Browse content similar to Chicago to Champaign, Illinois. Check below for episodes and series from the same categories and more!
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I have crossed the Atlantic | 0:00:02 | 0:00:04 | |
to ride the railroads of North America | 0:00:04 | 0:00:07 | |
with my reliable Appleton's Guide. | 0:00:07 | 0:00:09 | |
Published in the late 19th century, | 0:00:12 | 0:00:14 | |
my Appleton's General Guide To North America | 0:00:14 | 0:00:17 | |
will direct me to all that's novel... | 0:00:17 | 0:00:20 | |
beautiful... | 0:00:20 | 0:00:21 | |
memorable... | 0:00:21 | 0:00:23 | |
and striking... | 0:00:23 | 0:00:24 | |
in the United States. | 0:00:24 | 0:00:27 | |
As I journey across this vast continent, | 0:00:27 | 0:00:30 | |
I'll discover how pioneers and cowboys conquered the West... | 0:00:30 | 0:00:34 | |
..and how the railroads tied this nation together, | 0:00:35 | 0:00:39 | |
helping to create the global super state of today. | 0:00:39 | 0:00:43 | |
As I continue my rail journey across the Midwest, | 0:01:16 | 0:01:19 | |
I am still feeling the restless energy pumped out by Chicago. | 0:01:19 | 0:01:24 | |
There's much more to explore in this towering city, | 0:01:24 | 0:01:27 | |
reaching back to its origins. | 0:01:27 | 0:01:30 | |
How the waterways were adapted, and the railways attracted. | 0:01:30 | 0:01:34 | |
My railway journey tracks the birth of the industrial Midwest. | 0:01:39 | 0:01:43 | |
I began in Minneapolis - a 19th-century powerhouse. | 0:01:43 | 0:01:46 | |
Then headed south along the trade route of the Mississippi | 0:01:46 | 0:01:50 | |
to La Crosse, in rural Wisconsin. | 0:01:50 | 0:01:52 | |
Striking out east, I beached at Lake Michigan's Milwaukee, | 0:01:52 | 0:01:56 | |
then set a course for America's railroad capital, Chicago. | 0:01:56 | 0:02:01 | |
Next, I'll travel through fertile prairies in Illinois, | 0:02:01 | 0:02:04 | |
whose agriculture fuelled the cities, | 0:02:04 | 0:02:07 | |
en route to my final destination | 0:02:07 | 0:02:09 | |
in Memphis, home of the blues. | 0:02:09 | 0:02:12 | |
Today, I continue my tour of Chicago, the nation's rail hub. | 0:02:12 | 0:02:17 | |
I'll head downtown to the lavish Palmer House Hotel, | 0:02:17 | 0:02:21 | |
then track down a railroad pioneer in Pullman. | 0:02:21 | 0:02:25 | |
Next, I journey south through Illinois | 0:02:25 | 0:02:28 | |
to one of America's first suburban country clubs at Homewood. | 0:02:28 | 0:02:32 | |
Then on to the wonderfully-named Kankakee, | 0:02:32 | 0:02:36 | |
before finishing in Champaign with a heritage ride | 0:02:36 | 0:02:39 | |
at the Monticello Railway Museum. | 0:02:39 | 0:02:41 | |
'This time, I recreate the original brownie...' | 0:02:43 | 0:02:47 | |
That is wicked. Well done, Chef. | 0:02:47 | 0:02:50 | |
'..I discover the solution to the city's pollution...' | 0:02:50 | 0:02:53 | |
Imagine when you have 30,000 cubic feet per second | 0:02:54 | 0:02:57 | |
of sewage coming out into here. It will be beautiful. | 0:02:57 | 0:02:59 | |
MICHAEL LAUGHS A great image. | 0:02:59 | 0:03:02 | |
'..and get my hands on the hooter.' | 0:03:02 | 0:03:05 | |
People often talked about the smell of steam locomotives. | 0:03:05 | 0:03:08 | |
What about the sound of them? | 0:03:08 | 0:03:10 | |
TRAIN HORN TOOTS | 0:03:10 | 0:03:12 | |
Appleton's tells me that Chicago has, within 40 years, | 0:03:22 | 0:03:27 | |
grown from a small Indian trading station | 0:03:27 | 0:03:30 | |
to the position of metropolis | 0:03:30 | 0:03:32 | |
and the greatest railway centre on the continent. | 0:03:32 | 0:03:36 | |
In classical times, it was almost true that all roads lead to Rome. | 0:03:36 | 0:03:41 | |
And today it's almost true that all railroads lead to Chicago. | 0:03:41 | 0:03:47 | |
Chicago's first railroad arrived in 1848, | 0:03:57 | 0:04:01 | |
when the Galena And Chicago Union line was built | 0:04:01 | 0:04:04 | |
to serve Illinois' lead mines. | 0:04:04 | 0:04:07 | |
170 years later, | 0:04:15 | 0:04:17 | |
Chicago is the nerve centre of the USA's vast freight network, | 0:04:17 | 0:04:22 | |
handling roughly a third of the nation's total cargo. | 0:04:22 | 0:04:26 | |
Trains from all corners of the country converge here. | 0:04:28 | 0:04:32 | |
In huge rail yards, they are sorted and reconfigured, | 0:04:32 | 0:04:36 | |
ready for their onward journeys. | 0:04:36 | 0:04:39 | |
I'm marvelling at the Chicago Belt Railway's | 0:04:39 | 0:04:42 | |
five-and-a-half mile long facility. | 0:04:42 | 0:04:45 | |
Joe, what a pleasure and a privilege. | 0:04:47 | 0:04:49 | |
'Joe Szabo is a fifth-generation railroad professional.' | 0:04:49 | 0:04:53 | |
Joe, I'm so impressed by Chicago | 0:04:53 | 0:04:56 | |
as the hub of America, the crossroads of America. | 0:04:56 | 0:05:00 | |
How did it become so? | 0:05:00 | 0:05:01 | |
The railroad boom in Chicago really didn't begin until | 0:05:01 | 0:05:05 | |
the building of the River Bridge over the Mississippi River | 0:05:05 | 0:05:08 | |
at Rock Island. | 0:05:08 | 0:05:09 | |
Rock Island is a good, long distance west of Chicago, | 0:05:09 | 0:05:12 | |
why so significant? | 0:05:12 | 0:05:14 | |
This was the key point in crossing the Mississippi River, | 0:05:14 | 0:05:18 | |
and whoever crossed the Mississippi River was going to be the key city | 0:05:18 | 0:05:22 | |
in the development of the railroad network, | 0:05:22 | 0:05:25 | |
because this is where you were finally going to be able | 0:05:25 | 0:05:28 | |
to connect East Coast with West Coast. | 0:05:28 | 0:05:31 | |
And so this put Chicago at the centre | 0:05:31 | 0:05:33 | |
of the transcontinental railroad, | 0:05:33 | 0:05:35 | |
and the economy grew from there. | 0:05:35 | 0:05:37 | |
The Chicago and Rock Island Railroad opened in 1854, | 0:05:38 | 0:05:42 | |
but not everyone was delighted. | 0:05:42 | 0:05:45 | |
Mississippi steamboat owners saw the growth of long-distance rail | 0:05:45 | 0:05:49 | |
as a threat to their river traffic. | 0:05:49 | 0:05:52 | |
15 days after the Rock Island bridge opened, | 0:05:52 | 0:05:55 | |
a steamer crashed into it and the owner sued, | 0:05:55 | 0:05:58 | |
claiming that it posed an impediment to navigation. | 0:05:58 | 0:06:01 | |
A little-known Illinois lawyer, Abraham Lincoln, | 0:06:01 | 0:06:05 | |
successfully defended the railroad's legal right. | 0:06:05 | 0:06:09 | |
A milestone in his career, and a victory for Chicago's railroads. | 0:06:09 | 0:06:12 | |
Once the rail network began developing, | 0:06:14 | 0:06:17 | |
Chicago began to explode. | 0:06:17 | 0:06:19 | |
By 1890, they're the second largest city in the nation. | 0:06:19 | 0:06:23 | |
Chicago finds itself at the centre of a transcontinental rail network. | 0:06:24 | 0:06:29 | |
-What is the significance of that network? -It's absolutely critical, | 0:06:29 | 0:06:32 | |
because before the construction of the transcontinental railroad, | 0:06:32 | 0:06:36 | |
there was no national economy. | 0:06:36 | 0:06:38 | |
All you had was a series of small, local economies that | 0:06:38 | 0:06:43 | |
were no bigger than the distance a horse could walk in a day. | 0:06:43 | 0:06:46 | |
And it was the transcontinental railroad that tied | 0:06:47 | 0:06:50 | |
all those local economies together, | 0:06:50 | 0:06:52 | |
and for the first time, we have a national economy, | 0:06:52 | 0:06:55 | |
and Chicago was right at the centre of all this. | 0:06:55 | 0:06:58 | |
How important are the railroads for freight in the United States today? | 0:06:58 | 0:07:01 | |
It's critically important. | 0:07:01 | 0:07:02 | |
And by most measurements, rail is the most efficient, | 0:07:02 | 0:07:06 | |
safest way to move commodities. | 0:07:06 | 0:07:09 | |
Rail's a critical part of a multimodal network. | 0:07:09 | 0:07:13 | |
And so foreign goods are coming into the ports by ship. | 0:07:13 | 0:07:16 | |
They get transferred to rail, | 0:07:16 | 0:07:18 | |
get brought, you know, 1,000 miles inland, | 0:07:18 | 0:07:21 | |
and then, ultimately, distributed by truck. | 0:07:21 | 0:07:24 | |
How significant is this place, the Belt Railway Company of Chicago, | 0:07:24 | 0:07:29 | |
this enormous facility, to the USA? | 0:07:29 | 0:07:31 | |
So I call this the economy in motion. | 0:07:31 | 0:07:34 | |
On this site of 786 acres, | 0:07:38 | 0:07:42 | |
8,400 cars a day are sorted and assembled into new configurations | 0:07:42 | 0:07:47 | |
for transcontinental transit. | 0:07:47 | 0:07:50 | |
Using a technique that's barely changed | 0:07:50 | 0:07:53 | |
since the days of my Appleton's Guide. | 0:07:53 | 0:07:56 | |
At the heart of the operation is a 30 foot high double track hump, | 0:07:56 | 0:08:01 | |
or mound, controlled by a yard tower. | 0:08:01 | 0:08:04 | |
I'm standing above the place where individual cars are separated off, | 0:08:12 | 0:08:17 | |
and allowed to roll into their new formation by the force of gravity - | 0:08:17 | 0:08:22 | |
one of the most compelling sights I've ever seen on a railway. | 0:08:22 | 0:08:26 | |
-Hello, I'm Michael. -Nick. | 0:08:27 | 0:08:29 | |
-Nice to meet you. -It's a great operation you have here, Nick. | 0:08:29 | 0:08:32 | |
I've never seen anything like it. | 0:08:32 | 0:08:34 | |
These cars are descending by gravity. | 0:08:34 | 0:08:36 | |
How is their destination determined? | 0:08:36 | 0:08:38 | |
Well, each car has a code when it comes in, | 0:08:38 | 0:08:41 | |
and it determines where we're going to route it. | 0:08:41 | 0:08:43 | |
For example, all these cars in 37, we coded them as 740s, | 0:08:43 | 0:08:47 | |
so as this train comes out, | 0:08:47 | 0:08:49 | |
every car that is coded as a 740 will be humped into 37. | 0:08:49 | 0:08:51 | |
You call this process humping, right, because, I mean, | 0:08:51 | 0:08:54 | |
-literally, we're on a hump. -That's correct. | 0:08:54 | 0:08:57 | |
And I'm amazed how far they travel by gravity. | 0:08:57 | 0:08:59 | |
Is that just cos the gradient of the track is perfectly calculated? | 0:08:59 | 0:09:03 | |
That's correct. The track grade make the cars roll. | 0:09:03 | 0:09:06 | |
They usually leave here about four, four-and-a-half miles per hour. | 0:09:06 | 0:09:10 | |
This Chicago yard has been marshalling rail freight since 1902, | 0:09:13 | 0:09:18 | |
and helping to keep the US economy rolling. | 0:09:18 | 0:09:22 | |
We're talking here about materials and produce from all over America. | 0:09:25 | 0:09:30 | |
Yeah. We move our wheat, grain, | 0:09:30 | 0:09:32 | |
we move frozen vegetables, lumber, | 0:09:32 | 0:09:35 | |
flour, corn, petroleum oils. | 0:09:35 | 0:09:37 | |
We have trains coming in from both the east and the west. | 0:09:37 | 0:09:40 | |
We bring them all the way from Canada, | 0:09:40 | 0:09:42 | |
and we re-route them back all over the US. | 0:09:42 | 0:09:44 | |
Is there any facility in the United States that compares to this one? | 0:09:44 | 0:09:47 | |
No, no. We're the only facility with a two-way hump. | 0:09:47 | 0:09:50 | |
-Meaning you can bring them up to this little summit? -That's correct. | 0:09:50 | 0:09:53 | |
And then they can roll that way, or they can roll that way? | 0:09:53 | 0:09:55 | |
-That is correct. -It's brilliant. | 0:09:55 | 0:09:57 | |
-I mean, gravity is man's oldest friend, isn't it? -Yes, it is. | 0:09:57 | 0:10:01 | |
I'm swapping suburban Chicago railyards | 0:10:17 | 0:10:20 | |
for the urban "L". | 0:10:20 | 0:10:22 | |
The city has a superb skyline, an unmistakable silhouette. | 0:10:31 | 0:10:36 | |
And on the L, you feel like you're advancing towards Chicago. | 0:10:36 | 0:10:40 | |
The nucleus of Chicago's L | 0:10:44 | 0:10:46 | |
is a two-mile circuit of elevated track called The Loop. | 0:10:46 | 0:10:49 | |
Built between 1895 and 1897, | 0:10:51 | 0:10:53 | |
this short stretch is at the heart of the L web. | 0:10:53 | 0:10:57 | |
For the first time, workers and shoppers could travel seamlessly | 0:10:59 | 0:11:02 | |
by rail to the heart of downtown Chicago. | 0:11:02 | 0:11:06 | |
Following in their tracks, | 0:11:14 | 0:11:17 | |
I'm bound for a building described in my Appleton's Guide | 0:11:17 | 0:11:20 | |
as one of the most imposing in the city. | 0:11:20 | 0:11:23 | |
The lobby of the Palmer House Hotel is fantastic. | 0:11:34 | 0:11:40 | |
The painted ceiling with allegories of love and fantastic animals. | 0:11:40 | 0:11:45 | |
Everywhere, candelabra - | 0:11:45 | 0:11:47 | |
some borne aloft by semi-naked angels, | 0:11:47 | 0:11:49 | |
others by mythical lions. | 0:11:49 | 0:11:51 | |
The whole thing is just so over the top. | 0:11:51 | 0:11:55 | |
This is the longest continuously operating hotel in North America, | 0:11:56 | 0:12:01 | |
and Ken Price its official historian. | 0:12:01 | 0:12:04 | |
We are in a glorious room in a glorious hotel. | 0:12:04 | 0:12:07 | |
-Welcome, Michael. -Cheers. Thank you very much, indeed. | 0:12:07 | 0:12:10 | |
-What is the origin of the hotel? -Well, it goes back 145 years. | 0:12:10 | 0:12:14 | |
It started with a man by the name of Potter Palmer, | 0:12:14 | 0:12:16 | |
who was neither educated or privileged, | 0:12:16 | 0:12:18 | |
who came from a very small farm town in upstate New York. | 0:12:18 | 0:12:21 | |
Most of the young men his age were essentially going west to Colorado | 0:12:21 | 0:12:25 | |
and California, where the gold was. | 0:12:25 | 0:12:27 | |
He saw the middleness of this area, and he was right on the money. | 0:12:27 | 0:12:31 | |
And it made him incredibly successful. | 0:12:31 | 0:12:34 | |
Potter Palmer made his fortune in retail and property development. | 0:12:34 | 0:12:40 | |
The Palmer Hotel was his most lavish project, | 0:12:40 | 0:12:43 | |
built as an extravagant wedding gift for his wife, Bertha. | 0:12:43 | 0:12:47 | |
The two of them were two completely opposites | 0:12:48 | 0:12:51 | |
in terms of where they came from, and their backgrounds. | 0:12:51 | 0:12:54 | |
He was not educated, she had a college degree, | 0:12:54 | 0:12:57 | |
during the Civil War, | 0:12:57 | 0:12:59 | |
when a good education for a man was simply seventh-grade. | 0:12:59 | 0:13:02 | |
But days after opening, | 0:13:06 | 0:13:08 | |
the hotel was destroyed by Chicago's Great Fire of 1871. | 0:13:08 | 0:13:13 | |
Palmer rebuilt it in iron, brick and sandstone, | 0:13:14 | 0:13:17 | |
and relaunched it as the world's first fireproof hotel, | 0:13:17 | 0:13:21 | |
while Bertha stamped her taste on the interior. | 0:13:21 | 0:13:25 | |
The hotel looks the way it does because of | 0:13:27 | 0:13:30 | |
Bertha's great love of beauty. | 0:13:30 | 0:13:32 | |
She introduced a form of painting | 0:13:32 | 0:13:34 | |
that had never been seen before in this country. | 0:13:34 | 0:13:37 | |
She loved the entire impressionistic movement so much, | 0:13:37 | 0:13:41 | |
she travelled back and forth the Atlantic throughout her lifetime | 0:13:41 | 0:13:44 | |
and acquired the 220 Monets, Manets, | 0:13:44 | 0:13:47 | |
Degas, Pissarros, Renoirs, Cassatts, Cezannes. | 0:13:47 | 0:13:50 | |
When she died, | 0:13:50 | 0:13:52 | |
she bequeathed the vast majority of those to the city of Chicago, | 0:13:52 | 0:13:55 | |
which is why the city of Chicago has | 0:13:55 | 0:13:57 | |
the largest collection of French Impressionism outside of France. | 0:13:57 | 0:14:01 | |
Extraordinary. | 0:14:01 | 0:14:02 | |
In 1893, millions descended on Chicago | 0:14:04 | 0:14:07 | |
for the world's Columbian Exposition, | 0:14:07 | 0:14:10 | |
celebrating 400 years since Columbus landed on American soil. | 0:14:10 | 0:14:14 | |
Bertha Palmer wanted to provide lady visitors to the fair | 0:14:14 | 0:14:18 | |
with a delicious portable snack, | 0:14:18 | 0:14:21 | |
and the result made culinary history. | 0:14:21 | 0:14:24 | |
-Stephen, how lovely to see you. I'm Michael. -Good to see you, Michael. | 0:14:24 | 0:14:27 | |
-How are you? -Great to see you, indeed. | 0:14:27 | 0:14:29 | |
So I think Bertha Palmer caused the creation of the brownie here. | 0:14:29 | 0:14:32 | |
-Have you refined it? -This is the actual recipe that the pastry chef | 0:14:32 | 0:14:35 | |
back in 1893 produced for Bertha at the time. | 0:14:35 | 0:14:38 | |
What I have in this bowl here is I've actually melted the chocolate | 0:14:38 | 0:14:42 | |
and the butter, and I've placed it in here. | 0:14:42 | 0:14:44 | |
What we have to do now is we have to whip this up. | 0:14:44 | 0:14:46 | |
-If you could take care of that. -Under your supervision, sir. | 0:14:46 | 0:14:48 | |
Absolutely. It actually smells wonderful. | 0:14:48 | 0:14:51 | |
-It smells like a brownie already. -It smells brilliant. It's pretty good. | 0:14:51 | 0:14:54 | |
-Throw in our sugar. -That is an unbelievable amount of sugar. | 0:14:54 | 0:14:56 | |
-Keep going, keep going. -Yeah, all right. | 0:14:56 | 0:14:58 | |
Yeah, keep mixing. Right, right, right. | 0:14:58 | 0:15:00 | |
-Have you got them? -You're making me work quite hard here. | 0:15:00 | 0:15:03 | |
I don't think you eat many of these, do you, looking at you? | 0:15:03 | 0:15:05 | |
You know, I do actually eat quite a few. | 0:15:05 | 0:15:07 | |
-In fact, we make about 10,000 of these a week. -Oh, my goodness! | 0:15:07 | 0:15:10 | |
Brownies here at the Palmer House are pretty incredible. | 0:15:10 | 0:15:12 | |
I really like it. You're getting a work out. | 0:15:12 | 0:15:14 | |
You need to get the walnuts and put them on liberally, like this. | 0:15:14 | 0:15:17 | |
-Oh, right. -Pat them down lightly with your hand. | 0:15:17 | 0:15:19 | |
-Ready? -Little bit, yeah. -I'm a very happy bunny at the moment. | 0:15:19 | 0:15:23 | |
'30 minutes later and I can hardly contain myself.' | 0:15:23 | 0:15:27 | |
-Whoa, they look great. -Check that out. -Are they finished? | 0:15:27 | 0:15:30 | |
No, there's one more step we have to take, Michael. | 0:15:30 | 0:15:33 | |
We're going to brush them with some apricot glaze. | 0:15:33 | 0:15:36 | |
Was that happening in Bertha's day, too? | 0:15:36 | 0:15:38 | |
Yes, it was. Yes, it was part of the original recipe. | 0:15:38 | 0:15:40 | |
-Very inventive, weren't they? -They were. In fact, they were. | 0:15:40 | 0:15:43 | |
Absolute heaven. | 0:15:43 | 0:15:44 | |
That is wicked! | 0:15:48 | 0:15:49 | |
-Well done, Chef. Well done, Chef. -Nice job. Nice job, Michael. | 0:15:49 | 0:15:54 | |
I love it! | 0:15:54 | 0:15:55 | |
I'm sold, but what will today's guests | 0:15:57 | 0:16:00 | |
make of my authentic brownies? | 0:16:00 | 0:16:02 | |
Surprise! | 0:16:03 | 0:16:04 | |
Would you like a brownie? | 0:16:04 | 0:16:06 | |
I've been down in the dungeons of the hotel | 0:16:06 | 0:16:08 | |
making some brownies with the chef. | 0:16:08 | 0:16:10 | |
-They were invented in this hotel. -I heard that. -Yeah, you heard that? | 0:16:10 | 0:16:13 | |
-I'm not... -You don't look like a chef, so. -No, no. That's very true. | 0:16:15 | 0:16:18 | |
Those are some good brownies. | 0:16:18 | 0:16:20 | |
-It's pretty good. -It is pretty good. | 0:16:20 | 0:16:22 | |
Delicious. I'm glad I don't have a nut allergy. | 0:16:22 | 0:16:24 | |
Yeah, that's right. They're heavy on walnut. | 0:16:24 | 0:16:26 | |
Excellent. | 0:16:26 | 0:16:28 | |
-Very good. -Yeah? | 0:16:28 | 0:16:29 | |
-Do you make brownies yourselves? -Yeah, from a box! | 0:16:29 | 0:16:32 | |
THEY ALL LAUGH | 0:16:32 | 0:16:33 | |
-They won't be better than your mother's, I guess? -No. | 0:16:33 | 0:16:37 | |
Apparently, they're slimming. | 0:16:37 | 0:16:39 | |
-Amazing. -Yes, the best of all - zero calories. | 0:16:39 | 0:16:42 | |
-Enjoy Chicago. -Thank you very much. | 0:16:42 | 0:16:43 | |
And I hope you'll remember it not least for its brownies. | 0:16:43 | 0:16:46 | |
A new day, and the Windy City is rather more wet than blowy. | 0:17:08 | 0:17:13 | |
Many argue that Chicago's famous nickname | 0:17:18 | 0:17:21 | |
has nothing to do with the weather. | 0:17:21 | 0:17:23 | |
It teased the metropolis's boastful citizens, full of hot air. | 0:17:23 | 0:17:28 | |
But Chicagoans had reason to be proud. | 0:17:30 | 0:17:33 | |
Appleton's remarks that the site of the business portion of Chicago | 0:17:37 | 0:17:41 | |
is 14 foot above the lake. | 0:17:41 | 0:17:44 | |
It was originally much lower, | 0:17:44 | 0:17:46 | |
but has been built up by three to nine foot since 1856. | 0:17:46 | 0:17:51 | |
It's an inclined plane, rising towards the west, | 0:17:51 | 0:17:55 | |
to the height of 28 foot, | 0:17:55 | 0:17:57 | |
giving slow, but sufficient drainage. | 0:17:57 | 0:18:00 | |
Just imagine the challenge of draining the waste of a population | 0:18:00 | 0:18:04 | |
that was multiplying decade-by-decade. | 0:18:04 | 0:18:07 | |
Not to mention the volumes of rainwater! | 0:18:07 | 0:18:10 | |
In the shelter of the Loop's Clark Street Bridge, | 0:18:14 | 0:18:18 | |
author Libby Hill will tell me how Chicago | 0:18:18 | 0:18:21 | |
dragged itself out of the mud. | 0:18:21 | 0:18:23 | |
-Libby, hello. -Hello, Michael. It's so nice to meet you. | 0:18:23 | 0:18:26 | |
Welcome to Chicago. | 0:18:26 | 0:18:27 | |
Libby, it strikes me that Chicago did not begin with many natural | 0:18:27 | 0:18:30 | |
advantages. My guidebook tells me about the drainage problem | 0:18:30 | 0:18:34 | |
-that the city had. -Well, Chicago was built on a marsh, | 0:18:34 | 0:18:37 | |
and so when they finally hired a sewage director, | 0:18:37 | 0:18:42 | |
he decided that the best thing to do was to get the city up | 0:18:42 | 0:18:45 | |
out of the marsh, And so he raised the city. | 0:18:45 | 0:18:48 | |
It took 20 years. He put sewers underneath the sloping streets, | 0:18:48 | 0:18:52 | |
so that all these sewage would flow down to the Chicago River. | 0:18:52 | 0:18:56 | |
Work began on that ambitious project in 1856, | 0:18:58 | 0:19:02 | |
and soon the city was in turmoil | 0:19:02 | 0:19:04 | |
as the streets were raised to accommodate the new sewers. | 0:19:04 | 0:19:08 | |
It's hard to believe, if you were a citizen living here | 0:19:08 | 0:19:12 | |
you would have seen sidewalks that were different levels. | 0:19:12 | 0:19:16 | |
So the level might be like this, | 0:19:16 | 0:19:19 | |
and then, because they were working right here, | 0:19:19 | 0:19:21 | |
and then you'd be down here, and then you'd be up there. | 0:19:21 | 0:19:24 | |
First floors had been turned into basements | 0:19:24 | 0:19:27 | |
and the streets were running along what had been their second floor. | 0:19:27 | 0:19:30 | |
It must have been a very dramatic time, | 0:19:30 | 0:19:33 | |
but the city went on about its business. | 0:19:33 | 0:19:35 | |
Addressing this muddle and restoring Chicago's ground floors | 0:19:37 | 0:19:41 | |
to street level fell to engineer George Pullman, | 0:19:41 | 0:19:44 | |
later famous for his railroad sleeping cars. | 0:19:44 | 0:19:48 | |
He recruited hundreds of men manually to jack up buildings. | 0:19:48 | 0:19:52 | |
Even as people went about their business inside. | 0:19:52 | 0:19:55 | |
But despite this ingenuity, | 0:19:55 | 0:19:57 | |
Chicago's sewage troubles weren't finished. | 0:19:57 | 0:20:00 | |
Unfortunately, the Chicago River drains out into Lake Michigan, | 0:20:01 | 0:20:05 | |
and that's where they were getting their water supply from. | 0:20:05 | 0:20:08 | |
That must have given them an enormous public health problem. | 0:20:08 | 0:20:11 | |
Sometimes fish would come out of the faucets. | 0:20:11 | 0:20:14 | |
You could tell that the water wasn't really very clean. | 0:20:14 | 0:20:16 | |
People got sick from the drinking water. | 0:20:16 | 0:20:19 | |
And so everybody was complaining that the city fathers drank water | 0:20:19 | 0:20:23 | |
that they imported, | 0:20:23 | 0:20:26 | |
but that they, the ordinary people, | 0:20:26 | 0:20:29 | |
had to drink water from Lake Michigan. | 0:20:29 | 0:20:32 | |
The city fathers finally listened to all the pleas of the people, and | 0:20:32 | 0:20:37 | |
that's when they decided that they were going to reverse the river. | 0:20:37 | 0:20:40 | |
Reversing a river, I never heard of such a thing. | 0:20:42 | 0:20:45 | |
A huge bit of engineering. How was this done? | 0:20:45 | 0:20:47 | |
So what they did was to build this enormous canal, | 0:20:47 | 0:20:51 | |
but built on the idea of gravity, | 0:20:51 | 0:20:53 | |
would just pull the water westward if they just sloped the canal. | 0:20:53 | 0:20:58 | |
However, it's one thing to understand that principle, | 0:20:58 | 0:21:02 | |
it's another thing to accomplish it. | 0:21:02 | 0:21:04 | |
Chicago's 28 mile long sanitary and ship canal remains | 0:21:04 | 0:21:09 | |
one of the towering achievements of North American engineering. | 0:21:09 | 0:21:14 | |
38 million cubic yards of soil and rock were moved | 0:21:14 | 0:21:18 | |
in order to build it. | 0:21:18 | 0:21:20 | |
As well as diverting Chicago's sewage away from Lake Michigan, | 0:21:20 | 0:21:23 | |
the canal created a direct shipping channel | 0:21:23 | 0:21:26 | |
from the Great Lakes to the Mississippi. | 0:21:26 | 0:21:29 | |
-Was it a success for Chicago? -Yes, it was a huge economic success, | 0:21:30 | 0:21:35 | |
and a huge benefit to Chicago's health. | 0:21:35 | 0:21:38 | |
What happened downstream, people didn't like it. | 0:21:38 | 0:21:41 | |
St Louis was going to sue the state of Illinois | 0:21:41 | 0:21:44 | |
and the city of Chicago for reversing the river | 0:21:44 | 0:21:47 | |
and sending their sewage down to them. | 0:21:47 | 0:21:49 | |
However, word got out that they were going to do that | 0:21:49 | 0:21:52 | |
and so the canal was pretty much completed. | 0:21:52 | 0:21:54 | |
So they opened the dams that were holding back the lake water | 0:21:54 | 0:21:58 | |
and the river. They opened it surreptitiously one night, | 0:21:58 | 0:22:02 | |
and the water flowed towards St Louis, and that was it. | 0:22:02 | 0:22:06 | |
Following on from the impressive successes of 19th century engineers, | 0:22:14 | 0:22:19 | |
Chicago has continued to adapt to survive. | 0:22:19 | 0:22:23 | |
There's a modern civil engineering project | 0:22:29 | 0:22:31 | |
that rivals those of the 19th century. | 0:22:31 | 0:22:34 | |
If you take a village on a swamp, | 0:22:34 | 0:22:37 | |
and over decades you convert it into | 0:22:37 | 0:22:39 | |
a megalopolis of nine million people, | 0:22:39 | 0:22:42 | |
you're going to come across a big problem. | 0:22:42 | 0:22:45 | |
And that will need a big solution. | 0:22:45 | 0:22:48 | |
As big as this hole. | 0:22:48 | 0:22:49 | |
To understand what has been built here at the McCook Reservoir, | 0:22:53 | 0:22:57 | |
I'm heading deep underground. | 0:22:57 | 0:22:59 | |
-Thank you. -You're welcome. | 0:23:00 | 0:23:02 | |
This is one of the weirdest experiences I've ever had. | 0:23:04 | 0:23:06 | |
I've just being picked up by a crane. | 0:23:06 | 0:23:09 | |
And... Whoa! ..flown over an enormous hole. | 0:23:10 | 0:23:13 | |
And I'm going to be dropped down here like, like a sack of grain. | 0:23:16 | 0:23:20 | |
And it's a long way down. | 0:23:22 | 0:23:24 | |
'It's an exhilarating 300 foot descent into the tunnels | 0:23:25 | 0:23:30 | |
'that will eventually feed the new reservoir.' | 0:23:30 | 0:23:32 | |
Going down pretty fast. | 0:23:34 | 0:23:36 | |
So the shaft is closing in above me. | 0:23:36 | 0:23:38 | |
I can still see the sky, but it's getting smaller and smaller. | 0:23:38 | 0:23:41 | |
This is not like your average lift or elevator. | 0:23:41 | 0:23:45 | |
The Eagle has landed. | 0:23:46 | 0:23:48 | |
-Hello. -Welcome to the McCook Reservoir Main Tunnel. | 0:23:48 | 0:23:50 | |
-You're Kevin, aren't you? -I am. | 0:23:50 | 0:23:52 | |
Very good to see you indeed. | 0:23:52 | 0:23:53 | |
'My guide is managing civil engineer, Kevin Fitzpatrick.' | 0:23:53 | 0:23:58 | |
Kevin, we're entering here a huge diameter tunnel. | 0:23:58 | 0:24:01 | |
What is the total project about? | 0:24:01 | 0:24:03 | |
It's called the Deep Tunnel Project, or the Tunnel And Reservoir Plan. | 0:24:03 | 0:24:06 | |
We started it in 1972 to try to solve the pollution and flood | 0:24:06 | 0:24:10 | |
problems that have plagued Chicago for the last more than 50 years. | 0:24:10 | 0:24:13 | |
And what is the nature of that problem? | 0:24:13 | 0:24:15 | |
Well, the problem is Chicago, and several of the suburbs, | 0:24:15 | 0:24:18 | |
their sewers were built over 100 years ago, | 0:24:18 | 0:24:21 | |
and they're called combined sewers, | 0:24:21 | 0:24:23 | |
in which rainwater that hits the streets is combined | 0:24:23 | 0:24:26 | |
in the same sewer system as what's draining people's homes - | 0:24:26 | 0:24:30 | |
their sinks, their toilets. | 0:24:30 | 0:24:32 | |
So all that rainwater gets combined with the sewage, | 0:24:32 | 0:24:35 | |
and during a storm event, it can overwhelm the treatment plant, | 0:24:35 | 0:24:39 | |
and so it overflows into the waterways, | 0:24:39 | 0:24:42 | |
or it backs up into people's basements, in their own homes. | 0:24:42 | 0:24:45 | |
And so how is this the solution? | 0:24:45 | 0:24:47 | |
So, once this is complete, all that water will have a new place to go. | 0:24:47 | 0:24:52 | |
It will go out into the reservoir here, | 0:24:52 | 0:24:54 | |
and we'll be able to store it until after the storm has gone, | 0:24:54 | 0:24:57 | |
and our waste water treatment plant has a capacity to clean the water | 0:24:57 | 0:25:01 | |
before we put it back into the river. | 0:25:01 | 0:25:03 | |
So that's a charming image for me. | 0:25:03 | 0:25:05 | |
One day, this tunnel may be full of mildly diluted sewage. | 0:25:05 | 0:25:09 | |
Yes, it's been called the largest toilet in the world, sometimes! | 0:25:09 | 0:25:13 | |
Costing some 3.5 billion, | 0:25:14 | 0:25:16 | |
the system's capacity will be over 20 billion gallons | 0:25:16 | 0:25:21 | |
when complete in 2029. | 0:25:21 | 0:25:23 | |
109 miles of tunnels and two reservoirs | 0:25:27 | 0:25:30 | |
are already up and running, | 0:25:30 | 0:25:32 | |
and have reduced city flooding by half. | 0:25:32 | 0:25:34 | |
It's the largest project we've had in Chicago since | 0:25:35 | 0:25:38 | |
the reversal of the Chicago River over a century ago. | 0:25:38 | 0:25:40 | |
And is there a connection between this and the reversal a century ago? | 0:25:40 | 0:25:45 | |
They're completely connected. | 0:25:45 | 0:25:46 | |
When they solved the problem of the polluted water supply | 0:25:46 | 0:25:49 | |
in Lake Michigan by reversing the Chicago River, | 0:25:49 | 0:25:51 | |
they created another problem of a polluted waterway | 0:25:51 | 0:25:54 | |
heading downstream. Over the years | 0:25:54 | 0:25:57 | |
all the sewage and rainwater was diverted to that waterway, | 0:25:57 | 0:26:00 | |
causing pollution and decreasing the amount of biodiversity in the river. | 0:26:00 | 0:26:04 | |
So we're trying to clean up those waterways and capture | 0:26:04 | 0:26:07 | |
all that pollution here in the Deep Tunnel, and in the reservoir, | 0:26:07 | 0:26:09 | |
preventing it from polluting communities downstream. | 0:26:09 | 0:26:12 | |
So this project is really about restoring the waterways. | 0:26:12 | 0:26:15 | |
Are you going to live to see it finished? | 0:26:15 | 0:26:17 | |
-I sure hope so. They won't let me retire until it's done. -Ha! | 0:26:17 | 0:26:20 | |
Ah, it's just vast. | 0:26:20 | 0:26:23 | |
It's just enormous. | 0:26:23 | 0:26:25 | |
Imagine when you have 30,000 cubic feet per second | 0:26:25 | 0:26:28 | |
of sewage coming out into here. It'll be beautiful. | 0:26:28 | 0:26:30 | |
MICHAEL LAUGHS A great image. | 0:26:30 | 0:26:32 | |
The McCook Reservoir will give the Chicago system the capacity | 0:26:33 | 0:26:38 | |
to cope with an extra ten billion gallons of storm water and sewage. | 0:26:38 | 0:26:44 | |
I was stunned when I heard about what was done in the 19th century. | 0:26:44 | 0:26:47 | |
I mean, reversing the river. That is an extraordinary thing to do. | 0:26:47 | 0:26:50 | |
And now I see what you're doing today. | 0:26:50 | 0:26:52 | |
Which of the two do you think is the more remarkable achievement? | 0:26:52 | 0:26:55 | |
Wow, it's difficult to say. | 0:26:55 | 0:26:57 | |
They're both historic engineering feats. | 0:26:57 | 0:27:01 | |
Er, they're both generations apart. | 0:27:01 | 0:27:04 | |
Very difficult to compare. But I'm a little biased, | 0:27:04 | 0:27:07 | |
so I'm going to say this one's much more impressive. | 0:27:07 | 0:27:09 | |
And I'm going to say it takes a city like Chicago to think on this scale. | 0:27:09 | 0:27:13 | |
This morning, I'm heading to a residential suburb on Chicago's | 0:27:46 | 0:27:49 | |
south side on the trail of one of the railroad's most famous names. | 0:27:49 | 0:27:54 | |
George Pullman built this factory in 1880 to manufacture carriages | 0:27:57 | 0:28:02 | |
for his Pullman Palace Car Company. | 0:28:02 | 0:28:04 | |
In Appleton's day, they became a byword for luxury travel. | 0:28:04 | 0:28:09 | |
A piece of railway history. | 0:28:09 | 0:28:12 | |
And alas, there are derelict buildings like this that once | 0:28:12 | 0:28:15 | |
were a hive of activity over the world. | 0:28:15 | 0:28:19 | |
Because, for now at least, it seems that the golden age of the | 0:28:20 | 0:28:24 | |
American passenger railroad is behind us. | 0:28:24 | 0:28:27 | |
Alongside his factory, Pullman built for his workers the first | 0:28:34 | 0:28:38 | |
model industrial town in America and named it after himself. | 0:28:38 | 0:28:43 | |
By 1885, it was home to almost 9,000 people, | 0:28:43 | 0:28:47 | |
and this district is still known as Pullman. | 0:28:47 | 0:28:50 | |
I'm meeting architect Mike Shemansky to find out how it all began. | 0:28:52 | 0:28:56 | |
Mike, before I ask you about this very interesting town that | 0:28:58 | 0:29:01 | |
we're in, tell me about George Pullman. | 0:29:01 | 0:29:03 | |
George Pullman came to Chicago in the 1850s from upstate New York. | 0:29:03 | 0:29:07 | |
He was a very industrious young man. | 0:29:07 | 0:29:10 | |
He recognised at the time that the country was committed to | 0:29:10 | 0:29:13 | |
building a transcontinental railroad, | 0:29:13 | 0:29:15 | |
and was smart enough to say, | 0:29:15 | 0:29:17 | |
"Hey, people are going to be spending a week on a train," | 0:29:17 | 0:29:21 | |
and so he started to experiment with | 0:29:21 | 0:29:22 | |
converting coaches into sleeping cars, but recognised | 0:29:22 | 0:29:25 | |
that to really do it properly you had to build it from scratch. | 0:29:25 | 0:29:29 | |
And so he developed the Pioneer. It was like a little palace on wheels. | 0:29:29 | 0:29:34 | |
There were quarters for staff, there were dining rooms, kitchens. | 0:29:34 | 0:29:37 | |
When they came off the line here, they were fully equipped. | 0:29:37 | 0:29:40 | |
The new Pioneer was the height of sophistication, | 0:29:42 | 0:29:45 | |
aimed at those for whom only the best will do. | 0:29:45 | 0:29:48 | |
When Abraham Lincoln was assassinated in 1865, | 0:29:48 | 0:29:52 | |
his body was taken by train from Washington DC on | 0:29:52 | 0:29:56 | |
a tour of mid Western and Northern states | 0:29:56 | 0:29:59 | |
en route to his home in Springfield, Illinois. | 0:29:59 | 0:30:03 | |
George Pullman pulled off a stroke of genius. | 0:30:03 | 0:30:06 | |
He had the fortune, or misfortune, depending on the perspective, | 0:30:06 | 0:30:10 | |
to introduce the car in the funeral train of Abraham Lincoln, | 0:30:10 | 0:30:13 | |
which introduced it to the public, | 0:30:13 | 0:30:15 | |
so he got all this free publicity, and the railroads started to | 0:30:15 | 0:30:20 | |
recognise that there was public demand for this quality and luxury. | 0:30:20 | 0:30:25 | |
Pullman's company owned nearly 50 such cars on three | 0:30:26 | 0:30:30 | |
different railroads by 1867. | 0:30:30 | 0:30:33 | |
Former slaves were employed as | 0:30:33 | 0:30:35 | |
porters to serve the white clientele. | 0:30:35 | 0:30:38 | |
They were nicknamed George after Pullman himself, | 0:30:38 | 0:30:41 | |
and they worked long hours for low pay. | 0:30:41 | 0:30:45 | |
Pullman's porters would go on to form the first successful | 0:30:45 | 0:30:48 | |
all-black trade union, and by the early 1890s, | 0:30:48 | 0:30:51 | |
his workforce in Pullman had reached almost 6,000. | 0:30:51 | 0:30:55 | |
It was quite diverse and it included mechanics, | 0:30:55 | 0:30:59 | |
but it also included artisans and craftsmen, | 0:30:59 | 0:31:02 | |
so he recruited people from all over the world. | 0:31:02 | 0:31:04 | |
That led to the eventual idea of building the town, to have an | 0:31:04 | 0:31:09 | |
advantage over his competition. | 0:31:09 | 0:31:11 | |
Living accommodation in Pullman ranged from elegant detached | 0:31:12 | 0:31:16 | |
houses for executives, to modest two-bedroom apartments for workers. | 0:31:16 | 0:31:21 | |
It was a pedestrian scaled community. | 0:31:22 | 0:31:25 | |
Everything was within convenient walking distance from the shops, | 0:31:25 | 0:31:29 | |
your homes, the school for your children, parks for recreation. | 0:31:29 | 0:31:34 | |
Despite the care that Pullman took of his workers, nonetheless, | 0:31:34 | 0:31:37 | |
this place was the centre of a very major industrial dispute. | 0:31:37 | 0:31:40 | |
How did that come about? | 0:31:40 | 0:31:42 | |
It came about as a result of the worst recession the country | 0:31:42 | 0:31:46 | |
had experienced to date. | 0:31:46 | 0:31:48 | |
The demand for Pullman cars plummeted and it was | 0:31:48 | 0:31:51 | |
a very difficult time. | 0:31:51 | 0:31:52 | |
When you were building very expensive commodities such as | 0:31:52 | 0:31:56 | |
Palace cars or even freight cars, and there's no market, | 0:31:56 | 0:31:59 | |
you have to start laying people off. | 0:31:59 | 0:32:02 | |
And what they tried to do was keep the key workforce together, | 0:32:02 | 0:32:08 | |
the highly skilled craftsmen, | 0:32:08 | 0:32:10 | |
so that they could respond once the recession was over. | 0:32:10 | 0:32:13 | |
And in order to do that, they lowered the wages. | 0:32:13 | 0:32:17 | |
And unfortunately, they did not lower the rents. | 0:32:17 | 0:32:19 | |
Trouble broke out in Pullman in May, 1894, | 0:32:20 | 0:32:24 | |
when 3,000 employers began a strike over wage cuts. | 0:32:24 | 0:32:28 | |
The dispute escalated to involve a quarter of one million | 0:32:29 | 0:32:32 | |
workers in 27 states. | 0:32:32 | 0:32:35 | |
After three months, | 0:32:37 | 0:32:39 | |
President Grover Cleveland used troops to end the strike. | 0:32:39 | 0:32:42 | |
And so Pullman Cars has an important place in history, | 0:32:43 | 0:32:46 | |
obviously on the railways, for the construction of this town, | 0:32:46 | 0:32:50 | |
for being the centre of a major strike, and for the porters, | 0:32:50 | 0:32:55 | |
who were a prelude to the civil rights movement. | 0:32:55 | 0:32:58 | |
That's correct. | 0:32:58 | 0:32:59 | |
I'm sad to be saying goodbye to Chicago, | 0:33:09 | 0:33:13 | |
but I have a train to catch. | 0:33:13 | 0:33:14 | |
I've yet to visit homeward and Kankakee and Champaign, where | 0:33:21 | 0:33:26 | |
I'll finish with a heritage right at the Monticello Railway Museum. | 0:33:26 | 0:33:31 | |
-PA: -Cafe car is open and serving, and as always, | 0:33:40 | 0:33:42 | |
thank you for riding Amtrak. | 0:33:42 | 0:33:44 | |
TRAIN HOOTS | 0:33:46 | 0:33:49 | |
My next stop is Homeward, Illinois. | 0:33:49 | 0:33:51 | |
Appleton's tells me that the streets of the villages are regularly | 0:33:51 | 0:33:55 | |
laid out and planted with shade lined trees. | 0:33:55 | 0:33:59 | |
Chicago was grimy and polluted, but the well-off could buy fresh air, | 0:33:59 | 0:34:05 | |
and after a short train ride, swing by their country club, | 0:34:05 | 0:34:08 | |
even if it was a fair way off. | 0:34:08 | 0:34:10 | |
Homeward is a suburb of Chicago, | 0:34:26 | 0:34:28 | |
about 25 miles south-west of the loop. | 0:34:28 | 0:34:32 | |
The railroad transformed this rolling farmland into | 0:34:32 | 0:34:36 | |
a country getaway for wealthy Chicagoans, | 0:34:36 | 0:34:39 | |
and attracted its first country club for members only in 1899. | 0:34:39 | 0:34:43 | |
I'm curious to know more about its founding from club historian, | 0:34:44 | 0:34:48 | |
Greg Ohlendorf. | 0:34:48 | 0:34:49 | |
-Hello, Greg. -Michael, welcome to Flossmoor Country Club. | 0:34:49 | 0:34:52 | |
Thank you. Very, very beautiful. I'm so pleased to be here. | 0:34:52 | 0:34:55 | |
-Well, let's go out and have a look around. -Thank you very much. | 0:34:55 | 0:34:58 | |
Flossmoor retains its exclusivity today. | 0:34:59 | 0:35:03 | |
Joining would set me back about 13,000 dollars. | 0:35:03 | 0:35:06 | |
So when do we first get country clubs being formed in the Chicago area? | 0:35:08 | 0:35:12 | |
Basically the 1890s. | 0:35:12 | 0:35:14 | |
They spurred off of the rail that went north to Chicago Golf Club, | 0:35:14 | 0:35:17 | |
and then down south to clubs like Flossmoor. | 0:35:17 | 0:35:20 | |
If the railway had not come down to Homewood at the time, | 0:35:20 | 0:35:22 | |
this country club wouldn't be here. | 0:35:22 | 0:35:24 | |
Did the railroads ever invest directly in country clubs? | 0:35:24 | 0:35:27 | |
Matter of fact, they did. | 0:35:27 | 0:35:29 | |
In 1893, the Illinois Central Railroad | 0:35:29 | 0:35:31 | |
bought 160 acres of farmland out here, | 0:35:31 | 0:35:34 | |
so they had this piece of property and didn't know what to do | 0:35:34 | 0:35:36 | |
with it until a couple of our founding members came along, and asked them | 0:35:36 | 0:35:39 | |
to extend the rail line so that they could build a country club out here. | 0:35:39 | 0:35:44 | |
The Illinois Central Railroad built its first suburban commuter line | 0:35:44 | 0:35:49 | |
south of Chicago in 1856, to serve the new middle class of Hyde Park. | 0:35:49 | 0:35:53 | |
By the 1880s, | 0:35:55 | 0:35:57 | |
commuter lines struck out from the city in 15 different directions as | 0:35:57 | 0:36:01 | |
far as 40 miles, enabling well-paid professionals to commute, | 0:36:01 | 0:36:05 | |
or spend weekends away from the city. | 0:36:05 | 0:36:08 | |
Why were people, I imagine particularly men, so keen to escape Chicago? | 0:36:09 | 0:36:13 | |
The hustle and bustle of the city was probably in its time not much | 0:36:13 | 0:36:16 | |
different than it is today. | 0:36:16 | 0:36:17 | |
So I think just getting out to the country and the beginnings of | 0:36:17 | 0:36:20 | |
suburbanisation probably encouraged folks to leave the city at a time on | 0:36:20 | 0:36:25 | |
the weekend to play a little golf. | 0:36:25 | 0:36:26 | |
During the early 1880s, | 0:36:26 | 0:36:28 | |
well-heeled businessmen who enjoyed sporting clubs in the city began to | 0:36:28 | 0:36:32 | |
establish similar amenities in the country. | 0:36:32 | 0:36:35 | |
Golf, tennis, | 0:36:35 | 0:36:37 | |
shooting and horse riding, and formal clubhouses with lavish ballrooms | 0:36:37 | 0:36:41 | |
offered members an exclusive social life. | 0:36:41 | 0:36:43 | |
Greg, you're a businessman. | 0:36:45 | 0:36:47 | |
Do you think that from the earliest days businesspeople from Chicago | 0:36:47 | 0:36:49 | |
saw the advantage of getting together on the golf course? | 0:36:49 | 0:36:52 | |
I think business and golf probably were tied together from very early times. | 0:36:52 | 0:36:55 | |
One of our founders was a golfer and two were not, | 0:36:55 | 0:36:58 | |
but they still saw the advantage of | 0:36:58 | 0:36:59 | |
coming out and spending time together on the weekend. | 0:36:59 | 0:37:02 | |
And so the great wealth of the United States, | 0:37:02 | 0:37:04 | |
do you think it's partly due to the existence of its golf courses? | 0:37:04 | 0:37:07 | |
I'd like to believe that. | 0:37:07 | 0:37:08 | |
It probably has more to do with the existence of transportation and the | 0:37:08 | 0:37:11 | |
railways moving people about easily. | 0:37:11 | 0:37:13 | |
By 1900, there were over 1,000 country clubs across America. | 0:37:18 | 0:37:22 | |
We start with this big fella, do we? | 0:37:23 | 0:37:25 | |
-We're going to go with the long club first. -Aha. So... | 0:37:25 | 0:37:29 | |
Looking towards the target. | 0:37:31 | 0:37:33 | |
Can't even see the flag from here cos it's such a long hole. | 0:37:33 | 0:37:36 | |
Taking the club back... | 0:37:36 | 0:37:38 | |
Oops. | 0:37:38 | 0:37:39 | |
-What do you think, Greg? -It's a fair way. | 0:37:42 | 0:37:45 | |
It's not THE fairway. | 0:37:45 | 0:37:47 | |
I think I may have let you down on that one, Jerome. Sorry about that. | 0:37:54 | 0:37:57 | |
It's all right, we'll get through. | 0:37:57 | 0:37:58 | |
-We will, will we? -It's all about the next shot. | 0:37:58 | 0:38:00 | |
The next shot, think of that. The next shot. | 0:38:00 | 0:38:02 | |
In a bunker, but a politician has often been in tighter situations. | 0:38:06 | 0:38:10 | |
I'll show you how much I know about golf. This is called the 19th hole. | 0:38:20 | 0:38:23 | |
It is, and this is the best part, Michael. | 0:38:23 | 0:38:24 | |
And this one, I think I will be able to sink. | 0:38:24 | 0:38:27 | |
-Yes. -Cheers. -Cheers to you as well. | 0:38:27 | 0:38:29 | |
I'm leaving behind country pursuits | 0:38:37 | 0:38:40 | |
to return to the railroad that by 1882 stretched over 900 miles, | 0:38:40 | 0:38:45 | |
from Chicago to New Orleans. | 0:38:45 | 0:38:47 | |
TRAIN HORN BLARES | 0:38:57 | 0:38:59 | |
I'm headed for Kankakee. | 0:39:01 | 0:39:02 | |
Appleton's tells me it's upon the river of the same name, | 0:39:02 | 0:39:05 | |
a tributary of the Illinois. | 0:39:05 | 0:39:08 | |
When the railroad was begun, | 0:39:08 | 0:39:10 | |
a forest stood upon the site of this now important town. | 0:39:10 | 0:39:14 | |
In the words of the song, "Architects may come and architects may go." | 0:39:14 | 0:39:19 | |
I wonder if any had designs on Kankakee? | 0:39:19 | 0:39:22 | |
Bye-bye. | 0:39:31 | 0:39:32 | |
The Illinois Central Railroad reached the single cabin | 0:39:38 | 0:39:42 | |
which was Kankakee in 1853, | 0:39:42 | 0:39:44 | |
and ordered that a town be developed on this bend of the river. | 0:39:44 | 0:39:48 | |
Using the train, farmers could send crops to Chicago, 56 miles away, in | 0:39:50 | 0:39:54 | |
three hours instead of six days, and the new settlement prospered. | 0:39:54 | 0:39:59 | |
-Hello, Larry. -Good afternoon. | 0:39:59 | 0:40:01 | |
-Welcome. -I'm Michael. | 0:40:01 | 0:40:02 | |
-Nice to meet you, Michael, you're welcome to step in. -Thank you. | 0:40:02 | 0:40:05 | |
It's a lovely stretch of river, isn't it? | 0:40:08 | 0:40:10 | |
It is. Very peaceful out here, especially today, very nice and calm. | 0:40:10 | 0:40:15 | |
Lots of lovely properties along here. | 0:40:15 | 0:40:17 | |
There is. Riverview Historic District, so a lot of neat homes from prior years. | 0:40:17 | 0:40:22 | |
60 miles from Chicago, and it couldn't be more peaceful. | 0:40:22 | 0:40:25 | |
As a lover of architecture, | 0:40:28 | 0:40:29 | |
I'm excited to be visiting Frank Lloyd Wright's ground-breaking | 0:40:29 | 0:40:34 | |
B Harley Bradley House, | 0:40:34 | 0:40:36 | |
a building that revolutionised American design in the 20th century. | 0:40:36 | 0:40:40 | |
Another architect, Gaines Hall, and his wife Sharon, | 0:40:40 | 0:40:43 | |
own the property today. | 0:40:43 | 0:40:45 | |
-Hello, Gaines. -Hi Michael, nice to see you. | 0:40:45 | 0:40:47 | |
A great pleasure indeed. | 0:40:47 | 0:40:49 | |
Gaines, a Frank Lloyd Wright house. | 0:40:49 | 0:40:51 | |
I'm seeing a fairly low-sitting property, subdued colours, | 0:40:51 | 0:40:54 | |
very strong horizontal lines, an emphasis on the roof. | 0:40:54 | 0:40:57 | |
That's what came to be known as the Prairie Style. | 0:40:57 | 0:40:59 | |
He was trying to emphasise the horizontality of the prairie. | 0:40:59 | 0:41:03 | |
This particular house became the one that has been associated with the | 0:41:03 | 0:41:07 | |
beginning of the Prairie Design. | 0:41:07 | 0:41:09 | |
One architect told me, he said, | 0:41:09 | 0:41:11 | |
"This is the house that changed the face of American architecture." | 0:41:11 | 0:41:14 | |
It left behind old European influences, | 0:41:14 | 0:41:17 | |
you see nothing of Corinthian or Greek revival, or Roman. | 0:41:17 | 0:41:22 | |
It left all that behind. | 0:41:22 | 0:41:23 | |
It's truly American. | 0:41:23 | 0:41:24 | |
And you think he was deliberately seeking a | 0:41:24 | 0:41:27 | |
non-European, American style? | 0:41:27 | 0:41:29 | |
I think he was looking for his expression of what he began to call | 0:41:29 | 0:41:33 | |
the Organic Style, associating with nature, | 0:41:33 | 0:41:36 | |
and nature on the prairie was relatively flat. | 0:41:36 | 0:41:38 | |
The gable ends actually kick up, if you will. | 0:41:38 | 0:41:41 | |
And that's because Wright had a real fascination with Japanese architecture. | 0:41:41 | 0:41:45 | |
And that's about the only influence we can see from | 0:41:45 | 0:41:48 | |
somewhere outside the United States. | 0:41:48 | 0:41:50 | |
Frank Lloyd Wright was born in Wisconsin's broad, | 0:41:51 | 0:41:54 | |
flat prairie land in 1867. | 0:41:54 | 0:41:57 | |
He rejected the ornate European tradition, | 0:41:57 | 0:42:00 | |
and designed over 1,000 buildings in an Organic Style, | 0:42:00 | 0:42:04 | |
including Pennsylvania's Fallingwater in 1935, | 0:42:04 | 0:42:08 | |
and New York City's Guggenheim Museum, completed in 1959. | 0:42:08 | 0:42:13 | |
Now, you and your wife have played an important role in the house's | 0:42:14 | 0:42:17 | |
history. Tell me about that. | 0:42:17 | 0:42:19 | |
Well, we moved to Kankakee in 1998, | 0:42:19 | 0:42:22 | |
and we were asked if we'd ever seen the house, and we said no. | 0:42:22 | 0:42:25 | |
So we came and looked at the house. | 0:42:25 | 0:42:27 | |
And then, when the owners wanted to tear down the stable, | 0:42:27 | 0:42:30 | |
which had had no attention for 16 years, | 0:42:30 | 0:42:32 | |
and it was in dilapidated condition, | 0:42:32 | 0:42:34 | |
we determined that it was something that was worth saving for Kankakee. | 0:42:34 | 0:42:39 | |
So we went through some negotiations, we sold our house, | 0:42:39 | 0:42:42 | |
bought this house, moved in with not a working bathroom, | 0:42:42 | 0:42:45 | |
and began to start the restoration. | 0:42:45 | 0:42:49 | |
-And may we take a look inside now? -You certainly may, let's go. -Good. | 0:42:49 | 0:42:52 | |
During the late 19th century, | 0:42:52 | 0:42:54 | |
many American architects looked to the past, | 0:42:54 | 0:42:56 | |
and European styles, for their inspiration. | 0:42:56 | 0:42:59 | |
They built elaborate, many-storeyed houses with turrets and porches, | 0:42:59 | 0:43:04 | |
or grand neoclassical mansions. | 0:43:04 | 0:43:07 | |
The contrast with the modern Prairie Style | 0:43:07 | 0:43:09 | |
of Frank Lloyd Wright was stark. | 0:43:09 | 0:43:11 | |
Hmm. | 0:43:12 | 0:43:15 | |
The interior is not what I would have guessed from the exterior. | 0:43:15 | 0:43:18 | |
Here we've got all these dark woods, quite simply carved. | 0:43:18 | 0:43:22 | |
It's almost more a celebration of the forest than it is of the prairie. | 0:43:22 | 0:43:26 | |
-Ah, you must be Sharon. -Hello. | 0:43:26 | 0:43:28 | |
-Hello. -Nice to meet you. | 0:43:29 | 0:43:30 | |
Congratulations to you on this amazing house. | 0:43:30 | 0:43:33 | |
Thank you. It's a nice home to live in. | 0:43:33 | 0:43:35 | |
It's laid out very nicely to entertain. | 0:43:35 | 0:43:38 | |
Does it have any quirks or details that captured your imagination? | 0:43:38 | 0:43:42 | |
I think one of the fascinating things to me, | 0:43:42 | 0:43:44 | |
is all of the wood in here is quarter-sawn oak. | 0:43:44 | 0:43:48 | |
It's the way the log is actually cut, and it gives a unique grain. | 0:43:48 | 0:43:52 | |
Very refined kind of a grain. | 0:43:52 | 0:43:54 | |
And so Frank Lloyd Wright was into designing the light fixtures, | 0:43:54 | 0:43:58 | |
the furniture, every detail of the house. | 0:43:58 | 0:44:00 | |
He was. He designed most of the furniture that was in the house. | 0:44:00 | 0:44:03 | |
Unfortunately, it was all sold off over the years. | 0:44:03 | 0:44:05 | |
Well, I first saw the house from the river, | 0:44:05 | 0:44:07 | |
can we now see the river from the house? | 0:44:07 | 0:44:09 | |
Absolutely. | 0:44:09 | 0:44:10 | |
Well, one is certainly very aware of the river. | 0:44:15 | 0:44:18 | |
It's absolutely a wonderful view, isn't it? | 0:44:18 | 0:44:20 | |
The house is very well-oriented. | 0:44:20 | 0:44:22 | |
The river is something that I think makes the house setting unique. | 0:44:22 | 0:44:26 | |
He just wanted to make sure that wherever his architecture was, | 0:44:26 | 0:44:30 | |
it blended with the surrounding, and it recognised nature. | 0:44:30 | 0:44:33 | |
You can see, standing here, that we're in the trees, | 0:44:33 | 0:44:36 | |
we're overseeing the river, | 0:44:36 | 0:44:38 | |
and you're practically outside at this point. | 0:44:38 | 0:44:40 | |
You've now confronted the man Frank Lloyd Wright. | 0:44:40 | 0:44:43 | |
He has a reputation of being | 0:44:43 | 0:44:45 | |
the greatest American architect of the 20th century. | 0:44:45 | 0:44:47 | |
Why do you think that is? | 0:44:47 | 0:44:49 | |
It's hard to say why, but I would agree that he probably is. | 0:44:49 | 0:44:54 | |
Wright had his own style, | 0:44:54 | 0:44:55 | |
he was wanting to create something new all of the time. | 0:44:55 | 0:44:59 | |
When people come to visit this house, | 0:44:59 | 0:45:01 | |
they're blown away by what it was in 1900, | 0:45:01 | 0:45:04 | |
when Victorian and other styles were still there. | 0:45:04 | 0:45:07 | |
This is the house that changed the face of American architecture. | 0:45:07 | 0:45:10 | |
So, Kankakee's legacy is impressive, | 0:45:14 | 0:45:16 | |
and I'm lucky to have had such a privileged tour. | 0:45:16 | 0:45:19 | |
I'm heading back to the station, where, hospitably, | 0:45:24 | 0:45:28 | |
the locals are throwing a party. | 0:45:28 | 0:45:30 | |
If you've ever heard of the town of Kankakee, | 0:45:33 | 0:45:35 | |
it could have been in a song. | 0:45:35 | 0:45:37 | |
You might have heard it sung by Johnny Cash, | 0:45:37 | 0:45:39 | |
or maybe by Arlo Guthrie, | 0:45:39 | 0:45:41 | |
and it celebrates a great train. | 0:45:41 | 0:45:44 | |
It's called The City of New Orleans. | 0:45:44 | 0:45:46 | |
It passes through the station in a few moments' time, | 0:45:46 | 0:45:49 | |
and there's a concert where they're going to sing the song! | 0:45:49 | 0:45:54 | |
APPLAUSE | 0:45:54 | 0:45:55 | |
# Riding on the City Of New Orleans | 0:45:58 | 0:46:03 | |
# Illinois Central... # | 0:46:03 | 0:46:06 | |
-How are you? -I'm good, how you? How was your trip? | 0:46:06 | 0:46:09 | |
-A very good trip so far, thank you very much. -Yeah? | 0:46:09 | 0:46:13 | |
# Fifteen cars and fifteen restless riders | 0:46:13 | 0:46:17 | |
# Three conductors and twenty-five sacks of grain | 0:46:19 | 0:46:23 | |
# All along the southbound odyssey | 0:46:26 | 0:46:29 | |
# The train pulls out at Kankakee | 0:46:29 | 0:46:32 | |
# And rolls along past houses, farms and fields | 0:46:34 | 0:46:38 | |
# Good morning, America, how are you? | 0:46:39 | 0:46:45 | |
# Say don't you know me I'm your native son | 0:46:46 | 0:46:51 | |
# I'm the train they call The City Of New Orleans | 0:46:53 | 0:46:58 | |
# And I'll be gone five hundred miles when the day is done | 0:46:59 | 0:47:05 | |
# Good morning, America, how are you? | 0:47:15 | 0:47:20 | |
# I said don't you know me I'm your native son | 0:47:22 | 0:47:27 | |
# I'm the train they call The City Of New Orleans | 0:47:29 | 0:47:34 | |
# And I'll be gone five hundred miles when they day is done. # | 0:47:36 | 0:47:42 | |
APPLAUSE | 0:47:42 | 0:47:43 | |
Thank you! | 0:47:43 | 0:47:46 | |
This morning I'm heading south towards Memphis, Tennessee. | 0:47:58 | 0:48:01 | |
This is an enormous privilege, | 0:48:10 | 0:48:13 | |
to be able to spend a moment or two in the cab of the Amtrak. | 0:48:13 | 0:48:17 | |
And to be able to see for my own eyes | 0:48:17 | 0:48:19 | |
that the Illinois Central was built through the prairies, | 0:48:19 | 0:48:23 | |
straight as a die. | 0:48:23 | 0:48:24 | |
More than a quarter of Amtrak's national routes | 0:48:27 | 0:48:30 | |
pass through Illinois. | 0:48:30 | 0:48:32 | |
This diesel-electric locomotive has a maximum speed of 110mph. | 0:48:32 | 0:48:37 | |
My next stop will be Champaign, Illinois. | 0:48:41 | 0:48:44 | |
The guidebook says that it's a rapidly-growing city of 5,000 inhabitants, | 0:48:44 | 0:48:49 | |
at the intersection of the Indianapolis, Bloomington | 0:48:49 | 0:48:52 | |
and Western Railroad. | 0:48:52 | 0:48:54 | |
Clearly an important crossing point for railroads. | 0:48:54 | 0:48:57 | |
And Champaign might be the place to raise a glass to the history of the | 0:48:57 | 0:49:01 | |
Illinois Central. | 0:49:01 | 0:49:02 | |
Ladies and gentlemen, we are now arriving in Champaign-Urbana. | 0:49:05 | 0:49:08 | |
Champaign-Urbana will be our next stop. | 0:49:08 | 0:49:11 | |
126 miles south of Chicago, Champaign was founded in 1855, | 0:49:11 | 0:49:17 | |
when the Illinois Central Railroad | 0:49:17 | 0:49:19 | |
laid its tracks two miles west of Urbana. | 0:49:19 | 0:49:23 | |
By 1871, Champaign was a thriving commercial centre, | 0:49:23 | 0:49:26 | |
with three railroads converging on the city. | 0:49:26 | 0:49:29 | |
20 miles west at the Monticello Railway Museum, a heritage line, | 0:49:29 | 0:49:34 | |
once owned by the Illinois Central, has been preserved. | 0:49:34 | 0:49:38 | |
I'm going to ride on the footplate. | 0:49:38 | 0:49:40 | |
There's no better way to understand railroad history | 0:49:41 | 0:49:44 | |
than to ride on old tracks, with vintage rolling stock. | 0:49:44 | 0:49:48 | |
Starting with this locomotive, a 280 from 1907. | 0:49:48 | 0:49:53 | |
TRAIN HORN TOOTS | 0:49:57 | 0:50:00 | |
People often talk about the smell of steam locomotives, | 0:50:10 | 0:50:13 | |
what about the sound of them? | 0:50:13 | 0:50:15 | |
TRAIN HORN TOOTS | 0:50:15 | 0:50:17 | |
Particularly in America! | 0:50:18 | 0:50:20 | |
Chartered in 1861, | 0:50:23 | 0:50:25 | |
the Monticello Railroad Company was incorporated | 0:50:25 | 0:50:28 | |
into the Illinois Central Railroad in 1902, | 0:50:28 | 0:50:31 | |
at the height of its expansion. | 0:50:31 | 0:50:34 | |
The museum and its locomotive are run by rail enthusiasts, | 0:50:34 | 0:50:38 | |
like director John Sciutto. | 0:50:38 | 0:50:39 | |
John, it's great to be on the footplate with you. | 0:50:41 | 0:50:43 | |
-Nice to meet you. -Wonderful locomotive, 1907, I believe. Tell me about it. | 0:50:43 | 0:50:47 | |
It was built in 1907 for the Southern Railway, | 0:50:47 | 0:50:49 | |
it was last assigned to the Memphis Division, | 0:50:49 | 0:50:52 | |
which ran between Sheffield, Alabama and Memphis. | 0:50:52 | 0:50:55 | |
Did the museum have to do much work on the locomotive? | 0:50:55 | 0:50:58 | |
At the time it was purchased by the Museum, | 0:50:58 | 0:51:00 | |
it literally looked like a pile of scrap. | 0:51:00 | 0:51:02 | |
This locomotive was completely rebuilt, | 0:51:02 | 0:51:04 | |
took a period of about 15 calendar years. | 0:51:04 | 0:51:06 | |
The engine runs on 7.5 miles of vintage track, bought by the Museum. | 0:51:11 | 0:51:16 | |
And how do you feel, now that you can drive it on your own track? | 0:51:19 | 0:51:22 | |
Oh, it's wonderful that we have this, | 0:51:22 | 0:51:24 | |
not only a piece of history, running here in central Illinois, | 0:51:24 | 0:51:27 | |
but it's been recognised worldwide for our restoration efforts. | 0:51:27 | 0:51:31 | |
TRAIN HORN TOOTS | 0:51:34 | 0:51:37 | |
I'm curious to know more about the creation of the Illinois Central | 0:51:41 | 0:51:46 | |
as we head back. | 0:51:46 | 0:51:47 | |
How was the railroad organised, politically speaking? | 0:51:49 | 0:51:52 | |
Abraham Lincoln and Stephen A Douglas were key supporters | 0:51:52 | 0:51:55 | |
of the original concept of pushing for land grant railroad | 0:51:55 | 0:51:59 | |
through Illinois. | 0:51:59 | 0:52:00 | |
The United States government owned the majority of the land in the | 0:52:00 | 0:52:03 | |
territory of the state, at the time. | 0:52:03 | 0:52:06 | |
And they basically gave the land to the railroad, | 0:52:06 | 0:52:09 | |
and the railroad in turn then sold off parcels to towns, | 0:52:09 | 0:52:13 | |
farmers and people that were developing along the railroad, | 0:52:13 | 0:52:17 | |
and then that money helped fund the railroad itself. | 0:52:17 | 0:52:19 | |
What did the railroad get out of it? | 0:52:19 | 0:52:21 | |
The railroad in turn received | 0:52:21 | 0:52:23 | |
all the freight traffic and passenger traffic. | 0:52:23 | 0:52:27 | |
Stephen Douglas was an Illinois Senator, | 0:52:27 | 0:52:30 | |
who together with Senator William King from Alabama, | 0:52:30 | 0:52:33 | |
steered the first Land Grant Act through Congress. | 0:52:33 | 0:52:37 | |
The Act secured 2.5 million acres of federal land | 0:52:37 | 0:52:39 | |
for the State of Illinois to sell, | 0:52:39 | 0:52:42 | |
thereby raising finance to build a railroad. | 0:52:42 | 0:52:46 | |
The Illinois Central was the first land grant railroad, | 0:52:46 | 0:52:49 | |
and paved the way for many more to follow. | 0:52:49 | 0:52:52 | |
The Illinois Central Railroad was very unique and key, | 0:52:52 | 0:52:55 | |
that it was not only the longest railroad in the world at the time, | 0:52:55 | 0:52:58 | |
but where other railroads were east and west, | 0:52:58 | 0:52:59 | |
the Illinois Central was north and south, geographically. | 0:52:59 | 0:53:02 | |
So naturally, it was a conduit for folks, especially in southern states, | 0:53:02 | 0:53:06 | |
that wanted to move to the free states of the north, | 0:53:06 | 0:53:09 | |
that they were transported from commerce areas such as New Orleans, | 0:53:09 | 0:53:12 | |
to the commercial and growing areas of the north, particularly Chicago, Illinois. | 0:53:12 | 0:53:16 | |
And did that intensify after the abolition of slavery? | 0:53:16 | 0:53:19 | |
Absolutely. All the free slaves, | 0:53:19 | 0:53:21 | |
and folks that wanted to better themselves, | 0:53:21 | 0:53:24 | |
a lot of them migrated to the north via the Illinois Central Railroad. | 0:53:24 | 0:53:27 | |
-And Chicago in particular? -And Chicago in particular. | 0:53:27 | 0:53:32 | |
The Illinois Central was greatly indebted to a young lawyer, | 0:53:32 | 0:53:36 | |
Abraham Lincoln, | 0:53:36 | 0:53:38 | |
who defended the railroad in some 50 cases during the 1850s. | 0:53:38 | 0:53:42 | |
I'm returning to central Champaign, to visit the University of Illinois, | 0:53:45 | 0:53:49 | |
which for over a century has been at the cutting edge of rail research. | 0:53:49 | 0:53:54 | |
Appleton says of Champaign, that it has a female academy, | 0:53:55 | 0:54:00 | |
and that its schools are large and well-connected. | 0:54:00 | 0:54:04 | |
In a town that largely owes its existence to the railways, | 0:54:04 | 0:54:08 | |
I'd like to know what track education has taken since. | 0:54:08 | 0:54:11 | |
We've had railways now for 200 years, | 0:54:13 | 0:54:16 | |
but there are always more refinements to be made. | 0:54:16 | 0:54:18 | |
I'm keen to find out the latest from Dr Chris Barkan, | 0:54:20 | 0:54:23 | |
Director of Rail Tech. | 0:54:23 | 0:54:25 | |
-Chris. -Hello. | 0:54:25 | 0:54:27 | |
My 19th century guidebook tells me | 0:54:27 | 0:54:29 | |
that this was an area of institutions, | 0:54:29 | 0:54:32 | |
of education, and of course it's a railway station. | 0:54:32 | 0:54:35 | |
Somehow the two have come together. | 0:54:35 | 0:54:37 | |
Yes, well, the university was the result of President Lincoln signing the Moral Act in 1862, | 0:54:37 | 0:54:42 | |
which led to the formation of land grant universities throughout the United States. | 0:54:42 | 0:54:47 | |
How do you think it is that the university finds its way into rail? | 0:54:47 | 0:54:50 | |
Well, of course, railroads were rapidly being built in the second half of the 19th century, | 0:54:50 | 0:54:54 | |
and the first knowledge I have of a rail programme around here was when | 0:54:54 | 0:54:58 | |
Professor Talbot started his work, I would say in the late 1880s, | 0:54:58 | 0:55:02 | |
or early 1890s. | 0:55:02 | 0:55:03 | |
Arthur Talbot was a brilliant civil engineering student here | 0:55:05 | 0:55:09 | |
during the late 1870s. | 0:55:09 | 0:55:11 | |
He became a professor | 0:55:11 | 0:55:12 | |
and his work on the design and construction of track | 0:55:12 | 0:55:15 | |
remains fundamental today. | 0:55:15 | 0:55:18 | |
By the beginning of the 20th century, | 0:55:18 | 0:55:19 | |
we were very clearly established as a substantial railway engineering department. | 0:55:19 | 0:55:24 | |
Nowadays, what are the sorts of issues you're dealing with? | 0:55:24 | 0:55:27 | |
We obviously want to continue to improve safety, | 0:55:27 | 0:55:29 | |
to prevent derailments and collisions. | 0:55:29 | 0:55:32 | |
And if we're going to mix high-efficiency freight trains, | 0:55:32 | 0:55:34 | |
and high-speed, reliable passenger trains on the same infrastructure, | 0:55:34 | 0:55:37 | |
we have to be particularly careful about this. | 0:55:37 | 0:55:39 | |
Building on the work of Professor Talbot, | 0:55:42 | 0:55:44 | |
Riley Edwards is researching how track structure | 0:55:44 | 0:55:48 | |
is affected by today's trains. | 0:55:48 | 0:55:50 | |
-Hello, Riley! -Hello, Michael. | 0:55:52 | 0:55:54 | |
-Good to see you. -Welcome to the track loading system. | 0:55:54 | 0:55:57 | |
What can we lend a hand with? | 0:55:57 | 0:55:59 | |
So, the task today is adhering some special gauges to the track, | 0:55:59 | 0:56:04 | |
that allow us to measure what the loads are, that go onto the track structure. | 0:56:04 | 0:56:07 | |
So this process is going to be led by graduate research assistant Aaron Cook. | 0:56:07 | 0:56:10 | |
He's involved in putting these gauges on. | 0:56:10 | 0:56:12 | |
-Nice to meet you. -Hello, Aaron. | 0:56:12 | 0:56:14 | |
So you actually do this out on the tracks? | 0:56:14 | 0:56:15 | |
Yes. We install it under traffic, | 0:56:15 | 0:56:17 | |
which means we have flagmen out on the line protecting us, | 0:56:17 | 0:56:21 | |
warning us when there's a train coming, and we clear up, | 0:56:21 | 0:56:24 | |
let the train pass, then get back to work. | 0:56:24 | 0:56:25 | |
I'm getting down to a little layer under the top of the metal, | 0:56:29 | 0:56:32 | |
giving us a nice clean surface on which to attach the gauge. | 0:56:32 | 0:56:37 | |
So, the first step, we've got this track welder. | 0:56:39 | 0:56:41 | |
All it does is it puts a large current through. | 0:56:41 | 0:56:43 | |
That current will melt the tiny bit of the metal on this gauge, here. | 0:56:43 | 0:56:46 | |
And this gauge has got a bunch of little wires | 0:56:46 | 0:56:48 | |
that run inside it back and forth. | 0:56:48 | 0:56:50 | |
What it does is it measures | 0:56:50 | 0:56:51 | |
how much things move as loads go across them. | 0:56:51 | 0:56:54 | |
It changes its resistance, and we measure that resistance. | 0:56:54 | 0:56:56 | |
We know how much the rail is pushed on by the wheel. | 0:56:56 | 0:56:59 | |
That is clever. So the gauge down here on the side, | 0:56:59 | 0:57:02 | |
below the top part of the rail, | 0:57:02 | 0:57:04 | |
is nonetheless going to record what is happening, | 0:57:04 | 0:57:06 | |
what's pressing down on there, and to what extent. | 0:57:06 | 0:57:08 | |
So, we could reasonably expect to do that in ten minutes, | 0:57:14 | 0:57:17 | |
before the next train comes? | 0:57:17 | 0:57:18 | |
Not all of that. We usually pull off and go back on several times by this | 0:57:18 | 0:57:21 | |
-point in the process. -I'm relieved, | 0:57:21 | 0:57:23 | |
because it was taking me quite a long time! | 0:57:23 | 0:57:25 | |
Well, I'm very, very grateful to you, and good luck with the work. | 0:57:25 | 0:57:28 | |
Thank you. | 0:57:28 | 0:57:29 | |
Chicago owed much of its greatness to railroads, | 0:57:45 | 0:57:48 | |
including the Illinois Central. | 0:57:48 | 0:57:51 | |
Two Illinois politicians played a vital role in bringing in the railroads, | 0:57:51 | 0:57:55 | |
Stephen Douglas and Abraham Lincoln. | 0:57:55 | 0:57:58 | |
The rapid development of the railroads was demonstrated | 0:57:58 | 0:58:01 | |
when, in 1865, | 0:58:01 | 0:58:03 | |
Abraham Lincoln was able to return home from Washington by train. | 0:58:03 | 0:58:08 | |
In his coffin. | 0:58:08 | 0:58:10 | |
Next time, I test my frontier resolve... | 0:58:16 | 0:58:20 | |
Abraham Lincoln split rails, and then, the United States. | 0:58:20 | 0:58:24 | |
..unearth Illinois' elixir of life... | 0:58:24 | 0:58:27 | |
I'm making apple butter. | 0:58:27 | 0:58:29 | |
It makes you young and good-looking, Michael! | 0:58:29 | 0:58:31 | |
..get my ducks in a row... | 0:58:31 | 0:58:34 | |
There they go. | 0:58:36 | 0:58:37 | |
Don't let 'em get away! | 0:58:37 | 0:58:38 | |
I think this is the bizarrest thing I've ever been involved in. | 0:58:38 | 0:58:41 | |
..and get a dose of the blues. | 0:58:42 | 0:58:45 |