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I have crossed the Atlantic to ride the railroads of America... | 0:00:02 | 0:00:06 | |
..with a new travelling companion. | 0:00:08 | 0:00:10 | |
Published in 1879, | 0:00:12 | 0:00:14 | |
my Appletons' General Guide will steer me to everything | 0:00:14 | 0:00:18 | |
that's novel, | 0:00:18 | 0:00:20 | |
beautiful, memorable | 0:00:20 | 0:00:23 | |
or curious in the United States. | 0:00:23 | 0:00:26 | |
-ALL: -Amen! | 0:00:26 | 0:00:29 | |
As I cross the continent, I'll discover America's gilded age, | 0:00:29 | 0:00:32 | |
when powerful tycoons launched a railway boom that tied | 0:00:32 | 0:00:38 | |
the nation together and carved out its future as a superpower. | 0:00:38 | 0:00:43 | |
I'm travelling through the Empire State of New York. | 0:01:08 | 0:01:12 | |
I began in Manhattan | 0:01:12 | 0:01:14 | |
and continued north through Poughkeepsie | 0:01:14 | 0:01:16 | |
to the state capital of Albany, | 0:01:16 | 0:01:18 | |
from where I'll head west and finish on the Canadian border. | 0:01:18 | 0:01:23 | |
On this leg, I'll travel some 225 miles through Schenectady | 0:01:27 | 0:01:33 | |
and Utica to the booming 19th-century city of Rochester. | 0:01:33 | 0:01:38 | |
I'll then continue west to Buffalo, | 0:01:38 | 0:01:40 | |
before turning north to the spectacular Niagara Falls. | 0:01:40 | 0:01:44 | |
This route takes me towards the Great Lakes, and it was | 0:01:51 | 0:01:55 | |
the courses of the waterways that determined the spread of population | 0:01:55 | 0:02:00 | |
and manufacture before the railroad tracks had been laid. | 0:02:00 | 0:02:04 | |
Far away from the Big Apple, the smaller cities of this state | 0:02:04 | 0:02:08 | |
were key to creating the American industrial powerhouse. | 0:02:08 | 0:02:13 | |
On my way, I'll man the Erie Canal, | 0:02:14 | 0:02:18 | |
a waterway that shaped America. | 0:02:18 | 0:02:20 | |
It changed New York state and, really, the country. | 0:02:21 | 0:02:24 | |
Almost an immediate impact after the canal opened. | 0:02:24 | 0:02:28 | |
I try to keep pace with the latest rail technology... | 0:02:28 | 0:02:31 | |
You see, there's a little dip in there, in the terrain here... | 0:02:31 | 0:02:34 | |
You've got to be ready for that. You've put all the hazards in here, haven't you? | 0:02:34 | 0:02:37 | |
..and land somewhere over the rainbow. | 0:02:37 | 0:02:41 | |
-And you have a yellow brick road running all the way through your town? -Yes, yes, we do. | 0:02:41 | 0:02:46 | |
I'm offered a monster munch in Buffalo. | 0:02:46 | 0:02:48 | |
They come in increments of ten - ten, 20, 50. | 0:02:48 | 0:02:52 | |
-50?! -50 wings. | 0:02:52 | 0:02:54 | |
And end with an awe-insipring experience. | 0:02:55 | 0:02:59 | |
The very first thing you see is a great plume of mist. | 0:03:00 | 0:03:03 | |
I'm following a recommended Appletons' route which traverses | 0:03:14 | 0:03:18 | |
the state heading north-west, | 0:03:18 | 0:03:20 | |
and passes through the rich midland counties. | 0:03:20 | 0:03:23 | |
"Schenectady is one of those pleasing Native American | 0:03:28 | 0:03:32 | |
"place names still in use today." | 0:03:32 | 0:03:35 | |
Appletons' says that it's situated on the banks of the Mohawk River | 0:03:35 | 0:03:39 | |
on the spot which once formed the council grounds of the Mohawks. | 0:03:39 | 0:03:45 | |
An inventive American made a breakthrough which put | 0:03:45 | 0:03:48 | |
Schenectady on the map for a different reason, | 0:03:48 | 0:03:51 | |
and brightened up the world. | 0:03:51 | 0:03:53 | |
-TANNOY: -Schenectady next. Exit towards the rear of the train, | 0:03:55 | 0:03:58 | |
where you see a conductor. | 0:03:58 | 0:03:59 | |
Please watch your step getting off the train | 0:03:59 | 0:04:01 | |
and please check for all your personal possessions. | 0:04:01 | 0:04:03 | |
This old trading port was thrust into a new age of innovation | 0:04:05 | 0:04:08 | |
and industry in 1892, when Thomas Edison, | 0:04:08 | 0:04:13 | |
the man who lit up the world, | 0:04:13 | 0:04:15 | |
made Schenectady the headquarters of his General Electric Company - | 0:04:15 | 0:04:20 | |
a business that would go on to hold interests | 0:04:20 | 0:04:24 | |
in major industries across 170 countries. | 0:04:24 | 0:04:26 | |
I'm meeting vice president Christine Furstoss. | 0:04:28 | 0:04:31 | |
Christine, my guidebook is 1879, and I get the impression | 0:04:35 | 0:04:39 | |
there were a lot of hopes around electricity at that time. | 0:04:39 | 0:04:42 | |
What was actually happening? | 0:04:42 | 0:04:44 | |
Thomas Edison, really the father of today's electricity, | 0:04:44 | 0:04:48 | |
he was working on one invention - a light bulb. | 0:04:48 | 0:04:52 | |
What Thomas Edison did was he took a relatively small invention | 0:04:52 | 0:04:56 | |
and made it something that the world could rely on. | 0:04:56 | 0:04:59 | |
And the light bulb itself, what was the breakthrough that he made there? | 0:04:59 | 0:05:02 | |
It wasn't very durable. | 0:05:02 | 0:05:04 | |
And it had very, very thick wires going to and from it, | 0:05:04 | 0:05:07 | |
because it had very low resistance. | 0:05:07 | 0:05:10 | |
So what he did was he changed the filament and then he also worked | 0:05:10 | 0:05:14 | |
on getting the voltage down and the resistance up, in order to make it | 0:05:14 | 0:05:19 | |
be able to be used in people's homes and not just a novelty for a museum. | 0:05:19 | 0:05:23 | |
In 1880, Edison patented the first commercially viable light bulb | 0:05:24 | 0:05:30 | |
and turned his attentions to the electrical systems | 0:05:30 | 0:05:34 | |
needed to power it. | 0:05:34 | 0:05:37 | |
The first electric power station was in 1882 in Manhattan, New York City. | 0:05:37 | 0:05:43 | |
Edison drove that. | 0:05:43 | 0:05:44 | |
In fact, the Edison Illuminating Company, as it was called | 0:05:44 | 0:05:47 | |
at the time, created the equipment to build that power station. | 0:05:47 | 0:05:51 | |
That power station, at Pearl Street, | 0:05:52 | 0:05:55 | |
took Edison nearly two years to establish | 0:05:55 | 0:05:58 | |
and was the model for the electrification of American cities. | 0:05:58 | 0:06:03 | |
Edison carried his technological revolution into many fields. | 0:06:03 | 0:06:07 | |
And did Thomas Edison also concern himself with electric locomotion | 0:06:09 | 0:06:13 | |
-for railroads? -Almost certainly he did. | 0:06:13 | 0:06:15 | |
In 1895, he actually oversaw the building of the world's | 0:06:15 | 0:06:21 | |
largest electrical locomotive, right here in the Schenectady area. | 0:06:21 | 0:06:25 | |
And so Schenectady really plays an important part in the history of electricity? | 0:06:25 | 0:06:29 | |
Oh, it most certainly does, in many, many ways. | 0:06:29 | 0:06:31 | |
Edison's General Electric Company was listed on the original | 0:06:33 | 0:06:37 | |
Dow Jones stock-market index of 1896. | 0:06:37 | 0:06:40 | |
It is the only company from that date still listed today. | 0:06:40 | 0:06:45 | |
It continues to innovate in many industries, including water, | 0:06:45 | 0:06:49 | |
aviation, energy, health care and transport. | 0:06:49 | 0:06:52 | |
Before I move on, I want to see some of its latest rail technology, | 0:06:54 | 0:06:58 | |
designed to reduce fuel consumption on freight trains. | 0:06:58 | 0:07:03 | |
-Is this the hot seat? -This is the system. | 0:07:03 | 0:07:05 | |
And what we can have you do here today is drive a trip an operator | 0:07:05 | 0:07:08 | |
would see normally and see how you compare to the system. | 0:07:08 | 0:07:11 | |
-OK, so... -Are you up for the challenge? | 0:07:11 | 0:07:13 | |
MICHAEL LAUGHS | 0:07:13 | 0:07:14 | |
-I'll give it a go. I've got to follow this speed limit, is that right? -Yes. | 0:07:14 | 0:07:19 | |
On the screen you can also see the terrain, | 0:07:19 | 0:07:21 | |
the profile there of the hills and the valleys. | 0:07:21 | 0:07:24 | |
Oh, this is a challenge, isn't it? A lot to look at, isn't there? | 0:07:24 | 0:07:28 | |
All right, here's your first speed reduction. | 0:07:28 | 0:07:30 | |
-You see the 60 mile an hour coming up? -Uh-huh. | 0:07:30 | 0:07:32 | |
-Four miles in advance. -I've got to be ready for that. | 0:07:32 | 0:07:35 | |
So the challenge - there's a little dip in the terrain here. | 0:07:35 | 0:07:37 | |
So the train will actually accelerate as you approach | 0:07:37 | 0:07:40 | |
that speed reduction. | 0:07:40 | 0:07:41 | |
You've put all the hazards in here, haven't you? | 0:07:41 | 0:07:44 | |
So the computer wouldn't be doing all this up and down that I'm doing? | 0:07:44 | 0:07:47 | |
Whoa! I'm just over the speed limit, I think. | 0:07:47 | 0:07:50 | |
So I assume you don't just play with this, here in your laboratory? | 0:07:50 | 0:07:53 | |
-This is really a practical application? -Yeah, that's right. | 0:07:53 | 0:07:57 | |
And this system is in use at all the major railroads in North America. | 0:07:57 | 0:08:01 | |
Have you any idea what it's saving the rail companies? | 0:08:01 | 0:08:04 | |
On average, we're seeing about a 10% reduction in fuel. | 0:08:04 | 0:08:06 | |
If you look at the railroads in North America, | 0:08:06 | 0:08:09 | |
they consume about four billion gallons | 0:08:09 | 0:08:11 | |
-of diesel fuel a year, so that's a huge saving. -Oh! What...? | 0:08:11 | 0:08:14 | |
-Right, so here we have the comparison of you and the system. -Oh, wow. | 0:08:14 | 0:08:17 | |
-You were significantly slower. -Yes, yes. | 0:08:18 | 0:08:22 | |
And you see you burned 12.5% more fuel. | 0:08:22 | 0:08:24 | |
The key feature of Trip Optimizer | 0:08:24 | 0:08:27 | |
is that it's able to predict when to begin slowing down, | 0:08:27 | 0:08:30 | |
to hit this speed restriction that you exceeded. | 0:08:30 | 0:08:33 | |
James, I resign. I hand over to computers. | 0:08:33 | 0:08:35 | |
That's the story of the world, isn't it? | 0:08:35 | 0:08:38 | |
-Utica? -Yup, right up on your left. -Thank you. | 0:08:57 | 0:09:00 | |
Appletons' tells me that "the great Erie Canal traverses | 0:09:06 | 0:09:10 | |
"New York state from Albany to Buffalo on | 0:09:10 | 0:09:13 | |
"the same line with the railroad and often in sight from the train cars." | 0:09:13 | 0:09:18 | |
I hope that in my enthusiasm for those who constructed the railways, | 0:09:18 | 0:09:22 | |
I never forget the wonderful achievements of those who | 0:09:22 | 0:09:26 | |
built the canals - pioneers in huge-scale civil engineering. | 0:09:26 | 0:09:31 | |
The Erie Canal created the first all-water link from the Great Lakes | 0:09:36 | 0:09:40 | |
in the Midwest via the Hudson River to the Atlantic Ocean. | 0:09:40 | 0:09:45 | |
It was the catalyst for mass migration westwards, | 0:09:45 | 0:09:49 | |
and a trade explosion. | 0:09:49 | 0:09:51 | |
Thank you very much. | 0:09:51 | 0:09:53 | |
I'm stepping off in Utica, | 0:09:53 | 0:09:54 | |
whose 100-year-old station was built in the classical style by | 0:09:54 | 0:09:58 | |
Stem & Fellheimer - the architects behind New York City's | 0:09:58 | 0:10:03 | |
Grand Central terminal. | 0:10:03 | 0:10:05 | |
This station served the old water-level route, which runs | 0:10:05 | 0:10:09 | |
alongside rivers and canals. | 0:10:09 | 0:10:11 | |
I'm off to the Erie Canal's Lock 20 to meet Bill Schweizer. | 0:10:12 | 0:10:16 | |
Constructing the Erie Canal - what does it achieve, as it were, | 0:10:17 | 0:10:21 | |
strategically? | 0:10:21 | 0:10:23 | |
So it achieved... | 0:10:23 | 0:10:25 | |
I mean, at the time, we were a young nation and, you know, | 0:10:25 | 0:10:29 | |
the plan was the western expansion, you know, move west. | 0:10:29 | 0:10:32 | |
But it was hard. | 0:10:32 | 0:10:33 | |
The terrain of New York was very mountainous - no roads, obviously. | 0:10:33 | 0:10:37 | |
And so, surveyors and many... The thought was build a canal. | 0:10:38 | 0:10:43 | |
Thomas Jefferson, | 0:10:43 | 0:10:44 | |
the President at the time, said the idea was something | 0:10:44 | 0:10:48 | |
short of madness, to connect Albany, the northern navigational | 0:10:48 | 0:10:52 | |
point on the Hudson River, to the Great Lakes. | 0:10:52 | 0:10:55 | |
They started in 1817 | 0:10:55 | 0:10:57 | |
and started about ten miles from here in Rome, New York, | 0:10:57 | 0:11:02 | |
because that was the plateau, that was the flat, high part. | 0:11:02 | 0:11:05 | |
Considered the folly of its sponsor in the Senate, DeWitt Clinton, | 0:11:09 | 0:11:13 | |
the Erie Canal was to be double the length of anything in Europe. | 0:11:13 | 0:11:18 | |
It was a huge state gamble at 7 million. | 0:11:18 | 0:11:22 | |
Built by many Welsh and Irish labourers, | 0:11:22 | 0:11:25 | |
the 363-mile waterway opened in 1825. | 0:11:25 | 0:11:30 | |
What was the impact of opening the canal up and down its length? | 0:11:30 | 0:11:34 | |
At that time, Baltimore, Philadelphia, Boston were the ports. | 0:11:34 | 0:11:38 | |
Within a year of the canal being opened, New York City became | 0:11:38 | 0:11:41 | |
the port of choice and soon became the choice for immigrants as well. | 0:11:41 | 0:11:46 | |
But it changed New York state and, really, | 0:11:46 | 0:11:47 | |
the country - almost an immediate impact after the canal opened. | 0:11:47 | 0:11:52 | |
This new link halved journey times, slashed costs by 90% | 0:11:54 | 0:11:59 | |
and boosted trade as unexploited raw materials from the Midwest | 0:11:59 | 0:12:04 | |
could now reach the port of New York City. | 0:12:04 | 0:12:07 | |
The canal created new cities | 0:12:07 | 0:12:09 | |
and helped the North to industrialise in the pre-rail age. | 0:12:09 | 0:12:14 | |
Nowadays, can you still get from Lake Erie to | 0:12:17 | 0:12:20 | |
-the Hudson River by canal? -Sure. | 0:12:20 | 0:12:22 | |
The canal still, today, is a viable means of commercial transportation. | 0:12:22 | 0:12:26 | |
What we see a lot today is cargo that's not time-sensitive, | 0:12:26 | 0:12:32 | |
that doesn't have to be there right away, | 0:12:32 | 0:12:33 | |
or cargo that is too big - some of the turbines for | 0:12:33 | 0:12:38 | |
the General Electric power plant - | 0:12:38 | 0:12:40 | |
because it is cheaper and it uses less gas. | 0:12:40 | 0:12:42 | |
So it'll be... | 0:12:42 | 0:12:43 | |
We think it'll become even more popular as time goes on. | 0:12:43 | 0:12:47 | |
Now, mountainous terrain, so you have to have locks. | 0:12:47 | 0:12:50 | |
How many actually are there? | 0:12:50 | 0:12:51 | |
So today, the modern-day canal, there's 57 locks | 0:12:51 | 0:12:54 | |
in the whole system - about 34, 35 between Albany and Buffalo. | 0:12:54 | 0:12:58 | |
As heavy traffic increased, 20th-century engineers were | 0:13:01 | 0:13:05 | |
forced to abandon much of the original man-made channel. | 0:13:05 | 0:13:09 | |
A new system of dams, | 0:13:09 | 0:13:11 | |
pools and locks was introduced to accommodate larger barges. | 0:13:11 | 0:13:15 | |
Michael, let me introduce you to our chief operator, John. | 0:13:18 | 0:13:22 | |
-I'm John. -I'm Michael. How do you do? -Nice to meet you. | 0:13:22 | 0:13:25 | |
I'm just looking at the machinery. | 0:13:25 | 0:13:26 | |
It seems to be a certain age. How old is it? | 0:13:26 | 0:13:29 | |
-It's roughly 100 years old. -That's fantastic. Still operating well? | 0:13:29 | 0:13:32 | |
Yes, excellent. Most of it's original equipment. | 0:13:32 | 0:13:34 | |
-You've got a barge in now. -Yup. | 0:13:34 | 0:13:35 | |
So we've got to drop the level of the water, | 0:13:35 | 0:13:37 | |
and when we've done that, we've got to open up the gates, is that right? | 0:13:37 | 0:13:40 | |
-Correct. -So we're going to open up, moving that one... | 0:13:40 | 0:13:43 | |
..and then moving that one. | 0:13:45 | 0:13:46 | |
John, the water is absolutely pouring out now. | 0:13:49 | 0:13:51 | |
How long does it take you to bring the lock down to the proper level? | 0:13:51 | 0:13:54 | |
-About seven minutes. -And how much water are you moving in that time? | 0:13:54 | 0:13:58 | |
-It's right about three million gallons. -And the drop is how much? | 0:13:58 | 0:14:00 | |
-16 feet. -Very efficient. | 0:14:00 | 0:14:03 | |
How did you get the job, John? | 0:14:04 | 0:14:06 | |
-I have a long history of family that worked here. -Really? How long? | 0:14:06 | 0:14:10 | |
My grandfather started in 1950. | 0:14:10 | 0:14:11 | |
-Is it going to pass down to the next generation? -Probably not. | 0:14:11 | 0:14:15 | |
He's more interested in culinary arts. | 0:14:15 | 0:14:17 | |
The water's down. Time to open the gates. | 0:14:19 | 0:14:21 | |
HORN BLARES | 0:14:27 | 0:14:28 | |
So the Governor Roosevelt takes a route that boats have been | 0:14:28 | 0:14:31 | |
-plying for 190 years? -Correct. | 0:14:31 | 0:14:34 | |
Returning to the railroad that superseded these waterways, | 0:14:41 | 0:14:45 | |
I press on west, | 0:14:45 | 0:14:47 | |
leaving the tracks to continue onto a curious place called | 0:14:47 | 0:14:50 | |
Chittenango which, according to my Appletons', is where iron | 0:14:50 | 0:14:54 | |
and sulphur springs are frequented by invalids. | 0:14:54 | 0:14:57 | |
I'm intrigued. | 0:14:58 | 0:14:59 | |
And it seems that the clientele has changed considerably | 0:15:08 | 0:15:12 | |
since Appletons' day. | 0:15:12 | 0:15:14 | |
So, Dorothy, I presume? | 0:15:25 | 0:15:28 | |
So, I've seen the Lion, I've seen the Tin Man, now I find Dorothy. | 0:15:29 | 0:15:34 | |
What's going on? What's it all about? | 0:15:34 | 0:15:35 | |
Well, the author of the book The Wonderful Wizard Of Oz, | 0:15:35 | 0:15:39 | |
L Frank Baum, was born here in 1856, so every year, we have | 0:15:39 | 0:15:45 | |
a lot of different characters just roaming around this wonderful | 0:15:45 | 0:15:49 | |
-little town. -And you have a yellow brick road running all the way | 0:15:49 | 0:15:52 | |
-through your town? -Yes. Yes, we do. | 0:15:52 | 0:15:54 | |
Published in 1900, L Frank Baum's magical story was picked up | 0:15:55 | 0:16:00 | |
by Hollywood in its golden era. | 0:16:00 | 0:16:03 | |
MGM Studios thought that the Kansas farm girl looking for | 0:16:03 | 0:16:07 | |
a better place over the rainbow would offer | 0:16:07 | 0:16:10 | |
escapism for their Depression-hit audiences. | 0:16:10 | 0:16:14 | |
Now, just one tiny thing, Dorothy. | 0:16:14 | 0:16:16 | |
You're wearing sliver shoes, | 0:16:16 | 0:16:18 | |
whereas I distinctly remember, in the Hollywood movie, | 0:16:18 | 0:16:21 | |
that the shoes are red - what's going on? | 0:16:21 | 0:16:23 | |
Well, when L Frank Baum wrote the book, in 1900, | 0:16:23 | 0:16:26 | |
he originally had Dorothy wearing silver slippers. | 0:16:26 | 0:16:29 | |
But in 1939, when MGM had filmed the movie, | 0:16:29 | 0:16:33 | |
they used Technicolor so then the silver shoes looked grey | 0:16:33 | 0:16:36 | |
and they wanted more of a poppy look for Dorothy's shoes. | 0:16:36 | 0:16:40 | |
So they made them red instead of silver. | 0:16:40 | 0:16:42 | |
What else does the town do to celebrate L Frank Baum? | 0:16:42 | 0:16:45 | |
Well, actually, every year, | 0:16:45 | 0:16:47 | |
we hold a large festival called Oz-Stravaganza! | 0:16:47 | 0:16:50 | |
We've been holding it since 1978, I believe. | 0:16:50 | 0:16:53 | |
Before I head back to the rails, | 0:16:54 | 0:16:56 | |
I can't resist a trip along that most famous of roads. | 0:16:56 | 0:17:00 | |
# Follow the yellow brick road | 0:17:00 | 0:17:02 | |
# We're off to see the Wizard | 0:17:02 | 0:17:04 | |
# The wonderful Wizard of Oz... # | 0:17:04 | 0:17:06 | |
'I guess that makes me the Scarecrow.' | 0:17:06 | 0:17:09 | |
# If ever a Wiz there was | 0:17:09 | 0:17:10 | |
# The wonderful Wizard of Oz! # | 0:17:10 | 0:17:15 | |
As my journey continues across New York state, I consider how | 0:17:27 | 0:17:31 | |
the mass migration of people westwards changed | 0:17:31 | 0:17:35 | |
the social order of this young nation and its religions. | 0:17:35 | 0:17:38 | |
Greater democracy in America shook up the old order. | 0:17:39 | 0:17:43 | |
The new society looked for new faiths. | 0:17:43 | 0:17:46 | |
There was an evangelical revival and new sects emerged. | 0:17:46 | 0:17:50 | |
I'm hoping that my next stop, Palmyra, will shed some light | 0:17:51 | 0:17:55 | |
on one of the most controversial religious groups of its time. | 0:17:55 | 0:17:59 | |
Palmyra, along with Troy and Ithaca and Rome and Syracuse, | 0:18:00 | 0:18:05 | |
is one of a number of New York towns to bear a classical name. | 0:18:05 | 0:18:10 | |
My Appletons' tells me that on a nearby hillside, | 0:18:10 | 0:18:13 | |
"Joe Smith claimed to have found the golden plates of the Mormon Bible." | 0:18:13 | 0:18:19 | |
Well, casting aside the apparently sceptical tone of my guidebook, | 0:18:19 | 0:18:23 | |
let me investigate this remarkable religious phenomenon. | 0:18:23 | 0:18:27 | |
Joseph Smith would go on to found the Mormon religion, | 0:18:31 | 0:18:35 | |
known as the Church Of Jesus Christ Of Latter-day Saints, | 0:18:35 | 0:18:39 | |
which today claims 15 million members worldwide. | 0:18:39 | 0:18:42 | |
I'm visiting his old homestead with Charlene Campbell, | 0:18:43 | 0:18:47 | |
who is a member of the church. | 0:18:47 | 0:18:49 | |
Charlene, what sort of childhood did Joseph Smith have? | 0:18:49 | 0:18:53 | |
He was raised in a family who were religious themselves, | 0:18:53 | 0:18:57 | |
they didn't belong to a church. | 0:18:57 | 0:18:58 | |
They were a hard-working family, they had a farm, | 0:18:58 | 0:19:01 | |
three years of failed crops brought them to New York. | 0:19:01 | 0:19:05 | |
-To this very spot? -Yes. | 0:19:05 | 0:19:07 | |
What were Joseph Smith's juvenile religious beliefs? | 0:19:07 | 0:19:11 | |
When he was young, he was serious in thinking | 0:19:11 | 0:19:14 | |
and contemplating about God, | 0:19:14 | 0:19:16 | |
wondering why all of the churches around him | 0:19:16 | 0:19:19 | |
were conflicting and bickering and not getting along. | 0:19:19 | 0:19:22 | |
He wanted an answer. | 0:19:22 | 0:19:24 | |
He decided he would go into a grove near his home and pray | 0:19:24 | 0:19:28 | |
and ask God himself for the answer - | 0:19:28 | 0:19:31 | |
which of all of these churches could be true? | 0:19:31 | 0:19:34 | |
At the time, 40% of Americans were churchgoing Protestants. | 0:19:36 | 0:19:40 | |
But a raft of new evangelical religions | 0:19:41 | 0:19:45 | |
each claimed to show the way. | 0:19:45 | 0:19:46 | |
What was the result? | 0:19:48 | 0:19:50 | |
As he prayed, two heavenly beings appeared to him. | 0:19:50 | 0:19:54 | |
Brighter than all description, brighter than the noonday sun. | 0:19:54 | 0:19:57 | |
He thought the leaves would catch on fire, they were so bright. | 0:19:57 | 0:20:00 | |
They explained to him that none of them were true, | 0:20:00 | 0:20:02 | |
that they have the precepts of men, but their hearts are far from Me. | 0:20:02 | 0:20:06 | |
This is the sacred grove. | 0:20:08 | 0:20:10 | |
How very beautiful, very beautiful. | 0:20:11 | 0:20:13 | |
-So after that first vision, was there a follow-up? -Yes. | 0:20:13 | 0:20:17 | |
He waited for something to happen. Three years went by. | 0:20:17 | 0:20:21 | |
He was worried, something's got to be happening. | 0:20:21 | 0:20:25 | |
So he prayed, wondering that he could have direction of where to go. | 0:20:25 | 0:20:29 | |
And appeared to him was the angel Moroni. | 0:20:29 | 0:20:33 | |
He was the last person to hold the ancient records that had been | 0:20:33 | 0:20:36 | |
carried on for hundreds of years, here on this continent. | 0:20:36 | 0:20:40 | |
He buried the plates in the Hill Cumorah, not far from his home. | 0:20:40 | 0:20:44 | |
And he appeared to Joseph to show him where the plates were buried. | 0:20:44 | 0:20:48 | |
According to Mormon teachings, | 0:20:53 | 0:20:55 | |
Joseph found the golden plates buried in the mountain. | 0:20:55 | 0:20:59 | |
He dug them up and kept them hidden | 0:20:59 | 0:21:01 | |
whilst he translated the ancient text written on them. | 0:21:01 | 0:21:05 | |
So this is the miracle. | 0:21:07 | 0:21:09 | |
Joseph being an unlearned boy of very limited schooling, many people | 0:21:09 | 0:21:14 | |
wondered how could he translate something of ancient records. | 0:21:14 | 0:21:19 | |
The plates told a story of a visit by Jesus Christ in ancient times | 0:21:19 | 0:21:23 | |
to the Americas, where he founded a society of peace and love. | 0:21:23 | 0:21:28 | |
Smith's writings became The Book Of Mormon, and he set out to | 0:21:28 | 0:21:32 | |
rekindle the values of that ancient society in 19th-century America. | 0:21:32 | 0:21:37 | |
Now, after that, a church is established by Joseph Smith. | 0:21:40 | 0:21:45 | |
-Yes, in April of 1830. -Here in New York? -Here in Palmyra. | 0:21:45 | 0:21:49 | |
Many people came to the church. | 0:21:49 | 0:21:51 | |
Once reading The Book Of Mormon, they felt the power of the gospel, | 0:21:51 | 0:21:55 | |
and seeing that it was a church of Jesus Christ, established the same | 0:21:55 | 0:21:59 | |
as it was in Jerusalem in the times of Christ, people rallied to that. | 0:21:59 | 0:22:03 | |
And they joined the Church Of Jesus Christ. | 0:22:03 | 0:22:06 | |
Soon after the church was organised, persecution started. | 0:22:06 | 0:22:10 | |
Why do you think the Mormons were being persecuted? | 0:22:10 | 0:22:14 | |
I think people didn't understand them. | 0:22:14 | 0:22:16 | |
And so the Saints had to move from place to place. | 0:22:16 | 0:22:19 | |
They first left New York and went to Ohio and then to Missouri. | 0:22:19 | 0:22:23 | |
And each place they went, they were burned out of their homes, | 0:22:23 | 0:22:26 | |
they lost property, never to be reimbursed. | 0:22:26 | 0:22:29 | |
They eventually ended up in Nauvoo, Illinois. | 0:22:29 | 0:22:32 | |
As Mormon numbers grew, so did animosity towards them. | 0:22:32 | 0:22:36 | |
Some were opposed to the welcome that they offered to freed slaves, | 0:22:36 | 0:22:39 | |
but for most, it was the practice of polygamy | 0:22:39 | 0:22:42 | |
which they couldn't tolerate. | 0:22:42 | 0:22:44 | |
Wherever they settled, the Mormons inspired hostility. | 0:22:44 | 0:22:48 | |
Smith himself was persecuted and jailed over 30 times. | 0:22:48 | 0:22:52 | |
Finally, in 1844, he fell victim to an armed mob. | 0:22:52 | 0:22:58 | |
This time, Joseph Smith and his brother and a few others | 0:22:58 | 0:23:02 | |
were led to Carthage Jail, near Nauvoo, Illinois, | 0:23:02 | 0:23:05 | |
and they were martyred and killed. | 0:23:05 | 0:23:07 | |
After Joseph Smith's death, his followers fled west to Utah, | 0:23:10 | 0:23:15 | |
to a place now called Salt Lake City. | 0:23:15 | 0:23:18 | |
Smith is remembered by Mormons as both a prophet and a martyr. | 0:23:18 | 0:23:23 | |
-What's your destination, if I may ask, sir? -Rochester, New York. | 0:23:40 | 0:23:44 | |
-Do you like to use the train? -I do. | 0:23:44 | 0:23:46 | |
-Quite a regular? -I am. | 0:23:46 | 0:23:48 | |
It's unusual, because most people prefer to fly back and forth. | 0:23:48 | 0:23:52 | |
I like it because I know I can read, | 0:23:52 | 0:23:55 | |
I can catch up on my computer, | 0:23:55 | 0:23:58 | |
because there is Wi-Fi and there is telephone service. | 0:23:58 | 0:24:03 | |
So how long's it going to take you from New York to Rochester? | 0:24:03 | 0:24:05 | |
Well, it's scheduled to take around seven hours. | 0:24:05 | 0:24:08 | |
But it can often take longer. | 0:24:08 | 0:24:11 | |
And you're happy to be on the train for seven hours? | 0:24:11 | 0:24:13 | |
-You could cross the Atlantic in that time. -I could. | 0:24:13 | 0:24:15 | |
I once took the Concorde, so I know what you're talking about. | 0:24:15 | 0:24:18 | |
-You could cross the Atlantic twice in that time! -Yes, that's right. | 0:24:18 | 0:24:22 | |
The original 1830s boom town, Rochester became | 0:24:29 | 0:24:33 | |
the world's breadbasket, with 20 flour mills | 0:24:33 | 0:24:37 | |
powered by the Genesee Falls. | 0:24:37 | 0:24:39 | |
But in the late 19th century, | 0:24:39 | 0:24:41 | |
it was the George Eastman Kodak Company that launched | 0:24:41 | 0:24:44 | |
a new era of mass-market photography, | 0:24:44 | 0:24:47 | |
bringing prosperity to the city. | 0:24:47 | 0:24:50 | |
I'm visiting Cathy Connor at the inventor's Colonial revival mansion, | 0:24:50 | 0:24:55 | |
which houses the world's oldest photography museum. | 0:24:55 | 0:24:59 | |
Well, Cathy, this is the George Eastman house, | 0:25:01 | 0:25:04 | |
-and a wonderful mansion. Did he begin life like this? -No, he didn't. | 0:25:04 | 0:25:08 | |
First he was an errand boy at a local insurance company, | 0:25:08 | 0:25:11 | |
and then eventually became a teller at a local bank. | 0:25:11 | 0:25:13 | |
And it was through his job there that he saw | 0:25:13 | 0:25:15 | |
that many people who were wealthy at the time | 0:25:15 | 0:25:17 | |
were investors in land and land development. | 0:25:17 | 0:25:20 | |
So he thought he'd take a trip to Santo Domingo, where he knew that land was for sale, | 0:25:20 | 0:25:23 | |
and eventually purchase some that he could then sell and make money. | 0:25:23 | 0:25:27 | |
To record the trip, Eastman brought the latest kit - | 0:25:28 | 0:25:32 | |
a huge camera, chemicals and a tent | 0:25:32 | 0:25:35 | |
in which to spread emulsion on glass plates before exposing them. | 0:25:35 | 0:25:40 | |
Fascinated, he decided to pursue photography instead of land. | 0:25:40 | 0:25:45 | |
And what is it that George Eastman | 0:25:45 | 0:25:47 | |
does for photography in the early days? | 0:25:47 | 0:25:50 | |
Does for photography? Simplifies it. | 0:25:50 | 0:25:52 | |
Basically makes it easier, so that you no longer had to have | 0:25:52 | 0:25:55 | |
that darkroom experience. You could actually just press a button, | 0:25:55 | 0:25:58 | |
and then afterwards, somebody else would do that | 0:25:58 | 0:26:00 | |
photo finishing and that processing for you. | 0:26:00 | 0:26:02 | |
And that's really his claim to fame, putting cameras in the hands | 0:26:02 | 0:26:06 | |
of everyone, because you didn't have to be a chemist any more. | 0:26:06 | 0:26:09 | |
Eastman's first leap was the roll of film. | 0:26:09 | 0:26:12 | |
Patented in 1884, it was economical and fitted every plate camera. | 0:26:12 | 0:26:18 | |
Next, he set about making cameras as easy to use as pencils. | 0:26:18 | 0:26:23 | |
And this is an example of the original Kodak. | 0:26:25 | 0:26:28 | |
Came out in 1888, | 0:26:28 | 0:26:30 | |
and it was considered totally automatic at that time. | 0:26:30 | 0:26:33 | |
Now, the one funny thing is that you had no viewfinder. | 0:26:33 | 0:26:36 | |
So many people held the camera up here | 0:26:36 | 0:26:39 | |
and tried to aim at whatever the subject might be - | 0:26:39 | 0:26:41 | |
their friend or their home or the chicken in front of the house. | 0:26:41 | 0:26:45 | |
So many times you're not sure | 0:26:45 | 0:26:46 | |
what they were actually trying to get in their picture. | 0:26:46 | 0:26:49 | |
In fact, many times, people backed up quite a bit | 0:26:49 | 0:26:52 | |
so that they make sure they'd get it all in the frame. | 0:26:52 | 0:26:54 | |
Eventually, Eastman found a way to put a viewfinder | 0:26:54 | 0:26:57 | |
and actually hook it on. | 0:26:57 | 0:26:58 | |
It was considered an accessory back then. | 0:26:58 | 0:27:00 | |
What about this little fellow here, what's this? | 0:27:00 | 0:27:02 | |
This is the little Brownie character that was very popular with kids. | 0:27:02 | 0:27:06 | |
So Mr Eastman borrowed that same design | 0:27:06 | 0:27:08 | |
and used it to market these cameras to children. | 0:27:08 | 0:27:11 | |
Initially, the Brownie camera was only a dollar. | 0:27:11 | 0:27:14 | |
This one has a viewfinder in the top, so you would have to look down, | 0:27:14 | 0:27:18 | |
make sure that you were getting what you wanted in your frame. | 0:27:18 | 0:27:21 | |
And then you would actually click | 0:27:21 | 0:27:23 | |
this little thing to take the picture. | 0:27:23 | 0:27:25 | |
Isn't that amazing? | 0:27:25 | 0:27:27 | |
My mother had quite an old Brownie, and I remember how difficult | 0:27:27 | 0:27:31 | |
it was just to get the image in the viewfinder. | 0:27:31 | 0:27:34 | |
But isn't that an exquisite item? And here, presumably, is the... | 0:27:34 | 0:27:37 | |
You would roll the film once you took each picture. | 0:27:37 | 0:27:40 | |
George Eastman's introduction of photography to the masses | 0:27:41 | 0:27:45 | |
was underpinned by a clever advertising campaign... | 0:27:45 | 0:27:48 | |
The idea was that if you were on a camel in Egypt | 0:27:52 | 0:27:56 | |
and you ran out of film and you wanted to get your picture | 0:27:56 | 0:27:58 | |
on that camera, there would be a store - | 0:27:58 | 0:28:01 | |
or actually the man running the camel rides | 0:28:01 | 0:28:03 | |
would actually be able to sell you a Kodak roll of film. | 0:28:03 | 0:28:07 | |
The Eastman Kodak Company made George Eastman | 0:28:07 | 0:28:10 | |
one of the leading industrialists and philanthropists of his day. | 0:28:10 | 0:28:14 | |
He gave away a lot of money, probably over 100 million in his lifetime. | 0:28:15 | 0:28:20 | |
And it went to very specific charities and causes. | 0:28:20 | 0:28:23 | |
Mr Eastman didn't give to everything, he had specific things, | 0:28:23 | 0:28:26 | |
but education was key, | 0:28:26 | 0:28:27 | |
not only education for the people that lived | 0:28:27 | 0:28:29 | |
in the Rochester community, but people internationally as well. | 0:28:29 | 0:28:33 | |
He gave a lot of money to schools like MIT, OK? | 0:28:33 | 0:28:36 | |
And also to the University of Rochester cos they were cranking out | 0:28:36 | 0:28:40 | |
the chemists and the engineers he needed in his company. | 0:28:40 | 0:28:43 | |
Unlike many conspicuous philanthropists who sought to immortalise their names, | 0:28:44 | 0:28:48 | |
George Eastman protected his privacy. | 0:28:48 | 0:28:51 | |
He donated 20 million to the Massachusetts Institute of Technology | 0:28:51 | 0:28:55 | |
under the pseudonym of Mr Smith. | 0:28:55 | 0:28:58 | |
The third most generous philanthropist of his era, | 0:29:00 | 0:29:03 | |
behind John D Rockefeller and Andrew Carnegie, | 0:29:03 | 0:29:05 | |
Eastman gave away over 100 million in his lifetime. | 0:29:05 | 0:29:10 | |
His mom had bad teeth, | 0:29:12 | 0:29:14 | |
and she had her teeth pulled at the kitchen table without | 0:29:14 | 0:29:17 | |
anaesthetic. He remembered that for years to come, | 0:29:17 | 0:29:19 | |
and because she didn't have good teeth she couldn't eat, | 0:29:19 | 0:29:22 | |
she always had health ailments because she wasn't eating good, nutritious food, | 0:29:22 | 0:29:26 | |
everything had to be blended, | 0:29:26 | 0:29:27 | |
so he wanted people to have good dental care, | 0:29:27 | 0:29:30 | |
to not have those problems later on in their life. | 0:29:30 | 0:29:32 | |
He also did a lot of other things in our community, | 0:29:32 | 0:29:35 | |
giving land that he owned to parks, so there was recreational things | 0:29:35 | 0:29:38 | |
for a lot of the workers at Kodak. | 0:29:38 | 0:29:39 | |
Since he didn't marry and have kids I think that he considered the Rochester community | 0:29:39 | 0:29:44 | |
his family, an extended family. | 0:29:44 | 0:29:45 | |
And so he wanted to make sure Rochester was a good place to live, work and raise a family. | 0:29:45 | 0:29:49 | |
Kodak, like the General Electric Company, | 0:29:52 | 0:29:54 | |
emerged in America's heyday. | 0:29:54 | 0:29:57 | |
These giants of industry grew within a confident new superpower | 0:29:57 | 0:30:01 | |
that would soon overtake Europe. | 0:30:01 | 0:30:03 | |
But it was thanks to the Genesee River and the building | 0:30:05 | 0:30:08 | |
of the Erie Canal that upstate New York was able to industrialise. | 0:30:08 | 0:30:13 | |
Leaving Rochester behind, I'm making for Buffalo | 0:30:31 | 0:30:34 | |
on the shores of Lake Erie, | 0:30:34 | 0:30:36 | |
before heading north to finish my journey through the Empire State | 0:30:36 | 0:30:40 | |
on the Canadian border at the magnificent Niagara Falls. | 0:30:40 | 0:30:44 | |
I'm nearing the end of my journey through New York state. | 0:30:45 | 0:30:49 | |
I'm approaching the Canadian border and the Great Lakes - | 0:30:49 | 0:30:53 | |
bodies of water which are incomprehensibly enormous, | 0:30:53 | 0:30:57 | |
as far as Europeans are concerned. | 0:30:57 | 0:31:00 | |
And not surprisingly, they've loomed large in American history. | 0:31:00 | 0:31:04 | |
As I near the northern edge of New York State, | 0:31:11 | 0:31:14 | |
I reflect on the huge expansion of industry in America | 0:31:14 | 0:31:17 | |
during the decades after the Civil War. | 0:31:17 | 0:31:20 | |
And I'm struck above all by its sheer concentration in this one state. | 0:31:20 | 0:31:24 | |
The industrial production of New York State then amounted | 0:31:24 | 0:31:29 | |
to double that of the whole of the South, | 0:31:29 | 0:31:31 | |
an extraordinary achievement that I'll explore at my next stop. | 0:31:31 | 0:31:35 | |
The commerce of Buffalo, New York, is, according to my Appletons', | 0:31:37 | 0:31:42 | |
"Very large, as its position at the foot of the chain | 0:31:42 | 0:31:46 | |
"of Great Lakes makes it the entrepot for traffic | 0:31:46 | 0:31:49 | |
"between the East and the great Northwest. | 0:31:49 | 0:31:52 | |
"Since the completion of the Erie Canal, in 1825, | 0:31:52 | 0:31:56 | |
"its growth has been very rapid." | 0:31:56 | 0:31:59 | |
-ANNOUNCER: -The station stop is Buffalo Exchange Street, | 0:32:03 | 0:32:06 | |
Buffalo Exchange Street! | 0:32:06 | 0:32:08 | |
Buffalo's golden age dawned in the pre-rail era of the Erie Canal. | 0:32:08 | 0:32:13 | |
This first all-water link connected the huge | 0:32:13 | 0:32:17 | |
resources of the Great Lakes region in the Midwest, via | 0:32:17 | 0:32:20 | |
the Hudson River, to the port of New York City, | 0:32:20 | 0:32:23 | |
on the Atlantic Coast. | 0:32:23 | 0:32:25 | |
It was a catalyst for commerce, industry and westward migration. | 0:32:29 | 0:32:34 | |
Buffalo became the centre of the world's grain trade, | 0:32:34 | 0:32:37 | |
employing a growing workforce of new immigrants. | 0:32:37 | 0:32:41 | |
Appletons' tells me | 0:32:45 | 0:32:47 | |
that no visitor should leave without having seen the grain elevators. | 0:32:47 | 0:32:51 | |
So, I'm meeting third-generation Buffalo businessman Rick Smith. | 0:32:51 | 0:32:55 | |
Rick, you own some of these old grain silos. Why? | 0:32:56 | 0:32:59 | |
Well, I think it's all about, you know, | 0:32:59 | 0:33:02 | |
the preserving and celebrating of the past. | 0:33:02 | 0:33:04 | |
These were innovative things when they came into being, | 0:33:04 | 0:33:08 | |
and trying to regenerate that innovation today, | 0:33:08 | 0:33:11 | |
having grown up next to these titans - it's a special thing. | 0:33:11 | 0:33:15 | |
This is a Perot malt house, and a Perot malting elevator. | 0:33:18 | 0:33:21 | |
This is where we're going to go meet Brad Hahn, who actually runs | 0:33:21 | 0:33:25 | |
a lot of the tours of Silo City. | 0:33:25 | 0:33:28 | |
I can't wait to see inside. Amazing structures! | 0:33:28 | 0:33:31 | |
So, Brad, why is it that, in Buffalo, | 0:33:37 | 0:33:40 | |
we have so many of these extremely tall structures? | 0:33:40 | 0:33:44 | |
Well, Buffalo was the end of the line for the trade route | 0:33:44 | 0:33:48 | |
coming from the Great Lakes and the farms of the Midwest. | 0:33:48 | 0:33:51 | |
America's breadbasket headed east. The ships could get to Buffalo | 0:33:51 | 0:33:54 | |
but could go no further because of Niagara Falls, | 0:33:54 | 0:33:57 | |
along the Niagara River. | 0:33:57 | 0:33:58 | |
Can you give me any idea of the scale - | 0:33:58 | 0:34:00 | |
how much grain passed through here? | 0:34:00 | 0:34:02 | |
At its peak, Buffalo moved 300 million bushels of grain, | 0:34:02 | 0:34:05 | |
through this city, every year. | 0:34:05 | 0:34:07 | |
That's enough grain to feed every person in the United States, | 0:34:07 | 0:34:10 | |
today, a loaf of bread every single week. | 0:34:10 | 0:34:13 | |
That is amazing! | 0:34:13 | 0:34:15 | |
From its opening in 1825, the Erie Canal revolutionised the movement | 0:34:15 | 0:34:20 | |
of grain, causing freight charges to drop from 100 to 10 a tonne. | 0:34:20 | 0:34:25 | |
Irish scoopers transferred grain by hand from lake vessels to | 0:34:25 | 0:34:30 | |
canal boats but the process was slow and clogged the harbour. | 0:34:30 | 0:34:34 | |
1842, a local merchant named Joseph Dart says there's a better | 0:34:34 | 0:34:38 | |
way to do this. | 0:34:38 | 0:34:40 | |
He comes up with a vertical conveyor belt, powered by steam, | 0:34:40 | 0:34:43 | |
that had buckets on it, lowered into the hull of the ship, scooped | 0:34:43 | 0:34:46 | |
up the grain and emptied those ships of 1,000 bushels per hour. | 0:34:46 | 0:34:50 | |
So, they could unload one of these lake ships in a day, | 0:34:50 | 0:34:53 | |
compared to a week, and this revolutionised the process. | 0:34:53 | 0:34:55 | |
Why do the silos need to be so tall, what's the point of that? | 0:34:55 | 0:34:59 | |
Well, they wanted to store as much grain as they possibly could | 0:34:59 | 0:35:02 | |
and this enabled a gravity system. | 0:35:02 | 0:35:05 | |
So, once they used that conveyor belt to get the grain to the top of | 0:35:05 | 0:35:08 | |
the complex, then it was gravity to bring it back down, | 0:35:08 | 0:35:11 | |
so they could take it out to either ship it to the east or to mill | 0:35:11 | 0:35:14 | |
it, to malt it or turn it into some other finished product. | 0:35:14 | 0:35:17 | |
Silo City grew into the world's largest grain port, with 27 | 0:35:19 | 0:35:24 | |
of Dart's elevators lining the harbour. | 0:35:24 | 0:35:27 | |
The railroads increased the quantities of grain | 0:35:27 | 0:35:30 | |
that could be transported out of the city and speeded the journey. | 0:35:30 | 0:35:34 | |
By 1900, Buffalo had become the second-busiest rail | 0:35:34 | 0:35:37 | |
centre in America, after Chicago. | 0:35:37 | 0:35:40 | |
It had great significance not only for the United States | 0:35:40 | 0:35:43 | |
but for the entire world | 0:35:43 | 0:35:45 | |
because the grain passing through Buffalo wasn't just for people | 0:35:45 | 0:35:48 | |
here in Buffalo, it was to feed the rest of the United States, | 0:35:48 | 0:35:51 | |
along the East Coast and in Europe, as well. | 0:35:51 | 0:35:54 | |
One of the reasons the Erie Canal was successful was because a lot of | 0:35:54 | 0:35:57 | |
that grain was going to Europe | 0:35:57 | 0:35:58 | |
and it was going through the Industrial Revolution, | 0:35:58 | 0:36:01 | |
a lot more people to feed. | 0:36:01 | 0:36:03 | |
In 1907, the wooden elevators were replaced with concrete ones, | 0:36:03 | 0:36:08 | |
these structures, the first skyscrapers of New York state, | 0:36:08 | 0:36:12 | |
which would inspire the generation of European | 0:36:12 | 0:36:15 | |
architects behind the Bauhaus school of design. | 0:36:15 | 0:36:18 | |
Le Corbusier and Walter Gropius | 0:36:19 | 0:36:22 | |
found in Buffalo's grain elevators the seed of a new international style, | 0:36:22 | 0:36:27 | |
where form would follow function, unadorned by ornament. | 0:36:27 | 0:36:31 | |
If you think of some of their catch mark slogans, for example, | 0:36:33 | 0:36:38 | |
"form follows function", you really can't find any purer example of that | 0:36:38 | 0:36:41 | |
than here at the grain elevators, where you have a function | 0:36:41 | 0:36:44 | |
of storing and moving grain and the buildings reflect that entirely. | 0:36:44 | 0:36:48 | |
And, Rick, in your dream, | 0:36:50 | 0:36:51 | |
what can be the function of this place in the future? | 0:36:51 | 0:36:54 | |
We have two floors, in essence, we have the feed | 0:36:54 | 0:36:57 | |
floor at the bottom and then we have this floor, up 100 feet. | 0:36:57 | 0:37:02 | |
So, upstairs can be utilised as great living quarters | 0:37:02 | 0:37:06 | |
because you've got miles around, you can see everywhere. | 0:37:06 | 0:37:09 | |
Then, the feed floor can be just about anything a normal | 0:37:09 | 0:37:12 | |
building can be, but a very cool nightclub or a very cool... | 0:37:12 | 0:37:15 | |
things to have art shows or galleries. | 0:37:15 | 0:37:19 | |
Those are kind of the really great functions that we could | 0:37:19 | 0:37:23 | |
repurpose them with. | 0:37:23 | 0:37:24 | |
When in Buffalo, do as the Buffalonians do. | 0:37:31 | 0:37:34 | |
So, with lunch beckoning, | 0:37:34 | 0:37:36 | |
I'm ready for the city's most celebrated snack. | 0:37:36 | 0:37:39 | |
Hi, welcome to the Anchor Bar, home of the original Buffalo wing. | 0:37:43 | 0:37:46 | |
Buffalo wing? I didn't know buffalos had wings. | 0:37:46 | 0:37:49 | |
They don't, actually, but chickens do and that's what we've got | 0:37:49 | 0:37:52 | |
going tonight. | 0:37:52 | 0:37:53 | |
How did this dish get started in Buffalo? | 0:37:53 | 0:37:55 | |
It got started back in 1964 when one of the owners of the | 0:37:55 | 0:37:59 | |
Anchor Bar, Teressa Bellissimo, created the Buffalo wing. | 0:37:59 | 0:38:02 | |
Her son was tending the bar and some of his friends came in and they | 0:38:02 | 0:38:06 | |
didn't want Italian food, they wanted something different. | 0:38:06 | 0:38:09 | |
She said, "You know what? | 0:38:09 | 0:38:10 | |
"I've got these beautiful wings that I was going to put in a stock - | 0:38:10 | 0:38:13 | |
"let me see what I can do with it." | 0:38:13 | 0:38:15 | |
So, she experimented and out came the first order of chicken wings, | 0:38:15 | 0:38:19 | |
with the unique hot sauce on it. | 0:38:19 | 0:38:21 | |
What choices do I have to make? | 0:38:21 | 0:38:23 | |
-Well, they come in increments of ten - ten, 20, 50. -50?! | 0:38:23 | 0:38:27 | |
50 wings, yeah, and you can have them hot, medium, mild, | 0:38:27 | 0:38:30 | |
barbecue, suicidal... | 0:38:30 | 0:38:32 | |
OK, look, erm, I don't know, give me a kind of medium-size plate. | 0:38:32 | 0:38:35 | |
OK, well, I'll hook you up, then, all right. | 0:38:35 | 0:38:38 | |
-You hook me up, thank you very much. -Thank you. | 0:38:38 | 0:38:41 | |
Buffalo's legendary wings are deep-fried, then coated in a vinegar | 0:38:41 | 0:38:46 | |
and Cayenne pepper hot sauce, before yet another fry. | 0:38:46 | 0:38:50 | |
Well, here you go, medium portion, medium spiciness, | 0:38:53 | 0:38:56 | |
the original Buffalo wing, I hope you enjoy them. | 0:38:56 | 0:39:00 | |
-Thank you very much indeed. -We'll get you some napkins. | 0:39:00 | 0:39:03 | |
Only in America could that be regarded as a medium portion! | 0:39:03 | 0:39:07 | |
So, cool it down with a little celery, | 0:39:12 | 0:39:16 | |
dip it in a little blue cheese... | 0:39:16 | 0:39:19 | |
..mmm, that's spicy! | 0:39:21 | 0:39:23 | |
Ooh, that is hot! | 0:39:24 | 0:39:26 | |
A little beer. | 0:39:26 | 0:39:28 | |
Fire, fire brigade! | 0:39:31 | 0:39:34 | |
During Buffalo's rapid 19th-century growth, it was transformed | 0:39:42 | 0:39:47 | |
by a rail network of more than 700 miles of track within the city. | 0:39:47 | 0:39:51 | |
Founded in 1853, the New York Central Railroad, | 0:39:54 | 0:39:58 | |
connecting Buffalo with Albany, | 0:39:58 | 0:40:00 | |
later came under the control of the rail tycoon Cornelius Vanderbilt. | 0:40:00 | 0:40:05 | |
It became a dominant force in the Northeast, | 0:40:05 | 0:40:08 | |
stretching from Illinois to Massachusetts and from | 0:40:08 | 0:40:11 | |
Michigan to West Virginia. | 0:40:11 | 0:40:14 | |
In 1865, Buffalo was a stop on the route of President Lincoln's | 0:40:14 | 0:40:19 | |
funeral train after his assassination. | 0:40:19 | 0:40:22 | |
Citizens flocked to view the casket of the man who saved the union | 0:40:22 | 0:40:27 | |
and freed the slaves. | 0:40:27 | 0:40:29 | |
During the 20th century, Buffalo's 14-million central terminal | 0:40:31 | 0:40:35 | |
opened to great fanfare, just months before the Wall Street crash, | 0:40:35 | 0:40:39 | |
in 1929. | 0:40:39 | 0:40:41 | |
Built to service 200 trains and 10,000 passengers daily, | 0:40:41 | 0:40:45 | |
this Art Deco masterpiece never lived up to its promise. | 0:40:45 | 0:40:49 | |
The grand halls became increasingly deserted, | 0:40:49 | 0:40:53 | |
as air and automobile travel supplanted the trains. | 0:40:53 | 0:40:57 | |
Today, it's being restored. | 0:40:57 | 0:41:00 | |
Another of the city's architectural highlights is the 12-acre | 0:41:02 | 0:41:06 | |
Colonel Ward Pumping Station, | 0:41:06 | 0:41:08 | |
which was the largest ever built in the United States. | 0:41:08 | 0:41:11 | |
I think you'll like this, Michael. | 0:41:11 | 0:41:14 | |
-Am I in for a treat? -Yes, you are. | 0:41:14 | 0:41:16 | |
'I'm getting a tour from plant superintendent Patrick J Martin.' | 0:41:16 | 0:41:21 | |
That is a thing of beauty! | 0:41:21 | 0:41:25 | |
What a magnificent hall and incredible antique machinery. | 0:41:25 | 0:41:30 | |
When is that machinery from? | 0:41:30 | 0:41:32 | |
The machinery was put in in 1907, | 0:41:32 | 0:41:34 | |
that's when the original construction happened, | 0:41:34 | 0:41:36 | |
and was finished in 1915. | 0:41:36 | 0:41:38 | |
-Can we get a bit closer? -Sure! | 0:41:38 | 0:41:40 | |
The population of Buffalo had grown to 350,000 by 1900. | 0:41:43 | 0:41:47 | |
Irish and German immigrants found work in the new steel | 0:41:47 | 0:41:51 | |
and automobile industries, attracted to the city by cheap | 0:41:51 | 0:41:55 | |
hydroelectric power from Niagara Falls. | 0:41:55 | 0:41:58 | |
The demand for clean drinking water grew steadily, until | 0:42:00 | 0:42:02 | |
Buffalo's public works commissioner, | 0:42:02 | 0:42:05 | |
Colonel Francis G Ward, | 0:42:05 | 0:42:06 | |
found a reliable source at the mouth of the Niagara River. | 0:42:06 | 0:42:10 | |
Huh-ho, this is a wonderful, somewhat vertiginous view. | 0:42:14 | 0:42:18 | |
Erm, so tell me about the project, | 0:42:18 | 0:42:19 | |
what had to be done to bring the water to Buffalo? | 0:42:19 | 0:42:22 | |
They built this plant right on the shores of Lake Erie, | 0:42:22 | 0:42:24 | |
and they had to actually tunnel out into the lake | 0:42:24 | 0:42:27 | |
and went 6,600 feet onto the lake | 0:42:27 | 0:42:28 | |
and they had to tunnel down below the bedrock | 0:42:28 | 0:42:30 | |
and went down 70 feet to get to the area in the lake what we call | 0:42:30 | 0:42:33 | |
the Emerald Channel, which sits on top of limestone. | 0:42:33 | 0:42:35 | |
It's crystal-clear water out there in the middle of the lake. | 0:42:35 | 0:42:38 | |
They were able to get good-quality water to all the residents. | 0:42:38 | 0:42:41 | |
Tunnelling 70 foot down, I'm thinking, | 0:42:41 | 0:42:43 | |
how did they keep the water out as they did that? | 0:42:43 | 0:42:45 | |
What they were doing was actually put a pressurised chamber, | 0:42:45 | 0:42:48 | |
steel bulkhead, and they actually | 0:42:48 | 0:42:50 | |
pumped in compressed air into the chamber to | 0:42:50 | 0:42:52 | |
keep the water out while they were tunnelling and they were blasting. | 0:42:52 | 0:42:55 | |
Because it was a pressurised area, the men could only work | 0:42:55 | 0:42:58 | |
in about three-, four-hour shifts, otherwise they would get the bends. | 0:42:58 | 0:43:01 | |
Said to be the largest construction ever built on the Great Lakes, | 0:43:02 | 0:43:06 | |
a 6,600-foot tunnel connected the channel to the pumping station. | 0:43:06 | 0:43:12 | |
Each one of these pumps has the capability of doing | 0:43:13 | 0:43:16 | |
30 million gallons of water per day. | 0:43:16 | 0:43:19 | |
Five pumps that gave us 150 million gallon capacity. | 0:43:19 | 0:43:23 | |
Standing 60 feet tall, these five 1,200-horsepower, steam-driven | 0:43:23 | 0:43:29 | |
pumps each had two 30-tonne flywheels to drive their pistons. | 0:43:29 | 0:43:34 | |
The pumping station remains one of the largest in the world today. | 0:43:34 | 0:43:38 | |
It's a great pity that it doesn't run any more under steam. | 0:43:42 | 0:43:45 | |
Do you, personally, have any memory of these engines? | 0:43:45 | 0:43:48 | |
It's kind of funny you ask. | 0:43:48 | 0:43:50 | |
My father used to work with the water department | 0:43:50 | 0:43:52 | |
and when I was a young child in the late '60s, early '70s, I actually | 0:43:52 | 0:43:57 | |
came into this plant and one of these was in operation. | 0:43:57 | 0:44:00 | |
It was amazing seeing one of these big, huge pumps just turning | 0:44:00 | 0:44:02 | |
and it was very quiet. | 0:44:02 | 0:44:04 | |
And it's marvellous that they have been preserved. | 0:44:04 | 0:44:06 | |
How is it that they've been kept? | 0:44:06 | 0:44:08 | |
In the '80s, there was discussion to remove them | 0:44:08 | 0:44:11 | |
and sell them for scrap, and at that time my father was | 0:44:11 | 0:44:14 | |
the director of the water and he said that we sell water, not scrap. | 0:44:14 | 0:44:18 | |
And we still have a historic jewel because of that. | 0:44:18 | 0:44:21 | |
I think, this evening, if I go down to the banks of Lake Erie, I'm going | 0:44:21 | 0:44:24 | |
-to raise a glass to your father. -I'm sure he'll appreciate that. | 0:44:24 | 0:44:27 | |
I've been struck by Buffalo, as Appletons' was. | 0:44:33 | 0:44:36 | |
With the finest harbour on Lake Erie, formidable canal basins | 0:44:36 | 0:44:41 | |
and soaring grain elevators, New York state's second-largest city | 0:44:41 | 0:44:46 | |
retains the excitement of its 19th-century boom. | 0:44:46 | 0:44:49 | |
It's the last day of my first American railroad journey | 0:45:09 | 0:45:13 | |
and I'm about to fulfil one of my greatest ambitions. | 0:45:13 | 0:45:16 | |
TRAIN HORN BLARES | 0:45:17 | 0:45:19 | |
I'm heading 22 miles towards the Canadian border. | 0:45:23 | 0:45:27 | |
-Niagara Falls? -Niagara Falls. | 0:45:29 | 0:45:32 | |
Who else is going, Niagara Falls? | 0:45:32 | 0:45:35 | |
Here almost a fifth of the world's fresh water drains from four of the | 0:45:35 | 0:45:39 | |
Great Lakes into the Niagara River before emptying into Lake Ontario. | 0:45:39 | 0:45:45 | |
Here are just some of the words used by Appletons' to describe Niagara. | 0:45:46 | 0:45:51 | |
"A profound chasm, water tossed about tumultuously. | 0:45:51 | 0:45:56 | |
"Great whirlpools and eddies, an inextricable turmoil of water." | 0:45:56 | 0:46:03 | |
Yes, I'm headed for a falls. | 0:46:03 | 0:46:07 | |
You've got two walkways, one there, one there. | 0:46:13 | 0:46:15 | |
Do not walk across the rail. | 0:46:15 | 0:46:17 | |
Before I witness the natural wonder for myself, | 0:46:22 | 0:46:26 | |
I've an appointment with Niagara Falls's mayor, Paul Dyster. | 0:46:26 | 0:46:30 | |
I'm thinking this is a very exceptional place that probably, | 0:46:30 | 0:46:33 | |
what, for two centuries you've been a tourist magnet. | 0:46:33 | 0:46:36 | |
Yes, sometime after the conclusion of the war of 1812, in 1815, | 0:46:36 | 0:46:41 | |
we started drawing visitors from around the world here. | 0:46:41 | 0:46:44 | |
Some of it, I think, coincided with the coming of the railways, | 0:46:44 | 0:46:46 | |
which opened up a new way to travel. | 0:46:46 | 0:46:49 | |
The method of travel was exciting | 0:46:49 | 0:46:51 | |
and then you had an exciting destination at the end of the line. | 0:46:51 | 0:46:54 | |
I think we were aided by the Romantic painters of the 19th century | 0:46:54 | 0:46:57 | |
that made this a world icon. | 0:46:57 | 0:47:00 | |
If you were a well-heeled traveller in the mid to late 19th century, | 0:47:00 | 0:47:04 | |
of course Niagara Falls was on your bucket list. | 0:47:04 | 0:47:07 | |
Romantic 19th-century landscape painters like Frederic Church | 0:47:10 | 0:47:14 | |
inadvertently advertised this iconic spot. | 0:47:14 | 0:47:18 | |
His picture of 1857, once described as the finest oil painting | 0:47:18 | 0:47:24 | |
this side of the Atlantic, toured the East Coast, Britain and Paris. | 0:47:24 | 0:47:28 | |
How many visitors do you have? | 0:47:28 | 0:47:30 | |
Somewhere between eight and nine million visitors, which is | 0:47:30 | 0:47:32 | |
more than visit any of our national parks. | 0:47:32 | 0:47:35 | |
You're quite a big city, too, | 0:47:35 | 0:47:37 | |
so do you manage to spread that wealth amongst the population? | 0:47:37 | 0:47:39 | |
Well, it's one of our ambitions but I think it's difficult. | 0:47:39 | 0:47:42 | |
We were, for much of our history, an industrial city | 0:47:42 | 0:47:44 | |
and there's a transition that's under way here. | 0:47:44 | 0:47:47 | |
We've lost industrial jobs | 0:47:47 | 0:47:49 | |
but gained jobs in the tourism sector. That requires people | 0:47:49 | 0:47:51 | |
to change their training, get new types of education, maybe | 0:47:51 | 0:47:55 | |
change their outlook on careers, and that can be a wrenching experience. | 0:47:55 | 0:47:59 | |
Now, there are two cities called Niagara Falls, | 0:47:59 | 0:48:02 | |
one in Ontario, Canada, one in New York state - rivalry between them? | 0:48:02 | 0:48:06 | |
Friendly rivalry, yes. | 0:48:06 | 0:48:08 | |
Friendly rivalry. We have an annual tug-of-war on the Rainbow Bridge. | 0:48:08 | 0:48:12 | |
We close down the border crossing so that our police departments | 0:48:12 | 0:48:15 | |
can line up and duke it out over bragging rights for who's got | 0:48:15 | 0:48:20 | |
the strongest policemen for the next year. | 0:48:20 | 0:48:23 | |
I'm afraid the Canadians won this year. | 0:48:23 | 0:48:25 | |
Formed at the end of the Ice Age, Niagara's three falls | 0:48:29 | 0:48:33 | |
consist of the American and Bridalveil Falls, | 0:48:33 | 0:48:37 | |
on the United States side, and the Horseshoe Falls in Canada. | 0:48:37 | 0:48:42 | |
In the late 1890s, | 0:48:42 | 0:48:43 | |
Niagara was famed for producing the world's first hydroelectric power. | 0:48:43 | 0:48:49 | |
This is my first close encounter with Niagara Falls | 0:48:49 | 0:48:53 | |
and I hadn't expected to get this near, it's just a few feet away. | 0:48:53 | 0:48:56 | |
You know that if you strayed over there and just tumbled over the edge | 0:48:56 | 0:48:59 | |
you would be dashed to pieces. | 0:48:59 | 0:49:02 | |
The other thing that is unexpected to me is how far it stretches. | 0:49:02 | 0:49:06 | |
The other part of the waterfall is far away and then this plume | 0:49:06 | 0:49:10 | |
of mist rises infinitely until it merges with the clouds. | 0:49:10 | 0:49:15 | |
I see all these crowds of people here of every conceivable | 0:49:20 | 0:49:24 | |
nationality and many of them may have | 0:49:24 | 0:49:27 | |
thought of visiting all of their lives, | 0:49:27 | 0:49:29 | |
as indeed I have, and I'm just wondering whether Niagara Falls | 0:49:29 | 0:49:33 | |
has lived up to their expectations. | 0:49:33 | 0:49:35 | |
-Are you visiting Niagara Falls for the first time? -Yes. -Yeah. | 0:49:37 | 0:49:41 | |
-What do you think of it? -Gorgeous! It's really, really beautiful! | 0:49:41 | 0:49:45 | |
Is it as good as you hoped it would be? | 0:49:45 | 0:49:48 | |
I did read about that before because I was very excited | 0:49:48 | 0:49:52 | |
but I told my sister not to read about it. | 0:49:52 | 0:49:54 | |
So, for you it's been a complete surprise? | 0:49:54 | 0:49:57 | |
Yeah, it is very beautiful. | 0:49:57 | 0:50:00 | |
It's actually better than I thought it would be, with the weather | 0:50:00 | 0:50:03 | |
and everything, the way the mist comes off the water, love it! | 0:50:03 | 0:50:08 | |
-Where are you from? -I'm originally from Nottingham, England. | 0:50:08 | 0:50:11 | |
-You don't sound like it at all! -I've been in the US since 1978. | 0:50:11 | 0:50:15 | |
Can you still do a Nottingham accent? | 0:50:15 | 0:50:18 | |
Unfortunately not, unless I'm around my family. | 0:50:18 | 0:50:20 | |
-It takes a while to come back. -Have your family seen Niagara Falls? | 0:50:20 | 0:50:24 | |
No, they keep saying they're going to come | 0:50:24 | 0:50:26 | |
and actually I texted them earlier today, they said, | 0:50:26 | 0:50:28 | |
"Hey, when we were visiting, we never went there!" | 0:50:28 | 0:50:31 | |
So, next time, I'm hoping to bring them out here. | 0:50:31 | 0:50:33 | |
Yeah, they'll love it, won't they? | 0:50:33 | 0:50:36 | |
For 19th-century tourists, Niagara epitomised the limitless new world. | 0:50:36 | 0:50:41 | |
Wilderness in all its grandeur and terror! | 0:50:41 | 0:50:45 | |
The railroads brought travellers from afar and presented | 0:50:45 | 0:50:49 | |
money-making opportunities, | 0:50:49 | 0:50:51 | |
which attracted many a publicity-seeking daredevil. | 0:50:51 | 0:50:55 | |
In 1860, when Britain's Prince of Wales, later King Edward VII, | 0:50:55 | 0:51:00 | |
visited the falls, he was spellbound by the French tightrope walker | 0:51:00 | 0:51:05 | |
Charles Blondin carrying his assistant across the gorge. | 0:51:05 | 0:51:10 | |
In 1883, British sea captain Matthew Webb, | 0:51:10 | 0:51:13 | |
the first person to swim the English Channel, | 0:51:13 | 0:51:17 | |
set out to swim the most treacherous stretch of the Niagara River below the falls. | 0:51:17 | 0:51:21 | |
Webb acted against local advice | 0:51:21 | 0:51:25 | |
and was ripped by the rapids and pulled under by the whirlpool. | 0:51:25 | 0:51:29 | |
He was not seen alive again. | 0:51:29 | 0:51:31 | |
Since Webb, the falls have been braved in barrels, | 0:51:33 | 0:51:36 | |
rubber balls, even on a jet ski. | 0:51:36 | 0:51:39 | |
But I'm not quite that level of daredevil. | 0:51:39 | 0:51:43 | |
Appletons' recommends that you spend two days seeing Niagara Falls | 0:51:43 | 0:51:47 | |
but tourists don't have that sort of time today. | 0:51:47 | 0:51:50 | |
And, in any case, with new technology, you can take a quick, | 0:51:50 | 0:51:53 | |
bird's-eye view. | 0:51:53 | 0:51:55 | |
HELICOPTER BLARES | 0:51:56 | 0:51:58 | |
As the helicopter rises, the very first thing you see is | 0:52:04 | 0:52:07 | |
a great plume of mist, where the water has hit the lower area | 0:52:07 | 0:52:13 | |
and risen in a great cloud. | 0:52:13 | 0:52:15 | |
Then, as you come up, over the top, you have this extraordinary view | 0:52:15 | 0:52:20 | |
of the falls ranged below you. | 0:52:20 | 0:52:23 | |
That incredible torrent of water. | 0:52:23 | 0:52:25 | |
From up here you can appreciate the six million cubic feet of water | 0:52:37 | 0:52:41 | |
that pour over the crest every minute, | 0:52:41 | 0:52:44 | |
reaching speeds of up to 68mph. | 0:52:44 | 0:52:48 | |
The 19th-century tourists who came here, relatively unprepared, | 0:52:48 | 0:52:53 | |
with no television, with only crude photography, would have | 0:52:53 | 0:52:56 | |
been flabbergasted by this scene. | 0:52:56 | 0:52:59 | |
But I have to say that I am, too. | 0:52:59 | 0:53:02 | |
I've known these falls in images since I was a child | 0:53:02 | 0:53:06 | |
but it's my first time here and nothing has prepared me for it. | 0:53:06 | 0:53:09 | |
The power of nature, the force of the torrent | 0:53:09 | 0:53:13 | |
and the extraordinary beauty of this scene. | 0:53:13 | 0:53:15 | |
Since the time of my guide book, | 0:53:20 | 0:53:22 | |
these falls have receded almost 150 metres, | 0:53:22 | 0:53:26 | |
a rate of erosion that in recent years has been slowed by flow | 0:53:26 | 0:53:29 | |
control and diversion to hydropower. | 0:53:29 | 0:53:33 | |
And there in the midst of the torrent | 0:53:41 | 0:53:44 | |
and enveloped in the mist is a little boat. | 0:53:44 | 0:53:47 | |
It seems almost incredible that it can be safe to navigate | 0:53:47 | 0:53:51 | |
through that fury of water. | 0:53:51 | 0:53:53 | |
And there's really only one way to find out what it's like in that | 0:53:55 | 0:54:00 | |
awesome deluge. | 0:54:00 | 0:54:01 | |
-One adult ticket for the boat, please. -17. | 0:54:04 | 0:54:08 | |
Thank you very much indeed. Bye-bye. | 0:54:08 | 0:54:10 | |
-We're going to get wet, are we? -Yeah, you're going to get real wet. | 0:54:12 | 0:54:15 | |
Now, naturally, that's defeated me. | 0:54:20 | 0:54:22 | |
Does it just go around you? | 0:54:24 | 0:54:26 | |
Finally, with my blue poncho tamed, I'm ready to follow illustrious | 0:54:40 | 0:54:44 | |
visitors from President Roosevelt to Marilyn Monroe. | 0:54:44 | 0:54:47 | |
I'm putting my faith in the Maid Of The Mist, a fleet of tour boats that | 0:54:50 | 0:54:55 | |
has navigated tens of millions of people to | 0:54:55 | 0:54:58 | |
the centre of the swirling mist since 1846. | 0:54:58 | 0:55:01 | |
From here the waterfall is half obscured by the spray, | 0:55:04 | 0:55:08 | |
which actually just makes it all the more impressive. | 0:55:08 | 0:55:11 | |
Now, you begin to get a sense of the height of the waterfall. | 0:55:11 | 0:55:14 | |
I mean, it's as though we've all been miniaturised. | 0:55:14 | 0:55:17 | |
You get this feeling of human frailty in the power of nature. | 0:55:17 | 0:55:21 | |
I think of all those words in my Appletons' Guide | 0:55:39 | 0:55:42 | |
which attempt to describe the fury, | 0:55:42 | 0:55:44 | |
the ferocity of the water, and none of them is adequate. | 0:55:44 | 0:55:47 | |
When you get close to the torrent it just is overpowering! | 0:55:47 | 0:55:51 | |
We're being buffeted and soaked and everybody's hunkering down, | 0:56:15 | 0:56:19 | |
trying to escape from the spray. | 0:56:19 | 0:56:22 | |
But actually it's completely uplifting | 0:56:22 | 0:56:25 | |
and a wonderful rainbow has appeared through the mist. | 0:56:25 | 0:56:29 | |
Keep your eyes open, people, it's worth seeing! | 0:56:32 | 0:56:35 | |
We've pulled away from the falls now | 0:56:44 | 0:56:45 | |
and this is the calm after the storm and everybody's absolutely | 0:56:45 | 0:56:49 | |
thrilled by what they've seen and what they've experienced | 0:56:49 | 0:56:53 | |
and I think pretty relieved, too, to be out the other side. | 0:56:53 | 0:56:56 | |
From Manhattan's natural harbour to Niagara Falls, | 0:57:07 | 0:57:11 | |
my journey seems to have been about water. | 0:57:11 | 0:57:15 | |
The Hudson River and the Erie Canal brought enormous riches | 0:57:15 | 0:57:19 | |
to New York City. | 0:57:19 | 0:57:21 | |
Immigrants flooded across the Atlantic to Ellis Island, and in | 0:57:21 | 0:57:25 | |
a gilded age, tycoons flaunted their wealth on the shores of Long Island. | 0:57:25 | 0:57:31 | |
But it was thanks to New York City's tangle of commuter | 0:57:32 | 0:57:35 | |
railways that it became the world's greatest metropolis. | 0:57:35 | 0:57:40 | |
Next time, I begin my second American railroad journey in the city | 0:57:41 | 0:57:46 | |
that sealed America's independence, Philadelphia. | 0:57:46 | 0:57:50 | |
HE GRUNTS | 0:57:50 | 0:57:52 | |
I'll travel south through the capital, Washington DC... | 0:57:52 | 0:57:56 | |
Don't you love American locomotives with their great, big, long horns? | 0:57:57 | 0:58:01 | |
..taking in local tastes and traditions... | 0:58:03 | 0:58:06 | |
Mmm, that's pretty good, isn't it? | 0:58:07 | 0:58:09 | |
..and discover the epic events that made this nation what it is today. | 0:58:10 | 0:58:16 | |
This war, if it's going to come to a close, if the North's going to | 0:58:16 | 0:58:19 | |
succeed, it's going to come with | 0:58:19 | 0:58:20 | |
union preserved and slavery eliminated. | 0:58:20 | 0:58:24 |