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I have crossed the Atlantic to ride the railroads of America... | 0:00:02 | 0:00:08 | |
with a new travelling companion. | 0:00:08 | 0:00:10 | |
Published in 1879, | 0:00:12 | 0:00:14 | |
my Appletons' General Guide | 0:00:14 | 0:00:17 | |
will steer me to everything that's novel... | 0:00:17 | 0:00:20 | |
beautiful... | 0:00:20 | 0:00:23 | |
memorable or curious in the United States. | 0:00:23 | 0:00:26 | |
ALL: Amen! | 0:00:26 | 0:00:29 | |
As I cross the continent, | 0:00:29 | 0:00:31 | |
I'll discover America's gilded age, | 0:00:31 | 0:00:33 | |
when powerful tycoons launched a railway boom that tied | 0:00:33 | 0:00:38 | |
the nation together and carved out its future as a superpower. | 0:00:38 | 0:00:43 | |
I'm continuing my American adventure through New York state, | 0:01:05 | 0:01:10 | |
where, in Appletons' time, an industrial revolution was underway. | 0:01:10 | 0:01:15 | |
I began in Manhattan and I'll head north towards Poughkeepsie | 0:01:15 | 0:01:18 | |
and the state capital, Albany. | 0:01:18 | 0:01:22 | |
I'll turn west to the Great Lakes, taking in Rochester and Buffalo | 0:01:22 | 0:01:27 | |
and finish at the tourist hot spot of Niagara Falls. | 0:01:27 | 0:01:31 | |
My journey through New York state continues on Long Island, | 0:01:41 | 0:01:46 | |
180 miles long with a population of eight million. | 0:01:46 | 0:01:51 | |
It hosts two of New York City's boroughs, Brooklyn and Queens. | 0:01:51 | 0:01:56 | |
It was often the first sighting of the United States for immigrants | 0:01:56 | 0:01:59 | |
and, even today, air passengers survey its streets and houses | 0:01:59 | 0:02:04 | |
before landing at Kennedy Airport. | 0:02:04 | 0:02:07 | |
The Long Island Rail Road daily ferries its commuters to the city, | 0:02:07 | 0:02:12 | |
and, at weekends, carries the city's holiday-makers to its beaches. | 0:02:12 | 0:02:17 | |
On today's leg, I cross the East River to New York City's | 0:02:24 | 0:02:28 | |
most populous borough, Brooklyn, and its holiday hot spot, Coney Island. | 0:02:28 | 0:02:34 | |
I'll take in Queens, the largest of the five boroughs, | 0:02:34 | 0:02:37 | |
then head east to the 19th-century haven of Garden City, | 0:02:37 | 0:02:42 | |
before continuing on the Long Island Railroad to the Gold Coast. | 0:02:42 | 0:02:47 | |
From there, I'll cross the island to The Hamptons. | 0:02:47 | 0:02:50 | |
My final stop will be the island's most easterly tip, Montauk. | 0:02:50 | 0:02:54 | |
Along the way, | 0:02:56 | 0:02:57 | |
I'll see how tourists following my guidebook enjoyed heady views. | 0:02:57 | 0:03:02 | |
People felt like they were just flying with the birds | 0:03:02 | 0:03:04 | |
walking across this bridge. | 0:03:04 | 0:03:07 | |
I'll witness how America's biggest infrastructure project | 0:03:07 | 0:03:11 | |
is reshaping both Manhattan and Long Island. | 0:03:11 | 0:03:14 | |
You were literally blasting? | 0:03:14 | 0:03:15 | |
-We were literally blasting. -Wow. And their martinis didn't even shake? | 0:03:15 | 0:03:19 | |
There was enough that James Bond would have liked it. | 0:03:19 | 0:03:23 | |
I'll relive the fun and decadence of the Roaring Twenties... | 0:03:23 | 0:03:28 | |
CHARLESTON PLAYS | 0:03:28 | 0:03:30 | |
..and discover the legacy of a lighthouse. | 0:03:36 | 0:03:39 | |
It gives us a warm feeling, | 0:03:39 | 0:03:41 | |
because this was the first sign of America for immigrants. | 0:03:41 | 0:03:44 | |
"Brooklyn," says Appletons', | 0:03:53 | 0:03:56 | |
"is the third largest city in the United States." | 0:03:56 | 0:03:59 | |
That's before it was absorbed into New York | 0:03:59 | 0:04:02 | |
to become one of the conurbation's five boroughs. | 0:04:02 | 0:04:05 | |
But, if it were independent and on its own today, it would still | 0:04:05 | 0:04:10 | |
rank alongside all but the very largest cities on earth. | 0:04:10 | 0:04:14 | |
By the 1860s, Brooklyn's population had swollen, | 0:04:16 | 0:04:21 | |
with huge numbers of immigrants from Europe. | 0:04:21 | 0:04:24 | |
Industry and commerce were booming. | 0:04:24 | 0:04:26 | |
Around a third of Brooklyn's working population commuted across | 0:04:28 | 0:04:32 | |
the East River to Manhattan, | 0:04:32 | 0:04:35 | |
and ferries were reaching capacity. | 0:04:35 | 0:04:37 | |
A long-term solution was needed. | 0:04:37 | 0:04:40 | |
And, in 1865, plans were put forward to build | 0:04:40 | 0:04:43 | |
a permanent link between the two cities. | 0:04:43 | 0:04:46 | |
The Brooklyn Bridge was under construction when | 0:04:49 | 0:04:52 | |
my Appletons' was published and it remarks that the massive towers | 0:04:52 | 0:04:56 | |
on ponderous cables are "conspicuous objects." | 0:04:56 | 0:05:00 | |
"The distance across the river is nearly 1,600 feet, | 0:05:00 | 0:05:04 | |
"affording space for two railroad tracks, | 0:05:04 | 0:05:07 | |
"four wagonways, and two footpaths." | 0:05:07 | 0:05:09 | |
With those colossal towers | 0:05:09 | 0:05:11 | |
and being the first steel suspension bridge in the world, | 0:05:11 | 0:05:14 | |
it was soon known as the Eighth Wonder of the World. | 0:05:14 | 0:05:17 | |
It's easy to see why. | 0:05:21 | 0:05:24 | |
The bridge, with its elegant steel cabling, suspended against | 0:05:24 | 0:05:29 | |
the 19th-century skyline, was an historic engineering achievement. | 0:05:29 | 0:05:34 | |
I'm meeting Brooklyn-born historian and tour guide, Seth Cunnell, | 0:05:36 | 0:05:40 | |
under the now-iconic structure. | 0:05:40 | 0:05:42 | |
-Hello, Seth. -Michael, good to see you. Welcome to Brooklyn. | 0:05:44 | 0:05:47 | |
Thank you very much. And what a very beautiful bridge. | 0:05:47 | 0:05:50 | |
What were the challenges in building it? | 0:05:50 | 0:05:53 | |
The challenges were numerous. | 0:05:53 | 0:05:55 | |
There were financial challenges, | 0:05:55 | 0:05:57 | |
the fact the bridge cost more than 12 million. | 0:05:57 | 0:06:00 | |
Technically, no-one had ever built a suspension bridge | 0:06:00 | 0:06:04 | |
with a centre span of 1,600 feet. | 0:06:04 | 0:06:07 | |
This is doubling anything that had come before it. | 0:06:07 | 0:06:11 | |
It's built, I think, with granite towers. | 0:06:11 | 0:06:13 | |
How does it work beneath the water? | 0:06:13 | 0:06:15 | |
Beneath the water are wooden caissons, | 0:06:15 | 0:06:18 | |
which are extremely large boxes flipped upside down, | 0:06:18 | 0:06:21 | |
about 100 feet by roughly 70 feet. | 0:06:21 | 0:06:23 | |
Floated into place, sunk into the sand, they pumped out the air, | 0:06:23 | 0:06:28 | |
sent workers inside to dig from inside to lower them while | 0:06:28 | 0:06:33 | |
they built the granite towers upwards at the same time. | 0:06:33 | 0:06:36 | |
A workforce of 600 built the bridge over 14 years, starting in 1869. | 0:06:37 | 0:06:44 | |
The designer was John Augustus Roebling, | 0:06:46 | 0:06:49 | |
a German immigrant living in Pennsylvania. | 0:06:49 | 0:06:52 | |
Then 61 years old, he was a pioneer of suspension bridges. | 0:06:52 | 0:06:57 | |
But, while he was surveying the site, | 0:06:59 | 0:07:02 | |
Roebling's foot was crushed by a boat coming into dock. | 0:07:02 | 0:07:06 | |
Tetanus set in. | 0:07:06 | 0:07:08 | |
And, three weeks later, he died. | 0:07:08 | 0:07:10 | |
His son, Washington Roebling, | 0:07:12 | 0:07:14 | |
took over the project and saw his father's bridge as far | 0:07:14 | 0:07:17 | |
as he could go, until he, too, was crippled in the process. | 0:07:17 | 0:07:21 | |
With John dead and Washington crippled, who took over the work? | 0:07:21 | 0:07:25 | |
Washington's wife, Emily Warren Roebling, finishes the bridge. | 0:07:25 | 0:07:30 | |
In those days, a woman? | 0:07:30 | 0:07:33 | |
It's unbelievable. | 0:07:33 | 0:07:34 | |
This is nearly 50 years before an American woman has the vote. | 0:07:34 | 0:07:37 | |
And she begins by simply running messages from the office | 0:07:37 | 0:07:41 | |
in Brooklyn Heights to the job site. | 0:07:41 | 0:07:43 | |
But she's so intelligent and begins to understand the process | 0:07:43 | 0:07:47 | |
so quickly, that she's able to make decisions on her own. | 0:07:47 | 0:07:51 | |
'Construction was dangerous and two dozen workers lost their lives. | 0:07:51 | 0:07:56 | |
'But on May the 24th, 1883, the great East River was spanned. | 0:07:56 | 0:08:01 | |
'The brilliant design and scale of this piece of engineering | 0:08:01 | 0:08:05 | |
'expressed America's growing self-confidence.' | 0:08:05 | 0:08:08 | |
It was spectacular. | 0:08:08 | 0:08:10 | |
You had Emily Warren Roebling leading the procession, | 0:08:10 | 0:08:13 | |
the president of the United States, | 0:08:13 | 0:08:15 | |
the mayors of Brooklyn and Manhattan meeting and shaking hands, | 0:08:15 | 0:08:18 | |
a magnificent fireworks display at sundown. | 0:08:18 | 0:08:21 | |
It was incredible and memorable for decades. | 0:08:21 | 0:08:24 | |
The day it opened, | 0:08:26 | 0:08:27 | |
150,000 pedestrians and 1,800 vehicles crossed the bridge. | 0:08:27 | 0:08:33 | |
Within months, passengers on cable cars were crossing | 0:08:34 | 0:08:38 | |
for a five-cent fare. | 0:08:38 | 0:08:39 | |
There are no aeroplanes, there are no tall buildings. | 0:08:40 | 0:08:44 | |
People felt like they were just flying with the birds | 0:08:44 | 0:08:47 | |
walking across this bridge. | 0:08:47 | 0:08:49 | |
It's been called the Eighth Wonder of the World. What do you say? | 0:08:49 | 0:08:52 | |
I live here and I think it should be the FIRST wonder of the world. | 0:08:52 | 0:08:55 | |
But I'll accept eighth. | 0:08:55 | 0:08:57 | |
While Brooklyn led the world with its sky-high engineering, | 0:09:04 | 0:09:09 | |
underground train travel, which began in London in 1863, | 0:09:09 | 0:09:14 | |
reached New York City only in 1904. | 0:09:14 | 0:09:16 | |
The New York transit Museum is | 0:09:21 | 0:09:23 | |
a short walk south from the end of the bridge. | 0:09:23 | 0:09:26 | |
Polly Desjarlais can tell me about the history of the subway. | 0:09:26 | 0:09:29 | |
What a very enviable transport museum this is. | 0:09:35 | 0:09:37 | |
-I take it it's a disused subway station. -It is. | 0:09:37 | 0:09:40 | |
It's a decommissioned subway station built in 1936 and then | 0:09:40 | 0:09:44 | |
decommissioned in 1946. | 0:09:44 | 0:09:47 | |
How, why, and when did New York decide that it needed | 0:09:47 | 0:09:50 | |
an underground railway? | 0:09:50 | 0:09:52 | |
New York had been talking about underground railway since | 0:09:52 | 0:09:55 | |
London built their Underground. | 0:09:55 | 0:09:57 | |
But we went above the ground before we went below the ground, really, | 0:09:57 | 0:10:00 | |
and elevator trains were the first form of rapid transportation here. | 0:10:00 | 0:10:04 | |
When New York eventually did go underground, | 0:10:04 | 0:10:07 | |
did it copy the example of London? | 0:10:07 | 0:10:09 | |
Actually, the chief engineer who spent quite | 0:10:09 | 0:10:12 | |
a long time in London, decided to do the opposite. | 0:10:12 | 0:10:14 | |
He said, "Let's be shallow. That'll be much nicer for the passengers." | 0:10:14 | 0:10:18 | |
So, the earliest railways in New York, actually like the earliest | 0:10:21 | 0:10:24 | |
ones in London, were cut and cover, where they went along avenues, | 0:10:24 | 0:10:27 | |
making a groove, and then covered over the top. | 0:10:27 | 0:10:29 | |
Yeah, cut and cover was how they built most of the first subway line. | 0:10:29 | 0:10:32 | |
What about getting under the rivers? | 0:10:32 | 0:10:34 | |
-They must have used deeper tunnels for that. -Yes, they did. | 0:10:34 | 0:10:37 | |
The workers that did the under river tunnelling were called sandhogs. | 0:10:37 | 0:10:42 | |
'The sandhogs were the unsung heroes of turn of the century | 0:10:42 | 0:10:46 | |
'New York City. | 0:10:46 | 0:10:48 | |
'These now legendary urban miners | 0:10:48 | 0:10:50 | |
'were predominantly immigrant labourers, | 0:10:50 | 0:10:53 | |
'who dug and blasted through sand and rock to build the bridges and | 0:10:53 | 0:10:57 | |
'tunnels, sewers and subways, that are the icons of the city today.' | 0:10:57 | 0:11:03 | |
There's one particular sandhog who stands out above all the rest, | 0:11:03 | 0:11:07 | |
an English miner by the name of Marshall Mabey who came | 0:11:07 | 0:11:10 | |
to New York in 1913. | 0:11:10 | 0:11:12 | |
He was tunnelling and a crack appeared in front of him. | 0:11:12 | 0:11:16 | |
"Blow out," he shouts. | 0:11:16 | 0:11:18 | |
Most of the men working behind him | 0:11:18 | 0:11:20 | |
in the tunnel got back to the airlock. | 0:11:20 | 0:11:22 | |
Unfortunately, Marshall and two other co-workers were out of time | 0:11:22 | 0:11:26 | |
and the force of the compressed air inside the tunnel that | 0:11:26 | 0:11:29 | |
they were building forced Marshall and his two workers through | 0:11:29 | 0:11:33 | |
this crack, through about 20 feet of riverbed, | 0:11:33 | 0:11:37 | |
through about 25 feet of the East River, and then they were spinning | 0:11:37 | 0:11:41 | |
around on the top of a water geyser about 25 feet above the river's | 0:11:41 | 0:11:45 | |
surface, before they fell back and landed in the surface of the river. | 0:11:45 | 0:11:49 | |
-He was dead, of course. -He survived. | 0:11:49 | 0:11:51 | |
His two co-workers unfortunately did not survive, | 0:11:51 | 0:11:54 | |
but Marshall survived with only a bruise to his left side of his body. | 0:11:54 | 0:11:58 | |
'New York City's first subway line ran from City Hall, | 0:12:00 | 0:12:03 | |
'close to the Manhattan end of the Brooklyn Bridge, | 0:12:03 | 0:12:06 | |
'to 145th Street and Broadway, nine miles uptown in Harlem.' | 0:12:06 | 0:12:12 | |
When did the subway system reach Brooklyn? | 0:12:12 | 0:12:14 | |
The subway system reached Brooklyn... | 0:12:14 | 0:12:16 | |
Trains started to run underneath Brooklyn in 1915, | 0:12:16 | 0:12:20 | |
and we are standing on what would have been one of the very first | 0:12:20 | 0:12:23 | |
subway trains to have run in Brooklyn. | 0:12:23 | 0:12:25 | |
And were they hygienic? | 0:12:25 | 0:12:27 | |
I've just spotted that notice that says you mustn't spit on the floor | 0:12:27 | 0:12:30 | |
of the car, and, if you do, you get a year in prison. | 0:12:30 | 0:12:33 | |
-A year in prison! -I know. It was a tough fine. | 0:12:33 | 0:12:35 | |
They were very concerned about becoming places where people | 0:12:35 | 0:12:38 | |
got sick, and when tuberculosis was running rife, | 0:12:38 | 0:12:43 | |
they were very concerned about that, so they offered heavy, | 0:12:43 | 0:12:46 | |
heavy penalties if you were caught spitting on a subway train. | 0:12:46 | 0:12:49 | |
And I feel rather nostalgic for this sort of car. | 0:12:49 | 0:12:52 | |
Am I wrong to be nostalgic? | 0:12:52 | 0:12:54 | |
No. Everybody that gets onto our old train cars are definitely nostalgic. | 0:12:54 | 0:12:59 | |
People often think that they're more comfortable | 0:12:59 | 0:13:01 | |
and more attractive than the trains that we ride on today. | 0:13:01 | 0:13:04 | |
But I don't think they would stand up to the wear and tear | 0:13:04 | 0:13:07 | |
of 5 million rides a day. | 0:13:07 | 0:13:10 | |
The completion of the bridge and Brooklyn's rail links brought | 0:13:14 | 0:13:17 | |
even more immigrants to the borough, | 0:13:17 | 0:13:20 | |
which, in 1898, had been incorporated into New York City. | 0:13:20 | 0:13:24 | |
Immigrants from northern, eastern and southern Europe made up | 0:13:26 | 0:13:29 | |
around a third of the newly amalgamated city. | 0:13:29 | 0:13:33 | |
Italians were one of the largest groups to settle in Brooklyn, | 0:13:34 | 0:13:38 | |
and their influence has left a lasting culinary mark that | 0:13:38 | 0:13:41 | |
I'm keen to experience. | 0:13:41 | 0:13:43 | |
Good evening, sir. How are you? | 0:13:48 | 0:13:49 | |
I'm very well indeed. Very well. I was thinking of having a pizza. | 0:13:49 | 0:13:52 | |
I think you mean a pie. | 0:13:52 | 0:13:54 | |
-A pie? -Yes. -OK. Can I have just a piece or two of pie? | 0:13:54 | 0:13:59 | |
-Well, I think you mean a slice. -A slice? | 0:13:59 | 0:14:02 | |
Divided by a common language, eh? | 0:14:02 | 0:14:04 | |
OK. I think I'll have a margarita pie. | 0:14:04 | 0:14:07 | |
You mean a pizza? | 0:14:07 | 0:14:09 | |
-Do I? I give up. -I'm just kidding. It's a pie. -Thank you. | 0:14:09 | 0:14:11 | |
You're welcome. Coming right up. | 0:14:11 | 0:14:13 | |
A slice of pie | 0:14:23 | 0:14:25 | |
is infinitely superior to a piece of pizza. | 0:14:25 | 0:14:28 | |
It's a new day and I'm heading to a bend on the East River | 0:14:43 | 0:14:47 | |
called Wallabout Bay, | 0:14:47 | 0:14:49 | |
where my guidebook tells me I will find the Brooklyn Navy Yard. | 0:14:49 | 0:14:53 | |
According to Appletons', | 0:15:03 | 0:15:05 | |
"The United States Navy Yard in Brooklyn | 0:15:05 | 0:15:08 | |
"is the chief naval station of the Republic. | 0:15:08 | 0:15:11 | |
"It covers about 45 acres. Representative vessels of every | 0:15:11 | 0:15:15 | |
"kind used in our Navy may be seen at the yard." | 0:15:15 | 0:15:20 | |
Many of the great warships in US naval history were Brooklyn lines. | 0:15:20 | 0:15:24 | |
'A short walk takes me to the 300 acre site, | 0:15:31 | 0:15:34 | |
'which is now an industrial park, | 0:15:34 | 0:15:37 | |
'but most of the yard's heritage remains. | 0:15:37 | 0:15:41 | |
'Eileen Shumard is custodian of the yard's history and can | 0:15:41 | 0:15:45 | |
'help me to understand just how important shipbuilding here | 0:15:45 | 0:15:48 | |
'has been to the United States' Navy.' | 0:15:48 | 0:15:51 | |
I guess we can just about see it through the rain. | 0:15:51 | 0:15:54 | |
I mean, this is obviously a very important part of history | 0:15:54 | 0:15:56 | |
-we're looking at here. -For sure. This is dry dock 1. | 0:15:56 | 0:15:59 | |
It is the oldest continually operating dry dock in the country. | 0:15:59 | 0:16:02 | |
It's a New York City landmark. | 0:16:02 | 0:16:04 | |
It was constructed here between 1836 and 1851 and, amazingly, | 0:16:04 | 0:16:07 | |
it's still in use. | 0:16:07 | 0:16:09 | |
Who was it who established the Navy Yard here in Brooklyn? | 0:16:09 | 0:16:12 | |
The Navy Yard was one of the first five naval shipyards | 0:16:12 | 0:16:15 | |
established by President John Adams at the end of his presidency, | 0:16:15 | 0:16:19 | |
when we were a young nation looking to the future and thinking | 0:16:19 | 0:16:22 | |
about our defence and our need to protect our commercial interests | 0:16:22 | 0:16:26 | |
and the private shipyards that we had just weren't going to cut it. | 0:16:26 | 0:16:29 | |
We needed that sort of federal backing to create what we needed. | 0:16:29 | 0:16:32 | |
Protect your commercial interests against the British? | 0:16:32 | 0:16:36 | |
Well, I mean, I wouldn't... Maybe. | 0:16:36 | 0:16:39 | |
And so these shipyards have been here since the beginning of | 0:16:39 | 0:16:43 | |
the 19th century. | 0:16:43 | 0:16:44 | |
So, around the time of my Appletons' guide, late 19th century, | 0:16:44 | 0:16:47 | |
what would the scene have been like here? | 0:16:47 | 0:16:49 | |
What kind of ships were you building? | 0:16:49 | 0:16:51 | |
It's a really interesting time, actually, | 0:16:51 | 0:16:53 | |
because, in the 1870s, we've seen a dip in employment, | 0:16:53 | 0:16:56 | |
a dip in activity, | 0:16:56 | 0:16:57 | |
and we're in-between the Civil War and we haven't quite gotten | 0:16:57 | 0:17:00 | |
to World War I, but in the Civil War there's this dramatic shift from | 0:17:00 | 0:17:03 | |
centres and centres of wooden shipbuilding to ironclads, | 0:17:03 | 0:17:07 | |
and that kind of technology changed naval warfare forever. | 0:17:07 | 0:17:11 | |
And, at the same time, we were kind of slow on it. | 0:17:11 | 0:17:14 | |
By the 1880s, we really started making armoured cruisers and | 0:17:14 | 0:17:17 | |
battleships that are constructed of steel and we really catch up | 0:17:17 | 0:17:20 | |
in a major way. | 0:17:20 | 0:17:22 | |
Some of America's most historic naval vessels were built here, | 0:17:23 | 0:17:27 | |
including, in 1855, the Niagara, | 0:17:27 | 0:17:30 | |
the ship which laid the first successful transatlantic cable, | 0:17:30 | 0:17:34 | |
and the ill-fated USS Maine, | 0:17:34 | 0:17:37 | |
which exploded in Havana harbour in 1898, sparking war with Spain. | 0:17:37 | 0:17:42 | |
In World War II, this really was an extraordinarily important place. | 0:17:44 | 0:17:48 | |
Why so? | 0:17:48 | 0:17:49 | |
Absolutely. We were America's premier naval shipyard at that time. | 0:17:49 | 0:17:52 | |
We're the busiest shipyard. We constructed, for example, | 0:17:52 | 0:17:55 | |
the USS Arizona, which sparked our engagement in World War II | 0:17:55 | 0:17:58 | |
when it's bombed in Pearl Harbor, and we constructed the USS Missouri, | 0:17:58 | 0:18:01 | |
where the Japanese signed their unconditional surrender, | 0:18:01 | 0:18:04 | |
so we bookend the entire war with ships that | 0:18:04 | 0:18:06 | |
are constructed here. | 0:18:06 | 0:18:07 | |
And. during that time period, you have 70,000 men and women who are | 0:18:07 | 0:18:10 | |
just serving the country through | 0:18:10 | 0:18:12 | |
just massive, massive production here. | 0:18:12 | 0:18:14 | |
So, really an enormous contribution to America's war effort | 0:18:14 | 0:18:17 | |
-is made right here? -Absolutely. | 0:18:17 | 0:18:19 | |
The federal government | 0:18:20 | 0:18:22 | |
decommissioned the Navy Yard in 1966. | 0:18:22 | 0:18:25 | |
Some private shipbuilding and repairs continued, | 0:18:25 | 0:18:28 | |
but it wasn't until the 1990s that the yard's fortunes revived | 0:18:28 | 0:18:33 | |
as the city began to transform it into a hub | 0:18:33 | 0:18:36 | |
that now employs 7,000 people in 300 businesses. | 0:18:36 | 0:18:40 | |
This is a very beautiful distillery. | 0:18:43 | 0:18:46 | |
What's it got to do with the US Navy? | 0:18:46 | 0:18:49 | |
Well, this is actually a very historic building. | 0:18:49 | 0:18:51 | |
This is the former paymaster of the Brooklyn Navy Yard, | 0:18:51 | 0:18:54 | |
so this is where the men would come and line up out in the street | 0:18:54 | 0:18:58 | |
to get their cheques and go out in the neighbourhood, | 0:18:58 | 0:19:00 | |
but the reason I brought you here is because there's really | 0:19:00 | 0:19:03 | |
a brilliant story, which is related to your time period | 0:19:03 | 0:19:06 | |
and your travel guide called the Whiskey Wars. | 0:19:06 | 0:19:09 | |
So, that refers to a time period here in the late 1860s, | 0:19:09 | 0:19:12 | |
early 1870s. You're having immigrants from around the world | 0:19:12 | 0:19:15 | |
that are being drawn to the Navy Yard and not just the Navy Yard, | 0:19:15 | 0:19:18 | |
all the different types of industries and factories | 0:19:18 | 0:19:20 | |
and warehouses and ironworks that are all along New York City | 0:19:20 | 0:19:23 | |
and supporting all this commerce and industry. | 0:19:23 | 0:19:25 | |
And they've established a neighbourhood right outside | 0:19:25 | 0:19:28 | |
the Navy Yard, right outside the gates, called Vinegar Hill, | 0:19:28 | 0:19:30 | |
which is also called Irishtown, | 0:19:30 | 0:19:32 | |
and so they brought their traditions of whiskey distilling over | 0:19:32 | 0:19:34 | |
with them, but they are distilling illegally out in the neighbourhood, | 0:19:34 | 0:19:38 | |
and so the marines that are located at the yard | 0:19:38 | 0:19:40 | |
at that time are often dispatched to go out there and break up | 0:19:40 | 0:19:43 | |
their stills and flow that whiskey | 0:19:43 | 0:19:45 | |
as a river into the streets and never consume a drop for themselves, | 0:19:45 | 0:19:49 | |
I assume, and so it's a real beautiful irony that today | 0:19:49 | 0:19:52 | |
this building is home to Kings County Distillery. | 0:19:52 | 0:19:54 | |
In this building, in what was a century ago the distillery | 0:19:56 | 0:20:00 | |
district of New York City, Colin Spoelman is using traditional | 0:20:00 | 0:20:04 | |
copper stills and wooden fermenters to produce the kind of whiskey | 0:20:04 | 0:20:08 | |
that the US government tried in vain to stamp out during | 0:20:08 | 0:20:11 | |
the prohibition era of the early 20th century. | 0:20:11 | 0:20:15 | |
How do you do? Good to see you. | 0:20:17 | 0:20:19 | |
So, are you making traditional whiskeys? | 0:20:19 | 0:20:22 | |
So, what we have here is a moonshine. It's an un-aged whiskey. | 0:20:22 | 0:20:26 | |
Whiskey before it goes into the barrel. | 0:20:26 | 0:20:28 | |
Moonshine traditionally was illegal. | 0:20:28 | 0:20:31 | |
What was the difference between moonshine and regular whiskey? | 0:20:31 | 0:20:34 | |
Well, if you were making moonshine, you didn't have time to age it | 0:20:34 | 0:20:37 | |
in a barrel and you wanted to get it to the customer | 0:20:37 | 0:20:39 | |
as quickly as possible. So, that is this style of whiskey, | 0:20:39 | 0:20:42 | |
which has more or less been forgotten for 100 years, | 0:20:42 | 0:20:45 | |
is experiencing a little bit of a resurgence as | 0:20:45 | 0:20:48 | |
people kind of discover this much older style of whiskey. | 0:20:48 | 0:20:51 | |
And, of course, the most obvious visual difference is that | 0:20:51 | 0:20:55 | |
it's clear, not browned, but why the difference? | 0:20:55 | 0:20:58 | |
So, when it goes in the barrel, it picks up sugars and | 0:20:58 | 0:21:00 | |
caramelised sugars that give it sort of spice and colour. | 0:21:00 | 0:21:03 | |
I'm just wondering... | 0:21:05 | 0:21:07 | |
Whoo! | 0:21:07 | 0:21:09 | |
-..could we have a little taste? -Sure, sure. | 0:21:09 | 0:21:11 | |
-I hope you'll join me. I'll feel very lonely if you don't. -All right. | 0:21:15 | 0:21:19 | |
-I think I'll abstain. -You'll abstain. | 0:21:19 | 0:21:21 | |
Got a very powerful nose. | 0:21:23 | 0:21:25 | |
It's reminding me, you know those Italian liqueurs you get when | 0:21:25 | 0:21:28 | |
you're on holiday called grappa. | 0:21:28 | 0:21:30 | |
-It's kind of reminding me of that a bit. -Yeah. | 0:21:30 | 0:21:32 | |
A lot of people compare it to Silver Tequila, or grappa, | 0:21:32 | 0:21:35 | |
-which are other pot distilled whiskeys. -Here we go. | 0:21:35 | 0:21:39 | |
-Ooh, your good health, I should have said. -Cheers. | 0:21:39 | 0:21:42 | |
Ah! | 0:21:46 | 0:21:47 | |
That is fierce. Oh! | 0:21:48 | 0:21:50 | |
-You'd fight a war after you drank that. -Yeah! | 0:21:52 | 0:21:55 | |
With a fire in my belly, I'm boarding the F train again | 0:22:04 | 0:22:08 | |
to the seaside of the southernmost tip of Brooklyn. | 0:22:08 | 0:22:12 | |
Appletons' tells me that Coney Island is the most popular of | 0:22:15 | 0:22:19 | |
all resorts near New York | 0:22:19 | 0:22:21 | |
and lies just outside the entrance to New York Bay, | 0:22:21 | 0:22:23 | |
about 10 miles from the city by water, and consists of | 0:22:23 | 0:22:27 | |
a very narrow island, 4.5 miles long, | 0:22:27 | 0:22:29 | |
with a hard, gently sloping beach, | 0:22:29 | 0:22:32 | |
affording unsurpassed facilities for sea bathing. | 0:22:32 | 0:22:35 | |
I'm meeting local guide Michael Wynne | 0:22:38 | 0:22:40 | |
on the resort's famous Boardwalk. | 0:22:40 | 0:22:43 | |
Michael, when did Coney Island and the surrounds become a resort? | 0:22:45 | 0:22:50 | |
It dates back to 1829, when the Coney Island House opened up. | 0:22:50 | 0:22:54 | |
It was the first hotel in Coney Island. | 0:22:54 | 0:22:56 | |
Such notable people such as Edgar Allan Poe, | 0:22:56 | 0:23:00 | |
you had people such as the editor of the Brooklyn Daily Eagle, | 0:23:00 | 0:23:03 | |
Walt Whitman, would check in, | 0:23:03 | 0:23:05 | |
and he would spew Homer and Shakespeare into the surf. | 0:23:05 | 0:23:08 | |
Also, Herman Melville would spend some time here | 0:23:08 | 0:23:11 | |
at Coney Island's first hotel, the Coney Island House. | 0:23:11 | 0:23:14 | |
'By the 1870s, | 0:23:16 | 0:23:18 | |
'steam locomotives were bringing up to 30,000 holiday-makers on | 0:23:18 | 0:23:23 | |
'four railroad lines to the island | 0:23:23 | 0:23:25 | |
'at weekends during the summer months. | 0:23:25 | 0:23:28 | |
'And, after 1915, | 0:23:28 | 0:23:30 | |
'when the subway line opened across the Brooklyn Bridge, thousands | 0:23:30 | 0:23:34 | |
'of day-trippers used it to escape the squalor of Manhattan tenements. | 0:23:34 | 0:23:39 | |
'Coney Island was entering its heyday.' | 0:23:39 | 0:23:42 | |
Appletons' talks about Brighton beach and Manhattan beach | 0:23:42 | 0:23:44 | |
being for the better class of people, | 0:23:44 | 0:23:47 | |
but I think Coney Island eventually opened up to all classes, didn't it? | 0:23:47 | 0:23:50 | |
Oh, absolutely. All along the strip here. | 0:23:50 | 0:23:52 | |
This area we're walking right now is considered West Brighton, | 0:23:52 | 0:23:55 | |
so it was more middle-class. The western end was Norton's Point, | 0:23:55 | 0:23:58 | |
where you had a little more of a rough-and-tumble crowd. | 0:23:58 | 0:24:01 | |
And, further out on the eastern end, | 0:24:01 | 0:24:03 | |
Manhattan beach and Brighton beach, it was a more affluent area. | 0:24:03 | 0:24:07 | |
How rough did it get? | 0:24:07 | 0:24:09 | |
Often on the western end, | 0:24:09 | 0:24:11 | |
sometimes dead bodies would be found on the beach. | 0:24:11 | 0:24:14 | |
Prostitution, gambling. | 0:24:14 | 0:24:17 | |
And when do we get things like the Boardwalk, and the iconic | 0:24:17 | 0:24:20 | |
rollercoasters, and the parachute jump, and so on? | 0:24:20 | 0:24:24 | |
Well, you know, this truly is the birthplace of the amusement | 0:24:24 | 0:24:27 | |
industry and the rollercoaster itself debuted here in 1884. | 0:24:27 | 0:24:31 | |
A man by the name of LaMarcus Thompson | 0:24:31 | 0:24:33 | |
invented the first rollercoaster | 0:24:33 | 0:24:35 | |
and was inspired by the coal-mining tracks in Pennsylvania. | 0:24:35 | 0:24:39 | |
Give me an idea of how big and important resort | 0:24:39 | 0:24:43 | |
this was in its heyday. | 0:24:43 | 0:24:44 | |
Oh, you know, if modern-day Dubai and Las Vegas had a child, | 0:24:44 | 0:24:48 | |
it would have looked like Coney Island in 1904. | 0:24:48 | 0:24:51 | |
It completely was the most extravagant playground in the world | 0:24:51 | 0:24:54 | |
and probably the number one vacation spot in Western civilisation | 0:24:54 | 0:24:58 | |
during the turn of the 20th century. | 0:24:58 | 0:25:01 | |
'Between 1880 and the Second World War, Coney Island was | 0:25:01 | 0:25:06 | |
'America's playground, the largest amusement area in the United States, | 0:25:06 | 0:25:11 | |
'with three rival entertainment parks | 0:25:11 | 0:25:14 | |
'attracting millions of visitors. | 0:25:14 | 0:25:16 | |
'And, like those holiday-makers before me, | 0:25:17 | 0:25:20 | |
'I've worked up an appetite.' | 0:25:20 | 0:25:22 | |
-Hello, there. -Hello. Welcome to Nathan's. -Thank you very much. | 0:25:23 | 0:25:26 | |
May I have an original hot dog, please? | 0:25:26 | 0:25:29 | |
-You'd like a Nathan's original hot dog? -Yes, please. | 0:25:29 | 0:25:31 | |
-I'll get you one of them now. -Thank you very much. | 0:25:31 | 0:25:34 | |
-Original Nathan's hot dog. -Thank you very much indeed. -OK. | 0:25:37 | 0:25:41 | |
So, I saw outside your building that the business is 100 years old. | 0:25:41 | 0:25:45 | |
-Yes, we've been here since 1916. -How did it start? | 0:25:45 | 0:25:49 | |
Well, it started with a couple. | 0:25:49 | 0:25:51 | |
They were Polish immigrants and they started Nathan's on | 0:25:51 | 0:25:54 | |
a very small stand in this building. | 0:25:54 | 0:25:58 | |
And they started selling hot dogs at five cents. | 0:25:58 | 0:26:01 | |
So, without giving away secrets, what makes a really good hot dog? | 0:26:01 | 0:26:03 | |
Well, what makes a really good hot dog and what really makes | 0:26:03 | 0:26:06 | |
our hot dog special is that it's all beef, | 0:26:06 | 0:26:08 | |
and it has a secret spice formula, which I can't reveal to you, | 0:26:08 | 0:26:12 | |
but it gives it a certain flavour, | 0:26:12 | 0:26:14 | |
and we bring it to a certain temperature where all that | 0:26:14 | 0:26:16 | |
flavour kind of explodes and mixes with that beef and that's | 0:26:16 | 0:26:21 | |
how you get a Nathan's hot dog. | 0:26:21 | 0:26:22 | |
You certainly know how to sell a hot dog, I must give you that. | 0:26:22 | 0:26:25 | |
Well, we've been selling it for a while. We've been here a while, | 0:26:25 | 0:26:28 | |
-so I know about it. -Now, I gather | 0:26:28 | 0:26:29 | |
some people eat rather large numbers at a go. | 0:26:29 | 0:26:31 | |
You've got some sort of contest that goes on? | 0:26:31 | 0:26:34 | |
Yes, we have the famous Nathan's famous international hot dog | 0:26:34 | 0:26:37 | |
eating contest on July 4th, Independence Day. | 0:26:37 | 0:26:40 | |
We do it right here on the side of the restaurant. | 0:26:40 | 0:26:43 | |
-We have about 40,000 people watch the contest. -No. | 0:26:43 | 0:26:47 | |
Yes. You have to eat the hot dog and the roll. | 0:26:47 | 0:26:52 | |
And you have to do that within ten minutes. | 0:26:52 | 0:26:54 | |
And, so, what was the result last July 4th? | 0:26:54 | 0:26:56 | |
The winner, he ate 62 hot dogs and rolls, | 0:26:56 | 0:27:00 | |
and you've just got to eat one to really get the feel for it. | 0:27:00 | 0:27:03 | |
So, last July 4th, | 0:27:05 | 0:27:07 | |
maybe in celebration of America's independence | 0:27:07 | 0:27:10 | |
from the United Kingdom, a man ate 62 hot dogs. | 0:27:10 | 0:27:14 | |
I'm going to see now how long it takes me to eat one. | 0:27:14 | 0:27:18 | |
So that man ate six hot dogs every minute for ten minutes, | 0:27:45 | 0:27:50 | |
and it just took me three minutes to eat one. | 0:27:50 | 0:27:53 | |
I guess I'm not an all-American guy. | 0:27:53 | 0:27:55 | |
Coney Island began to decline during the Great Depression of the 1930s, | 0:28:01 | 0:28:06 | |
but some of the attractions from its heyday remain, | 0:28:06 | 0:28:09 | |
including the Wonder Wheel, which opened in 1920. | 0:28:09 | 0:28:13 | |
It belongs today to Dennis Vourderis. | 0:28:13 | 0:28:16 | |
-You must be Dennis. -And you must be Michael. -That is very true. -Yeah. | 0:28:18 | 0:28:22 | |
Dennis, the Wonder Wheel is one of the iconic sites of Coney Island. | 0:28:22 | 0:28:26 | |
How old is it? | 0:28:26 | 0:28:28 | |
The Wonder Wheel is 95 years old this year. | 0:28:28 | 0:28:30 | |
It screams Coney Island. It's all about Coney Island. | 0:28:30 | 0:28:34 | |
But the main attraction of the Wonder Wheel is the fact | 0:28:34 | 0:28:36 | |
that 16 of its vehicles swing back and forth on tracks. | 0:28:36 | 0:28:41 | |
That's what makes the Wonder Wheel unique. | 0:28:41 | 0:28:43 | |
How did it pass into your family? | 0:28:43 | 0:28:45 | |
My father was always interested in purchasing the Wonder Wheel | 0:28:45 | 0:28:48 | |
ever since he visited Coney Island in the early '40s. | 0:28:48 | 0:28:52 | |
He was then a hot dog vendor in Manhattan with a pushcart. | 0:28:52 | 0:28:56 | |
And my mother was as well. | 0:28:56 | 0:28:58 | |
They met selling hot dogs on opposite corners and my dad | 0:28:58 | 0:29:01 | |
and her used to come to the beach all the time and | 0:29:01 | 0:29:03 | |
he said to her one day, he says, "You know, | 0:29:03 | 0:29:06 | |
"you stick it out with me, I'm going to own that wheel. | 0:29:06 | 0:29:08 | |
"And you're going to be my wife and that's going to be your gift, | 0:29:08 | 0:29:11 | |
"your wedding ring, your engagement ring, your wedding ring, | 0:29:11 | 0:29:14 | |
"all in one, to symbolise my unending love for you." | 0:29:14 | 0:29:17 | |
And so it came to be? | 0:29:17 | 0:29:19 | |
So it came to be. | 0:29:19 | 0:29:20 | |
In 1983, my parents wound up buying that wheel. | 0:29:20 | 0:29:23 | |
It was quite a remarkable story. | 0:29:23 | 0:29:26 | |
-His life came full circle at that point. -Full circle. -Yeah. | 0:29:26 | 0:29:30 | |
-No pun intended. -It's a very American story, isn't it? | 0:29:30 | 0:29:34 | |
Well, it is. It's definitely an American dream come true, for sure. | 0:29:34 | 0:29:38 | |
As the sun begins to set over Coney Island, I shall finish my day | 0:29:47 | 0:29:51 | |
with sand beneath my toes. | 0:29:51 | 0:29:53 | |
It's a new day | 0:30:09 | 0:30:10 | |
and I'm continuing my journey east through Long Island. | 0:30:10 | 0:30:14 | |
Using the Long Island Rail Road, | 0:30:15 | 0:30:17 | |
I'll head from Queens to Garden City, | 0:30:17 | 0:30:21 | |
turn northeast to the Gold Coast, | 0:30:21 | 0:30:23 | |
then cross the island to take in The Hamptons. | 0:30:23 | 0:30:27 | |
I'll finish at Long Island's most easterly tip, Montauk. | 0:30:27 | 0:30:31 | |
Before the tunnels were built to Manhattan Island in 1910, | 0:30:32 | 0:30:36 | |
Queens was the terminus of the railroad, | 0:30:36 | 0:30:38 | |
and passengers crossed by ferry. | 0:30:38 | 0:30:40 | |
After the first branch of the Long Island Rail Road was opened | 0:30:42 | 0:30:45 | |
in 1836, the mainly rural island was quickly developed with suburbs. | 0:30:45 | 0:30:51 | |
Today, it's the busiest commuter railroad in America | 0:30:51 | 0:30:55 | |
with over 700 miles of track. | 0:30:55 | 0:30:57 | |
It's also the site of an ambitious engineering project | 0:30:58 | 0:31:01 | |
that will transform New York City's rail network. | 0:31:01 | 0:31:05 | |
By one of the oddities of railroad history, | 0:31:09 | 0:31:12 | |
many commuters who come from Long Island, | 0:31:12 | 0:31:14 | |
which lies to the east of Manhattan, | 0:31:14 | 0:31:17 | |
have to cross all the way across the island to almost the west side, | 0:31:17 | 0:31:21 | |
to Pennsylvania Central Station, | 0:31:21 | 0:31:24 | |
and, then, if their jobs are in the business district | 0:31:24 | 0:31:26 | |
back on the east side, | 0:31:26 | 0:31:28 | |
they have to make a subway journey, wasting time and money every day. | 0:31:28 | 0:31:31 | |
The solution, then, is to put a station | 0:31:31 | 0:31:34 | |
on the east side of Manhattan - | 0:31:34 | 0:31:36 | |
in fact, deep under Grand Central Terminal. | 0:31:36 | 0:31:39 | |
But that project involves creating a new terminal with eight tracks | 0:31:39 | 0:31:43 | |
and building 11 miles of tunnel | 0:31:43 | 0:31:45 | |
and absolutely turning the system upside down. | 0:31:45 | 0:31:49 | |
It's said to be the biggest project in the United States right now. | 0:31:49 | 0:31:53 | |
Dr Michael Horodniceanu is the chief engineer | 0:31:56 | 0:31:59 | |
at the Metropolitan Transportation Authority | 0:31:59 | 0:32:02 | |
and the man responsible for delivering | 0:32:02 | 0:32:04 | |
the East Side Access scheme. | 0:32:04 | 0:32:06 | |
Michael, you are in charge of the biggest construction project | 0:32:08 | 0:32:11 | |
in the United States today. What do you feel about that? | 0:32:11 | 0:32:14 | |
Well, humbled...by the experience, | 0:32:14 | 0:32:17 | |
and lucky to be able to do that. | 0:32:17 | 0:32:19 | |
Michael is taking me to survey the ongoing works. | 0:32:21 | 0:32:24 | |
-Hello. You must be Chris. -Yes, I am. -How are you? I'm Michael. | 0:32:34 | 0:32:37 | |
-Good to see. -Pleasure. | 0:32:37 | 0:32:39 | |
So, right here, basically Tunnel D will come out to the right. | 0:32:41 | 0:32:46 | |
B, C will be built right here in the middle. | 0:32:46 | 0:32:49 | |
So, you'll come out of the ground right here, | 0:32:49 | 0:32:51 | |
and there you're going to see Tunnel A, | 0:32:51 | 0:32:53 | |
which will be on the north side. | 0:32:53 | 0:32:55 | |
'Four new tunnels will run from Queens on Long Island | 0:32:55 | 0:33:00 | |
'straight to New York's railway cathedral, | 0:33:00 | 0:33:03 | |
'Grand Central Terminal, | 0:33:03 | 0:33:05 | |
'opening access to the east side of Manhattan.' | 0:33:05 | 0:33:08 | |
What benefit will the commuters see when it's all over? | 0:33:10 | 0:33:13 | |
The commuters from Long Island will see | 0:33:13 | 0:33:16 | |
a reduction in travel time of up to 40 minutes per day. | 0:33:16 | 0:33:20 | |
And they will have a direct shot without having to transfer | 0:33:20 | 0:33:24 | |
into Grand Central. | 0:33:24 | 0:33:25 | |
The great thing about the construction of the terminal | 0:33:26 | 0:33:30 | |
is that no-one knew that we were there. | 0:33:30 | 0:33:33 | |
We've blasted away these huge caverns and people upstairs | 0:33:33 | 0:33:36 | |
were sipping wine in a restaurant | 0:33:36 | 0:33:38 | |
and they never knew they were down there. | 0:33:38 | 0:33:41 | |
-You were literally blasting? -We were literally blasting. | 0:33:41 | 0:33:43 | |
-Wow. And their Martinis didn't even shake. -No. | 0:33:43 | 0:33:46 | |
There was enough that James Bond would have liked it. | 0:33:46 | 0:33:49 | |
THEY LAUGH | 0:33:49 | 0:33:51 | |
'The extension is due to open in 2023 | 0:33:53 | 0:33:56 | |
'and is projected to cost around 10 billion. | 0:33:56 | 0:34:00 | |
'It will transform the working lives of millions of New York commuters. | 0:34:00 | 0:34:04 | |
'It's another example of how the city's infrastructure | 0:34:04 | 0:34:08 | |
'is being revitalised after 9/11.' | 0:34:08 | 0:34:11 | |
It represents a kind of a renaissance for New York, | 0:34:11 | 0:34:13 | |
-doesn't it? -Yes, it does. | 0:34:13 | 0:34:14 | |
Without public transport, cities like New York, | 0:34:14 | 0:34:16 | |
cities like London...cannot exist. | 0:34:16 | 0:34:20 | |
And that's something... | 0:34:20 | 0:34:21 | |
I've been in London and I've seen the work being done there. | 0:34:21 | 0:34:25 | |
And we're trying to keep up with you guys. | 0:34:25 | 0:34:28 | |
That's a very flattering way of putting it. I'm impressed by this. | 0:34:28 | 0:34:32 | |
As New York City grew wealthy, many of its more prosperous citizens | 0:34:41 | 0:34:45 | |
took advantage of improving transport links | 0:34:45 | 0:34:48 | |
to leave its crowded confines for the leafier outskirts. | 0:34:48 | 0:34:52 | |
Long Island's population swelled with commuters | 0:34:52 | 0:34:55 | |
and they needed homes in which to live. | 0:34:55 | 0:34:58 | |
"Garden City", says Appletons', | 0:35:02 | 0:35:05 | |
"is the residents' city built by AT Stewart | 0:35:05 | 0:35:08 | |
"as a sort of model for suburban homes." | 0:35:08 | 0:35:11 | |
Here's an opportunity to see how one visionary idealist | 0:35:11 | 0:35:15 | |
envisaged the ideal life. | 0:35:15 | 0:35:18 | |
Alexander Turney Stewart was an Irish immigrant | 0:35:21 | 0:35:25 | |
who built a retail empire. | 0:35:25 | 0:35:27 | |
He opened the first American department store in Manhattan | 0:35:27 | 0:35:30 | |
in 1848 and became one of the richest men in America. | 0:35:30 | 0:35:35 | |
In 1869, when he was 66 years old, | 0:35:36 | 0:35:40 | |
he bought a 12-mile stretch of land on Long Island | 0:35:40 | 0:35:43 | |
where he planned to build a model town for his employees. | 0:35:43 | 0:35:48 | |
He called it Garden City. | 0:35:48 | 0:35:49 | |
Suzanne Alvey is Garden City's Assistant Village Historian. | 0:35:59 | 0:36:04 | |
She's invited me to tea in the beautiful Apostle House | 0:36:04 | 0:36:08 | |
built during Stewart's lifetime with middle managers in mind. | 0:36:08 | 0:36:12 | |
It's now a museum. | 0:36:12 | 0:36:14 | |
What put him in mind of creating a model city or village? | 0:36:17 | 0:36:21 | |
Well, one of the reasons why | 0:36:21 | 0:36:24 | |
was because he had two children who died very young. | 0:36:24 | 0:36:28 | |
So he needed something else to do with his life. | 0:36:28 | 0:36:31 | |
There was attractive land available in the middle of Long Island | 0:36:31 | 0:36:34 | |
called the Hempstead Plains | 0:36:34 | 0:36:36 | |
that was not being used for anything. | 0:36:36 | 0:36:38 | |
It was rather abandoned at that point. | 0:36:38 | 0:36:40 | |
So he decided to buy the property at 55 an acre | 0:36:40 | 0:36:45 | |
and told everybody how he was going to build this model town. | 0:36:45 | 0:36:50 | |
And everybody thought he was crazy. They called it Stewart's Folly. | 0:36:50 | 0:36:54 | |
But, as it turns out, he had his architect John Kellum | 0:36:54 | 0:36:59 | |
and they laid everything out, | 0:36:59 | 0:37:01 | |
and, within a very, very short period of time, | 0:37:01 | 0:37:04 | |
he had quite a few buildings done. | 0:37:04 | 0:37:06 | |
'Stewart transformed the barren plains, | 0:37:09 | 0:37:11 | |
'building all that a town could require. | 0:37:11 | 0:37:14 | |
'His Garden City boasted 60 spacious home | 0:37:14 | 0:37:17 | |
'on wide, tree-lined avenues, | 0:37:17 | 0:37:19 | |
'a handsome hotel | 0:37:19 | 0:37:20 | |
'and a 30-acre park. | 0:37:20 | 0:37:22 | |
'He built a waterworks and a gasworks, | 0:37:22 | 0:37:25 | |
'and a railroad line - | 0:37:25 | 0:37:26 | |
'the Central Railroad of Long Island - | 0:37:26 | 0:37:29 | |
'to ferry residents to work in New York City. | 0:37:29 | 0:37:32 | |
'But not everything went to plan.' | 0:37:33 | 0:37:35 | |
So, I'm imagining this thriving community that he established, | 0:37:36 | 0:37:40 | |
and the first train arriving, and the commuters pouring on to it. | 0:37:40 | 0:37:43 | |
-Is that how it was? -No, I wouldn't say it was too crowded. | 0:37:43 | 0:37:47 | |
It only had about seven people who commuted from here, | 0:37:47 | 0:37:51 | |
because nobody wanted to rent these houses that he built, | 0:37:51 | 0:37:55 | |
so, until he offered them for sale, | 0:37:55 | 0:37:57 | |
we didn't have a very big population. | 0:37:57 | 0:38:00 | |
'Six years after he began his grand project, | 0:38:03 | 0:38:06 | |
'Garden City remained little more than a shell, | 0:38:06 | 0:38:09 | |
'and, in 1876, Stewart died at the age of 72.' | 0:38:09 | 0:38:14 | |
-So, did he not really see his dream fulfilled? -He saw enough of it. | 0:38:18 | 0:38:23 | |
I think he knew it was going to be a success, | 0:38:23 | 0:38:26 | |
but the one who really got it on the map | 0:38:26 | 0:38:29 | |
was his wife, Cornelia Clinch Stewart. | 0:38:29 | 0:38:32 | |
'Cornelia persuaded the Episcopal diocese of Long Island | 0:38:32 | 0:38:36 | |
'to move out of Brooklyn and make Garden City its new base. | 0:38:36 | 0:38:41 | |
'She did it by promising to build and endow a cathedral, | 0:38:41 | 0:38:45 | |
'two schools and a residence for the bishop. | 0:38:45 | 0:38:48 | |
'The cathedral was to be a memorial to her husband. | 0:38:48 | 0:38:52 | |
'Garden City became America's first cathedral town.' | 0:38:52 | 0:38:55 | |
Would the Stewarts recognise the Garden City of today? | 0:38:57 | 0:39:00 | |
Em...I would say probably not. | 0:39:00 | 0:39:03 | |
Obviously first because of the cars, | 0:39:03 | 0:39:05 | |
and they'd be amazed that it was so crowded. | 0:39:05 | 0:39:08 | |
We have about 22,000 people now, up from a very few back then. | 0:39:08 | 0:39:13 | |
But I think they would appreciate | 0:39:13 | 0:39:14 | |
how we still have a number of homes that are still in existence, | 0:39:14 | 0:39:18 | |
and we also try to keep in mind the idea | 0:39:18 | 0:39:21 | |
of a planned community, like he had. | 0:39:21 | 0:39:23 | |
During the 19th century, trains increased the prosperity | 0:39:34 | 0:39:37 | |
of Long Island's workers, | 0:39:37 | 0:39:39 | |
shuttling daily to and from New York City. | 0:39:39 | 0:39:42 | |
But the railroads created fortunes | 0:39:42 | 0:39:45 | |
beyond the comprehension of ordinary commuters. | 0:39:45 | 0:39:48 | |
You might think that the Gold Coast is in Australia, | 0:39:50 | 0:39:54 | |
but there's one here on Long Island - | 0:39:54 | 0:39:57 | |
of course, not where gold was discovered, | 0:39:57 | 0:39:59 | |
but where enormous wealth was displayed, flaunted, | 0:39:59 | 0:40:04 | |
squandered. | 0:40:04 | 0:40:06 | |
From Queens, it's a journey of just over an hour northeast | 0:40:08 | 0:40:12 | |
to Cold Spring Harbor - | 0:40:12 | 0:40:14 | |
the nearest station to Oheka Castle. | 0:40:14 | 0:40:17 | |
Ha-ha! This is Oheka Castle! | 0:40:29 | 0:40:33 | |
Unbelievably big for what was once a private residence. | 0:40:33 | 0:40:37 | |
It has the look of a French chateaux, | 0:40:37 | 0:40:39 | |
but it's built on the foundations of a solid American fortune. | 0:40:39 | 0:40:45 | |
'Completed in 1919 | 0:40:45 | 0:40:47 | |
'and costing the equivalent of 110 million in today's money, | 0:40:47 | 0:40:52 | |
'the castle was the private home | 0:40:52 | 0:40:54 | |
'of banker and rail magnate Otto Kahn. | 0:40:54 | 0:40:57 | |
'At the time, it was the second-largest residence | 0:40:58 | 0:41:00 | |
'in the entire United States, | 0:41:00 | 0:41:02 | |
'bettered only by George Vanderbilt's Biltmore House | 0:41:02 | 0:41:06 | |
'in North Carolina. | 0:41:06 | 0:41:07 | |
'Today, Oheka Castle is a hotel, | 0:41:07 | 0:41:11 | |
'and historian Paul Mateyunas is taking me on a tour | 0:41:11 | 0:41:15 | |
'of these once exclusive grounds.' | 0:41:15 | 0:41:17 | |
Paul, I believe this part of Long Island | 0:41:17 | 0:41:19 | |
was known as the Gold Coast. Why so? | 0:41:19 | 0:41:22 | |
Yes, well, after the Industrial Revolution, | 0:41:22 | 0:41:24 | |
American families living in New York City | 0:41:24 | 0:41:26 | |
wanted a pastoral country setting, | 0:41:26 | 0:41:28 | |
and so this was really the perfect place | 0:41:28 | 0:41:30 | |
for them to build their country houses. | 0:41:30 | 0:41:32 | |
And which names were involved here? | 0:41:32 | 0:41:34 | |
JP Morgan, Vanderbilt, Roosevelt... | 0:41:34 | 0:41:37 | |
The Duke and Duchess of Windsor, Prince of Wales were all coming here | 0:41:37 | 0:41:41 | |
for the polo season... | 0:41:41 | 0:41:42 | |
and staying the summers on Long Island. | 0:41:42 | 0:41:45 | |
When I think about this era and this place, | 0:41:45 | 0:41:47 | |
-my thoughts are dominated by the parties. -Sure. | 0:41:47 | 0:41:50 | |
F Scott Fitzgerald's novel The Great Gatsby in 1924 | 0:41:50 | 0:41:53 | |
may have taken parties to a new level, | 0:41:53 | 0:41:56 | |
but it really was not an exaggeration | 0:41:56 | 0:41:58 | |
of what was going on here at the time. | 0:41:58 | 0:42:00 | |
I imagine the ponds here | 0:42:00 | 0:42:02 | |
are probably clogged with champagne corks. | 0:42:02 | 0:42:04 | |
PAUL LAUGHS | 0:42:04 | 0:42:05 | |
'Like many tycoons of the era, | 0:42:08 | 0:42:11 | |
'Kahn made much of his fortune in the railroads.' | 0:42:11 | 0:42:14 | |
This is Otto Kahn. | 0:42:15 | 0:42:17 | |
-Otto Kahn was also known as the figure for Mr Monopoly. -Really? | 0:42:17 | 0:42:22 | |
-That's correct. -How did he make his money in the railroads? | 0:42:22 | 0:42:26 | |
He teamed up with great railroad giants of the time | 0:42:26 | 0:42:28 | |
and he would reorganise the facilities | 0:42:28 | 0:42:32 | |
and make them more streamlined and more profitable. | 0:42:32 | 0:42:35 | |
Was he a big party-giver? | 0:42:35 | 0:42:37 | |
He was known for throwing parties. | 0:42:37 | 0:42:39 | |
There were men like Charlie Chaplin here, Douglas Fairbanks, | 0:42:39 | 0:42:43 | |
many industrialists of the day, so it was a home always filled... | 0:42:43 | 0:42:47 | |
And what happened to the home after he died? | 0:42:47 | 0:42:50 | |
After Otto Kahn passed away in the '30s, | 0:42:50 | 0:42:53 | |
his wife sold it to the New York Department of Sanitation, | 0:42:53 | 0:42:56 | |
which renamed it Sanita, and it became the weekend retreat | 0:42:56 | 0:43:00 | |
and retirement home for the New York City garbage men. | 0:43:00 | 0:43:04 | |
MICHAEL LAUGHS | 0:43:04 | 0:43:05 | |
-So, from riches to rags? -Correct. | 0:43:05 | 0:43:09 | |
'Sensing the ghosts of the bankers and tycoons, | 0:43:11 | 0:43:15 | |
'and the stars of stage and screen, | 0:43:15 | 0:43:17 | |
'I decide to relive for a moment | 0:43:17 | 0:43:19 | |
'the heady decadence of those years | 0:43:19 | 0:43:22 | |
'by taking to the dance floor.' | 0:43:22 | 0:43:25 | |
-Hello, Nancy. -Hello, Michael! Welcome. -You look divine. | 0:43:25 | 0:43:29 | |
-Thank you very much. You look very handsome. -What a beautiful dress. | 0:43:29 | 0:43:33 | |
-Thank you. -Um... So how does one do the Charleston? -OK. | 0:43:33 | 0:43:38 | |
So, it's a very easy dance. | 0:43:38 | 0:43:40 | |
Forward on the left. | 0:43:40 | 0:43:41 | |
And tap front with the right... | 0:43:41 | 0:43:43 | |
Right, left. | 0:43:43 | 0:43:44 | |
Right, right, left, and swing the arms. | 0:43:44 | 0:43:47 | |
Left, forward, right, forward. | 0:43:47 | 0:43:50 | |
Oh, I think you've got it. | 0:43:51 | 0:43:53 | |
Cue music. | 0:43:53 | 0:43:55 | |
FAST JOLLY MUSIC PLAYS | 0:43:56 | 0:43:59 | |
Maybe it's a little fast. | 0:44:04 | 0:44:05 | |
'Named after the city of Charleston in South Carolina, | 0:44:10 | 0:44:13 | |
'the dance became one of the musical sensations of the roaring '20s. | 0:44:13 | 0:44:17 | |
'The mansions of the North Shore once echoed to the Charleston | 0:44:25 | 0:44:28 | |
'and popping champagne corks.' | 0:44:28 | 0:44:30 | |
How about this? | 0:44:36 | 0:44:37 | |
MUSIC STOPS | 0:44:39 | 0:44:41 | |
THEY LAUGH | 0:44:41 | 0:44:42 | |
'But...for me, the party's over.' | 0:44:44 | 0:44:46 | |
On many a bright morning like this, | 0:44:53 | 0:44:55 | |
Otto Kahn must have surveyed his beautiful gardens and thought, | 0:44:55 | 0:45:00 | |
"All that hard work amalgamating railroads... | 0:45:00 | 0:45:03 | |
"Here I stand upon the hill that I made | 0:45:03 | 0:45:07 | |
"in the castle that I built, | 0:45:07 | 0:45:09 | |
"and it was all worthwhile." | 0:45:09 | 0:45:12 | |
The wealthy titans of New York City | 0:45:16 | 0:45:19 | |
are no longer drawn to the North Shore of Long Island. | 0:45:19 | 0:45:22 | |
And while the elites of the past | 0:45:22 | 0:45:25 | |
made their money in industry and infrastructure, | 0:45:25 | 0:45:28 | |
their counterparts today are the so-called | 0:45:28 | 0:45:31 | |
'Masters of the Universe' - | 0:45:31 | 0:45:33 | |
the bankers, traders, and hedge-fund managers | 0:45:33 | 0:45:36 | |
who prowl the canyons of Wall Street. | 0:45:36 | 0:45:39 | |
Their summer retreat lies some 75 miles southeast | 0:45:39 | 0:45:43 | |
in the Hamptons. | 0:45:43 | 0:45:46 | |
"East Hampton," says Appletons', | 0:45:46 | 0:45:48 | |
"is the quietest of all quiet towns, with quaint, old houses." | 0:45:48 | 0:45:53 | |
Its Old World charm has seduced many a broker, | 0:45:53 | 0:45:57 | |
derivatives trader, and venture capitalist. | 0:45:57 | 0:46:01 | |
I may not meet many of them on the Long Island Rail Road, | 0:46:01 | 0:46:04 | |
but their helicopters are much in evidence. | 0:46:04 | 0:46:06 | |
East Hampton, and its sister village of Southampton, | 0:46:08 | 0:46:11 | |
was almost entirely undeveloped | 0:46:11 | 0:46:14 | |
until the arrival of the railroad in 1895. | 0:46:14 | 0:46:18 | |
Today, the permanent population of the town is around 21,000, | 0:46:18 | 0:46:22 | |
but, in summer, that swells to over 70,000. | 0:46:22 | 0:46:25 | |
East Hampton is extraordinarily clean and tidy. Very well-kept. | 0:46:30 | 0:46:35 | |
Manicured, you might say. | 0:46:35 | 0:46:37 | |
'I'm meeting Diana of the Ladies' Village Improvement Society, | 0:46:39 | 0:46:44 | |
'founded in 1895. | 0:46:44 | 0:46:47 | |
'She's invited me to one of the thrift stores, | 0:46:47 | 0:46:50 | |
'where they raise funds for the preservation of the town.' | 0:46:50 | 0:46:53 | |
What brought about the foundation | 0:46:53 | 0:46:55 | |
of the Ladies' Village Improvement Society? | 0:46:55 | 0:46:58 | |
Well, one of the issues in the 1890s were unpaved streets. | 0:46:58 | 0:47:02 | |
And there was a lot of dust any time a cart or the early | 0:47:03 | 0:47:07 | |
automobiles would drive by. The LVIS felt their mission was to | 0:47:07 | 0:47:12 | |
sprinkle the streets and to keep the dust down. | 0:47:12 | 0:47:15 | |
Once that was done, | 0:47:15 | 0:47:17 | |
they started just overall beautifying these East Hampton. | 0:47:17 | 0:47:20 | |
'Today, as well as preserving East Hampton's history, | 0:47:20 | 0:47:23 | |
'the LVIS funds student scholarships, including one | 0:47:23 | 0:47:28 | |
'for a woman over 25 years old returning to higher education.' | 0:47:28 | 0:47:33 | |
What's it like to live in East Hampton? | 0:47:33 | 0:47:35 | |
SHE LAUGHS | 0:47:35 | 0:47:36 | |
Well, it has a little bit of a rollercoaster feel because | 0:47:36 | 0:47:40 | |
things are nonstop between June and September, | 0:47:40 | 0:47:43 | |
but then it does quiet down. | 0:47:43 | 0:47:45 | |
I guess people outside might have the impression of East Hampton | 0:47:45 | 0:47:48 | |
-as being populated with the wolves of Wall Street. -Right. | 0:47:48 | 0:47:51 | |
-Now would that be inaccurate? -No. | 0:47:51 | 0:47:53 | |
It's not inaccurate. | 0:47:54 | 0:47:56 | |
But I just feel that the Women's Village Improvement Society is about | 0:47:56 | 0:48:01 | |
as far from the wolves of Wall Street as I can imagine. | 0:48:01 | 0:48:04 | |
Well, I think there's definitely a sense of trying to maintain | 0:48:04 | 0:48:08 | |
the historical character and the natural beauty, and the LVIS | 0:48:08 | 0:48:13 | |
is one of those groups that just want to keep it the way it is, | 0:48:13 | 0:48:16 | |
and that's why they work so hard. | 0:48:16 | 0:48:18 | |
Before the arrival of the Wall Street set, | 0:48:26 | 0:48:28 | |
East Hampton was home to Jacqueline Bouvier, | 0:48:28 | 0:48:31 | |
later to become Mrs Kennedy and then Mrs Onassis, and the haunt of | 0:48:31 | 0:48:35 | |
artists such as Jackson Pollock, Mark Rothko and Andy Warhol. | 0:48:35 | 0:48:41 | |
On the village green, there's an 18th-century house that would | 0:48:41 | 0:48:44 | |
have been familiar to followers of my Appletons'. | 0:48:44 | 0:48:48 | |
It's a striking example of colonial architecture and | 0:48:48 | 0:48:51 | |
has a connection to one of America's first great actors. | 0:48:51 | 0:48:55 | |
Hugh R King looks after the house, which is now a museum. | 0:48:55 | 0:48:59 | |
This is the most exquisite house. Beautifully preserved. | 0:49:00 | 0:49:04 | |
Tell me about it. | 0:49:04 | 0:49:05 | |
Well, it was preserved because it was bought by the village of | 0:49:05 | 0:49:08 | |
East Hampton in 1927, and when they bought the house, not only did | 0:49:08 | 0:49:12 | |
they buy the house, they bought everything in it. | 0:49:12 | 0:49:15 | |
And, so, we have been able to recreate the house | 0:49:15 | 0:49:17 | |
just the way it was in 1916. | 0:49:17 | 0:49:20 | |
But the house, how old is that? It's much, much older. | 0:49:20 | 0:49:23 | |
1720, but you're looking at a 1750 version of the house. | 0:49:23 | 0:49:26 | |
Like, the panelling, that was all put in in 1750. | 0:49:26 | 0:49:30 | |
'The house is dedicated to John Howard Payne, American actor, | 0:49:34 | 0:49:39 | |
'playwright, and lyricist.' | 0:49:39 | 0:49:41 | |
If he had stayed in America, | 0:49:42 | 0:49:44 | |
he would have been our first great actor in this country. | 0:49:44 | 0:49:46 | |
John Howard Payne was the first American actor to play Hamlet. | 0:49:46 | 0:49:50 | |
He was the first American actor to be successful because | 0:49:50 | 0:49:53 | |
he went to England in 1813 and was successful on the English stage. | 0:49:53 | 0:49:58 | |
The first American actor to ever do that. | 0:49:58 | 0:50:01 | |
Then he was the first American playwright to have his plays | 0:50:01 | 0:50:04 | |
done at the Drury Lane and the Covent Garden Theatre. | 0:50:04 | 0:50:06 | |
-Really? -Yes. | 0:50:06 | 0:50:08 | |
Very, very important literary and dramatic figure, | 0:50:08 | 0:50:11 | |
who gets lost because of the song. You know, the song. | 0:50:11 | 0:50:14 | |
'Amid pleasures and palaces though we may roam | 0:50:14 | 0:50:17 | |
'Be it ever so humble, there's no place like home.' | 0:50:17 | 0:50:20 | |
It came from the pen of John Howard Payne. | 0:50:20 | 0:50:23 | |
But he only wrote the words, not the music. | 0:50:23 | 0:50:26 | |
The great English composer Henry Rowley Bishop wrote the music. | 0:50:26 | 0:50:30 | |
Do you know the song was sung during the American Civil War until | 0:50:39 | 0:50:43 | |
the generals had to finally stop the song from being played at night | 0:50:43 | 0:50:48 | |
because the men all wanted to go home after they heard it? | 0:50:48 | 0:50:51 | |
So, I mean, it really plays quite an important part in American history. | 0:50:51 | 0:50:55 | |
Yes. | 0:50:55 | 0:50:57 | |
'From 1907 until 1927, this house was owned by | 0:51:02 | 0:51:07 | |
'Mr and Mrs Gustave Buck, | 0:51:07 | 0:51:09 | |
'who turned it into a shrine to Payne. | 0:51:09 | 0:51:13 | |
'But there's a decidedly odd twist. Payne himself never lived here.' | 0:51:13 | 0:51:17 | |
He wasn't born in the house. His grandfather didn't live here. | 0:51:20 | 0:51:23 | |
His cousin and aunt lived here, OK? | 0:51:23 | 0:51:26 | |
And his mother and grandmother were born in East Hampton and | 0:51:26 | 0:51:28 | |
he visited East Hampton. He knew all about East Hampton. | 0:51:28 | 0:51:31 | |
He just was not born in this house. And the Bucks didn't care. | 0:51:31 | 0:51:35 | |
-Imagine that. I don't think I do, either. -Good. I hear you. | 0:51:35 | 0:51:38 | |
I hear you. | 0:51:38 | 0:51:40 | |
15 miles and two stops further east from the pristine Hamptons, | 0:52:07 | 0:52:12 | |
the Montauk branch of the Long Island Rail Road | 0:52:12 | 0:52:15 | |
reaches its terminus. | 0:52:15 | 0:52:16 | |
"Montauk Point," Appletons' tells me, | 0:52:18 | 0:52:21 | |
"is the eastern extremity of Long Island. | 0:52:21 | 0:52:24 | |
"On it is a lighthouse with a powerful revolving light." | 0:52:24 | 0:52:28 | |
The village of Montauk, which clings limpet-like to the tip of | 0:52:31 | 0:52:34 | |
Long Island, is popularly nicknamed The End. | 0:52:34 | 0:52:38 | |
We've reached the end of the line. We've reached the end of the island. | 0:52:42 | 0:52:45 | |
There's nothing beyond. And so we crawl gently to a halt. | 0:52:45 | 0:52:49 | |
Montauk is a fishing and surfing town. | 0:52:52 | 0:52:55 | |
Like the Hamptons, it's a popular weekend getaway, | 0:52:55 | 0:52:58 | |
but prides itself on being more rustic than chic. | 0:52:58 | 0:53:02 | |
Its lighthouse, the first built in New York state, | 0:53:03 | 0:53:06 | |
stands guard over treacherous waters. | 0:53:06 | 0:53:09 | |
Hello. | 0:53:11 | 0:53:13 | |
For the lighthouse, please. | 0:53:13 | 0:53:15 | |
One adult. How much is that? | 0:53:15 | 0:53:17 | |
10? | 0:53:19 | 0:53:21 | |
'Here we go. Have a good visit, sir.' | 0:53:22 | 0:53:25 | |
Thank you very much indeed. | 0:53:25 | 0:53:26 | |
I'm told there are 137 steps to the top of this tower, | 0:53:32 | 0:53:36 | |
which stands at just over 110 feet. | 0:53:36 | 0:53:41 | |
The walls are extraordinarily thick. Six feet at the bottom, | 0:53:41 | 0:53:45 | |
tapering to three feet by the time you get to the top. | 0:53:45 | 0:53:48 | |
For many years, before immigrants were greeted in New York Harbor | 0:53:51 | 0:53:56 | |
by the Statue of Liberty with her representation of | 0:53:56 | 0:54:00 | |
a lamp, they were greeted here at Montauk with a real light. | 0:54:00 | 0:54:05 | |
And the symbolism would not have been lost on those who came | 0:54:05 | 0:54:09 | |
from persecution, intimidation, | 0:54:09 | 0:54:12 | |
and even murder in the dark continent of Europe. | 0:54:12 | 0:54:16 | |
I've arranged to meet Henry Osmus, | 0:54:24 | 0:54:26 | |
local historian and author, | 0:54:26 | 0:54:28 | |
to find out more about the history of the lighthouse. | 0:54:28 | 0:54:31 | |
Henry, such a beautiful lighthouse. | 0:54:35 | 0:54:38 | |
What is its importance in history? | 0:54:38 | 0:54:40 | |
Well, it was...when it was built in 1796, the purpose of it was to | 0:54:41 | 0:54:47 | |
guide ships safely from England and France to New York City. | 0:54:47 | 0:54:50 | |
Prior to that being built, there had been | 0:54:50 | 0:54:53 | |
no lighthouses on Long Island at all, | 0:54:53 | 0:54:55 | |
so it became very difficult for ships navigating these waters, | 0:54:55 | 0:54:59 | |
so it came to the ears of President George Washington and | 0:54:59 | 0:55:03 | |
authorisation was passed to build the lighthouse here. | 0:55:03 | 0:55:06 | |
-Did it do a good job? -It did. | 0:55:06 | 0:55:08 | |
Apparently, the number of ships that had mishaps dropped | 0:55:08 | 0:55:11 | |
dramatically, so this lighthouse did its job very well. | 0:55:11 | 0:55:15 | |
'For the many new arrivals who hoped to settle in America, | 0:55:15 | 0:55:19 | |
'this light was the first glimpse of their new home. | 0:55:19 | 0:55:24 | |
'And if one man's vision had prevailed, Montauk, | 0:55:24 | 0:55:28 | |
'rather than New York City, | 0:55:28 | 0:55:30 | |
'might have been where they first set foot in the New World.' | 0:55:30 | 0:55:34 | |
Now, there was a gentleman named Austin Corbin, who was the president | 0:55:34 | 0:55:39 | |
of the Long Island Rail Road from the early 1880s until | 0:55:39 | 0:55:43 | |
the mid-1890s, and he had a dream of creating a port of entry in Montauk | 0:55:43 | 0:55:50 | |
that was going to be the docking place for transatlantic steamers, | 0:55:50 | 0:55:53 | |
and they would continue the journey to New York by his railroad line, | 0:55:53 | 0:55:57 | |
and save about five or six hours in travel time. | 0:55:57 | 0:56:01 | |
This idea sounded outlandish to some | 0:56:01 | 0:56:04 | |
but he extended his railroad to Montauk in December of 1895, | 0:56:04 | 0:56:08 | |
and the first passenger train officially rolled into Montauk | 0:56:08 | 0:56:12 | |
on December 17th. | 0:56:12 | 0:56:14 | |
But, only six months after that first train came into Montauk, | 0:56:14 | 0:56:17 | |
Austin Corbin was dead. | 0:56:17 | 0:56:19 | |
He was killed in a freak accident. | 0:56:19 | 0:56:20 | |
And, unfortunately, there was no-one else with the drive, | 0:56:20 | 0:56:23 | |
the stamina that he had for this project, | 0:56:23 | 0:56:26 | |
so, officially, by 1900, the idea was considered dead. | 0:56:26 | 0:56:29 | |
-And the dream? -The dream went with him. | 0:56:31 | 0:56:33 | |
'Had Austin Corbin's plan succeeded, | 0:56:37 | 0:56:40 | |
'Montauk would have become one of the world's busiest ports. | 0:56:40 | 0:56:44 | |
'As it is, it's been left with extraordinary serenity.' | 0:56:44 | 0:56:49 | |
Americans have often thought of themselves as exceptional. | 0:56:52 | 0:56:57 | |
The City on the Hill. A new Jerusalem. | 0:56:57 | 0:57:01 | |
A country with a manifest destiny. | 0:57:01 | 0:57:04 | |
The perfect natural harbour of New York, | 0:57:04 | 0:57:07 | |
with the East River protectively flanked by Brooklyn, | 0:57:07 | 0:57:11 | |
must have seemed like a gift from God. | 0:57:11 | 0:57:14 | |
And, following that logic, | 0:57:14 | 0:57:16 | |
the beauty of Long Island's surf and beaches would merely confirm | 0:57:16 | 0:57:20 | |
the limitless blessings heaped upon this land and its people. | 0:57:20 | 0:57:25 | |
Next time - I'll be spooked by a famous American ghost story... | 0:57:34 | 0:57:40 | |
This sequestered glen has long been known by the name of Sleepy Hollow. | 0:57:40 | 0:57:47 | |
'..hear a new take on America's greatest turncoat.' | 0:57:47 | 0:57:51 | |
So, you think that Benedict Arnold was actually an American | 0:57:51 | 0:57:54 | |
-revolutionary hero? -Absolutely, he was. Absolutely. | 0:57:54 | 0:57:57 | |
'I'll take a different sort of line.' | 0:57:57 | 0:57:59 | |
Argh! | 0:57:59 | 0:58:01 | |
Whoa! | 0:58:01 | 0:58:03 | |
Argh! | 0:58:03 | 0:58:06 | |
'And enjoy beautiful mountain scenery | 0:58:06 | 0:58:09 | |
'from an American iron horse...' | 0:58:09 | 0:58:11 | |
-Wow. -Take it west. | 0:58:11 | 0:58:13 | |
'..before tapping into Albany's boozy past.' | 0:58:17 | 0:58:20 | |
Hey! | 0:58:20 | 0:58:22 | |
-Wow. That is strong. -Cheers. -Cheers. | 0:58:22 | 0:58:26 |