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I have crossed the Atlantic to ride the railroads of North America | 0:00:02 | 0:00:07 | |
with my reliable Appleton's guide. | 0:00:07 | 0:00:09 | |
Published in the late 19th century, | 0:00:12 | 0:00:14 | |
my Appleton's general guide to North America will direct me | 0:00:14 | 0:00:18 | |
to all that's novel, beautiful, | 0:00:18 | 0:00:21 | |
memorable and striking in the United States. | 0:00:21 | 0:00:26 | |
THEY SHOUT | 0:00:26 | 0:00:28 | |
As I journey across this vast continent, | 0:00:28 | 0:00:30 | |
I'll discover how pioneers and cowboys conquered the West | 0:00:30 | 0:00:35 | |
and how the railroads tied this nation together, | 0:00:35 | 0:00:39 | |
helping to create the global superstate of today. | 0:00:39 | 0:00:43 | |
My rail journey across America's Midwest | 0:01:12 | 0:01:14 | |
has brought me to Lake Michigan. | 0:01:14 | 0:01:17 | |
At the time of my Appleton's guide, | 0:01:17 | 0:01:18 | |
the United States was at the forefront of a global second Industrial Revolution | 0:01:18 | 0:01:23 | |
featuring steel, chemicals and heavy engineering. | 0:01:23 | 0:01:28 | |
Railroads and steamships tied the markets of the world together. | 0:01:28 | 0:01:32 | |
The cities of the Great Lakes supplied the ingredients for success - | 0:01:32 | 0:01:37 | |
a transport hub, innovation and manual labour. | 0:01:37 | 0:01:41 | |
I started my journey in Minnesota, in the Twin Cities, and travelled | 0:01:47 | 0:01:51 | |
alongside the Mississippi River | 0:01:51 | 0:01:54 | |
before crossing into Wisconsin at La Crosse. | 0:01:54 | 0:01:57 | |
Now I'm bound for the shores of Lake Michigan at Milwaukee, | 0:01:57 | 0:02:02 | |
from where I'll turn south to the Windy City, Chicago, | 0:02:02 | 0:02:06 | |
before travelling the length of Illinois, calling at Centralia. | 0:02:06 | 0:02:10 | |
I'll then rejoin the Mississippi | 0:02:10 | 0:02:12 | |
before ending in Memphis, Tennessee. | 0:02:12 | 0:02:15 | |
This time, I'm making my way east to explore Wisconsin's largest city - | 0:02:16 | 0:02:21 | |
Milwaukee. | 0:02:21 | 0:02:23 | |
From here, I'll head south, 30 miles along the shores of Lake Michigan, | 0:02:23 | 0:02:27 | |
ending my journey in Racine. | 0:02:27 | 0:02:30 | |
I taste the freedom of the American open road... | 0:02:32 | 0:02:36 | |
Ready to ride? I'm ready to ride. | 0:02:36 | 0:02:38 | |
..I'm bowled over by Milwaukee's charms... | 0:02:41 | 0:02:44 | |
CHEERING | 0:02:44 | 0:02:47 | |
..and learn how innovation delivered a fuel injection... | 0:02:47 | 0:02:50 | |
And a little bit of gas. | 0:02:50 | 0:02:52 | |
..to 19th-century farming. | 0:02:52 | 0:02:53 | |
By the time of my Appleton's, | 0:03:00 | 0:03:02 | |
the railways had already helped to establish communities in the Midwest. | 0:03:02 | 0:03:06 | |
Now these communities were transforming America. | 0:03:06 | 0:03:11 | |
My first stop will be Milwaukee, which Appleton's tells me | 0:03:11 | 0:03:15 | |
is the commercial capital of Wisconsin and next to Chicago, | 0:03:15 | 0:03:18 | |
the largest city in the Northwest, | 0:03:18 | 0:03:20 | |
situated on the west shore of the lake at the mouth of the Milwaukee River. | 0:03:20 | 0:03:25 | |
As railroads linked up with waterways, | 0:03:25 | 0:03:28 | |
technology supplied jobs for this city of motivated immigrants. | 0:03:28 | 0:03:34 | |
MAN OVER PA: The entire crew would like to thank you all very much | 0:03:35 | 0:03:38 | |
for travelling with us. | 0:03:38 | 0:03:40 | |
Your final stop - downtown Milwaukee. | 0:03:40 | 0:03:42 | |
The railroad first reached Milwaukee in 1851. | 0:03:46 | 0:03:50 | |
I enjoyed the ride, thank you so much. | 0:03:50 | 0:03:52 | |
Thank you. Bye-bye. Bye. | 0:03:52 | 0:03:54 | |
But my Appleton's reminds readers that this city | 0:04:00 | 0:04:04 | |
is also the best harbour | 0:04:04 | 0:04:05 | |
on the south or west shore of Lake Michigan, | 0:04:05 | 0:04:08 | |
the third largest of America's Great Lakes. | 0:04:08 | 0:04:11 | |
There is no hope of seeing across Lake Michigan | 0:04:19 | 0:04:23 | |
to the opposite shore - it is far too vast. | 0:04:23 | 0:04:26 | |
To Europeans like me, these Great Lakes seem like seas | 0:04:26 | 0:04:31 | |
and they are an important part of the making of America. | 0:04:31 | 0:04:35 | |
These enormous bodies of water, joined together, | 0:04:35 | 0:04:38 | |
enabled people and goods to travel vast distances through them in | 0:04:38 | 0:04:43 | |
the days before the railroads. | 0:04:43 | 0:04:45 | |
The Milwaukee that greeted the Appleton's traveller | 0:04:56 | 0:04:59 | |
had a distinctive appearance. | 0:04:59 | 0:05:01 | |
Apparently, the peculiar cream colour of the Milwaukee brick gives | 0:05:03 | 0:05:07 | |
the city a unique and pretty appearance | 0:05:07 | 0:05:10 | |
and has earned for it the name the Cream City of the Lakes. | 0:05:10 | 0:05:14 | |
Despite Milwaukee's genteel architecture, | 0:05:18 | 0:05:21 | |
at the time of my guidebook, it was a proudly blue-collar city. | 0:05:21 | 0:05:25 | |
Appleton's tells me that manufactures here are extensive | 0:05:27 | 0:05:30 | |
and embraced pig iron, iron castings, machinery and wheels. | 0:05:30 | 0:05:36 | |
Give me a pair of wheels! | 0:05:36 | 0:05:38 | |
A few decades after my guidebook was published, | 0:05:44 | 0:05:47 | |
Milwaukee's mechanical ingenuity gave birth to an American icon. | 0:05:47 | 0:05:53 | |
The motorcycle manufacturer Harley-Davidson was founded here | 0:05:53 | 0:05:58 | |
and remains a symbol of the United States' freewheeling, | 0:05:58 | 0:06:02 | |
pioneer spirit. | 0:06:02 | 0:06:03 | |
Hello, Bill. Hello, Michael. | 0:06:08 | 0:06:10 | |
How are you? What a wonderful machine! | 0:06:10 | 0:06:12 | |
Thank you so much. | 0:06:12 | 0:06:14 | |
So, you are Bill Davidson, as in Harley-Davidson. | 0:06:14 | 0:06:19 | |
What's the connection? | 0:06:19 | 0:06:20 | |
Well, my great-grandfather was one of the original founders of the company, | 0:06:20 | 0:06:25 | |
William A Davidson was his name, and we are literally within... | 0:06:25 | 0:06:30 | |
several yards of where that original factory shed was, | 0:06:30 | 0:06:34 | |
and that was in the back yard of my great-great-grandparents. | 0:06:34 | 0:06:38 | |
Did motorbikes exist when Harley and Davidson got going? | 0:06:38 | 0:06:42 | |
Yes. There were motorcycles. | 0:06:42 | 0:06:44 | |
In the late 1800s, there was actually a steam-powered motorcycle. | 0:06:44 | 0:06:49 | |
Quite a contraption. | 0:06:49 | 0:06:51 | |
There were a lot of different people working in this arena of | 0:06:51 | 0:06:55 | |
trying to develop a motorcycle. | 0:06:55 | 0:06:58 | |
Childhood friends William S Harley and Arthur Davidson | 0:07:01 | 0:07:04 | |
dreamed of building a winning design. | 0:07:04 | 0:07:07 | |
They enlisted the help of Arthur's older brothers, | 0:07:07 | 0:07:10 | |
who had experience in Milwaukee's railroad workshops. | 0:07:10 | 0:07:13 | |
And, in 1903, they rolled serial number one out of that shed. | 0:07:13 | 0:07:18 | |
Given that there was so much competition, | 0:07:18 | 0:07:20 | |
how did Harley and Davidson get their break, do you think? | 0:07:20 | 0:07:23 | |
Very early on, they created a unique look, | 0:07:23 | 0:07:26 | |
the unique sound and they created a unique feel. | 0:07:26 | 0:07:29 | |
You know, it's a magnet, it pulls you in. | 0:07:29 | 0:07:32 | |
When you see a Harley, people actually say, | 0:07:32 | 0:07:34 | |
even if they don't ride, | 0:07:34 | 0:07:36 | |
they will say, "Nice Harley!" | 0:07:36 | 0:07:39 | |
I wonder if it's something to do with the shape of your continent. | 0:07:39 | 0:07:42 | |
It is vast. | 0:07:42 | 0:07:44 | |
Is that part of it? It's the invitation to the Easy Rider. | 0:07:44 | 0:07:47 | |
You know, it might be that Wild West feeling, | 0:07:48 | 0:07:52 | |
that little bit of rebel in all of us, right? | 0:07:52 | 0:07:54 | |
Bill, happy riding to you. | 0:07:54 | 0:07:56 | |
Thank you so much. It was a pleasure. | 0:07:56 | 0:07:58 | |
Today, there are plenty of magnificent machines on display | 0:08:02 | 0:08:06 | |
at one of Milwaukee's regular biker gatherings. | 0:08:06 | 0:08:09 | |
Hello, ma'am. Hi, sir. Would you mind switching on the engine for me? | 0:08:19 | 0:08:23 | |
Let me hear the sound of your bike. | 0:08:23 | 0:08:25 | |
ENGINE TURNS ON | 0:08:27 | 0:08:29 | |
I can't hear it! | 0:08:31 | 0:08:33 | |
ENGINE ROARS | 0:08:33 | 0:08:34 | |
I heard it. | 0:08:35 | 0:08:37 | |
Thank you very much. | 0:08:37 | 0:08:39 | |
Where do you ride your bike to? | 0:08:40 | 0:08:42 | |
Actually, I came from Saudi Arabia. | 0:08:42 | 0:08:45 | |
No! Yeah. | 0:08:45 | 0:08:46 | |
Do you feel a companionship with other Harley riders? | 0:08:46 | 0:08:50 | |
Yeah, sure. Why? | 0:08:50 | 0:08:52 | |
Because we are a biker relationship between ourselves. | 0:08:53 | 0:08:58 | |
Biker is always brotherhood, you can't buy it. | 0:08:58 | 0:09:01 | |
Enjoy your biking. Thank you. | 0:09:01 | 0:09:05 | |
Hey! I love them pants you've got on! Oh! | 0:09:05 | 0:09:08 | |
You're so sweet. | 0:09:08 | 0:09:10 | |
How nice to see you. | 0:09:10 | 0:09:11 | |
I'd get away with those pants. I like that. | 0:09:11 | 0:09:14 | |
And who's this you've got on the back here? This is my mini me. | 0:09:14 | 0:09:17 | |
Your mini me? Yeah, she has travelled the 48 states with me. | 0:09:17 | 0:09:21 | |
You've been through 48 states? In 27 days. | 0:09:21 | 0:09:24 | |
So, tell me, what's it all about? You feel free. | 0:09:24 | 0:09:27 | |
It is like a therapy for me. | 0:09:27 | 0:09:30 | |
The moment I got on the bike, it was like, whoa! | 0:09:30 | 0:09:34 | |
You know? | 0:09:34 | 0:09:36 | |
It's just... It's therapeutic, truly. | 0:09:36 | 0:09:39 | |
Have...? Do you ride motorcycles? I can ride you here. | 0:09:39 | 0:09:42 | |
You could? I could. So, you know what it is to ride on this seat? | 0:09:42 | 0:09:46 | |
Do you know what it's called? | 0:09:46 | 0:09:48 | |
Pillion? No, it's called riding bitch. | 0:09:48 | 0:09:52 | |
So, you'll be riding as my bitch! | 0:09:52 | 0:09:55 | |
It's a privilege. | 0:09:56 | 0:09:58 | |
That's right, it's definitely a privilege! | 0:09:58 | 0:10:02 | |
You'll be pleased to hear that I don't have to leather up. | 0:10:02 | 0:10:05 | |
Ready to ride? I'm ready to ride. OK. | 0:10:05 | 0:10:07 | |
I have joined a brotherhood and a sisterhood of people | 0:10:34 | 0:10:38 | |
linked by their choice of motorbike. | 0:10:38 | 0:10:40 | |
Back in 1879, | 0:10:54 | 0:10:55 | |
Milwaukee was one of the powerhouses of America's Industrial Revolution. | 0:10:55 | 0:11:00 | |
It was the plentiful immigrant workforce that enabled the United States | 0:11:01 | 0:11:06 | |
to lead the world in manufacturing. | 0:11:06 | 0:11:09 | |
As my guidebook tells me, | 0:11:09 | 0:11:11 | |
Milwaukee's population growth has been very rapid and, | 0:11:11 | 0:11:15 | |
in this downtown district, there is evidence of one group of newcomers. | 0:11:15 | 0:11:20 | |
Appleton's tells me that Germans constitute nearly half the population. | 0:11:21 | 0:11:26 | |
Their influence is everywhere - breweries, beer saloons, gast haus, | 0:11:26 | 0:11:30 | |
music halls and restaurants. | 0:11:30 | 0:11:32 | |
One hears German spoken as often as English, | 0:11:32 | 0:11:36 | |
but what ideas did they bring? | 0:11:36 | 0:11:38 | |
I'm making my way to Turner Hall, | 0:11:39 | 0:11:42 | |
which was a focal point for Milwaukee's 19th-century German community. | 0:11:42 | 0:11:47 | |
History professor Aims McGuinness | 0:11:47 | 0:11:49 | |
has been a so-called Turner for eight years. | 0:11:49 | 0:11:52 | |
It's great to be here. It's an...intriguingly historic building. | 0:11:52 | 0:11:55 | |
I mean, for example, what's that? | 0:11:55 | 0:11:57 | |
This is a monument to members of the Turners who died fighting for | 0:11:57 | 0:12:01 | |
the union during the Civil War in the United States. | 0:12:01 | 0:12:04 | |
The centrepiece of this beautiful building is its imposing ballroom. | 0:12:04 | 0:12:08 | |
Aims, there is a wonderful faded grandeur to the hall. | 0:12:11 | 0:12:16 | |
What have been its uses over the years? | 0:12:16 | 0:12:18 | |
This was a place to have political debates, to read books, | 0:12:18 | 0:12:21 | |
to listen to a lecture, to listen to Beethoven | 0:12:21 | 0:12:25 | |
and also to hoist a beer and to build your muscular strength. | 0:12:25 | 0:12:29 | |
All those things went together for the Turners and, for us, they still do. | 0:12:29 | 0:12:32 | |
What was the origin of the Turners? | 0:12:32 | 0:12:34 | |
The Turners originated in Prussia, | 0:12:34 | 0:12:36 | |
in what's now Germany, in the early 1800s. | 0:12:36 | 0:12:38 | |
The founding principles were | 0:12:38 | 0:12:40 | |
the notions of a sound mind and sound body. | 0:12:40 | 0:12:42 | |
Founder Friedrich Ludwig Jahn | 0:12:42 | 0:12:44 | |
named his movement after the physical exercises | 0:12:44 | 0:12:47 | |
he devised that he called Turnen. | 0:12:47 | 0:12:50 | |
Today, this word still means gymnastics in German, | 0:12:50 | 0:12:54 | |
but Turnerism went far beyond sport. | 0:12:54 | 0:12:57 | |
In order to become a Turner, | 0:12:57 | 0:12:58 | |
one must commit oneself to the cause of liberty | 0:12:58 | 0:13:01 | |
and to oppose tyranny in all its forms. | 0:13:01 | 0:13:03 | |
In Europe, the principal form of tyranny | 0:13:03 | 0:13:05 | |
to which they imposed themselves was monarchy. | 0:13:05 | 0:13:08 | |
When they came to the United States, | 0:13:08 | 0:13:10 | |
it was the institution of slavery that they opposed. | 0:13:10 | 0:13:14 | |
Many Turners fled Prussia for America | 0:13:14 | 0:13:16 | |
after participating in a failed revolution in 1848. | 0:13:16 | 0:13:21 | |
Soon, Turners defended their new nation's founding principle | 0:13:21 | 0:13:25 | |
of liberty with their lives, marching into battle | 0:13:25 | 0:13:29 | |
with the Union Army in the American Civil War. | 0:13:29 | 0:13:32 | |
Do you think then that the Civil War monument that we just saw | 0:13:32 | 0:13:35 | |
had a real significance in demonstrating their patriotism? | 0:13:35 | 0:13:38 | |
Oh, I think absolutely. | 0:13:38 | 0:13:40 | |
In some ways, a monument created in the early 20th century in German | 0:13:40 | 0:13:44 | |
commemorating people who had sacrificed their lives for freedom | 0:13:44 | 0:13:47 | |
in the United States wasn't so much a provocation, and the message is, | 0:13:47 | 0:13:51 | |
"Look, one does not need to speak English at all times in order to be a patriotic American, | 0:13:51 | 0:13:55 | |
"one can speak German as well." | 0:13:55 | 0:13:58 | |
And who will tell these people that they are not fully patriotic? | 0:13:58 | 0:14:01 | |
They've sacrificed their lives for the nation. | 0:14:01 | 0:14:04 | |
German influence on the modern United States | 0:14:06 | 0:14:09 | |
was suppressed during two world wars, | 0:14:09 | 0:14:12 | |
but the principle of sound body, sound mind lives on here. | 0:14:12 | 0:14:17 | |
Stretch your legs as far as you can. | 0:14:17 | 0:14:20 | |
Try and reach your ankles. | 0:14:20 | 0:14:21 | |
What?! | 0:14:21 | 0:14:23 | |
How do you do that? Well, I'm a woman. | 0:14:25 | 0:14:28 | |
I can only hope that my tight hamstrings | 0:14:28 | 0:14:31 | |
aren't a sign of an inflexible intellect | 0:14:31 | 0:14:33 | |
as I join the weekly Ladies Auxiliary exercise class | 0:14:33 | 0:14:37 | |
under the guidance of Nora. | 0:14:37 | 0:14:39 | |
Arms over your head. | 0:14:43 | 0:14:45 | |
Up. | 0:14:47 | 0:14:48 | |
MICHAEL GROANS | 0:14:48 | 0:14:51 | |
Try to keep your elbows straight. | 0:14:51 | 0:14:53 | |
MICHAEL GROANS | 0:14:53 | 0:14:56 | |
Bend...and down. | 0:14:56 | 0:14:58 | |
These ladies are giving me an enormous work-out. | 0:14:58 | 0:15:01 | |
OK. Now get up any way you can. | 0:15:03 | 0:15:07 | |
Whoo! | 0:15:09 | 0:15:10 | |
In the 1880s, Milwaukee was known as the nation's watering hole. | 0:15:22 | 0:15:27 | |
German immigrants brought with them a taste for beer | 0:15:27 | 0:15:30 | |
and my Appleton's tells me the breweries are large and numerous. | 0:15:30 | 0:15:35 | |
Pints of Pilsner were the perfect accompaniment to another German gift to Milwaukee - bowling. | 0:15:35 | 0:15:41 | |
I'm calling in at Holler House bowling alley, | 0:15:43 | 0:15:46 | |
one of the oldest in the country, | 0:15:46 | 0:15:48 | |
run for the past 62 years by the redoubtable Marcy. | 0:15:48 | 0:15:53 | |
Hello! Hi. | 0:15:53 | 0:15:55 | |
Marcy, do you serve beer here? | 0:15:55 | 0:15:57 | |
Do I serve beer? Yeah. | 0:15:57 | 0:15:58 | |
Well, what the hell do you think I'm here for? Exactly! | 0:15:58 | 0:16:01 | |
Could I have a Milwaukee beer, please? | 0:16:01 | 0:16:03 | |
Sure. There you go. | 0:16:03 | 0:16:05 | |
You bowl? I used to. | 0:16:05 | 0:16:07 | |
I bowled until I was 70 years old, but now I'm 90. | 0:16:07 | 0:16:10 | |
You are 90? Yeah. | 0:16:10 | 0:16:12 | |
Wow! Are you going to show me the basics of how to bowl? | 0:16:12 | 0:16:16 | |
I show you how to bowl? Yeah, sure. Sure, what the hell? | 0:16:16 | 0:16:19 | |
American ten-pin bowling evolved from traditional European skittles. | 0:16:21 | 0:16:25 | |
What kind of fingers have you got? | 0:16:25 | 0:16:27 | |
Erm...stubby ones. This should fit you. | 0:16:27 | 0:16:30 | |
OK. OK. | 0:16:30 | 0:16:32 | |
Like that, yeah? Now what? | 0:16:32 | 0:16:34 | |
Now, see that middle arrow? | 0:16:34 | 0:16:36 | |
Yeah. Throw it towards that one. | 0:16:36 | 0:16:39 | |
Do it for the team, Mike! | 0:16:41 | 0:16:43 | |
CHEERS OF ENCOURAGEMENT | 0:16:43 | 0:16:46 | |
Whoa! | 0:16:52 | 0:16:54 | |
The pin boy here is human, not mechanical. | 0:16:56 | 0:16:59 | |
CHEERING | 0:17:06 | 0:17:09 | |
CHEERING AND APPLAUSE | 0:17:10 | 0:17:11 | |
Hello. | 0:17:36 | 0:17:38 | |
19th-century Milwaukee might seem to have been a macho kind of place, | 0:17:39 | 0:17:45 | |
but it wasn't all beer, | 0:17:45 | 0:17:46 | |
bowling and bikers at the time of my Appleton's guide. | 0:17:46 | 0:17:50 | |
While I'm in the city, | 0:17:50 | 0:17:52 | |
I want to look into a small appliance | 0:17:52 | 0:17:54 | |
that altered forever both the office and the home - | 0:17:54 | 0:17:58 | |
a certain inventive Milwaukee type was key to the development. | 0:17:58 | 0:18:04 | |
I've come to the Milwaukee Public Museum to track down | 0:18:10 | 0:18:13 | |
the history of the typewriter. | 0:18:13 | 0:18:16 | |
In street scenes that would have been familiar to an Appleton's traveller, | 0:18:20 | 0:18:23 | |
I'm meeting curator Al Muchka. | 0:18:23 | 0:18:27 | |
Very good to see you. Good to see you, too. | 0:18:27 | 0:18:29 | |
Why is Milwaukee important in the development of the typewriter? | 0:18:29 | 0:18:32 | |
Well, Milwaukee is important because of Christopher Latham Sholes. | 0:18:32 | 0:18:36 | |
He was one of our local residents, he was an inventor, a newspaperman, | 0:18:36 | 0:18:40 | |
and he was working on an addressing device for his newspapers, | 0:18:40 | 0:18:46 | |
first by looking at how to transmit the action | 0:18:46 | 0:18:49 | |
of the finger to a letter on the page - | 0:18:49 | 0:18:53 | |
and we can take a look at that right here. | 0:18:53 | 0:18:55 | |
That is an extraordinary thing because, to me, | 0:18:57 | 0:19:00 | |
it resembles a piano much more than it does a typewriter. | 0:19:00 | 0:19:03 | |
Well, this is one of the early models. | 0:19:03 | 0:19:05 | |
We believe this is about 1868. | 0:19:05 | 0:19:07 | |
The idea was that you would strike a key, like a piano, | 0:19:07 | 0:19:10 | |
and it would actuate across these bars, | 0:19:10 | 0:19:13 | |
which were then tied to a tower with rods and actuators | 0:19:13 | 0:19:19 | |
that would actually bring the type piece up to strike the paper. | 0:19:19 | 0:19:23 | |
Incredibly inventive. | 0:19:23 | 0:19:25 | |
But now, this suddenly begins to look like a typewriter. | 0:19:25 | 0:19:28 | |
What is this? This is an 1870s version of the Sholes typewriter. | 0:19:28 | 0:19:32 | |
So what we have here is a refinement. | 0:19:32 | 0:19:36 | |
The biggest thing here is, by this time, | 0:19:36 | 0:19:38 | |
they actually developed the Qwerty keyboard | 0:19:38 | 0:19:40 | |
that we are familiar with today. | 0:19:40 | 0:19:42 | |
So why do we have Q-W-E-R-T-Y at the beginning of our keyboard? | 0:19:42 | 0:19:47 | |
Well, it has to do with the arrangement of the rods | 0:19:47 | 0:19:50 | |
and all of the little connections inside of the machine. | 0:19:50 | 0:19:54 | |
If you put it in a regular alphabetic order, | 0:19:54 | 0:19:57 | |
things tend to cross or letters next to each other will catch on each other. | 0:19:57 | 0:20:01 | |
That is extraordinary. | 0:20:01 | 0:20:03 | |
I mean, I have here, obviously, a 21st-century mobile phone, | 0:20:03 | 0:20:06 | |
it has a Qwerty keyboard, | 0:20:06 | 0:20:08 | |
and you're telling me that | 0:20:08 | 0:20:10 | |
the origin of that was a mechanical difficulty that, | 0:20:10 | 0:20:14 | |
way back in the 19th century, Sholes was trying to solve. | 0:20:14 | 0:20:17 | |
That's exactly right. | 0:20:17 | 0:20:18 | |
It was established in the 1870s and it lives with us today. | 0:20:18 | 0:20:22 | |
Sholes' design went into mass production | 0:20:25 | 0:20:28 | |
after he won the backing of the Remington company. | 0:20:28 | 0:20:32 | |
The Remington No 1 went on sale in 1874. | 0:20:32 | 0:20:36 | |
It became the world's first commercially successful typewriter. | 0:20:36 | 0:20:41 | |
Sholes had used his daughter Lillian to demonstrate his earlier devices | 0:20:41 | 0:20:46 | |
and Remington continued to market its newfangled contraptions to women. | 0:20:46 | 0:20:51 | |
Al, these are... | 0:20:53 | 0:20:56 | |
wonderful objects and literally beautiful. | 0:20:56 | 0:20:58 | |
This is one of the original Sholes and Glidden machines. | 0:20:58 | 0:21:02 | |
It's painted and decorated this way because of the Remington company. | 0:21:02 | 0:21:06 | |
So the idea was that, | 0:21:06 | 0:21:08 | |
if the scary typewriting machine was decorated in a similar way | 0:21:08 | 0:21:12 | |
to an object that's already in your home, you'd be more apt to use it, | 0:21:12 | 0:21:16 | |
especially for women. | 0:21:16 | 0:21:17 | |
Their manual dexterity was considered to be superior to that of men, | 0:21:17 | 0:21:22 | |
so they were really desired as typists. | 0:21:22 | 0:21:24 | |
By 1888, there were 60,000 typists across America | 0:21:24 | 0:21:27 | |
and most of them were women. | 0:21:27 | 0:21:29 | |
Were women typists reasonably well paid? | 0:21:29 | 0:21:32 | |
Your average clerk at the time was making about $9 a week. | 0:21:32 | 0:21:35 | |
An experienced typist could make $20 a week. | 0:21:35 | 0:21:39 | |
That was an incredible amount of money at the time. | 0:21:39 | 0:21:41 | |
So the typewriter, an object that I very much take for granted, | 0:21:41 | 0:21:45 | |
had a huge impact on business, a huge impact on society, too. | 0:21:45 | 0:21:49 | |
That's exactly right. | 0:21:49 | 0:21:50 | |
I'm bidding Milwaukee farewell | 0:22:00 | 0:22:02 | |
and following my Appleton's 30 miles south. | 0:22:02 | 0:22:06 | |
The book tells me that the tracks run along the west shore of Lake Michigan | 0:22:19 | 0:22:23 | |
through a rich farming region. | 0:22:23 | 0:22:25 | |
Farmers played a vital role in 19th-century urbanisation | 0:22:26 | 0:22:31 | |
and industrialisation. | 0:22:31 | 0:22:33 | |
I'm heading for Racine, Wisconsin, the second city of the state, | 0:22:33 | 0:22:37 | |
pleasantly situated on a plateau | 0:22:37 | 0:22:40 | |
projecting about five miles into the lake. | 0:22:40 | 0:22:43 | |
Manufactures are the chief source of the city's prosperity. | 0:22:43 | 0:22:48 | |
Today's researchers will produce a combined harvest | 0:22:48 | 0:22:52 | |
of mechanisation and agriculture. | 0:22:52 | 0:22:54 | |
TRAIN HORN BLARES | 0:23:10 | 0:23:12 | |
I'm on the case of a man who knew how to sort | 0:23:13 | 0:23:16 | |
the wheat from the chaff. | 0:23:16 | 0:23:18 | |
Case IH Agriculture is now a global brand. | 0:23:25 | 0:23:29 | |
Marketing manager Juliann Ulbrich knows how the story began. | 0:23:29 | 0:23:33 | |
Juliann, hi. | 0:23:35 | 0:23:37 | |
Hi. I'm Michael. | 0:23:37 | 0:23:38 | |
Nice to meet you. What a wonderful place this is. | 0:23:38 | 0:23:41 | |
What an extraordinary collection of historic artefacts. | 0:23:41 | 0:23:44 | |
Now, your founder had the wonderful name Jerome Increase Case. | 0:23:44 | 0:23:49 | |
Tell me about him. Yeah. | 0:23:49 | 0:23:51 | |
So we often call him JI Case for short | 0:23:51 | 0:23:54 | |
and he was actually born in New York state. | 0:23:54 | 0:23:58 | |
He was a very bright young man | 0:23:58 | 0:24:01 | |
and saw a lot of opportunity to make the farmers' life a lot easier. | 0:24:01 | 0:24:05 | |
And so, in 1842, JI Case headed west to Wisconsin, | 0:24:05 | 0:24:10 | |
the perfect place to turn his ideas into big business. | 0:24:10 | 0:24:15 | |
The Midwest at that time was the big breadbasket of the United States | 0:24:15 | 0:24:20 | |
and where industry meets agriculture. | 0:24:20 | 0:24:23 | |
Right here, you have the Great Lakes, rail hubs, | 0:24:23 | 0:24:28 | |
so that you can transport both equipment | 0:24:28 | 0:24:31 | |
and the grain that you needed to feed the large population out east. | 0:24:31 | 0:24:37 | |
This looks like the oldest piece in your collection. Tell me about that. | 0:24:37 | 0:24:40 | |
Yeah, so this is a threshing machine from the 1860s. | 0:24:40 | 0:24:44 | |
It beats the wheat to separate the straw from the grain. | 0:24:44 | 0:24:48 | |
Before you had this machine, how was that process undertaken? | 0:24:48 | 0:24:51 | |
You would have farmers doing this by hand with flails, beating the grain. | 0:24:51 | 0:24:57 | |
This was a huge improvement. | 0:24:57 | 0:24:59 | |
In the 1840s, when JI Case started the business, | 0:24:59 | 0:25:03 | |
about three quarters of the American population was involved in farming. | 0:25:03 | 0:25:07 | |
It was extremely labour-intensive. | 0:25:07 | 0:25:10 | |
But the threshing machine and other mechanisation, | 0:25:10 | 0:25:13 | |
it greatly reduced the number of people that had to be tied to the land. | 0:25:13 | 0:25:18 | |
So, by the 1870s, it was only about half of the population. | 0:25:18 | 0:25:24 | |
The Industrial Revolution was largely enabled by the advances in | 0:25:24 | 0:25:28 | |
agriculture and mechanisation on the farms. | 0:25:28 | 0:25:31 | |
At the time of my guidebook, | 0:25:33 | 0:25:35 | |
JI Case's company was growing | 0:25:35 | 0:25:37 | |
and diversifying into all manner of farm equipment. | 0:25:37 | 0:25:40 | |
And some of their world-famous tractors are still made here | 0:25:42 | 0:25:46 | |
in Racine at the rate of roughly one every 20 minutes. | 0:25:46 | 0:25:49 | |
Jerome Increase Case was probably aptly named because | 0:25:51 | 0:25:56 | |
the business has mushroomed, | 0:25:56 | 0:25:58 | |
not only in the size of the production line, | 0:25:58 | 0:26:01 | |
but in the size of the vehicles. | 0:26:01 | 0:26:04 | |
Just look at these jumbo tractors! | 0:26:04 | 0:26:07 | |
Plant manager Nate Burgers | 0:26:10 | 0:26:12 | |
has agreed to let me test drive a brand-new, six-cylinder, | 0:26:12 | 0:26:16 | |
280 horsepower tractor. | 0:26:16 | 0:26:19 | |
All right, so this is the final product here, | 0:26:19 | 0:26:21 | |
so let me show you how to get inside this. | 0:26:21 | 0:26:23 | |
Feel free to step right up there. | 0:26:23 | 0:26:25 | |
I'm in. | 0:26:27 | 0:26:29 | |
All right. Lovely, comfortable machine, actually. | 0:26:29 | 0:26:33 | |
ENGINE STARTS | 0:26:34 | 0:26:36 | |
Perfect. | 0:26:36 | 0:26:37 | |
And a little bit of gas. | 0:26:47 | 0:26:49 | |
Yeah. Can I put a little bit of gas? Go ahead, get it going. | 0:26:49 | 0:26:52 | |
The latest Magnum tractor rolls off the line, | 0:26:56 | 0:26:59 | |
a tribute to Jerome Increase Case. | 0:26:59 | 0:27:02 | |
German Turners arrived in Milwaukee on the shores of Lake Michigan, | 0:27:17 | 0:27:20 | |
spreading a message of physical and mental fitness, | 0:27:20 | 0:27:24 | |
perhaps contributing to an ideal workforce | 0:27:24 | 0:27:27 | |
for America's second Industrial Revolution. | 0:27:27 | 0:27:30 | |
Threshing machines made by JI Case contributed to the mechanisation | 0:27:30 | 0:27:35 | |
of the countryside and the urbanisation of the population. | 0:27:35 | 0:27:39 | |
Whilst Sholes typewriters ushered women into office jobs. | 0:27:39 | 0:27:44 | |
But the city has achieved international attention thanks to | 0:27:44 | 0:27:48 | |
Harley-Davidson, perhaps America's most iconic machine. | 0:27:48 | 0:27:53 | |
Next time, I make a few announcements... | 0:27:56 | 0:28:00 | |
2.58, your train's never late! | 0:28:00 | 0:28:03 | |
..strike out in America's national game... | 0:28:03 | 0:28:06 | |
There we go. You're looking like a natural already. | 0:28:06 | 0:28:09 | |
..and I'm blown away by the Windy City. | 0:28:09 | 0:28:12 | |
Chicago - surely one of the world's most stunning cities? | 0:28:12 | 0:28:15 | |
Before I met you, I was a civilised woman. | 0:28:50 | 0:28:52 | |
Now I don't even know what that means. | 0:28:54 | 0:28:56 | |
Fear makes animals of us all. | 0:28:57 | 0:28:59 | |
Would the defendant please stand? What have I done? | 0:29:02 | 0:29:05 |