Browse content similar to Illinois to Tennessee. Check below for episodes and series from the same categories and more!
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I have crossed the Atlantic | 0:00:02 | 0:00:04 | |
to ride the railroads of North America | 0:00:04 | 0:00:07 | |
with my reliable Appleton's guide. | 0:00:07 | 0:00:09 | |
Published in the late 19th century, | 0:00:12 | 0:00:14 | |
Appleton's General Guide to North America | 0:00:14 | 0:00:17 | |
will direct me to all that's novel, | 0:00:17 | 0:00:20 | |
beautiful, memorable | 0:00:20 | 0:00:23 | |
and striking in the United States. | 0:00:23 | 0:00:26 | |
THEY SHOUT | 0:00:26 | 0:00:27 | |
As I journey across this vast continent, | 0:00:27 | 0:00:30 | |
I'll discover how pioneers and cowboys conquered the West... | 0:00:30 | 0:00:34 | |
..and how the railroads tied this nation together, | 0:00:36 | 0:00:39 | |
helping to create the global super-state of today. | 0:00:39 | 0:00:43 | |
The so-called Mainline of Mid-America | 0:01:07 | 0:01:11 | |
takes me deeper into the fertile heartland of Illinois - | 0:01:11 | 0:01:15 | |
Abraham Lincoln country. | 0:01:15 | 0:01:17 | |
At the time of my guidebook, this was a land of plenty, | 0:01:18 | 0:01:21 | |
above and below ground. | 0:01:21 | 0:01:24 | |
I'm continuing towards the south. | 0:01:29 | 0:01:32 | |
During my time in Illinois, | 0:01:32 | 0:01:34 | |
my journey has taken me away from the Mississippi | 0:01:34 | 0:01:38 | |
but I've been running parallel with it, | 0:01:38 | 0:01:40 | |
and the river will feature again in my travels | 0:01:40 | 0:01:43 | |
before I arrive in Memphis, Tennessee. | 0:01:43 | 0:01:45 | |
During the years immediately after my guidebook, | 0:01:47 | 0:01:49 | |
the United States overtook Great Britain | 0:01:49 | 0:01:51 | |
as the world's largest economy - | 0:01:51 | 0:01:54 | |
an extraordinary achievement | 0:01:54 | 0:01:56 | |
in the century since its war of independence. | 0:01:56 | 0:01:59 | |
I want to discover what fuelled the people and the machines that carried | 0:01:59 | 0:02:04 | |
America from its political through to its industrial revolutions. | 0:02:04 | 0:02:08 | |
My rail journey has charted the birth of the industrial Midwest. | 0:02:13 | 0:02:17 | |
I started in Minneapolis, a 19th-century powerhouse, | 0:02:17 | 0:02:21 | |
before heading south along the trade route of the Mississippi | 0:02:21 | 0:02:25 | |
to La Crosse in rural Wisconsin. | 0:02:25 | 0:02:28 | |
Striking out east, I called at Lake Michigan's Milwaukee, | 0:02:28 | 0:02:31 | |
then headed south to recall rail's golden age in Chicago. | 0:02:31 | 0:02:36 | |
I'm now travelling south again through Illinois' rich prairies, | 0:02:36 | 0:02:39 | |
whose produce fed the urban masses, | 0:02:39 | 0:02:42 | |
before I end my journey | 0:02:42 | 0:02:43 | |
at the musical utopia of Memphis. | 0:02:43 | 0:02:46 | |
Today I begin in Mattoon, Illinois, | 0:02:47 | 0:02:50 | |
then visit the fruit bowl of Centralia, | 0:02:50 | 0:02:52 | |
the coalfields at Carbondale, | 0:02:52 | 0:02:54 | |
from there I'll cross into Kentucky, | 0:02:54 | 0:02:57 | |
stopping at Columbus before heading into Tennessee, | 0:02:57 | 0:03:00 | |
finishing my journey in the home of the blues. | 0:03:00 | 0:03:03 | |
Along the way I'll be testing my frontier resolve... | 0:03:05 | 0:03:08 | |
Abraham Lincoln split rails and then the United States. | 0:03:09 | 0:03:14 | |
..unearthing Illinois' elixir of life... | 0:03:14 | 0:03:18 | |
I'm making apple butter. | 0:03:18 | 0:03:19 | |
See, all this fruit makes you young and good-looking, Michael. | 0:03:19 | 0:03:22 | |
MICHAEL LAUGHS | 0:03:22 | 0:03:24 | |
..get my ducks in a row... | 0:03:24 | 0:03:26 | |
Don't let 'em get away. | 0:03:29 | 0:03:31 | |
I think this is the bizarrest thing I've ever been involved in. | 0:03:31 | 0:03:34 | |
..and get a dose of the blues. | 0:03:34 | 0:03:37 | |
HE PLAYS BLUES RIFFS | 0:03:37 | 0:03:39 | |
I'll be visiting Mattoon, Illinois. | 0:03:59 | 0:04:02 | |
The guidebook tells me that the Chicago branch | 0:04:02 | 0:04:04 | |
of the Illinois Central crosses here | 0:04:04 | 0:04:07 | |
and here are the machine shops, | 0:04:07 | 0:04:09 | |
roundhouse and car works of the railroad. | 0:04:09 | 0:04:12 | |
But I'll be heading into the countryside | 0:04:12 | 0:04:14 | |
to investigate the humble origins of the most divisive, | 0:04:14 | 0:04:18 | |
most decisive figure in United States history. | 0:04:18 | 0:04:22 | |
The junction town of Mattoon was born in the 1850s | 0:04:36 | 0:04:40 | |
and soon flourished as the United States railroad network grew. | 0:04:40 | 0:04:44 | |
Close by, it's possible to glimpse rural Illinois | 0:04:52 | 0:04:55 | |
as it was before the trains arrived. | 0:04:55 | 0:04:58 | |
The Lincoln Log Cabin Historical Site recreates a lost way of life | 0:04:59 | 0:05:04 | |
that shaped the character of one of America's greatest presidents. | 0:05:04 | 0:05:09 | |
This log cabin is moving. | 0:05:13 | 0:05:15 | |
It gives a very good idea of the meagre conditions | 0:05:15 | 0:05:19 | |
of Abraham Lincoln's childhood. | 0:05:19 | 0:05:22 | |
And you can imagine, no doubt, that he would learn here | 0:05:22 | 0:05:25 | |
the necessity of hard work and the virtues of self-reliance | 0:05:25 | 0:05:28 | |
and I understand how that would create a man of principle. | 0:05:28 | 0:05:31 | |
But few people have written or spoken more beautiful English prose | 0:05:31 | 0:05:36 | |
than Lincoln and I wonder how he learnt that craft. | 0:05:36 | 0:05:39 | |
This is the reconstructed home | 0:05:44 | 0:05:46 | |
of Abraham Lincoln's father and stepmother, | 0:05:46 | 0:05:49 | |
Thomas and Sarah Lincoln, | 0:05:49 | 0:05:51 | |
in its original location. | 0:05:51 | 0:05:52 | |
Matthew Mittelstaedt looks after this historic site. | 0:05:55 | 0:05:58 | |
Matthew. | 0:06:01 | 0:06:02 | |
-Good morning. -Hi. Michael. Good to see you. | 0:06:02 | 0:06:05 | |
Well, basic living, eh? | 0:06:06 | 0:06:07 | |
It is. But, really, it's a simple home | 0:06:07 | 0:06:11 | |
but it was a home that was familiar to a number of Americans | 0:06:11 | 0:06:15 | |
in addition to Abraham Lincoln. | 0:06:15 | 0:06:17 | |
Born in Kentucky and raised in Indiana, | 0:06:18 | 0:06:21 | |
Abraham Lincoln had left home | 0:06:21 | 0:06:22 | |
by the time that Thomas and Sarah finally settled here, | 0:06:22 | 0:06:26 | |
but they continued to live the frontier lifestyle | 0:06:26 | 0:06:29 | |
that he had known as a boy. | 0:06:29 | 0:06:31 | |
Children had to work in those days. | 0:06:32 | 0:06:33 | |
They did. Children worked very hard. | 0:06:33 | 0:06:36 | |
They were part of the economy of the farm and of the home. | 0:06:36 | 0:06:40 | |
Children were taught to work very young. | 0:06:40 | 0:06:42 | |
Girls were learning to sew and to stitch and to cook just beside | 0:06:42 | 0:06:46 | |
their mother. Boys were learning to take care of the livestock, | 0:06:46 | 0:06:49 | |
filling up the firebox, bringing the water in from the well. | 0:06:49 | 0:06:52 | |
Splitting rails, of course. | 0:06:52 | 0:06:53 | |
Abraham Lincoln is known as the Rail-Splitter in his later years | 0:06:53 | 0:06:57 | |
as a politician, but that was a very common chore on the farm. | 0:06:57 | 0:07:00 | |
Made out of felled trees with pioneers' sweat, | 0:07:01 | 0:07:04 | |
split-rail fencing marked boundaries and penned in livestock. | 0:07:04 | 0:07:08 | |
My image of Lincoln is tall and gangly and, | 0:07:11 | 0:07:14 | |
of course, rather cerebral. | 0:07:14 | 0:07:16 | |
Was he good at splitting rails? | 0:07:16 | 0:07:17 | |
He was. Everyone understood splitting rails | 0:07:17 | 0:07:20 | |
and so being the Rail-Splitter candidate in 1860, | 0:07:20 | 0:07:23 | |
they understood that to be a hard worker, an honest man. | 0:07:23 | 0:07:26 | |
And so they utilised that imagery... | 0:07:26 | 0:07:30 | |
to further his campaign. | 0:07:30 | 0:07:32 | |
The man who writes the Gettysburg Address - | 0:07:32 | 0:07:35 | |
where do you think he got that power with the English language from? | 0:07:35 | 0:07:39 | |
Abraham Lincoln loved to read. | 0:07:39 | 0:07:41 | |
You know, he started as a young boy reading from the Bible | 0:07:41 | 0:07:43 | |
but then he went on to read poetry, | 0:07:43 | 0:07:45 | |
and Lincoln liked to think of himself as a poet anyway. | 0:07:45 | 0:07:49 | |
The Gettysburg Address actually begins in a very biblical way, doesn't it? | 0:07:49 | 0:07:53 | |
-"Four score and seven years ago..." -It does indeed. | 0:07:53 | 0:07:55 | |
Lincoln left his father's farm aged 22 | 0:07:55 | 0:07:59 | |
and found work as a boatman and a shop clerk. | 0:07:59 | 0:08:02 | |
Self-taught, he became a successful attorney | 0:08:02 | 0:08:05 | |
before moving into politics. | 0:08:05 | 0:08:07 | |
To find out how life on the frontier shaped the great man, | 0:08:09 | 0:08:12 | |
I'm attempting to get to grips with his rustic daily slog. | 0:08:12 | 0:08:16 | |
-So this is what all the good fences around here were made of? -Yes, sir. | 0:08:18 | 0:08:22 | |
Abraham Lincoln split rails and then the United States. | 0:08:30 | 0:08:34 | |
I'm teased that a seasoned rail-splitter | 0:08:37 | 0:08:40 | |
could get through about 700 of these logs a day. | 0:08:40 | 0:08:43 | |
Ah! Tough work. | 0:08:49 | 0:08:52 | |
Yes, it is. | 0:08:52 | 0:08:53 | |
I can see why he'd want to sit in the Oval Office after this. | 0:08:53 | 0:08:56 | |
Doing well. | 0:09:00 | 0:09:02 | |
Thank you, Mark. | 0:09:02 | 0:09:03 | |
-Yay! -Well, you did pretty well. | 0:09:14 | 0:09:16 | |
About 699 to go. | 0:09:17 | 0:09:21 | |
About another 2,000 to finish up fixing the fence over there. | 0:09:21 | 0:09:24 | |
I'm your man, Mark. Don't worry. Have faith. | 0:09:25 | 0:09:28 | |
When Lincoln's nephew visited him in Washington | 0:09:36 | 0:09:39 | |
at the height of the Civil War in 1864, | 0:09:39 | 0:09:43 | |
he commented that if his uncle hadn't been | 0:09:43 | 0:09:45 | |
brought up to maul rails, he would never have withstood | 0:09:45 | 0:09:49 | |
the rigours of the White House. | 0:09:49 | 0:09:52 | |
I believe him. | 0:09:52 | 0:09:53 | |
After all that heated exertion, | 0:09:59 | 0:10:02 | |
it's a relief to hear some cool sounds drifting my way. | 0:10:02 | 0:10:05 | |
THEY PLAY OLD-TIME MUSIC | 0:10:05 | 0:10:08 | |
-Hello. -Hello. | 0:10:20 | 0:10:21 | |
Thank you for your music. | 0:10:21 | 0:10:23 | |
Well, you're welcome. | 0:10:23 | 0:10:24 | |
Sounds like the Southern music to me, is that right? | 0:10:24 | 0:10:27 | |
-It is, yes. -Where are you all from? | 0:10:27 | 0:10:28 | |
-Alabama. -Alabama. | 0:10:28 | 0:10:30 | |
Here you are at one of the great shrines to Abe Lincoln. | 0:10:30 | 0:10:34 | |
How do you feel about Abe Lincoln, being Alabamans? | 0:10:34 | 0:10:38 | |
We like him, his favourite song was Dixie. | 0:10:38 | 0:10:40 | |
THEY LAUGH | 0:10:40 | 0:10:42 | |
That's a very clever political answer. | 0:10:42 | 0:10:45 | |
Wow, that's good. | 0:10:45 | 0:10:47 | |
'Although written in New York and popular in the North before the American Civil War, | 0:10:47 | 0:10:51 | |
'Dixie became the anthem of the South. | 0:10:51 | 0:10:54 | |
'At the end of the war, Lincoln tried to reclaim it is an American rather than a Confederate song.' | 0:10:54 | 0:11:00 | |
You don't happen to know, do you, | 0:11:00 | 0:11:02 | |
how to play Abe's favourite, Dixie, do you? | 0:11:02 | 0:11:05 | |
-We sure do. -Sure, we can do that. | 0:11:05 | 0:11:07 | |
Would you give me a little rendition of Dixie, please? | 0:11:07 | 0:11:09 | |
THEY PLAY DIXIE | 0:11:09 | 0:11:11 | |
I'm picking up my rail journey to delve deeper into the countryside | 0:11:43 | 0:11:48 | |
for a sweeter taste of Illinois' agricultural heritage. | 0:11:48 | 0:11:51 | |
HORN BLARES | 0:12:13 | 0:12:16 | |
My next stop will be Centralia, Illinois. | 0:12:21 | 0:12:24 | |
The guidebook tells me we've entered the great fruit-growing region | 0:12:24 | 0:12:27 | |
of central Illinois. | 0:12:27 | 0:12:29 | |
"For many miles, the railroad traverses a country of prolific orchards. | 0:12:29 | 0:12:34 | |
"Vast quantities of peaches are shipped annually to Chicago." | 0:12:34 | 0:12:39 | |
Fruit brought zest to an otherwise unhealthy city. | 0:12:39 | 0:12:43 | |
I owe that insight to my APPLE-ton. | 0:12:43 | 0:12:46 | |
Centralia lies at the midpoint of the Illinois Central's rail route. | 0:12:54 | 0:13:00 | |
BELL RINGS | 0:13:10 | 0:13:12 | |
I'm struck by an unexpected landmark. | 0:13:12 | 0:13:16 | |
This is a carillon, | 0:13:16 | 0:13:18 | |
an instrument that sounds through bells in a tower. | 0:13:18 | 0:13:21 | |
It had its European heyday over 300 years ago | 0:13:21 | 0:13:25 | |
but became popular in America in the 20th century. | 0:13:25 | 0:13:28 | |
Sorry to interrupt you. | 0:13:31 | 0:13:33 | |
I was frankly surprised to find a carillon in the United States. | 0:13:33 | 0:13:36 | |
Are there many in the USA? | 0:13:36 | 0:13:38 | |
Oh, yes. There are around 180 in the States. | 0:13:38 | 0:13:41 | |
Where does the carillon originate? | 0:13:41 | 0:13:43 | |
The carillon comes originally from the Netherlands and Belgium. | 0:13:43 | 0:13:48 | |
-And where are you from? -I am from the Netherlands. | 0:13:48 | 0:13:50 | |
And how long have you been working here? | 0:13:51 | 0:13:54 | |
I've been working here... This is my very first day. | 0:13:54 | 0:13:56 | |
-Your very first day? -My very first day. | 0:13:56 | 0:13:58 | |
HORN BLARES I hear a locomotive. | 0:13:58 | 0:14:01 | |
-Yes. -And that gives me an idea. | 0:14:01 | 0:14:02 | |
Do you have a train piece you can play for me? | 0:14:02 | 0:14:05 | |
Absolutely. I was thinking about Chattanooga Choo Choo. | 0:14:05 | 0:14:09 | |
Take it away, Roy. | 0:14:11 | 0:14:12 | |
BELLS PLAY CHATTANOOGA CHOO CHOO | 0:14:14 | 0:14:17 | |
I've made my way east, out into Centralia's green belt. | 0:14:47 | 0:14:52 | |
My guide claims that this region enjoyed great prosperity from its fruit. | 0:14:54 | 0:14:59 | |
I'm joining the apple harvest with historian John Shaw. | 0:14:59 | 0:15:02 | |
John, when did they start planting fruit around Centralia? | 0:15:07 | 0:15:11 | |
The first settler came here in 1817, | 0:15:11 | 0:15:14 | |
and one of the first acts was to plant an apple or two. | 0:15:14 | 0:15:17 | |
That would have been just for his own consumption, I suppose? | 0:15:17 | 0:15:20 | |
-Yes. -My guidebook mentions vast quantities of peaches | 0:15:20 | 0:15:25 | |
going to Chicago. | 0:15:25 | 0:15:26 | |
So what made the difference? What enabled them to go commercial? | 0:15:26 | 0:15:30 | |
The railroad was the thing that made it all possible. | 0:15:31 | 0:15:34 | |
They could take their fruit to Centralia, put it on a train | 0:15:34 | 0:15:37 | |
and have it in Chicago the next day or sometimes in two days. | 0:15:37 | 0:15:40 | |
Later, as the markets developed more, | 0:15:40 | 0:15:42 | |
they started growing strawberries and peaches and raspberries - | 0:15:42 | 0:15:45 | |
all sorts of fruit in this area. | 0:15:45 | 0:15:47 | |
Now, I would have thought that strawberries, raspberries and so on... | 0:15:49 | 0:15:53 | |
..need to be kept very fresh, don't they, on the journey? | 0:15:54 | 0:15:57 | |
That was the big problem when they first started - | 0:15:57 | 0:15:59 | |
they would try to ship strawberries directly from the fields | 0:15:59 | 0:16:02 | |
and that did not work for strawberries. | 0:16:02 | 0:16:04 | |
And then in 1866, at Cobden, about 70 miles south of here, | 0:16:04 | 0:16:09 | |
a man by the name of Parker Earle developed a system. | 0:16:09 | 0:16:12 | |
He built boxes that would hold 100lb of ice | 0:16:12 | 0:16:15 | |
and 200 quarts of strawberries. | 0:16:15 | 0:16:18 | |
Just a year after Parker Earle's pioneering ice chests, | 0:16:21 | 0:16:26 | |
the first refrigerated rail car was patented. | 0:16:26 | 0:16:29 | |
Known as reefers, by the 1880s, | 0:16:30 | 0:16:33 | |
these cars were supplying much-needed variety | 0:16:33 | 0:16:36 | |
to the monotonous diet of pioneers and industrial workers. | 0:16:36 | 0:16:39 | |
This orchard belongs to the Schwartz family, | 0:16:44 | 0:16:46 | |
who have been cultivating a variety of fruits here since the 1950s. | 0:16:46 | 0:16:51 | |
-I'm Michael. -Michael. Tom. -And what are you doing in that pot? | 0:16:54 | 0:16:58 | |
I'm making apple butter. | 0:16:58 | 0:17:00 | |
And you call it apple butter because you would spread it on bread? | 0:17:00 | 0:17:03 | |
You'd spread it on bread. It's apples that's been cooked down. | 0:17:03 | 0:17:06 | |
You can cook as long as eight or nine hours. | 0:17:06 | 0:17:08 | |
Is it very traditional, Tom? | 0:17:08 | 0:17:09 | |
Yes. Very. | 0:17:09 | 0:17:11 | |
But do you think it goes back to the days of Abraham Lincoln, | 0:17:11 | 0:17:13 | |
-all the way back there, do you think? -I'm sure that's why he looked so good. | 0:17:13 | 0:17:17 | |
See, all this fruit makes you young and good-looking, Michael. | 0:17:17 | 0:17:19 | |
MICHAEL CHUCKLES Mm, wow! | 0:17:19 | 0:17:22 | |
-Look at that! -Nice and thick. | 0:17:22 | 0:17:26 | |
-Cooked down just right. -Mm! | 0:17:26 | 0:17:29 | |
Oh, it's fabulous. And it's really nice when it's still warm, isn't it? | 0:17:29 | 0:17:32 | |
-Oh, it's still warm. Oh, yeah. -Mm! | 0:17:32 | 0:17:35 | |
This farm is a family affair. | 0:17:36 | 0:17:38 | |
On the production line, Tom's brother takes charge of packing. | 0:17:38 | 0:17:42 | |
But he welcomes an extra pair of hands, | 0:17:44 | 0:17:46 | |
and it's a pleasure to help out. | 0:17:46 | 0:17:48 | |
How long have you been pouring apple butter? | 0:17:50 | 0:17:53 | |
-50 years. -And so this is typical, is it? | 0:17:53 | 0:17:55 | |
-You get the family together like this? -Oh, yeah. | 0:17:55 | 0:17:58 | |
Nobody else'll put up with us. | 0:17:59 | 0:18:01 | |
There we go, sir. | 0:18:03 | 0:18:04 | |
You're getting better. I tell you what - | 0:18:08 | 0:18:10 | |
he's on probation but I guess he'll work out. | 0:18:10 | 0:18:12 | |
You're hired! | 0:18:13 | 0:18:14 | |
Along with this region's fine fruit, | 0:18:20 | 0:18:22 | |
Appleton's suggests a visit downtown | 0:18:22 | 0:18:25 | |
for something more substantial | 0:18:25 | 0:18:26 | |
at the Centralia House restaurant, | 0:18:26 | 0:18:29 | |
which opened in 1854. | 0:18:29 | 0:18:31 | |
We have your table right here. | 0:18:34 | 0:18:36 | |
-Thank you very much. -Thank you. | 0:18:36 | 0:18:38 | |
That's great! | 0:18:39 | 0:18:41 | |
I'm going to have the shrimp cocktail, please. | 0:18:41 | 0:18:43 | |
-Sounds great, we'll be right back with that. -Thank you. -Thank you. | 0:18:43 | 0:18:46 | |
Before the days of rail dining cars, | 0:18:47 | 0:18:50 | |
this was apparently a popular stopping-off point for passengers. | 0:18:50 | 0:18:54 | |
Waiters would meet each train as it arrived | 0:18:54 | 0:18:56 | |
and announce a list of the day's meals. | 0:18:56 | 0:18:59 | |
-Ah! -Here we are, sir. | 0:18:59 | 0:19:01 | |
-Oh! Beautifully presented. Thank you very much. -Thank you. | 0:19:01 | 0:19:05 | |
There's something a little retro about train travel | 0:19:05 | 0:19:07 | |
in the United States, and about this restaurant, | 0:19:07 | 0:19:11 | |
and about prawn cocktail. | 0:19:11 | 0:19:13 | |
As night draws in, I'm returning to the railroad station | 0:19:22 | 0:19:25 | |
to board the last train of the day. | 0:19:25 | 0:19:28 | |
My next stop will be the appropriately named Carbondale. | 0:19:47 | 0:19:51 | |
Appleton's says that the principal business of the area is coal mining, | 0:19:51 | 0:19:56 | |
about a dozen companies being in active operation. | 0:19:56 | 0:20:00 | |
Coal was needed by the steel mills, | 0:20:00 | 0:20:03 | |
by the factories of Chicago and by the railroads. | 0:20:03 | 0:20:06 | |
All right, ladies and gentlemen, the next and final station stop | 0:20:08 | 0:20:11 | |
will be Carbondale. | 0:20:11 | 0:20:13 | |
Early morning. I'm making my way to explore the commodity that was | 0:20:42 | 0:20:47 | |
essential to America's railroads. | 0:20:47 | 0:20:49 | |
-Hello, Rosemary. -Hello, how are you? | 0:20:52 | 0:20:54 | |
-Good to see you. -Good to see you. | 0:20:54 | 0:20:56 | |
-Where are we headed? -We are headed to the mine. | 0:20:56 | 0:20:58 | |
Rosemary Feurer is a professor of history | 0:21:00 | 0:21:03 | |
at Northern Illinois University. | 0:21:03 | 0:21:05 | |
Rosemary, here we are in this tremendous opencast mine | 0:21:09 | 0:21:13 | |
here in southern Illinois. When did they first mine coal in this state? | 0:21:13 | 0:21:18 | |
The first coal mines were in the 1830s but, really, | 0:21:18 | 0:21:21 | |
it starts getting its traction with the railroads. | 0:21:21 | 0:21:24 | |
The railroads needed coal for steam | 0:21:24 | 0:21:26 | |
and they needed to use it for transportation, | 0:21:26 | 0:21:29 | |
but then industrialisation was highly dependent on coal. | 0:21:29 | 0:21:32 | |
The 19th-century American coal industry | 0:21:34 | 0:21:36 | |
relied heavily on immigrant labour. | 0:21:36 | 0:21:40 | |
British miners were highly prized for their experience | 0:21:40 | 0:21:43 | |
of dangerous deep-shaft mining. | 0:21:43 | 0:21:45 | |
This skilled workforce that was needed - was it well paid? | 0:21:47 | 0:21:50 | |
At first, yes. But, over time, | 0:21:50 | 0:21:51 | |
employers kept bringing in more and more immigrants | 0:21:51 | 0:21:54 | |
and they kept mechanising. | 0:21:54 | 0:21:56 | |
By the 1880s, coal had overtaken wood | 0:21:58 | 0:22:01 | |
to become the country's largest source of energy. | 0:22:01 | 0:22:04 | |
But by then, coal miners' wages had fallen. | 0:22:04 | 0:22:07 | |
Miners battled against their employers | 0:22:07 | 0:22:10 | |
for better pay and conditions. | 0:22:10 | 0:22:12 | |
The British workers brought traditions of unionism | 0:22:15 | 0:22:18 | |
to the state of Illinois. | 0:22:18 | 0:22:19 | |
They formed the first miners' union in the country in the 1860s. | 0:22:19 | 0:22:23 | |
The conflicts came because this was a very anti-union culture, | 0:22:23 | 0:22:28 | |
as far as the mine owners were concerned. | 0:22:28 | 0:22:31 | |
So where did that all lead? | 0:22:31 | 0:22:33 | |
There were a series of very bloody struggles, | 0:22:33 | 0:22:36 | |
in which dozens of workers were killed in the state of Illinois, | 0:22:36 | 0:22:40 | |
and it's because that's what it took to form a union in this state. | 0:22:40 | 0:22:43 | |
From the 1890s to the 1920s, | 0:22:43 | 0:22:46 | |
all of Illinois became unionised | 0:22:46 | 0:22:48 | |
and that meant that they could govern what the wages were. | 0:22:48 | 0:22:51 | |
They could say eight hours or nothing. | 0:22:51 | 0:22:53 | |
So it was a real power for the unions. | 0:22:54 | 0:22:57 | |
Today, mechanisation has transformed the industry. | 0:23:04 | 0:23:08 | |
But coal is in the veins of the people of Illinois. | 0:23:09 | 0:23:12 | |
-Hello, Sue. -Hi, Michael. | 0:23:17 | 0:23:19 | |
-How are you? -Lovely to see you. | 0:23:19 | 0:23:21 | |
What a pleasure, what a privilege. | 0:23:21 | 0:23:22 | |
I've arranged to meet Sue in her family's cafe, | 0:23:22 | 0:23:26 | |
where they commemorate the community's mining heritage. | 0:23:26 | 0:23:30 | |
Sue, what is your connection with mining? | 0:23:33 | 0:23:36 | |
Both sides of my family - the Elwoods, | 0:23:37 | 0:23:42 | |
who came from Newcastle-on-Tyne, and the Littles, | 0:23:42 | 0:23:45 | |
who came from the Border area of Scotland and England - | 0:23:45 | 0:23:49 | |
came here, ended up working in the coal mine. | 0:23:49 | 0:23:52 | |
Who is this in this photograph? | 0:23:54 | 0:23:55 | |
This is my husband's father. | 0:23:55 | 0:23:59 | |
He's 14 years old. | 0:23:59 | 0:24:01 | |
They didn't go to school. | 0:24:01 | 0:24:03 | |
They worked. | 0:24:03 | 0:24:04 | |
Is your dad on this wall? | 0:24:04 | 0:24:06 | |
Back there. | 0:24:06 | 0:24:07 | |
That's Bud Little. | 0:24:08 | 0:24:10 | |
How did your dad feel about working underground, given the dangers? | 0:24:10 | 0:24:14 | |
My dad loved it. | 0:24:14 | 0:24:17 | |
And if you ever talk to a soldier who'd been in combat, | 0:24:17 | 0:24:21 | |
you'd get the same feeling. | 0:24:21 | 0:24:24 | |
It was, everybody was a group. | 0:24:24 | 0:24:27 | |
They helped each other. | 0:24:27 | 0:24:29 | |
They protected each other's back, they worked together. | 0:24:29 | 0:24:33 | |
My dad loved it. | 0:24:33 | 0:24:35 | |
Don't ask me why. | 0:24:37 | 0:24:38 | |
Have you ever been in a mine? | 0:24:38 | 0:24:41 | |
Yeah, there you go. | 0:24:41 | 0:24:42 | |
I have. I agree with you. | 0:24:42 | 0:24:44 | |
-I don't understand it. -I don't understand it but he loved it. | 0:24:44 | 0:24:47 | |
It's time to leave Illinois, | 0:24:53 | 0:24:55 | |
but the rails don't take me where I'm going, | 0:24:55 | 0:24:57 | |
so I've arranged a lift in a fine Corvette. | 0:24:57 | 0:25:00 | |
Hey, Jimmy. I'm Michael. Good to see you. | 0:25:02 | 0:25:05 | |
I'm heading over the Mississippi to the state of Kentucky, | 0:25:14 | 0:25:18 | |
which my Appleton's tells me had a crucial role | 0:25:18 | 0:25:21 | |
in the American Civil War. | 0:25:21 | 0:25:22 | |
So, what are the qualities of Kentucky, do you think? | 0:25:27 | 0:25:29 | |
Well, we have a lot of farming. | 0:25:30 | 0:25:32 | |
-Real small communities. -And what are the people like? | 0:25:32 | 0:25:35 | |
Oh, very nice. | 0:25:35 | 0:25:36 | |
All watch after one another. | 0:25:36 | 0:25:38 | |
A lot of respect. | 0:25:38 | 0:25:40 | |
The men still open the doors for the women. | 0:25:40 | 0:25:42 | |
-And the women don't object? -No. | 0:25:44 | 0:25:46 | |
-Safe journey. -You too. | 0:26:00 | 0:26:03 | |
Bye-bye. | 0:26:03 | 0:26:04 | |
It was starting in 1860 that Lincoln, the Rail-Splitter, | 0:26:11 | 0:26:15 | |
split the Union. | 0:26:15 | 0:26:17 | |
He opposed any territorial expansion of slavery. | 0:26:17 | 0:26:22 | |
And on his election as president, | 0:26:22 | 0:26:24 | |
a majority of slave-owning states broke from the Union | 0:26:24 | 0:26:27 | |
to form the Confederate States of America. | 0:26:27 | 0:26:29 | |
This quiet spot played a pivotal role | 0:26:31 | 0:26:35 | |
in the bloody conflict that followed. | 0:26:35 | 0:26:37 | |
"Columbus, Kentucky," says the book, | 0:26:38 | 0:26:41 | |
"is situated on the slope of a high bluff, | 0:26:41 | 0:26:43 | |
"commanding the Mississippi for about five miles. | 0:26:43 | 0:26:47 | |
"At the outbreak of the Civil War, | 0:26:47 | 0:26:48 | |
"it was strongly fortified by the Confederates, | 0:26:48 | 0:26:51 | |
"who regarded it as the northern key to the mouth of the Mississippi." | 0:26:51 | 0:26:56 | |
The river was the artery, the aorta of the South, | 0:26:56 | 0:27:00 | |
and the Union intended to convert it into a meandering rift that would | 0:27:00 | 0:27:05 | |
tear the Confederacy apart. | 0:27:05 | 0:27:07 | |
History professor Berry Craig has joined me | 0:27:20 | 0:27:23 | |
at this former Confederate fort | 0:27:23 | 0:27:25 | |
to chart the course of the Mississippi campaign. | 0:27:25 | 0:27:29 | |
Well, it's obvious from where we are, and the guidebook emphasises it, | 0:27:30 | 0:27:33 | |
that we're at a strategic point from the point of view of the river. | 0:27:33 | 0:27:36 | |
Did it have other strategic elements? | 0:27:36 | 0:27:38 | |
Oh, yes. A railroad came in here. | 0:27:38 | 0:27:41 | |
The Mobile and Ohio Railroad which, of course, would supply an army. | 0:27:41 | 0:27:45 | |
It's a very, very strategic place, that when the Confederates come in, | 0:27:45 | 0:27:49 | |
they heavily fortify this place with artillery. | 0:27:49 | 0:27:52 | |
Now, if you look down the river, | 0:27:52 | 0:27:54 | |
they first had long-range guns that could reach way down the river. | 0:27:54 | 0:27:58 | |
If you happened to come through those guns, | 0:27:58 | 0:28:01 | |
they had mid-range guns next. | 0:28:01 | 0:28:04 | |
If you didn't get this close to Columbus as we are here, | 0:28:04 | 0:28:07 | |
the short-range guns come in. It's a murderous field of fire. | 0:28:07 | 0:28:11 | |
General Ulysses S Grant on the Union side | 0:28:12 | 0:28:15 | |
knew that control of the Mississippi was critical. | 0:28:15 | 0:28:19 | |
A bold assault on impregnable Columbus | 0:28:19 | 0:28:22 | |
was his first test on the Civil War battlefield. | 0:28:22 | 0:28:26 | |
What is the Union strategy? | 0:28:26 | 0:28:28 | |
Grant comes on 7th November, 1861 to probe the Columbus outer defences | 0:28:28 | 0:28:34 | |
at Belmont, Missouri, which is just over there. | 0:28:34 | 0:28:37 | |
Well, at this point, the Confederates send reinforcements | 0:28:37 | 0:28:40 | |
across the river, Grant finds himself surrounded. | 0:28:40 | 0:28:43 | |
Now, Grant's troops think, "What's the logical thing to do? | 0:28:45 | 0:28:49 | |
"Surrender." Grant said, "Oh, no. | 0:28:49 | 0:28:51 | |
"We fought our way in, we'll fight our way out." | 0:28:51 | 0:28:53 | |
And he did. | 0:28:53 | 0:28:55 | |
Having battled back to safety, | 0:28:55 | 0:28:57 | |
Grant revised the Union strategy. | 0:28:57 | 0:28:59 | |
He encircled Columbus by conquering nearby forts, | 0:28:59 | 0:29:03 | |
until Confederate commanders were left so vulnerable | 0:29:03 | 0:29:06 | |
that they relinquished their prize stronghold. | 0:29:06 | 0:29:09 | |
The Union river campaign drove south and pushed northwards | 0:29:10 | 0:29:14 | |
from the Gulf of Mexico to seize New Orleans. | 0:29:14 | 0:29:17 | |
In the summer of 1863, the fall of Vicksburg, Mississippi | 0:29:18 | 0:29:22 | |
brought the mighty river under Union control | 0:29:22 | 0:29:25 | |
and split the Confederacy east and west in two. | 0:29:25 | 0:29:29 | |
What role does this play in the career of General Ulysses S Grant? | 0:29:30 | 0:29:34 | |
I think it very much illustrates the kind of commander he is. | 0:29:35 | 0:29:39 | |
Grant is a military commander who never made the same mistake twice. | 0:29:39 | 0:29:43 | |
He understood that war is total war. | 0:29:43 | 0:29:45 | |
You fight it to win or you don't get in. | 0:29:45 | 0:29:48 | |
Grant was made commander of all Union armies in 1864. | 0:29:48 | 0:29:52 | |
Five years later, he became the 18th President of the United States. | 0:29:53 | 0:29:58 | |
What do historians say of the significance of the battle here? | 0:29:59 | 0:30:04 | |
Some historians think that the North won the Civil War | 0:30:04 | 0:30:07 | |
right here in this part of the country. | 0:30:07 | 0:30:09 | |
It took four years and cost 600,000 lives, | 0:30:10 | 0:30:15 | |
but the eventual triumph of Union forces | 0:30:15 | 0:30:18 | |
ended the Confederate secession, and abolished slavery. | 0:30:18 | 0:30:23 | |
I'm nearing the end of a thousand-mile railroad journey. | 0:30:40 | 0:30:44 | |
It began on the mighty Mississippi | 0:30:44 | 0:30:46 | |
and that is where I will also make my final stop. | 0:30:46 | 0:30:50 | |
Great rivers bring fertility and prosperity all along their banks, | 0:30:53 | 0:30:58 | |
so it was with the Nile, in Ancient Egypt, | 0:30:58 | 0:31:01 | |
and its shimmering city of Memphis, | 0:31:01 | 0:31:04 | |
so with the Mississippi and its cotton fields. | 0:31:04 | 0:31:08 | |
In 1826, | 0:31:08 | 0:31:10 | |
a group of Tennessee entrepreneurs decided to name their river city | 0:31:10 | 0:31:14 | |
Memphis, too. | 0:31:14 | 0:31:16 | |
Appleton's tells me, | 0:31:16 | 0:31:18 | |
"It's the largest city on the river between St Louis and New Orleans." | 0:31:18 | 0:31:22 | |
Roughly translated, "Memphis" means "place of good abode", | 0:31:22 | 0:31:27 | |
or more roughly still, "Graceland". | 0:31:27 | 0:31:30 | |
HORN BLARES | 0:31:45 | 0:31:47 | |
Ladies and gentlemen, now arriving in Memphis. | 0:31:47 | 0:31:50 | |
Memphis, Tennessee. Memphis - now arriving. | 0:31:50 | 0:31:52 | |
Thank you very much. Bye-bye. | 0:32:04 | 0:32:06 | |
Memphis was a transport hub even before the arrival of the railroads | 0:32:23 | 0:32:28 | |
because of its strategic position on the Mississippi. | 0:32:28 | 0:32:31 | |
BOAT HORN BLARES | 0:32:33 | 0:32:35 | |
Then travellers would have caught their first glimpse of the city | 0:32:36 | 0:32:39 | |
from one of the hundreds of paddle steamers that plied the waters. | 0:32:39 | 0:32:43 | |
Appleton's remarks that, | 0:32:53 | 0:32:55 | |
"The prevailing character of the lower Mississippi is of solemn gloom. | 0:32:55 | 0:32:59 | |
"The dreary solitude, the trees with melancholy drapery of pendant moss, | 0:32:59 | 0:33:05 | |
"the vast volume of dark and turbid waters through the wilderness form | 0:33:05 | 0:33:09 | |
"the most dismal yet impressive landscape." | 0:33:09 | 0:33:13 | |
And indeed, Memphis has inherited a kind of shabby soulfulness, | 0:33:13 | 0:33:18 | |
which has been its making in modern times. | 0:33:18 | 0:33:22 | |
I've come here mainly to think about a man who looked back wistfully on | 0:33:22 | 0:33:26 | |
childhood days on the Mississippi. | 0:33:26 | 0:33:29 | |
19th-century writer Samuel Clemens, better known as Mark Twain, | 0:33:33 | 0:33:37 | |
cemented Mississippi life in American culture. | 0:33:37 | 0:33:41 | |
Historian Dr Charles Crawford | 0:33:41 | 0:33:43 | |
can tell me how the river shaped his life and work. | 0:33:43 | 0:33:47 | |
-Hello, Charles. -I'm glad to meet you, Michael. | 0:33:47 | 0:33:49 | |
Tell me about Mark Twain. Who was he? | 0:33:49 | 0:33:52 | |
Mark Twain was, in the opinion of many people, | 0:33:52 | 0:33:56 | |
the greatest American author who ever lived | 0:33:56 | 0:33:59 | |
because his novel, Huckleberry Finn, | 0:33:59 | 0:34:04 | |
about three boys on the river | 0:34:04 | 0:34:07 | |
is one of the great travel adventures | 0:34:07 | 0:34:11 | |
cos it is done with such simplicity. | 0:34:11 | 0:34:14 | |
It can be read by children. | 0:34:14 | 0:34:16 | |
But with more maturity, | 0:34:16 | 0:34:18 | |
you see he's commenting on the social aspects | 0:34:18 | 0:34:22 | |
and economic aspects of society at the time, | 0:34:22 | 0:34:26 | |
and he's doing it through the view of two young boys and one slave. | 0:34:26 | 0:34:33 | |
The Mississippi first captured Twain's imagination | 0:34:36 | 0:34:39 | |
during his childhood in Hannibal, Missouri, some 400 miles upriver. | 0:34:39 | 0:34:44 | |
Then as a young man he experienced the thrills and spills of life | 0:34:44 | 0:34:49 | |
as a Mississippi riverboat pilot. | 0:34:49 | 0:34:51 | |
How safe was it to travel on the steamboats? | 0:34:53 | 0:34:56 | |
It was extremely hazardous. | 0:34:56 | 0:34:58 | |
There was great danger of sinking from boiler explosions, from fire, | 0:34:58 | 0:35:05 | |
of boats running aground to simply sinking. | 0:35:05 | 0:35:08 | |
Steamboats had a short life expectancy. | 0:35:08 | 0:35:12 | |
Tell me what was the worst disaster | 0:35:12 | 0:35:14 | |
that befell a steamboat on the river? | 0:35:14 | 0:35:16 | |
The worst one occurred in 1865. | 0:35:16 | 0:35:19 | |
The captain of that boat was being paid per person, | 0:35:19 | 0:35:23 | |
so he admitted approximately perhaps 2,400 people to a boat | 0:35:23 | 0:35:27 | |
that should have been limited to 600. | 0:35:27 | 0:35:31 | |
During the night, several miles north of Memphis, it exploded | 0:35:31 | 0:35:35 | |
and the loss of life was between 1,500 and 2,000. | 0:35:35 | 0:35:41 | |
Mark Twain knew the risks all too well. | 0:35:41 | 0:35:44 | |
His brother also travelled on the Mississippi River | 0:35:45 | 0:35:49 | |
and, in 1858, | 0:35:49 | 0:35:52 | |
a steamboat explosion occurred near the city and his brother Henry | 0:35:52 | 0:35:56 | |
was seriously wounded, was brought to Memphis for treatment. | 0:35:56 | 0:36:02 | |
They were cared for by the people so much so that Mark Twain said after | 0:36:02 | 0:36:07 | |
his brother had died said, "God bless Memphis, | 0:36:07 | 0:36:11 | |
"there is no more noble city on the face of the Earth." | 0:36:11 | 0:36:14 | |
Late-19th-century United States citizens had to endure danger, | 0:36:22 | 0:36:26 | |
violence and disease. | 0:36:26 | 0:36:29 | |
The Civil War claimed hundreds of thousands of lives and fast-growing | 0:36:29 | 0:36:33 | |
crowded cities were the perfect breeding ground for epidemics. | 0:36:33 | 0:36:38 | |
In 1878, | 0:36:38 | 0:36:39 | |
Memphis was gripped by a pestilence that threatened its very existence. | 0:36:39 | 0:36:44 | |
This lovely spacious place is, according to Appleton's, | 0:36:56 | 0:37:00 | |
"The principal of the six cemeteries and is known as Elmwood." | 0:37:00 | 0:37:05 | |
It's the final resting place for 14 Confederate generals | 0:37:05 | 0:37:09 | |
and for many dead from steamboat disasters, | 0:37:09 | 0:37:13 | |
but lots of people buried here were not the victims of great events, | 0:37:13 | 0:37:18 | |
but of something extraordinarily tiny. | 0:37:18 | 0:37:21 | |
Executive director at Elmwood Kim McCollum | 0:37:46 | 0:37:49 | |
works to raise awareness of the cemetery's history. | 0:37:49 | 0:37:52 | |
So, Kim, why are the years just before my guide book was published | 0:37:57 | 0:38:01 | |
so memorable for Memphis? | 0:38:01 | 0:38:02 | |
Well, the 1870s brought a lot of turmoil to the city of Memphis | 0:38:03 | 0:38:08 | |
in the form of a mosquito, the Aedes aegypti mosquito. | 0:38:08 | 0:38:12 | |
She caused a lot of damage in the form of yellow fever. | 0:38:12 | 0:38:16 | |
Did people know that the mosquito was to blame? | 0:38:16 | 0:38:18 | |
No, no-one knew the mosquito was to blame. | 0:38:18 | 0:38:21 | |
In fact, many believed that it was what Americans called a miasma, | 0:38:21 | 0:38:26 | |
that was sort of a fog that floated over cities, | 0:38:26 | 0:38:30 | |
that carried a foul air and infected people. | 0:38:30 | 0:38:34 | |
17th-century slave ships first brought yellow fever | 0:38:34 | 0:38:38 | |
to the east coast of America. | 0:38:38 | 0:38:40 | |
The disease spread, | 0:38:40 | 0:38:42 | |
aided by the advent of steamboats and railroads. | 0:38:42 | 0:38:45 | |
In the 1800s, it reached Memphis' crowded streets. | 0:38:45 | 0:38:49 | |
Why was Memphis particularly badly hit, do you think? | 0:38:49 | 0:38:53 | |
Memphis was a very unclean city during the yellow fever epidemics. | 0:38:53 | 0:38:58 | |
There were no sewer systems and the Gayoso Bayou was located downtown, | 0:38:58 | 0:39:03 | |
which was a large body of water that was stagnant and so the mosquito | 0:39:03 | 0:39:09 | |
had a wonderful breeding ground in Memphis. | 0:39:09 | 0:39:12 | |
The city was struck by a series of yellow fever outbreaks, | 0:39:14 | 0:39:18 | |
each worse than the last. | 0:39:18 | 0:39:21 | |
So when a case was reported in 1878, panic set in. | 0:39:21 | 0:39:25 | |
In the year 1878, | 0:39:27 | 0:39:28 | |
the population of the city of Memphis was approximately 50,000, | 0:39:28 | 0:39:32 | |
so about 25,000 people chose to leave the city of Memphis | 0:39:32 | 0:39:35 | |
and they headed up the Mississippi River towards St Louis. | 0:39:35 | 0:39:39 | |
Most of those were Caucasian people who had the means to leave the city, | 0:39:39 | 0:39:44 | |
those who remained in the city were largely African-American. | 0:39:44 | 0:39:47 | |
We liken it to a modern-day Hurricane Katrina in its devastation. | 0:39:47 | 0:39:52 | |
So what was the impact on the 25,000 who remained? | 0:39:53 | 0:39:57 | |
Out of the 25,000 who remained in Memphis, | 0:39:57 | 0:40:01 | |
about 5,000 of those died from the yellow fever. | 0:40:01 | 0:40:06 | |
In the month of September of 1878, | 0:40:06 | 0:40:09 | |
about 200 people were dying per day in the city of Memphis | 0:40:09 | 0:40:12 | |
and about 50 of those people were brought to Elmwood for burial | 0:40:12 | 0:40:15 | |
and they were buried in trench-style graves in this piece of land | 0:40:15 | 0:40:20 | |
that we're standing on now, which is called No Man's Land. | 0:40:20 | 0:40:24 | |
The epidemic upended the social order in Memphis. | 0:40:27 | 0:40:31 | |
White flight made way for African-Americans to serve for | 0:40:31 | 0:40:34 | |
the first time as police officers, | 0:40:34 | 0:40:37 | |
while businessman Robert Reed Church, | 0:40:37 | 0:40:40 | |
whose mother was a slave, made a fortune snapping up property, | 0:40:40 | 0:40:44 | |
becoming reputedly the South's first black millionaire. | 0:40:44 | 0:40:47 | |
Nowadays the people of Memphis remember those who stayed behind | 0:40:49 | 0:40:53 | |
to serve the victims. | 0:40:53 | 0:40:55 | |
One unlikely hero was a brothel owner | 0:40:55 | 0:40:58 | |
who apparently still haunts the cemetery today, | 0:40:58 | 0:41:02 | |
keeping her story alive. | 0:41:02 | 0:41:04 | |
Well, Annie Cook, I presume! | 0:41:04 | 0:41:07 | |
-Good afternoon. -I'm Michael. | 0:41:07 | 0:41:09 | |
Annie, what sort of business have you been running here in Memphis? | 0:41:09 | 0:41:12 | |
I've been very successful in Memphis. | 0:41:12 | 0:41:14 | |
I started out as a housemaid, but there's not a lot of money in that, | 0:41:14 | 0:41:18 | |
so I knew what the sailors in a rough river town like Memphis needed | 0:41:18 | 0:41:23 | |
was something a little more exciting than a clean house. | 0:41:23 | 0:41:26 | |
How did 1878 begin? | 0:41:26 | 0:41:29 | |
Well, that terrible disease hit Memphis that was nicknamed "yellow fever" | 0:41:29 | 0:41:34 | |
because you turned as yellow as a banana. | 0:41:34 | 0:41:37 | |
It was burning you up from the inside out. | 0:41:37 | 0:41:41 | |
You bled from everywhere - | 0:41:41 | 0:41:43 | |
your ears, your eyes, your nose, your mouth. | 0:41:43 | 0:41:46 | |
Luckily, I mean, mercifully, you died within three or four days. | 0:41:46 | 0:41:50 | |
What did that do to your business? | 0:41:50 | 0:41:52 | |
Well, I turned my palatial mansion into a hospital. | 0:41:52 | 0:41:57 | |
-How did you do that? -Well, we just pushed back the furniture, | 0:41:57 | 0:42:00 | |
rolled up the carpets | 0:42:00 | 0:42:01 | |
and filled every room with cots | 0:42:01 | 0:42:03 | |
and they were full with the sick and the dying. | 0:42:03 | 0:42:07 | |
Well, Annie, thank you very much for all of your services to Memphis. | 0:42:07 | 0:42:11 | |
-Sure, thank y'all. -Bye-bye. -Bye. | 0:42:11 | 0:42:13 | |
Appleton's recommends the Peabody Hotel, | 0:42:31 | 0:42:34 | |
which first opened its doors in 1869. | 0:42:34 | 0:42:37 | |
It moved to this site in 1925 | 0:42:44 | 0:42:47 | |
and, soon after, a remarkable tradition was born. | 0:42:47 | 0:42:51 | |
Mr Duck Master, I assume? | 0:43:00 | 0:43:01 | |
Mr Portillo, great to have you with us. | 0:43:01 | 0:43:03 | |
Thank you, it's lovely to be here. What's going to happen? | 0:43:03 | 0:43:07 | |
Well, have you ever seen a duck march before? | 0:43:07 | 0:43:10 | |
-A duck march? No. -Well, that's all right. | 0:43:10 | 0:43:12 | |
Have you ridden on an elevator with ducks before? | 0:43:12 | 0:43:15 | |
-With ducks? No. -That's fine. | 0:43:15 | 0:43:17 | |
Have you ever seen a Royal Duck Palace? | 0:43:17 | 0:43:21 | |
-No. -That's all right. | 0:43:21 | 0:43:22 | |
The Peabody ducks, these guys right here, | 0:43:22 | 0:43:26 | |
they are a legend here in the city of Memphis and you, sir, | 0:43:26 | 0:43:29 | |
have been nominated to act as our honorary Duck Master. | 0:43:29 | 0:43:32 | |
Oh, that is a great honour. I'm humbled. | 0:43:32 | 0:43:36 | |
Ducks have been a feature here since 1933, | 0:43:36 | 0:43:40 | |
when an inebriated general manager | 0:43:40 | 0:43:42 | |
positioned some of them in the fountain of the hotel, | 0:43:42 | 0:43:46 | |
to the guests' delight. | 0:43:46 | 0:43:47 | |
Nowadays the daily duck march draws a crowd. | 0:43:47 | 0:43:51 | |
Here we go. All righty, ducks, | 0:43:51 | 0:43:53 | |
wait for it, wait for it. | 0:43:53 | 0:43:55 | |
Very good. I like what you're doing. | 0:43:55 | 0:43:57 | |
Excellent. Very good, very nice. | 0:43:57 | 0:43:59 | |
Very good, I think he's got it. | 0:43:59 | 0:44:01 | |
Duckies, hup, hup. | 0:44:01 | 0:44:05 | |
Very nice. Double back for you. | 0:44:05 | 0:44:09 | |
Very good waddle, duckies. | 0:44:09 | 0:44:12 | |
Look at you guys! Oh, excellent posing, ducks. | 0:44:12 | 0:44:15 | |
Very nice. Very good! | 0:44:15 | 0:44:18 | |
Great job! | 0:44:20 | 0:44:22 | |
The ducks are going to go running right past you | 0:44:27 | 0:44:29 | |
as soon as that door opens, just so you know, | 0:44:29 | 0:44:31 | |
if just stay still. There they go. | 0:44:31 | 0:44:34 | |
-Don't let them get away. -Oh, right! -We got work to do. | 0:44:34 | 0:44:37 | |
Beautiful day for a duck march. | 0:44:38 | 0:44:40 | |
I think this is the bizarrest thing I've ever been involved in! | 0:44:40 | 0:44:43 | |
You're doing great. Pardon me, ducks. | 0:44:43 | 0:44:45 | |
Pardon me. Thank you, good job. | 0:44:45 | 0:44:48 | |
-Hooray! -Great job, Duck Master! Thank you very much. | 0:44:48 | 0:44:51 | |
Wow! Duck Master, what an honour to serve with you. | 0:44:51 | 0:44:54 | |
It was a pleasure having you with us. Thank you so much. | 0:44:54 | 0:44:58 | |
Look at this palace that they're in, as well. | 0:44:58 | 0:45:00 | |
Not bad for ducks, right? | 0:45:00 | 0:45:01 | |
Well, I'm staying here slightly less time than they are | 0:45:01 | 0:45:04 | |
and I think my room is not quite as big. | 0:45:04 | 0:45:07 | |
Well, there's five of them! | 0:45:07 | 0:45:09 | |
Before I turn in, | 0:45:17 | 0:45:19 | |
I'm taking a stroll down the famous Beale Street | 0:45:19 | 0:45:22 | |
to soak up a little Memphis nightlife. | 0:45:22 | 0:45:25 | |
Around the time of my guidebook, | 0:45:25 | 0:45:27 | |
this was where African-Americans gathered. | 0:45:27 | 0:45:30 | |
I suppose Beale Street is what it is today because, about 150 years ago, | 0:45:32 | 0:45:36 | |
penniless black musicians came here | 0:45:36 | 0:45:39 | |
who would have faced immense prejudice, I dare say. | 0:45:39 | 0:45:43 | |
And now, look at this. | 0:45:43 | 0:45:44 | |
All the neon signs, all the tourism, and it's all down to those guys. | 0:45:44 | 0:45:49 | |
How the wheel of fortune, how the wheel of fashion, turns. | 0:45:49 | 0:45:55 | |
A new day and I've been invited to play with a big toy... | 0:46:09 | 0:46:13 | |
Hi! May I come aboard? | 0:46:13 | 0:46:16 | |
-Yes, sir. -Thank you very much. | 0:46:16 | 0:46:19 | |
..to get a feel of Memphis' modern rail story. | 0:46:19 | 0:46:22 | |
Appleton's tells me that Memphis has an immense railroad | 0:46:41 | 0:46:45 | |
and steamboat traffic. Of course, it was a hub, | 0:46:45 | 0:46:48 | |
having both the railroad and the Mississippi River, | 0:46:48 | 0:46:51 | |
but perhaps more surprising is that even today, | 0:46:51 | 0:46:54 | |
the big five railroads of North America all converge on Memphis. | 0:46:54 | 0:46:59 | |
Rail freight today is a 60 billion industry | 0:47:09 | 0:47:14 | |
and Memphis is America's third largest rail hub. | 0:47:14 | 0:47:17 | |
And where there are trains... | 0:47:22 | 0:47:25 | |
there are train spotters. | 0:47:25 | 0:47:26 | |
-Hello, gentlemen. -Hello! -My name is Michael | 0:47:32 | 0:47:35 | |
and you look like railway enthusiasts, is that right? | 0:47:35 | 0:47:37 | |
-Yeah. -Absolutely. -Very, very pleased to meet you. | 0:47:37 | 0:47:40 | |
Is Memphis a good place to see trains? | 0:47:40 | 0:47:43 | |
-ALL: Yes. -Yes, it is. -Why so? | 0:47:43 | 0:47:45 | |
Mainly because we're a crossroads. | 0:47:45 | 0:47:48 | |
Memphis has always been a crossroads for all the major railroads | 0:47:48 | 0:47:51 | |
going to the South, going east, going west, going back north. | 0:47:51 | 0:47:54 | |
We get a tremendous amount of rail activity here. | 0:47:54 | 0:47:57 | |
We've got two bridges across the Mississippi River | 0:47:57 | 0:48:00 | |
that gives a gateway to the West. | 0:48:00 | 0:48:02 | |
What do you like to see or what do you like to photograph? | 0:48:02 | 0:48:05 | |
Just freight trains coming through. | 0:48:05 | 0:48:07 | |
That's a Burlington Northern Santa Fe train going through now | 0:48:07 | 0:48:09 | |
and that's referred to as a double stack, | 0:48:09 | 0:48:12 | |
those are intermodal containers, | 0:48:12 | 0:48:15 | |
they can ride on either truck-trailer, | 0:48:15 | 0:48:18 | |
railroad car or ship. | 0:48:18 | 0:48:19 | |
Do you go and look at trains abroad? | 0:48:19 | 0:48:21 | |
I do. We were just there. | 0:48:21 | 0:48:22 | |
We started out in Prague and went down to Budapest, | 0:48:22 | 0:48:24 | |
and then we were over in France... | 0:48:24 | 0:48:26 | |
-When you say "we"...? -Me and my wife. | 0:48:26 | 0:48:29 | |
You mean your wife puts up with this? | 0:48:29 | 0:48:31 | |
Yes. Because she gets to go to Europe, | 0:48:31 | 0:48:34 | |
so I have to have train rides when I'm in Europe, | 0:48:34 | 0:48:37 | |
so it's a compromise. | 0:48:37 | 0:48:39 | |
Are there any lady railway enthusiasts? | 0:48:39 | 0:48:42 | |
-Very few. -Very few. | 0:48:42 | 0:48:45 | |
I wish there were. | 0:48:45 | 0:48:46 | |
Along with the railroads, | 0:48:50 | 0:48:52 | |
the city itself has a history as a cultural crossroads. | 0:48:52 | 0:48:55 | |
Since travelling black musicians first congregated on Beale Street, | 0:48:55 | 0:48:59 | |
Memphis has been a musical melting pot. | 0:48:59 | 0:49:02 | |
In the home of the blues, | 0:49:16 | 0:49:18 | |
I'm meeting Grammy-nominated musician Cedric Burnside. | 0:49:18 | 0:49:23 | |
Cedric, how did music begin in your life? | 0:49:33 | 0:49:37 | |
My big daddy was a big part of my music history. | 0:49:37 | 0:49:41 | |
RL Burnside. I grew up with him | 0:49:41 | 0:49:44 | |
because he grew up playing in the juke joints - | 0:49:44 | 0:49:47 | |
I kind of grew up, too. | 0:49:47 | 0:49:48 | |
That was the life we had, you know. | 0:49:48 | 0:49:51 | |
What are you saying with your music? | 0:49:51 | 0:49:52 | |
What is it you're communicating, do you think? | 0:49:52 | 0:49:56 | |
Slaves, you know, really started the blues. | 0:49:56 | 0:49:58 | |
They couldn't talk a whole lot, so they had to do code | 0:49:58 | 0:50:02 | |
and I kind of think blues is sort of that way still today. | 0:50:02 | 0:50:05 | |
People go through things, you know, | 0:50:05 | 0:50:08 | |
they talk about it through their blues. | 0:50:08 | 0:50:10 | |
It's the roots. | 0:50:10 | 0:50:12 | |
After the Civil War, | 0:50:12 | 0:50:13 | |
African-Americans made use of their new-found freedom and the growing | 0:50:13 | 0:50:17 | |
railroad network to travel, taking their music with them. | 0:50:17 | 0:50:21 | |
In 1912, the first commercially successful blues song | 0:50:21 | 0:50:25 | |
was published by WC Handy, | 0:50:25 | 0:50:27 | |
a Beale Street band leader, | 0:50:27 | 0:50:29 | |
inspired by a lone musician | 0:50:29 | 0:50:31 | |
whom he heard playing at a Mississippi rail station. | 0:50:31 | 0:50:34 | |
During the Great Depression, | 0:50:34 | 0:50:36 | |
blues men migrated north on the Illinois Central | 0:50:36 | 0:50:39 | |
and the electrified Chicago blues was born. | 0:50:39 | 0:50:42 | |
Cedric, there are different sorts of blues. | 0:50:42 | 0:50:45 | |
How would I distinguish between, I don't know, between Delta blues... | 0:50:45 | 0:50:49 | |
Chicago blues, hill country blues? | 0:50:49 | 0:50:51 | |
-Tell me about that. -Well, Delta blues, it's all bars, you know. | 0:50:51 | 0:50:55 | |
I like to think of hill country blues as film music. | 0:50:55 | 0:51:00 | |
It don't have any bars. | 0:51:00 | 0:51:02 | |
It's just a straight beat that goes on through. | 0:51:02 | 0:51:04 | |
You can't put hill country blues in front of somebody and say, "Play this," | 0:51:04 | 0:51:08 | |
because you can't write it, really. | 0:51:08 | 0:51:10 | |
This is a hill country song I'm about to play you | 0:51:10 | 0:51:12 | |
that my big daddy used to play all the time. | 0:51:12 | 0:51:15 | |
And it don't really have too many changes, | 0:51:15 | 0:51:18 | |
it just has a lot of finger picking and just a strong, hypnotic beat. | 0:51:18 | 0:51:25 | |
This is called Skinny Woman. | 0:51:25 | 0:51:27 | |
# Well, I don't want skinny woman | 0:51:45 | 0:51:50 | |
# Well, I don't want skinny woman | 0:51:50 | 0:51:54 | |
# Meat don't shake | 0:51:54 | 0:51:56 | |
# Meat don't shake... # | 0:51:56 | 0:51:58 | |
-Thank you, Cedric. -You're very welcome, man. Thank y'all. | 0:52:20 | 0:52:23 | |
In the mid-20th century, | 0:52:39 | 0:52:41 | |
the blues helped to give birth to a new style of music here in Memphis | 0:52:41 | 0:52:46 | |
and a local boy was its king. | 0:52:46 | 0:52:49 | |
I'm joining the 20 million people | 0:52:53 | 0:52:55 | |
who've made the rock and roll pilgrimage | 0:52:55 | 0:52:58 | |
to his home since it opened to the public in 1982. | 0:52:58 | 0:53:02 | |
My guide is Libby Perry. | 0:53:07 | 0:53:09 | |
-Hello, Libby, I'm Michael. -Hey, Michael, welcome to Graceland. | 0:53:11 | 0:53:14 | |
Thank you so much. It's really very exciting to be here. | 0:53:14 | 0:53:18 | |
In what sort of circumstances was Elvis born? | 0:53:18 | 0:53:21 | |
Elvis was born in Tupelo, Mississippi. | 0:53:21 | 0:53:23 | |
It's about an hour and a half south of Memphis. | 0:53:23 | 0:53:25 | |
He was born to a poor family, | 0:53:25 | 0:53:27 | |
they had a very small shack on the edge of a very poor historically | 0:53:27 | 0:53:32 | |
African-American neighbourhood. | 0:53:32 | 0:53:34 | |
Elvis moved to Memphis at the age of 13 | 0:53:34 | 0:53:37 | |
and absorbed its musical influences. | 0:53:37 | 0:53:40 | |
-Where was he going to hear his music? -Beale Street. | 0:53:40 | 0:53:42 | |
Everyone goes to Beale Street in Memphis to hear all sorts of music. | 0:53:42 | 0:53:46 | |
It was the same for Elvis when he was growing up. | 0:53:46 | 0:53:48 | |
And he really made a lot of connections at Stax and Sun Studio | 0:53:48 | 0:53:52 | |
with so many up-and-coming Memphis musicians | 0:53:52 | 0:53:54 | |
that would really help put Memphis on the map in terms of blues | 0:53:54 | 0:53:57 | |
and gospel and eventually rock and roll. | 0:53:57 | 0:53:59 | |
And does Elvis himself pick up the blues? | 0:53:59 | 0:54:02 | |
Yes, absolutely. | 0:54:02 | 0:54:03 | |
Big influences of Elvis in terms of blues are Big Mama Thornton, | 0:54:03 | 0:54:08 | |
who actually came out with Hound Dog and that famous song of Elvis' | 0:54:08 | 0:54:12 | |
is a cover of hers. | 0:54:12 | 0:54:13 | |
Otis Blackwell was an amazing blues writer | 0:54:13 | 0:54:16 | |
that Elvis loved to work with. | 0:54:16 | 0:54:18 | |
He wrote Don't Be Cruel and All Shook Up. | 0:54:18 | 0:54:20 | |
So, Graceland, I've never been here before, big moment, | 0:54:20 | 0:54:24 | |
but when does he acquire it? | 0:54:24 | 0:54:26 | |
Elvis bought Graceland when he was 22, | 0:54:26 | 0:54:29 | |
it's June 1957, | 0:54:29 | 0:54:31 | |
came with about 13 acres of land and he paid about 100,000 for it. | 0:54:31 | 0:54:35 | |
The poor boy from Mississippi had become | 0:54:37 | 0:54:40 | |
the first global rock and roll superstar, | 0:54:40 | 0:54:43 | |
thanks to his fusion of rhythm and blues, country and gospel. | 0:54:43 | 0:54:47 | |
He died aged just 42, | 0:54:49 | 0:54:51 | |
but it's as though he lives on at Graceland. | 0:54:51 | 0:54:55 | |
Well, it's a... | 0:54:59 | 0:55:01 | |
-a time capsule, isn't it? -That's right. | 0:55:01 | 0:55:03 | |
When Elvis passed away in 1977, | 0:55:05 | 0:55:07 | |
he was kind of in a very masculine '70s phase, | 0:55:07 | 0:55:10 | |
so most of what you see here that's white or blue | 0:55:10 | 0:55:13 | |
was actually red and black, lots of leather and fur. | 0:55:13 | 0:55:17 | |
So we kind of like to hedge the balance between | 0:55:17 | 0:55:19 | |
what it was like when he passed away | 0:55:19 | 0:55:21 | |
and what it was like the majority of the time that he lived here. | 0:55:21 | 0:55:24 | |
What was the difference that he made to music? | 0:55:24 | 0:55:26 | |
He is credited with a lot. | 0:55:26 | 0:55:28 | |
At Sun Studio, downtown, he and Sam Phillips, Johnny Cash, | 0:55:28 | 0:55:32 | |
Jerry Lee Lewis really blended together blues, gospel, country, R&B, | 0:55:32 | 0:55:37 | |
soul and created what we now know as the infancy of rock and roll. | 0:55:37 | 0:55:41 | |
And so many current pop culture and musical artists today | 0:55:41 | 0:55:44 | |
kind of attribute some of their success, | 0:55:44 | 0:55:46 | |
some of their musical stylings to the King of Rock 'n' Roll. | 0:55:46 | 0:55:49 | |
Despite his renown as a rebellious youth whose music and sensuality | 0:55:55 | 0:55:59 | |
divided generations and families, Elvis was devoted to his parents. | 0:55:59 | 0:56:05 | |
They lived with him off and on at Graceland and are buried beside him. | 0:56:05 | 0:56:10 | |
I've been thinking, | 0:56:38 | 0:56:40 | |
which figures most help you to understand American history? | 0:56:40 | 0:56:43 | |
Thomas Jefferson, "All men are created equal". | 0:56:43 | 0:56:45 | |
Abraham Lincoln, the abolition of slavery, | 0:56:45 | 0:56:48 | |
and Elvis Presley. | 0:56:48 | 0:56:50 | |
That's not far-fetched because, | 0:56:51 | 0:56:53 | |
from the second half of the 20th century onwards, | 0:56:53 | 0:56:55 | |
America, through its entertainment, has global, cultural domination | 0:56:55 | 0:57:01 | |
and Elvis is absolutely at the heart of that, | 0:57:01 | 0:57:04 | |
and the interesting thing is | 0:57:04 | 0:57:06 | |
that he draws his inspiration largely from black Americans. | 0:57:06 | 0:57:10 | |
Guided by my Appleton's, | 0:57:32 | 0:57:34 | |
my train journey from Minneapolis to Memphis has left two strong impressions, | 0:57:34 | 0:57:39 | |
that the Mississippi tells the story of America up to | 0:57:39 | 0:57:42 | |
the late-19th century. | 0:57:42 | 0:57:45 | |
Native Americans, fur traders, settlers, steamboats, | 0:57:45 | 0:57:50 | |
industry and the Civil War. | 0:57:50 | 0:57:53 | |
And that Chicago carries on the history of the United States, | 0:57:53 | 0:57:58 | |
sitting at the centre of a vast iron web, | 0:57:58 | 0:58:02 | |
spinning out new rail lines in every direction, | 0:58:02 | 0:58:05 | |
growing fat and tall on the profits, because by then access to a railroad | 0:58:05 | 0:58:11 | |
was more important than proximity to a river... | 0:58:11 | 0:58:15 | |
Even to this one, the father of the waters. | 0:58:15 | 0:58:19 |