Browse content similar to Tomah to Portage, Wisconsin. Check below for episodes and series from the same categories and more!
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I have crossed the Atlantic to ride the railroads | 0:00:02 | 0:00:05 | |
of North America with my reliable Appleton's guide. | 0:00:05 | 0:00:09 | |
Published in the late 19th century, | 0:00:12 | 0:00:14 | |
Appleton's General Guide to North America will direct me to all that's | 0:00:14 | 0:00:19 | |
novel, beautiful, memorable | 0:00:19 | 0:00:23 | |
and striking in the United States. | 0:00:23 | 0:00:26 | |
'As I journey across this vast continent, | 0:00:26 | 0:00:30 | |
'I'll discover how pioneers and cowboys conquered the West...' | 0:00:30 | 0:00:34 | |
GUNS SHOTS | 0:00:34 | 0:00:36 | |
'And how the railroads tied this nation together, | 0:00:36 | 0:00:39 | |
'helping to create the global superstate of today.' | 0:00:39 | 0:00:42 | |
I'm concluding that part of my journey that skirts | 0:01:17 | 0:01:20 | |
the Upper Mississippi. | 0:01:20 | 0:01:22 | |
I hope to learn how the technology of the region's new inhabitants | 0:01:22 | 0:01:26 | |
enabled them to tame and to channel | 0:01:26 | 0:01:29 | |
and to link the waters in order to increase | 0:01:29 | 0:01:31 | |
the opportunities for trade. | 0:01:31 | 0:01:34 | |
How the riverscape became a pin-up | 0:01:34 | 0:01:36 | |
and how the people survived on a diet of berries and circuses. | 0:01:36 | 0:01:42 | |
'This route began in Minnesota's twin cities, | 0:01:53 | 0:01:56 | |
'following the Mississippi to the Wisconsin border at La Crosse. | 0:01:56 | 0:02:00 | |
'I'm now heading for the Great Lakes, | 0:02:00 | 0:02:03 | |
'where I'll turn south at Milwaukee, | 0:02:03 | 0:02:05 | |
'bound for America's railway capital, Chicago. | 0:02:05 | 0:02:09 | |
'I'll follow the route of the historic Illinois Central Railroad, | 0:02:09 | 0:02:13 | |
'through Centralia, | 0:02:13 | 0:02:15 | |
'then rejoin the Mississippi | 0:02:15 | 0:02:17 | |
'to finish my journey in the home of the Blues. | 0:02:17 | 0:02:19 | |
'Today, I'll start in Tomah, where flooded marshlands bear fruit. | 0:02:21 | 0:02:26 | |
'Heading east, I'll discover the man who made Wisconsin Dells | 0:02:26 | 0:02:30 | |
'a magnet for railway tourists. | 0:02:30 | 0:02:32 | |
'My last stop will be Portage, | 0:02:32 | 0:02:35 | |
'whose role was crucial in 19th-century navigation. | 0:02:35 | 0:02:39 | |
'On this journey, I bury myself in the Thanksgiving harvest...' | 0:02:39 | 0:02:44 | |
We are moving a vast number of cranberries, | 0:02:44 | 0:02:48 | |
just vast. | 0:02:48 | 0:02:50 | |
'Take the plunge in the water park capital of the world...' | 0:02:50 | 0:02:54 | |
'..and find out how railroads spread the joy of the | 0:03:00 | 0:03:04 | |
'Greatest Show On Earth.' | 0:03:04 | 0:03:06 | |
Holy whoop-de-doodle, here comes the train and there's an elephant trunk | 0:03:06 | 0:03:09 | |
sticking out of one of them, | 0:03:09 | 0:03:11 | |
a clown sitting on the vestibule of another... | 0:03:11 | 0:03:12 | |
My next stop will be Tomah, Wisconsin. | 0:03:22 | 0:03:25 | |
Appleton's tells me it's at the crossing | 0:03:25 | 0:03:27 | |
of the Wisconsin Valley Railroad in a very fertile valley, | 0:03:27 | 0:03:32 | |
that's probably why the book says that it's a growing village - | 0:03:32 | 0:03:35 | |
food for thought! | 0:03:35 | 0:03:37 | |
'I'm alighting here to discover how an ingenious 19th-century farming | 0:03:52 | 0:03:56 | |
'innovation brought cranberries to the masses. | 0:03:56 | 0:03:59 | |
'Today, the state of Wisconsin | 0:03:59 | 0:04:01 | |
'produces more cranberries than any other, | 0:04:01 | 0:04:04 | |
'about five million, 100lb barrels each year - | 0:04:04 | 0:04:08 | |
'that's 60% of the United States' entire crop. | 0:04:08 | 0:04:12 | |
'There are 180,000 acres of cranberry marsh | 0:04:12 | 0:04:16 | |
'and, at the centre of it all, is the village of Warrens.' | 0:04:16 | 0:04:20 | |
The cranberry is, if anything, even more American than apple pie, | 0:04:20 | 0:04:24 | |
since it features as an important component in the Thanksgiving feast. | 0:04:24 | 0:04:29 | |
Warrens, Wisconsin, is the cranberry capital | 0:04:29 | 0:04:31 | |
and the cranberry harvest is just beginning. | 0:04:31 | 0:04:35 | |
I'm grief-stricken to be missing the Cranfest, | 0:04:35 | 0:04:39 | |
which begins in ten days' time. | 0:04:39 | 0:04:42 | |
'I've come to Wetherby Farm to meet one of the original founders of the | 0:04:44 | 0:04:47 | |
'Cranberry Festival, Nodji Van Wychen.' | 0:04:47 | 0:04:50 | |
-Nodji, hello. -Hello, Michael. | 0:04:50 | 0:04:52 | |
-Good to see you. -Good to be here. | 0:04:52 | 0:04:54 | |
Now, you are holding a pair of waders, are they for me? | 0:04:54 | 0:04:58 | |
They certainly are and we're going to put you to work today | 0:04:58 | 0:05:01 | |
and show you exactly how this whole process is done. | 0:05:01 | 0:05:04 | |
'Nodji's grandfather started this cranberry farm | 0:05:05 | 0:05:08 | |
'and her family has now been here for over a century.' | 0:05:08 | 0:05:12 | |
Where does the cranberry come from? | 0:05:12 | 0:05:14 | |
Well, the cranberry is native to North America. | 0:05:14 | 0:05:17 | |
When the early Native Americans and Dutch settlers and so forth were in | 0:05:17 | 0:05:22 | |
this area, they noticed that the blossom resembled the head | 0:05:22 | 0:05:26 | |
and neck of a sandhill crane | 0:05:26 | 0:05:28 | |
and those birds feast in these low-lying areas, | 0:05:28 | 0:05:32 | |
so they named them "crane-berries" and it was shortened to cranberry, | 0:05:32 | 0:05:36 | |
which we still call it today. | 0:05:36 | 0:05:38 | |
So, here we are, a lot of floating cranberries. | 0:05:39 | 0:05:42 | |
How come, how do they get to this state? | 0:05:42 | 0:05:44 | |
Well, when we raise the water level up in the bed, | 0:05:44 | 0:05:47 | |
we're ready for harvest, | 0:05:47 | 0:05:48 | |
and then we have a mechanical machine called a harrow, | 0:05:48 | 0:05:51 | |
which has tines in the front and the back. | 0:05:51 | 0:05:54 | |
As the machine goes through the bed, | 0:05:54 | 0:05:57 | |
it slips the fruit off the vine | 0:05:57 | 0:05:59 | |
and they immediately float to the surface of the water. | 0:05:59 | 0:06:03 | |
'Wisconsin's cranberry farms were established by 19th-century settlers. | 0:06:03 | 0:06:08 | |
'At first, they picked the berries laboriously by hand, | 0:06:08 | 0:06:11 | |
'then, in the 1870s, an area was deliberately flooded | 0:06:11 | 0:06:15 | |
'to create the first cranberry marsh.' | 0:06:15 | 0:06:18 | |
Your family has been here three generations. | 0:06:18 | 0:06:21 | |
Um... I mean, how do you feel about the business you're in? | 0:06:21 | 0:06:24 | |
Oh, it's my life, it's my way of life, I'm passionate about it, | 0:06:24 | 0:06:28 | |
I grew up here. | 0:06:28 | 0:06:31 | |
Um... My son and son-in-law are active in the business now, | 0:06:31 | 0:06:34 | |
I have eight grandchildren | 0:06:34 | 0:06:36 | |
and it's grandma's dream that one of those kids | 0:06:36 | 0:06:39 | |
will take over the marsh and be the fifth generation on this marsh. | 0:06:39 | 0:06:42 | |
'Well, on this, the first day of the harvest, it's all hands to the pump. | 0:06:45 | 0:06:49 | |
'First, floating booms are used to round up the cranberries | 0:06:49 | 0:06:52 | |
'before they're pumped into a waiting truck.' | 0:06:52 | 0:06:55 | |
I'll... I'll get a few sections down, shall I? | 0:06:57 | 0:07:00 | |
'Producing a litre carton of cranberry juice | 0:07:06 | 0:07:09 | |
'takes about 1,000 of these berries.' | 0:07:09 | 0:07:12 | |
We are moving a vast number of cranberries, | 0:07:12 | 0:07:16 | |
just vast! | 0:07:16 | 0:07:18 | |
Thank you very much. | 0:07:22 | 0:07:23 | |
Next Thanksgiving, | 0:07:25 | 0:07:27 | |
Americans can give thanks to me | 0:07:27 | 0:07:29 | |
for bringing them their cranberry sauce. | 0:07:29 | 0:07:32 | |
With tremendous force, the pump is sucking out the cranberries, | 0:07:37 | 0:07:40 | |
distributing the fruit to the truck, getting rid of the rubbish, | 0:07:40 | 0:07:43 | |
returning the waste water, | 0:07:43 | 0:07:45 | |
but it's still very useful to have a couple of guys with a rake! | 0:07:45 | 0:07:48 | |
'It's an impressive operation and a major part of Wisconsin's economy.' | 0:07:50 | 0:07:54 | |
'The Empire Builder service travels from Seattle, | 0:08:07 | 0:08:10 | |
'Washington, in the far north-west... | 0:08:10 | 0:08:12 | |
'all the way across America to Chicago, | 0:08:12 | 0:08:16 | |
'a journey of well over 2,000 miles | 0:08:16 | 0:08:18 | |
'and lasting more than 45 hours.' | 0:08:18 | 0:08:20 | |
-Excuse me? -Howdy. | 0:08:28 | 0:08:29 | |
May I join you a moment? | 0:08:29 | 0:08:31 | |
-Pardon? -May I join you a moment? | 0:08:31 | 0:08:32 | |
-Sure. -I'm-I'm interested, are you plotting our route on your map? | 0:08:32 | 0:08:37 | |
Just the route that we're taking here | 0:08:37 | 0:08:40 | |
over to New York City and, um, I'm just, uh, | 0:08:40 | 0:08:45 | |
marking off the states I've been to. | 0:08:45 | 0:08:47 | |
Where did you get on this train? | 0:08:47 | 0:08:49 | |
Um... Olympia, Washington. | 0:08:49 | 0:08:52 | |
My goodness! Where are you getting off this train? | 0:08:52 | 0:08:55 | |
We're going to stop in Chicago and have... | 0:08:55 | 0:08:57 | |
have a delay of four hours | 0:08:57 | 0:09:00 | |
and then we're going to get off in New York City. | 0:09:00 | 0:09:04 | |
And why are you doing that? | 0:09:04 | 0:09:05 | |
Is it for the joy of travelling by train, or why? | 0:09:05 | 0:09:08 | |
I'm, uh, travelling with my ex-wife. | 0:09:08 | 0:09:11 | |
We were going to drive this route. | 0:09:11 | 0:09:13 | |
The transmission went bad about in here, right here, | 0:09:13 | 0:09:17 | |
we didn't get too far from home. | 0:09:17 | 0:09:19 | |
So, we decided to take the train. | 0:09:19 | 0:09:21 | |
You could have flown this distance in six hours, | 0:09:21 | 0:09:24 | |
the train's going to take you more than three days. | 0:09:24 | 0:09:26 | |
Yeah, the train's a lot more fun. | 0:09:26 | 0:09:29 | |
MICHAEL CHUCKLES | 0:09:29 | 0:09:30 | |
-Yeah. -That's great. | 0:09:30 | 0:09:32 | |
My next stop will be Wisconsin Dells, | 0:09:39 | 0:09:42 | |
a place long popular with visitors. | 0:09:42 | 0:09:45 | |
In the late 19th century, thanks to newish technology, | 0:09:45 | 0:09:49 | |
prospective tourists could not only read about their destinations, | 0:09:49 | 0:09:53 | |
but they could view their images in black and white. | 0:09:53 | 0:09:56 | |
'I've arrived at a city on the Wisconsin River | 0:10:14 | 0:10:16 | |
'lined by striking sandstone gorges and canyons, | 0:10:16 | 0:10:20 | |
'cut by glacial meltwater thousands of years ago. | 0:10:20 | 0:10:24 | |
'These beautiful dells are a natural tourist attraction | 0:10:25 | 0:10:28 | |
'made famous by 19th-century photographer H H Bennett. | 0:10:28 | 0:10:33 | |
'His studio is still here, managed by David Rambow.' | 0:10:33 | 0:10:37 | |
Michael. Great to see you. | 0:10:39 | 0:10:42 | |
David, I get the impression that H H Bennett was a big figure in the | 0:10:42 | 0:10:45 | |
history of American photography, who was he? | 0:10:45 | 0:10:47 | |
He started out as a carpenter's | 0:10:47 | 0:10:49 | |
apprentice and then a carpenter and moved here from Vermont in 1857, | 0:10:49 | 0:10:54 | |
right before the railroads came here. | 0:10:54 | 0:10:56 | |
He took up photography, uh, | 0:10:56 | 0:10:58 | |
quite early after his experiences in the Civil War. | 0:10:58 | 0:11:01 | |
His right hand was damaged by a bullet, | 0:11:01 | 0:11:04 | |
so he had to switch trades and do something a little bit easier. | 0:11:04 | 0:11:08 | |
Very well-known for his landscapes, | 0:11:08 | 0:11:10 | |
these were all taken around Wisconsin Dells, were they? | 0:11:10 | 0:11:13 | |
These were all taken within a few miles of here. | 0:11:13 | 0:11:16 | |
What do you think he did for Wisconsin Dells? | 0:11:16 | 0:11:18 | |
He literally put Wisconsin Dells on the map | 0:11:18 | 0:11:21 | |
with railroad travel and with tourism in general. | 0:11:21 | 0:11:25 | |
'In 1886, this stunning photograph cemented Bennett's fame. | 0:11:26 | 0:11:31 | |
'Before then, the long exposures required by early cameras had made | 0:11:31 | 0:11:35 | |
'capturing motion almost impossible.' | 0:11:35 | 0:11:37 | |
Well, this was an innovation, this was Bennett at his best. | 0:11:37 | 0:11:41 | |
He, in the late 1880s, | 0:11:41 | 0:11:43 | |
was dabbling with what he called an instantaneous shutter. | 0:11:43 | 0:11:46 | |
It was... He called it a "snapper". | 0:11:46 | 0:11:49 | |
It ran on a rubber band. | 0:11:49 | 0:11:51 | |
This was actually his son | 0:11:51 | 0:11:52 | |
that he induced somehow to jump 14 times to get it just right. | 0:11:52 | 0:11:57 | |
When they first showed this in Chicago, | 0:11:57 | 0:11:59 | |
people were astonished, they accused him of fraud, | 0:11:59 | 0:12:02 | |
they wondered where the wires were holding the son, | 0:12:02 | 0:12:05 | |
but he could show them that he could replicate this and it was real. | 0:12:05 | 0:12:09 | |
'David has brought me to one of the Dells' most tranquil spots | 0:12:13 | 0:12:16 | |
'to show me the way that H H Bennett worked.' | 0:12:16 | 0:12:20 | |
He would have chosen any spot where you could get a good view | 0:12:20 | 0:12:23 | |
of the rocks and the panorama over the river. | 0:12:23 | 0:12:26 | |
Right, we're going to be dealing with chemicals, which don't agree with yellow jackets. | 0:12:26 | 0:12:30 | |
I'm just going to get rid of that. | 0:12:30 | 0:12:32 | |
So, what do we do? | 0:12:33 | 0:12:34 | |
OK, first, we choose a nice, clean piece of metal. | 0:12:34 | 0:12:40 | |
We have to pour something on it that will connect to the silver | 0:12:40 | 0:12:44 | |
into the metal, and in my case, uh, we use collodion, | 0:12:44 | 0:12:49 | |
which is a combination of ether, nitrocellulose and grain alcohol. | 0:12:49 | 0:12:54 | |
Sounds like you might knock yourself out with that. | 0:12:54 | 0:12:57 | |
I don't smoke near it, that's for certain. | 0:12:57 | 0:12:59 | |
What you want to do is cover it completely | 0:12:59 | 0:13:01 | |
without spilling too much, this is precious liquid. | 0:13:01 | 0:13:03 | |
That's very satisfying, actually, David. | 0:13:03 | 0:13:06 | |
'David disappears into his mobile darkroom to dip the plate | 0:13:07 | 0:13:11 | |
'in silver nitrate, which makes it light-sensitive.' | 0:13:11 | 0:13:14 | |
Bye for now! | 0:13:14 | 0:13:16 | |
'The film now coating the plate will turn black when exposed to light. | 0:13:16 | 0:13:20 | |
'A special holder protects it as it's transferred into the camera.' | 0:13:22 | 0:13:26 | |
You have to remove this little baffle... | 0:13:26 | 0:13:29 | |
-Ah-ha! -And that exposes the film to the front, where the light | 0:13:29 | 0:13:32 | |
-will come in. -I'm going to remove the lens cap. How long for? | 0:13:32 | 0:13:35 | |
Um, in this light, probably about five seconds. | 0:13:35 | 0:13:39 | |
-Will you count me down? -Certainly. | 0:13:39 | 0:13:41 | |
Five, four, three, | 0:13:41 | 0:13:44 | |
two, and clear. | 0:13:44 | 0:13:47 | |
'The last step is to wash the plate in a solution of potassium cyanide.' | 0:13:47 | 0:13:53 | |
What will this ghastly compound achieve? | 0:13:53 | 0:13:55 | |
You'll be starting to see this image turn from what looks like | 0:13:55 | 0:13:59 | |
a negative into a positive. | 0:13:59 | 0:14:01 | |
I'm seeing the trees emerging as dark shapes and now, indeed, | 0:14:01 | 0:14:05 | |
the image is spreading all the way across the plate. | 0:14:05 | 0:14:09 | |
Now, look at that, David... | 0:14:09 | 0:14:12 | |
Really, you have produced a beautiful image of the trees | 0:14:12 | 0:14:15 | |
and the water and would not people have been drawn to Wisconsin Dells | 0:14:15 | 0:14:20 | |
-by this photograph? -That was the plan that Bennett had. | 0:14:20 | 0:14:23 | |
He saw these put into libraries all over the South | 0:14:23 | 0:14:26 | |
so people would want to be drawn here. | 0:14:26 | 0:14:29 | |
'In H H Bennett's day, Wisconsin Dells was officially called | 0:14:34 | 0:14:38 | |
'Kilbourn, named after the president of the railroad, | 0:14:38 | 0:14:42 | |
'but local people had always referred to it as | 0:14:42 | 0:14:45 | |
"the Dells," and in 1931, | 0:14:45 | 0:14:47 | |
'the name was formally changed. | 0:14:47 | 0:14:50 | |
'By the mid-19th century, | 0:14:50 | 0:14:51 | |
'holiday-makers who came for the landscape | 0:14:51 | 0:14:53 | |
'could also enjoy attractions from water-skiing to theme parks. | 0:14:53 | 0:14:57 | |
'And today, the city bills itself | 0:14:57 | 0:15:01 | |
'as the water park capital of the world.' | 0:15:01 | 0:15:03 | |
The resort of Wisconsin Dells | 0:15:19 | 0:15:21 | |
has changed a bit since the times of H H Bennett, | 0:15:21 | 0:15:24 | |
but water is still very much the theme and, hey, | 0:15:24 | 0:15:27 | |
you've got to flow with the times. | 0:15:27 | 0:15:29 | |
MUSIC: Ride of the Valkyries by Wagner | 0:15:31 | 0:15:33 | |
Whoo! | 0:15:54 | 0:15:56 | |
More revealing of a person's character | 0:15:56 | 0:15:59 | |
than any 19th-century photograph! | 0:15:59 | 0:16:02 | |
'Before rejoining the railroad, | 0:16:15 | 0:16:17 | |
'I'm making a detour to another important attraction. | 0:16:17 | 0:16:21 | |
'A short distance away is Baraboo, a place that, | 0:16:21 | 0:16:25 | |
'in the late 19th century, became known as Circus City. | 0:16:25 | 0:16:29 | |
'Today, it's home to a quirky museum | 0:16:29 | 0:16:32 | |
'with a special draw for the railway enthusiast.' | 0:16:32 | 0:16:35 | |
Welcome, welcome to Circus World. | 0:16:37 | 0:16:39 | |
A magical world for me, not only a train shed, | 0:16:39 | 0:16:42 | |
but a train shed full of circus vehicles. | 0:16:42 | 0:16:44 | |
Circus train, for sure, | 0:16:44 | 0:16:46 | |
it's over 600 feet long and it contains a full circus train | 0:16:46 | 0:16:50 | |
on three different sidings. | 0:16:50 | 0:16:51 | |
'Former clown and ringmaster, Scott O'Donnell, | 0:16:51 | 0:16:55 | |
'is the museum's director.' | 0:16:55 | 0:16:56 | |
Scott, I think this is one of the most extraordinary places | 0:16:56 | 0:16:59 | |
I've ever been and we're walking on flat railway cars, | 0:16:59 | 0:17:02 | |
what were these for? | 0:17:02 | 0:17:03 | |
Uh, the flat cars in the circus were for transporting all of the exciting | 0:17:03 | 0:17:07 | |
and spectacular circus wagons from town to town. | 0:17:07 | 0:17:10 | |
These are magnificent wagons that weigh from five to 12 tonnes apiece. | 0:17:10 | 0:17:14 | |
'Baraboo was home to the five Ringling brothers. | 0:17:15 | 0:17:19 | |
'They opened their first circus on the site in 1884 | 0:17:19 | 0:17:22 | |
'and started to tour the Midwest. | 0:17:22 | 0:17:25 | |
'But within six years, they were using the railroad | 0:17:25 | 0:17:29 | |
'to take their acts much further afield.' | 0:17:29 | 0:17:32 | |
Paint me a picture of those trains. | 0:17:32 | 0:17:33 | |
Sure, so the train in its entirety is probably a mile long. | 0:17:33 | 0:17:36 | |
Uh, it's a combination of flat cars, such as we're walking on, | 0:17:36 | 0:17:40 | |
and it's a combination of Pullman cars, | 0:17:40 | 0:17:42 | |
sleeping cars for the performers to live in as well. | 0:17:42 | 0:17:45 | |
Then there is also some specialised stock cars which took the elephants | 0:17:45 | 0:17:49 | |
or any of the other exotic animals from town to town. | 0:17:49 | 0:17:52 | |
'The Ringlings weren't the only circus to use the railroad. | 0:17:52 | 0:17:55 | |
'In 1872, their fellow Wisconsinite, P T Barnum, | 0:17:55 | 0:18:00 | |
'famous for creating the Greatest Show On Earth, | 0:18:00 | 0:18:03 | |
'pioneered the idea of the specially-designed circus train.' | 0:18:03 | 0:18:08 | |
Is Wisconsin special in the history of American circus? | 0:18:08 | 0:18:11 | |
It's an important state because it's like a hub to the rest of America. | 0:18:11 | 0:18:14 | |
You could go east or you could go west. | 0:18:14 | 0:18:16 | |
It also had good rail infrastructure, | 0:18:16 | 0:18:18 | |
so that allowed a lot of circuses to be formed here. | 0:18:18 | 0:18:21 | |
When the circus came to town, it was like a national holiday. | 0:18:21 | 0:18:23 | |
Schools were let out, | 0:18:23 | 0:18:25 | |
businesses took the day off because the circus came to town with sights | 0:18:25 | 0:18:28 | |
and sounds and smells that you'd never seen before. | 0:18:28 | 0:18:31 | |
Electricity is an attraction when you're at the circus. | 0:18:31 | 0:18:33 | |
Flying machines, automobiles, recorded sound. | 0:18:33 | 0:18:36 | |
Whether it's animals in a menagerie, | 0:18:36 | 0:18:38 | |
whether it's people with some unique physical features in the sideshow, | 0:18:38 | 0:18:41 | |
you can imagine the awe and excitement that would be found | 0:18:41 | 0:18:44 | |
at a day at the circus. | 0:18:44 | 0:18:46 | |
'The Ringling brothers bought Barnum's circus in 1907 | 0:18:48 | 0:18:53 | |
'and still use the railroad.' | 0:18:53 | 0:18:56 | |
Travelling by train is like the United Nations on rails, | 0:18:56 | 0:18:59 | |
you could have a Mongolian contortion act, | 0:18:59 | 0:19:01 | |
next to a Hungarian teeterboard act, | 0:19:01 | 0:19:03 | |
next to a Brazilian tiger trainer, | 0:19:03 | 0:19:06 | |
and that's an amazing world to be a part of, especially on rail. | 0:19:06 | 0:19:09 | |
You get to sit on a vestibule in your train car | 0:19:09 | 0:19:11 | |
and watch America go by. | 0:19:11 | 0:19:13 | |
Part of the magic of the circus is you're standing at the side of the | 0:19:13 | 0:19:16 | |
road, the arms go down for a train coming and holy whoop-de-doodle, | 0:19:16 | 0:19:19 | |
here comes the train and there's an elephant trunk sticking out | 0:19:19 | 0:19:21 | |
of one of them, there's a clown sitting on the vestibule of another, | 0:19:21 | 0:19:24 | |
and that's a great experience. | 0:19:24 | 0:19:26 | |
Controversially, in Europe, is the use of animals. | 0:19:26 | 0:19:29 | |
Obviously, they were used in the United States, are they used still? | 0:19:29 | 0:19:32 | |
Animals are still used in America, not in every circus, | 0:19:32 | 0:19:34 | |
but on classic or traditional circuses, um... | 0:19:34 | 0:19:38 | |
We, here at Circus World, have animals with us during the summertime. | 0:19:38 | 0:19:41 | |
Shall we move along and you can show me some tricks? | 0:19:41 | 0:19:43 | |
Absolutely. | 0:19:43 | 0:19:45 | |
Michael, welcome. Welcome to the centre ring. | 0:19:46 | 0:19:49 | |
We have some fantastic circus wardrobe for you to put on, | 0:19:49 | 0:19:52 | |
although, by the looks of it, you don't need much other | 0:19:52 | 0:19:55 | |
than the nose and the hat, but your choice! | 0:19:55 | 0:19:57 | |
I... I'm going to go for this jacket, cos it's... | 0:19:57 | 0:19:59 | |
-It's kind of my style. -Polka-dots are in, absolutely. | 0:19:59 | 0:20:02 | |
-Good, OK. -Of course, you can't do nothing without one of these. | 0:20:02 | 0:20:05 | |
-Oh! -Ah, how do I look? | 0:20:05 | 0:20:08 | |
Ta-dah! | 0:20:08 | 0:20:09 | |
Very fine. Right. Shall we teach you some tricks? | 0:20:11 | 0:20:13 | |
Yes. Well, you can try to. | 0:20:13 | 0:20:14 | |
OK. Get yourself a broom and your finger, | 0:20:14 | 0:20:17 | |
put the broom on your finger and work on your balancing skills. | 0:20:17 | 0:20:21 | |
It's best when you're balancing just to look at the top, | 0:20:21 | 0:20:23 | |
so, if it starts to lean one way, | 0:20:23 | 0:20:24 | |
you come underneath and counterbalance with your finger. | 0:20:24 | 0:20:28 | |
Right. All I can really see is my... | 0:20:28 | 0:20:30 | |
-Is my nose. -Is your nose... | 0:20:30 | 0:20:32 | |
And you're off. | 0:20:32 | 0:20:34 | |
Nicely done, look at you sweeping up with these skills! | 0:20:34 | 0:20:37 | |
Centre ring, here you come. | 0:20:37 | 0:20:38 | |
My goodness, there's sawdust in your veins, I can tell. | 0:20:38 | 0:20:41 | |
Back, nose! | 0:20:43 | 0:20:45 | |
OK, we're going to spin plates with the skills that you just learned | 0:20:45 | 0:20:48 | |
balancing the broom. So get yourself a plate, get yourself a stick... | 0:20:48 | 0:20:52 | |
Sit it on the stick and you're going to let it go right around the stick | 0:20:52 | 0:20:56 | |
until it goes right to the centre and spin around... It does. | 0:20:56 | 0:21:00 | |
And...go. | 0:21:00 | 0:21:02 | |
Nice. | 0:21:02 | 0:21:04 | |
I've spent 30 years of my life working on spin! | 0:21:04 | 0:21:07 | |
And the circus performer is born. | 0:21:08 | 0:21:11 | |
Whoa! | 0:21:11 | 0:21:13 | |
Really nice. | 0:21:19 | 0:21:20 | |
'There's one more stop on this leg of my journey. | 0:21:26 | 0:21:30 | |
'A short train ride just 20 minutes east.' | 0:21:30 | 0:21:33 | |
The Empire Builder train, that left Seattle 44 hours ago, | 0:21:43 | 0:21:49 | |
is approaching Portage city, | 0:21:49 | 0:21:51 | |
which Appleton's tells me is situated at the head of navigation | 0:21:51 | 0:21:55 | |
of the Wisconsin River | 0:21:55 | 0:21:57 | |
and on the canal connecting the Fox and the Wisconsin | 0:21:57 | 0:22:01 | |
at a junction of the Milwaukee and St Paul Railroad. | 0:22:01 | 0:22:07 | |
A portage was a place where you had to carry your boat | 0:22:07 | 0:22:10 | |
between one body of water and another. | 0:22:10 | 0:22:13 | |
Ouch! | 0:22:13 | 0:22:15 | |
TRAIN HORN BLOWS | 0:22:15 | 0:22:17 | |
Ah! Thanks for the ride. | 0:22:21 | 0:22:23 | |
So how long is your route? Where do you go backwards and forwards from? | 0:22:23 | 0:22:26 | |
Between Chicago and Winona, Minnesota. | 0:22:26 | 0:22:28 | |
How long have you been on the railroad? | 0:22:28 | 0:22:29 | |
-Uh, eight years. -Yeah, that's quite a long stint. | 0:22:29 | 0:22:32 | |
-Eight years. -So, what do you have to do now as we come into this station? | 0:22:32 | 0:22:35 | |
I have to tell the engineer when to stop, | 0:22:35 | 0:22:37 | |
I have to have him stop at a specific point on the platform. | 0:22:37 | 0:22:40 | |
-OK, I'm going to let you concentrate on that. -All right. | 0:22:40 | 0:22:42 | |
So you tell him how many car lengths, is that right? | 0:22:42 | 0:22:45 | |
Yeah, how many car lengths until I need him to stop. | 0:22:45 | 0:22:47 | |
Four cars. | 0:22:51 | 0:22:53 | |
Three. | 0:22:54 | 0:22:56 | |
Two. | 0:22:57 | 0:22:59 | |
One. | 0:22:59 | 0:23:01 | |
-Hope to see you on another ride. -I hope so too. | 0:23:06 | 0:23:08 | |
-Bye-bye, now. -Take care. | 0:23:08 | 0:23:10 | |
'The canal described in my Appleton's was once a vital link | 0:23:22 | 0:23:26 | |
'in America's 19th-century system of waterways. | 0:23:26 | 0:23:30 | |
'I'm hearing the story from amateur historian Fred Galley.' | 0:23:30 | 0:23:34 | |
-Hello, Fred. -Hello, Michael. Welcome to Portage. | 0:23:34 | 0:23:36 | |
-Thank you so much. -We're happy to have you here. | 0:23:36 | 0:23:39 | |
And this is the Portage Canal? | 0:23:39 | 0:23:40 | |
Yes, it is. This first section was built in 1876, | 0:23:40 | 0:23:44 | |
but the history of the portage goes back some 10,000 years. | 0:23:44 | 0:23:47 | |
So there was a portage between the Fox River and the Wisconsin River. | 0:23:47 | 0:23:52 | |
How far were people having to carry their boats? | 0:23:52 | 0:23:54 | |
A mile and a quarter, that's about 2,000 metres. | 0:23:54 | 0:23:56 | |
And what sort of land was between the two? | 0:23:56 | 0:23:59 | |
Well, it was a marshy area. | 0:23:59 | 0:24:01 | |
'This short section of marsh | 0:24:02 | 0:24:05 | |
'was the only obstacle to travelling thousands of miles by water. | 0:24:05 | 0:24:08 | |
'The Fox River is linked to the Great Lakes | 0:24:08 | 0:24:11 | |
'and thence to the Atlantic Ocean. | 0:24:11 | 0:24:14 | |
'The Wisconsin River joins the mighty Mississippi, which, in turn, | 0:24:14 | 0:24:18 | |
'flows all the way to the Gulf of Mexico.' | 0:24:18 | 0:24:20 | |
The Native Americans knew about and used this portage, | 0:24:20 | 0:24:23 | |
who were the first Europeans to do so? | 0:24:23 | 0:24:25 | |
The first Europeans were Marquette and Joliet. | 0:24:25 | 0:24:28 | |
They came in 1673, | 0:24:28 | 0:24:30 | |
they were French explorers and the Indian translators told them | 0:24:30 | 0:24:33 | |
where the portage was. | 0:24:33 | 0:24:35 | |
In the heyday of the portage, what was it like? | 0:24:35 | 0:24:37 | |
Around 1800, the portage really started to be used | 0:24:37 | 0:24:40 | |
and what it was used for was people travelling west. | 0:24:40 | 0:24:43 | |
So, at its height, about 1,000 people a year would cross | 0:24:43 | 0:24:46 | |
the portage and that continued on until the 1830s or even 1840s. | 0:24:46 | 0:24:52 | |
There were a number of different entrepreneurs that started a livery service. | 0:24:52 | 0:24:55 | |
And when you pulled up in your boat in the Fox River, | 0:24:55 | 0:24:59 | |
they would come down and ask you if you wanted help. | 0:24:59 | 0:25:01 | |
And for 5 or 10, | 0:25:01 | 0:25:03 | |
they would take all of your stuff and carry it to the other side | 0:25:03 | 0:25:05 | |
of the Wisconsin River, get you all situated and push you off | 0:25:05 | 0:25:08 | |
and send you downriver. | 0:25:08 | 0:25:10 | |
'The waterways were being used increasingly to transport wheat and | 0:25:11 | 0:25:15 | |
'manufactured goods. | 0:25:15 | 0:25:17 | |
'Local businessmen began to campaign for a canal in 1829, | 0:25:17 | 0:25:21 | |
'but it failed due to a lack of funds. | 0:25:21 | 0:25:24 | |
'Eventually, in the 1870s, | 0:25:24 | 0:25:26 | |
'the Army Corps of Engineers took on and completed the project.' | 0:25:26 | 0:25:30 | |
1876 is very late for a canal, because, by then, | 0:25:31 | 0:25:35 | |
-you've got railroads. -Right. | 0:25:35 | 0:25:36 | |
And that kind of caused a lot of problems. | 0:25:36 | 0:25:39 | |
But what happened was the railroad was a monopoly and they were | 0:25:39 | 0:25:42 | |
charging just extravagant amounts of money to haul these goods. | 0:25:42 | 0:25:45 | |
The entire Fox-Wisconsin water system was built | 0:25:45 | 0:25:48 | |
to make the railroads lower their prices and be accountable, you know, | 0:25:48 | 0:25:53 | |
give them some competition. | 0:25:53 | 0:25:54 | |
Thinking back to the days of the portage, | 0:25:54 | 0:25:57 | |
what do you think it was like for the ordinary person having to lug | 0:25:57 | 0:26:00 | |
their canoe a mile and a half? | 0:26:00 | 0:26:02 | |
Well, I've got one sitting right over here, let's give it a try. | 0:26:02 | 0:26:05 | |
OK! | 0:26:05 | 0:26:06 | |
And how would you set about carrying that? | 0:26:09 | 0:26:11 | |
Well... | 0:26:11 | 0:26:12 | |
So, you grab it like this... | 0:26:12 | 0:26:14 | |
Then we pick it up and flip it over! | 0:26:14 | 0:26:17 | |
Oh, hang on, Fred. Hang on, hang on, hang on! | 0:26:17 | 0:26:20 | |
I think you and I are a bit old for this, don't you? | 0:26:20 | 0:26:22 | |
-Just a little, yes. -Look, there's a handle at each end. | 0:26:22 | 0:26:25 | |
There's a handle at each end, let's try that. | 0:26:25 | 0:26:27 | |
Let's try that. OK. | 0:26:27 | 0:26:29 | |
-Hup! -All right, we're ready to go! | 0:26:29 | 0:26:32 | |
-OK, how far? -2,700 paces. | 0:26:32 | 0:26:34 | |
2,700. | 0:26:34 | 0:26:36 | |
19, 20, 21, 22... | 0:26:37 | 0:26:39 | |
That's a long way to 2,700. | 0:26:39 | 0:26:41 | |
-Hard work, Fred. -Yes, might be easier if we put it in the canal. | 0:26:41 | 0:26:45 | |
Now you tell me! | 0:26:45 | 0:26:47 | |
So, up ahead, Michael, is the Wisconsin River lock. | 0:26:51 | 0:26:54 | |
How far are we now from the Wisconsin? | 0:26:54 | 0:26:56 | |
Well, the Wisconsin is just down the other side of this levee, so not far, like, 100 feet. | 0:26:56 | 0:27:00 | |
Well, Fred, you're right about one thing. | 0:27:01 | 0:27:03 | |
Paddling a canoe certainly beats carrying a canoe. | 0:27:03 | 0:27:07 | |
That's correct. | 0:27:07 | 0:27:09 | |
'The riverscape of North America would have changed hardly at all | 0:27:13 | 0:27:16 | |
'in the thousands of years that Native Americans | 0:27:16 | 0:27:19 | |
'hunted and fished this region. | 0:27:19 | 0:27:23 | |
'The white settlers converted the Mississippi | 0:27:23 | 0:27:26 | |
'into a major artery for commerce and, later, | 0:27:26 | 0:27:29 | |
'engineers built this Portage Canal to connect the North Atlantic | 0:27:29 | 0:27:33 | |
'to the Gulf of Mexico.' | 0:27:33 | 0:27:35 | |
Railroads, farms, cities and highways followed. | 0:27:36 | 0:27:40 | |
The taming and development of the Midwest | 0:27:40 | 0:27:43 | |
offers an extraordinary example of American grit and ingenuity. | 0:27:43 | 0:27:48 | |
'Next time, I taste the freedom of the American open road.' | 0:27:55 | 0:27:59 | |
-Ready to ride? -I'm ready to ride. | 0:27:59 | 0:28:01 | |
'I'm bowled over.' | 0:28:05 | 0:28:06 | |
Yay! | 0:28:08 | 0:28:11 | |
'And learn how innovation delivered a fuel injection...' | 0:28:11 | 0:28:14 | |
And a little bit of gas. | 0:28:14 | 0:28:15 | |
'..to 19th-century farming.' | 0:28:15 | 0:28:17 |