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I have crossed the Atlantic to ride the railroads of America | 0:00:05 | 0:00:07 | |
with a new travelling companion. | 0:00:07 | 0:00:10 | |
Published in 1879, my Appletons' General Guide | 0:00:10 | 0:00:15 | |
will steer me to everything that's novel, beautiful, | 0:00:15 | 0:00:22 | |
memorable or curious in the United States. | 0:00:22 | 0:00:31 | |
As I cross the continent, I'll discover | 0:00:31 | 0:00:35 | |
America's gilded age, when powerful tycoons launched | 0:00:35 | 0:00:39 | |
a railway boom that tied the nation together and carved | 0:00:39 | 0:00:42 | |
out its future as a superpower. | 0:00:42 | 0:00:52 | |
I'm continuing my American adventure through New York State where, | 0:01:08 | 0:01:12 | |
in Appleton's time, an industrial revolution was under way. | 0:01:12 | 0:01:17 | |
I began in Manhattan and I'll head north | 0:01:17 | 0:01:21 | |
towards Poughkeepsie and the state capital, | 0:01:21 | 0:01:23 | |
Albany. | 0:01:23 | 0:01:26 | |
I'll turn west to the Great Lakes, taking in Rochester | 0:01:26 | 0:01:29 | |
and Buffalo, and finish at the tourist hotspot | 0:01:29 | 0:01:31 | |
of Niagara Falls. | 0:01:31 | 0:01:41 | |
My journey through New York State continues on Long Island - | 0:01:43 | 0:01:49 | |
180 miles long, with a population of 8 million. | 0:01:49 | 0:01:53 | |
It hosts two of New York City's boroughs, Brooklyn and | 0:01:53 | 0:01:57 | |
Queens. | 0:01:57 | 0:02:01 | |
It was often the first sighting of the United States for immigrants | 0:02:01 | 0:02:04 | |
and, even today, air passengers survey its streets and houses | 0:02:04 | 0:02:09 | |
before landing at Kennedy Airport. | 0:02:09 | 0:02:10 | |
The Long Island Railroad daily ferries its commuters to the city | 0:02:10 | 0:02:13 | |
and, at weekends, carries the city's holiday-makers to its beaches. | 0:02:13 | 0:02:19 | |
On today's leg, I'll explore New York's | 0:02:27 | 0:02:31 | |
eastern boroughs, Brooklyn and Queens, before heading | 0:02:31 | 0:02:35 | |
north-east on the Long Island Railroad to the Gold | 0:02:35 | 0:02:38 | |
Coast, and then south-east to the Hamptons. | 0:02:38 | 0:02:42 | |
My final stop will be the island's most easterly tip, | 0:02:42 | 0:02:45 | |
Montauk. | 0:02:45 | 0:02:49 | |
Along the way, I'll see how tourists following my guidebook | 0:02:49 | 0:02:51 | |
enjoyed heady views. | 0:02:51 | 0:02:54 | |
People felt like they were flying with the birds, walking | 0:02:54 | 0:02:57 | |
across this bridge. | 0:02:57 | 0:03:00 | |
I'll discover how America's biggest infrastructure project is reshaping | 0:03:00 | 0:03:03 | |
both Manhattan and Long Island. | 0:03:03 | 0:03:06 | |
You were literally blasting. | 0:03:06 | 0:03:08 | |
We were literally blasting. | 0:03:08 | 0:03:09 | |
Wow. | 0:03:09 | 0:03:10 | |
And their martinis didn't even shake. | 0:03:10 | 0:03:12 | |
No, not like James Bond. | 0:03:12 | 0:03:15 | |
And I'll relive the fun and decadence of the roaring '20s. | 0:03:15 | 0:03:18 | |
Brooklyn, says Appletons', is the third-largest city | 0:03:18 | 0:03:22 | |
Brooklyn, says Appletons', is the third-largest city | 0:03:36 | 0:03:41 | |
in the United States. | 0:03:41 | 0:03:44 | |
That's before it was absorbed into New York to become one | 0:03:44 | 0:03:46 | |
of the conurbation's five boroughs. | 0:03:46 | 0:03:48 | |
But, if it were independent and on its own today, | 0:03:48 | 0:03:52 | |
it would still rank alongside all but the very largest | 0:03:52 | 0:03:55 | |
cities on earth. | 0:03:55 | 0:03:59 | |
By the 1860s, Brooklyn's population had swollen, | 0:03:59 | 0:04:02 | |
with huge numbers of immigrants from Europe. | 0:04:02 | 0:04:06 | |
Industry and commerce were booming. | 0:04:06 | 0:04:11 | |
Around a third of Brooklyn's working population | 0:04:11 | 0:04:13 | |
commuted across the East River to Manhattan, and ferries | 0:04:13 | 0:04:16 | |
were reaching capacity. | 0:04:16 | 0:04:19 | |
A long-term solution was needed and, in 1865, plans were put | 0:04:19 | 0:04:23 | |
forward to build a permanent link between the two cities. | 0:04:23 | 0:04:29 | |
The Brooklyn Bridge was under construction when my Appletons' | 0:04:33 | 0:04:35 | |
was published and it remarks that the massive towers | 0:04:35 | 0:04:39 | |
and ponderous cables are conspicuous objects. | 0:04:39 | 0:04:43 | |
The distance across the river is nearly 1600 feet, | 0:04:43 | 0:04:47 | |
affording space for two railroad tracks, four | 0:04:47 | 0:04:50 | |
wagonways and two footpaths. | 0:04:50 | 0:04:53 | |
With those colossal towers and being the | 0:04:53 | 0:04:55 | |
first steel suspension bridge in the world, | 0:04:55 | 0:04:58 | |
it was soon known as the eighth wonder of the world. | 0:04:58 | 0:05:03 | |
It's easy to see why. | 0:05:04 | 0:05:09 | |
The bridge, with its elegant steel cabling, suspended | 0:05:09 | 0:05:11 | |
against the 19th-century skyline, was an historic engineering | 0:05:11 | 0:05:14 | |
achievement. | 0:05:14 | 0:05:19 | |
I am meeting Brooklyn-born historian and tour guide Seth | 0:05:19 | 0:05:27 | |
Kamil under the now iconic structure. | 0:05:27 | 0:05:28 | |
Hello, Seth. | 0:05:28 | 0:05:29 | |
Michael, good to see you. | 0:05:29 | 0:05:31 | |
Welcome to Brooklyn. | 0:05:31 | 0:05:33 | |
Thank you very much, and what a very beautiful bridge. | 0:05:33 | 0:05:35 | |
What were the challenges in building it? | 0:05:35 | 0:05:37 | |
There were financial challenges, the fact the bridge cost more | 0:05:37 | 0:05:39 | |
than $12 million. | 0:05:39 | 0:05:41 | |
Technically, no one had ever built a suspension bridge with a centre | 0:05:41 | 0:05:44 | |
span of 1600 feet. | 0:05:44 | 0:05:46 | |
This is doubling anything that had come | 0:05:46 | 0:05:48 | |
before it. | 0:05:48 | 0:05:51 | |
It's built, I think, with granite towers. | 0:05:51 | 0:05:52 | |
How does it work beneath the water? | 0:05:52 | 0:05:55 | |
Beneath the water are wooden caissons, which are extremely large | 0:05:55 | 0:05:58 | |
boxes flipped upside down, about 100 feet by roughly 70 feet, | 0:05:58 | 0:06:03 | |
floated into place, sunk into the sand. | 0:06:03 | 0:06:05 | |
They pumped out the air, sent workers inside to dig | 0:06:05 | 0:06:09 | |
from inside to lower them while they build the granite towers | 0:06:09 | 0:06:13 | |
upwards at the same time. | 0:06:13 | 0:06:17 | |
A workforce of 600 built the bridge over 14 years, | 0:06:17 | 0:06:20 | |
starting in 1869. | 0:06:20 | 0:06:26 | |
The designer was John Augustus Roebling, a German | 0:06:26 | 0:06:28 | |
immigrant living in Pennsylvania. | 0:06:28 | 0:06:33 | |
Then 61 years old, he was a pioneer of suspension bridges. | 0:06:33 | 0:06:35 | |
But, while he was surveying the site, Roebling's | 0:06:35 | 0:06:40 | |
foot was crushed by a boat coming into dock. | 0:06:40 | 0:06:46 | |
Tetanus set in and, three weeks later, he died. | 0:06:46 | 0:06:49 | |
His son, Washington Roebling, took over the project | 0:06:49 | 0:06:54 | |
and saw his father's bridge as far as he could go until he, | 0:06:54 | 0:06:59 | |
too, was crippled in the process. | 0:06:59 | 0:07:01 | |
With John dead and Washington crippled, | 0:07:01 | 0:07:05 | |
who took over the work? | 0:07:05 | 0:07:06 | |
Washington's wife Emily Lauren Roebling finishes | 0:07:06 | 0:07:07 | |
the bridge. | 0:07:07 | 0:07:09 | |
In those days, a woman. | 0:07:09 | 0:07:11 | |
It's unbelievable. | 0:07:11 | 0:07:13 | |
This is nearly 50 years before an American woman has | 0:07:13 | 0:07:16 | |
the vote, and she begins by simply running messages from the office | 0:07:16 | 0:07:20 | |
in Brooklyn Heights to the job site. | 0:07:20 | 0:07:23 | |
But she is so intelligent and begins to understand the process so quickly | 0:07:23 | 0:07:27 | |
that she is able to make decisions on her own. | 0:07:27 | 0:07:33 | |
Construction was dangerous and two dozen workers lost | 0:07:33 | 0:07:35 | |
their lives. | 0:07:35 | 0:07:38 | |
But, on May the 24th, 1883, the great East River was spammed. | 0:07:38 | 0:07:41 | |
The brilliant design and scale of this piece of engineering | 0:07:41 | 0:07:44 | |
expressed America's growing self-confidence. | 0:07:44 | 0:07:50 | |
It was spectacular. | 0:07:50 | 0:07:52 | |
You had Emily Lauren Roebling leading the procession, | 0:07:52 | 0:07:55 | |
the President of the United States, the mayors of Brooklyn and Manhattan | 0:07:55 | 0:07:57 | |
meeting and shaking hands, a magnificent | 0:07:57 | 0:07:59 | |
fireworks display at sundown... | 0:07:59 | 0:08:00 | |
It was incredible, and memorable for decades. | 0:08:00 | 0:08:09 | |
It was spectacular. | 0:08:09 | 0:08:13 | |
The day it opened, 150,000 pedestrians and 1800 vehicles | 0:08:13 | 0:08:15 | |
crossed the bridge. | 0:08:15 | 0:08:17 | |
Within months, passengers on cable cars were | 0:08:17 | 0:08:18 | |
crossing for a 5 cents fare. | 0:08:18 | 0:08:21 | |
There were no aeroplanes, no tall buildings. | 0:08:21 | 0:08:23 | |
People felt like they were just flying with the birds, | 0:08:23 | 0:08:25 | |
walking across this bridge. | 0:08:25 | 0:08:32 | |
It's been called the eighth wonder of the world. | 0:08:32 | 0:08:34 | |
What do you say? | 0:08:34 | 0:08:35 | |
I live here and I think it should be the first | 0:08:35 | 0:08:38 | |
wonder of the world, but but I'll accept eight. | 0:08:38 | 0:08:40 | |
wonder of the world, but I'll accept eight. | 0:08:40 | 0:08:42 | |
The completion of the bridge and Brooklyn's rail links brought | 0:08:42 | 0:08:44 | |
even more immigrants to the borough which, | 0:08:44 | 0:08:48 | |
in 1898, had been incorporated into New York City. | 0:08:48 | 0:08:54 | |
Immigrants from northern, eastern and southern Europe made up | 0:08:54 | 0:08:57 | |
around a third of the newly amalgamated city. | 0:08:57 | 0:09:01 | |
Italians were one of the largest groups to settle in Brooklyn, | 0:09:01 | 0:09:04 | |
and their influence has left a lasting | 0:09:04 | 0:09:07 | |
culinary mark that I'm keen to experience. | 0:09:07 | 0:09:14 | |
Good evening, sir. | 0:09:14 | 0:09:15 | |
How are you? | 0:09:15 | 0:09:17 | |
I'm very well indeed. I was thinking of having a pizza. | 0:09:17 | 0:09:19 | |
I think you mean a pie. | 0:09:19 | 0:09:20 | |
A pie? | 0:09:20 | 0:09:21 | |
Yes. | 0:09:21 | 0:09:22 | |
OK. | 0:09:22 | 0:09:24 | |
Can I have just a piece or two of pie? | 0:09:24 | 0:09:26 | |
I think you mean a slice. | 0:09:26 | 0:09:27 | |
A slice? | 0:09:27 | 0:09:31 | |
Divided by a common language, eh? | 0:09:31 | 0:09:33 | |
OK. | 0:09:33 | 0:09:34 | |
I think I'll have a margarita pie. | 0:09:34 | 0:09:35 | |
You mean a pizza. | 0:09:35 | 0:09:36 | |
Do I? | 0:09:36 | 0:09:37 | |
I give up! | 0:09:37 | 0:09:38 | |
I'm kidding, it's a pie. | 0:09:38 | 0:09:40 | |
Thank you. | 0:09:40 | 0:09:40 | |
You're welcome. | 0:09:40 | 0:09:41 | |
Coming right up. | 0:09:41 | 0:09:52 | |
This slice of pie is infinitely superior to a piece of pizza. | 0:09:53 | 0:10:02 | |
Today, I'm continuing my journey on the | 0:10:08 | 0:10:11 | |
Long Island Railroad in the borough of Queens. | 0:10:11 | 0:10:13 | |
Before tunnels were built to Manhattan Island in 1910, | 0:10:13 | 0:10:21 | |
Queens was the terminus of the railroad and | 0:10:21 | 0:10:23 | |
passengers crossed by ferry. | 0:10:23 | 0:10:24 | |
After the first branch of the Long Island | 0:10:24 | 0:10:27 | |
Railroad was opened in 1836, the mainly rural island was quickly | 0:10:27 | 0:10:30 | |
developed with suburbs. | 0:10:30 | 0:10:35 | |
Today, it's the busiest commuter railroad in America, | 0:10:35 | 0:10:37 | |
with over 700 miles of track. | 0:10:37 | 0:10:47 | |
It's also the site of an ambitious engineering project that | 0:10:47 | 0:10:50 | |
will transform New York City's rail network. | 0:10:50 | 0:10:53 | |
By one of the oddities of railroad history, | 0:10:53 | 0:10:55 | |
many commuters who come from Long Island, which lies | 0:10:55 | 0:10:57 | |
to the east of Manhattan, have to cross | 0:10:57 | 0:11:04 | |
all the way across the island to almost the Westside, | 0:11:04 | 0:11:09 | |
to Pennsylvania Central Station, and then, if their | 0:11:09 | 0:11:10 | |
jobs are in the business district back on the Eastside, | 0:11:10 | 0:11:13 | |
they have to make a subway journey, wasting time and money every day. | 0:11:13 | 0:11:17 | |
The solution is to put a station on the east side of Manhattan, | 0:11:17 | 0:11:20 | |
in fact, deep under Grand Central Terminal, | 0:11:20 | 0:11:22 | |
but that project involves creating a new tunnel | 0:11:22 | 0:11:25 | |
with eight tracks and building 11 miles | 0:11:25 | 0:11:28 | |
of tunnel and absolutely turning the system upside down. | 0:11:28 | 0:11:36 | |
It's said to be the biggest project in the United | 0:11:36 | 0:11:39 | |
States right now. | 0:11:39 | 0:11:42 | |
Doctor Michael Kyriacou is the chief engineer | 0:11:42 | 0:11:44 | |
at the Metropolitan Transportation | 0:11:44 | 0:11:45 | |
Authority and the man responsible for delivering the Eastside Access | 0:11:45 | 0:11:47 | |
scheme. | 0:11:47 | 0:11:54 | |
Michael, you are in charge of the biggest construction project | 0:11:54 | 0:11:56 | |
in the United States today. | 0:11:56 | 0:11:57 | |
What do you feel about that? | 0:11:57 | 0:11:59 | |
Well, humbled by the experience and lucky to be able to do that. | 0:11:59 | 0:12:04 | |
Michael is taking me to survey the ongoing works. | 0:12:04 | 0:12:06 | |
Hello. You must be Chris. | 0:12:06 | 0:12:16 | |
Yes, I am. How are you? | 0:12:19 | 0:12:20 | |
I'm Michael. Good to see you. | 0:12:20 | 0:12:22 | |
Pleasure to meet you. | 0:12:22 | 0:12:27 | |
Right here, basically, tunnel D will come | 0:12:27 | 0:12:29 | |
up to the right. | 0:12:29 | 0:12:31 | |
B-C will be built right here in the middle. | 0:12:31 | 0:12:34 | |
So, from GCT, you'll come out the ground right | 0:12:34 | 0:12:37 | |
here, and then you can see tunnel A will be on north side. | 0:12:37 | 0:12:40 | |
Four new tunnels will run from Queens on Long | 0:12:40 | 0:12:44 | |
Island straight to New York's Railway cathedral, Grand Central | 0:12:44 | 0:12:47 | |
Terminal, opening access to the Eastside of Manhattan. | 0:12:47 | 0:12:53 | |
What benefit will commuters see when it's all over? | 0:12:53 | 0:12:57 | |
The commuters from Long Island will see a reduction in travel time | 0:12:57 | 0:13:03 | |
of up to 40 minutes a day, and they will have a direct | 0:13:03 | 0:13:06 | |
shot without having to transfer into Grand Central. | 0:13:06 | 0:13:10 | |
The great thing about the construction of the terminal | 0:13:10 | 0:13:14 | |
is that no one knew we were there. | 0:13:14 | 0:13:17 | |
We've blasted away these huge caverns and people upstairs | 0:13:17 | 0:13:20 | |
were sipping wine in the restaurant | 0:13:20 | 0:13:22 | |
and they never knew we were down there. | 0:13:22 | 0:13:24 | |
You were literally blasting? | 0:13:24 | 0:13:25 | |
We were literally blasting. | 0:13:25 | 0:13:26 | |
Wow. | 0:13:26 | 0:13:28 | |
And their martinis didn't even shake. | 0:13:28 | 0:13:38 | |
No, not that James Bond would've liked it! | 0:13:43 | 0:13:45 | |
The extension is due to open in 2023 and is projected to cost | 0:13:45 | 0:13:48 | |
around $10 billion. | 0:13:48 | 0:13:49 | |
It will transform the working lives of | 0:13:49 | 0:13:51 | |
millions of New York commuters. | 0:13:51 | 0:13:52 | |
It's another example of how the city's | 0:13:52 | 0:13:54 | |
infrastructure is being revitalised after 9/11. | 0:13:54 | 0:13:55 | |
It represents a kind of renaissance for New York, doesn't it? | 0:13:55 | 0:13:58 | |
Yes, it does. | 0:13:58 | 0:13:59 | |
Without public transport, a city like New York, | 0:13:59 | 0:14:01 | |
cities like London cannot exist. | 0:14:01 | 0:14:03 | |
And that's something that... | 0:14:03 | 0:14:05 | |
I've been in London, I've seen the work being done there. | 0:14:05 | 0:14:07 | |
We're trying to keep up with you guys. | 0:14:07 | 0:14:12 | |
That's a very flattering way of putting it. | 0:14:12 | 0:14:16 | |
I'm impressed by this. | 0:14:16 | 0:14:26 | |
During the 19th century, trains increased the prosperity | 0:14:27 | 0:14:33 | |
of Long Island's workers, shuffling them daily | 0:14:33 | 0:14:34 | |
to and from New York City, but the railroads also | 0:14:34 | 0:14:39 | |
created fortunes beyond the comprehension of ordinary commuters. | 0:14:39 | 0:14:43 | |
You might think that the Gold Coast is in Australia, but there's one | 0:14:43 | 0:14:46 | |
here on Long Island. | 0:14:46 | 0:14:50 | |
Of course, not where gold was discovered, but where enormous | 0:14:50 | 0:14:54 | |
wealth was displayed, flaunted, squandered. | 0:14:54 | 0:14:57 | |
From Queens, it's a journey of just over an hour north-east to Cold | 0:14:57 | 0:15:06 | |
Spring Harbor, the nearest station to Oheka Castle. | 0:15:06 | 0:15:13 | |
Ha-ha! | 0:15:21 | 0:15:24 | |
This is Oheka Castle. | 0:15:24 | 0:15:32 | |
Unbelievably big, for what was once a private residence, | 0:15:32 | 0:15:34 | |
it has the look of a French chateaux, but it's | 0:15:34 | 0:15:36 | |
built on the foundations of a solid American fortune. | 0:15:36 | 0:15:39 | |
Completed in 1919 and costing the equivalent of $110 | 0:15:39 | 0:15:42 | |
million in today's money, the castle was the private home | 0:15:42 | 0:15:47 | |
of banker and rail magnate Otto Kahn. | 0:15:47 | 0:15:52 | |
At the time, it was the second largest residence | 0:15:52 | 0:16:04 | |
Today, Oheka castle is a hotel and this historian Eunice is taking | 0:16:04 | 0:16:08 | |
me on a tour of these once exclusive grounds. | 0:16:08 | 0:16:28 | |
Which names were involved here? once exclusive grounds. | 0:16:28 | 0:16:32 | |
JP Morgan, Vanderbilt, Roosevelt, the Duke and Duchess of Windsor, | 0:16:32 | 0:16:35 | |
the Prince of Wales were all coming here | 0:16:35 | 0:16:37 | |
for the polo season and stay in their summers on Long Island. | 0:16:37 | 0:16:40 | |
When I think about this era and this | 0:16:40 | 0:16:46 | |
place, my thoughts are dominated by the parties. | 0:16:46 | 0:16:49 | |
Sure, F Scott Fitzgerald's novel The Great Gatsby | 0:16:49 | 0:16:51 | |
may have taken parties to a new level, but it really | 0:16:51 | 0:16:54 | |
was not an exaggeration of what was going on | 0:16:54 | 0:16:56 | |
here at the time. | 0:16:56 | 0:16:57 | |
I imagine the ponds here are probably clogged | 0:16:57 | 0:16:59 | |
with champagne corks. | 0:16:59 | 0:17:06 | |
Like many tycoons of the era, Kahn made much of his fortune | 0:17:06 | 0:17:08 | |
in the railroads. | 0:17:08 | 0:17:12 | |
This is Otto Kahn. | 0:17:12 | 0:17:15 | |
Otto Kahn was also known as the figure for Mr Monopoly. | 0:17:15 | 0:17:18 | |
Really? | 0:17:18 | 0:17:19 | |
Correct. | 0:17:19 | 0:17:20 | |
How did he make his money in the railroads? | 0:17:20 | 0:17:23 | |
He teamed up with great railroads giants of the time and he actually | 0:17:23 | 0:17:26 | |
would reorganise the facilities and make | 0:17:26 | 0:17:30 | |
them more streamlined and more profitable. | 0:17:30 | 0:17:31 | |
Was he a big party giver? | 0:17:31 | 0:17:34 | |
He was known for throwing parties. | 0:17:34 | 0:17:36 | |
There were men like Charlie Chaplin here, Douglas Fairbanks, | 0:17:36 | 0:17:39 | |
many industrialists of the day, so it was a home always filled. | 0:17:39 | 0:17:43 | |
What happened to be home after he died? | 0:17:43 | 0:17:47 | |
After Otto Kahn passed away in the 30s, his wife sold it | 0:17:47 | 0:17:50 | |
to the New York department of sanitation, which | 0:17:50 | 0:17:52 | |
renamed it Sanitia, and it became the weekend retreat and retirement | 0:17:52 | 0:17:55 | |
home for the New York City garbage men. | 0:17:55 | 0:18:01 | |
So, from riches to rags. | 0:18:01 | 0:18:04 | |
Correct. | 0:18:04 | 0:18:09 | |
Sensing the ghosts of the bankers and tycoons and the stars of stage | 0:18:09 | 0:18:12 | |
and screen, I decide to relive for a moment the heady decadence | 0:18:12 | 0:18:18 | |
of those years by taking to the dance floor. | 0:18:18 | 0:18:21 | |
Hello, Nancy. | 0:18:21 | 0:18:22 | |
Hello, Michael. | 0:18:22 | 0:18:24 | |
You look divine. | 0:18:24 | 0:18:27 | |
Thank you very much. | 0:18:27 | 0:18:33 | |
You are very handsome. | 0:18:33 | 0:18:35 | |
What a beautiful dress. | 0:18:35 | 0:18:38 | |
Thank you. | 0:18:38 | 0:18:38 | |
How does one do the Charleston? | 0:18:38 | 0:18:40 | |
OK, so, it's a very easy dance. | 0:18:40 | 0:18:42 | |
Forward on the left, and tap front with the right. | 0:18:42 | 0:18:44 | |
Right, right, left. | 0:18:44 | 0:18:45 | |
And swing the arms left, forward, right, forward. | 0:18:45 | 0:18:47 | |
I think you've got it. | 0:18:47 | 0:18:49 | |
Cue music. | 0:18:49 | 0:18:51 | |
CHARLESTON MUSIC PLAYS. | 0:18:51 | 0:19:01 | |
CHARLESTON MUSIC PLAYS. | 0:19:02 | 0:19:04 | |
It is a little fast. | 0:19:04 | 0:19:06 | |
Named after the city of Charleston in South | 0:19:06 | 0:19:08 | |
Carolina, the dance became one of the musical sensations | 0:19:08 | 0:19:10 | |
of the roaring 20s. | 0:19:10 | 0:19:20 | |
The mansions of the north once echoed to the Charleston | 0:19:21 | 0:19:24 | |
and popping champagne corks. | 0:19:24 | 0:19:34 | |
But, for me, the party is over. | 0:19:40 | 0:19:49 | |
On many a bright morning like this, Otto Kahn | 0:19:49 | 0:19:56 | |
must have surveyed his beautiful gardens and thought, | 0:19:56 | 0:19:58 | |
all that hard work amalgamating railroads, here I stand up | 0:19:58 | 0:20:02 | |
on the hill that I made, in the castle that I built, | 0:20:02 | 0:20:05 | |
and it was all worthwhile. | 0:20:05 | 0:20:12 | |
The wealthy tycoons of New York City are no longer drawn | 0:20:12 | 0:20:16 | |
to the north shore of Long Island. | 0:20:16 | 0:20:22 | |
And, while the elites of the past made their money in industry | 0:20:22 | 0:20:25 | |
and infrastructure, their counterparts | 0:20:25 | 0:20:26 | |
today are the so-called masters of the universe, | 0:20:26 | 0:20:30 | |
the bankers, traders and hedge fund managers who prowl | 0:20:30 | 0:20:32 | |
the canyons of Wall Street. | 0:20:32 | 0:20:36 | |
Their summer retreat lies some 75 miles | 0:20:36 | 0:20:39 | |
south-east in the Hamptons. | 0:20:39 | 0:20:43 | |
East Hampton, says Appletons', is the | 0:20:43 | 0:20:45 | |
quietest of all quiet towns, with quaint, old houses. | 0:20:45 | 0:20:50 | |
Its old world charm is seduced many a broker, | 0:20:50 | 0:20:54 | |
derivatives trader and venture capitalist. | 0:20:54 | 0:20:57 | |
I may not meet many of them on the Long Island Railroad, | 0:20:57 | 0:21:01 | |
but their helicopters are much in evidence. | 0:21:01 | 0:21:04 | |
East Hampton and its sister village of South Hampton was almost entirely | 0:21:04 | 0:21:08 | |
undeveloped until the arrival of the railroad in 1895. | 0:21:08 | 0:21:11 | |
Today, the permanent population of the count is around | 0:21:11 | 0:21:16 | |
21,000 but, in summer, that swells to over 70,000. | 0:21:16 | 0:21:23 | |
East Hampton is extraordinarily clean and tidy, very | 0:21:23 | 0:21:31 | |
well-kept, manicured, you might say. | 0:21:31 | 0:21:36 | |
I'm meeting Diana from the Ladies Village Improvement Society, | 0:21:36 | 0:21:40 | |
founded in 1895. | 0:21:40 | 0:21:45 | |
She's invited me to one of the thrift stores, | 0:21:45 | 0:21:47 | |
where they raise funds for the preservation of the town. | 0:21:47 | 0:21:51 | |
What brought about the foundation of the Ladies Village | 0:21:51 | 0:21:53 | |
Improvement Society? | 0:21:53 | 0:21:55 | |
One of the issues in the 1890s was unpaved | 0:21:55 | 0:21:57 | |
streets. | 0:21:57 | 0:22:00 | |
There was a lot of dust any time a cart or the early automobiles | 0:22:00 | 0:22:04 | |
would drive by. | 0:22:04 | 0:22:07 | |
The LVIS felt their mission was to sprinkle the street and keep | 0:22:07 | 0:22:12 | |
the dust down. | 0:22:12 | 0:22:13 | |
Once that was done, they just started | 0:22:13 | 0:22:14 | |
beautifying east Hampton. | 0:22:14 | 0:22:16 | |
Today, as well as preserving East Hampton's | 0:22:16 | 0:22:19 | |
history, the LVIS funds student scholarships, | 0:22:19 | 0:22:24 | |
including one for a woman over 25 years old returning | 0:22:24 | 0:22:27 | |
to higher education. | 0:22:27 | 0:22:30 | |
What it's like to live in East Hampton? | 0:22:30 | 0:22:32 | |
Well, it has a bit of a roller-coaster feel, | 0:22:32 | 0:22:35 | |
because things are nonstop between June and September, | 0:22:35 | 0:22:38 | |
but then it quietens down. | 0:22:38 | 0:22:41 | |
I guess people outside might have the impression of East Hampton | 0:22:41 | 0:22:45 | |
has been populated with the wolves of Wall Street. | 0:22:45 | 0:22:47 | |
Right. | 0:22:47 | 0:22:48 | |
Would that be inaccurate? | 0:22:48 | 0:22:49 | |
No. | 0:22:49 | 0:22:51 | |
It's not inaccurate. | 0:22:51 | 0:22:53 | |
I just feel that the Women's Village Improvement Society | 0:22:53 | 0:22:56 | |
is about as far from the wolves of Wall Street as I can imagine. | 0:22:56 | 0:23:00 | |
I think there is definitely a sense of | 0:23:00 | 0:23:04 | |
trying to maintain the historical character and the natural beauty, | 0:23:04 | 0:23:08 | |
and the LVIS is one of those groups who just want to keep it in the way | 0:23:08 | 0:23:12 | |
it is, and that's why they work so hard. | 0:23:12 | 0:23:20 | |
15 miles and two stops further east from the pristine Hamptons, | 0:23:38 | 0:23:42 | |
the Montauk branch of the Long Island | 0:23:42 | 0:23:45 | |
Railroad reaches its terminus. | 0:23:45 | 0:23:48 | |
Montauk Point, Appletons' tells me, is the eastern extremity of Long | 0:23:48 | 0:23:51 | |
Island. | 0:23:51 | 0:23:54 | |
On it is a lighthouse with a powerful revolving light. | 0:23:54 | 0:23:57 | |
The village of Montauk, which clings limpet like to be tip | 0:23:57 | 0:24:01 | |
of Long Island, is popularly nicknamed "The End". | 0:24:01 | 0:24:06 | |
We've reached the end of the line and the end of the island. | 0:24:06 | 0:24:11 | |
We've reached the end of the line and the end of the island. | 0:24:12 | 0:24:16 | |
There is nothing beyond. | 0:24:16 | 0:24:18 | |
And so we crawl gently to a halt. | 0:24:18 | 0:24:22 | |
Montauk is a fishing and surfing town. | 0:24:22 | 0:24:27 | |
Like the Hamptons, it's a popular weekend | 0:24:27 | 0:24:29 | |
getaway, but it prides itself on being more rustic than chic. | 0:24:29 | 0:24:34 | |
Its lighthouse, the first built in New | 0:24:34 | 0:24:37 | |
York State, stands guard over treacherous waters. | 0:24:37 | 0:24:41 | |
Henry Osmus, local historian and author, | 0:24:41 | 0:24:45 | |
can explain its significance. | 0:24:45 | 0:24:47 | |
Henry, such a beautiful lighthouse. | 0:24:47 | 0:24:50 | |
What is its importance in history? | 0:24:50 | 0:24:54 | |
Well, when it was built in 1796, the purpose of it was to guide ships | 0:24:54 | 0:24:58 | |
safely from England and France to New York City. | 0:24:58 | 0:25:04 | |
Prior to that being built, there had been no lighthouses | 0:25:04 | 0:25:07 | |
on Long Island at all, so it became very difficult | 0:25:07 | 0:25:10 | |
for ships navigating these waters. | 0:25:10 | 0:25:11 | |
And so it came to the years of president George Washington | 0:25:11 | 0:25:14 | |
and authorisation was passed to build the lighthouse. | 0:25:14 | 0:25:17 | |
Did it do a good job? | 0:25:17 | 0:25:19 | |
It did. | 0:25:19 | 0:25:20 | |
Apparently the number of ships which had mishaps | 0:25:20 | 0:25:23 | |
dropped dramatically, so this lighthouse did its job very well. | 0:25:23 | 0:25:27 | |
For the many new arrivals, who hoped to settle in America, | 0:25:27 | 0:25:30 | |
this light was their first glimpse of their new | 0:25:30 | 0:25:32 | |
home. | 0:25:32 | 0:25:34 | |
And, if one man's vision had prevailed, Montauk rather | 0:25:34 | 0:25:38 | |
than New York City might have been where they | 0:25:38 | 0:25:40 | |
first set foot in the New World. | 0:25:40 | 0:25:47 | |
There was a gentleman named Austin Corbin, | 0:25:47 | 0:25:49 | |
who was the president of the Long Island Railroad | 0:25:49 | 0:25:53 | |
from the early 1880s until the mid-1890s. | 0:25:53 | 0:25:59 | |
He had a dream of creating a port of entry in Montauk. | 0:25:59 | 0:26:02 | |
It was going to be a docking place for transatlantic | 0:26:02 | 0:26:09 | |
steamers, and they would continue the journey to New York | 0:26:09 | 0:26:11 | |
by his railroad line and save about five or six hours | 0:26:11 | 0:26:13 | |
in travel time. | 0:26:13 | 0:26:14 | |
This idea sounded outlandish to some, but he extended his | 0:26:14 | 0:26:17 | |
railroad to Montauk in December 1895, and the first | 0:26:17 | 0:26:19 | |
passenger train officially rolled into Montauk on December 17th. | 0:26:19 | 0:26:22 | |
But, only six months after that first | 0:26:22 | 0:26:27 | |
train came into Montauk, Austin Corbin was dead, | 0:26:27 | 0:26:31 | |
killed in a freak accident. | 0:26:31 | 0:26:34 | |
Unfortunately, there was no one else with the drive and stamina | 0:26:34 | 0:26:37 | |
that he had for this project. | 0:26:37 | 0:26:39 | |
So, officially, by 1900, the idea was considered dead. | 0:26:39 | 0:26:42 | |
And the dream? | 0:26:42 | 0:26:44 | |
The dream went with him. | 0:26:44 | 0:26:51 | |
Had Austin Corbin's plan succeeded, Montauk would have become one | 0:26:51 | 0:26:53 | |
of the world's busiest ports. | 0:26:53 | 0:26:57 | |
As it is, it's been left with extraordinary | 0:26:57 | 0:26:59 | |
serenity. | 0:26:59 | 0:27:04 | |
Americans have often thought of themselves as exceptional. | 0:27:04 | 0:27:09 | |
The city on the hill, a new Jerusalem, a country | 0:27:09 | 0:27:12 | |
with a manifest destiny. | 0:27:12 | 0:27:16 | |
The perfect natural harbour of New York, with the East River | 0:27:16 | 0:27:20 | |
protectively flanked by Brooklyn, must have seemed | 0:27:20 | 0:27:24 | |
like a gift from God. | 0:27:24 | 0:27:28 | |
And following that logic the beauty of Long Island's | 0:27:28 | 0:27:30 | |
surf and beaches would merely confirm the limitless blessings | 0:27:30 | 0:27:33 | |
heaped upon this land and its people. | 0:27:33 | 0:27:36 | |
Next time, I'm spooked by a famous American ghost story. | 0:27:36 | 0:27:46 | |
Next time, I'm spooked by a famous American ghost story. | 0:27:48 | 0:27:51 | |
This sequestered glen has long been known by the name of Sleepy Hollow. | 0:27:51 | 0:28:01 | |
I hear a new take on America's greatest turncoat. | 0:28:01 | 0:28:05 | |
You think that Benedict Arnold was actually an American | 0:28:05 | 0:28:07 | |
revolutionary hero? | 0:28:07 | 0:28:09 | |
He was, absolutely. | 0:28:09 | 0:28:12 | |
Before learning how the American Civil War divided | 0:28:12 | 0:28:14 | |
the nation. | 0:28:14 | 0:28:18 | |
Not only is it father against son and brother against brother, | 0:28:18 | 0:28:21 | |
but it's classmate against classmate. | 0:28:21 | 0:28:27 |