Browse content similar to Lost in Translation. Check below for episodes and series from the same categories and more!
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'This is Bangkok International Airport, you're clear for landing.' | 0:00:02 | 0:00:04 | |
Bangkok airport is like no other airport on earth. | 0:00:04 | 0:00:07 | |
-Welcome to Thailand. -This is my best smiling. | 0:00:07 | 0:00:09 | |
It's where east meets west... | 0:00:09 | 0:00:12 | |
-Ching, ching, ching. Ching, ching, ching. -..Buddhist meet backpacker. | 0:00:12 | 0:00:15 | |
-That way to the beach. -..and traveller meets trouble. | 0:00:15 | 0:00:18 | |
-You'll never see me in Thailand ever again. -No, no. -Yes. | 0:00:18 | 0:00:21 | |
-And if the culture seems strange... -Free hugs? | 0:00:21 | 0:00:24 | |
-..the language seems foreign... -Sawatdee ka. | 0:00:24 | 0:00:27 | |
-..and you're 6,000 miles from home... -I'm stuck in Bangkok. | 0:00:27 | 0:00:31 | |
Don't panic, there's an army of airport staff | 0:00:31 | 0:00:33 | |
just waiting to help you out. | 0:00:33 | 0:00:35 | |
-One way... -How may I help you? | 0:00:37 | 0:00:39 | |
-HE LAUGHS -..or another. -Get in the line. | 0:00:39 | 0:00:42 | |
So whether it's your gateway | 0:00:42 | 0:00:44 | |
to a million once-in-a-lifetime experiences... | 0:00:44 | 0:00:46 | |
It's all about love, love, love and love. | 0:00:46 | 0:00:49 | |
..or just a ticket to a good old-fashioned holiday nightmare... | 0:00:49 | 0:00:52 | |
-Look at all the cancelled flights. -..this is your final call. | 0:00:52 | 0:00:55 | |
-Very happy, everyone. -Welcome... -Passport please. | 0:00:57 | 0:01:00 | |
..to Bangkok Airport. | 0:01:00 | 0:01:02 | |
This programme contains some strong language | 0:01:02 | 0:01:09 | |
'At the arrival hall on the second floor.' | 0:01:09 | 0:01:11 | |
With its helpful staff and world-class signage, | 0:01:11 | 0:01:13 | |
Bangkok airport prides itself on being one of the most | 0:01:13 | 0:01:16 | |
tourist-friendly airports in the world, but not today. | 0:01:16 | 0:01:19 | |
I'm feeling lost in translation. | 0:01:19 | 0:01:22 | |
All hell breaks loose at Police HQ when Louise loses her daughter. | 0:01:22 | 0:01:26 | |
You told me to shut up. OK? When my daughter was missing. | 0:01:26 | 0:01:30 | |
There's confusion in customs as Elena tries | 0:01:30 | 0:01:33 | |
-to bring in her cat. -How long you stay here, ma'am? | 0:01:33 | 0:01:35 | |
SHE MUMBLES | 0:01:35 | 0:01:38 | |
She is extremely drunk. | 0:01:38 | 0:01:40 | |
And there's queue jumping in immigration till | 0:01:40 | 0:01:42 | |
Captain A leads a crackdown. | 0:01:42 | 0:01:44 | |
Sometimes you need to be tough when you deal with some passengers. | 0:01:44 | 0:01:48 | |
Back in the line. | 0:01:48 | 0:01:50 | |
A monk loses his sister, a Geordie loses his juggling stick... | 0:01:50 | 0:01:54 | |
So this is actually happening now. | 0:01:54 | 0:01:57 | |
..and everyone's feeling lost in translation. | 0:01:57 | 0:01:59 | |
Customs is where so many misunderstandings can arise. | 0:02:02 | 0:02:05 | |
Across 34 checkpoints, travellers are asked to empty their bags | 0:02:06 | 0:02:10 | |
under the keen gaze of customs officers. | 0:02:10 | 0:02:13 | |
Anything to declare? | 0:02:13 | 0:02:14 | |
Like Officer Poppy. | 0:02:14 | 0:02:15 | |
Communication to passengers is very, very important | 0:02:15 | 0:02:19 | |
because if you misunderstand what | 0:02:19 | 0:02:22 | |
they want to tell you, it's going to be bad. | 0:02:22 | 0:02:26 | |
Do you have anything to declare? | 0:02:27 | 0:02:29 | |
-Nothing to declare? -No, no. -Nothing to declare, green light, please. | 0:02:29 | 0:02:32 | |
Poppy and her team have to watch out for anyone bringing in | 0:02:32 | 0:02:35 | |
anything unusual, and they've seen it all. | 0:02:35 | 0:02:37 | |
Luckily they've got their hi-tech X-ray machines to flag up any | 0:02:42 | 0:02:45 | |
threats to the country. | 0:02:45 | 0:02:47 | |
This one is a Kit Kat and I believe that it's a green-tea Kit Kat. | 0:02:48 | 0:02:53 | |
We see a lot of drugs, we see ivory, we see rhino horns. | 0:02:53 | 0:03:00 | |
Today, Christian has flown in from Nigeria with a big bag | 0:03:00 | 0:03:04 | |
of white powder. It's enough to raise Poppy's suspicions. | 0:03:04 | 0:03:07 | |
What do you have, sir? | 0:03:07 | 0:03:08 | |
-It's spicy? -Yeah, I don't need to declare this. | 0:03:11 | 0:03:15 | |
SHE BLOWS A RASPBERRY | 0:03:16 | 0:03:18 | |
-This one... -What kind of powder is it? -This one is flour. | 0:03:18 | 0:03:22 | |
A flower, eh? Poppy's heard that one before. | 0:03:22 | 0:03:24 | |
OK, take this and those to the X-ray machine, please. | 0:03:24 | 0:03:28 | |
The X-ray machine will help Poppy get to the bottom of this. | 0:03:28 | 0:03:31 | |
The orange represents organic products. | 0:03:31 | 0:03:35 | |
If there are some type of drugs it will turn a green colour. | 0:03:35 | 0:03:39 | |
All right, thank you so much. | 0:03:39 | 0:03:42 | |
Happy the white powder really is flour, | 0:03:42 | 0:03:45 | |
-Poppy lets Christian go with smiles all round. -Bye-bye, now. -Yeah, bye. | 0:03:45 | 0:03:49 | |
You have two allow them to do their work. | 0:03:49 | 0:03:52 | |
I mean, you don't need to argue with them. | 0:03:52 | 0:03:54 | |
You give them the freedom. If you are free, you are free. | 0:03:54 | 0:03:57 | |
If you are not free the law will get hold of you, that's it. | 0:03:57 | 0:04:01 | |
SHE SPEAKS IN THAI | 0:04:01 | 0:04:02 | |
Finding a common language is a big help. | 0:04:02 | 0:04:05 | |
Either that or downloading an app. | 0:04:05 | 0:04:07 | |
Normally people travelling can speak English but some might not | 0:04:07 | 0:04:13 | |
and we cannot speak all kinds of languages. | 0:04:13 | 0:04:16 | |
So we try to use our technology to communicate to passengers. | 0:04:16 | 0:04:21 | |
But all the technology in the world won't help Officer Phu | 0:04:23 | 0:04:26 | |
-with her next case. -How long you stay here, ma'am? | 0:04:26 | 0:04:29 | |
SHE MUMBLES | 0:04:29 | 0:04:32 | |
Elena's flown in from Moscow with her friend Natalya | 0:04:32 | 0:04:35 | |
and a cat. It's a present for Elena's son, Alexei. | 0:04:35 | 0:04:39 | |
They are Russian. | 0:04:39 | 0:04:40 | |
-She is extremely drunk. -Oh, my case go... | 0:04:43 | 0:04:48 | |
-This is present? -My son. | 0:04:48 | 0:04:50 | |
SHE MUMBLES | 0:04:50 | 0:04:54 | |
You pay duty for 1,000 Thai Baht. | 0:04:57 | 0:05:00 | |
-No problem. OK. -OK. | 0:05:02 | 0:05:05 | |
Thailand has fairly relaxed quarantine restrictions on pets | 0:05:05 | 0:05:08 | |
so after a quick trip to the cashpoint for the £19 duty fee, | 0:05:08 | 0:05:12 | |
-Elena's pussy is free to enter. -And your receipt, wait a moment. | 0:05:12 | 0:05:16 | |
The ladies pay the bill and go in search of Elena's son. | 0:05:16 | 0:05:20 | |
-OK, bye. -Thank you. | 0:05:20 | 0:05:22 | |
Son... | 0:05:26 | 0:05:28 | |
MUSIC: Chandelier by Sia | 0:05:28 | 0:05:30 | |
Shh, shh. | 0:05:42 | 0:05:44 | |
Alexei can't wait to play with his new pet. | 0:05:47 | 0:05:50 | |
You know, when you come back | 0:05:50 | 0:05:52 | |
and there is something like alive near you, | 0:05:52 | 0:05:54 | |
like something that you can play with, like cheer up. | 0:05:54 | 0:05:58 | |
It means a lot for you, for everybody. | 0:05:58 | 0:06:02 | |
Not all misunderstandings can be sorted out | 0:06:13 | 0:06:15 | |
as easily as Alexei's new cat. | 0:06:15 | 0:06:18 | |
Over in Departures, Louise has requested the help of airport | 0:06:18 | 0:06:21 | |
officials after she missed her flight home to Paris. | 0:06:21 | 0:06:24 | |
They didn't let me get on the plane, I need to get on the plane. | 0:06:24 | 0:06:27 | |
The plane left without her after an altercation | 0:06:27 | 0:06:30 | |
at the gate and what's worse, her daughter Lilia has now vanished. | 0:06:30 | 0:06:34 | |
You get to the gate, you go through security, and your kid disappears. | 0:06:34 | 0:06:39 | |
It's relief all round when her daughter turns up. | 0:06:39 | 0:06:42 | |
This is my daughter. That's her passport, I found her bag. | 0:06:42 | 0:06:46 | |
And basically they made me get off the gate, right? | 0:06:46 | 0:06:50 | |
But Louise is unhappy with how an information assistant | 0:06:50 | 0:06:54 | |
spoke to her when she was searching for Lilia. | 0:06:54 | 0:06:56 | |
She comes to the Tourist Police HQ to confront the officer. | 0:06:58 | 0:07:02 | |
-You told me to shut up. -No, no, no. -You told me to shut up. | 0:07:02 | 0:07:04 | |
-One minute, one minute. -You told me to shut up. -No, no, no. Calm down. | 0:07:04 | 0:07:09 | |
-I call, I call. -You told me to shut up. -No, no, no. -Yes. Yes, no. | 0:07:09 | 0:07:15 | |
She's lying, she's lying. You're lying. | 0:07:15 | 0:07:18 | |
This is wrong. This is wrong. No. | 0:07:18 | 0:07:22 | |
No! | 0:07:24 | 0:07:27 | |
-You told me to -BLEEP -shut up. OK? When my daughter was missing. | 0:07:27 | 0:07:32 | |
As they missed their original flight, | 0:07:34 | 0:07:36 | |
Louise needs to find another one to get her and Lilia home. | 0:07:36 | 0:07:40 | |
The staff give her a list of outgoing flights. | 0:07:40 | 0:07:43 | |
Every day doesn't really work for me. | 0:07:43 | 0:07:45 | |
That's fine, can I have the boarding passes? Thank you. | 0:07:48 | 0:07:52 | |
-But something gets lost in translation. -And you buy the ticket. | 0:07:52 | 0:07:56 | |
No, I'm not buying the ticket. | 0:07:57 | 0:07:59 | |
Because I already paid for my ticket. Right? | 0:07:59 | 0:08:03 | |
I paid for my ticket and they took me away from the terminal. | 0:08:03 | 0:08:08 | |
This is your responsibility. I don't care. | 0:08:08 | 0:08:11 | |
Gulf Air, Air France, American Airlines... Whatever it is. | 0:08:11 | 0:08:14 | |
I need a boarding pass and I need to get back to France. | 0:08:14 | 0:08:18 | |
I don't understand why this is happening. I just don't... Sir? | 0:08:18 | 0:08:24 | |
Boss man? | 0:08:24 | 0:08:26 | |
The boss man of the Tourist Police is Sub Lieutenant Nilachart, | 0:08:26 | 0:08:29 | |
a man with a reputation for plain speaking. | 0:08:29 | 0:08:32 | |
Police cannot do everything. | 0:08:32 | 0:08:34 | |
So I don't have any money, I don't have a boarding pass. | 0:08:34 | 0:08:39 | |
Are you drunk? | 0:08:39 | 0:08:41 | |
-Sorry? -Are you drunk? -No, I'm not drunk. -Hmm? | 0:08:41 | 0:08:45 | |
I'm telling you about my problems and you're asking me if I'm drunk? | 0:08:45 | 0:08:48 | |
-I'm not drunk, sir. I'm crying. -You have a whisky before? -No. | 0:08:48 | 0:08:51 | |
-Some whisky before? -No. -You look like you're drunk. | 0:08:51 | 0:08:54 | |
-I cannot to help you, miss. -I don't understand why this is happening. | 0:08:56 | 0:09:02 | |
Right? | 0:09:02 | 0:09:04 | |
He just walked out on me. | 0:09:18 | 0:09:19 | |
SHE SOBS | 0:09:31 | 0:09:33 | |
With no money and no ticket, | 0:09:47 | 0:09:49 | |
looks like Louise and Lilia are stuck at Bangkok Airport. | 0:09:49 | 0:09:52 | |
-I'm crazy. I'm just -BLEEP. BLEEP -assholes. | 0:09:52 | 0:09:56 | |
Bangkok Airport calls itself the airport of smiles | 0:10:03 | 0:10:06 | |
but don't be fooled. To run smoothly an airport needs rules | 0:10:06 | 0:10:10 | |
and no-one loves rules more... | 0:10:10 | 0:10:12 | |
Get in the line. | 0:10:12 | 0:10:13 | |
..than Captain A. | 0:10:13 | 0:10:15 | |
You're for this line or that way. | 0:10:15 | 0:10:16 | |
I don't want all the passengers to expect that we will always | 0:10:17 | 0:10:21 | |
smile all the time. | 0:10:21 | 0:10:23 | |
Sometimes you need to be tough when you deal with some passengers. | 0:10:23 | 0:10:27 | |
The airport has more than 200 passport-control checkpoints. | 0:10:27 | 0:10:31 | |
It's Captain A's job to keep the queues moving | 0:10:31 | 0:10:33 | |
and the tourists in line. | 0:10:33 | 0:10:35 | |
Back to the line. Back in the line. | 0:10:35 | 0:10:38 | |
For captain A, the rules are simple. | 0:10:38 | 0:10:40 | |
If you're caught pushing in, you go right to the back. | 0:10:40 | 0:10:44 | |
It's not rocket science to get in the line. So why do you do that? | 0:10:44 | 0:10:48 | |
It's not acceptable. Not at all. | 0:10:48 | 0:10:52 | |
Captain A bends the rules for no man. | 0:10:52 | 0:10:54 | |
-Sorry? -And that includes Peter, from Norfolk. -Where's your wife? | 0:10:54 | 0:11:00 | |
But anyway, sorry, she's already passed the line. | 0:11:00 | 0:11:03 | |
-That way, sir. -Pardon? -Just get back to the line. | 0:11:03 | 0:11:07 | |
The rules are rules. You need to get in the line | 0:11:07 | 0:11:10 | |
and I do have zero tolerance for the passengers | 0:11:10 | 0:11:14 | |
who don't follow the rules. | 0:11:14 | 0:11:17 | |
Zero tolerance. | 0:11:17 | 0:11:18 | |
-I've got to go to the back? -Yes, of course. | 0:11:18 | 0:11:20 | |
My wife is there, she's got my passport. She has my passport. | 0:11:20 | 0:11:24 | |
OK, I can give you your passport. No, that's fine because... | 0:11:24 | 0:11:29 | |
I've been waiting for him. | 0:11:29 | 0:11:30 | |
Yes, I do understand but I cannot answer the question | 0:11:32 | 0:11:34 | |
to those passengers why I cut the line for him. | 0:11:34 | 0:11:37 | |
I don't think they're worried too much. Just one person. | 0:11:37 | 0:11:40 | |
-I've been to the toilet. I had to go to the toilet. -He had to go quickly. | 0:11:40 | 0:11:43 | |
Yes. But anyway, how can I answer the question... | 0:11:43 | 0:11:45 | |
I'm not going all the way round there again. | 0:11:45 | 0:11:48 | |
Please, that way. | 0:11:48 | 0:11:50 | |
-Please, let me in. -Please. | 0:11:50 | 0:11:52 | |
After a short stand-off, Peter makes a tactical retreat. | 0:11:54 | 0:11:58 | |
MUSIC: Bossy by Kelis | 0:11:58 | 0:12:01 | |
I gave way in the end. | 0:12:01 | 0:12:03 | |
I thought I might be sent to the prison cell or something. | 0:12:03 | 0:12:07 | |
For the passengers who do that, they don't like me. | 0:12:07 | 0:12:11 | |
But for the rest of the passengers who are still in the line, | 0:12:11 | 0:12:15 | |
I think they love me. | 0:12:15 | 0:12:18 | |
Not everyone has to go to the back of Captain A's queue. | 0:12:18 | 0:12:21 | |
Thailand is a Buddhist country. | 0:12:21 | 0:12:23 | |
Monks are always passing through the airport and special rules apply. | 0:12:23 | 0:12:27 | |
The monk, he's a representative of the lord Buddha. | 0:12:27 | 0:12:30 | |
And for the rules for the Buddhists, we can pay respect to the monk | 0:12:30 | 0:12:35 | |
but we cannot touch the monk at all. | 0:12:35 | 0:12:39 | |
Untouchable. | 0:12:40 | 0:12:42 | |
Monks are even fast-tracked through immigration | 0:12:42 | 0:12:44 | |
which is where the trouble began for Din Pala from Cambodia. | 0:12:44 | 0:12:47 | |
His sister, Sok, got left behind in the queue and now she's disappeared. | 0:12:47 | 0:12:51 | |
Tourist Officer Panya is assigned to the case. | 0:13:02 | 0:13:05 | |
First stop is immigration where Sok was last seen | 0:13:05 | 0:13:07 | |
but they arrive too late. | 0:13:07 | 0:13:09 | |
Next stop, baggage reclaim. | 0:13:17 | 0:13:19 | |
But no luck here, either. | 0:13:21 | 0:13:23 | |
Go outside. | 0:13:23 | 0:13:25 | |
-Do you have a meeting point with her outside? Do you have? -No, no. | 0:13:27 | 0:13:33 | |
It's difficult to find. | 0:13:37 | 0:13:39 | |
Difficult, difficult because she no phone, cannot speak English. | 0:13:39 | 0:13:43 | |
And Thailand, everywhere she go with me. | 0:13:43 | 0:13:46 | |
Having reached a heightened state of consciousness | 0:13:48 | 0:13:51 | |
through many years of meditation, Din Pala has an idea. | 0:13:51 | 0:13:54 | |
He'll give her a poke on Facebook. | 0:13:54 | 0:13:57 | |
Back at Police HQ, the officers get his Wi-Fi working | 0:14:04 | 0:14:07 | |
and discuss the case. | 0:14:07 | 0:14:09 | |
This? Yes. | 0:14:17 | 0:14:19 | |
Din Pala gets connected but he's no nearer finding his sister. | 0:14:19 | 0:14:23 | |
But she is not online. If she is online I can contact her. | 0:14:23 | 0:14:29 | |
But now maybe she's no internet. | 0:14:29 | 0:14:31 | |
So they're off again but with 80,000 people passing through | 0:14:34 | 0:14:37 | |
the airport every day, Din Pala starts to lose faith. | 0:14:37 | 0:14:42 | |
Maybe I lost her. Maybe I lost her. | 0:14:42 | 0:14:46 | |
But just as hope fades, he spots his sister. | 0:14:51 | 0:14:53 | |
Much to Panya's amazement. | 0:14:53 | 0:14:55 | |
Wow! | 0:14:55 | 0:14:57 | |
Sok's in the queue at the mobile phone shop. | 0:15:02 | 0:15:04 | |
She was trying to get a new SIM card so she could call him | 0:15:04 | 0:15:07 | |
but now there's no need. | 0:15:07 | 0:15:09 | |
I think he is excited. | 0:15:09 | 0:15:13 | |
And glad to see his sister. | 0:15:13 | 0:15:17 | |
This is my sister that... I lost her but now I meet her. | 0:15:19 | 0:15:24 | |
Thank you so much for all the way go with me | 0:15:24 | 0:15:28 | |
and face my accident. | 0:15:28 | 0:15:31 | |
Thank you so much. And Panya Police, thank you so much. | 0:15:31 | 0:15:36 | |
In the excitement, Panya nearly forgets the no-touching rule. | 0:15:36 | 0:15:40 | |
But no harm done, it's another result for the Tourist Police | 0:15:40 | 0:15:43 | |
and it's back to HQ for a team photo. | 0:15:43 | 0:15:46 | |
Getting lost in translation is just one of the hazards | 0:15:58 | 0:16:01 | |
of international travel. Doing yourself a mischief is another. | 0:16:01 | 0:16:05 | |
Bangkok airport can sometimes resemble a warzone, | 0:16:05 | 0:16:08 | |
with doctors treating 700 patients every week. | 0:16:08 | 0:16:11 | |
The latest casualty is British backpacker Hannah. | 0:16:11 | 0:16:15 | |
She's been sent down from check-in | 0:16:15 | 0:16:16 | |
where they didn't like the look of her cast. | 0:16:16 | 0:16:19 | |
I fractured my leg about five days ago in Vietnam. | 0:16:19 | 0:16:22 | |
I was going canyoning. | 0:16:22 | 0:16:25 | |
I was doing a cliff jump at the end and you're supposed to run | 0:16:25 | 0:16:28 | |
and jump over the ledge. | 0:16:28 | 0:16:31 | |
I ran and then I stopped and then I fell and tumbled | 0:16:31 | 0:16:35 | |
and I landed and put all my weight on my leg. | 0:16:35 | 0:16:39 | |
-'Are you OK?' -I'm due to fly out home today to London and they need me | 0:16:39 | 0:16:44 | |
to get a medical certificate to say that I'm OK to fly. | 0:16:44 | 0:16:49 | |
The fit-to-fly certificate should be routine | 0:16:49 | 0:16:51 | |
but Hannah's cutting it a bit fine. | 0:16:51 | 0:16:53 | |
Today's decision... | 0:16:55 | 0:16:56 | |
-Sawatdee krap. -..lies with Dr Art. -How are you? | 0:16:56 | 0:17:00 | |
I'm OK, thank you. | 0:17:00 | 0:17:01 | |
Many sick people want to travel but they don't know the rules. | 0:17:01 | 0:17:04 | |
When you travel by air there is a risk if you have medical problems. | 0:17:04 | 0:17:08 | |
You have to make sure that everything is OK before flying. | 0:17:08 | 0:17:11 | |
-How long has it been? -Five days. | 0:17:11 | 0:17:14 | |
Five days? Did you fly a long fight? | 0:17:14 | 0:17:17 | |
Communication is very crucial for the treatment | 0:17:17 | 0:17:21 | |
because if it goes wrong, it goes wrong. | 0:17:21 | 0:17:24 | |
Normally if you have a cast we recommend to split the cast | 0:17:24 | 0:17:28 | |
-because it might be swollen. -OK. | 0:17:28 | 0:17:31 | |
If it's swollen it can cause, you know, | 0:17:31 | 0:17:33 | |
compartment syndrome which is, you know, you might lose you leg. | 0:17:33 | 0:17:37 | |
The thing is, we cannot cut it here. | 0:17:39 | 0:17:41 | |
You have to go to the hospital but it takes only 20 minutes there | 0:17:41 | 0:17:45 | |
-and then you have to come back. Yes, you will still have time. -Yeah. | 0:17:45 | 0:17:50 | |
Yeah. Because if you fly like this I'm afraid that it will be bad. | 0:17:50 | 0:17:54 | |
Well, I just really want to get there as quickly as possible. | 0:17:54 | 0:17:57 | |
-So that I can fly. -Yeah. | 0:17:57 | 0:18:00 | |
Well, hopefully they're going to take my cast off really fast but | 0:18:00 | 0:18:03 | |
it just depends on traffic whether I can get to the hospital in time. | 0:18:03 | 0:18:07 | |
Really, really want to get on this flight. | 0:18:07 | 0:18:10 | |
Has anybody told them that I'm coming? Yeah? OK, OK. | 0:18:10 | 0:18:15 | |
We can get a taxi. | 0:18:15 | 0:18:17 | |
The hospital's only 14 miles away but Bangkok traffic can be slow | 0:18:17 | 0:18:21 | |
-and Hannah doesn't know the Thai for "Get a move on". -Maybe go faster. | 0:18:21 | 0:18:27 | |
Because... | 0:18:27 | 0:18:29 | |
Because I've only got like less than two and a half hours now. | 0:18:29 | 0:18:35 | |
Go, go, go! | 0:18:35 | 0:18:37 | |
# I don't care. # | 0:18:38 | 0:18:41 | |
I don't have any luggage. | 0:18:42 | 0:18:44 | |
How long will it take? | 0:18:46 | 0:18:48 | |
-OK. -If Hannah's to stand any chance of boarding her fight, | 0:18:51 | 0:18:53 | |
she's got to get across town, get the cast cut and get | 0:18:53 | 0:18:56 | |
back to the airport, preferably while the plane's still there. | 0:18:56 | 0:19:00 | |
Making yourself understood is one of the biggest challenges facing | 0:19:08 | 0:19:11 | |
-tourists and staff. -You can't speak English? | 0:19:11 | 0:19:16 | |
In a cosmopolitan airport like Bangkok, | 0:19:16 | 0:19:18 | |
avoiding communication cockups is a constant battle. | 0:19:18 | 0:19:22 | |
Over at Tourist Information, Officer Jibbydoo is on the front line. | 0:19:22 | 0:19:25 | |
How may I help you? | 0:19:25 | 0:19:28 | |
For me, talking to Indians is a bit hard because their accent, | 0:19:28 | 0:19:33 | |
their pronunciation and their accent is a bit hard for me to understand. | 0:19:33 | 0:19:38 | |
HE SPEAKS THAI | 0:19:38 | 0:19:40 | |
British, Americans, Australia and New Zealand are OK. | 0:19:40 | 0:19:45 | |
And if no-one on the desk speaks your language, | 0:19:46 | 0:19:48 | |
-there's a translation service at the end of the phone. -Par Ruski! | 0:19:48 | 0:19:53 | |
-Par Ruski. -But even that doesn't always help. -What do you want? | 0:19:53 | 0:19:56 | |
And even if you speak perfect English, | 0:20:00 | 0:20:02 | |
things can still get lost in translation. | 0:20:02 | 0:20:05 | |
This almost looks like Durban. | 0:20:05 | 0:20:08 | |
Toya and Ali were due to fly home to South Africa today till | 0:20:08 | 0:20:11 | |
they got a message from their airline. | 0:20:11 | 0:20:13 | |
They were like, "Your flight is cancelled" so we were like, | 0:20:13 | 0:20:15 | |
"What are we going to do?" | 0:20:15 | 0:20:16 | |
And we called them and they were speaking in Thai | 0:20:16 | 0:20:19 | |
and we were like, "Oh!" It was quite something! | 0:20:19 | 0:20:21 | |
But then they made a plan for the flight to be rescheduled | 0:20:21 | 0:20:24 | |
to tomorrow so hence, hey, another day in Bangkok. | 0:20:24 | 0:20:28 | |
But another day in Bangkok means another night | 0:20:28 | 0:20:30 | |
so they need to find their airline's desk to help arrange a hotel. | 0:20:30 | 0:20:34 | |
There's a big question mark hanging over the information desk | 0:20:45 | 0:20:47 | |
which is kind of fitting because Toya and Ali | 0:20:47 | 0:20:50 | |
are about to get lost in pronunciation. | 0:20:50 | 0:20:52 | |
-Office... -Office on the first floor, downstairs, gate number eight. | 0:21:00 | 0:21:04 | |
Gate number eight. Kop Khun Khrap. | 0:21:04 | 0:21:06 | |
It seems like he knew what he was talking about | 0:21:09 | 0:21:11 | |
so I think we are in good hands. | 0:21:11 | 0:21:16 | |
Or are they? | 0:21:16 | 0:21:17 | |
Down on the first floor there's no sign of their airline desk anywhere. | 0:21:17 | 0:21:20 | |
Hello. | 0:21:20 | 0:21:22 | |
-Over there, please. -Sorry? -Over there, please. I think over there. | 0:21:29 | 0:21:33 | |
-Over there? -Yes, Qatar Airways, over there. | 0:21:33 | 0:21:36 | |
-That direction. -But they've already been over there and it wasn't there. | 0:21:36 | 0:21:41 | |
Oh. First floor... Is it B? Is it B? | 0:21:41 | 0:21:46 | |
-That's what it says, on the first floor. -Wait... It's not simple. | 0:21:46 | 0:21:51 | |
But hopefully we'll find it. | 0:21:51 | 0:21:53 | |
-Eventually the penny drops. -Oh. | 0:22:01 | 0:22:05 | |
So, yeah. | 0:22:14 | 0:22:16 | |
Back on the fourth floor the girls soon find the Cathay Airways desk. | 0:22:16 | 0:22:20 | |
It's been there all along. | 0:22:20 | 0:22:22 | |
They can enjoy an extra night in Bangkok | 0:22:22 | 0:22:24 | |
after their free tour of the airport and a long lesson in clear diction. | 0:22:24 | 0:22:28 | |
Maybe we just have to learn to say it better. | 0:22:28 | 0:22:31 | |
It must be something like that. | 0:22:31 | 0:22:34 | |
Cathay! | 0:22:34 | 0:22:35 | |
Cathay! Cathay. Cathay? | 0:22:38 | 0:22:41 | |
Over in customs, Officer Poppy is logging all the booze | 0:22:48 | 0:22:51 | |
she's confiscated from passengers who've exceeded their allowance. | 0:22:51 | 0:22:54 | |
But in an airport like Bangkok, that's not as easy as it sounds. | 0:22:54 | 0:22:58 | |
And how can I write down this because it's all Chinese letters? | 0:22:58 | 0:23:02 | |
I believe it's a liquor. Sake. | 0:23:04 | 0:23:09 | |
But it's written in Chinese and I couldn't read it | 0:23:09 | 0:23:13 | |
but I have to do the list so I don't know what I'm going to do with this. | 0:23:13 | 0:23:19 | |
OK, next time could you please... | 0:23:19 | 0:23:23 | |
in English a little bit? | 0:23:23 | 0:23:25 | |
But it's not just liquid spirits that Poppy has to look out for. | 0:23:25 | 0:23:29 | |
For years, the customs staff have believed that the storage area | 0:23:32 | 0:23:35 | |
in the basement is haunted. | 0:23:35 | 0:23:37 | |
Sometimes you might hear some noise that you cannot explain | 0:23:39 | 0:23:44 | |
or things happen that you cannot explain. It's just like belief. | 0:23:44 | 0:23:49 | |
Legend has it that someone fell into the concrete as it was being | 0:23:49 | 0:23:52 | |
poured leaving an eerie outline of a face in the pillar. | 0:23:52 | 0:23:55 | |
He said to me it looks like a lady but I don't get it yet. | 0:23:57 | 0:24:05 | |
According to Officer Kriengsak, the face can be clearly seen. | 0:24:05 | 0:24:08 | |
Poppy's not sure but just in case, the staff created | 0:24:20 | 0:24:23 | |
a small shrine where they leave gifts. | 0:24:23 | 0:24:26 | |
We pay her respect by just giving her jewellery | 0:24:26 | 0:24:29 | |
and we think that she loves it. | 0:24:29 | 0:24:31 | |
And just occasionally the pillar gives back. | 0:24:31 | 0:24:34 | |
The one who asks for the lotto number, he or she won the lotto. | 0:24:34 | 0:24:40 | |
Up in Departures, Louise could do with some divine intervention. | 0:24:47 | 0:24:51 | |
She and daughter Lilia missed their flight home to Paris | 0:24:51 | 0:24:54 | |
after a row at the gate. | 0:24:54 | 0:24:55 | |
The Tourist Police can't help her so she's refusing | 0:24:55 | 0:24:58 | |
to leave the airport even though it's driving her nuts. | 0:24:58 | 0:25:01 | |
I'm feeling like I'm going to die. | 0:25:02 | 0:25:04 | |
I just want to pass out and disappear. | 0:25:06 | 0:25:09 | |
You know, like, I haven't slept. I'm so tired. | 0:25:11 | 0:25:15 | |
Haven't eaten, you know... | 0:25:15 | 0:25:17 | |
I don't know what to do. | 0:25:18 | 0:25:20 | |
Louise calls her airline and asks for a free flight | 0:25:20 | 0:25:23 | |
but it sounds like they're not listening. | 0:25:23 | 0:25:25 | |
340 euro to get on the plane? | 0:25:25 | 0:25:29 | |
It's so much money, I'm a student. | 0:25:29 | 0:25:33 | |
I don't have travel insurance. | 0:25:33 | 0:25:37 | |
Please, you've got to help me. | 0:25:37 | 0:25:38 | |
Can you please put me on that plane? | 0:25:38 | 0:25:41 | |
Please. I'm going to die here. | 0:25:44 | 0:25:47 | |
'Then he said that I should try to go and speak with' | 0:25:52 | 0:25:56 | |
the information desk and that I should've called them earlier | 0:25:56 | 0:26:00 | |
and go to the French embassy and... | 0:26:00 | 0:26:02 | |
That now basically he can't do anything, | 0:26:04 | 0:26:05 | |
I have to talk to these people at four o'clock tomorrow. | 0:26:05 | 0:26:09 | |
With their pleas apparently falling on deaf ears, | 0:26:12 | 0:26:14 | |
Louise and Lilia face another 24 hours at Bangkok Airport. | 0:26:14 | 0:26:18 | |
We last saw Hannah racing to a Bangkok hospital to have her cast | 0:26:25 | 0:26:28 | |
split open but she's got less than two hours to sort it all out | 0:26:28 | 0:26:32 | |
before her flight takes off. | 0:26:32 | 0:26:34 | |
But the doctor's nowhere to be seen | 0:26:36 | 0:26:38 | |
and she can't communicate the urgency of her situation. | 0:26:38 | 0:26:41 | |
Thinking the clock is ticking and no-one's doing anything. | 0:26:41 | 0:26:46 | |
There's the saw right there, | 0:26:47 | 0:26:49 | |
I could just do it but I don't want to slice my leg off so... | 0:26:49 | 0:26:53 | |
But, yeah, I just feel really worried that | 0:26:54 | 0:26:58 | |
it's not going to happen. | 0:26:58 | 0:27:01 | |
After 40 long minutes, the doctor finally comes. | 0:27:01 | 0:27:04 | |
And goes. | 0:27:07 | 0:27:09 | |
But only to get Hannah's X-ray results. | 0:27:11 | 0:27:13 | |
-Hello. -Hello. -How are you? -Good, thank you. -OK. | 0:27:15 | 0:27:19 | |
-So I have to split the cast off. -Yeah. | 0:27:19 | 0:27:22 | |
-Your flight is leaving...? -11.15, yeah. | 0:27:22 | 0:27:25 | |
-OK. -Really soon. -Very soon. -Thank you for doing it quickly. | 0:27:25 | 0:27:29 | |
-During the procedure, I would like you to relax, OK? -OK. | 0:27:29 | 0:27:33 | |
And it may cause some noisy and some heat inside... | 0:27:33 | 0:27:37 | |
-OK. -Just relax. | 0:27:37 | 0:27:40 | |
SAW WHIRLS | 0:27:44 | 0:27:47 | |
HANNAH SCREAMS | 0:27:47 | 0:27:48 | |
That hurt! I felt that. I felt that. | 0:27:48 | 0:27:52 | |
Oh, my God. This is awful. | 0:27:52 | 0:27:55 | |
Thank you so much. Thank you, thank you. | 0:27:56 | 0:27:59 | |
Let's go. Go, go, go. Fast! | 0:27:59 | 0:28:02 | |
Medical certificate in hand... | 0:28:02 | 0:28:04 | |
Thank you very much. | 0:28:04 | 0:28:05 | |
..it's a race back to the airport. | 0:28:05 | 0:28:07 | |
Go faster, please go faster. | 0:28:07 | 0:28:09 | |
I need to get there. | 0:28:09 | 0:28:12 | |
I could walk faster than this. | 0:28:12 | 0:28:16 | |
So I need to go to the airport really fast. | 0:28:16 | 0:28:19 | |
Go, go, go! | 0:28:19 | 0:28:21 | |
I have to be at the airport in the next few minutes | 0:28:22 | 0:28:26 | |
so if we could just go, that would be really good. | 0:28:26 | 0:28:29 | |
Come on! | 0:28:29 | 0:28:31 | |
I feel like I'm going to throw up. | 0:28:34 | 0:28:36 | |
Oh, my God. I bet they're closed. Oh, shit, shit, shit. | 0:28:39 | 0:28:43 | |
Do you work here? | 0:28:43 | 0:28:44 | |
Can I...? Have I still got time? | 0:28:44 | 0:28:46 | |
Wow. | 0:28:46 | 0:28:48 | |
Looks like I might be getting on, I hope. | 0:28:48 | 0:28:51 | |
I'll believe it when I'm on there. I will. | 0:28:54 | 0:28:57 | |
I feel like I'm so close though, | 0:28:57 | 0:28:59 | |
I can't possibly not get on the flight. | 0:28:59 | 0:29:02 | |
With only seconds to spare, Hannah makes the gate. | 0:29:02 | 0:29:05 | |
It's her first lucky break of the holiday. | 0:29:05 | 0:29:07 | |
In immigration, they're bracing themselves for rush hour | 0:29:22 | 0:29:24 | |
with airlines from over 60 different countries flying into Bangkok, | 0:29:24 | 0:29:28 | |
clear communication is vital. | 0:29:28 | 0:29:30 | |
Luckily Captain A can send people to the back of the queue | 0:29:30 | 0:29:33 | |
in several different languages. | 0:29:33 | 0:29:34 | |
SHE SPEAKS IN OWN LANGUAGE | 0:29:34 | 0:29:36 | |
But she always finds time to answer passengers' questions patiently. | 0:29:36 | 0:29:40 | |
No, that's for China, Chinese. | 0:29:47 | 0:29:51 | |
Working under Captain A today is Captain Sarik. | 0:29:51 | 0:29:56 | |
Passport, please. | 0:29:56 | 0:29:57 | |
He makes a point of greeting passengers in their own language. | 0:29:57 | 0:30:00 | |
'I work here for...' | 0:30:00 | 0:30:02 | |
For one year so I just take a look at them | 0:30:02 | 0:30:06 | |
and I know that what is their nationality... | 0:30:06 | 0:30:10 | |
..is. | 0:30:12 | 0:30:13 | |
Captain Sarik's always looking for new passengers to practise on. | 0:30:13 | 0:30:17 | |
Sometimes, when I have free time I just learn their language. | 0:30:17 | 0:30:23 | |
Today, he's mainly been practising Portuguese. | 0:30:23 | 0:30:26 | |
"Boa sorte", what is it? | 0:30:26 | 0:30:28 | |
-Boa sorte. -Boa sorte. -It means good luck. | 0:30:28 | 0:30:33 | |
With a little help from his home-made phrase book, | 0:30:33 | 0:30:35 | |
he can now greet passengers in Russian... | 0:30:35 | 0:30:38 | |
Udachi, means good luck. | 0:30:38 | 0:30:40 | |
..and Korean... | 0:30:40 | 0:30:42 | |
THEY SPEAK KOREAN | 0:30:42 | 0:30:45 | |
..Chinese... | 0:30:45 | 0:30:47 | |
HE SPEAKS CHINESE | 0:30:47 | 0:30:49 | |
..and French. | 0:30:49 | 0:30:50 | |
-French? -French. -Bonjour. | 0:30:50 | 0:30:52 | |
But he knows not to push it too far. | 0:30:52 | 0:30:55 | |
If I'm busy, I didn't do this because my boss will... | 0:30:55 | 0:30:59 | |
She's going to kill me. | 0:30:59 | 0:31:02 | |
Next in line is 24-year-old Danny from Wolverhampton, | 0:31:06 | 0:31:09 | |
he's left his family and friends to carve out a new life in Thailand. | 0:31:09 | 0:31:14 | |
I was crying last night, my mum was crying, | 0:31:14 | 0:31:18 | |
my brother was crying. | 0:31:18 | 0:31:20 | |
Being on your own, that's the hard bit cos you've got no-one, | 0:31:20 | 0:31:23 | |
you know what I mean? And then you've left all your friends | 0:31:23 | 0:31:26 | |
and your family and everything at home. | 0:31:26 | 0:31:27 | |
Danny's gambled everything on making it big as a DJ. | 0:31:27 | 0:31:31 | |
'I don't have loads of DJing experience | 0:31:31 | 0:31:33 | |
'but I've watched famous DJs on YouTube constantly' | 0:31:33 | 0:31:36 | |
and I'm watching them thinking, "I can do that if I'm better." | 0:31:36 | 0:31:40 | |
Take off your cap, please. Take off your cap. | 0:31:40 | 0:31:43 | |
Oh, do you want my cap? | 0:31:43 | 0:31:45 | |
Danny's brought over all his CDs, they're in his suitcase. | 0:31:47 | 0:31:52 | |
But finding that suitcase might not be easy. | 0:31:52 | 0:31:55 | |
I'm lost. | 0:31:55 | 0:31:57 | |
With more than 20 carousels, | 0:31:59 | 0:32:01 | |
baggage reclaim's a bit like Danny's record collection - big. | 0:32:01 | 0:32:05 | |
Can play any music, anything, | 0:32:05 | 0:32:07 | |
drum and bass, techno, house, hard house. | 0:32:07 | 0:32:10 | |
That way? Yeah, that way. | 0:32:13 | 0:32:15 | |
Tech house, minimal. | 0:32:15 | 0:32:17 | |
This is it, I hope. | 0:32:17 | 0:32:20 | |
Bassline house, garage, jackin house. | 0:32:20 | 0:32:23 | |
There's not many people. | 0:32:23 | 0:32:25 | |
Tech house, deep house. | 0:32:25 | 0:32:27 | |
I think this is the right one, I'm not sure. | 0:32:27 | 0:32:30 | |
Trance, psy-trance. | 0:32:31 | 0:32:33 | |
Just have to wait and see. | 0:32:33 | 0:32:35 | |
House. | 0:32:37 | 0:32:39 | |
Hey! | 0:32:39 | 0:32:41 | |
Danny finally tracks down the right luggage belt. | 0:32:41 | 0:32:44 | |
My whole life's in here... | 0:32:44 | 0:32:47 | |
for the near future anyway. | 0:32:47 | 0:32:49 | |
Outside the airport, he gets even luckier. | 0:32:49 | 0:32:51 | |
Not only does the taxi match his suitcase | 0:32:51 | 0:32:54 | |
but the driver speaks fluent English. | 0:32:54 | 0:32:56 | |
Welcome to Thailand. | 0:32:56 | 0:33:00 | |
Can I ask you a question? Why you want to come to Bangkok? | 0:33:00 | 0:33:03 | |
-What brought me to Bangkok? -Uh-huh. | 0:33:03 | 0:33:05 | |
I've come to try and pursue my DJing career. | 0:33:05 | 0:33:09 | |
-I'm going to go a few bars, ask them if I can play. -Mm-hm. | 0:33:09 | 0:33:12 | |
Hopefully if they say yes, then play tonight. | 0:33:12 | 0:33:15 | |
Everybody likes to come to Bangkok, Thailand | 0:33:15 | 0:33:18 | |
because the reason why, we're a cool people. | 0:33:18 | 0:33:21 | |
Bangkok may be cool and Danny's hopes are high | 0:33:22 | 0:33:25 | |
but can he really crack the city's famous nightclub scene? | 0:33:25 | 0:33:28 | |
While Danny hits the town, Louise is going nowhere fast. | 0:33:31 | 0:33:34 | |
It's more than 24 hours since she and daughter Lilia | 0:33:34 | 0:33:37 | |
missed their flight home to Paris | 0:33:37 | 0:33:39 | |
and she can't pay, won't pay for a new ticket. | 0:33:39 | 0:33:43 | |
If I have to pay for those tickets | 0:33:43 | 0:33:46 | |
or whatever they want, 30,000 baht, | 0:33:46 | 0:33:49 | |
if I have to pay for that, like I said, I'm going to have not... | 0:33:49 | 0:33:53 | |
I can't pay my rent. | 0:33:53 | 0:33:54 | |
I can't sleep and... | 0:33:54 | 0:33:58 | |
I feel sad and I just want to be in my home in my bed | 0:33:58 | 0:34:04 | |
and take a shower and, like, comb my hair and it's just horrible... | 0:34:04 | 0:34:09 | |
Feel so sad so... | 0:34:12 | 0:34:15 | |
Louise has a four o'clock appointment at the airline desk, | 0:34:15 | 0:34:19 | |
she knows this could be her last chance. | 0:34:19 | 0:34:23 | |
I don't have to pay, right? | 0:34:23 | 0:34:25 | |
-In that way, I have to contact my boss... -Yeah. | 0:34:25 | 0:34:27 | |
..because actually you need to pay. | 0:34:27 | 0:34:30 | |
Well, that's what they've been telling me, you know, | 0:34:30 | 0:34:32 | |
and the problem is that we did everything right | 0:34:32 | 0:34:35 | |
and there was a major breach of protocol. I'm studying law... | 0:34:35 | 0:34:39 | |
With no answers and the prospect of more hours to fill, | 0:34:39 | 0:34:42 | |
the stress is taking its toll. | 0:34:42 | 0:34:44 | |
They keep bouncing me here and there and here and there | 0:34:44 | 0:34:46 | |
and here and there, you know? | 0:34:46 | 0:34:48 | |
It's supposed to be a holiday and now it's just a fucking nightmare. | 0:34:48 | 0:34:51 | |
You know, money talks, bullshit walks. | 0:34:51 | 0:34:53 | |
While Louise plots her escape, the tourist police have a new case | 0:34:59 | 0:35:03 | |
and here it is - Duncan and Susan picked it up from the carousel | 0:35:03 | 0:35:07 | |
but it's not theirs. | 0:35:07 | 0:35:08 | |
'In all the years we've been travelling,' | 0:35:08 | 0:35:10 | |
we've never done this before. Never picked up the wrong case. | 0:35:10 | 0:35:13 | |
All I can plead in my own defence, | 0:35:13 | 0:35:15 | |
forgive me, I'm a lawyer by profession, | 0:35:15 | 0:35:17 | |
is that the cases are absolutely identical. | 0:35:17 | 0:35:20 | |
I'm hoping we haven't spoiled someone's holiday. | 0:35:20 | 0:35:22 | |
Probably haven't improved it, have we? | 0:35:22 | 0:35:24 | |
But if they've got the wrong suitcase, who's got theirs? | 0:35:25 | 0:35:29 | |
It's got all my clothes in, | 0:35:29 | 0:35:30 | |
absolutely every single thing that I need for my holiday. | 0:35:30 | 0:35:34 | |
That's it really, I mean, | 0:35:34 | 0:35:36 | |
I've got what I'm standing up in and that's all. | 0:35:36 | 0:35:38 | |
Lost luggage is one of the great holiday nightmares. | 0:35:40 | 0:35:43 | |
Bangkok's no different to any other busy airport | 0:35:43 | 0:35:45 | |
but it always seems worse when you're so far away from home. | 0:35:45 | 0:35:49 | |
This airport and its layout is different. | 0:35:50 | 0:35:54 | |
Also the fact that the language is completely unfamiliar, | 0:35:55 | 0:36:00 | |
all the signs, it just disorientates you a little bit when you see | 0:36:00 | 0:36:03 | |
writing in a language that you can't even read never mind understand. | 0:36:03 | 0:36:07 | |
Duncan and Susan aren't alone, | 0:36:07 | 0:36:08 | |
joining the lost luggage club today are Geordies Gary and Dave, | 0:36:08 | 0:36:12 | |
they've just touched down four hours late and two bags light. | 0:36:12 | 0:36:15 | |
We decided that in Dubai we would stop and have some king crab | 0:36:15 | 0:36:19 | |
and caviar and champagne and I don't drink | 0:36:19 | 0:36:22 | |
so this is a bad idea. | 0:36:22 | 0:36:23 | |
Once you start drinking champagne and you've just went on holiday, | 0:36:23 | 0:36:27 | |
you just lose all track of time, don't you? | 0:36:27 | 0:36:29 | |
And then before you know it, you're like, | 0:36:29 | 0:36:30 | |
"Oh, let's go and get the plane" and then whoosh! | 0:36:30 | 0:36:32 | |
You watch it flying away. | 0:36:32 | 0:36:35 | |
We had to get the next flight and they said, | 0:36:37 | 0:36:39 | |
"Oh, your baggage will be waiting there for you." And it wasn't. | 0:36:39 | 0:36:42 | |
Typical Brits! | 0:36:42 | 0:36:44 | |
Dave's come to Thailand to study the ancient art of fire juggling | 0:36:44 | 0:36:48 | |
but his missing bag has his fire juggling stick in it | 0:36:48 | 0:36:50 | |
and without it... | 0:36:50 | 0:36:52 | |
Oh, please, please. | 0:36:52 | 0:36:54 | |
..he can't fire juggle. | 0:36:54 | 0:36:55 | |
It's my first juggling fire staff and it's only about that tall | 0:36:55 | 0:36:59 | |
and I only paid about £80 for it but I've just had it... | 0:36:59 | 0:37:01 | |
It's the perfect weight, it's like it was perfect... | 0:37:01 | 0:37:04 | |
Like designed for me, you know? | 0:37:04 | 0:37:06 | |
So...just hope it's OK. | 0:37:06 | 0:37:11 | |
Back at the police station, the staff are pulling out all the stops | 0:37:11 | 0:37:14 | |
but with a connecting flight to catch, time's running out. | 0:37:14 | 0:37:18 | |
Just hoping they get it to us in sufficient time for us | 0:37:18 | 0:37:21 | |
to make the connection. | 0:37:21 | 0:37:22 | |
We've still got an hour at the moment so we should be all right. | 0:37:22 | 0:37:26 | |
The airline has news, there are two bags left at the carousel | 0:37:26 | 0:37:30 | |
and both match Duncan and Susan's. | 0:37:30 | 0:37:33 | |
As for Gary and Dave, they've been sent to lost property | 0:37:33 | 0:37:36 | |
but the staff can't find the staff. | 0:37:36 | 0:37:39 | |
-No way... -No? | 0:37:39 | 0:37:41 | |
-Same as this. -Yep. -Ah. | 0:37:41 | 0:37:44 | |
You contact with... | 0:37:44 | 0:37:46 | |
But the language barrier is always there. | 0:37:46 | 0:37:49 | |
-Contact Emirates? -Yes, contact Emirates. | 0:37:49 | 0:37:53 | |
Oh, right, so this is actually happening now. | 0:37:53 | 0:37:57 | |
-Oh, no! -Oh, mate. | 0:37:57 | 0:38:00 | |
So now it's off to the airline desk. | 0:38:00 | 0:38:03 | |
I'm trying to laugh it off but I am actually very upset... | 0:38:03 | 0:38:07 | |
unfortunately. | 0:38:07 | 0:38:09 | |
HE SIGHS | 0:38:09 | 0:38:11 | |
Gary and Dave aren't the only ones feeling the heat. | 0:38:11 | 0:38:14 | |
I'm just saying I haven't actually seen another bag as of yet. | 0:38:14 | 0:38:18 | |
Where's my bag? | 0:38:18 | 0:38:20 | |
Duncan's told to wait while Susan goes back airside. | 0:38:20 | 0:38:24 | |
The moment of truth is approaching. | 0:38:24 | 0:38:26 | |
That's not it. It's bigger. It's like this. | 0:38:26 | 0:38:30 | |
The one that I need is like this. | 0:38:30 | 0:38:33 | |
It's exactly the same. | 0:38:35 | 0:38:37 | |
Things are looking bleak for Dave too, | 0:38:37 | 0:38:39 | |
his whole future as a fire juggler is in jeopardy. | 0:38:39 | 0:38:42 | |
With lots and lots of different symbols on it | 0:38:44 | 0:38:46 | |
which are coloured symbols. | 0:38:46 | 0:38:47 | |
Wounded, absolutely devastated. | 0:38:47 | 0:38:50 | |
He plans on going to a school down in the islands somewhere | 0:38:50 | 0:38:52 | |
that teach you how to do it as well so he will be very upset. | 0:38:52 | 0:38:57 | |
I feel like a donkey with a carrot. | 0:38:57 | 0:38:59 | |
It's like we have your bag, we don't have your bag! | 0:38:59 | 0:39:01 | |
We have your bag, we don't have your bag! | 0:39:01 | 0:39:05 | |
While Gary and Dave continue their search, | 0:39:05 | 0:39:07 | |
Duncan and Susan have reached the end of the line. | 0:39:07 | 0:39:10 | |
Yes, we have only this one. | 0:39:10 | 0:39:12 | |
I think someone's taken my bag. | 0:39:12 | 0:39:14 | |
Can I go back? I don't know how to go back. | 0:39:17 | 0:39:19 | |
-I don't know how to go back. -Just go this way... | 0:39:19 | 0:39:22 | |
The couple just make their flight | 0:39:22 | 0:39:24 | |
but they leave without Susan's suitcase. | 0:39:24 | 0:39:27 | |
For Gary and Dave, there's one last throw of the dice. | 0:39:27 | 0:39:31 | |
Dave? | 0:39:32 | 0:39:34 | |
Oh, yes, that's it! | 0:39:35 | 0:39:37 | |
-Is it still in one piece? -It certainly is. -Oh, fantastic! | 0:39:37 | 0:39:42 | |
Nothing's broke either. Yes! | 0:39:42 | 0:39:45 | |
That a bit bent? | 0:39:45 | 0:39:48 | |
Nah. | 0:39:48 | 0:39:50 | |
Think a mixture of 50% relieved, 50% happy. | 0:39:50 | 0:39:54 | |
Yep, more relieved actually. | 0:39:56 | 0:39:59 | |
Yes! | 0:39:59 | 0:40:01 | |
In downtown Bangkok, Danny's found the Khao San Road, | 0:40:15 | 0:40:19 | |
an old rice market now teeming with cafes and bars. | 0:40:19 | 0:40:23 | |
It's base camp for a million backpackers | 0:40:23 | 0:40:25 | |
and the perfect place for an aspiring DJ to land his first gig. | 0:40:25 | 0:40:29 | |
Danny dreams of making it big on the city's club scene | 0:40:32 | 0:40:35 | |
but first he needs somewhere to stay. | 0:40:35 | 0:40:37 | |
Hmm, this looks a friendly place. | 0:40:37 | 0:40:40 | |
Time to give the Thais a masterclass in bartering. | 0:40:40 | 0:40:43 | |
Hello, have you got a room? For one? | 0:40:43 | 0:40:47 | |
Cheapest one, the cheapest one. | 0:40:47 | 0:40:49 | |
-You have a room for 150 or not? -No. | 0:40:51 | 0:40:54 | |
I thought you had one, no? Erm... | 0:40:54 | 0:40:57 | |
Maybe if you could do one for half price at a good price for us? | 0:40:57 | 0:41:00 | |
-Yeah. Is it 300 baht you can do one for? -350. -350. -Yes. -One second. | 0:41:02 | 0:41:08 | |
If I pay you 350, you can give me an upgrade. How's about that? | 0:41:08 | 0:41:11 | |
-A better room with air con for 350? -Oh, no, no. -You can't? | 0:41:11 | 0:41:15 | |
Yeah, OK. | 0:41:15 | 0:41:17 | |
Well, it was worth a go and with 50 baht to the pound, | 0:41:17 | 0:41:19 | |
he can take the hit. | 0:41:19 | 0:41:21 | |
I did try and I was like, "Should I walk off?" | 0:41:21 | 0:41:23 | |
And then I thought, "Nah, I do like her, I'll just pay." | 0:41:23 | 0:41:25 | |
So I paid £7 a night for this | 0:41:25 | 0:41:28 | |
so I don't know if that's expensive, you see. | 0:41:28 | 0:41:31 | |
Earphones, my Spongebob flannel. | 0:41:31 | 0:41:34 | |
Bassline, jackin, just all my CDs, hopefully I'll use them. | 0:41:34 | 0:41:38 | |
Slippers. | 0:41:38 | 0:41:39 | |
Everything I own now. | 0:41:39 | 0:41:42 | |
Yeah, this is it, this is my life now. | 0:41:42 | 0:41:47 | |
After a quick shower, Danny starts looking for work. | 0:41:47 | 0:41:50 | |
MUSIC: Waiting All Night by Rudimental | 0:41:50 | 0:41:55 | |
Trying to look for bars or club signs. Everything's hidden. | 0:41:55 | 0:41:59 | |
He sets off with bags of optimism. | 0:42:00 | 0:42:03 | |
If I can get like three, one hour or two hour, one hour, | 0:42:03 | 0:42:06 | |
and then we can go from there, go to another one. | 0:42:06 | 0:42:08 | |
Hello, where's the manager? | 0:42:08 | 0:42:10 | |
But slowly reality bites. | 0:42:10 | 0:42:13 | |
I'm a DJ from England. Do you have decks? | 0:42:13 | 0:42:16 | |
If I asked them, do you think they'd let me play or not? | 0:42:16 | 0:42:19 | |
It's closed. | 0:42:19 | 0:42:20 | |
All right, no worries, thank you anyway. | 0:42:20 | 0:42:23 | |
'I'm so confident that at least one bar or club will say yeah.' | 0:42:23 | 0:42:27 | |
So we'll just keep going, keep going, keep going, keep going. | 0:42:27 | 0:42:30 | |
But there are only so many clubs even on Khao San Road | 0:42:30 | 0:42:33 | |
and too many DJs. | 0:42:33 | 0:42:35 | |
Spoke to one of the staff | 0:42:35 | 0:42:36 | |
and basically that's the line-up for tonight, | 0:42:36 | 0:42:41 | |
a lot of DJs in there. | 0:42:41 | 0:42:43 | |
As darkness falls, the knockbacks keep coming | 0:42:46 | 0:42:48 | |
so Danny tries a new tactic. | 0:42:48 | 0:42:51 | |
No charge, nothing like that, just me playing for a little bit. | 0:42:51 | 0:42:54 | |
With the... Yeah, OK. | 0:42:57 | 0:42:59 | |
It's a desperate ploy but will the gamble pay off? | 0:42:59 | 0:43:04 | |
Thank you. | 0:43:05 | 0:43:07 | |
'Good news, good news, eventually got somewhere to play' | 0:43:07 | 0:43:10 | |
and hopefully we'll put a good night on, | 0:43:10 | 0:43:13 | |
show them some proper English garage music | 0:43:13 | 0:43:16 | |
so all the effort was worthwhile. | 0:43:16 | 0:43:17 | |
So Danny's landed the gig but will it be his passport to success? | 0:43:17 | 0:43:21 | |
Back at the airport, Captain A's limbering up for another shift | 0:43:30 | 0:43:34 | |
but it turns out keeping passengers in line is just one of her passions. | 0:43:34 | 0:43:39 | |
Going to the gym, that's my hobby. | 0:43:39 | 0:43:42 | |
When she's not in work, she's working out. | 0:43:42 | 0:43:45 | |
The whole body, my arm, my back, my shoulder, my leg, my stomach. | 0:43:45 | 0:43:51 | |
But when it comes to keeping order, | 0:43:51 | 0:43:53 | |
Captain A never goes into battle empty-handed. | 0:43:53 | 0:43:56 | |
The police who work in the police station, they carry their gun | 0:43:56 | 0:43:59 | |
but for the immigration, we didn't carry the gun, | 0:43:59 | 0:44:02 | |
we carry our immigration stamp. | 0:44:02 | 0:44:05 | |
Yes... IMAGINARY GUNSHOT | 0:44:05 | 0:44:07 | |
..that's our weapon. IMAGINARY GUNSHOT | 0:44:07 | 0:44:09 | |
Like a gun. | 0:44:09 | 0:44:12 | |
Captain A may be tough but she's by no means the toughest cookie | 0:44:12 | 0:44:15 | |
in the immigration department. | 0:44:15 | 0:44:17 | |
That title goes to Inspector Muay... | 0:44:19 | 0:44:22 | |
SHE SPEAKS IN OWN LANGUAGE | 0:44:22 | 0:44:23 | |
..a battle hardened immigration officer | 0:44:23 | 0:44:25 | |
who likes to play it by the book. | 0:44:25 | 0:44:27 | |
You need all your paperwork in order when she's on duty | 0:44:27 | 0:44:31 | |
as Vince is about to discover. | 0:44:31 | 0:44:33 | |
I need to know about this one, a temporary one, yes? | 0:44:33 | 0:44:36 | |
Vince flew out of Germany on an emergency passport | 0:44:36 | 0:44:39 | |
after realising at the airport that his was out of date. | 0:44:39 | 0:44:43 | |
The passport was only meant to get him home to France | 0:44:43 | 0:44:45 | |
but now he's used it to fly to Thailand. | 0:44:45 | 0:44:48 | |
-The lady said, "Hey, your passport is too old." -Yeah. | 0:44:48 | 0:44:50 | |
She said you have to go to the police and the German police | 0:44:50 | 0:44:54 | |
made this passport. | 0:44:54 | 0:44:56 | |
It's meant to be temporary. How long do you stay in Thailand? | 0:44:56 | 0:44:59 | |
-Ten days. -Ten day. | 0:44:59 | 0:45:01 | |
-Because you are France? -Yeah, I am French, yeah. -Yes. | 0:45:01 | 0:45:04 | |
It says here it is good to leave Germany | 0:45:04 | 0:45:08 | |
-and back to Germany. -Yes. Cannot through Thai, to entry to Thai. | 0:45:08 | 0:45:13 | |
'The worst that could happen is that they put me back on the plane.' | 0:45:13 | 0:45:17 | |
And that would be really shit. I took my... | 0:45:19 | 0:45:22 | |
I took the decision to come here on a very last minute | 0:45:22 | 0:45:25 | |
that's why I didn't check my passport. | 0:45:25 | 0:45:28 | |
I checked like a dozen times if it was right here with me | 0:45:28 | 0:45:31 | |
in my pocket but never checked the expiration date. | 0:45:31 | 0:45:35 | |
# Uh-oh, you're in trouble | 0:45:35 | 0:45:38 | |
# I step up in the game and I burst that bubble... # | 0:45:38 | 0:45:43 | |
This one is like a situation that I don't like, he cannot enter. | 0:45:43 | 0:45:48 | |
Muay sends Vince to the immigration detention centre | 0:45:49 | 0:45:52 | |
in the bowels of the building. | 0:45:52 | 0:45:54 | |
For most visitors it's the first stop before deportation. | 0:45:54 | 0:45:58 | |
The decision rests with Captain Suttipan | 0:45:58 | 0:46:01 | |
and his interpreter Sasigamon. | 0:46:01 | 0:46:03 | |
THEY SPEAK OWN LANGUAGE | 0:46:05 | 0:46:07 | |
So he said that he allows you to stay for one more day, | 0:46:08 | 0:46:14 | |
one more night, and then tomorrow you try to contact | 0:46:14 | 0:46:17 | |
with the embassy but the thing is you cannot leave the airport. | 0:46:17 | 0:46:21 | |
OK, thank you. Thank you. | 0:46:21 | 0:46:25 | |
This information I have is that they're probably going to let me | 0:46:25 | 0:46:28 | |
stay in the airport one night, so I can call the French Embassy | 0:46:28 | 0:46:32 | |
tomorrow and try to get some better papers. | 0:46:32 | 0:46:35 | |
It's pretty much like a hotel that you have to stay in the airport | 0:46:35 | 0:46:39 | |
since you cannot leave the country. | 0:46:39 | 0:46:41 | |
TRANSLATION: | 0:46:41 | 0:46:42 | |
Yes. | 0:46:42 | 0:46:43 | |
But it has to be on your expense so it is like a hotel. | 0:46:48 | 0:46:51 | |
I'm feeling lost in translation. | 0:46:51 | 0:46:53 | |
Do you know what's happening to my luggage? | 0:46:54 | 0:46:59 | |
Just one moment. | 0:46:59 | 0:47:00 | |
SHE SPEAKS OWN LANGUAGE | 0:47:02 | 0:47:03 | |
So for now your luggage is in the storage area and we'll wait | 0:47:16 | 0:47:20 | |
-and see if tomorrow you can leave the airport or not. -OK. | 0:47:20 | 0:47:24 | |
Vince may have escaped deportation for now but he faces | 0:47:26 | 0:47:29 | |
an uncomfortable stay with no luggage at the transit hotel. | 0:47:29 | 0:47:33 | |
I'm not angry or anything because I know I screwed up | 0:47:33 | 0:47:36 | |
but I'm anxious.... | 0:47:36 | 0:47:38 | |
and tired. | 0:47:38 | 0:47:40 | |
While Vince awaits his fate, | 0:47:47 | 0:47:49 | |
two other travellers are about to have theirs decided. | 0:47:49 | 0:47:54 | |
And... | 0:47:54 | 0:47:55 | |
Michael and Jake are trying to make their way back to Liverpool | 0:47:55 | 0:47:59 | |
after their holiday in Thailand, but they forgot to read the small print. | 0:47:59 | 0:48:04 | |
Our travel agent in the UK never said anything about needing | 0:48:04 | 0:48:08 | |
a visa for Thailand at all. | 0:48:08 | 0:48:10 | |
So when we got to checking in in Heathrow, we were like... | 0:48:10 | 0:48:13 | |
The girl goes, "Have you got a visa?" We were like, "What visa?" | 0:48:13 | 0:48:16 | |
So the boys took out a standard 30-day Visa exemption | 0:48:16 | 0:48:19 | |
when they landed in Bangkok 33 days ago. | 0:48:19 | 0:48:22 | |
Yeah. | 0:48:25 | 0:48:26 | |
-So, we've been over three days, have we? -Three days. -Three days. | 0:48:26 | 0:48:30 | |
We were three days over. We thought it was two but she says it's three | 0:48:30 | 0:48:33 | |
so...we'll take her word for it. | 0:48:33 | 0:48:35 | |
For Inspector Muay, this one is a routine case. | 0:48:35 | 0:48:38 | |
She gets it all the time from Brits abroad. | 0:48:38 | 0:48:40 | |
She's happy to settle this kind of case with a fine. | 0:48:50 | 0:48:53 | |
The only question is how much. | 0:48:53 | 0:48:54 | |
At immigration, the boys are stopped and escorted to a back room. | 0:48:57 | 0:49:00 | |
They're about to find out. | 0:49:00 | 0:49:02 | |
Yeah. Yeah. Three-day. I think it's three. | 0:49:02 | 0:49:05 | |
Three-day. | 0:49:06 | 0:49:09 | |
It's 1,500 baht. | 0:49:09 | 0:49:12 | |
1,500 baht might sound a lot. | 0:49:12 | 0:49:15 | |
In fact, it's around £30. But even so... | 0:49:15 | 0:49:18 | |
-Good beer money that, as well. -That was beer money, as well. | 0:49:18 | 0:49:21 | |
So that's... | 0:49:21 | 0:49:23 | |
the best part of... | 0:49:23 | 0:49:25 | |
15 bottles less. | 0:49:25 | 0:49:27 | |
Sign there? | 0:49:27 | 0:49:28 | |
-Might we have a problem getting into Thailand in the future? -Oh, no. | 0:49:31 | 0:49:34 | |
OK, no problem. Good. | 0:49:34 | 0:49:36 | |
We want to come back. | 0:49:36 | 0:49:38 | |
We like Thailand. Had a good night out in Bangkok. | 0:49:40 | 0:49:43 | |
We'd have spent a lot more than £30 in Liverpool getting drunk. | 0:49:43 | 0:49:46 | |
-Yeah, so, it was cheaper in Bangkok. -We thought it was an investment. | 0:49:46 | 0:49:50 | |
Yeah. | 0:49:50 | 0:49:51 | |
-Thank you. -Thank you. | 0:49:51 | 0:49:53 | |
So, the boys can leave the country with their reputations intact | 0:49:54 | 0:49:57 | |
and just a small dent in their wallets. | 0:49:57 | 0:50:00 | |
Looks like Vince is leaving, too, | 0:50:05 | 0:50:07 | |
but his departure's not quite so happy. | 0:50:07 | 0:50:10 | |
After entering Thailand with the wrong papers, | 0:50:10 | 0:50:12 | |
he got a late-night call at his transit hotel. | 0:50:12 | 0:50:15 | |
They call me almost one hour ago to tell me | 0:50:16 | 0:50:19 | |
that they're putting me back in a flight in the next two hours. So... | 0:50:19 | 0:50:23 | |
..I'm going to finish packing | 0:50:25 | 0:50:28 | |
and get back on the second... | 0:50:28 | 0:50:31 | |
..ten-hour flight in a row. | 0:50:32 | 0:50:36 | |
That's pretty much it. | 0:50:36 | 0:50:37 | |
Poor Vince. A 20-hour round trip and he never even left the airport. | 0:50:37 | 0:50:42 | |
Meanwhile, Louise and Lilia have been called back to the | 0:50:46 | 0:50:49 | |
airline desk to learn their fate. | 0:50:49 | 0:50:52 | |
-Check-in over there. -OK. | 0:50:52 | 0:50:54 | |
Today, if you don't get on the flight, | 0:50:54 | 0:50:58 | |
next time I have to charge you 340 euro. | 0:50:58 | 0:51:01 | |
-OK, so we can go on this flight? -Yes, you need to go now. -Thank you. | 0:51:01 | 0:51:04 | |
-Please. -Thank you. | 0:51:04 | 0:51:05 | |
It's the news Louise was hoping for. | 0:51:05 | 0:51:07 | |
The airline will allow them both to check in for free. | 0:51:07 | 0:51:09 | |
Better get out of here before they change their mind. | 0:51:12 | 0:51:15 | |
Thank you. | 0:51:17 | 0:51:19 | |
I can't believe we're going away. | 0:51:19 | 0:51:21 | |
I'm never coming back to this fucking country ever again in my life. | 0:51:21 | 0:51:24 | |
I can't believe it. Sorry. Beep, beep. | 0:51:24 | 0:51:26 | |
I just want to get fucking drunk on that plane. That's all I want to do. | 0:51:26 | 0:51:30 | |
As Louise and Lilia finally head home, | 0:51:30 | 0:51:32 | |
it's all about to kick off in downtown Bangkok. | 0:51:32 | 0:51:35 | |
Danny's blagged our guest spot DJing at a local bar | 0:51:42 | 0:51:45 | |
but as Khaosan Road comes alive, he's feeling like death. | 0:51:45 | 0:51:48 | |
I think I've got a sickness bug. | 0:51:50 | 0:51:53 | |
Diarrhoea. Just headaches. | 0:51:53 | 0:51:56 | |
I think just basically fatigue, exhaustion. | 0:51:56 | 0:51:59 | |
I've got no energy. | 0:51:59 | 0:52:01 | |
But I'm still going to give it a go. | 0:52:01 | 0:52:03 | |
Hopefully the music will get me going. | 0:52:03 | 0:52:05 | |
That's what I'm hoping, anyway. | 0:52:05 | 0:52:08 | |
Danny gets his head round the gear... | 0:52:08 | 0:52:11 | |
Where's for the headphones? | 0:52:11 | 0:52:13 | |
-Yeah. -Oh. | 0:52:13 | 0:52:15 | |
..but just before the big gig, he's caught short. | 0:52:16 | 0:52:19 | |
Where's the toilet? Where's...? | 0:52:19 | 0:52:20 | |
Are his dreams of stardom about to go down the pan? | 0:52:23 | 0:52:27 | |
Fast. | 0:52:27 | 0:52:28 | |
As the crowd gets restless, | 0:52:30 | 0:52:32 | |
Danny returns in time to lay down some bad-ass tunes. | 0:52:32 | 0:52:36 | |
It's not the liveliest bar and not the coolest crowd | 0:52:36 | 0:52:39 | |
but somehow Danny gets them going. | 0:52:39 | 0:52:41 | |
LOUD DANCE MUSIC | 0:52:41 | 0:52:42 | |
Done. Dusted. I'm so hot. I'm dripping. | 0:52:56 | 0:53:01 | |
It's been a tough gig but his English house classics have | 0:53:01 | 0:53:04 | |
broken down a few barriers and won him some new fans. | 0:53:04 | 0:53:07 | |
-Different music. -Not normal. -Not normal. | 0:53:07 | 0:53:09 | |
-English music. -English, yeah, yeah, yeah. | 0:53:09 | 0:53:13 | |
Vomiting and diarrhoea forgotten, | 0:53:14 | 0:53:16 | |
the gig has left Danny flushed with success. | 0:53:16 | 0:53:19 | |
My heart's still racing a little bit but, yeah, I think it went well. | 0:53:20 | 0:53:24 | |
I was so, like...just nervous. | 0:53:24 | 0:53:27 | |
When I was pressing the button | 0:53:27 | 0:53:29 | |
I was a little bit out of time sometimes but... | 0:53:29 | 0:53:31 | |
Obviously in the future I want to start producing, I want to | 0:53:31 | 0:53:33 | |
start playing different places, different bars, different clubs. | 0:53:33 | 0:53:38 | |
So, yeah, this is a step in the right direction. | 0:53:40 | 0:53:42 | |
So for a bit of sickness, a bit of a headache, just get over it. | 0:53:42 | 0:53:47 | |
He's started small but his career could be about to take off. | 0:53:47 | 0:53:52 | |
Next time at Bangkok Airport, love is in the air... | 0:53:56 | 0:53:59 | |
Oh, my God. I could give you a kiss right now, man. | 0:53:59 | 0:54:02 | |
..the airport celebrates Valentine's Day... | 0:54:02 | 0:54:05 | |
ALL: Happy Valentine's Day! | 0:54:05 | 0:54:07 | |
..and romance blossoms in visa-on-arrivals... | 0:54:07 | 0:54:09 | |
He is my boyfriend. | 0:54:09 | 0:54:11 | |
But don't tell anybody, OK? | 0:54:11 | 0:54:13 | |
..Nathan from Liverpool has a surprise for his mum and dad... | 0:54:13 | 0:54:15 | |
My boyfriend is here so I'll be introducing them to him. | 0:54:15 | 0:54:18 | |
So it'll be interesting to see their reaction. | 0:54:18 | 0:54:20 | |
..and Justin flies in for a nip and tuck... | 0:54:20 | 0:54:23 | |
It's a strange thought that the image that you look at in the mirror is | 0:54:23 | 0:54:26 | |
not the one I'm going to wake up with. | 0:54:26 | 0:54:28 | |
..when we check in again at Bangkok Airport. | 0:54:28 | 0:54:31 |