know who this is. | 0:25:18 | 0:25:24 | |
"This is Leroy." | 0:25:24 | 0:25:27 | |
And of course I was... My knees just shook. | 0:25:28 | 0:25:31 | |
You know, I had that feeling of just like I was going to collapse. | 0:25:31 | 0:25:35 | |
But, oh, he took me in his arms and he was just one of us, always. | 0:25:36 | 0:25:42 | |
When he left you, after two weeks, you never saw him again? | 0:25:42 | 0:25:45 | |
No. No. | 0:25:45 | 0:25:47 | |
-Now, today, you know where Butch Cassidy is buried. -Yes. | 0:25:47 | 0:25:51 | |
My father said they hunted him all his life. | 0:25:51 | 0:25:55 | |
Now he's going to rest in peace. | 0:25:55 | 0:25:57 | |
And that never never yet has been told. | 0:25:58 | 0:26:02 | |
My children don't know. | 0:26:02 | 0:26:04 | |
My father always said, "If you want to keep a secret, don't tell it." | 0:26:04 | 0:26:08 | |
And I find that's the truth. | 0:26:08 | 0:26:10 | |
-Have you ever visited his grave? -No. No. No, I haven't. | 0:26:11 | 0:26:17 | |
And would you like to? | 0:26:18 | 0:26:20 | |
I may, sometime. I don't know. | 0:26:20 | 0:26:22 | |
I don't know. | 0:26:23 | 0:26:26 | |
I doubt it. | 0:26:26 | 0:26:27 | |
Shortly after our conversation, we lost that last link with the past. | 0:26:29 | 0:26:34 | |
Lula joined Butch, taking his secret with her. | 0:26:34 | 0:26:39 | |
Both had lived through lawless days when old age was the most unusual condition, when Butch, | 0:26:40 | 0:26:46 | |
everybody's favourite outlaw, rode out into the pages of legend. | 0:26:46 | 0:26:51 | |
Leaving Lula's log cabin, we went to meet another Mormon whose home life was rather more... | 0:26:54 | 0:27:00 | |
How can I put it? | 0:27:00 | 0:27:02 | |
..complicated. | 0:27:02 | 0:27:04 | |
Alex Joseph, an ex-cop from LA, had substantial success in the marriage market. | 0:27:04 | 0:27:10 | |
Most men find it hard enough to handle one wife. | 0:27:11 | 0:27:14 | |
Alex had been married 16 times, | 0:27:14 | 0:27:17 | |
though when we met, he was living more conventionally with a modest 12. | 0:27:17 | 0:27:23 | |
How does it differ, this marriage, to just living together? | 0:27:24 | 0:27:28 | |
It differs a great deal in that we're under a contract of marriage. | 0:27:28 | 0:27:33 | |
Each one of us has entered into a contract of marriage | 0:27:33 | 0:27:37 | |
and our behaviour is regulated by that contract. | 0:27:37 | 0:27:40 | |
In other words, we're a moral family to start with. | 0:27:40 | 0:27:45 | |
All of our family activities are confined to the family. | 0:27:45 | 0:27:49 | |
I'm talking about sex. | 0:27:49 | 0:27:51 | |
Yes. Yes. | 0:27:51 | 0:27:53 | |
You see, to the outside world, since you are talking about sex, | 0:27:53 | 0:27:57 | |
this would look more like a harem than a happy and celestial group. | 0:27:57 | 0:28:01 | |
I never have worried too much about the outside world. | 0:28:01 | 0:28:05 | |
You seem to have missed the most obvious truth here. | 0:28:05 | 0:28:09 | |
And the most obvious truth is this, | 0:28:09 | 0:28:11 | |
that more women than men go for this lifestyle. | 0:28:11 | 0:28:16 | |
But what are the advantages for your wives? | 0:28:16 | 0:28:19 | |
The advantage of independence. | 0:28:19 | 0:28:21 | |
The advantage of getting away from the conventional emotional things | 0:28:21 | 0:28:26 | |
that are nothing but sand to build a marriage on | 0:28:26 | 0:28:30 | |
and building it on fact. | 0:28:30 | 0:28:32 | |
The advantage of having a husband | 0:28:32 | 0:28:34 | |
who's vastly superior in intelligence and ability at governing a family, | 0:28:34 | 0:28:38 | |
and being a husband, than any monogamous could ever imagine to be. | 0:28:38 | 0:28:41 | |
I get the advantage of his relationship with every other girl in the family which makes him | 0:28:41 | 0:28:46 | |
a better husband for me. | 0:28:46 | 0:28:48 | |
Alex Joseph died in 1998, leaving behind nine wives. | 0:28:48 | 0:28:54 | |
Four of them have since remarried but admit to a certain nostalgia for the freedom and independence | 0:28:54 | 0:29:00 | |
they experienced in their days of polygamy. | 0:29:00 | 0:29:04 | |
Our next stop was Charleston. | 0:29:12 | 0:29:14 | |
From here, we drove 70 miles south to discover a rather alarming group... | 0:29:14 | 0:29:20 | |
..practising voodoo. | 0:29:21 | 0:29:23 | |
They were willing, almost anxious, to curse anyone to death for the going price of 500. | 0:29:29 | 0:29:35 | |
And, apparently, it worked. | 0:29:35 | 0:29:38 | |
The witch doctor would point the bones at some unfortunate | 0:29:38 | 0:29:41 | |
and, before the money was in the bank, | 0:29:41 | 0:29:44 | |
he'd have walked under a truck... | 0:29:44 | 0:29:46 | |
terminally. | 0:29:46 | 0:29:47 | |
Their chief, who was also the senior witch doctor, liked England. | 0:29:47 | 0:29:52 | |
I believe he'd been a GI during the war | 0:29:52 | 0:29:55 | |
and he was full of Southern hospitality. | 0:29:55 | 0:29:58 | |
He offered me a freebie curse | 0:29:58 | 0:30:01 | |
which would take care of anyone I didn't like. | 0:30:01 | 0:30:04 | |
A sample, on the house, you understand, | 0:30:04 | 0:30:06 | |
a sort of loss leader. | 0:30:06 | 0:30:08 | |
Trouble was, having made me an offer I couldn't refuse, | 0:30:08 | 0:30:12 | |
I had to produce a suitable victim. | 0:30:12 | 0:30:15 | |
And people I didn't like suddenly seemed, well, not too bad. | 0:30:15 | 0:30:20 | |
And a snuff job can be so final. | 0:30:21 | 0:30:24 | |
I am told you can get someone killed around here for 500. | 0:30:24 | 0:30:28 | |
How would that be done? | 0:30:28 | 0:30:30 | |
Oh, yes. Any number of ways. | 0:30:30 | 0:30:33 | |
-Just as there are many ways in real life to get rid of people. -Yes. | 0:30:33 | 0:30:38 | |
First thing, of course, is take a reading on the individual, | 0:30:38 | 0:30:42 | |
then find out what type of world he lives in, | 0:30:42 | 0:30:45 | |
which God rules over the world that he lives in, | 0:30:45 | 0:30:47 | |
and then make sacrifices to that God. | 0:30:47 | 0:30:49 | |
-Do you mean to say you could kill a man in New York? -Certainly! | 0:30:49 | 0:30:52 | |
-South Carolina? -Certainly. -Without his knowing about it? -Without his knowing about it. | 0:30:52 | 0:30:57 | |
He'll just walk out in the street and get smashed by a truck. | 0:30:57 | 0:31:00 | |
It's cheaper than going to a hitman. | 0:31:00 | 0:31:03 | |
Well, it's much more discreet. | 0:31:03 | 0:31:06 | |
I thought I'd better check this coven with the local sheriff, down at Beaufort. | 0:31:06 | 0:31:12 | |
Sheriff Ed McTeer turned out to be a white witch doctor with a flourishing practice. | 0:31:12 | 0:31:19 | |
He refused to advise me about his neighbour's black magic | 0:31:20 | 0:31:25 | |
because he said it would be unethical for one doctor to criticise another. | 0:31:25 | 0:31:30 | |
Put one finger in the bottom of that cup. | 0:31:32 | 0:31:34 | |
Just put one finger in the bottom. | 0:31:34 | 0:31:36 | |
I am known to be one of the most powerful witch doctors in the United States... | 0:31:37 | 0:31:43 | |
maybe the world. | 0:31:43 | 0:31:45 | |
Put your hand on that. | 0:31:47 | 0:31:49 | |
Hold this in your right hand. | 0:31:51 | 0:31:53 | |
Close down to get warm. | 0:31:53 | 0:31:56 | |
It takes a little time. | 0:31:56 | 0:31:58 | |
No-one is going to be able to put a spell back on you. | 0:31:58 | 0:32:03 | |
All the spells from you are removed. | 0:32:03 | 0:32:05 | |
And if anyone tries to, it's going to turn on them. | 0:32:05 | 0:32:10 | |
Now I'm going to seal your force and my force in that amulet. | 0:32:10 | 0:32:14 | |
Give me that. | 0:32:14 | 0:32:16 | |
That should be hot. It is. | 0:32:16 | 0:32:18 | |
But these people who come here, are they really in danger or are they just mentally sick? | 0:32:18 | 0:32:24 | |
They are entirely normal but their genes from hundreds of years back | 0:32:24 | 0:32:29 | |
have carried their superstition and adversity has brought it out in them. | 0:32:29 | 0:32:33 | |
Hold this in your right hand. | 0:32:36 | 0:32:38 | |
This is a hex doll. | 0:32:39 | 0:32:41 | |
Keep it pointed towards this hex doll there | 0:32:41 | 0:32:44 | |
because that's where your kinetic force is going to come through | 0:32:44 | 0:32:48 | |
and we'll see what happens... if we get it in. | 0:32:48 | 0:32:51 | |
You came in here filled with trouble, filled with evil. | 0:32:53 | 0:32:56 | |
Now every piece of evil has gone from you. | 0:32:56 | 0:33:00 | |
Your aura is as clear as my own is. | 0:33:00 | 0:33:02 | |
It'll stay clear as long as you believe. | 0:33:02 | 0:33:04 | |
I suppose the unkind might say, Sheriff, that this amulet and that mumbo-jumbo would impress a child | 0:33:04 | 0:33:12 | |
but I can't imagine many college professors being impressed by it. | 0:33:12 | 0:33:17 | |
It's a collection of mumbo-jumbo that comes down from the last four or five centuries. | 0:33:17 | 0:33:25 | |
Driving back from Sheriff McTeer, I was stopped for speeding by a local patrolman. | 0:33:25 | 0:33:31 | |
Confused by my Jersey driving licence, he sighed, | 0:33:31 | 0:33:35 | |
"I'd like to give you a ticket, Alan," he said, "but to be honest, I wouldn't know how to do it." | 0:33:35 | 0:33:41 | |
So, maybe after all, the Sheriff's mumbo-jumbo had lifted the black magic curse. | 0:33:41 | 0:33:48 | |
Leaving voodoo behind, we flew straight to Palm Beach, Florida, | 0:33:54 | 0:33:58 | |
the ultimate, elegant, party town. | 0:33:58 | 0:34:01 | |
The culture shock could not have been greater. | 0:34:02 | 0:34:05 | |
I believe television looks best when it ventures where no cameraman has trod. | 0:34:09 | 0:34:14 | |
Into Papa Doc's study, say, | 0:34:14 | 0:34:17 | |
or running the tar and feather gauntlet | 0:34:17 | 0:34:20 | |
through the tough Australian union town of Broken Hill. | 0:34:20 | 0:34:25 | |
Displaying bravado beyond the call of documentary, I got in and out of Palm Beach, Florida, | 0:34:25 | 0:34:33 | |
a closed society behind high hedges, if ever I saw one. | 0:34:33 | 0:34:37 | |
This improbable sand bar lies 65 miles north of Miami, but in another world. | 0:34:37 | 0:34:45 | |
Once its hedges had been breached, its rare and exotic inhabitants could be fascinating. | 0:34:45 | 0:34:52 | |
For a century, the sand bar had been the Mecca of the super-rich who faced only one money problem - | 0:34:52 | 0:34:59 | |
how to spend it - | 0:34:59 | 0:35:01 | |
and felt improperly dressed without a yacht. | 0:35:01 | 0:35:05 | |
Palm Beach shows what God could do, they say, if he had money. | 0:35:10 | 0:35:14 | |
On this elegant sand bar, people ask each other, where do you live in real life? | 0:35:23 | 0:35:27 | |
Everybody's rich here. They're all just run-of-the-millionaires. | 0:35:27 | 0:35:32 | |
Nobody who's anybody goes to the beach on this preposterous island | 0:35:34 | 0:35:38 | |
which stands for achievement in a society that invented success. | 0:35:38 | 0:35:42 | |
The wealthy here are not an endangered species. | 0:35:42 | 0:35:45 | |
They can build £2 million homes like this, with 26,000 mosaic tiles in the pool and only one bedroom. | 0:35:45 | 0:35:52 | |
I suppose it's sort of land of make believe in which you can be anything you like if you can pay for it. | 0:35:52 | 0:35:57 | |
We don't have any old people down here, what we call "old". | 0:35:57 | 0:36:01 | |
There's nobody old in Palm Beach. | 0:36:01 | 0:36:03 | |
And you must be white, | 0:36:03 | 0:36:05 | |
preferably Protestant, you know, but money is the chief thing. | 0:36:05 | 0:36:11 | |
I went, not to tease them, but to enjoy the glittering entertainment of their pageant. | 0:36:17 | 0:36:23 | |
Viewers' usual reaction was, "Why can't they act their age?" | 0:36:23 | 0:36:28 | |
As though wishing wheelchairs upon them. | 0:36:28 | 0:36:32 | |
I know people say to me once in a while, "Just how old are you, Helene?" | 0:36:32 | 0:36:36 | |
And I say, "Well, I'm between 21 and death," because that's my old private little secret. | 0:36:36 | 0:36:42 | |
-Women don't give in easily to the ageing process here. -No. | 0:36:42 | 0:36:47 | |
Palm Beach, in its insular way, ignores the passage of time. | 0:36:47 | 0:36:51 | |
If it is ever forced to acknowledge that it is marching on, it uses the most personal of calendars. | 0:36:51 | 0:36:58 | |
Now, just as China has the Year of the Snake and the Year of the Ox, | 0:36:59 | 0:37:04 | |
Palm Beach has the Year Mrs So-and-So's facelift fell. | 0:37:04 | 0:37:09 | |
Or the Year Madam X had her bottom ribs removed. | 0:37:09 | 0:37:14 | |
That's done to give a wasp waste and provide an outstanding figure. | 0:37:14 | 0:37:20 | |
Or even the Year Madam So and So went to Paris and had all her blood changed. | 0:37:20 | 0:37:26 | |
You look in the mirror and see this... | 0:37:26 | 0:37:29 | |
..this old creep that comes around when you get older. | 0:37:30 | 0:37:33 | |
If you look at yourself and you look old, you think, "Oh, dear God, why even bother?" | 0:37:33 | 0:37:37 | |
I have so many friends who will not tell one thing. | 0:37:37 | 0:37:40 | |
They haven't had anything done, they've just grown old younger! | 0:37:40 | 0:37:44 | |
THEY LAUGH | 0:37:44 | 0:37:45 | |
I, of course, would just love to lie down | 0:37:45 | 0:37:47 | |
and have them lift everything from my feet on up to here | 0:37:47 | 0:37:50 | |
and whatever's left over, tie a little bow on the top. | 0:37:50 | 0:37:54 | |
I said to Anne one day, "You have all these things done and you don't mind talking about it, | 0:37:54 | 0:38:01 | |
"but why, then why, dear, please don't tell your age any more." | 0:38:01 | 0:38:05 | |
-And Anne says, "How can I lie about my age when my son needs a facelift? " -That's my older son. | 0:38:05 | 0:38:11 | |
# And at the balls are dazzling gowns | 0:38:12 | 0:38:15 | |
# With diamonds, emeralds and handsome men. # | 0:38:15 | 0:38:19 | |
In a town with an average age of 60, life was an endless round of parties. | 0:38:19 | 0:38:24 | |
I mean, I get pretty drunk at most parties at Palm Beach. | 0:38:24 | 0:38:28 | |
In fact, I've never seen a town where people drink more than they do in this place. | 0:38:28 | 0:38:32 | |
-Really? -It's unbelievable. | 0:38:32 | 0:38:34 | |
-I mean, when you go to count the bottles... -The bodies. | 0:38:34 | 0:38:38 | |
Not the bodies. The bottles. | 0:38:38 | 0:38:41 | |
God, I can always rely on you to look great. | 0:38:43 | 0:38:47 | |
A man who's paying for it all doesn't often get in the picture, | 0:38:47 | 0:38:50 | |
but tonight's fling'll cost him £10,000. | 0:38:50 | 0:38:54 | |
Victor, nobody wants you anywhere but on the organ. | 0:38:54 | 0:38:58 | |
-Right, Mary? -We want his organ. -We want his organ. | 0:38:58 | 0:39:02 | |
There's no answer to that question except perhaps a quick flash | 0:39:02 | 0:39:05 | |
and Victor Farris, inventor and industrialist, is now authentic. | 0:39:05 | 0:39:10 | |
Come in the middle. You may come in the middle. | 0:39:10 | 0:39:14 | |
The most noticeable aspect of life | 0:39:14 | 0:39:16 | |
amid such rich and rewarding reconstruction was the shortage of escorts. | 0:39:16 | 0:39:21 | |
Ageless matrons, overdressed and over-decorated, | 0:39:21 | 0:39:25 | |
waited in solitary splendour to emerge from their soft lighting, needing only an arm to hold, | 0:39:25 | 0:39:33 | |
a hand to raise them out of the shadows of the Cadillac, into the fluorescence of life. | 0:39:33 | 0:39:39 | |
It was said a man only needed a dinner jacket | 0:39:39 | 0:39:42 | |
and a little smiling small talk to become a social success. | 0:39:42 | 0:39:46 | |
Why, even I was in demand... | 0:39:46 | 0:39:49 | |
..though that was a few years ago. | 0:39:50 | 0:39:53 | |
At the heart of Palm Beach society, it's clubs. | 0:39:53 | 0:39:56 | |
The harder to join, the more prized the membership. | 0:39:56 | 0:40:00 | |
The Beach Club confronts the only Jewish club | 0:40:00 | 0:40:02 | |
where it's said you'll not be considered | 0:40:02 | 0:40:04 | |
unless you've donated a million dollars to charity. | 0:40:04 | 0:40:07 | |
Despite such discouragements, each club has a waiting list of anxious applicants longing to get inside. | 0:40:07 | 0:40:14 | |
You can be stymied here most easily by your race or your religion. | 0:40:16 | 0:40:21 | |
Now, it's one thing to say that you can't have a Jewish member to your club and they'll blackball him, | 0:40:23 | 0:40:29 | |
but you can't have a Jewish friend to lunch or to dinner. | 0:40:29 | 0:40:33 | |
And what I think was staggering, being a musician, | 0:40:33 | 0:40:36 | |
is that when Leonard Bernstein came here with the New York Philharmonic, | 0:40:36 | 0:40:40 | |
they couldn't have a dinner party for him at the Everglades Club. That's just savagery. | 0:40:40 | 0:40:45 | |
Juliette de Marcellus is still living in the family home | 0:40:51 | 0:40:55 | |
and she offered to give me a whistle-stop tour of Palm Beach. | 0:40:55 | 0:40:59 | |
I remember one or two friends of yours were refused admission and you said, "That's savagery." | 0:40:59 | 0:41:04 | |
Well, it is. It is. It's ridiculous. | 0:41:04 | 0:41:06 | |
What you find in Palm Beach are these cells of society that work in among each other, | 0:41:06 | 0:41:13 | |
rather like the inner workings of a clock that go round and round and round and never really meet. | 0:41:13 | 0:41:19 | |
And you can have people live here for 20 years and never | 0:41:19 | 0:41:23 | |
have understood quite where some of the other people are. | 0:41:23 | 0:41:27 | |
Most people live here very quietly, | 0:41:27 | 0:41:30 | |
rather old-fashioned lives and belong to the Garden Club and play bridge. | 0:41:30 | 0:41:35 | |
But the whole town has been taken over by developers - and most of them speculators. | 0:41:37 | 0:41:42 | |
This house is the one that's been bought by the Russians for a hundred million, | 0:41:42 | 0:41:46 | |
behind this hideous hedge. | 0:41:46 | 0:41:48 | |
The reason it's so much money is, A, I suppose the Russians just would buy anything | 0:41:48 | 0:41:52 | |
and the second is because the property's immense. | 0:41:52 | 0:41:55 | |
And everything that is slightly artificial is now called Mc something and these are McMansions. | 0:41:55 | 0:42:02 | |
Here's a McMansion on the left. | 0:42:02 | 0:42:04 | |
You see how ugly it is, huge and clumsy and pretentious. | 0:42:04 | 0:42:08 | |
Palm Beach has been invaded by money you're not quite sure where it came from. | 0:42:08 | 0:42:12 | |
-But you'll never know where the Russian money comes from. -No. | 0:42:12 | 0:42:15 | |
Probably we'll never know where the Russian money came from, | 0:42:15 | 0:42:18 | |
but even the American money, a lot of it, | 0:42:18 | 0:42:20 | |
one sort of wonders where it came from. That's what's changed in Palm Beach, | 0:42:20 | 0:42:24 | |
because in the old days, you knew where it came from by the names. | 0:42:24 | 0:42:28 | |
There was the Pillsbury, from Pillsbury Flour. | 0:42:28 | 0:42:31 | |
There was Mrs Post from the Post Toasties. | 0:42:31 | 0:42:34 | |
There were the Lynches from Merrill Lynch. | 0:42:34 | 0:42:36 | |
And everyone had a trade name, like the Fords. | 0:42:36 | 0:42:39 | |
You knew exactly where the money came from because you were buying their products all the time. | 0:42:39 | 0:42:44 | |
A great deal of this new money appears with rich men and they always show up with trophy wives. | 0:42:44 | 0:42:51 | |
And the trophy wives are very beautiful and they've usually had a modelling career and they | 0:42:51 | 0:42:57 | |
think it's absolutely smashing to have married a rich man and come to such a famous place as Palm Beach. | 0:42:57 | 0:43:03 | |
But when they get here, they don't know what to do, | 0:43:03 | 0:43:06 | |
because we don't have a brilliant nightlife and nightclubs or anything of that nature. | 0:43:06 | 0:43:12 | |
And they go shopping on Worth Avenue and they look about... | 0:43:12 | 0:43:17 | |
After a year or so, they can't bear it any longer | 0:43:17 | 0:43:20 | |
and their husbands take them away again and the houses are put up for sale. | 0:43:20 | 0:43:24 | |
So what we've seen in Palm Beach is old names and old money, what there is left of it, pulling out. | 0:43:24 | 0:43:30 | |
I'm beginning to think I won't buy a house here. | 0:43:30 | 0:43:34 | |
No, don't. Come and stay with me. | 0:43:34 | 0:43:36 | |
It's cheaper. THEY LAUGH | 0:43:37 | 0:43:40 | |
Palm Beach is a girls' town, run by girls for other girls of a certain age. | 0:43:40 | 0:43:46 | |
So its excitement centres upon the frivolous, | 0:43:46 | 0:43:49 | |
shopping, dressing up, parties and going out. | 0:43:49 | 0:43:54 | |
It's impossible to be overdressed. | 0:43:54 | 0:43:57 | |
The chicest French hat I've ever seen. | 0:43:57 | 0:44:00 | |
Mary, thanks for all you did for us tonight. | 0:44:00 | 0:44:03 | |
Palm Beach, it seems, is no longer the party town that I remember, | 0:44:03 | 0:44:07 | |
with its caste system of queens and aspirant princesses. | 0:44:07 | 0:44:11 | |
I think the first requisite would be having been here a long time. | 0:44:11 | 0:44:15 | |
Somebody can't come in one year and expect to be the queen the next year. | 0:44:15 | 0:44:20 | |
It's been tried and it doesn't work. | 0:44:20 | 0:44:23 | |
Tenure is a very important thing. | 0:44:23 | 0:44:26 | |
Um, a big name... | 0:44:26 | 0:44:28 | |
..also makes a big difference. | 0:44:29 | 0:44:31 | |
I mean, somebody with no name, at all, isn't going to make it, | 0:44:31 | 0:44:35 | |
simply because she doesn't have the clout that goes with it, | 0:44:35 | 0:44:39 | |
to accomplish what a queen would have to accomplish. | 0:44:39 | 0:44:42 | |
You can't hide your light under a bushel and become the queen of Palm Beach. | 0:44:42 | 0:44:46 | |
You'd better watch your grapefruit juice. | 0:44:46 | 0:44:49 | |
30 years on, long-term resident Julie Schraft | 0:44:50 | 0:44:53 | |
is aware that the only thing about life here that hasn't changed | 0:44:53 | 0:44:58 | |
is her passion for enormous dogs. | 0:44:58 | 0:45:00 | |
The queens don't exist any more. There doesn't seem to be a queen. | 0:45:00 | 0:45:05 | |
No queen any more. | 0:45:05 | 0:45:06 | |
And no-one's even competing to be queen any more. | 0:45:06 | 0:45:09 | |
Looking back, there seems to me that people don't have quite as much fun these days. | 0:45:09 | 0:45:14 | |
-People don't drink as much, for one thing. -That's probably it. | 0:45:14 | 0:45:18 | |
Everybody's on some sort of a health kick. | 0:45:18 | 0:45:20 | |
It's always said about Palm Beach, that the police used to take such good care of Palm Beachers | 0:45:20 | 0:45:25 | |
who weren't able to drive themselves home. | 0:45:25 | 0:45:27 | |
The police would drive them home and leave their cars where they were | 0:45:27 | 0:45:31 | |
and pick them up the next day. But that doesn't happen any more. | 0:45:31 | 0:45:35 | |
I mean, there's sort of a joke about Palm Beach where people will go to great lengths | 0:45:35 | 0:45:40 | |
to have a magnificent dinner party, | 0:45:40 | 0:45:42 | |
and at ten o'clock, the whole thing empties out. | 0:45:42 | 0:45:46 | |
Everybody goes home so we don't miss the 11 o'clock news. | 0:45:46 | 0:45:49 | |
It's kind of come to that. | 0:45:49 | 0:45:51 | |
There's one final story from the American continent that I want to tell, | 0:45:58 | 0:46:02 | |
but to do so, I'm returning to London. | 0:46:02 | 0:46:05 | |
In 1968, I was filming a series about the various rulers of South America, | 0:46:11 | 0:46:17 | |
starting with Alfredo Stroessner of Paraguay. | 0:46:17 | 0:46:22 | |
And the President of Ecuador, whose name escapes me, although I remember his avenue of volcanoes, | 0:46:22 | 0:46:27 | |
stretching away from Quito. | 0:46:27 | 0:46:31 | |
Touching down in Miami, I bought a ticket on to Haiti. | 0:46:31 | 0:46:36 | |
Everyone thought I was mad. | 0:46:36 | 0:46:38 | |
And I probably was, a bit. | 0:46:38 | 0:46:40 | |
Just a few hundred miles from Florida, | 0:46:40 | 0:46:42 | |
Haiti was the poorest, most dangerous place in the western hemisphere, | 0:46:42 | 0:46:47 | |
held under the lash of its tyrannical president, | 0:46:47 | 0:46:51 | |
Francois Duvalier, known as Papa Doc. | 0:46:51 | 0:46:55 | |
Filming was an anxious time, with the constant fear | 0:46:55 | 0:46:59 | |
that at any moment, things could go fatally wrong. | 0:46:59 | 0:47:03 | |
But we came away with an extraordinary insight into life with a real Bond villain. | 0:47:03 | 0:47:10 | |
In 1971, Papa Doc died of natural causes. | 0:47:10 | 0:47:15 | |
Such an unusual achievement in such a violent country. | 0:47:15 | 0:47:20 | |
But Haiti has never recovered from his nightmare rule. | 0:47:20 | 0:47:24 | |
Still the most violent island in the Caribbean, | 0:47:24 | 0:47:28 | |
and the kidnap capital of the world. | 0:47:28 | 0:47:32 | |
Now, do I really want to pay a return visit to that place? | 0:47:32 | 0:47:38 | |
I think probably not. | 0:47:38 | 0:47:40 | |
You feel his menace in the pit of your stomach. | 0:47:49 | 0:47:51 | |
You hear his presence in the silence of his subjects. | 0:47:51 | 0:47:55 | |
'On arrival in Haiti, I was uncomfortably aware that the airport | 0:47:58 | 0:48:03 | |
'had just experienced a slaughter of three of the regime's opponents. | 0:48:03 | 0:48:07 | |
'They'd been gunned down following the sign from Papa Doc, in full view of the horrified passengers | 0:48:07 | 0:48:14 | |
'of a flight en route from Puerto Rico to Miami. | 0:48:14 | 0:48:17 | |
'I'd not yet obtained the President's permission for my film, | 0:48:17 | 0:48:21 | |
'so first, we had to get to the remote and inaccessible Papa Doc. | 0:48:21 | 0:48:26 | |
'By a stroke of good luck, | 0:48:26 | 0:48:28 | |
'we discovered that he was making a very rare excursion outside his palace that day. | 0:48:28 | 0:48:33 | |
CACOPHONY OF CAR HORNS | 0:48:33 | 0:48:34 | |
'We followed and pushed our way through lines of troops and Tonton Macoutes, | 0:48:34 | 0:48:38 | |
'Papa Doc's fearsome militia, | 0:48:38 | 0:48:41 | |
'which you can do if you don't speak the language and are sufficiently polite.' | 0:48:41 | 0:48:45 | |
'"Do you mind, British television, excuse us, we must push by. Sorry. I'm so sorry. Just one moment."' | 0:48:45 | 0:48:52 | |
'In the scrummage, I got to Papa Doc and explained we'd crossed the world to see him. | 0:48:53 | 0:48:58 | |
'He agreed to our request, and told us to return to the palace next day. | 0:48:58 | 0:49:04 | |
Hello. | 0:49:04 | 0:49:05 | |
It seemed that at least we were not going to be shot...for now.' | 0:49:05 | 0:49:10 | |
I just heard the most eerie story which does, to a degree, | 0:49:10 | 0:49:16 | |
illustrate the complete unpredictability of President Duvalier. | 0:49:16 | 0:49:20 | |
And it may be caused, I've heard it said, because he is a diabetic | 0:49:20 | 0:49:24 | |
and therefore subject to extreme fluctuations in mood. | 0:49:24 | 0:49:27 | |
Anyhow, the other day, he was on the telephone himself to a local airline | 0:49:27 | 0:49:33 | |
to enquire about a certain flight. | 0:49:33 | 0:49:36 | |
He spoke not to the airline official but to a young Haitian who worked in the office. | 0:49:36 | 0:49:41 | |
And he found this boy so helpful that he enquired... | 0:49:41 | 0:49:45 | |
and there's no doubt about it, Papa Doc is a most courteous man... | 0:49:45 | 0:49:50 | |
may I know to whom I'm speaking, he said. | 0:49:50 | 0:49:52 | |
And the boy said "My name, Excellence, Dupont", let's say. | 0:49:52 | 0:49:58 | |
And the President said "Dupont, Dupont, does that name mean something to me?" | 0:49:58 | 0:50:03 | |
And the boy hesitated and then said, | 0:50:03 | 0:50:06 | |
"Excellence, I am the son of Major Dupont of the Presidential Guard | 0:50:06 | 0:50:12 | |
"who disappeared 11 years ago." | 0:50:12 | 0:50:15 | |
It was, incidentally, exactly 11 years ago that Dr Francois Duvalier was elected President. | 0:50:15 | 0:50:21 | |
And Papa Doc said yes, yes, I remember, I remember. | 0:50:21 | 0:50:24 | |
Well, thank you so much for your help. | 0:50:24 | 0:50:26 | |
I'm so pleased to hear that you've got a good job, with a foreign company and that you're doing well. | 0:50:26 | 0:50:32 | |
Thank you very much. Put the receiver down. | 0:50:32 | 0:50:35 | |
That was that. | 0:50:35 | 0:50:37 | |
Except, the next morning, Major Dupont returned home. | 0:50:37 | 0:50:42 | |
For 11 years, he had been a prisoner in one of Papa Doc's jails. | 0:50:42 | 0:50:47 | |
And all I can assume is that having put the receiver down, | 0:50:47 | 0:50:51 | |
the President said, "Incidentally, what happened to Major Dupont? | 0:50:51 | 0:50:55 | |
"Did we shoot him?" | 0:50:55 | 0:50:57 | |
"No, Excellence, he was sent to prison." | 0:50:57 | 0:51:01 | |
"Release him." | 0:51:01 | 0:51:02 | |
Crouching behind his tanks and his fortress, the palace Haitian exiles tried to bomb | 0:51:03 | 0:51:09 | |
before one of their abortive invasions, | 0:51:09 | 0:51:12 | |
the palace many fear to enter, Papa Doc receives no-one for months. | 0:51:12 | 0:51:15 | |
His own minister seldom see him which may be why he's often reported dying or dead. | 0:51:15 | 0:51:21 | |
But from such seclusion, he has agreed to see me. | 0:51:21 | 0:51:24 | |
So now to try and find out what sort of man is this, who can inspire such terror. | 0:51:24 | 0:51:30 | |
To have peace and stability, | 0:51:35 | 0:51:38 | |
you should have a strong man in every country. | 0:51:38 | 0:51:43 | |
Not a dictator. Not a dictator. | 0:51:45 | 0:51:48 | |
-But a strong man. -NOT a dictator? | 0:51:48 | 0:51:50 | |
Not a dictator, but a strong man. | 0:51:50 | 0:51:53 | |
Democracy is a word... | 0:51:53 | 0:51:56 | |
is only a word, as philosophy's a conception. | 0:51:56 | 0:52:01 | |
What you call democracy in your own country, | 0:52:01 | 0:52:06 | |
another country can call that a dictatorship. | 0:52:06 | 0:52:10 | |
Papa Doc's reign of terror was probably the most harsh in the Caribbean. | 0:52:12 | 0:52:17 | |
Yet, he could be courteous. He inscribed a book of his poems to me. | 0:52:17 | 0:52:23 | |
To the friend of the first black republic. | 0:52:24 | 0:52:29 | |
He had created the Tonton Macoutes, his private militia, who could kill at will, | 0:52:29 | 0:52:35 | |
since his regular army was neither loyal nor brave. | 0:52:35 | 0:52:38 | |
The population was also too cowed, | 0:52:38 | 0:52:41 | |
even to move the bodies of those who had been killed and left in the street. | 0:52:41 | 0:52:46 | |
The killing of a Haitian was unimportant, | 0:52:46 | 0:52:49 | |
but the death of a white man had to be agreed by the President himself. | 0:52:49 | 0:52:55 | |
Getting to the President, up there, can be quite difficult. | 0:52:55 | 0:53:01 | |
Mainly because everyone who surrounds him is so terrified of him | 0:53:01 | 0:53:05 | |
and there's no doubt that this quiet-spoken man does generate considerable fear. | 0:53:05 | 0:53:11 | |
When I left him the other day, he asked that I return this morning | 0:53:11 | 0:53:14 | |
to see him once again, and I duly presented myself with my various credentials, | 0:53:14 | 0:53:19 | |
armed indeed with a laissez-passer, | 0:53:19 | 0:53:21 | |
signed by the President himself to all civil and military authorities. | 0:53:21 | 0:53:25 | |
This laissez-passer got me through the sentries on the gate, here, | 0:53:25 | 0:53:29 | |
through a gaggle of guards on various doors, | 0:53:29 | 0:53:33 | |
up the stairs, along the corridor and right to the door of the presidential chambers. | 0:53:33 | 0:53:40 | |
There, I was met by a group of captains and lieutenants of the presidential guard. | 0:53:40 | 0:53:45 | |
And they said, although they'd seen me before and they knew me, | 0:53:45 | 0:53:49 | |
and they knew that the President was expecting me, they had no authority to disturb him. | 0:53:49 | 0:53:54 | |
He was inside his chambers. | 0:53:54 | 0:53:56 | |
I was outside. And no-one had the authority to approach him. | 0:53:56 | 0:54:00 | |
The only person who could approach him is his secretary. | 0:54:00 | 0:54:04 | |
A rather formidable lady who is related to him. | 0:54:04 | 0:54:08 | |
And she is away sick. | 0:54:08 | 0:54:10 | |
So I stood outside and waited and he is presumably in his study there, waiting. | 0:54:12 | 0:54:18 | |
And nobody has the courage to knock on his door. | 0:54:18 | 0:54:23 | |
The only way out of this silent stalemate was for me | 0:54:23 | 0:54:26 | |
to leave the palace and walk to the capital's telephone exchange. | 0:54:26 | 0:54:31 | |
There, I called up the number that I had noted on Papa Doc's desk. | 0:54:31 | 0:54:35 | |
349-0068. | 0:54:35 | 0:54:39 | |
My message, direct as it was, to Dr Duvalier, was uncomplicated. | 0:54:39 | 0:54:44 | |
Mr President, I am waiting outside your door. | 0:54:44 | 0:54:48 | |
Well, it worked. | 0:54:48 | 0:54:50 | |
It got me past a procession of sentries. | 0:54:50 | 0:54:53 | |
On another day, he decided to show me the capital from the comfort of his Mercedes 600. | 0:54:53 | 0:55:01 | |
'He carried with him, wads of brand new Haitian bank notes, | 0:55:01 | 0:55:05 | |
'which he distributed to the nearest peasants, | 0:55:05 | 0:55:08 | |
'who then carried away a year's wages in one publicised grab.' | 0:55:08 | 0:55:12 | |
Sometimes, he'll scatter handfuls of money through the car window. | 0:55:16 | 0:55:21 | |
Yes. It's well worthwhile trying to keep up with the Duvaliers. | 0:55:21 | 0:55:25 | |
Believing himself secure from enemies, | 0:55:27 | 0:55:30 | |
protected by gunmen and by the voodoo power lying within the number two, | 0:55:30 | 0:55:34 | |
his presidential inauguration was on October 22nd, | 0:55:34 | 0:55:38 | |
Papa Doc, hushed and curious with that sinister smile, | 0:55:38 | 0:55:42 | |
seems unconcerned and unaware as his stricken nation sinks deeper into its zombie trance, | 0:55:42 | 0:55:48 | |
watched by a critical but helpless world. | 0:55:48 | 0:55:52 | |
There's no doubt about it, Mr President, | 0:55:52 | 0:55:54 | |
you have had the worst international press of any president I have known. | 0:55:54 | 0:56:01 | |
That's right. Yes. They consider me like a black sheep. | 0:56:01 | 0:56:05 | |
HE LAUGHS | 0:56:05 | 0:56:07 | |
'All we needed now was a climax to our film. | 0:56:11 | 0:56:15 | |
'Next day, as we were approaching Christmas, | 0:56:15 | 0:56:17 | |
'Papa Doc decided to go gift shopping around the jewellers' shops in his capital. | 0:56:17 | 0:56:24 | |
'And when presidents start suggesting their own sequences for Whicker's World, | 0:56:24 | 0:56:29 | |
'even I begin to feel confident. | 0:56:29 | 0:56:32 | |
'The prospect of the terrifying dictator Christmas shopping | 0:56:32 | 0:56:36 | |
'had to be the best sequence, the situation of a lifetime. | 0:56:36 | 0:56:40 | |
'At that moment, | 0:56:40 | 0:56:42 | |
'we ran out of film.' | 0:56:42 | 0:56:44 | |
Papa Doc, the black sheep, was one of my most applauded films. | 0:56:45 | 0:56:51 | |
It won the Dumont Award at the UCLA against 400 competitors from around the world. | 0:56:51 | 0:56:58 | |
Later, I had to address the UCLA Faculty of Journalism, a most prestigious ceremony. | 0:56:58 | 0:57:05 | |
The chapter of massed undergraduates were attentive and appreciative | 0:57:05 | 0:57:10 | |
about what, to them, was a new form of signed documentary. | 0:57:10 | 0:57:14 | |
The Dean, Charles E Young, made a few graceful remarks and called for questions. | 0:57:14 | 0:57:19 | |
There was a long silence. | 0:57:19 | 0:57:22 | |
Finally, a plump young woman, who had been absorbing every word and every scene intently, stood up. | 0:57:22 | 0:57:29 | |
"Mr Whicker," she began, ponderously, as I waited nervously for her cumulated wisdom. | 0:57:29 | 0:57:35 | |
"Is it true that you married an heiress?" | 0:57:35 | 0:57:39 | |
Well, as it happens, it wasn't, but it was in keeping with our whole Papa Doc experience, | 0:57:40 | 0:57:46 | |
which had been full of light and shade, triumph and fear, | 0:57:46 | 0:57:50 | |
a black and macabre tragic comedy. | 0:57:50 | 0:57:53 | |
'Next time, we're going east.' | 0:57:57 | 0:57:59 | |
-Good morning, sir. -Good morning. -Whereabouts are you flying to, today? -Hong Kong. | 0:57:59 | 0:58:03 | |
'Flying in the slipstream of my first ever world tour... | 0:58:03 | 0:58:06 | |
Coming. | 0:58:06 | 0:58:07 | |
'And revisiting some of the most exotic destinations on the Whicker's World flight path.' | 0:58:07 | 0:58:13 | |
The sun shines all the time. It's an absolutely marvellous place to come. | 0:58:13 | 0:58:17 | |
Subtitles by Red Bee Media Ltd | 0:58:41 | 0:58:44 | |
E-mail [email protected] | 0:58:44 | 0:58:46 |