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I have crossed the Atlantic to ride the railroads of America... | 0:00:02 | 0:00:07 | |
..with a new travelling companion. | 0:00:08 | 0:00:10 | |
BEEPING | 0:00:10 | 0:00:11 | |
Published in 1879, | 0:00:12 | 0:00:14 | |
my Appletons' General Guide will steer me to everything | 0:00:14 | 0:00:18 | |
that's novel, | 0:00:18 | 0:00:20 | |
beautiful, | 0:00:20 | 0:00:22 | |
memorable or curious in the United States. | 0:00:22 | 0:00:26 | |
-CONGREGATION: -Amen. | 0:00:26 | 0:00:27 | |
As I cross the continent, I'll discover America's Gilded Age | 0:00:29 | 0:00:33 | |
when powerful tycoons launched a railway boom that tied | 0:00:33 | 0:00:38 | |
the nation together and carved out its future as a superpower. | 0:00:38 | 0:00:43 | |
Today, my guidebook takes me north from New York City through | 0:01:10 | 0:01:14 | |
the Empire State, following the mighty Hudson. | 0:01:14 | 0:01:18 | |
The river has played major roles in American history. | 0:01:19 | 0:01:23 | |
It featured importantly in the war that won | 0:01:24 | 0:01:26 | |
independence for the United States of America. | 0:01:26 | 0:01:30 | |
Its upriver industries brought the country prosperity and power. | 0:01:31 | 0:01:35 | |
And its natural beauty inspired art that helped the new nation to | 0:01:37 | 0:01:42 | |
define itself - so much so that it became known as America's River. | 0:01:42 | 0:01:48 | |
This river takes its name from the Englishman Henry Hudson, | 0:01:54 | 0:01:58 | |
who explored it in 1609. | 0:01:58 | 0:02:01 | |
It flows from the Adirondacks, 300 miles behind me, to here, Manhattan. | 0:02:01 | 0:02:08 | |
Appletons' promises me "some of the most picturesque scenery in America. | 0:02:08 | 0:02:13 | |
"The Hudson has been compared to the Rhine, | 0:02:13 | 0:02:16 | |
"and what it lacks in crumbling ruin and castle-crowned steep, it more | 0:02:16 | 0:02:21 | |
"than makes up for by its greater variety and superior breadth." | 0:02:21 | 0:02:27 | |
What an invitation to follow the course of the mighty Hudson. | 0:02:27 | 0:02:31 | |
On this journey, I'm travelling through New York state. | 0:02:39 | 0:02:42 | |
I began in New York City and Long Island. | 0:02:43 | 0:02:47 | |
Now I'll continue up the Hudson to Poughkeepsie | 0:02:47 | 0:02:50 | |
and the capital of New York state, Albany. | 0:02:50 | 0:02:53 | |
From there, I'll turn west to the Great Lakes, | 0:02:53 | 0:02:57 | |
taking in Rochester and Buffalo, | 0:02:57 | 0:02:59 | |
and finish my journey on the Canadian border at Niagara Falls. | 0:02:59 | 0:03:03 | |
This leg of my journey begins at New York City's Penn Station, | 0:03:05 | 0:03:10 | |
from where I'll head north, upriver, | 0:03:10 | 0:03:12 | |
to Tarrytown and the inspirational setting for some of America's | 0:03:12 | 0:03:17 | |
greatest literature, before continuing to Garrison, | 0:03:17 | 0:03:21 | |
where I cross the river to finish my journey at West Point, | 0:03:21 | 0:03:25 | |
the national military academy. | 0:03:25 | 0:03:27 | |
'Along the way, I will be spooked by a famous American ghost story.' | 0:03:29 | 0:03:34 | |
This sequestered glen has long been known by the name of Sleepy Hollow! | 0:03:35 | 0:03:41 | |
'Here, a new take on America's greatest turncoat...' | 0:03:41 | 0:03:45 | |
So you think that Benedict Arnold was actually an American | 0:03:45 | 0:03:48 | |
-revolutionary hero? -He was, absolutely. | 0:03:48 | 0:03:52 | |
'..before learning how the American Civil War divided the nation.' | 0:03:52 | 0:03:56 | |
Not only is father against son and brother against brother, | 0:03:57 | 0:04:00 | |
but it's classmate against classmate. | 0:04:00 | 0:04:03 | |
I'm beginning my journey following Appletons' recommended route through | 0:04:19 | 0:04:23 | |
beautiful upstate New York from the decidedly modern Penn Station. | 0:04:23 | 0:04:28 | |
At the time of my guidebook, there was no railroad station here. | 0:04:32 | 0:04:36 | |
Travellers would have boarded the Hudson River Railroad further | 0:04:36 | 0:04:39 | |
north in Harlem. | 0:04:39 | 0:04:40 | |
If you ever saw a New Yorker standing here crying, | 0:04:49 | 0:04:52 | |
it might be because he was mourning the loss of the old Penn Station. | 0:04:52 | 0:04:57 | |
It was a vast neoclassical building that stood here. | 0:04:57 | 0:05:01 | |
It was easily one of the most beautiful structures in New York. | 0:05:01 | 0:05:04 | |
And in the dreaded 1960s, they tore it down, stone by stone. Why? | 0:05:04 | 0:05:09 | |
Because the railroad was pretty broke | 0:05:09 | 0:05:11 | |
and they did a really good property deal that created this skyscraper | 0:05:11 | 0:05:15 | |
and the Madison Square Gardens, from which we get the boxing matches. | 0:05:15 | 0:05:20 | |
The Penn Central Railroad, which bulldozed Penn Station, | 0:05:23 | 0:05:27 | |
itself collapsed not long after. | 0:05:27 | 0:05:30 | |
And in 1971, train services were taken over by a new national | 0:05:30 | 0:05:34 | |
carrier - Amtrak. | 0:05:34 | 0:05:36 | |
Every day, Amtrak's Penn Station serves over 500,000 people. | 0:05:36 | 0:05:41 | |
With so many users, | 0:05:42 | 0:05:43 | |
this rail company needs its own police department. | 0:05:43 | 0:05:47 | |
The force's police chief is Polly Hanson. | 0:05:47 | 0:05:50 | |
Chief, how many officers do you have now | 0:05:51 | 0:05:53 | |
and across how many states do you operate? | 0:05:53 | 0:05:55 | |
So Amtrak Police are over 500 strong. | 0:05:55 | 0:05:59 | |
We're responsible for over 20,000 employees, | 0:05:59 | 0:06:02 | |
riding and operating trains over 20,000 miles of track, | 0:06:02 | 0:06:06 | |
-serving 500 destinations in 46 states. -46 states? | 0:06:06 | 0:06:12 | |
I mean, that is a tremendous span for you, isn't it? | 0:06:12 | 0:06:14 | |
What were the origins of railroad policing in the United States? | 0:06:14 | 0:06:18 | |
The history of railroad police really dates back to after | 0:06:18 | 0:06:21 | |
the Civil War. | 0:06:21 | 0:06:23 | |
You had people like Butch Cassidy and the Sundance Kid, | 0:06:23 | 0:06:26 | |
Frank and Jesse James, who were getting on trains and robbing them. | 0:06:26 | 0:06:31 | |
And so, the owners of the railroad, very powerful, | 0:06:31 | 0:06:34 | |
important rich men, wanted to keep that wealth. | 0:06:34 | 0:06:37 | |
So they hired people like Allan Pinkerton who, | 0:06:37 | 0:06:40 | |
at the time, was a very innovative investigator | 0:06:40 | 0:06:44 | |
and created his own company. | 0:06:44 | 0:06:46 | |
Scottish-born Allan Pinkerton founded his eponymous detective | 0:06:47 | 0:06:51 | |
agency in 1850 and quickly solved a string of train crimes. | 0:06:51 | 0:06:56 | |
But he met his match when hired to track down one of the most | 0:06:57 | 0:07:01 | |
successful train robbing duos in history - | 0:07:01 | 0:07:05 | |
Robert Leroy Parker, also known as Butch Cassidy, | 0:07:05 | 0:07:09 | |
and his partner in crime, Harry Alonzo Longabaugh, the Sundance Kid. | 0:07:09 | 0:07:13 | |
In 1899, in a single robbery of a Union Pacific train, the pair made | 0:07:15 | 0:07:20 | |
off with 50,000 - the equivalent of nearly 1.5 million today. | 0:07:20 | 0:07:26 | |
Pinkerton agents followed the bandits' trail | 0:07:27 | 0:07:31 | |
and they realised that, before long, they'd be ensnared. | 0:07:31 | 0:07:35 | |
Mr Pinkerton used really innovative investigative techniques | 0:07:35 | 0:07:39 | |
and, of course, today, you take it for granted that you can use DNA and | 0:07:39 | 0:07:42 | |
photographs and send off a cable, | 0:07:42 | 0:07:45 | |
but they didn't have that capability then, | 0:07:45 | 0:07:46 | |
and they still were able to track them | 0:07:46 | 0:07:48 | |
down across the United States, here to New York City, | 0:07:48 | 0:07:51 | |
and then they boarded a ship and went to South America. | 0:07:51 | 0:07:55 | |
In early 1901, Butch Cassidy and the Sundance Kid set | 0:07:55 | 0:07:59 | |
sail from New York City, bound for Buenos Aires. | 0:07:59 | 0:08:02 | |
In 1908, the outlaws reportedly died in a hail of bullets in Bolivia | 0:08:03 | 0:08:09 | |
and quickly became heroes of American popular culture. | 0:08:09 | 0:08:12 | |
Since 9/11, the main focus of the railroad police is counterterrorism, | 0:08:14 | 0:08:19 | |
and officers are a reassuring presence on my train to Tarrytown. | 0:08:19 | 0:08:24 | |
I use the journey to see the work of Allan Pinkerton's modern-day | 0:08:24 | 0:08:27 | |
equivalents - Special Agent Marc Deslandes, Sergeant Robert Smith | 0:08:27 | 0:08:33 | |
and K-9 Officer Jake. | 0:08:33 | 0:08:35 | |
This is one of our explosive detection dogs designed to | 0:08:35 | 0:08:40 | |
seek out and locate potential explosive devices, | 0:08:40 | 0:08:44 | |
either carried on board or somewhere hidden. | 0:08:44 | 0:08:47 | |
Their noses are very good at picking up | 0:08:47 | 0:08:51 | |
and detecting explosive odour | 0:08:51 | 0:08:54 | |
and they can be deployed on moving trains, | 0:08:54 | 0:08:57 | |
on trains that are stationary, we put them to work in our stations, | 0:08:57 | 0:09:02 | |
in and around our stations and in and around our passengers | 0:09:02 | 0:09:06 | |
and the crowds of people that come through. | 0:09:06 | 0:09:08 | |
The connection between animal and officer is important, is it? | 0:09:08 | 0:09:10 | |
It's extremely important. We have a special bond with our dogs. | 0:09:10 | 0:09:14 | |
He gets to come home with me. | 0:09:14 | 0:09:16 | |
He's basically my family, | 0:09:16 | 0:09:17 | |
so we work together and we also live together at home. | 0:09:17 | 0:09:21 | |
I get to feed him, make sure that he's well taken care of. | 0:09:21 | 0:09:24 | |
He's your animal but he is not a pet. | 0:09:24 | 0:09:27 | |
How do you keep the proper distance, | 0:09:27 | 0:09:29 | |
make sure that that is a working animal? | 0:09:29 | 0:09:30 | |
He basically knows when he's working and he knows when he's off duty. | 0:09:30 | 0:09:34 | |
And at work, we're very strict about not allowing other | 0:09:34 | 0:09:37 | |
officers or passengers to pet our dogs. | 0:09:37 | 0:09:40 | |
This way, they can concentrate on doing their jobs. | 0:09:40 | 0:09:42 | |
On this line that hugs the Hudson, Appletons' tells me where to sit. | 0:09:45 | 0:09:50 | |
"Secure a seat on the left-hand side of the cars going north." | 0:09:50 | 0:09:55 | |
It soon becomes clear why. | 0:09:55 | 0:09:57 | |
Just before my stop, crossing the Hudson at one of its widest | 0:10:16 | 0:10:20 | |
points is the Tappan Zee Bridge. | 0:10:20 | 0:10:22 | |
The name comes from one of the area's American Indian tribes, | 0:10:25 | 0:10:29 | |
known as the Tappan, and zee, Dutch for sea - reflecting both | 0:10:29 | 0:10:33 | |
indigenous inhabitants and the first settlers of New York state. | 0:10:33 | 0:10:38 | |
Both groups would inspire the first true American writer who | 0:10:38 | 0:10:42 | |
named New York City "Gotham" and whose characters would later be | 0:10:42 | 0:10:47 | |
brought to life by stars like Johnny Depp. | 0:10:47 | 0:10:50 | |
-TANNOY: -Please watch the gap between the train and the platform. | 0:10:50 | 0:10:53 | |
I'm making my way to his house - once a site popular with | 0:11:07 | 0:11:11 | |
tourists escaping the city - with the help of my guidebook. | 0:11:11 | 0:11:14 | |
Washington Irving was born into a wealthy Manhattan merchant | 0:11:15 | 0:11:19 | |
family on April 3rd, 1783, at about the same time that the city's | 0:11:19 | 0:11:24 | |
residents learned of the ceasefire that heralded American independence. | 0:11:24 | 0:11:29 | |
And so he was named after the hero of the day - George Washington. | 0:11:29 | 0:11:33 | |
At Irving's home, I'm meeting literary scholar Michael Lord. | 0:11:39 | 0:11:44 | |
Michael, Washington Irving built his house in a lovely spot, | 0:11:47 | 0:11:51 | |
but tell me, what's his place in the American heart, would you say? | 0:11:51 | 0:11:55 | |
I'd say that Washington Irving was the first writer of any | 0:11:55 | 0:11:58 | |
sort in America to gain any respect, especially throughout Europe. | 0:11:58 | 0:12:02 | |
Europeans saw most Americans as perhaps country farmers | 0:12:02 | 0:12:06 | |
without much of an education. | 0:12:06 | 0:12:08 | |
And Irving, I think, changed their minds a little bit. | 0:12:08 | 0:12:11 | |
He achieved that not from this beautiful veranda but from Europe. | 0:12:11 | 0:12:15 | |
In 1815, Irving went to England in an attempt to save | 0:12:17 | 0:12:22 | |
the family business. | 0:12:22 | 0:12:24 | |
I'd say he wrote most of his important works | 0:12:24 | 0:12:27 | |
while he was in Europe. | 0:12:27 | 0:12:28 | |
The Sketchbook Of Geoffrey Crayon | 0:12:28 | 0:12:30 | |
and this is where he introduces us to Rip Van Winkle, | 0:12:30 | 0:12:34 | |
as well as Tales Of The Alhambra. | 0:12:34 | 0:12:36 | |
He is travelling across the continent, picking up little | 0:12:36 | 0:12:39 | |
short stories, lots of information on folktales and legends | 0:12:39 | 0:12:42 | |
and applying them to a new American setting. | 0:12:42 | 0:12:46 | |
So, The Legend Of Sleepy Hollow is a mixture of old German folktales | 0:12:46 | 0:12:50 | |
set here and this is where, I believe, Europeans and Americans | 0:12:50 | 0:12:53 | |
really begin to both take interest in the stories that he is creating. | 0:12:53 | 0:12:58 | |
When he comes back to the United States, then, | 0:12:58 | 0:13:00 | |
does he find that he has become famous? | 0:13:00 | 0:13:02 | |
He is treated almost like royalty when he comes back to New York | 0:13:02 | 0:13:05 | |
in 1832, where he is wined and dined and feted in the city. | 0:13:05 | 0:13:10 | |
He is actually offered to be the Mayor of New York, | 0:13:10 | 0:13:13 | |
which he politely turns down. | 0:13:13 | 0:13:15 | |
He is probably, arguably anyway, | 0:13:15 | 0:13:17 | |
America's largest celebrity at that time. | 0:13:17 | 0:13:19 | |
Hugely successful as an author, | 0:13:21 | 0:13:23 | |
Washington Irving put down roots in Tarrytown, New York, in 1835, | 0:13:23 | 0:13:28 | |
at the cottage he named Sunnyside. | 0:13:28 | 0:13:31 | |
I understand why he built his house on the banks of the Hudson | 0:13:37 | 0:13:41 | |
but why in front of the railway line? | 0:13:41 | 0:13:45 | |
It doesn't make a lot of sense to have that train so close, | 0:13:45 | 0:13:47 | |
but when Irving purchases the land here, | 0:13:47 | 0:13:50 | |
this is 1835 and the railway is 12 years off into the future. | 0:13:50 | 0:13:54 | |
He had no idea that he was going to end up with | 0:13:54 | 0:13:56 | |
tracks in the front of his house. | 0:13:56 | 0:13:58 | |
This is an American romantic who embraces nature | 0:13:58 | 0:14:01 | |
and loves nature and all of a sudden this machine | 0:14:01 | 0:14:03 | |
comes into the garden and he was quite upset about it. | 0:14:03 | 0:14:08 | |
What do we know about how upset he was? | 0:14:08 | 0:14:10 | |
We have several letters attesting to the fact that he was quite | 0:14:10 | 0:14:14 | |
unhappy about this. | 0:14:14 | 0:14:16 | |
We know that in 1847, he writes to a nephew of his, he says, | 0:14:16 | 0:14:21 | |
"If the Garden of Eden were now on Earth, | 0:14:21 | 0:14:24 | |
"they would not hesitate to run a railroad through it." | 0:14:24 | 0:14:26 | |
Wow. He was angry. | 0:14:26 | 0:14:27 | |
Even a couple of years later, | 0:14:27 | 0:14:29 | |
after the railroad actually had come through, | 0:14:29 | 0:14:31 | |
he pens off a note in 1850. | 0:14:31 | 0:14:33 | |
He says, "Excuse me for not answering sooner your kind letter. | 0:14:33 | 0:14:37 | |
"It found me in a terrible state of shattered nerves, | 0:14:37 | 0:14:39 | |
"having been startled out of my sleep by the infernal alarum | 0:14:39 | 0:14:42 | |
"of your railroad steam trumpet." | 0:14:42 | 0:14:45 | |
I must say, while I've been here I have noticed that your engineers, | 0:14:45 | 0:14:47 | |
what we call train drivers, do like to use their horns a lot. | 0:14:47 | 0:14:51 | |
Apparently, Irving felt the same way that you did | 0:14:51 | 0:14:53 | |
because even in the same letter he writes, | 0:14:53 | 0:14:55 | |
"I remain sleepless until daybreak, miserable all the following day. | 0:14:55 | 0:14:58 | |
"It seemed to me almost as if done on purpose." | 0:14:58 | 0:15:02 | |
One of our best-known writers had a phobia of trains, | 0:15:02 | 0:15:06 | |
having been involved in a very nasty railway accident. | 0:15:06 | 0:15:08 | |
Charles Dickens. | 0:15:08 | 0:15:10 | |
He travelled a lot in the United States. | 0:15:10 | 0:15:11 | |
I'm wondering, did he meet Washington Irving? | 0:15:11 | 0:15:13 | |
Dickens travelled here to New York around 1842, | 0:15:13 | 0:15:16 | |
met Irving while he was in New York City. | 0:15:16 | 0:15:19 | |
They wined and dined and they walked around the town | 0:15:19 | 0:15:22 | |
and Irving and Dickens stayed close for the rest of their lives. | 0:15:22 | 0:15:25 | |
And I can rather imagine that when they dined, | 0:15:25 | 0:15:27 | |
they raised their glasses and the toast was, "Down with the train." | 0:15:27 | 0:15:30 | |
I imagine you are right. | 0:15:30 | 0:15:32 | |
Just north of Irving's home is the village | 0:15:43 | 0:15:46 | |
that inspired his most quintessentially American work, | 0:15:46 | 0:15:51 | |
The Legend Of Sleepy Hollow. | 0:15:51 | 0:15:53 | |
Its combination of romance and horror made it a bestseller. | 0:15:54 | 0:16:00 | |
And it is still often retold at Halloween. | 0:16:01 | 0:16:04 | |
"And the peculiar character of its inhabitants, | 0:16:04 | 0:16:07 | |
"who are descendants from the original Dutch settlers, | 0:16:07 | 0:16:11 | |
"this sequestered glen has long been known | 0:16:11 | 0:16:14 | |
"by the name of Sleepy Hollow." | 0:16:14 | 0:16:17 | |
It's the ghoulish story of an unlikely hero, Ichabod Crane, | 0:16:18 | 0:16:23 | |
and his mysterious disappearance at the hands of a headless horseman. | 0:16:23 | 0:16:28 | |
"The stories of Brouwer, of Bones, and a whole budget of others, | 0:16:28 | 0:16:32 | |
"were called to mind | 0:16:32 | 0:16:34 | |
"and when they had diligently considered them all | 0:16:34 | 0:16:37 | |
"and compared them with the symptoms of the present case, | 0:16:37 | 0:16:40 | |
"they shook their heads and came to the conclusion | 0:16:40 | 0:16:43 | |
"that Ichabod had been carried off by the Galloping Hessian." | 0:16:43 | 0:16:48 | |
Ooh. Scary stuff! | 0:16:50 | 0:16:54 | |
LAUGHTER | 0:16:54 | 0:16:56 | |
Today my route continues along the eastern bank of the Hudson, | 0:17:07 | 0:17:11 | |
America's River, to Garrison, New York. | 0:17:11 | 0:17:14 | |
In contrast to the tranquil landscape, | 0:17:21 | 0:17:23 | |
Appletons' informs me that this area witnessed many stormy fights | 0:17:23 | 0:17:28 | |
between guerrillas on both sides during the War of Independence. | 0:17:28 | 0:17:32 | |
Because across the water is a site of such strategic importance | 0:17:35 | 0:17:40 | |
that General George Washington described it | 0:17:40 | 0:17:43 | |
as the Gibraltar of the continent. | 0:17:43 | 0:17:45 | |
"West Point," | 0:17:45 | 0:17:47 | |
says Appletons', "is one of the most attractive places on the river | 0:17:47 | 0:17:51 | |
"and the seat of the National Military Academy, | 0:17:51 | 0:17:54 | |
"which occupies a broad plateau 175 feet above the river. | 0:17:54 | 0:17:59 | |
"The grounds are tastefully laid out, containing fine monuments | 0:17:59 | 0:18:03 | |
"and commanding pleasant views." | 0:18:03 | 0:18:05 | |
For me to obtain my objective, I must cross the mighty Hudson | 0:18:05 | 0:18:08 | |
and scale the heights, which, as any cadet at the academy could | 0:18:08 | 0:18:13 | |
tell you, are perilous manoeuvres. | 0:18:13 | 0:18:15 | |
Fortunately, my guidebook suggests a delightful excursion may be | 0:18:19 | 0:18:22 | |
made by taking the morning boat. | 0:18:22 | 0:18:25 | |
All clear the dock. | 0:18:27 | 0:18:29 | |
So I'm following 19th century travellers to cross | 0:18:29 | 0:18:32 | |
the Hudson in style aboard this paddleboat. | 0:18:32 | 0:18:35 | |
During America's War of Independence, Benedict Arnold, | 0:18:40 | 0:18:44 | |
a man whose conduct was to prove unbecoming | 0:18:44 | 0:18:46 | |
to an officer and a gentleman, | 0:18:46 | 0:18:48 | |
took charge of the military fortifications here. | 0:18:48 | 0:18:52 | |
The story of his plan to betray his countrymen to the British | 0:18:52 | 0:18:56 | |
is inextricably bound to this river. | 0:18:56 | 0:18:58 | |
And at the time of my Appletons', | 0:19:00 | 0:19:02 | |
he lived on in the national consciousness | 0:19:02 | 0:19:04 | |
as America's greatest turncoat. | 0:19:04 | 0:19:07 | |
But crewmember Norman Stellefson has rather a different take. | 0:19:07 | 0:19:11 | |
Benedict Arnold was probably one of the best generals that we had. | 0:19:13 | 0:19:18 | |
The only thing was, he never got credit for anything he did | 0:19:18 | 0:19:22 | |
so he could never get the promotion. | 0:19:22 | 0:19:25 | |
Nevertheless, the under-promoted Arnold distinguished himself | 0:19:25 | 0:19:29 | |
in the fight for American independence, | 0:19:29 | 0:19:31 | |
including at the critical Battle of Saratoga in 1777. | 0:19:31 | 0:19:35 | |
He was shot twice in his leg and it was really bad, | 0:19:37 | 0:19:40 | |
but he looked and he saw that the battle was not going very well, | 0:19:40 | 0:19:43 | |
so he jumped onto a white horse, | 0:19:43 | 0:19:45 | |
went out there | 0:19:45 | 0:19:47 | |
and he actually changed the battle around and then they won the battle. | 0:19:47 | 0:19:51 | |
So you think that Benedict Arnold was actually | 0:19:51 | 0:19:53 | |
an American revolutionary hero? | 0:19:53 | 0:19:55 | |
I'd say he was, absolutely. | 0:19:55 | 0:19:57 | |
With such severe injuries to his leg, | 0:19:57 | 0:20:00 | |
Arnold's combat career was over. | 0:20:00 | 0:20:03 | |
Embittered, in 1780, he was made superintendent of West Point. | 0:20:03 | 0:20:07 | |
He was so disgusted the way they treated him | 0:20:09 | 0:20:11 | |
and everything else that he did pull a lot of stuff that was not legal. | 0:20:11 | 0:20:16 | |
He had a ship of his own and they were bringing stuff in. | 0:20:16 | 0:20:20 | |
They used the army wagons to bring the stuff in and everything. | 0:20:20 | 0:20:25 | |
Any fabulous dancers and everything else. He really lived it up high. | 0:20:25 | 0:20:30 | |
And he liked money. | 0:20:30 | 0:20:31 | |
And when he met British major John Andre, | 0:20:33 | 0:20:35 | |
Arnold's greed got the better of him. | 0:20:35 | 0:20:38 | |
He made plans to surrender West Point in exchange for £20,000. | 0:20:38 | 0:20:44 | |
Andre had to cross the little bridge. | 0:20:44 | 0:20:47 | |
That's when he got stopped and they searched him | 0:20:47 | 0:20:49 | |
and they found the plans in his boot, | 0:20:49 | 0:20:52 | |
but when Benedict Arnold saw what happened to Andre, he said, | 0:20:52 | 0:20:55 | |
"I've got to get out of here." | 0:20:55 | 0:20:57 | |
He jumped on his horse and went down to the British ship, the Vulture, | 0:20:57 | 0:21:01 | |
and got on it and got away. | 0:21:01 | 0:21:03 | |
What do Americans think of Benedict Arnold today? | 0:21:03 | 0:21:07 | |
A lot of people, as soon as they hear Benedict, they go, | 0:21:07 | 0:21:09 | |
"Traitor, traitor." | 0:21:09 | 0:21:10 | |
But they don't really realise what I just told you. | 0:21:10 | 0:21:13 | |
You'd be a traitor, too, | 0:21:13 | 0:21:15 | |
if no matter what you did, | 0:21:15 | 0:21:17 | |
you never got credit for it. | 0:21:17 | 0:21:20 | |
That's terrible. | 0:21:20 | 0:21:21 | |
Pulling in on the starboard side. | 0:21:23 | 0:21:24 | |
West Point has produced | 0:21:32 | 0:21:33 | |
some of the greatest generals in American history. | 0:21:33 | 0:21:37 | |
Today, the United States Military Academy continues to train | 0:21:37 | 0:21:41 | |
commissioned army officers. | 0:21:41 | 0:21:44 | |
OFFICERS SHOUT RESPONSE | 0:21:44 | 0:21:46 | |
I can't hear you. | 0:21:46 | 0:21:47 | |
OFFICERS SHOUT RESPONSE | 0:21:47 | 0:21:49 | |
Alumni and current cadets are known collectively as The Long Gray Line. | 0:21:49 | 0:21:54 | |
Exercise, one, two, three. | 0:21:54 | 0:21:56 | |
With 4,400 cadets in residence, | 0:22:01 | 0:22:04 | |
this bridge becomes pretty busy | 0:22:04 | 0:22:06 | |
when classes are changing. | 0:22:06 | 0:22:08 | |
Amongst these faces there could be future generals, | 0:22:08 | 0:22:11 | |
people who one day will be household names | 0:22:11 | 0:22:14 | |
and, since West Point boasts two former occupants of the White House, | 0:22:14 | 0:22:19 | |
some of them might be a future president. | 0:22:19 | 0:22:22 | |
West Point played a key role in the American War of Independence. | 0:22:24 | 0:22:28 | |
The Hudson passed between the northern and southern colonies. | 0:22:28 | 0:22:32 | |
The revolutionaries had to cross it with munitions and men. | 0:22:32 | 0:22:36 | |
The river also provided a potential invasion route for the British | 0:22:36 | 0:22:41 | |
moving down from Canada. | 0:22:41 | 0:22:42 | |
In the spring of 1778, | 0:22:42 | 0:22:45 | |
the revolutionaries stretched one of the longest and largest chains | 0:22:45 | 0:22:49 | |
ever forged across the river at West Point | 0:22:49 | 0:22:53 | |
and for the remainder of the war, | 0:22:53 | 0:22:55 | |
prevented British ships from sailing upriver. | 0:22:55 | 0:22:58 | |
At the monument to this impenetrable piece of military engineering, | 0:22:58 | 0:23:03 | |
I'm meeting historian Lieutenant Colonel Sherman Fleek. | 0:23:03 | 0:23:07 | |
Here we have the 13 original links of the chain. | 0:23:07 | 0:23:10 | |
The 13 links represent the 13 colonies. | 0:23:10 | 0:23:14 | |
-Each link weighed about 85lb. -Ooh, let me try that. -Go ahead. | 0:23:14 | 0:23:18 | |
Whoa! | 0:23:19 | 0:23:20 | |
-Just about. -So, 65 tonnes, 1,700 feet long. | 0:23:20 | 0:23:24 | |
-And with this you kept the Royal Navy at bay? -Yes, sir, we did. | 0:23:24 | 0:23:28 | |
With their giant chain in place, | 0:23:32 | 0:23:35 | |
the revolutionaries foiled British ambitions to cut their forces in two. | 0:23:35 | 0:23:39 | |
The Americans secured independence in 1783. | 0:23:41 | 0:23:45 | |
Sherman, when does it become a military academy, then? | 0:23:47 | 0:23:51 | |
So, the Academy was established in 1802 | 0:23:51 | 0:23:53 | |
under the presidency of Thomas Jefferson, our third president. | 0:23:53 | 0:23:57 | |
There had been some debate for years | 0:23:57 | 0:23:58 | |
whether we should have a military academy here or not, | 0:23:58 | 0:24:01 | |
which runs counter to the principles and values | 0:24:01 | 0:24:04 | |
of the American Revolution | 0:24:04 | 0:24:06 | |
because of the fear of standing armies. | 0:24:06 | 0:24:09 | |
American attitudes to the military have changed remarkably | 0:24:09 | 0:24:12 | |
since the 18th century. | 0:24:12 | 0:24:14 | |
Today, the armed forces are seen by many Americans | 0:24:14 | 0:24:17 | |
as key to their national identity, | 0:24:17 | 0:24:20 | |
but the Founding Fathers thought back to repression by the British, | 0:24:20 | 0:24:24 | |
associating a standing army with tyranny | 0:24:24 | 0:24:27 | |
and a potential threat to their hard-won liberty. | 0:24:27 | 0:24:30 | |
Who is the guiding spirit who establishes the Military Academy | 0:24:33 | 0:24:37 | |
as it is today? | 0:24:37 | 0:24:38 | |
Without a doubt, the father of the Academy is Sylvanus Thayer. | 0:24:38 | 0:24:42 | |
He became the superintendent in 1817. | 0:24:42 | 0:24:45 | |
He changed everything. He introduced officership, dedication, | 0:24:45 | 0:24:48 | |
duty, responsibility. | 0:24:48 | 0:24:50 | |
He introduced engineering as a strong proponent. | 0:24:50 | 0:24:54 | |
This school was the very first engineering school | 0:24:54 | 0:24:57 | |
in the United States. | 0:24:57 | 0:24:59 | |
With that expertise, West Point graduates | 0:24:59 | 0:25:02 | |
played a key role in the development of America's railroads. | 0:25:02 | 0:25:05 | |
So, by the time of the Civil War, | 0:25:07 | 0:25:09 | |
there was more railroads in the north | 0:25:09 | 0:25:11 | |
than the rest of the world combined. | 0:25:11 | 0:25:13 | |
By 1861, West Pointers had helped to lay | 0:25:13 | 0:25:17 | |
approximately two-thirds of the 31,000 miles of track in America. | 0:25:17 | 0:25:21 | |
At the outbreak of hostilities, with the nation divided, | 0:25:22 | 0:25:26 | |
the American Civil War was set to become | 0:25:26 | 0:25:29 | |
the first railway war in history. | 0:25:29 | 0:25:32 | |
The American Civil War is a watershed event in our history | 0:25:32 | 0:25:36 | |
without a doubt. | 0:25:36 | 0:25:38 | |
It came close to almost destroying this nation. | 0:25:38 | 0:25:41 | |
304 graduates, some of our best people, | 0:25:41 | 0:25:44 | |
went and fought for the Confederacy. | 0:25:44 | 0:25:46 | |
Not only is it father against son and brother against brother, | 0:25:46 | 0:25:49 | |
but it's classmate against classmate | 0:25:49 | 0:25:51 | |
and now all of a sudden they are thrown into this devilish war | 0:25:51 | 0:25:55 | |
where they are fighting each other. | 0:25:55 | 0:25:57 | |
It was heart-rending. It would just tear you apart. | 0:25:57 | 0:26:00 | |
The Civil War imposed a heavy death toll on both sides | 0:26:01 | 0:26:06 | |
and was so divisive that it threatened | 0:26:06 | 0:26:08 | |
the survival of West Point. | 0:26:08 | 0:26:10 | |
One time during the war and twice after the war, | 0:26:12 | 0:26:15 | |
West Point was accused of being a nest of traitors | 0:26:15 | 0:26:19 | |
because of the 304 graduates who fought for the Confederacy. | 0:26:19 | 0:26:24 | |
It was seen by the US Congress that West Point was | 0:26:24 | 0:26:27 | |
a den of treachery, where these graduates that we funded | 0:26:27 | 0:26:32 | |
and paid for. Robert E Lee, 31 years on active duty as a colonel, | 0:26:32 | 0:26:36 | |
all of a sudden, when we needed him, he turned sides against us. | 0:26:36 | 0:26:40 | |
And so they wanted to end West Point. | 0:26:40 | 0:26:42 | |
Congress didn't get its way | 0:26:47 | 0:26:49 | |
and West Point went on to produce | 0:26:49 | 0:26:51 | |
some of the finest military leaders in history. | 0:26:51 | 0:26:55 | |
Generals like Patton, | 0:26:55 | 0:26:57 | |
MacArthur | 0:26:57 | 0:26:59 | |
and Eisenhower. | 0:26:59 | 0:27:00 | |
An Englishman first explored the Hudson | 0:27:10 | 0:27:13 | |
and when, in the following century, a chain from bank to bank | 0:27:13 | 0:27:18 | |
denied passage upstream to the Royal Navy, | 0:27:18 | 0:27:21 | |
the river played an important part in changing the colonies | 0:27:21 | 0:27:25 | |
into the United States. | 0:27:25 | 0:27:27 | |
West Point produced a succession of military heroes, | 0:27:27 | 0:27:31 | |
some of whom had the misfortune to use their war fighting skills | 0:27:31 | 0:27:36 | |
against their classmates in the American Civil War. | 0:27:36 | 0:27:40 | |
Here at this bend in the river, | 0:27:40 | 0:27:43 | |
serenaded by railroad locomotives, | 0:27:43 | 0:27:46 | |
there is no better place | 0:27:46 | 0:27:48 | |
to understand a potted history of America. | 0:27:48 | 0:27:51 | |
'Next time, | 0:27:58 | 0:28:00 | |
'I'll take a different sort of line...' | 0:28:00 | 0:28:03 | |
Whoa! | 0:28:03 | 0:28:05 | |
'..and enjoy beautiful mountain scenery from an American iron horse...' | 0:28:09 | 0:28:13 | |
-Wow. -Take it west. | 0:28:13 | 0:28:15 | |
'..before tapping into Albany's boozy past.' | 0:28:19 | 0:28:22 | |
-Wow. That is strong. -Cheers. -Cheers. | 0:28:23 | 0:28:27 |